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Fans now know when they can look forward to the new adaptation

Fans of Harry Potter admit that they are ‘dancing in their room’ after the first ‘incredible’ trailer finally landed for the upcoming HBO series.

We have known for some time now that a new adaptation based on the series of books written by J.K. Rowling has been on the way. Most have welcomed the news with cautious optimism. Some have said to be unsure we need another version after the much admired film series.

This new iteration is set to be a faithful adaptation of the iconic novels, with the author credited as an executive producer. Each season of Harry Potter will be introduced to both new and existing fans, exclusively streaming on HBO Max which finally launches in the UK this month.

The original classic films will continue to be accessible for viewing globally. While fans should be able to stream the new series on HBO’s dedicated platform, Sky and NOW users should also have access providing they have the correct subscription.

It’s been previously suggested that the studio is optimistic about the series being as successful and well-received as the films, with hopes of it running for a minimum of 10 years. The series is penned and executive produced by Francesca Gardiner, known for her work on Killing Eve and His Dark Materials. Multiple episodes will be directed by Mark Mylod, renowned for directing several episodes of the HBO hit series Succession.

Last year it was confirmed that emerging talents, Dominic McLaughlin, Arabella Stanton, and Alastair Stout, will take on the legendary roles of Harry Potter, Hermione Granger, and Ron Weasley, respectively. We now have a first glimpse of their much anticipated performances.

That also includes the new portrayals of other beloved characters. This includes Hagrid played by Nick Frost and Professor Dumbledore, with Hollywood star John Lithgow taking on the responsibilities of the role.

Fans now also know when they can expect to start watching the series and it is sooner than many think. The caption for the video as shared on YouTube states: “A new era of Hogwarts begins. The HBO Original series Harry Potter and the Philosopher’s Stone premieres this Christmas.”

As expected, fans were quick to share their thoughts and opinions on the first footage shared from the series. Many were actually surprised at how much they enjoyed it.

One person replied: “This actually looks incredible! I love that they’re going to show more of Harry’s life with the Dursleys!” Another added in a similar vein: “THIS LOOKS INCREDIBLE!!! God Bless HBO!! THIS CHRISTMAS.”

Someone else confessed: “I’m dancing in my room right now.” While one person noted: “I actually love the take on Harry trying to be a muggle student at a school.”

Surprised by how the first episode seems to be approaching faster than first anticipated, one said: “Also, Christmas??? YESSS!!! I thought we’d have another year!!”

Plenty of others recognised that the series will allow them to explore more events of the book and reflect on characters more deeply. Some fans even admitted that they were left emotional and even in tears at the thought that the series could allow them to relive their childhoods. One person commented: “I shed a tear…my childhood is coming back to me again.”

One person posted: “I’m sobbing this is incredible” and another “I’m literally crying.”

Harry Potter is streaming on HBO Max this Christmas.

Riz Ahmed has created and stars in a marvelous new series, “Bait,” premiering Wednesday on Prime Video. There are no worms in it, though viral video plays a part, and fame — the pursuit of which is a subject — is a lure.

But what’s in a name? A comedy by any other name would be as funny — if it was funny, and this one very much is, in a way that’s crazy and serious and human, built around a character in crisis who refuses to believe his life is out of control and is so invested in putting up a front that he’s begun to believe his own lies. Almost. It’s a series in which hallucinations, dreams, magical realism and memories, which punctuate and interfere with the “normal” business of the story, all amount the same thing, and in which the style of the filming shifts with the action.

Ahmad plays Shah Latif, a British Pakistani actor, who, owing to the exertions of his faithful, often frustrated agent, Felicia (Weruche Opia), is improbably auditioning to be the next James Bond. But he repeatedly forgets his line when his scene partner, a girl with a gun, asks, “Tell me, when it’s just you all alone, how do you live with yourself? Do you even know who you are?” establishing a theme. (The line he can’t recall: “I don’t live with myself, I live with whoever you need me to be.” Spies and actors!)

Leaving the audition, he contrives to be photographed by one of the paparazzi lurking outside, sniffing for a Bond scoop; his picture is published, which creates a stir and some racist blowback, culminating in a package thrown through the front window of his parents’ home. (It is not a window that opens.) What’s inside the package I’ll leave for you to discover, but it will play a part through the rest of the show.

The recurring question of who will be the next James Bond generates a lot of pop cultural heat in our world; just type “next James Bond” into your search engine of choice. At one point, you may recall, Idris Elba was regularly bruited as a potential 007, which occasioned enough anti-Black reaction that he officially took himself out of the unofficial running. It may have been on Ahmed’s mind here — Shah claims high purpose for his Bondean aspirations, that he wants “to show them that this too is what British looks like.”

On the one hand, Shah has had enough of a career to have been made into a “limited edition collectible action figure,” starred in a well-regarded but underseen small film, played “the translator in ‘Homeland’ series seven” and earned a rising star award from some French festival; on the other, he is, professionally speaking, no Idris Elba — not a nobody, but not too many rungs above it. (He’s not Dev Patel, either, with whom he’s repeatedly confused.)

At the top of the second episode, Shah is seemingly being interviewed on a podcast, “Sir Chatwick Stewart, with me, Sir Patrick Stewart” — played by the man himself, whom we hear but never see — about his ambitions, though it’s soon clear that Stewart is a mental projection, an inner critic and inquisitor. He’ll stick around through the series, offering barbed commentary and something like support: “If I humiliate you, it’s to save you from the bigger humiliation of remaining as you are.”

As a protagonist continually getting in his own way, Shah is a classic sort of comic character. He creates opportunities only to squander them; finds himself voiceless after forcing himself onstage at a black-tie gala or in an underground club (he was once a politically provocative MC). After a newsworthy mishap, his agent advises him to lie low, which is impossible for him to do; there is no itch he won’t scratch, and no good advice he’ll actually follow. Apart from a rival actor (Himesh Patel) he’s a protagonist without antagonists, excepting himself. He’s insufficiently grateful to the people he owes, and insufficiently apologetic to those he’s wronged.

Shah’s self-involvement will be challenged by ex-girlfriend Yasmin (Ritu Arya), encountered first by accident, then sought out — a writer, she has published an op-ed headlined, “No, Shah Latif, We Don’t Need a Brown Bond” — in which she accuses him of “exchanging his political art for vanilla distraction.” His family, whom he neglects to visit for months, includes warm-hearted cousin Zulfi (Guz Khan), who has started a Muslim ride share company; a no-nonsense sister (Aasiya Shah) — the name of her character is rendered as “Q” on IMDb and elsewhere, but in the series itself she’s called Ainy — doting mother Tahira (Sheeba Chaddha); and his skeptical father, Parvez (Sajid Hasan), who has not been keeping his doctor appointments and asks Shah, “What do you even do? I watch TV all day — you’re never on it.”

Appropriate to a character who lives for being onscreen, “Bait” plays with the language of film — gritty procedural, a burst of Bollywood, romantic comedy — though not necessarily to the usual ends. Frame-filling titles identify the London neighborhoods where the action takes place — Wembley, Kentish Town, Brick Lane, Ladbroke Grove — as Paris, Moscow and Mexico City might appear in an international thriller. The series is at once satirical and celebratory; “Bait” feels abundant, both in its presentation of a culture, which has the ring of documentary truth, and as a beautifully realized work of art.

Bond can wait.

The award-winning series returns for its fifth and final season soon, with fans calling it ‘awesome’

Fans of the series are wishing it would never end.

Fans of comedy dramas are in for a delight as an acclaimed dark comedy is poised to return with a brand new season soon.

The series first premiered on HBO Max back in 2021 and it charts the journey of a stand-up comedian and her comedy writer as they grapple with the shifting dynamics of their partnership.

The popular comedy was renewed for a fifth and concluding season, set to air on April 9, and it features Jean Smart as Deborah Vance and Hannah Einbinder as Ava Daniels.

HBO Max has just unveiled the trailer for the final season of Hacks, and within 24 hours it amassed over a million views.

Fans flocked to the YouTube comments to express their opinions, with one viewer exclaiming: “I never want it to end!!!”

Another commented: “I love when a series announces the final season, even though I adore Hacks, to end it’s inevitable, and to conclude with full control and a solid script is even better.”

A third chimed in: “I freaking love this show, I can’t wait for this final season.” Whilst a fourth enthused: “This is gonna be amazing!!!!!!”

A fifth declared: “Hands down, one of the best comedy series ever! Why does it have to end?”

Whilst numerous fans were disheartened that the series was drawing to a close, others were content that the show was concluding on its own terms.

One stated: “I’m so glad they’re going to be able to finish it knowing it’s the end.”

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Sky is giving away free subscriptions to HBO Max with its Ultimate TV bundle, which also includes Netflix, Disney+, discovery+, Hayu, and around 135 channels at no extra cost.

Season five was confirmed to be the final season at the 2025 Emmy Awards, with star Hannah Einbinder revealing: “I think it will feel different.

“We’re going to start [filming] next week, and knowing it’s the last season is really bittersweet. But I think it’s right, you know?”

Einbinder expressed that it was the appropriate time to conclude the show, stating it’s crucial not to “overstay your welcome.

“I think it’s nice to do something as many times as it should be done,” she further commented. “Not overstay your welcome. Rip it and do it and laugh and cry.”

All four preceding seasons of Hacks have garnered critical praise and on the review aggregation website Rotten Tomatoes, the series as a whole boasts an impressive 99 per cent rating.

Hacks airs on HBO Max.

Since he became head coach at Birmingham in 2007, Matt Mowry is 0 for 18 when it comes to winning a West Valley League baseball title. He’s won five City titles but the Patriots haven’t been able to figure out how to win a league title.

A showdown against defending City champion El Camino Real on Tuesday didn’t start or end well for the Patriots. The Royals (10-3, 4-0) scored five runs in the first inning on six hits and coasted to an 8-3 win over Birmingham (10-2, 3-1).

The big hits in the first inning were an RBI double by JJ Saffie, a two-run double by Blake Dubin and an RBI single by Ryan Hauptman. For the second consecutive game, Birmingham pitcher Nathan Soto couldn’t make it out of the first inning. ECR starter Jackson Sellz, celebrating his 17th birthday, threw six innings before Hauptman came in to get the save. Ryan Glassman, Macai Friedman and Shane Bogacz each had two hits.

Birmingham is getting help starting Friday when transfers Masen Ruiz (Chatsworth), Toni Mendoza (Chatsworth) and Larkin Fleming (Sherman Oaks Notre Dame) become eligible. All could become starters. The two teams play again twice next month.

Fullerton 7, Ocean View 5: Luke Gonzalez had two doubles to help Fullerton come back from a 5-3 deficit.

Los Alamitos 4, Marina 0: Ryan Deck struck out seven, walked none and gave up two hits in the shutout. Cruz Derrico finished with three hits.

St. Bernard 5, Bishop Amat 4: Juan Sandoval struck out five in a complete game for St. Bernard.

Newport Beach 9, Edison 0: Gavin Guy struck out six in 5 1/3 innings and also hit a three-run home run.

Santa Margarita 2, Servite 0: Sophomore Tyler George struck out four, walked none and threw a two-hit shutout. He also hit a home run.

Santa Monica 10, Leuzinger 1: Ryan Breslo had three hits for Santa Monica.

Oaks Christian 5, Newbury Park 2: Luke Puls, Ryan Sheffer and Oliver Dauskurdas each had two hits for Oaks Christian (9-2).

Calabasas 10, Thousand Oaks 9: The Coyotes handed Thousand Oaks its first defeat after 10 consecutive victories in a wild Marmonte League opener. The Lancers wiped out an 8-1 deficit with seven runs in the fifth inning to tie the score. Conner Kingston ended the game with a scoreless seventh for the save. Landon Carson had four RBIs for the Lancers. Michael Morales had three hits for the Coyotes.

Westlake 2, Agoura 1: Jaxson Neckien had two hits for the Warriors.

Sherman Oaks Notre Dame 10, Crespi 0: Malakye Matsumoto hit a grand slam and threw two scoreless innings of relief for 11-0 Notre Dame. Beckett Berg threw five scoreless innings with four strikeouts.

Sierra Canyon 8, Chaminade 2: Isaias Tirado and Aiden Jahng each hit home runs and Armando Solorio threw four shutout innings.

St. Francis 6, Bishop Alemany 4: Daniel Izaguirre had three hits for St. Francis in the Mission League win. Brody Thompson, Chase Stevenson and Alex Noble hit home runs for Alemany.

La Mirada 5, Gahr 1: Jacob Oropeza threw 3 2/3 innings of scoreless relief.

El Modena 3, Villa Park 0: Three pitchers combined on a no-hitter.

Softball

Huntington Beach 17, Fountain Valley 0: Bree Carlson hit three home runs for the Oilers.

Murrieta Mesa 7, Great Oak 0: Lilly Hauser struck out 13 and also had a two-run double to lead unbeaten Murrieta Mesa.

Oaks Christian 9, Newbury Park 3: Giabella Otani had two hits and three RBIs.

The Astros had been a mainstay atop the AL West for eight years — claiming seven division titles during that time — but now the division appears to be under new management.

Last season, the upstart Mariners finally broke through after years of promise, winning 90 games and claiming their first division crown since 2001. This season, the club hopes to take the next step forward and reach the World Series for the first time in franchise history. Seattle locked up cleanup man Josh Naylor to a five-year, $92.5-million contract, solidifying their lineup. The M’s also traded for super utilityman Brendan Donovan, who, as a member of the St. Louis Cardinals, was named an All-Star for the first time in his career last season.

The Astros, in their third year under manager Joe Espada, are hoping to return to the top of the division. They’ll have their work cut out for them, with just seven players remaining from the Astros’ 2022 World Series team.

Even after a pair of mediocre seasons, the Rangers remained aggressive this winter, making a pair of blockbuster trades, acquiring frontline starter MacKenzie Gore from the Nationals and outfielder Brandon Nimmo from the Mets. Ex-Marlins manager Skip Schumaker will take the reins from four-time World Series champion Bruce Bochy, who did not return as the club’s skipper.

Entering their second season playing in Sacramento, the Athletics grabbed veteran Jeff McNeil from the New York Mets in a trade, while locking up promising youngsters Tyler Soderstrom and Jacob Wilson to long-term extensions. The Angels installed rookie manager Kurt Suzuki, replacing Ron Washington.

1 | Seattle Mariners

2025 | 90-72, 1st in West

Last year in playoffs | 2025

After bidding farewell to Eugenio Suárez and Jorge Polanco, the Mariners are betting on young infielders Cole Young and Colt Emerson. Newcomer Brendan Donovan should provide a nice spark to the M’s lineup. 26-year-old Bryan Woo emerged as the club’s ace last season while George Kirby missed the first two months with shoulder inflammation and was never quite right. A healthy Kirby could make a huge difference this season for an already formidable M’s rotation.

2 | Houston Astros

2025 | 87-75, 2nd in West

Last year in playoffs | 2024

Even after an offseason in which the Astros lost stars Kyle Tucker, Alex Bregman and Justin Verlander, the team still led the West for most of the season in 2025. One player to watch will be second-year outfielder Cam Smith, who the Astros acquired as the centerpiece of the Tucker trade. It was a tale of two seasons for Smith, who dazzled with a .297/.357/.443 slash line through his first 75 big league games, but hit a snag over his next 59 games, slashing just .153/.248/.232.

3 | Athletics

2025 | 76-86, 4th in West

Last year in playoffs | 2020

Two years after losing 112 games, the A’s showed encouraging progress in their first season in Sacramento. First baseman Nick Kurtz ran away with AL rookie of the year honors, winning the award unanimously, with shortstop Jacob Wilson placing second. Between Kurtz (36), catcher Shea Langeliers (31), designated hitter Brent Rooker (30), left fielder Tyler Soderstrom (25) and right fielder Lawrence Butler (21), the A’s had five players hit for 20 or more homers last season.

4 | Texas Rangers

2025 | 81-81, 3rd in West

Last year in playoffs | 2023

The Rangers have posted just one winning season over the last 10 years, and it came in 2023, the same year that the club won its first-ever World Series. In order for new manager Skip Schumaker to return the Rangers to form, he’s going to need his position players to bounce back in a big way. Freshly-acquired MacKenzie Gore should add length to the Rangers’ rotation, while former Vanderbilt teammates Jack Leiter and Kumar Rocker will have an opportunity to establish themselves as formidable major league starters.

5 | Angels

2025 | 72-90, 5th in West

Last year in playoffs | 2014

The Angels upped their win total by nine games from 2024 to 2025, and the club could continue to progress in its first season under rookie manager Kurt Suzuki. General manager Perry Minasian enters the final year of his contract, after the Angels failed to post a winning record in each of his first six seasons.

Bill Cosby drugged and sexually assaulted a former waitress in 1972 after escorting her to one of his shows, a civil jury in California concluded Monday, awarding the woman $19.25 million in damages.

The verdict was the latest turn in a series of legal battles the disgraced entertainer, now 88, has faced since allegations that he repeatedly drugged and raped women exploded publicly about a decade ago. Since then, he served about three years in a Pennsylvania prison on sexual assault charges before the case was overturned in 2021.

Donna Motsinger, now 84, said in her lawsuit filed in Los Angeles County Superior Court that Cosby had given her wine and a pill that left her unable to move, and that she woke up in her house wearing nothing but her underwear, according to court records, and that “she knew she had been drugged and raped by Bill Cosby.”

Cosby has denied the allegations, as well as those brought by dozens of other women who claimed they had been drugged and raped. Coming in the early years of the #MeToo movement, a broad social media-inspired campaign to name and prosecute men accused of sexual misconduct, Cosby’s attorneys painted him as an unfair target of mass vigilantism gone awry.

Motsinger sued Cosby in 2023, alleging that, at the time, she was working at a Sausalito restaurant called The Trident that was popular with celebrities, including Cosby, according to the complaint her attorneys filed Sept. 27 of that year. One night, Motsinger accepted Cosby’s invitation to go with him to his show at the Circle Star Theater in San Carlos. Cosby picked her up at her home in a limousine, according to her complaint, and, on the way to the venue, gave her the wine and a pill that she thought was aspirin.

“Next thing she knew, she was going in and out of consciousness while two men attending to Mr. Cosby were putting her in the limousine,” the complaint said. “The last thing Ms. Motsinger recalls were flashes of light,” before waking up in her house in nothing but underwear.

Motsinger didn’t consent to Cosby’s sexual contact and, having been rendered unconscious by drugging, she couldn’t consent to it to begin with, according to the complaint. As a consequence of her ordeal, her complaint says she suffered lost wages, medical bills, pain and suffering and emotional distress.

A popular sitcom hailed as ‘comedy gold’ has apparently been renewed for another series

A BBC series dubbed “cracking” and “comedy gold” by viewers is reportedly returning for a third series.

The sitcom about about a PE teacher from the 1970s getting a second chance at life started in 2024 and made a splash with viewers. According to The Sun, it is now set to return for a third run, with filming due to start in June.

Starring Mike Bubbins as Tony Mammoth and Car Share star Sian Gibson as his daughter, the series followed the teacher when his body was discovered frozen in time, after he was thought to have died in an avalanche during a school trip in 1979.

After being revived, he has to adapt to a world that has completely changed.

A previous BBC synopsis said: “In the Seventies he was a carefree Cardiff bachelor, teaching PE and generally living la vida loca. In 2024, he thought the world would still be his oyster, but Mammoth never really liked oysters, he was more of a pint and a packet of crisps sort of bloke. All he wanted was his old life back; the same job, the same clothes, the same car and the same soundtrack.”

Mammoth – set and filmed in Cardiff – started in 2024, and returned for its second series last year.

It was a hit with viewers, with one writing on Imdb.com that it was “a cracking comedy” that “feels remarkably relevant”, adding: “It is inoffensive yet sharp, poking fun at 1970s attitudes while highlighting the absurdities of modern life.”

“There were many genuine laugh out loud moments and some wonderful hillarious situations created by the writers,” said someone else.

Another viewer remarked: “Bubbins is wonderfully understated as the titular star and delivers the punch lines with little fanfare but lots of laughs. The supporting cast is brilliant, but this is very much Bubbins show and plays it to perfection.”

“Love it, a much needed slice of comedy gold and well done to the BBC for backing it,” said another impressed viewer.

“The writing is so strong, when you sit down you just know you’re in for some happy, silly, uncomplicated good fun and it’s been great to watch the series develop.”

The BBC has been contacted for comment.

Mammoth aired on the BBC.

Like the mythical city of Brigadoon, Lisa Kudrow’s “The Comeback” has returned to television after many years away, with the difference that time has not stood still for its inhabitants, older in a changing world that values them less and which they navigate with less assurance.

Kudrow, who created and writes the series with Michael Patrick King, was in her youth a player in the twilight of network-dominated television, cast in a smart, influential show with wide, multigenerational appeal; in a quantitative sense, at least, everything would be downhill from there, as the medium transformed and transformed again. “The Comeback” premiered in 2005, just a year after the end of “Friends”; the first season addressed the rise of reality TV, and the next season, in 2014, riffed on dark, streaming “prestige” television.

The new (and final) season, which is both timely and speculative, addresses the impact of artificial intelligence on the medium and the industry, hinting at a dystopian future; this gives it a moral, even political component, not to say a sense of urgency. Not surprisingly, “The Comeback,” as a thing made by humans, comes down firmly on their side — it’s a manifesto at times — even as it acknowledges, uncomfortably, that computer-produced content might be “good enough.”

Once again, Kudrow plays Valerie Cherish, who, at 60 — the phrase “of a certain age” repeats throughout the series — still qualifies as a working actor. But she’s been pushed into the further reaches of the profession: Her two-season cozy mystery series, “Mrs. Hatt” (“part-time gardener, solves crime, husband is an ex-police chief”), is on no one’s radar but her own, having shown on Epix. A day’s work on a “no-budget” film is even less rewarding than she had imagined; she lasted all of two episodes on “The Traitors.” Paddling hard to stay current, to improve her brand, she bumbles through a podcast, “Cherish the Time,” without any idea what to do with that time; employs a social media person, Patience (Ella Stiller), with no discernible impact; and posts pictures of herself holding products in hopes of “future collabs.”

Still, she is not poor. Valerie and husband Mark (Damian Young), have moved from Brentwood to a condominium with a view in the (real life) Sierra Towers, overlooking the Sunset Strip, opening the latest “new chapter” in their lives, though just what that chapter for them is hard to say. Mark has lost his job in finance — “You told a joke at work at a time when jokes were illegal,” Valerie says, trying to cheer him, “no one cares now” — but left on a golden parachute; now he builds his day around pickleball. A potential role in a reality show, “Finance Dudes,” isn’t working out to anyone’s satisfaction. He’s on the verge of a three-quarter-life crisis.

When her self-promoting manager/publicist Billy (Dan Bucatinsky) comes to her waving an offer for a new series, for a new network, in which she’ll star, Valerie is more than intrigued, if taken aback when he tells her that it’s being written by AI. (He isn’t supposed to know.) Network head Brandon (Andrew Scott, as blandly discomfiting as his Moriarty on “Sherlock”) assures her that it is “within the Writers Guild agreement,” but that it is also a secret — which will account for a lot of comedy going forward, secrets and lies being the very stuff of the form. “AI is really extraordinary,” he tells Valerie. “After all, it picked you.”

It’s also created a wholly generic multicamera sitcom, “How’s That?,” in which Valerie’s character, Beth, as she describes it, “runs a cute, charming old New England B&B with the help of her hunk nephew, Bo — so Beth and Bo, B&B.” (“Viewers want a break from the complicated confusing storylines of all these dark streaming shows,” says a network exec.) Her eager supporting cast has no idea that the series is being written by anything other than its human faces, unhappily married couple Josh (John Early) and Mary (Abbi Jacobson). Josh, who thinks of himself as “the voice of women of a certain age,” is precious about the jokes he manages to get into the script; Mary couldn’t care less. Untalented writing assistant Marco (Tony Macht) only wants “to get, like, a really nice house.” The AI, meanwhile, is personified to the cast and crew, who know nothing about it, as someone named “Al,” who “works remotely.”

One by one, the old company is introduced into the new season, Valerie finds Jane (Laura Silverman), her former documentarian, working as a cashier at Trader Joe’s, having tired of scuffling as a filmmaker, “begging people to care about the things that I cared about.” When Valerie lets it slip that her new series is AI-generated — “but don’t tell anyone ‘cause that’s a secret” — Jane is inspired to pick up her camera again. Lance Barber will eventually rejoin as screenwriter Paulie G., Valerie’s old nemesis. Robert Michael Morris, who played Mickey, Valerie’s hairdresser and best friend, in earlier seasons, passed away in 2017; Jack O’Brien, as Tommy, occupies a version of that space here.

Valerie may be only moderately successful, but she isn’t a hack. She has an Emmy for “Seeing Red,” the drama at the center of Season 2. She pushes back against the costumer (Benito Skinner) who wants to put her in a caftan. She knows her craft and is nominally proud of belonging to a union. She’s not a diva, but she has her pride. And that she is loyal, even when it does her no good, makes her easy to like. Thrust half-wittingly onto this cutting edge — being the first in an AI comedy, Mark tells her, “is like saying, ‘I was the first one to eat an arm in the Donner Party’” — she is wholly sympathetic, and, eventually, as things bend toward horror in a last-act revelation, a hero.

Though the subject is serious, the approach this time is light and farcical. Partially abandoning the documentary aesthetic of its predecessors — the first season had the look of amateur video, and the second of guerrilla filmmaking — much of this season is shot as a conventional, non-meta television show, allowing us access to private conversations and meetings without having to account for Jane and her crew, or requiring the players to act as if they’re being watched. Paradoxically, without pretending to reality, it makes some things more real.

Playing himself, director James Burrows, whom Valerie convinces to helm her pilot, notes that the jokes AI writes might come fast but are never better than obvious. “Surprising only comes from a group of writers huddled in a corner beating themselves up to beat out a better show,” he says. And just as Valerie is not a character an algorithm could produce, Kudrow is not an actor a machine could ever imagine. She’s no Tilly Norwood, or Tilly Norwood at 60, or Tilly Norwood with quirks applied. There’s no one like her— other than her — for the learning machines to scrape.

You should never settle for “good enough” when better, or best, is available. But that choice is on you.

The second season of a controversial comedy is now available to binge in its entirety on ITVX

ITV has quietly dropped another season of a comedy that’s been branded “highly offensive”.

Piglets is a British comedy that’s set in a police training college. The first series aired on ITV1 in July 2024, shortly before getting renewed for a follow-up instalment.

The series follows a newly-recruited group of six very different would-be cops, and the handful of key staff whose task it is to knock them into shape.

Sarah Parish and Mark Heap lead the cast as no-nonsense Superintendent Julie Spry and Superintendent Bob Weekes, whose job it is to oversee the training of the next batch of new recruits.

The new recruits include Steph (Callie Cooke), Leggo (Sam Pote), Geeta (Sukh Kaur Ojla), Afia (Halema Hussain), Dev (Abdul Sessay) and Paul (Jamie Bisping). The cast also features Rebecca Humphries as Head of Admin Melanie, as well as Ukweli Roach and Ricky Champ as police trainers Mike and Daz.

Despite pulling in 5.6 million views for its first six episodes, the show was at the centre of huge controversy shortly after its premiere.

The Police Federation of England and Wales described the comedy’s title – which is based on the slang term “pig” for police – as being “highly offensive” and “insulting”. Piglets also received several Ofcom complaints from frustrated viewers when it was broadcast.

Now, the show’s second season has landed on ITVX, with The Traitors favourite Maddy Smedley joining the cast.

Maddy took to her Instagram earlier this week to promote the new series, saying: “So apparently, ITV aren’t really promoting Piglets series two, so this is the advert for it.”

After explaining how fans can find the show on ITVX, the star added: “I worked my butt off on that show, so this is the advert now, like it or lump it. Let me know what you think of the show, and thanks for your time.”

Despite the controversy surrounding the programme, there are lots of viewers who have shared their praise since its release.

One person wrote on IMDb: “This show is an absolute riot. While it may not be for everyone, the hate this show gets is completely unjustified… It’s a simple comedy with funny characters that mesh together perfectly, combining to create one of my favourite shows from this year. I can’t recommend this show enough. I’d love to have more of this show to watch.”

Another added: “I thought this was absolutely brilliant, well written, funny and such a mixed bunch of characters who gel well together for this type of show. A much needed comedy show in today’s TV world!”

A third said: “Piglets has a lot of laughs and is a lot of fun. Yes, it’s silly, which is why it’s so good. Who doesn’t like laughing at silly jokes and puns and references??? It’s a classic comedy and we need more of this on TV.”

Piglets is available to stream on ITVX

“The best way I can describe it is, it’s an addiction,” says Taylor Frankie Paul.

The star of “The Secret Lives of Mormon Wives” is seated by a window in an empty Starbucks within a downtown Salt Lake City hotel, reflecting on her relationship troubles in an interview Feb. 19. Followers of Paul’s screen life are all too familiar with the drama. Now, others can’t escape knowing about it too.

Days later, a dispute with her on-again, off-again partner would lead to an investigation by police that surfaced in multiple news reports this week, and on Thursday, the release of a video recording of a separate dispute in 2023 would lead to a pause on “The Bachelorette,” her latest starring role on reality TV, three days before it was set to premiere.

Her brush with fame began with #Momtok, as the self-proclaimed founder of the Utah-based group of Mormon moms that spawned the so-called corner of TikTok where they shared choreographed dance videos and light lifestyle content. But in 2022, she rose to notoriety after revealing in a TikTok Live session details about an arrangement she had with her then-husband Tate Paul to pursue intimate relations with other consenting couples (without having extramarital sex); she confessed to violating their agreement by having an emotional affair. The salacious revelation, which became known as the “soft-swinging” scandal, lit up social media and, eventually, led to the creation of Hulu’s breakout hit “The Secret Lives of Mormon Wives.” Much of Paul’s story across the show’s four seasons has revolved around her rocky relationship with Dakota Mortensen, the man she began dating following her divorce.

Dakota Mortensen and Taylor Frankie Paul in a scene from “The Secret Lives of Mormon Wives.” The pair share a 2-year-old son.

(Fred Hayes / Disney)

Even as the show documented the lead-up to Paul becoming the new face of “The Bachelorette,” her biggest screen opportunity yet, the pair’s on-again, off-again dynamic remained as turbulent and confusing as ever, down to the “Mormon Wives” season’s final minutes. A despondent Paul nearly upended the start of production on ABC’S dating series when she missed her flight to Los Angeles after sleeping with Mortensen, who is the father of her youngest son, Ever, the night prior. (She took a later one.)

“I was just still stuck in the cycle,” she says, noting she hasn’t watched the “Mormon Wives” finale. “That’s why I knew I had to leave [to do ‘The Bachelorette’], if that makes sense … I can’t help people understand it because my own brain doesn’t understand it. The only thing I can relate it to is, it is a drug; the toxicity is a drug. It’s always a mind game and I fall for it every time, and I cave and it’s just so dumb. I get exhausted saying it to people because I’m like, ‘I don’t blame you guys. I’m mad at me.’”

The hook of a 31-year-old mother of three trying to find love — who unapologetically wears her troubles on her sleeve — was supposed to be what made her a desirable candidate for the latest crossover experiment to hit Disney’s reality TV universe. But in the week leading up to Sunday’s Season 22 premiere of “The Bachelorette,” reports surfaced detailing allegations of domestic violence involving Paul and Mortensen. Utah’s Draper City Police Department confirmed there is an open investigation involving the pair; a spokesperson for the department declined to share more details amid the ongoing investigation. But according to a person familiar with the situation, allegations were made by both parties involving incidents on Feb. 24 and Feb. 25, less than a week after our interview. No charges have been filed in the case.

Taylor Frankie Paul in a promotional still from ABC’s “The Bachelorette,” now on pause.

(Sami Drasin / Disney)

Paul was previously arrested and charged in 2023 for a separate dispute involving Mortensen, eventually pleading guilty to one count of aggravated assault; other charges were dropped. Part of that incident was documented in the first season of “Mormon Wives.” On Thursday, TMZ published a video of the incident, leading Disney Entertainment Television to hit pause on the planned premiere of “The Bachelorette.” “In light of the newly released video just surfaced today, we have made the decision to not move forward with the new season of ‘The Bachelorette’ at this time, and our focus is on supporting the family,” the statement from Disney read. Whether the season will be released at a later time or be re-edited remains to be seen, according to a person familiar with the matter.

“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security,” read a portion of a statement provided by a representative for Paul. The statement went on to say Paul suffered “extensive mental and physical abuse as well as threats of retaliation.”

While Season 5 of “The Secret Lives of Mormon Wives” began production in January, cameras were not following Paul during the time of the recent incidents; Paul was focused on publicity commitments for “The Bachelorette.” Hulu and ABC declined to comment on the ongoing investigation. Mortensen could not be reached for comment. Production on “Mormon Wives” is currently on pause and a decision on Paul’s status as a cast member has not been made, according to a person briefed on the situation.

Paul’s chaotic reality now casts a shadow on both shows. The programming experiment aimed at expanding and blending the audiences of ABC’s veteran dating series and Hulu’s budding answer to the “Real Housewives” franchise now becomes an example of too much of a good thing — in this case, overextending a breakout hit early in its run — and how it can backfire. And it puts a spotlight on the discourse surrounding vetting failures and oversights in reality TV, as well as the compulsion or limits by viewers to rubberneck, particularly by savvy viewers of a genre that thrives on sordid personal drama.

How the ‘Mormon Wives’ crossover took shape

At a time when the traditional television landscape faces steep challenges, accelerated by a radical shift in viewing habits spurred by streaming and social media, Disney has been blurring the lines between its linear and streaming properties — ABC and Hulu — to maximize the reach of its unscripted assets. “Mormon Wives,” which has released four seasons in less than two years, has become a key player in that effort. Earlier this year, two of its cast members, Jen Affleck and Whitney Leavitt, competed against each other on “Dancing With the Stars.” And Paul’s casting as “The Bachelorette” makes her the first heroine who was not a contestant on a previous season of “The Bachelor.”

Prior to the reports about Paul, The Times spoke to Robert Mills, who leads Walt Disney Television Alternative, as well as show producers, about collaboration efforts within the company’s broadcasting universe as a way to expand and reward viewer curiosity.

Mills, a veteran ABC unscripted executive, said it was a way the company can distinguish itself from its competitors, particularly as it seeks to build Hulu’s unscripted slate against streaming rivals with deeper benches. And the possibilities on how to apply it to “Mormon Wives” began the summer ahead of its launch. As “Dancing With the Stars” producers were in the final stretch of casting the show’s 33rd season, Mills says there was talk of having one of the women be a contestant on the competition that fall, to coincide with the new show’s arrival.

“I do remember saying, ‘If it’s not this season, I know we’re going to have somebody next season because you can just feel this,” he says, referring to the energy surrounding “Mormon Wives.” “When the show took off, then it became, ‘OK, now we know we’re doing it.’”

And while having a cast member compete on “Dancing With the Stars” may, on its own, create a curiosity factor for audiences of both shows, the added layer of having the journey play out on “The Secret Lives of Mormon Wives” had the potential to heighten the story and viewing experience. And why not have two “Mormon Wives” cast members in the same season to see how their competitiveness plays out? So they did.

Dancer Jan Ravnik with partner Jennifer Affleck on “Dancing With the Stars.” (Eric McCandless/Disney)

Mark Ballas and Whitney Leavitt, who reached the semi-finals on the dancing competition series. (Eric McCandless/Disney)

The casting process for “DWTS” was documented in the third season of “Mormon Wives,” with Affleck and Leavitt pitching themselves to ABC executives. And their journey on the competition, including moving their families to Los Angeles and their eventual falling out, is featured in Season 4.

Corporate synergy within the Disney portfolio is nothing new, particularly on “Dancing With the Stars.” Disney Night is a recurring themed episode on the competition show, with contestants dancing to Disney, Pixar and Marvel tunes. And the series has featured stars from “Bachelor” nation before. But navigating the ins and outs of stories that intertwine without overstepping has required nimbleness.

“We basically carved out times where they [the ‘Mormon Wives’ crew] could film rehearsals and we always had a producer present just in case something happened that was dramatically important for our show,” says Conrad Green, the showrunner of “Dancing With the Stars.” “It’s like a gentleman’s agreement — we’re borrowing talent off another show so we have to work together and it works for everyone’s benefit.”

Stretching out a successful series typically leads to spin-offs — and yes, Mills says, those conversations are happening with “Mormon Wives” — at least at the time of the interview. In the meantime, the crossover strategy has become its key feature. Its third season featured the fallout from an explosive crossover with Hulu’s “Vanderpump Villa,” which follows Lisa Vanderpump, a former Bravo star, and her staff at various luxury European estates. MomTok stars Demi Engemann and Jessi Ngatikaura were guests on that show’s second season and got embroiled in drama with staff member Marciano Brunette, who alleges he had intimate connections with both women. The recent fourth season of “Mormon Wives” revisits the crossover, with some of the women’s spouses partaking in their own “Villa” getaway that fuels more drama.

Layla Taylor, left, Jessie Ngatikaura, Mikayla Matthews and Demi Engemann of “The Secret Lives of Mormon Wives” at the castle in “Vanderpump Villa.”

(Andrea Miconi / Disney)

Paul’s casting in “The Bachelor” universe continues the long-running franchise’s efforts to revamp as it ages, to mixed results. In 2021, the franchise cast its first Black male lead; last year, it entered the senior citizen dating space with spin-off “Golden Bachelor.”

After Paul posted a TikTok in June 2025 jokingly announcing her “bid” as a single mother looking for love, members of the company’s publicity department took notice and, before long, discussions began. When the idea to bring on a star outside the franchise was presented to”The Bachelorette” showrunner Scott Teti, he did some homework.

“Of course, I had heard of her — it’s hard not to hear of that name,” he says. “But I had to familiarize myself with it because I hadn’t watched her show. Instantly, you realize how honest and truthful she is, almost to a fault. Although she’s unrelatable in a lot of ways, with the attention she gets from media and social media … she has a layered story that I think is very relatable to a lot of people — being a single mother and not having success in past relationships and still really wanting to find love.”

He adds that though she was a “fish out of water” the first night, she found her way. “She made herself vulnerable and she finally let her walls down and made herself open to being in a relationship, finding someone,” he says. “At the same time, because she is used to doing things her own way, and not really caring what anybody thinks, that is what made it interesting. That is why this season is so big, and there are so many pivotal points in the season that will leave you on the edge of your seat.”

At least that was the plan.

Dressed in beige lounge pants and an oversize T-shirt adorned with mushrooms when we meet, Paul is affable despite her sluggish demeanor as she navigates the schedule demands in this window between “Mormon Wives” Season 4 and her debut as “The Bachelorette.” She pulls out her phone to share a series of TikTok videos that capture what she says is her current mental state — one features a man sarcastically talking about how he’d rather be petty than regulate his emotions. No stranger to finding a wide audience with viral videos, Paul sees the crossovers as “genius marketing.” But also acknowledged their potential challenges to #MomTok.

“I think it’s really cool to see all the different opportunities you can venture off into,” she says. “I think the con of that, with #MomTok, is that with all the opportunities, it kind of spreads us apart. We’re doing our own thing. It could break friendships. You’re getting envious. You get competitive.”

As the cast’s fame and opportunities grow, whether across Disney or outside of it — Leavitt, for example, is starring as Roxie Hart in “Chicago” on Broadway — the way to keep the series interesting is to incorporate all those moments into the show rather than pretend they live outside of it.

“We have not shied away from breaking the fourth wall,” says “Mormon Wives” showrunner Andrea Metz. “We have not shied away from talking about what is really happening with them. And I think that people like that. The trajectory of their fame and their stars rising has been very quick, but it’s also been really exciting.”

And the highs and lows are in full view, as this week proves.

Was she ready for ‘The Bachelorette’?

How all this might impact #MomTok — the power of their clique to withstand the various in-fighting and drama has become a perennial concern each season — is already playing out in the headlines.

Before recent allegations against Paul threatened the outcome of “The Bachelorette,” Paul’s entanglement with Mortensen had already cast doubt for some viewers of both franchises about whether she went into the dating series with any seriousness. The break between wrapping “Mormon Wives” and starting filming on “The Bachelorette” was one day. Paul admits she isn’t sure she was ready for the experience.

“I might not have been ready, but ready is a decision — just do it,” she says. “It was like a rehab, almost. It’s full detox. I had no contact — in no world does it happen with the co-parent. Whether or not I was ready, it was what was so needed for me, at the very least to just get away from it. And I wanted to find someone and love.”

“‘The Bachelorette’ is one of the hardest things I ever did,” she continues, “but also the most amazing things I ever did. I have my kids back home. I’m not just here looking for me. The emotional exhaustion was a lot. I’m dating 20-something guys. I am putting my all into one conversation after the other, every single day, all day. Your brain is just kind of fried.”

Then she considers a question that didn’t feel as prescient then: Does she feel like it broke the cycle she’s had with Mortensen?

“Yeah, I feel like it helped,” she says. “Obviously things — [we’re] within the process of the show, I can’t speak on it yet. But you’ll see it all unravel.”

Driver Daniel Dye has been suspended indefinitely by NASCAR for “insensitive comments made during a recent livestream,” the organization announced Tuesday.

The full-time driver in the NASCAR Craftsman Truck Series was also suspended indefinitely by his team, Kaulig Racing.

In the video, Dye imitated IndyCar driver David Malukas. At one point during the livestream, Dye referred to the voice he had used as a “David Malukas gay voice.”

According to a NASCAR news release, Dye was punished for violating a rule that states members should not make “a public statement or communication that criticizes, ridicules, or otherwise disparages another person based upon that person’s race, color, creed, national origin, gender, sexual orientation, marital status, religion, age, or handicapping condition.”

“Dye used language that officials deemed unacceptable, resulting in Tuesday’s suspension,” NASCAR stated. “Dye must complete sensitivity training before he may return to competition.”

On Tuesday, Dye posted a statement on social media, in which he apologized to Malukas and others for his “careless comments.”

“I chose my words poorly, and I understand why it upset people,” Dye wrote. “I’m sorry to anyone who was offended. That’s not how I want to represent myself.

“I have some close friends in the LGBTQ+ community who I would never want to feel less of themselves because of what I said, and that’s exactly why I should hold myself to a higher standard. In talking with them, I realize that a true friend would know better than to act the way I did and for that I need to be a better friend. What I said doesn’t reflect how I feel about them or anyone else.

“I didn’t think enough before I spoke, and I in no way meant any harm. I know that intention does not erase impact and I need to do better.”

Malukas and his team, Team Penske, did not immediately respond on Wednesday to requests for comment.

Dye, 22, was also suspended four years ago as a driver in the ARCA series, which NASCAR owns. He had been arrested and charged with felony battery for allegedly punching a high school classmate in the groin area. He was reinstated when the charge was reduced to a misdemeanor.

In 49 Truck Series starts, Dye has two finishes in the Top 5 and 10 finishes in the Top 10, earning one pole position. He is in 13th place through three races this season.

The Associated Press contributed to this report.

While in Australia, members of Iran’s women’s football team found themselves at the centre of an international political storm. As several players choose to return home, difficult questions are being raised about athlete safety, agency and Western intervention. Samantha Johnson looks at how Iran’s women footballers became caught in the middle of something they had nothing to do with, and asks whether they were being used as political pawns.

Sky has just dropped the chilling first-look at the return of one of its best new thrillers coming back to screens very soon

A critically acclaimed comedy-thriller series that entranced countless fans back in 2024 is finally coming back for a second season.

Sweetpea starred Fallout’s Ella Purnell as shy wallflower Rhiannon Lewis, an unassuming newspaper assistant who has been either bullied or ignored her entire life.

After the sudden death of her father and reuniting with her school bully, Julia (played by Nicôle Lecky), something snaps in Rhiannon and she goes on a murderous rampage.

A synopsis for the second season reveals: “Navigating a new promotion, an irresistible rebound, and a copycat killer threatening to expose her, the kill list is mounting.

“And Rhiannon is forced to question whether her perfect ex AJ, was right: is she a monster?”

This week, Sky has dropped a tantalising new image from the second season of Sweetpea, which reveals Purnell back as Rhiannon.

In the snap, she’s donned a dark raincoat and emblazoned a wall with the word “monster” in what seems to be tomato ketchup.

Several new names are joining the main cast this time round, including Rish Shah (Overcompensating) as Rhiannon’s new love interest Gabriel, along with Tamsin Greig (Riot Women) as AJ’s mother, Liv.

Greig’s Riot Women co-star Taj Atwal will also feature as Freya, Rhiannon’s new boss, with Heartstopper’s Jenny Walser added as a new friend named Daisy.

Jon Pointing (Big Boys), Jeremy Swift (Ted Lasso), Leah Harvey (Foundation), Ingrid Oliver (Thursday Murder Club), Nitin Ganatra (Mr Bigstuff) and Alexandra Dowling (Game of Thrones) will all be reprising their roles from the first season.

Sweetpea season two is shaping up to be a must-watch thriller when it arrives at an unconfirmed date in 2026 after the first outing received rave reviews from fans and critics.

One IMDb user wrote: “I’ve waited a long time for this to come out on Sky, and it did not disappoint! Brilliant dark comedy, it’s right up my street. No spoilers here, just a basic review to say I loved it!

“I binged the whole series in one night, I just couldn’t turn off, the end of each episode leaving me wanting more, and to know ‘what next!?’ It may be a little slow to get started initially but it had me hooked straight away.”

Someone else gave it a strong recommendation: “If you like shows that dig deep into the dark corners of the human mind while still managing to throw in some wicked humour, Sweetpea is going to be right up your alley.

Sky’s Ultimate TV bundle

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Sky is giving away free subscriptions to Netflix, Disney+, HBO Max, Hayu and discovery+ to customers on the Ultimate TV bundle from March.

“It’s fresh, it’s disturbing, and it’s a story you won’t easily forget. I absolutely love it!”

And a final fan called it “an intriguing and captivating series that keeps you hooked from start to finish”, adding Purnell’s “amazing” lead performance is “impossible to look away” from.

Sweetpea season 2 will premiere in 2026 on Sky and NOW.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

The popular crime drama first aired back in 2021 and has featured the likes of Stephen Graham, Jodie Whittaker and Bella Ramsey.

The wait is almost over as the BBC has confirmed a third series of Jimmy McGovern’s BAFTA-winning hit drama, Time, is coming back.

With filming set to begin in Belfast, the broadcaster has announced viewers can expect to see David Tennant and Siobhan Finneran in the upcoming instalment.

This week, the broadcaster shared further casting as Vinette Robinson, Jo Joyner, Daniel Ryan, Warren Brown, Louis McCartney, Ollie McNulty and Chukwubuikem Molokwu will star in the third series.

BBC viewers will also welcome the likes of Ethaniel Davy, Victor Zhao, Paul Smith Junior, Finn Kearns and Jack Barnes.

Set in a Young Offenders Institution, the third series of Time will explore the impact of locking up teenagers and the impact on those who look after them.

A synopsis reads: “Prison Chaplain Marie-Louise comes to the YOI having lost her faith. When tragedy strikes within the prison, Marie-Louise clashes with veteran officer Bailey, a man in the midst of his own crisis.

“Bailey knows more about the circumstances that led to this major incident – but will he come clean before the guilt gets too much?

“Meanwhile, two teenage young offenders, Peter and James, struggle through the terrifying first weeks and months of their incarceration.

“Can James ever face his broken parents after an unforgivable act of violence and will Peter tell the truth about the death of an innocent man, or does family loyalty mean more? An unlikely friendship between them looks to shift the trajectory of their futures, but in an increasingly unstable environment, is change ever possible?”

Sharing an image of the new cast members joining the show in Instagram, it wasn’t long before people commented on the post, sharing their excitement.

One person said: “Fantastic news.” Another wrote: “Can’t wait! Congrats on the casting, amazing announcements.”

Someone else shared: “ANOTHER SEASON OF TIME?!? I’m ready to get my heart absolutely broken yet again.” As one fan added: “A good line-up of actors and actresses.”

Another commented: “Can’t wait for this also great casting!” While someone else added: “Can’t wait for this, Siobhan smashed the first 2 series.”

Time series one and two are available to stream on BBC iPlayer

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

It’s been described as Game for a Laugh meets Saturday Night Takeaway – but Joel claims he was terrified during one particular challenge

Joel Dommett said he experienced “one of the most frightening moments of my life” after being disguised as a set of dog toys while trying to get a collar off a Great Dane in new show Celebrity Sabotage.

The Masked Singer star is joined by fellow disruptors GK Barry, Judi Love and Sam Thompson for the new Saturday night series which has been dubbed Saturday Night Takeaway meets Game for a Laugh. And at one point he was tasked with trying to grab the collar while GK tried to distract the owner from realising what was going on.

“I think it’s genuinely one of the most frightening moments of my life because we had this lady who had a Great Dane and so she was there with the dog. And so GK was there trying to distract the owner whilst I was dressed as dog toys, trying not to get caught by the owner, but trying to get the collar off the dog without being noticed.”

READ MORE: First look as Amandaland returns for BBC special this week with five guest starsREAD MORE: House of Games host replacement confirmed and it’s huge Hollywood star

The dog, at the time, was wearing a wig. “It turns out, not that safe,” he laughed. “Obviously the dog just wanted to eat me. Face to face with a dog, I can’t remember if I fell. You would bloody panic if you were on the floor. It’s called a Great Dane for a reason.”

GK admitted she was worried for him, telling him at the time. “Honestly, it’s not that deep, but I’d love you to still have a face after this episode. And he was like, ‘I’m going to go again’.”

Another time comedian Joel was made to hide inside a chair. “I dressed as that chair and I was just hidden in a room and we were all there. The entire time I was just thinking, ‘Please, nobody sit on me.’ That was all I was thinking.”

For the series, producers took over a manor house where they staged six fake reality shows, each with its own celebrity host, who were all in on the joke. Once the unsuspecting contestants arrived to take part, the four saboteurs set about carrying out missions being set for them by producers, with each set of players genuinely believing they were taking part in a brand new show for ITV. They were – but not the one they thought.

The good news for all of them, however, is that every time the saboteurs were successful, they were winning money for the unwitting contestants worth up to £30,000. Joel, 40, said that when they finally worked out what was going on, it made for great TV. “The reveal at the end when they realise that they’re winning money. It’s just like so heartwarming.” And he added “We just cause absolute chaos, carnage. I don’t know about you guys, but it’s the most fun I’ve had working on a show in a really long time.”

One of the challenges sees the team tasked with ruining the face masks being applied to people who were in on the joke in a fake spa – by lacing it with green dye, which stained their faces and left them filled with fake fury.

Judi said that one of the saboteurs spent a lot of time using one particular disguise. “We dress up as mad stuff. Basically every single episode GK is dressed as a bush,” she laughed. For herself, she said: “I think the skill I learned is that I can roll quite well. I’ll just leave it at that.”

Over the weeks the team are joined by guest saboteurs, one of whom was Jo Brand. ‘She was so funny. She just did not care about what we were saying,” they laughed. “There was one bit we were like, ‘Don’t get caught.’ She was just wandering around the corridors.

-Celebrity Sabotage starts on Saturday March 21 at 8pm on ITV1 and ITVX.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

March 14 (UPI) — North Korea launched 10 ballistic missiles into the sea on Saturday — which landed just outside Japan’s economic zone in the East Sea — in a show of force amid a U.S.-South Korea military exercise.

The launch, confirmed by the Japanese and South Korean defense ministries, is one of the largest North Korea shows of force that it has ever launched, The Japan Times and The Independent reported.

The missiles were launched from the west coast of North Korea, flying roughly 211 miles before falling just outside the Sea of Japan.

The Japanese Ministry of Defense in a statement called the launch a continued effort to “threaten the peace and security of Japan, the region and the international community.”

Shinjiro Koizumi, the Japanese defense minister, added that the ministry would remain in close contact with the United States and other allies “to remain fully vigilant and maintain surveillance in preparation for any unforeseen contingencies.”

The launch is the largest since at least November 2022, when Kim Jong Un’s regime launched a volley of 23 missiles that included short-range ballistic missiles and surface-to-air missiles, among others.

Analysts have said that it is unlikely that North Korea would attack U.S. or other nation’s assets in the region while the United States has diverted missile defense systems, among other things, to the Middle East amid the war in Iran.

They say, rather, that the show of force is meant to show that it can defend itself if it is invaded.

North Korea’s launch also comes as the United States and South Korea are about halfway through the annual 11-day Freedom Shield combined joint exercise that includes land, air and sea training events to allow the two nation’s armed forces to integrate seamlessly in combat.

One warship that was involved with the exercise, the USS Tripoli, an amphibious assault ship carrying 2,500 Marines and 2,500 sailors, has been redeployed to the Middle East to bolster U.S. military power there amid the war in Iran.

The 10th season of “Love Is Blind” ventured to Ohio, yielded a record seven engaged couples and made structured cape blazers and the idea of daily Pilates classes feel like rage bait.

With the season over, and just two couples saying “I do,” the cast of the popular Netflix dating series came together for this week’s reunion special to share updates on their lives since the cameras went down — and to unpack the twists, turns and lies that played out over the season. The result was a reunion that finally provided (mostly) satisfying questions and answers about participants’ pasts and presents instead of dancing around topics.

Unable to budget the time for a trip to Cabo — or even Malibu — to process it all, TV editor Maira Garcia and I have brought our running “LIB” thread out of our Slack DMs to unpack our thoughts in this safe place.

Also in this week’s Screen Gab, our streaming recommendations include a spray-tan crime comedy and a Morgan Freeman-narrated mind trip about the rise and fall of dinosaurs. Plus, we tell you where you can stream the slate of best picture nominees ahead of this Sunday’s Academy Awards ceremony.

This is your cue to block off some “couch time” in your calendar this weekend.

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Will Forte as Martin and D’Arcy Carden as Vicki in a scene from “Sunny Nights.”

(Lisa Tomasetti / Hulu)

“Sunny Nights” (Hulu)

D’Arcy Carden fans, and I can’t imagine anyone who’s ever seen her work isn’t one, will be elated to find her at full force starring in this dark, sometimes violent Australian crime comedy alongside Will Forte, who, yes, has fans of his own. They play brother Martin (cautious) and sister Vicki (impulsive), who have traveled to Sydney to flog a tanning spray at a lifestyle convention, though Martin has an ulterior motive, to win back his wife, Joyce (Ra Chapman). What with one thing and another, they find themselves repeatedly in need of cash and mixed up with a panoply of criminals, some fairly sympathetic (former rugby star Willie Mason, excellent as former rugby star Terry; Jessica De Gouw as Susi), and others not at all (Rachel House as kingpin Mony, just out of the jug). All are trying to change their lives, or at least their business plan, including Joyce, a journalist stuck writing clickbait articles for an editor who doesn’t want to know, and Megan Wilding as Nova, an animal control worker who knows something important about an exploding crocodile. — Robert Lloyd

A still from “The Dinosaurs.”

(Netflix)

“The Dinosaurs” (Netflix)

This four-part series will have you mentioning the Carnian pluvial episode in every conversation. Aptly narrated by Morgan Freeman and executive produced by Steven Spielberg, the sweeping CGI-enhanced nature documentary traces the evolutionary history of dinosaurs, from their origins in the Triassic period to their extinction 66 million years ago. And it’s more proof that attention spans, no matter a person’s age, will always lock in for dinosaurs. Before morning, your Google search history will include terms like “Marasuchus,” “Vulcanodon,” “Heterodontosaurus” and that Carnian pluvial episode (a.k.a. the longest downpour in history, which lasted more than a million years). Prepare to have your perception of time forever altered. Still, it’s a surefire way to give your mental health a break from current events — though, for a certain generation, it may also unlock those “Land Before Time” memories. — Y.V.

Catch up

Everything you need to know about the film or TV series everyone’s talking about

Scenes from “One Battle After Another,” left, “Hamnet” and “Sinners.”

(Warner Bros. Pictures; Focus Features)

The 98th Academy Awards will broadcast Sunday at 4 p.m. Pacific. How many of the best picture nominees have you seen? Is it less than the number of think pieces you’ve read on Timothée Chalamet’s comments on ballet and opera? We’re here to help. If you’re feeling inspired to be a studious viewer ahead of film’s big night, here’s where you can stream the best picture nominees:

• “Bugonia” (Peacock): Directed by Yorgos Lanthimos, the surreal comedy thriller follows a paranoid bee keeper (Jesse Plemons) who kidnaps a pharmaceutical CEO (Emma Stone), convinced she is an alien responsible for destroying humanity. The film received four Oscar nominations.
• “F1” (Apple TV): From “Top Gun: Maverick” director Joseph Kosinski, the sports drama stars Brad Pitt as retired F1 driver Sonny Hayes, who agrees to compete in the globe’s most prestigious racing event to salvage his reputation and the failing team of his buddy. The film received four Oscar nominations.
• “Frankenstein” (Netflix): Guillermo del Toro’s adaptation of the classic horror tale transforms Jacob Elordi into the tragic monster, known here as The Creature, and features Oscar Isaac as its titular mad maker. The film received nine Oscar nominations.
• “Hamnet” (Peacock): Based on Maggie O’Farrell’s novel, Chloé Zhao’s historical drama explores the grief, love and strained marriage of William Shakespeare (Paul Mescal) and his wife, Agnes (Jessie Buckley). The film received eight Oscar nominations.
• “Marty Supreme” (Available to rent or buy on platforms like Prime Video and Apple TV): Directed and co-written by Josh Safdie, the film is loosely based on the life of American table tennis player Marty Reisman, here called Marty Mauser and played by Timothée Chalamet. It is expected to be released on HBO Max later this spring. The film received nine Oscar nominations.
• “One Battle After Another” (HBO Max): Paul Thomas Anderson’s satirical political thriller, a loose adaptation of Thomas Pynchon’s “Vineland,” follows a paranoid ex-revolutionary (Leonardo DiCaprio) trying to save his daughter when an old enemy (Sean Penn) resurfaces. The film received 13 Oscar nominations.
• “Sentimental Value” (Available to rent or buy on platforms like Prime Video and Apple TV): Joachim Trier’s Norwegian drama follows two sisters (played by Renate Reinsve and Inga Ibsdotter Lilleaas) as they reunite with their estranged filmmaker father (Stellan Skarsgard). The film received nine Oscar nominations. It is expected to be released on Hulu later this month.
• “Sinners” (HBO Max): Ryan Coogler’s gothic horror drama is set in 1932 Mississippi and follows twin brothers (played by Michael B. Jordan) who, trying to leave their troubled past behind them, return to their hometown to start anew — only to face new horrors. It became the most-nominated film in Academy Awards history with 16 total nominations.
• “The Secret Agent” (Hulu, Disney+): Directed by Kleber Mendonça Filho, the Brazilian historical political thriller stars Wagner Moura as a former professor fleeing persecution during the 1970s military dictatorship while trying to protect his son. The film received four Oscar nominations.
• “Train Dreams” (Netflix): Based on Denis Johnson’s 2011 novella of the same name, the film is an intimate birth-to-death portrait of a quiet railway laborer (Joel Edgerton) as he watches the world change around him. The film received four Oscar nominations.

Break down

Times staffers chew on the pop culture of the moment — love it, hate it or somewhere in between

It’s crazy to think that about six years ago, golden goblets, pods and “the experiment” were disparate ideas and objects that were on the precipice of infiltrating the culture. Now, you can’t think of one without the others. “Love Is Blind,” the reality dating show that tests the premise of whether singles can find love sight unseen and marry at the end, marked a milestone this year with its 10th season, filmed in Ohio.

While the series has produced a number of marriages and engagements, some have ended in breakups and divorce, as we saw on Wednesday’s Season 10 reunion. So while the answer to the question “Is love blind?” seems to be no, the series has nonetheless made for entertaining television for viewers who have made dissecting the people, fights and makeups a sport. Why are we so invested? Because it’s a reflection of where we are as a society when it comes to relationships and what we expect from partners emotionally, politically, physically and financially. With that in mind, Yvonne and I sat down with our golden goblets to unpack the Season 10 reunion. Here are five moments that stood out. — M.G.

Jordan and Amber are now divorced

Jordan Faeth and Amber Morrison were one of two couples to say “I do” at the altar. Morrison, a single mom, discussed with Faeth over the course of the show if he was ready to be a stepparent and where they would live, given that Morrison owned a home and her daughter was happy at her school. At the reunion, the couple revealed that they never moved in together and that they divorced after four months. Morrison talked about how her daughter was distraught after the breakup, leading to an emotional moment where Morrison ran offstage in tears. It raised an important question that fans have debated closely: Should parents be on the show? Seasons 6 and 9 also featured single parents, neither of whom made it to the altar. Given the compressed timeline of when people meet, become engaged and head to the altar, deciding whether marriage should include parenthood at the start adds another layer of complexity, not to mention how it could affect a child, who suddenly has a stranger in their life. The outcome wasn’t necessarily surprising, but it was sad.

Vic and Christine: boring but perfect. More, please

The other couple to make it down the aisle was Vic St. John and Christine Hamilton, who hit it off from the get-go and seemed to exist in their own blissful bubble. According to Netflix production, the show only budgets for six couples to go on a trip after the reveal and engagement. But they continued to track them, with St. John and Hamilton spending time in Malibu instead, taping dispatches together and getting to know each other without the rest of the cast in proximity. Throughout the course of the show, you see their connection grow. Their mature and thoughtful conversations about being an interracial couple and potentially raising biracial children were exactly the type of discussions you would hope they’d have before proceeding down the aisle. It may not make for dramatic TV, but it was genuinely thrilling to see a couple so well-suited for each other continuing to thrive. And in an effort to make up for not getting to go to Cabo, Mexico, with everyone else, the show offered them a trip paid by … Turbo Tax? It was an odd product placement, but if they want to foot the bill for their honeymoon, no one’s complaining. As long as it’s somewhere tropical on a beach — and not Lake Erie.

Who took accountability?

Despite not making it to the altar on screen after the blazer cape breakup, Connor Spies and Bri McNees are still together. But the bigger record-scratch moment arrived later, when it was revealed that Devonta Anderson broke up with Brittany Wicker a few days after what he told her was a work trip but was actually a getaway to Austin, Texas, to attend a concert with McNees, Ashley Carpenter and Priyanka Grandhi. Wicker didn’t seem thrilled that she had to find out about the trip from Amber (who found out from Jordan, who can’t remember that he even knew about it). McNees didn’t like the implication that she may have broken “girl code” with the whole fiasco — but if all the women are as close as they say they are, why wouldn’t you check in about such an arrangement regardless of the relationship status? (It was weird, too, that Connor thought it was a girls’ trip.) And the fact that it was the same three women who listened to Chris Fusco talk poorly about his former fiancée Jess Barrett — giant sigh. During the reunion, after Barrett voiced her disappointment in her friends about that incident, Carpenter apologized for not doing more to defend her in the moment.

Meanwhile, Nick unleashed his best attempt to channel Andy Cohen and grilled Fusco about his highly questionable behavior and the backlash over his comments to Barrett about her body, specifically stating he usually dates women who do Pilates or workout daily, and for trying to make the moves on McNees. Fusco, mostly quiet and stone-faced (could it be the shame?), acknowledged he was not proud of the moments he watched back and apologized to Barrett. His seat mate, goalkeeper Alex Henderson, was also on the defense. The self-proclaimed nomad never fully seem to vibe with his fiancée, Carpenter. He admitted she’s not his usual type. She still maintained he wasn’t telling the whole truth about his job or dating history, and overall lifestyle. Throughout his segment, Henderson was noticeably irritated by the insinuation that his stories didn’t add up. But he did seem to enjoy being asked to describe his relationship with Carpenter as if it was a soccer match, prompting him to cite a Liverpool game that ended in a tie. Are you laughing too?

Can this be a TikTok?

To commemorate the milestone season, the audience for the reunion special consisted of 150 former participants of the series. And while the time spent getting life updates with some of them throughout the show felt less forced and time-consuming than reunions past, it still felt like an add-on better suited to live in a separate (shorter) special or as social media content. If we wanted an update on these people’s lives, we can find them on social media. A gender reveal courtesy of someone’s dead grandmother, as sweet and touching and lovely as that may for an expectant couple, is not the sort of jaw-dropping moment a show like this needs. And maybe the money saved — assuming production footed the bill for those flights — could have sent every couple to Cabo.

Did you hear? Nick Lachey is from Ohio, guys.

His constant mention of his hometown roots was unquestionably the biggest declaration of love in the 90-minute special. Sorry, Vanessa.

ICYMI

Must-read stories you might have missed

IN CORNWALL is a pretty fishing village that made an appearance on television across 18 years in the hit ITV series Doc Martin.

Now, a pub that starred in the show and overlooks the seafront will reopen after it announced its sudden closure last month.

The postcard-worthy village of Port Isaac sits on the North coast of Cornwall.

It’s full of white-washed cottages and pubs including The Golden Lion which closed in February when the ‘local company running them ran out of money‘, according to Cornwall Live.

Just a few weeks later, the pub announced it was under new ownership of St Austell Brewery and would reopen on Friday 13 March with the same team.

When the news was revealed on Facebook, one local said: “So pleased to hear it will be reopening. It is the hub of the village. Will be in next week for a meal.”

GO SEA IT

£9.50 holiday spot with shipwrecks, seals offshore & horseshoe-shaped waterfalls

GRUBS UP

Best pubs, fish and chip shops and cafes in Sussex – by Sun readers & locals

Another added: “Wow that was a quick turnaround but really excellent news.”

While some might not have literally stepped into the pub, it has appeared on TV.

The Golden Lion doubled as the ‘Crab & Lobster‘ in the ITV series Doc Martin starring Martin Clunes which was on air between 2004 and 2022.

In fact, lots of Port Isaac was used in the TV show as it doubled as the fictional village of Portwenn.

Fans of the series will recognise the pretty harbour, beaches and the Grade-II Listed Fern Cottage which is perched high above the harbour.

The stone cottage once stood in as the doctor’s surgery and now fans of the show can rent it out as a two-bedroom self-catering holiday cottage.

The cosy cottage sleeps four, it also has a sun terrace, garden and a hot tub.

It’s not cheap though as the booking website estimates the cottage at £443 per night.

Fans of the show can take guided walking tours exploring locations like the cottage as well as Mrs. Tishell’s pharmacy, and the harbour.

A guided tour bookable with The Official Shop of the British Tourist Board starts from £17.

Port Isaac has roots dating back to the Middle Ages and later on was used as trading port for slate and then a pilchard fishing hub.

Fishing is still a popular activity in the village with daily catches of crab and lobster.

The village itself is full of pretty cottages, independent shops and narrow winding streets.

There’s even a street called Squeezy Belly Alley which is an 18th-century passageway that at its smallest point is just 18 inches in width.

Port Isaac is not the only location in Cornwall to appear on British TV shows.

The pretty village of Looe is famous for being the backdrop of Beyond Paradise.

Another is the Lizard peninsula which is set to be big this year when the the new HBO Harry Potter series airs.

Earlier this year, actor John Lithgow who plays Albus Dumbledore, was spotted filming on the beach.

One of the spots where Harry Potter has been filming is in Cadgwith Cove, a small fishing village and Kynance Cove, a tidal beach with white sand, turquoise sea and rock stacks.

For more on Cornwall, this pretty English town was once the ‘capital of Cornwall’ and here you might spot some royals.

And here are the Sun’s favourite hotels, holiday parks, cottages and campsites in Cornwall.

All episodes have found a new home on the streaming platform

What some consider as the ‘best series ever made’ that is based on an award-winning novel is now streaming on Netflix.

In the latest significant update for the streamer’s library, all episodes of The Man In The High Castle have been added to the service. While it was originally a Prime Video exclusive released back in 2015, running for four season until 2019.

It is an alternate history period drama, loosely based on the novel of the same name written by Phillip K. Dick. The author was one of the most celebrated sci-fi writers, with many of his works adapted for the screen including into films such as Blade Runner, Minority Report and Total Recall.

The story takes a look at what the world might look like had the outcome of World War II turned out differently. In this dystopian scenario, the Axis powers won the war, leading to the United States being divided into three parts, an area controlled by the Japanese, a Nazi-controlled section, and a buffer zone between the two.

Despite the oppression, a new hope emerges when films turn up that seem to show a different world. A woman believes the films contain the key to freedom and is determined to find their mysterious guardian as she begins to build a network of resistance.

The series was created for television by Frank Spotnitz who previously worked as a writer for The X Files. Alien director Ridley Scott served as an executive producer.

It boasts an 84% rating on website Rotten Tomatoes. One reviewer claimed: “a superb, frightening experience filled with unexpected twists and (some sci-fi) turns.”

A different critic penned: “unlike anything else on television, impeccably acted and packed with vivid, multi-layered characters, gut-wrenching twists and dark, dark moments of human misery”.

It would go on to last for three more seasons and years after the final episode released, many fans still hail it as one of the more superior historical fiction shows. One went so far as to post on Rotten Tomatoes declaring it as “one of the best shows ever made.”

Another added: “a haunting alternative history vision implemented in a extremely authentic fashion.”

While a third confessed how they were hooked upon discovering the series for the first time. They said: “Beyond impressed, stayed up until 2am on a week day… I decided to squeeze in the pilot. Needless to say, seven episodes later I was still watching.”

They continued: “The storyline is incredible. The acting is great. The emotions that it brought out of me was real and raw. It made me appreciate and think differently about the word/idea/concept that we all throw around ‘FREEDOM'” Yes, it’s fictional, and yes it’s just a TV-show, but boy they hit on something, at least in me. I’m beyond impressed!”

Someone else commented: “This is the best series since Breaking Bad. I think every one under the age of 40 needs to see this.”

The Man In The High Castle is streaming on Netflix.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Matt Tebbutt will not return to MasterChef The Professionals after just one series at the helm, it has been reported. He stepped in to replace axed Gregg Wallace

Matt Tebbutt is reportedly not returning to MasterChef The Professionals after just one series at the helm. The TV chef was drafted in to replace Gregg Wallace, who was axed from the show over misconduct allegations.

It has been reported that the popular TV host will not be returning to the BBC professionals series when this one wraps – with just Marcus Wareing and Monica Galetti hosting the show.

Sources claim that the decision for Matt not to return is nothing to do with the presenter and more so because of the closeness with Monica and Marcus, who have been on the show since 2014 bar a brief hiatus for Monica.

“There might be a few eyebrows raised that Matt isn’t staying on given he has just joined. He didn’t do anything wrong and will definitely come back to the series as a guest in the future,” a source told The Sun.

“But bosses simply realised that they could get away with just having Marcus and Monica at the helm, especially as their chemistry is great and they have a tight relationship. Three was a bit of a crowd. Matt has taken it all in his stride and has plenty of other work to keep him busy. The whole experience was brilliant exposure for him.”

A Banijay spokeswoman said: “No decisions have been made yet about the presenting line up for the future series of MasterChef. We won’t comment on speculation.”

When Matt joined the show last year, he described it as an “absolute honour”. Announcing the exciting news, he said: “It’s an absolute honour to be working alongside these two titans of the food world. Their knowledge and uncompromising attitude is now the stuff of legend and I look forward to them taking me under their wing and seeing the chefs get off to a flying start in the competition!”

Matt previously confessed it was difficult stepping into Gregg’s shoes. He explained: “Stepping into someone’s TV shoes is a difficult position to be in. But I did it before – under totally different circumstances, of course – when James Martin left Saturday Kitchen.

“I just try and make my own mark without making too many waves. I’ll be as safe as houses on MasterChef: The Professionals! It’s fair to say the ‘Good Cop’ would apply here. My two grown-up kids, for instance, call me ‘GI Dad’ but the ‘GI’ refers to ‘give in’ rather than the GI Joe reference that I’d hoped they meant. Seriously, though, I think I’ll be pretty fair but expect high standards – after all some of these contestants are at the top of their game.

“It’s all been very exciting and I was very chuffed to be picked for The Professionals. I was pretty surprised to be honest but I think they wanted to get someone with as much experience as possible so they could drop them in at the deep end! And the fact that my name also begins with a ‘M’ maybe helps. A bit of alliteration never hurts.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Ellis has returned, bringing back DCI Ellis and DS Chet Harper to investigate a new head-scratching murder.

WARNING: This article contains spoilers from Ellis.

Ellis season two has arrived and it seems that fans have been left saying the same thing about the new series.

When it initially debuted in October 2024, Ellis received rave reviews from Channel 5 viewers as no non-sense DCI Ellis (played by Sharon D Clarke) travels around helping local police forces in need of help with difficult investigations.

So fans couldn’t wait for its return with Ellis debuting its second season tonight, Tuesday, March 10, with the first episode revolving around the murder of a big-hearted businessman.

Peter Barron (James Doran) had launched a new scheme to help young offenders by employing them at a gardening centre but not everyone in the town was happy with the initiative.

It didn’t take long before DCI Ellis and DS Chet Harper (Andrew Gower) were called as Peter was found dead in his home, kicking off this week’s investigation.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Despite its previous popularity, it didn’t take long for fans to complain about the debut episode of Ellis season two.

“I am not as gripped by the new episode so far,” a viewer commented.

Another agreed: “Disappointed. Loved the last series, but this has got off to a rather wooden and uninspiring series two.”

A third echoed: “New to this but it seems very cliched. Will try and stick with it but so far it’s like it has been written from a kit.”

Another wrote: “Don’t really think much this programme,” as someone else posted: “That didn’t really feel like an ‘end of episode one’ scene in #Ellis .

“I suspect this was originally intended to be broadcast as a single two-hour story like the first series, rather than split in two.”

But some were happy to see the drama’s return with a fan writing: “Good to have #Ellis back, I’ve been looking forward to it.”

Ellis season two will consist of four episodes in total with the series split into two different investigations. Fans are going to be able to find out what happened to Peter Barron tomorrow night, Wednesday, March 11. After this, Ellis will return for a new story on Tuesday, March 17, and Wednesday, March 18.

Ellis season two continues on Wednesday, March 11, at 9pm on Channel 5.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

If you are anything like me, you felt pretty out of sorts this week, not sure how to process the news that we are suddenly, apparently, a nation again at war. It can make the movies seem frivolous — a glorious, privileged sandbox to stick your head in — but it is also times like these that make them seem most vital and necessary: a place to focus energy and anxiety and maybe figure things out.

I was particularly struck by something New York Times critic Wesley Morris said in an appearance on the podcast “The Big Picture.” He was ostensibly talking about the downside of the Paramount-Warner Bros. merger news (“These people are f— with our dreams here” is how he began) but he landed on why movies matter in their moment, crucial to “how we develop as a culture, how we come to understand ourselves as a people, what this country ought to or should look like 40 years from now.”

The week’s big new release is Maggie Gyllenhaal’s “The Bride!” a sort-of adaptation of 1935’s “Bride of Frankenstein” starring Jessie Buckley and Christian Bale that is also very much its own thing, purpose-built to drive some people up a tree and already sharply dividing critics.

Christian Bale and Jessie Buckley in the movie “The Bride!”

(Niko Tavernise / Warner Bros. Pictures)

In her largely positive review, Amy Nicholson calls the movie “an unhinged scream,” adding, “‘Every wacky second, you’re well aware how perilously close it is to falling apart at the seams. This spiritual sequel to ‘Frankenstein’ is a romantic tale of obsession, possession and fantasy — adjectives that also apply to its filmmaker, Maggie Gyllenhaal, who expends massive quantities of energy jolting it to life. She succeeds by the skin of her teeth.”

I interviewed Gyllenhaal about “The Bride!” — including the significance of that exclamation point in the title. There have been numerous reports about a back-and-forth between the filmmaker and execs at Warner Bros. and Gyllenhaal didn’t shy away from talking about it. She had specific praise for Pam Abdy, co-chair and co-chief executive of Warner Bros. Motion Picture Group.

“Something really alive was born, and I think the movie is better for the work that she and I did together,” Gyllenhaal told me. “I know that’s an unusual thing to say. I know that you have lots of people saying like, ‘Ah, the studio f— my movie up.’ That is not my experience. It’s really not.”

Louis Malle’s ‘…and the Pursuit of Happiness’

A scene from Louis Malle’s documentary “…and the Pursuit of Happiness.”

(Janus Films)

On Saturday, in a co-presentation of 7th House at the Philosophical Research Society and El Cine, the will be a 16mm screening of director Louis Malle’s 1986 “…and the Pursuit of Happiness,” a documentary made for television that explores the immigrant experience in America. The French-born filmmaker traveled across the U.S. interviewing recent arrivals from all walks of life.

Writing about the film in 1988, The Times’ Kevin Thomas called it “an often amusing and always insightful survey of the contemporary emigre experience. … an irresistible array of vignettes depicting cultural accommodation and assimilation in all its variety.”

I got on a video call this week with 7th House programmer Alex McDonald and El Cine founder Mariana Da Silva to talk about why this movie matters now.

The movie is streaming on the Criterion Channel right now. Why was it important to also put this movie in front of audiences right now?

Alex McDonald: I think Mariana and I are on the same page with this. I never let streaming or home video availability deter programming. Growing up, the theater was a holy place, a cathedral of congregation. I feel like these films are meant to be seen with an audience. And thankfully, I feel like our audience recognizes that as well, even if the film is out there. Particularly in our current moment, it’s a very prescient film and it’s one that will be all the more powerful within community.

Mariana Da Silva: I agree fully. One of the biggest things within our program is the communal aspects — just seeing the same people come back, that trust that develops with the audience. The best part I love about going to movie theaters is standing outside with people I maybe would never speak to and having a conversation about a film.

A scene from Louis Malle’s documentary “…and the Pursuit of Happiness.”

(Janus Films)

Do you respond to a movie like this as a sort of time capsule of how things were, or is it important to you that it is saying something about what’s happening right now?

McDonald: That’s something I’m very conscious of when I program repertory titles. When I program social, politically minded films, a lot of what I’m trying to do is to show that the issues within these things have not really changed — the ways in which things have progressed, the way in which we have regressed. Malle has such a humane view on all of these people in the film. He narrates but he doesn’t really editorialize. He just sort of observes, and in doing so, he’s making the most compelling argument for the richness of diversity and everything that these people contribute to this country, what they lose in assimilation, what they have to give up and what they bring. There’s a complexity to it. There are certainly dissenting voices in it and those resonate differently now.

It wasn’t perfect then. Obviously, there’s always been conflict, but I think there was an open-heartedness that has really shifted. And this is kind of a poignant reminder of what we need to try to get back to and recognize.

Da Silva: If we were able to have these conversations more openly, it would put us all on an even playing field. Humans are flawed. There’s been a lot of miseducation. In this moment, especially for me as somebody who is an immigrant, I feel like there’s so many people who I know who are so liberal and so aware, but then they don’t really understand the experience of the immigrant. And it’s not their fault in any capacity. They just haven’t been exposed to somebody like me before.

I think we can all come together on the things we celebrate, but we also need to be very open and come together on the things that we differ on too.

Points of interest

‘Good Night, and Good Luck’ in 35mm

George Clooney, left, and David Strathairn in the 2005 movie “Good Night, and Good Luck.”

(Melinda Sue Gordon / Warner Independent Pictures)

On Sunday afternoon at the Los Feliz Theater, as part of the American Cinematheque’s ongoing “Sunday Print Edition” series, there will be a 35mm screening of George Clooney’s “Good Night, and Good Luck,” introduced by The Times’ own Rosanna Xia.

Starring David Strathairn as pioneering television journalist Edward R. Murrow at the height of the McCarthy era, the film was nominated for six Oscars, including picture, director, actor and original screenplay.

As Kenneth Turan wrote in his original review, “‘Good Night, and Good Luck’ couldn’t be more unlikely, more unfashionable — or more compelling. Everything about it — its look, its style, even its sound — stands in stark opposition to the trends of the moment. Yet by sticking to events that are half a century old, it tells a story whose implications for today are inescapable. … The son of a TV anchorman, Clooney had the nerve to believe that a drama of ideas could be as entertaining as ‘Desperate Housewives.’ He insisted that a fight for America’s soul, a clash of values over critical intellectual issues like freedom of the press and the excesses of government, had an inherent intensity that would carry everything before it. And it does.”

‘Days and Nights in the Forest’ 4K restoration

An image from Satyajit Ray’s 1970 drama “Days and Nights in the Forest.”

(Janus Films)

Now playing at the Laemmle Royal in a new 4K restoration undertaken by the Film Foundation is Satyajit Ray’s 1970 “Days and Nights in the Forest.” In this examination of masculinity and class, four male friends drive from the bustling city of Kolkata to a rural village, mixing with the locals with volatile results.

In a special video introduction, Wes Anderson, a longtime admirer of Ray, admits he lifted a scene from “Days and Nights” for one of his own films — 2023’s “Asteroid City” — and says, “Anything by Satyajit Ray must be cherished and preserved, but ‘Days and Nights in the Forest,’ I think you will agree, is one of the special gems among his many treasures.”

‘Grease 2’ returns

Michelle Pfeiffer on the set of “Grease 2” in 1981.

(Vinnie Zuffante / Getty Images)

The Cinematic Void series at the American Cinematheque will show 1982’s pastiche musical “Grease 2” on Monday. Directed by choreographer-turned-filmmaker Patricia Birch, the film is, of course, a sequel to 1978’s megahit “Grease” but it is also very much its own thing. Largely dismissed on initial release, it has found a growing following over the years thanks in large part to its extremely engaging young cast, including an on-the-rise Michelle Pfeiffer.

In his initial review (more complementary than one might expect), Kevin Thomas wrote, “There’s so much youthful talent and vitality in ‘Grease 2’ that it’s depressing to discover it is so unblushing and relentless and paean to ignorance. … This is a pity, because Birch displays an organic sense of how to make dance evolve out of the kids’ everyday activities — converging en mass at Rydell High on the first day of school or having fun at the bowling alley. But Birch has scant opportunity beyond letting us know she cares for these ignoramuses, most of who seem likable enough beneath aggressively crude exteriors.”

Anti-fascist films at UCLA

Ingrid Bergman and Charles Boyer in the 1948 drama “Arch of Triumph.”

(Enterprise-UA / Photofest)

The ongoing series at the UCLA Film and Television Archive titled “From John Doe to Lonesome Rhodes: Anti-fascism from the Archive” hits a real stride this weekend for two nights of restored rarities. On Friday comes a restored 35mm print of 1948’s “Arch of Triumph,” directed by Lewis Milestone and starring Ingrid Bergman, Charles Boyer and Charles Laughton in a romantic drama of refugees in 1938 Paris. Also playing is Arthur Ripley’s rare 1944 emigree drama “Voice in the Wind.”

Much of the press around the film at the time of its release had to do with the challenge of bringing the racier aspects of the novel by Erich Maria Remarque (“All Quiet on the Western Front”) to the screen. As producer David Lewis told The Times’ Philip K. Scheuer, “I promise you that as Joan, Ingrid Bergman will set the town on its ear. They’ll never think of her as anything but sexy again.”

Saturday brings the world premiere of the 35mm restoration of Walter Comes’ 1947 “The Burning Cross,” in which a returning veteran is recruited into the KKK. John Reinhardt’s 1948 “Open Secret,” about antisemitism, will also play in a 35mm restoration.

The series concludes next week with a 35mm screening of Elia Kazan’s 1957 “A Face in the Crowd,” starring Andy Griffith in an examination of the dark side of populist politics and media manipulation.