Sexuality

In “The Little Sister,” a teenager tries to hide in plain sight. Although everyone comments on her beauty, 17-year-old Fatima prefers to tie her hair back in a ponytail, her bright eyes buried underneath a black ball cap, her body concealed in unflattering tracksuits. As played by first-timer Nadia Melliti, who won the actress award at last year’s Cannes Film Festival, Fatima is encased in a kind of armor, an outward manifestation of her hesitancy to share her sexual orientation with a world she knows will judge her. This graceful film chronicles the process by which Fatima gradually sheds that reserve.

Adapted from Fatima Daas’ 2020 novel “The Last One,” a work of autofiction detailing the French author’s own coming out, “The Little Sister” takes place over five seasons, observing Fatima as she completes grade school and begins attending university. An adept athlete with a tomboyish demeanor, Fatima disappears inside a friend group consisting of immature teen boys who treat her like one of the guys, including her in their raunchy sex talk. Fatima has a boyfriend, Adel (Ahmed Kheloufi), but the relationship feels vestigial, with him constantly complaining that she should dress more feminine. Just as upsetting to Adel: When he tells Fatima that he loves her, she doesn’t respond in kind.

This is the third feature from French actor and director Hafsia Herzi, who herself made an acting splash in 2007’s “The Secret of the Grain.” For “The Little Sister,” Herzi takes a cue from Daas’ book, mapping Fatima’s inner journey as a modest series of tentative steps forward and anxious steps back. Fatima has reason to be skittish. The youngest of three daughters in a loving French-Algerian Muslim family, she conceals any hint of her sexuality from her mother, father and sisters, anticipating their disapproval. Many queer coming-of-age movies position the character’s awakening as an act of defiance. For Fatima, a practicing Muslim who adores her parents, the stakes feel even higher. Melliti’s performance is one of silent suffering, illustrating Fatima’s deference to her family.

But as much as she smothers her desires, others can sense them. An altercation between her friends and a gay male classmate gets heated once the classmate accuses her of being closeted, which she vehemently (and violently) denies. Soon after, Fatima secretly joins a dating app, hoping to understand her queerness. Her first date, in which she uses a fake name, focuses on learning terminology such as scissoring, and she approaches each new encounter like a fact-finding mission. Melliti keeps the shy teenager’s reactions neutral, Fatima’s stoicism a strategy to prevent exposing her inexperience.

That’s when she meets Ji-Na (Park Ji-min, the free spirit of “Return to Seoul”), a physician’s assistant who practically glows in her presence, overwhelming Fatima’s cautious nature. Ji-Na and Fatima’s love story — its blossoming, its unraveling, its possible resuscitation — forms the heart of “The Little Sister,” which also received the Queer Palm at Cannes. Melliti and Park exude a frisky, lusty chemistry, but it’s a film as much about self-love, as Fatima seeks to become comfortable in her own skin. Ji-Na is open and confident while Fatima remains closed off, her shame about her sexuality deeply culturally ingrained. When our main character starts lowering her defenses, however, that’s when she’s hit by a jolt that sends her spiraling.

Herzi’s slender, unassuming drama contains few emotional crescendos or grand insights, although this is the rare French film to center on a Muslim lesbian as its protagonist. “The Little Sister” grows even more intriguing once the love affair runs aground, forcing Fatima to flounder in her heartache. Her odyssey will lead to threesomes and lonely nights, but also difficult questions regarding how her faith and family may leave her perpetually adrift.

“The Little Sister” leaves much unspoken, which is fitting for a protagonist who rarely expresses herself in clear terms. Even during a touching scene near the finale, as Fatima sits at the dinner table weeping, upset over the end of a relationship, she and her mother (Amina Ben Mohamed) engage in a nimble dance: Fatima doesn’t feel safe explaining precisely why she’s crying, while her supportive mom chooses her words carefully, perhaps knowing more about her daughter than she dares say aloud. But despite the character’s rocky path to sexual awakening, Herzi navigates toward a hopeful conclusion that doesn’t peddle phony uplift. Fatima still faces a community that won’t embrace her true self. But maybe, at last, she’s willing to be seen.

Coronation Street legend Amanda Barrie, who starred as Alma Baldwin on the ITV soap, is convinced bosses would’ve sacked her had her sexuality been made public at the time

Amanda Barrie is convinced she would have been axed from Coronation Street had producers found out about her sexuality. The actress, 90, starred as Alma Halliwell on the ITV soap from 1988 until 2001 and the character became known for her marriage to Mike Baldwin (Johnny Briggs) and ran the local café with Gail Tilsey (Helen Worth) before it was taken over by Roy Cropper.

In real life, Amanda was married to actor Robin Hunter from 1967 until the mid-1980s and she went on to tie the knot with crime novelist and former Mirror journalist Hilary Bonner in 2014, having chosen to come out as bisexual in her 2002 memoir It’s Not A Rehearsal, which she released shortly after quitting the soap.

Now, Amanda, has insisted that whilst the programme now has an influx of gay and lesbian characters, she had to keep her sexuality a secret and is now sure that, had she been open and honest about it, she would have been written out thanks to the attitudes that were in place in society at that time.

She said: “Not thought, I KNOW I would have been [fired], taking into account the climate at the time. Things are so different now. Corrie’s like Canal Street in Manchester these days.

“The people I was close to always knew about me and the relationships throughout my life. Being at the age I am, I still remember when gay men were absolutely crucified for being the way they were. “

Amanda, whose Corrie alter-ego Alma was memorably killed off following a battle with cancer, noted that these days it is “so much easier” for people like Christine McGuinness, who was rumoured to have been dating Nicola Adams after splitting from Paddy McGuinness, to discuss their sexuality publicly.

Now, the former Bad Girls star is just hopeful that eventually, society will arrive at a place where the announcement of one’s sexuality is not even necessary and it ends up being an “unimportant” factor in one’s personality.

Speaking to The Sun, she added: “I believe in the freedom to do and be exactly as you wish in life. To live in your own way. I dream of a day when people’s sexuality is regarded as so unimportant that no one even bothers to remark on whether somebody is gay or straight. “It’s probably a pipedream, but I still like to dream it.”

Amanda, whose stellar showbiz career also includes appearances in other TV favourites like Casualty, Amandaland, and Benidorm and has also seen her become a pantomime favourite, previously spoke of the surprise reaction she got from the public when she did eventually decide to go public about her sexuality.

During an appearance on Good Morning Britain towards the end of last year, she explained: “I expected to be stoned in the street, I got a lot of hugs. What was I in such a state about? Because it was just ‘Oh, I see, oh…'” before adding:

“You automatically revert to the way you’d always behave, lurking about with your head down editing your life is what you do. You change they, he, she, all that editing…”

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