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BOMBSHELL unheard audio of Michael Jackson sharing his deepest “intimate” thoughts on children will be revealed in a new documentary.

In the chilling voice recordings, the music legend can be heard discussing his deep-seated feelings on his infatuation with kids.

During one alarming moment Jackson even admitted that if he could not be close to children he would take his own life, according to the New York Post.

“If you told me right now . . . Michael, you could never see another child…I would kill myself,” he reportedly said.

“Children want to just touch me and hug me.

“Kids end up falling in love with my personality. Sometimes it gets me into trouble.”

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The unsettling recordings alongside a number of never-before-seen tapes have been secured for a four-part Channel 4 series called The Trial.

Set to premiere on February 4, the docuseries details new revelations from the pop icon’s 2005 child molestation trial.

Shedding new light on Jackson’s relationship with child cancer survivor Gavin Arvizo, who later accused him of sexual abuse, unseen footage shows their pair going on picnics alone together.

Gavin accused him of sexual molestation in 2005, saying Jackson showed him pornography and gave him alcohol.

The star – who admitted to sharing his bed with kids – was cleared of all 14 charges, including four counts of molesting a child, four counts of getting a child drunk so that he could molest him, and of secretly conspiring to hold the boy and his family captive at his California ranch, Neverland.

He was also charged with supplying alcohol to the boy, now 15.

The New York Post spoke to an insider who had heard the recordings.

“There is something extremely unusual and eerie about Michael Jackson’s infatuation with children – especially those who are not his own,” they said.

“To hear his voice discuss children in this manner, given he had been accused on molestation, raises many questions about his mental health, mindset and sadly, intentions.

“This is Michael at his most open giving us an insight into how he was in love with children . . . infatuated with wanting to be around them,” they added.

Continuing on, the insider said Jackson saw “nothing wrong with bringing kids to his home and his bed without parental supervision”.

“[He justified] those actions by saying he is a just a friend looking to help,” they said.

“He even went further — expressing how most of the spoiled children fell in love with him.

“These are very uneasy phrases and language to hear from a single man in his 40s.”

The insider said the footage also showed how Jackson cared for Gavin throughout his cancer battle.

“Many doctors felt that his diagnosis was terminal, but Michael never gave up hope,” they said.

“Michael described how he told Gavin he looked like an angel to him. The way that these could have been interpreted are fascinating.”

Executive producer Tom Anstiss said: “The unheard audio tapes of Michael Jackson offer a rare and privileged window into Michael’s psyche and his soul”.

He said The Trial would “deliver a new understanding of who Michael Jackson really was, what he thought and the seismic moments that shaped his life”.

“The tapes are emotionally raw and very real,” he said.

“At points, you can hear Michael is close to tears.”

Jackson’s former public relations advisor appears in the show, revealing that he “absolutely” believed the allegations against the popstar, according to the Telegraph.

“I believe there was a cover-up for so many years,” he said. 

Jackson’s estate still vehemently denies all child molestation accusations against him.

He had three children of his own, Prince, Bigi (formerly Blanket) and Paris.

The trio have described him as “the best father you could ever imagine”, according to People.

Jackson died of an overdose on a prescription anaesthetic four years after the trial concluded.

Pakistan thump Australia by 90 runs in Lahore in second T20 of tour to seal three-match T20 series 2-0.

Skipper Salman Ali Agha hit his highest score in the shortest format before Pakistan’s spinners routed Australia by 90 runs in the second Twenty20 International in Lahore on Saturday.

Agha hit a 40-ball 76 and Usman Khan smashed a 36-ball 53 as Pakistan made 198-5, their highest-ever T20I total against Australia.

This was enough for Pakistan’s spin quintet, who shared all 10 wickets between them with Abrar Ahmed returning the best figures of 3-14 and Shadab Khan finishing with 3-26.

Australia were routed for 108 in 15.4 overs, giving Pakistan their biggest T20I victory over Australia, eclipsing the 66-run win in Abu Dhabi in 2018.

“It has to be a perfect game,” said Agha. “We batted well and then were outstanding with the ball. Fielding was outstanding.”

The victory gives Pakistan an unbeatable 2-0 lead after they won the first match by 22 runs, also in Lahore, on Friday.

“We want to play in the same way, forget the 2-0 scoreline and come again with the same intensity and go to the World Cup with the same energy,” said Agha of the event starting in India and Sri Lanka from February 7.

This is Pakistan’s first T20I series win over Australia since 2018. The final match is on Sunday, also in Lahore.

Despite skipper Mitchell Marsh coming back after resting on Friday, the visiting batters had little answer to Pakistan’s spin assault.

Ahmed dismissed Marsh for 18, Josh Inglis for five and Matthew Short for 27.

Cameron Green top-scored with a 20-ball 35 before spinner Usman Tariq dismissed him on his way to figures of 2-16.

Marsh admitted Pakistan were better.

“Pakistan outplayed us,” said Marsh. “Hopefully, we can improve and come back tomorrow. They put us under great pressure in batting; it was probably a 160-170 wicket so they scored a big total.”

Earlier, Agha and Usman led Pakistan to a fighting total after they won the toss and batted.

Agha built the innings with Saim Ayub (11-ball 23) during a second-wicket stand of 55 as Pakistan scored 72 runs in the power play.

Agha’s previous highest in all T20 cricket was 68 not out.

After Babar Azam failed with a five-ball two, Usman helped Agha add another quickfire 49 for the fourth wicket before Sean Abbott broke the stand.

Agha smashed four sixes and eight fours in his sixth Twenty20 half-century.

Pakistan added a good 61 runs in the last five overs with Usman knocking two sixes and four fours in his second T20I half-century, while Shadab’s knock had two sixes and a four.

The Usman-Shadab fifth-wicket stand yielded 63 runs off just 39 balls.

Shadab finished with an unbeaten 20-ball 28.

Pacer Xavier Bartlett and spinner Matthew Kuhnemann were expensive, conceding 92 runs between them in their eight overs.

She portrayed a spoiled socialite turned impoverished rural motel manager in “Schitt’s Creek.” She played a self-centered stepmom who, when possessed by an evil entity, channeled Harry Belafonte’s voice singing “Day-O (The Banana Boat Song)” in 1988’s “Beetlejuice.” She was the harried, forgetful mom who left her son behind in “Home Alone,” a goofy ‘90s comedy that would become a Christmas classic.

Catherine O’Hara, who died Friday at the age of 71, brought to life dozens of characters over her 50-year career across film and television, and no two of her performances were alike. She might play an eccentric artist one moment, an insufferable snob the next, then a deceptively “normal” housewife, animating each with their own personality, quirks and ticks.

Though a comedic performer at heart, O’Hara, as they say, had range. From her recurring role as a grieving therapist in Season 2 of HBO’s dystopian drama “The Last of Us” to voicing and acting a plethora of bizarre characters in Tim Burton‘s films, O’Hara made her mark. Here are 10 of her most memorable roles.

In “Vanished,” premiering Friday on MGM+, Kaley Cuoco plays Alice, an archaeologist, a fact she repeats whenever she’s asked about herself, without particularly seeming like one, apart from passing mentions of Byzantine caves and “one of the earliest examples of Christian worship” to make her sound professional. Sam Claflin plays Tom, who works for a charity organization dealing with Syrian refugees in Jordan; in a flashback we get to see them meet cute on a dusty Jordanian road, where he has a flat tire and no spare. Alice gives him a lift to camp; they banter and flirt after a fashion. He does something heroic within her sight.

They have been long-distance dating for four years, meeting up, as Alice describes it, “in hotels all over the world” where they “actually want to have sex with each other all the time.” Currently they are in Paris (in a $500-a-night joint — I looked it up). But Alice, now working in Albania, has been offered a job as an assistant professor of archaeology at Princeton, which would allow her to settle down with Tom in a school-provided apartment and “build a life that’s mine, not just uncovering other people’s.” After an uncomfortable moment, he signs on, saying, “I love you, Alice Monroe.”

Would you trust him? Despite the script’s insistence otherwise, Cuoco and Claflin have no more chemistry than figures on facing pages in a clothing catalog. Fortunately for the viewer, Tom disappears early from the action — ergo “Vanished.” The couple are traveling by train down to Arles, where another hotel awaits them, when Tom leaves the car to take a call and never returns; nor can he be found anywhere on the train.

This happily makes room for the more interesting Helene (multiple César Award winner Karin Viard), a helpful Frenchwoman who steps in as a translator when Alice attempts to get an officious conductor to open a door to a room he insists is for employees only, and rules are rules. (Is he just being, you know, French, or is something up?)

They meet again when Alice gets off the train not in Arles but Marseilles; after she has no more luck with police inspector Drax (Simon Abkarian), who insists a person isn’t missing until 48 hours have elapsed, than with the conductor, she’ll turn to Helene again, who has the advantage of being an investigative reporter. (She’s also been made diabetic, which has no effect on the action other than halting it now and again so she can give herself, rather dramatically, a quick shot of insulin. Like Drax begging off because he’s late meeting his wife for an Alain Delon double feature, it’s a tacked on bit of business meant to suggest character.) Together they’ll ferret out and follow clues, as Alice comes to realize that it takes more than the occasional gauzy romantic getaway to really know a person, and Helene gets closer to nailing a big story.

Directed by Barnaby Thompson, whose credits are mostly in producing (“Wayne’s World,” “Spice World”), and written by his son, Preston — together they made the 2020 film “Pixie” — the series begins with a flash forward in which Alice flees for her life out an upper-story window, signifying action ahead. And indeed, there will be, leading to a climactic scene I don’t suppose was meant to make me laugh, but did, magnifying as it does one of the confrontational cliches of modern cinema. Many of the series’ notions and plot points (though not that particular one) may be found in the works of Alfred Hitchcock — who, you may remember, made a film called “The Lady Vanishes,” from a train yet — though they have been given new clothes to wear. But where Hitchcock never waited long to show you when a character wasn’t what they seemed, that information is held on here nearly to the end, with some added twists along the way to keep you confused.

Cuoco (unusually brunet here), has been good in many things, most notably her funny, winning turn as Penny across 12 seasons of “The Big Bang Theory” and more recently as the hallucinating alcoholic heroine of the “The Flight Attendant,” but she feels out of joint here. She’s not well served by the pedestrian direction and dialogue, but comes across as a person playing a person, rather than as the person she’s playing. Perhaps by virtue of their accents, the French actors feel more real; France, as usual, looks great.

They’ve spent the last four summers in searing heat but next year they won’t be needing to pack a bikini or trunks

Amanda Holden and Alan Carr will return with a fifth series of their hit BBC1 property renovation show next year – but this time it will have a very different feel.

Because while the shows have so far been set under the hot Mediterranean sun in Italy, Spain and Greece – the next one is going to be a lot chillier. For the first time, the pair will be taking their lump hammers and hard hats and heading to Scandinavia.

Alan told the Mirror: “The producers are looking at Sweden or Norway for the next one. I think maybe it will be an eco-house up there. It will probably be an igloo or something, knowing them.” He said that moving the popular programme to a different landscape within a Nordic country was a very good idea. “I think there’s only so many times you can sort of look at a tile in the heat and go, ‘You need this…’” he laughed.

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“And actually, I’m never going to be like Handy Andy, but I do know how to use a drill now – so it just feels like I do need another challenge. It will be something very different. We’re excited. And it will be so nice to not be working in the searing heat.”

The series kicked off with The Italian Job, which filmed in the summer of 2022 in 40 degree temperatures. It was similarly sweaty in Tuscany the following year, and again in Andalusia for The Spanish Job in 2024. And there was no respite from the heat of high summer during filming on The Greek Job, currently entertaining 4million viewers every week, which was filmed in Corfu last summer.

But the temperature in the north of Norway during July can be just 10 degrees, and while further south it tends to be around 20 degrees – the same as the average Swedish temperature – the experience is guaranteed to be far fresher for them next time around.

In the show, which always airs on BBC1 from January, the pals don boiler suits and grab power tools to renovate and decorate a dilapidated property which is then sold off, with all profits going to the BBC charity Children in Need.

The new project is likely to focus on using natural and sustainable materials to create a well-insulated and energy efficient home which respects the local landscape. It may involve solar panels or a green moss roof, plus plenty of timber.

The Italian properties featured on the series each cost just 1Euro to buy, then sold for £125k and £185k respectively. The Spanish house also made a tidy profit, having been bought for £55k and sold for over £200k. “That’s good, because the money goes to charity as well, so it’s really positive,” Alan said. One reason that the filming location needs to stay within Europe – rather than moving further afield – is so that Amanda, 54, can travel back and forth to present her Heart Radio breakfast show.

Alan and Amanda were both delighted when the production team chose Corfu for the current run, because it is a regular holiday destination for Amanda and her family, and Alan, 49, has even joined them there.

But when they arrived on the idyllic Ionian island ahead of filming, they were horrified by what they found. “It’s a dump,” Alan lamented about the house, while Amanda agreed it was “definitely the worst” they had encountered. Nevertheless, they soon set about turning it into a dream family escape, with their efforts on display in the final two episodes from Friday.

The pair believe that the secret of their success is that “we muck in and we encourage each other”. Alan has told how, after four years, he’s even started to have fun while knocking down walls. “I have got much better,” he said of his skills earlier this month. “I was thinking, the latter end of The Greek Job, I was actually enjoying it, and I’ve never, ever enjoyed DIY.”

They said that making the series had deepened their friendship and they now texted each other on a daily basis. “We are the same,” Amanda explained. “We laugh at the same stuff. The worst time was when he was filming The Traitors and I didn’t hear from him for three weeks. I knew he must have done quite well because he was gone for so long.” After seeing Alan’s triumph on The Celebrity Traitors, Amanda is now in talks to take part in the next series later this year.

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This beloved BBC series is a must-watch for fans of cosy comedy-dramas and beautiful scenery

Fans of Scottish-set programmes or simply cosy comedy-dramas shouldn’t miss this beloved BBC series that proved a massive hit throughout the 2000s.

This recommendation follows others discovering a “masterpiece” period crime drama, a show hailed as Netflix’s “finest”, and a murder mystery favourite from a “master” writer, reports the Manchester Evening News.

Monarch of the Glen debuted at the dawn of the new millennium, enchanting viewers with its warm-hearted comedy-drama format. The BBC programme chronicles young restaurateur Archie MacDonald (portrayed by Alastair Mackenzie) as he attempts to revitalise his childhood residence in the Scottish Highlands.

Archie found himself drawn back to Scotland from his hectic London restaurant career after discovering he’d inherited his family’s Highland titles and property, becoming the Laird of Glenbogle.

He subsequently made the difficult choice to abandon his metropolitan existence and begin anew whilst managing the crumbling estate, alongside its enormous debts and dealing with Glenbogle’s temperamental workforce.

Archie had the support of his partner Justine (Anna Wilson-Jones), whose decision to accompany him to Scotland meant she too relocated for their relationship. Throughout the series, viewers keenly followed Archie’s journey to determine whether he could ultimately transform the estate into a profitable venture, despite numerous challenges blocking his progress.

The series has garnered glowing praise on IMDb, with one viewer awarding it 10/10 in a review headlined “Excellent series, quirky, charming”. They wrote: “The writing is very consistently good, the characters appealing (their quirks and foibles make them even more so), and the scenery of the Scottish highlands is just lovely.”

Another highly-rated review declared: “Amazing, makes you fall in love with Scotland and its people.”

The reviewer expanded: “I love the values expressed through the show: honesty, faithfulness, character, faith, friendship, hard work, dependability, and above all forgiveness and reconciliation. I love how the themes are developed and I love the beautiful Scottish scenery.”

A third top-rated review hailed Monarch of the Glen as a “great series”, concluding: “Overall I’d give it 10/10 though for the drama/acting and of course Scottish scenery.”

Another fan declared: “The series, “Monarch of the Glen” is the best that telly has had to offer in a very long while.”

They continued: “The scenery is just as much the star of the show yet it is not used as an excuse for slack plot standards. Indeed it is part and parcel of the plot.”

The programme was loosely based on Sir Compton Mackenzie’s Highland Novels, though whilst the books were set during the 1930s and 1940s, the BBC adaptation took a more modern approach. Nevertheless, the programme takes its name from the opening novel in the series, The Monarch of the Glen, which references the renowned painting of the same title by Sir Edwin Henry Landseer.

Monarch of the Glen spanned seven series altogether and was filmed across numerous stunning locations, including the Cairngorms, Badenoch and Strathspey.

Meanwhile, Ardverikie House provided the main setting for the castle featured in the programme, with additional filming occurring around the south-east shore of Loch Laggan where the property is situated.

Alongside Mackenzie and Wilson-Jones, Monarch of the Glen boasted a stellar cast including beloved The Good Life actor Richard Briers, Emmy Award-winner Susan Hampshire, Human Traffic’s Lorraine Pilkington, Taggart’s Alexander Morton, Holby City’s Dawn Steele, fellow Holby City veteran Hamish Clark, and Downton Abbey creator-turned-performer Julian Fellowes.

Monarch of the Glen represents Fellowes’ most substantial acting role to this day, portraying Lord Kilwillie across 24 episodes.

Fellowes has previously appeared in productions such as Aristocrats, Sharpe, Our Friends in the North, and Kavanagh QC.

Monarch of the Glen is streaming on BBC iPlayer now

**For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website**

TAKE That get taken back to some of their best days at the premiere of a three-part series on them, starting on Netflix today.

Gary Barlow, 55, Mark Owen, 53, and Howard Donald, 57, admitted some of the footage was “moving” at ­Battersea Power Station cinema in London last night.

It tells of their rise, split and comeback. Gary said: “It’s very emotional.”

The trio also performed Back For Good and Shine.

It comes after Gary Barlow welcomes the Brit Awards moving to Manchester claiming the music industry is ‘not just about London’.

The annual British music awards ceremony will be hosted in the North West for the first time after being held in the capital for its near 50-year history.

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Barlow said: “Manchester’s now such a place for media, we’ve got Media City there.

“People who were trained in like camera work were never trained in areas like that. So it’s such a massive thing for the country.

“It doesn’t surprise me at all the Brits are there, in fact it should have been there five years ago just because it’s not just about London, the music industry.

“In fact, London’s probably down the list you know, it’s so much regional talent.

“Look back in history and see where bands and artists have come from all over the country, not just in London.

On how to further spotlight regional talent, Barlow added: “I think we are.

“I think that’s one of the benefits of having an internet-based industry now, is that you can be anywhere. Doesn’t matter where you are.

“Even as artists working we can be anywhere. We can be songwriters and live anywhere now because the world’s a smaller place.”

Formed in 1989 in Manchester, Take That were originally made up of Barlow, Howard Donald, Mark Owen, Jason Orange and Robbie Williams.

The band broke up in 1996 after Williams’ departure with the four remaining band members reuniting in 2005 until Orange left in 2014.

When “The Great British Baking Show” returns for another season later this year, the tent will welcome a new judge alongside the freshest batch of competitors.

British cookbook author and TV personality Nigella Lawson will join the beloved baking competition as a judge, succeeding Prue Leith, who announced her departure from the series last week. “The Great British Baking Show” (alternatively titled “The Great British Bake-Off” in the United Kingdom) unveiled Lawson’s appointment Monday on Instagram. She will co-judge alongside longtime “Bake Show” fixture and bread expert Paul Hollywood.

“I’m uncharacteristically rather lost for words right now!” Lawson said in a joint Instagram post. “Of course it’s daunting to be following in the footsteps of Prue Leith and Mary Berry before her, great dames both, but I’m also bubbling with excitement.”

“The Great British Baking Show” first aired on the BBC in 2010, with Hollywood judging competitors’ bakes alongside Mary Berry. Berry departed the series when it moved from the BBC to commercial broadcaster Channel 4 and Leith began her tenure in 2017.

During her “Baking Show” days, Leith became known among fans and competitors for her affinity for boozy bakes and colorful fashion and accessories. Notably, she and Hollywood co-judged the series in its 11th season, which was filmed and aired amid the COVID-19 pandemic.

Leith, announcing her exit, said “Bake Off has been a fabulous part of my life for the last nine years” and looked forward to a new chapter in her life.

“But now feels like the right time to step back (I’m 86 for goodness sake!), there’s so much I’d like to do, not least spend summers enjoying my garden,” she wrote, adding later in her caption that she believes her successor will “love [the show] as much as I have.”

Lawson, a former journalist and Margaret Thatcher cabinet member Nigel Lawson’s daughter, comes to “Baking Show” with some history with Channel 4. The broadcast aired her series “Nigella Bites” in the late 1990s and early aughts in tandem with the release of her book of the same name.

Her television credits also include hosting her series “Nigella Feasts,” “Nigella Express,” “Nigella Kitchen” and “Nigellissima” and judging on shows “Iron Chef America,” “The Taste” alongside Anthony Bourdain and “MasterChef Australia,” among others.

She has penned more than a dozen books, most recently 2020’s “Cook, Eat, Repeat.”

“The Great British Bake Off is more than a television programme, it’s a National Treasure – and it’s a huge honour to be entrusted with it,” she said on Monday. “I’m just thrilled to be joining the team and all the new bakers to come. I wish the marvellous Prue all the best, and am giddily grateful for the opportunity!”

Line of Duty stars recently reunited for a winter drink, sparking speculation that the show’s seventh series is already in production

Fans of Line of Duty were delighted after the show’s main stars got together recently for an informal pint.

The hit BBC police drama wrapped up in May 2021, though reports emerged last year suggesting a seventh series was being developed.

Whilst production is due to kick off this spring in Belfast, the recent get-together of actors Martin Compston, Vicky McClure, and Adrian Dunbar has fuelled rumours that the programme could be back sooner than anticipated.

The trio, portraying central figures in the fictional AC-12 anti-corruption squad, enjoyed a cheerful winter beverage together. They captured a snap holding their drinks, with Martin writing: “AC12 in the house (pub).”

This led to fans swamping the comments with optimism that filming for Line of Duty series 7 might be underway. One enthusiastic viewer asked: “Does this mean there will be more seasons of line of duty?”, reports the Express.

Someone else responded: “This is absolutely excellent news!” whilst a third commented: “Can’t wait for you all to come back in line of duty please get started so we can have something to look forward to.”

The forthcoming series, written by Jed Mercurio, opens with Central Police’s anti-corruption division being dissolved and reformed as the Inspectorate of Police Standards.

A fresh villain, sexual predator DI Dominic Gough, is expected to appear, though the performer taking on this role remains unannounced.

Dunbar, 67, who plays Supt Ted Hastings, warmly received the announcement, stating: “As we count down the AC12 days of Christmas, what a joy it is to know that the Three Amigos will be back on set together next year. Delighted with the news and looking forward to those mercurial twists and turns.”

Compston, 41, who plays DS Steven Arnott, said: “Line of Duty has been a job of a lifetime. Not only in terms of the show’s success but the people I’ve had the opportunity to work with I now call some of my closest friends. I can’t wait to pull the waistcoat on again and get the team back together.”

McClure, 42, famous for playing DC Kate Fleming, added: “It goes without saying I’m so excited Line of Duty is back! Can’t wait to work with Jed, Martin and Adrian again. Belfast, we’ll see you soon!”

Series six broadcast in 2021, with its concluding episode becoming the most-watched drama finale, excluding soaps, since contemporary records commenced in 2002. Including catch-up figures, it attracted more than 17 million viewers within 28 days, and the BBC is undoubtedly anticipating comparable viewing figures upon the show’s return.

Line of Duty is available to stream on BBC iPlayer.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

Ralph Fiennes may have revealed his successor for the iconic role of Voldemort on the Harry Potter TV series as he named a huge name as being a ‘very good choice’

An accidental leak appears to have named a legendary actor as Voldemort in the upcoming Harry Potter TV series. The HBO production is set to showcase JK Rowling’s book on the small screen after it had huge success in cinemas.

It will depict a new iteration of Harry’s story at Hogwarts and beyond, with fans of the franchise eager to find out more. And now, it appears as though one star from the movies has revealed who will be taking on his character’s role even though confirmation has largely been kept under wraps.

Ralph Fiennes‘ iconic performances as Voldemort are written in the history books and he opened up on a potential successor for the TV adaptation while on the red carpet for 28 Years Later: The Bone Temple.

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The Sun reports that the Hollywood star was asked: “Who do you think should fill your shoes for Voldemort in the upcoming HBO show?” Responding, he said: “I’m told they are already filled, aren’t they? I think Cillian Murphy is very good. A very good choice.”

In a video that was shared on TikTok, Ralph appeared slightly panicked. He added: “I’ve already said, I think Cillian Murphy is very good. I think they’ve cast it, haven’t they? You don’t know?”

Fans were buzzing with the apparent reveal. One user said on social media: “This is amazing news.” And another said: “Oh man this is a good casting actually.”

It’s unclear whether Ralph had just been commenting on speculation. It had previously been reported that the Tommy Shelby star was in line for the role, but the actor himself seemed to distance himself from the role.

He previously told Josh Horowitz’s Happy Sad Confused podcast. “I don’t know anything about that,” he said when questioned about his apparent links.

“Also, it’s just really hard to follow anything Ralph Fiennes does,” he added. “The man is an absolute acting legend, so good luck to whoever’s gonna fill those shoes.”

The series is set to feature Dominic McLaughlin as Harry. Arabella Stanton has been cast for the part of Hermoine Grainger, while Alastair Stout will star as Ron Weasley.

Elsewhere, Paul Whitehouse has been revealed for a role in the reboot too, alongside the likes of Bertie Carvel, Johnny Flynn, Bel Powley, Daniel Rigby and Katherine Parkinson.

Only one star will return from the film franchise. Warwick Davis is set to reprise his role as Professor Filius Flitwick.

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