Series

England’s Bazball regime is in tatters as yet another Ashes in Australia was lost in three Tests.

The tourists were defeated by 82 runs on the fifth day of the third Test in Adelaide to go 3-0 down and extend a winless run in this country to 18 matches.

Australia were delayed by a 40-minute rain shower, England pair Jamie Smith and Will Jacks, and a hamstring injury to spinner Nathan Lyon.

Smith had 60 when he miscued Mitchell Starc. Jacks battled past lunch for his 47 then edged the same bowler to first slip, where Marnus Labuschagne again took a breathtaking catch.

When Josh Tongue edged Scott Boland to Labuschagne, England were all out for 352 and their misery in this country prolonged to 14 years and counting.

This was supposed to be England’s opportunity to finally compete in Australia, the most highly-anticipated Ashes in recent memory.

Instead it has turned into the worst tour in recent times, leaving the futures of captain Ben Stokes, head coach Brendon McCullum and director of cricket Rob Key in doubt.

England have surrendered the chance to win the Ashes in only 11 days of cricket and now must find a result in either Melbourne or Sydney to avoid the ultimate humiliation of a 5-0 clean sweep.

This is the fourth successive Ashes tour in which England have lost the first three Tests. By the time Australia visit the UK in 2027, it will be 12 years since England’s previous Ashes win.

Who is in charge of England by then will come in for intense debate. Stokes and McCullum have contracts until the end of that series. In theory, Key has most sway over the fate of both men, but is probably under more pressure than either.

This is a stunning win for the Australians, who began the series with questions over selection and the age of their squad.

Captain Pat Cummins missed the first two Tests, Josh Hazlewood is out for the entire series, Lyon was omitted for the second Test and Steve Smith is absent in Adelaide.

Australia have still been far too good for England, as they have been on home turf since 2011.

Australia spinner Nathan Lyon will play no further part on the final day of the third Ashes Test and is a doubt for the remainder of the series because of a hamstring injury.

Lyon, 38, who became Australia’s second highest Test wicket-taker during the Adelaide Test, was injured diving in the field on the morning of the fifth day.

He clutched his right hamstring and left the field immediately.

Lyon took three wickets on the fourth afternoon to put Australia on the brink of a victory that will confirm a series win.

He went wicketless before his injury on day five, however, as England showed admirable fight.

There are just five days before the fourth Test begins in Melbourne on 26 December (23:30 GMT, 25 December), leaving Lyon with little time to recover. The final Test in Sydney follows five days after the fourth has finished.

Lyon, one of the greatest spinners of all time, suffered a calf injury during the second Test of the 2023 Ashes, which was a significant factor in England recovering to draw the series 2-2.

He bowled only two overs in the first Test of this series and then said he felt “filthy” after being left out of the second in Brisbane.

Bowen Yang, a fan-favorite cast member of “Saturday Night Live,” is leaving the series after this week’s episode.

Representatives for Yang and “Saturday Night Live” did not comment on the move Friday. However, on Saturday, he confirmed his upcoming departure via a post on his Instagram account. “i loved working at SNL, and most of all i loved the people. i was there at a time when many things in the world started to seem futile, but working at 30 rock taught me the value in showing up anyway when people make it worthwile,” he wrote. “i’m grateful for every minute of my time there.”

Yang also thanked Ariana Grande, this week’s host and his “Wicked” co-star,” for “sending me off in the dreamiest way I could imagine.” The pair, alongside musical guest Cher, were seen in promos for Saturday’s episode.

There has been recent speculation about whether Yang would finish the current season of the show. He has appeared on “SNL” since Season 45 after a year of working on the writing staff.

Yang took on a variety of roles in the NBC sketch comedy series, including impersonating Vice President J.D. Vance, Fran Lebowitz and pygmy hippopotamus Moo Deng. Yang received his fifth Emmy nomination for his work on “SNL’s” historic 50th season.

Outside of “SNL,” Yang has appeared in several other projects recently. He co-hosts the popular podcast “Las Culturistas,” with fellow comedian Matt Rogers, and their seminal Las Culturistas Culture Awards was televised for the first time this year, airing on Bravo and streaming on Peacock. Yang also appeared in the “Wicked” film and its recent sequel, “Wicked: For Good,” and has starred in several other feature films, including “The Wedding Banquet,” “Fire Island” and “Dicks the Musical.”

In early December, Yang confirmed he and Rogers would be co-writing and starring in an untitled comedy for Searchlight Pictures. The movie will reportedly follow two Americans who fly across the world to try to get into the exclusive Berghain nightclub in Berlin.

Yang is not the first “Saturday Night Live” cast member to leave midseason — he joins the company of past “SNL” greats like Cecily Strong, Molly Shannon, Amy Poehler and a handful of others who exited the show outside of the traditional period for departures while the show is on summer hiatus.

Prior to the start of Season 51, NBC and executive producer Lorne Michaels made some major cast changes, adding five featured players after a series of departures. Ego Nwodim, Heidi Gardner, Michael Longfellow, Devon Walker and Emil Wakim exited the series before the season premiere in October.

Tommy Brennan, Jeremy Culhane, Ben Marshall, Kam Patterson and Veronika Slowikowska joined the cast for the current season. Marshall was previously on the “SNL” writing staff and is known for his on-camera appearances as a part of the Please Don’t Destroy comedy trio.

The 51st season of “Saturday Night Live” will continue in early 2026 and run through the end of the television season in May.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

The shocking deaths this week of Rob Reiner and Michele Singer Reiner reached far beyond Hollywood. Their legacy will go far beyond show business thanks to their committed political activism for causes they believed in.

Mary McNamara pulled together the different strands of Rob Reiner’s life and career, noting, “As an artist and a public figure, he put his money where his mouth was and remained invariably sincere, a powerful and compelling trait that has become increasingly rare in a time of the sound-bite inanities, muddy thinking, obvious contradictions and outright falsehoods that threaten our public and political discourse.

“Reiner mastered many mediums and wielded a broad palette but his signature artistic trait was empathy. No story was too small, or too brutal, to be examined with kindness and an understanding that the most grave injustice we can commit is to choose apathy or revenge when connection and transcendence are always possible.”

Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”

(MGM / Library of Congress via AP)

Amy Nicholson took a deeper look at his film career, while Robert Llloyd surveyed his work on television.

Josh Rothkopf and I rolled out a list of his 10 best movies as a director, which includes his astonishing early run, titles like “This Is Spinal Tap,” “The Princess Bride,” “Misery,” “A Few Good Men” and “The American President.” All of those come in little over a decade.

Tribute screenings have already been announced around Los Angeles, including “When Harry Met Sally…” at the New Beverly on Dec. 30–Jan. 1 and then again on Jan. 3 at Vidiots, which will also be showing “A Few Good Men” on Jan. 6 and “The Princess Bride” on Jan. 18. More screenings are sure to follow.

‘Love & Basketball’ 25th anniversary

Sanaa Lathan and Omar Epps in the movie “Love & Basketball.”

(New Line Cinema)

On Saturday, the Academy Museum will host a 25th anniversary screening of “Love & Basketball” with writer-director Gina Prince-Bythewood in attendance. Starring Sanaa Lathan and Omar Epps, it is one of the great romantic films of recent decades, the story of two young athletes struggling to reconcile their feelings for each other with their individual careers and ambitions.

In his original review of the movie, Eric Harrison wrote, “The movie is smarter than it has to be, but it’s the sort of low-key smart that can be easily overlooked. Writer-director Gina Prince-Bythewood doesn’t care if you recognize how hard it is to juggle two distinctly different types of movies (make that three, since the romance and sports elements here don’t obscure the feminist fable that is the film’s heart). … This is Prince-Bythewood’s first feature film as both a writer and director, and she shows admirable command of her craft.”

In an interview from 1990, Prince-Bythewood talked about the difficulty of casting the two leads, worrying whether she should find basketball players who could learn to act or actors who could persuasively play basketball.

“There were a lot of sleepless nights,” Prince-Bythewood said. “Is this a love story or a basketball story? I finally realized it’s a love story first. It doesn’t matter how great the basketball is if you don’t care about the character or the love story.

In 2020, Sonaiya Kelley spoke to Prince-Bythewood, Lathan, Epps, producer Spike Lee, actors Gabrielle Union, Alfre Woodard, Tyra Banks and Regina Hall for a definitive oral history of the film.

“When I first started out writing it, my goal was to do a Black ‘When Harry Met Sally…,’” said Prince-Bythewood. “I love that movie, but I wasn’t seeing myself in movies like that.”

‘Metropolitan’ 35th anniversary

The cast of Whit Stillman’s 1990 movie “Metropolitan.”

(Rialto Pictures)

On Sunday afternoon, the American Cinematheque at the Aero Theatre will have a 35th anniversary screening of “Metropolitan” with writer-director Whit Stillman and actor Taylor Nichols there for a Q&A. Set during the week between Christmas and New Year’s among a very specific social set of young New Yorkers — labeled in the film as the Urban Haute Bourgeoisie — the film is a delicately detailed comedy of manners. It would earn Stillman an Oscar nomination for original screenplay.

In her original review, Sheila Benson wrote, “Filmmaker Stillman is a pointillist, working in the tiniest, most meticulous degrees. If he seems at times as controlled and distanced as his own UHBs, his impulsive, romantic ending betrays him. Stillman understands caste, class and deportment as perfectly as Audrey’s idol, Jane Austen, and by the time he’s through, so do we.”

In a 1990 interview, Stillman spoke about making a movie about such a specific social set, one that many viewers of the film will not have been a part of. “I think people will enjoy the fact that the film has texture,” he said. “They will sense that there is a joke there, even if they don’t get it.”

Points of interest

Nancy Meyers with ‘Father of the Bride’

Kimberly Williams, left, Martin Short, Steve Martin and Diane Keaton in the 1991 version of “Father of the Bride.”

(Disney / Touchstone Pictures)

Director Nancy Meyers had to pull out of a recent Q&A scheduled for a screening of “Something’s Gotta Give,” which starred her frequent collaborator Diane Keaton. Meyers is now set to appear at the American Cinematheque at the Aero Theatre on Saturday for a Q&A after 1991’s remake of “Father of the Bride,” directed by Charles Shyer and co-written by Shyer and Meyers. As far as we can tell, this will be Meyers’ first public appearance since Keaton’s death in October.

The film stars Keaton alongside Steve Martin, as a couple who are arranging the wedding of their daughter, with Martin Short showing up as an overbearing wedding planner.

In his original review, Michael Wilmington wrote, “Midway through ‘Father of the Bride’ … Martin Short shows up, as the effete, snobbish wedding coordinator that Leo G. Carroll played in the original, and steals the movie from Martin, steals it from everybody. Short’s handling of this silly little role — an outrageous poseur named ‘Franck Eggelhoffer’ who insists on calling himself Frawwnk and acts like a post-disco Mischa Auer — has perfect pitch and real wigged-out comic genius.”

David Lowery and ‘The Green Knight’

Dev Patel in the 2021 movie “The Green Knight.”

(A24)

On Saturday, Vidiots will host a screening of 2021’s “The Green Knight” with writer-director David Lowery in person. Based on the 14th century poem “Sir Gawain and the Green Knight,” the film stars Dev Patel as Gawain, nephew of King Arthur, who, after winning a mystical challenge on Christmas, is told he has one year to complete another adventure.

In his review, Justin Chang wrote, “What does it mean to be a knight, or even just to be human? It isn’t an easy question, and ‘The Green Knight,’ in taking it seriously, isn’t always an easy film. But by the time Gawain reaches his journey’s end, in as moving and majestically sustained a passage of pure cinema as I’ve seen this year, the moral arc of his journey has snapped into undeniable focus. He plays the game; he accepts the challenge. His example is worth following.”

Oliver Stone’s ‘Nixon’

Joan Allen and Anthony Hopkins in the movie “Nixon.”

(Sidney Baldwin / Cinergi Pictures Entertainment)

On Sunday, the Laemmle Royal will have a 30th anniversary screening of Oliver Stone’s “Nixon” with the filmmaker in person for a Q&A to be moderated by Times contributing writer Tim Greiving.

Starring Anthony Hopkins as Richard Nixon and Joan Allen as his wife, Pat (both were nominated for Oscars for their performances), the film covers the political life of the politician who rose to being president only to leave the office in disgrace.

In his original review, Kenneth Turan wrote, “Mostly (though not completely) gone is the disturbing, lunatic Oliver Stone, the bad-boy writer-director who infuriated the political establishment with ‘JFK’ and outraged sensibilities nationwide with ‘Natural Born Killers.’ He’s been replaced by a filmmaker very much on his best behavior, a thorough researcher who consulted 80 books and published a heavily footnoted screenplay. If Quentin Tarantino made a film in the style of Sir Richard Attenborough, the surprise could not be greater. And ‘Nixon’ is in many ways an impressive, well-crafted piece of work.”

Welcome to Screen Gab, the newsletter for everyone who wants to spend some time revisiting Rob Reiner’s indelible mark on pop culture.

For many of us, it was already that time of year when we pop in our DVD of “When Harry Met Sally…” or figure out which streaming service has it in its library (or digitally rent it, if none do), and passively recite every quotable moment until Harry’s breathless declaration of love on New Year’s Eve necessitated our full performance. It was a comfort watch in the best sense because of how joyous and hopeful it left so many of us, even cynics, feeling. This year, as the tradition now becomes layered with sadness following the tragic deaths of Reiner and his wife, Michele Singer Reiner, there’s at least comfort in knowing all the Hollywood magic he brought to life (whether he was directing, or starring in a production) that was full of humanity, humor and heart, and accompanied us at different stages of our lives, can continue to do so. Members of our film team took a look at some of Reiner’s best films, many of which can be streamed. And TV critic Robert Lloyd reminded us of Reiner’s contributions to television, particularly through shows like “All in the Family” and “New Girl” (“Lettuce, tomato, lettuce, meat, meat, meat, cheese, lettuce” — iykyk).

But if it’s all too soon, we get it. Maybe our other streaming recommendations can provide an escape — one is a TV drama about a disillusioned Broadway director returning home to his amateur community theater, and the other is a mystery thriller with an unlikely duo teaming up to investigate the case of a missing girl.

Also in this week’s Screen Gab, “Emily in Paris” actor Samuel Arnold stops by Guest Spot to tell us about the behind-the-scenes adventures of the show’s Italian-set fifth season.

ICYMI

Must-read stories you might have missed

Julianne Hough near the Dolby Theatre at the 97th Academy Awards earlier this year. The Oscars are moving to YouTube, sending shock waves through Hollywood.

(Robert Gauthier / Los Angeles Times)

What the Oscars moving to YouTube means for broadcast TV: The Academy Awards will stream on YouTube beginning in 2029, ending a more than five-decade run on broadcast television and marking the show’s biggest distribution shift in its history.

How do Lifetime and Hallmark keep Christmas movies fresh? Pickleball and the NFL: For the two cable networks, tapping into niches, hobbies and sports teams allows them to invite new audiences in, while keeping loyal viewers satisfied with a break in formula.

Diversity and representation of women on streaming TV series in sharp decline, UCLA study shows: The latest edition of the Hollywood Diversity Report released Tuesday determined that the top shows in 2024 were less culturally diverse than the previous year.

Hollywood was built on movie stardom. AI is changing the rules: Synthetic performers are forcing Hollywood to rethink how fame works and who gets to claim it. Even as the technology races ahead, legal concerns are mounting.

Turn on

Recommendations from the film and TV experts at The Times

Harry McNaughton as Charlie Summers, a disillusioned Broadway director returning home to his amateur community theatre in “Happiness.”

(Andi Crown Photography / PBS)

“Happiness” (PBS app, pbs.org)

What could be better, at this festive time of year, or any other time, than a backstage musical comedy set in an amateur theatrical company in New Zealand’s fifth-largest city? Harry McNaughton plays Charlie Summers, whose Broadway dream dies when he’s fired as the director of a “Cats” revival and, losing his work visa, returns home to New Zealand for what he hopes will be only a couple of days. Naturally, it turns out otherwise, with Charlie drawn reluctantly into the production of a new musical, “The Trojan Horse,” at the Pizazz theater, run by his mother (Rebecca Gibney) and stocked with a original twists on classic characters: a dictatorial director, the always-cast leading lady, a talented ingénue, a buff electrician with a great voice and the shy high school music teacher who wrote it, making themselves and their desires quickly felt. (There’s a feminist thrust to the plot.) The songs are tuneful and witty, the performances fun, the atmosphere charged but charming. Presented in six 20-minute episodes as part of “Masterpiece Theater.” — Robert Lloyd

Emma Thompson as private investigator Zoë Boehm and Ruth Wilson as art conservationist Sarah Trafford in “Down Cemetery Road.”

(Matt Towers / Apple TV)

“Down Cemetery Road” (Apple TV)

Nothing says the holidays like a gripping crime drama where everyone’s a suspect! Apple TV’s smart and unvarnished British series follows Zoë Boehm (Emma Thompson), a private investigator who hasn’t the time or bandwidth for social niceties, shows of emotion or combing her hair. She’s thrown together with homemaker and art restorer Sarah Tucker (Ruth Wilson), a passive suburbanite who likes 4 Non Blondes.

Their sparring personalities create the undeniable chemistry that’s at the heart of this eight-part series, while the drama’s unexpected turn of events and fast pacing make it hard to hit pause. The two women are connected when a deadly residential explosion rocks Sarah’s neighborhood. A woman was killed, but her young daughter, who made it out alive, has mysteriously disappeared. The quest to find the girl pulls the odd-couple investigators into a complex and dangerous cover up by the Ministry of Defense, and they discover the explosion was in fact an orchestrated assassination.

Morwenna Banks’ adaptation of Mick Herron’s debut novel of the same name, “Down Cemetery Road” also features the PTSD-plagued Downey (Nathan Stewart-Jarrett), the villainous Amos (Fehinti Balogun), bumbling agent Hamza Malik (Adeel Akhtar) and his sociopathic boss, C (Darren Boyd). But it’s Thompson’s gruff character who gets the best lines, such as the one she says to a potential client: “I don’t drink Prosecco and I don’t bond emotionally.” The show has already been renewed for a second season. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Samuel Arnold as Julien in Season 5 of “Emily in Paris.”

(Netflix)

Every office needs a deliciously snarky employee who is too fabulous to work, but still manages to grace the room with their presence to boost the vibe. In “Emily in Paris,” that person is Julien. The quippy, sharply dressed and gossip-loving character, played by Samuel Arnold, has been a bright spot in the series over its run. Initially the guy who liked to remind Emily she was une ringarde American, he’s softened his stance on his fish-out-of-water colleague. But as the Agence Grateau luxury marketing team ventures to Italy this season, which is now streaming, his side eye shifts focus to a new co-worker. Over email, Arnold shared what it was like shooting outside their usual setting and the animated series he returns to over and over. — Yvonne Villarreal

The Grateau team spent time in Italy this season. Some filming took place in Rome and Venice. What’s a memory or experience that stands out from filming there? Did any place there become a go-to spot for you when you weren’t shooting?

Rome was incredible, both on and off screen. One moment that really stands out is when Ashley Park and her choreographer, Carlye Tamaren, taught us one of Ashley’s dance routines. Everyone did so well — and Bruno Gouery was absolutely hilarious. When we weren’t filming, one of our favorite meeting spots was the rooftop at the Minerva Hotel. It’s stunning. In Venice, we would all gather in Bruno Gouery’s room and play a pirate dice game that Lucien Laviscount introduced us to. The city itself felt like a dream.

The series revolves around Emily and her fish-out-of-water experience of building a new life in Paris. How would this series look if it were titled “Julien in Paris”? Five seasons in, what would a slice of his life look like if you could pitch it to Darren Star?

If the show were called “Julien in Paris,” it probably wouldn’t be very exciting — Julien is a Parisian. He has Paris on lock. I like to think he sees himself as the prince of the city. Now, Julien in New York City — opening his own marketing firm there — that’s a different story. I can already feel the drama.

Julien is very discerning and could spot the games Genevieve was playing. How do you think he handled her, and the position he was in, knowing this secret could damage Emily and Mindy’s friendship?

I think Julien handled it pretty well. It’s not a great position to be in. When one friend hurts another, the right thing to do is to encourage the person at fault to do the right thing. And when someone like Genevieve — played by the absolutely lovely Thalia Besson — tries to stir up trouble, Julien definitely knows how to deal with that in the best possible way.

With all the love triangles (and squares), who would you, Samuel, pick for Emily — Gabriel or Marcello? And for Mindy — Nicolas or Alfie?

I don’t think I should be picking men for those women. What I can say is that they should follow their hearts and embrace whatever comes with that. Honestly, we should all try to do the same.

What have you watched recently that you’re recommending to everyone you know?

I recently watched “Safe House” [Netflix], with Lucien Laviscount as a badass action hero. The casting is great, the ending really catches you off guard, and Lucien does his own stunts — which makes it even more impressive.

What’s your go-to comfort watch — the movie or TV show you always come back to?

“Rick and Morty” [Hulu]. It never gets old. It’s funny, packed with pop-culture references — which I love — and the voice acting is just incredible.

Richard Gadd has made £2 million from the success of Baby Reindeer, almost two years on from when the hit series became a global sensation on streaming service Netflix

Richard Gadd has made £2 million from the success of Baby Reindeer. The Scottish actor, 36, wrote and starred in the Netflix miniseries that he said was based on his real life experiences of being stalked.

In the hit drama, Richard stars as aspiring comedian Donny Dunn, who is spotted by a woman called Martha (Jessica Gunning) and he becomes the object of her obsession. The concept of the series was initially a one-man show at the Edinburgh Fringe, but once commissioned as a seven-part series by Netflix, Richard quickly found global fame and the show seen more than 250 million times around the world.

The programme was released in April 2024, and, almost two years on, the latest accounts on the writer’s company RRSG have revealed the fortune he has made from it all.

READ MORE: Baby Reindeer star Jessica Gunning speaks out about ‘real Martha’ ahead of BAFTAsREAD MORE: Netflix star teases ‘difficult’ role in Suranne Jones thriller Hostage

The total assets declared for 2025 came to £2,462,405, and that figure incorporated money held in both a bank account and property portfolio. Figures also show funds of shareholder funds of £1,875,649, a number that has more than doubled over the course of the last year.

The company was set up in 2018, shortly after the one-man show premiered, and the comedy writer is the sole director, meaning that he owns all the shares in it. The name of the firm is derived from the writer’s full name of Richard Robert Steven Gadd and he has listed ‘artistic creation’ as the nature of the business.

The series was also critically lauded on both sides of the Atlantic and won six Emmys two Golden Globes, and actress Jessica Gunning scooped a BAFTA earlier this year after taking on her starring role.

After Baby Reindeer became a viral hit, Richard reached millionaire status by 2024 as he found new heights of success with his writing.

However, despite his stellar success, the actor revealed he has had some “daunting times” since the show was released due to people writing hurtful comments online or shouting at him in the street.

Reflecting on why he decided to delve into his personal experiences for the series, he said: “I guess I was bored of artistic narratives where the central person is nothing but good. Life is very complicated, and people are a mixture of positive and negative. I wanted to show that, to bring that out in the world.

“I think we live in an age of almost moral enlightenment right now, where everyone is terrified of saying the wrong thing. So, to put my hand up in that age of moral enlightenment and be like ‘Oh, yeah, I made these f****** stupid mistakes’ was very daunting, and it’s still daunting in the aftermath in a lot of ways. But I think, at the same time, it has led to an appreciation of bringing the nuance back to the discussion about people, and people not being either good or bad, but being a little more nuanced than that.”

He added that he believes it would be a “good thing” if more people in the public eye are more honest about the struggles they are living through. Gadd also revealed he has had some “daunting times” in the past few months since the show was released due to people writing hurtful comments online or shouting at him in the street.

He said: “I realise I’m twinned with this now. And that’s fine, because the majority of people are really kind and understanding, but there is definitely a section of society that has splintered off. They don’t want to hear about this stuff anymore, they can’t accept the nuances of it, and they think that I was, I don’t know, asking for it. That’s very hard to live with.”

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The series should offer a fresh take on a beloved classic character

Fans have been given their first looks at a ‘crazy’ period drama meets fast-paced action prequel series based on a series of classic novels and an iconic literary character.

The new show comes from the acclaimed writer and director Guy Ritchie. He is known for creating Netflix hit The Gentlemen, which in turn was based on his film of the same name. He also helmed British comedy gangster films Snatch and Lock, Stock and Two Smoking Barrells to name a few.

Ritchie is now returning to the world of Sherlock Holmes, which he previously visited in 2009 and 2011 with Robert Downey Jr as the renowned detective. His new series, set to premiere on Prime Video next year, will examine the character’s origins.

Young Sherlock will be streaming on the platform from March 4 and promises the same kind of wit and charm of found in Ritchie’s Sherlock Holmes feature films. According to the synopsis provided by Prime, Young Sherlock follows the origin story of Sir Arthur Conan Doyle’s beloved detective in an explosive re-imagining of this iconic character’s early days.

Sherlock Holmes is a disgraced young man, raw and unfiltered, when he finds himself wrapped up in a murder case that threatens his liberty. His first ever case unravels a globe-trotting conspiracy that changes his life forever. Unfolding in 1870s Oxford and adventuring abroad, the series will expose the early antics of the anarchic adolescent who is yet to evolve into Baker Street’s most renowned resident.

Hero Fiennes Tiffin, who has previously appeared in Harry Potter, will star as the 19-year-old Holmes. Joining him in the cast are Joseph Fiennes as Silas Holmes, Sherlock’s father, Natascha McElhone as Sherlock’s mother and Colin Firth as Sir Bucephalus Hodge. Dónal Finn takes on the role of a young James Moriarty, Sherlock’s future arch-nemesis

The show’s first trailer was released and gives viewers a taste of what they could expect. It seems that the action will be full throttle from the beginning and even some younger versions of Sherlock’s classic villains on the way.

It didn’t take long for fans to react to the announcement and the trailer. Sharing their thoughts on social media, one person posted: “Guy Ritchie doing Sherlock? Sounds wild, cant wait for March.”

Another replied: “The origin story we didn’t know we needed.” While a third commented: “It’s crazy…. but it looks good! Nice surprise.”

Many are excited at the prospect of Guy Ritchie returning to the world of Sherlock Holmes and what he can contribute to the lore and period genre. One person said: “Guy Ritchie directing an origin story means we are 100% getting fast-paced dialogue, bare-knuckle boxing, and stylish editing.

“It sounds like he’s treating this less like a detective show and more like The Gentlemen in the 1870s. The ‘globe-trotting’ aspect suggests this is going to be way more action-heavy than just sitting in Baker Street.”

One person agreed: “Guy Ritchie’s style could reshape Sherlock’s origin story, but period accuracy often clashes with fast pacing.”

Young Sherlock is streaming on Prime Video from March 4.

Kitsch Liao, associate director at the Atlantic Council Global China Hub, says Beijing’s reaction to the largest US arms sale to Taiwan is an information warfare tactic.

CBS News is moving forward with a series of town hall and debate telecasts with a major advertiser backing them, the first major initiative under editor-in-chief Bari Weiss.

The news division announced Thursday it will have a series of one hour single issue programs under the title “Things That Matter” done in collaboration with the digital platform the Free Press.

CBS News parent Paramount acquired the Free Press which was co-founded by Weiss, in September.

Bank of America will be a major sponsor of the series.

The town hall participants include Vice President JD Vance, who will discuss the state of the country and the future of the Republican Party, OpenAI Chief Executive Sam Altman on artificial intelligence and Maryland Gov. Wes Moore on the future of the Democratic Party.

The debate subjects include “Should Gen Z Believe in the American Dream?,” “Does America Need God? and “Has Feminism Failed Women?” The debaters include journalist Liz Plank, New York Times opinion writer Ross Douthat, and Isabel Brown, a representative for the right-wing organization Turning Point USA.

No dates have been set, but the programs will air in the current 2025-26 TV season which ends in May.

CBS tested the town hall format Saturday with a telecast that featured Weiss sitting down with Erika Kirk, the widow of slain right-wing activist Charlie Kirk. The program taped in front of an invited audience and averaged 1.9 million viewers according to Nielsen data, on par with what CBS entertainment programming has delivered in the 8 p.m. hour in the current TV season.

The town hall format where a news subject takes questions from audience members has long been a staple of cable news channels. Broadcast networks have typically only used it with presidential candidates.

“Things That Matter” is less of a play for ratings than a symbol of the new vision for CBS News under Weiss.

“We believe that the vast majority of Americans crave honest conversation and civil, passionate debate,” Weiss said in a statement. “This series is for them. In a moment in which people believe that truth is whatever they are served on their social media feed, we can think of nothing more important than insisting that the only way to get to the truth is by speaking to one another.”

Weiss hosted the town hall with Kirk. CBS News has not announced the on-air talent for the “Things That Matter” series.

Weiss was recruited by Paramount Chief Executive David Ellison to pull the news division towards the political center where he believes most of the country stands.

The Free Press gained popularity for its criticism of DEI, so-called woke policies, and strong support of Israel. The site is often described as “heterodox” and has been critical of numerous actions of the Trump administration. But its biggest fans tend to be in the business community who disdain high taxes and big government.

Industry is about to return, so now is the perfect time to binge all episodes of the BBC and HBO banking drama

A series once called “TV’s wildest drama” is set to return for a fourth season, and its previous episodes are all available to binge.

Industry first aired on BBC Two and HBO back in 2020, and three seasons down the line, it has garnered a cult following.

The brainchild of former investment bankers Konrad Kay and Mickey Down, it charts the journey of a group of graduates at the fictitious bank Pierpoint. It drew drawing parallels with Skins and Succession, and with just eight episodes per season, it’s ideal for a binge-watch.

With captivating performances from the entire cast, edge-of-your-seat tension and a brutally honest glimpse into their inner struggles, it’s no surprise that Industry has been commissioned for a fourth season, due to premiere on January 11 on HBO and HBO Max, and later in the month on iPlayer.

The narrative kicks off in a pre-Covid world at Pierpoint, a high pressure investment banking setting about to welcome a new batch of graduates.

Among them is Harper Stern, portrayed by Myha’la – an extraordinarily bright yet troubled young woman who will stop at nothing to reach the pinnacle, reports the Express.

Marisa Abela, also known for her portrayal of Amy Winehouse in the 2024 film Back To Black, takes on the role of fellow graduate Yasmin Kara Hanani. She’s fully aware of her privileged status as a ‘nepo baby’ in the professional world, but as the series unfolds, we discover that her life isn’t as straightforward as it appears.

Other key characters include Robert Spearing, brought to life by Harry Lawty, another graduate hailing from a more working class background who is desperate to leave his past behind.

Ken Leung plays Eric Tao, Harper’s unpredictable boss who recognises Harper’s potential and mentors her – a decision that would irrevocably alter his life.

Viewers follow as the employees clinch deals, celebrate at wild parties when things go well, and forge connections with influential figures.

However, each character has their own shortcomings. The show is rife with pain, weaving themes of sexism, abuse, discrimination, and death throughout its narrative.

When the third series hit screens last year, The Guardian hailed it as “TV’s wildest drama”, likening it to the cult favourite Succession. The Independent lauded it as “millennial Mad Men with plenty of swagger” and a “thrillingly fresh” series that only graces our screens every so often.

Industry airs on the BBC

Actress Lily Collins, 36, plays the central character, Emily Cooper, in comedy drama series Emily In Paris, the fifth season of which drops on Netflix on Thursday

Lily Collins admitted she might “not have been on her game” during the filming for the fifth series of Emily in Paris.

The actress gave birth to her daughter Tove earlier this year ahead of the recording for the comedy drama programme. Lily, 36, had to alter her schedule ahead of preperation for Emily in Paris, in which she players central character Emily Cooper.

And, as a result, the star believes her performance may have suffered — although previews have been positive ahead of the new series. In a candid interview, the mum said: “I took my hands off perfectionism. You cannot focus on perfectionism when your focus is on all these other hats you’re wearing.

“I said to everyone this year, ‘I’m really good with memorisation, I’m really good with knowing my lines, but this year give me some grace. I’ve not slept, I’m very tired and I may not be on my game.’

“And you know what? Who was in the blooper reel more this year? Me. Who had more fun this year? Me, because I let go of perfectionism and I was so grateful.”

READ MORE: When is the first episode of Emily in Paris Season 5 out?READ MORE: ‘Peaceful’ hidden gem village with golden sands and top-rated fish and chips

The fifth series drops on Netflix on Thursday, around 15 months after the fourth season aired on the platform. The programme, which also stars Philippine Leroy-Beaulieu and Ashley Park, has been widely praised.

Lily, daughter of singer Phil Collins, has balanced work and motherhood since welcoming Tove in January via surrogacy. She returned to work with little Tove when filming for Paris in Emily commenced in June.

Speaking to The Sun, Lily said: “When we started shooting this season my daughter was about three and a half months. How does she change my approach to filming? I mean, schedule!

“You have a different purpose and it’s really tough. I have a greater purpose now and I miss her so much. She visited the set but I’m still figuring it out in real time. It’s a struggle and I’m just so grateful to be able to do both.”

Emily in Paris has attracted a huge global audience that has continued to grow since it launched in 2020. The central character moves from Chicago to Paris for a temporary social media strategy job and becomes a fashionista.

Lily, from Guildford, Surrey, was cast in April 2019 after impressing in the miniseries of Les Misérables. She also was in crime drama, Extremely Wicked, Shockingly Evil and Vile, another Netflix hit, which starred Zac Efron.

Alongside the usual drama, Emily in Paris fans can also look forward to a host of new actors signing on for Emily’s Roman adventure. These include Bryan Greenberg, best known for his part in HBO’s How to Make It in America and more recent role in Suits LA. He plays Jake, an American living in Paris.

Actor Sir David Jason, known for playing Del Boy in the hit show Only Fools and Horses will discuss the sitcom and show unseen footage in new series

Sir David Jason has insisted “the love for Only Fools has never faded” after reuniting with cast members from the beloved sitcom for a new documentary series.

Celebrating the show’s 45th anniversary, Only Fools And Horses: The Lost Archive will air behind-the-scenes footage as well as material that the series producer said was “filmed but never broadcast”.

The sitcom, which was a ratings smash hit for the BBC, including at Christmas, first aired on September 8 1981 and proved to be a career-defining role for Sir Jason, who played Del Boy, and Nicholas Lyndhurst, who played his brother Rodney.

Announcing the new UKTV documentary series, Sir David, 85, said: “The love for Only Fools has never faded. It’s incredible to see how many people still hold it close to their hearts. Revisiting these rediscovered moments reminded me just how special the show was – and still is. It’s incredible to be able to share them now.”

The two-part series features interviews with cast and crew and includes archival material from more than 10 classic episodes, including The Jolly Boys’ Outing and Mother Nature’s Son.

In interviews, cast members including Sir David, Tessa Peake-Jones (Raquel), Gwyneth Strong (Cassandra) and Sue Holderness (Marlene) pay tribute to creator John Sullivan, who died in 2011 at the age of 64.

Further discoveries, which didn’t make it into the original episodes due to timing or structural constraints include new material from the episodes He Ain’t Heavy, He’s My Uncle, Mother Nature’s Son, Time On Our Hands. There is also an unseen opening scene of Del and Rodney in a nightclub from The Class Of ’62.

Clips have been digitally scanned and restored from 16mm negatives, meaning the cast appear in high definition. Sean Doherty, director and series producer, said: “Few shows have the kind of enduring popularity that Only Fools enjoys.

“The archive has uncovered some extraordinary material – 66 unseen clips and scenes so far that were filmed but never broadcast because they didn’t fit the timing or structure of the original episodes, plus nearly 100 assets from rushes and location filming. We’ve truly been spoilt for choice.”

Helen Nightingale, UKTV’s head of factual and factual entertainment, commissioning, said: “Only Fools And Horses is part of the national DNA.

“With its humour, heart and unforgettable characters, it’s British comedy at its very best. This series is a celebration of its legacy and a chance to share new discoveries with the fans who’ve loved it for decades.”

In 2019 a musical adaptation of Only Fools And Horses starring Paul Whitehouse opened at the Theatre Royal Haymarket and it toured across the UK and Ireland in 2024 and 2025.

In 2022 on Only Fools and Horses actor Michael Fenton Stevens told how many jokes were lost from the sitcom over time due to time constraints.

Speaking on the Only Fools and Horses podcast he recalled his own episode and said: “It was a very big programme by then. I was in Series 6 and it had just gone to 40 minutes so they had the extra time to do things. That was the point by which they had turned into mini plays, they were just beautiful.

“They did that because John Sullivan would always write 10 minutes more than was needed. So every half hour script has 10 minutes of material which was cut. If you can find the original scripts from before they were printed to be used in the studio, if you can get them from when he was writing – and they must be somewhere, his family must have them on record, I think – it would be brilliant to read through all those bits that were cut.” The extra scenes and gags from Del Boy and Rodney were filmed, only to be omitted in the final edit.

The sitcom featured the colourful escapades of market trader Del Boy and his less streetwise younger brother Rodney as they went through the highs and lows of life trying to become rich.

The characters lived in Peckham with Grandad, played by Leonard “Lennard” Pearce, and their friends included Trigger, played by Roger Lloyd Pack, and Boycie, played by John Challis.

* Two part series Only Fools and Horses: The Lost Archive will be airing on U&GOLD in 2026.

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England face a series-defining third Ashes Test in Australia, knowing defeat will see their hosts retain the famous urn, but also have the chance of whitewashing their old enemy.

The match begins in Adelaide on Tuesday, where an unassailable 3-0 lead is in sight for the Aussies.

Australia won the first Test inside two days in Perth as Travis Head’s century made short work of his side’s target, while the Aussies needed only four days in Brisbane to secure the second match of the series.

Jamaica won the inaugural 2024 Horizon series 2-1, which enabled them to leapfrog England and go third in the world rankings.

The 2025 series was due to consist of four fixtures – two in Jamaica in early December and two in England – but the matches in Kingston were cancelled following the devastation caused by Hurricane Melissa.

Members of the Jamaica team helped in the relief effort, handing out care packages, and have been unable to train as a whole squad.

England Netball will donate £1 from every Horizon Series ticket sold to Netball Jamaica’s chosen charity, World Central Kitchen, and has also announced fans will be able to contribute to the British Red Cross’ Disaster Fund.

But with less than a year to go until the 2026 Commonwealth Games in Glasgow, the Horizon Series provides crucial game time for both nations.

They will meet again for a second match on Sunday at 14:00 GMT with the action available to watch on BBC iPlayer and on the BBC Sport website.

ADAM Peaty’s estranged family are demanding Netflix remove them from Gordon Ramsay’s upcoming docuseries amid their wedding feud.

The Olympic swimming champion’s mum, Caroline, has written to the streamer to say they did not consent to being filmed at Adam and Holly Ramsay’s engagement do.

His family want a prompt response, a source said, as the series, Being Gordon Ramsay, is due for release early next year.

A source said they expected Netflix to answer within 14 days from when it was sent the letter.

Dad-of-one Adam, 30, and Holly, 25, are due to wed at Bath Abbey in Somerset on December 27 but he has banned his mum and other family members from attending.

His decision last month came after a row over Caroline not being invited to Holly’s hen-do.

PEATY PARTY

Adam Peaty shares first pic of stag do amid feud with his family

FORMULA GLAM

Holly Ramsay looks wedding-ready in bralet at Las Vegas F1 amid family drama

He also called police after his brother, James, 34, allegedly made threats via text while Adam was on his stag do in Budapest.

James was arrested at home in Uttoxeter, Staffs, on suspicion of harassment before being bailed.

A source said: “Caroline has written to Netflix to say the family were not asked for their consent to be filmed for Gordon’s documentary at last year’s engagement do.

“She was very clear that, after everything that’s happened, they do not want to be featured.

“She was filmed giving a speech as were the family during arrivals and while mingling at the party.

“They’re expecting a response from Netflix within 14 days of the letter’s arrival.”

A source close to Gordon Ramsay said filming notices were displayed at the lavish party which took place in London.

They said: “They stated that by attending you were giving your consent to appear in the show.

“Everyone had a brilliant time and the Peaty family members were not interviewed so no additional consent would have been needed. It’s possible they may not even make the final edit.”

Since the falling out, sister Bethany is the only member of Adam’s family still invited to the wedding.

She was very clear that, after everything that’s happened, they do not want to be featured

Source

She was also the only Peaty at Holly’s hen-do at Soho Farmhouse in Oxfordshire although several pals of the Ramsay clan, including Victoria Beckham, turned up.

On Thursday, Adam glossed over the feud when he captioned recent social media snaps “a few good weeks to backend the year”.

The Sun asked Netflix for comment.

England Netball will donate £1 to Netball Jamaica’s chosen charity, World Central Kitchen, from every Horizon Series ticket sold – and has also announced fans will be able to contribute to the British Red Cross’ Disaster Fund.

The fixtures may be taking place under challenging circumstances, but England captain Francesca Williams said her team’s approach remains unchanged.

“We’re definitely not holding back,” Williams told BBC Sport.

“You are always going to put out your best performance possible and do what you can to help the team win. That’s showing the other team the most respect, playing to your best ability.”

While these matches represent “more than the scoreline”, the Jamaican side will be “coming just as hard” as they would if it were in different circumstances, Williams said.

But for them, it is also a chance to bring joy to people back home.

Sutherland said people in Jamaica “are setting their alarm, and putting on their black, green and gold” to watch the games on television.

She hopes the TV audience include her grandfather if the power is restored to his area in time.

“He’s really excited that I’m on tour, asking how he will watch the game,” she said.

“It means a lot to him. He walks around telling everybody: ‘My granddaughter is a Sunshine Girl!'”

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Even in a year like this one, during which there are numerous truly remarkable movies in the awards-season conversation worthy of ongoing consideration, it is easy to grow tired of talking about a tightening circle of titles.

Which is part of the reason why the announcement of the program for the 2026 Sundance Film Festival came right on time this week. New movies! This will be Sundance’s last edition in its longtime home in Park City, Utah, before moving on to Boulder, Colo., starting in 2027. Adding to the import and emotion of the event is that it will be the first festival since the recent death of Sundance figurehead Robert Redford.

A number of films from the 2025 festival are still part of the ongoing awards conversation. Just this week, both “Train Dreams” and “Sorry, Baby” received Golden Globe nominations — which I am relatively certain was not on the minds of those filmmakers when they had their world premieres at Sundance this past January.

Natalie Portman and Jenna Ortega in “The Gallerist” by Cathy Yan, an official selection of the 2026 Sundance Film Festival.

(Sundance Institute / MRC II Distribution Company L.P.)

Among the titles to look forward to for Sundance 2026 are Gregg Araki’s provocative “I Want Your Sex,” Cathy Yan’s satirical “The Gallerist,” Jay Duplass’ family story “See You When I See You,” Tamra Davis’ ’90s music doc “The Best Summer” and a profile on Courtney Love called “Antiheroine.”

Of course, there will also be many titles from relatively unknown filmmakers, and it is that promise of discovery that keeps us coming back to Sundance year after year.

As festival director Eugene Hernandez put it, “As much as we can talk about the legacy and history and the old timers — which I think will add an incredible aspect to the festival this year — we’re creating a festival that is also focused on the celebration of new voices. … For so many people, it will be brand new, no matter what.”

‘Home Alone’ 35th anniversary

Macaulay Culkin and Joe Pesci in the movie “Home Alone.”

(20th Century Fox)

On Saturday, the Academy Museum will have a 35th anniversary screening of “Home Alone” with star Macaulay Culkin and director Chris Columbus in-person. Written by John Hughes, the film is about a young boy (Culkin) accidentally left behind by his family at the holidays and how he comes to defend himself against two bumbling thieves (Joe Pesci and Daniel Stern).

The movie has become a beloved all-ages holiday classic and seeing it with an enthusiastic audience should be a treat. The event is already sold out, but standby tickets are available.

In his original review of the movie, Peter Rainer noted, “Macaulay Culkin has the kind of crack comic timing that’s missing in many an adult star and even when the script gets soppy, he doesn’t turn himself into a cutesy ball of gloppy goo. He is refreshingly abrasive throughout.”

‘Mustang’ 10th anniversary

An image from Deniz Gamze Ergüven’s Oscar-nominated 2015 film “Mustang.”

(Cohen Media Group)

On Sunday, the American Cinematheque at the Los Feliz 3 will host a 10th anniversary screening of French-Turkish filmmaker Deniz Gamze Ergüven’s feature debut “Mustang,” which was nominated for the Academy Award for international feature. Ergüven is scheduled to be there in person.

The film is the story of five teenage sisters living in an isolated village and yearning for a life of freedom. In her review, Katie Walsh wrote, “‘Mustang’ beautifully expresses the girls’ unbridled energy, a force that refuses to be locked up, controlled or repressed. It’s a moving portrait of sisterhood, a celebration of a fierce femininity and a damning indictment of patriarchal systems that seek to destroy and control this spirit.”

In an interview with me at the time of the film’s release, Ergüven described the performances by the five actresses — Elit Iscan, Günes Sensoy, Ilayda Akdogan, Doga Zeynep Doguslu and Tugba Sunguroglu — as “one character with five heads.”

Ergüven added, “From very early on I always said it’s a monster of femininity, with 10 arms and 10 legs. They are intertwined, they are extremely familiar with one another. Sometimes, I said, they react to one another’s bodies as if they are extensions of their own body.”

Points of interest

‘Danger: Diabolik’ and ‘Barbarella’ in 35mm

Jane Fonda and John Phillip Law in the 1968 movie “Barbarella,” directed by Roger Vadim.

(Silver Screen Collection / Getty Images)

The Secret Movie Club is going to have a groovy Euro holiday party on Saturday with 35mm screenings of both Roger Vadim’s 1968 “Barbarella” and Mario Bava’s 1968 “Danger: Diabolik” at the Million Dollar Theater. Attendees are encouraged to dress in their best psychedelic finery.

“Barbarella” is one of those movies that’s difficult to describe and best to just experience for yourself: a sci-fi sex satire starring Jane Fonda directed by her then-husband Roger Vadim and co-written by counterculture maverick Terry Southern. Based on a French comic, the film was shot in Italy and produced by Dino De Laurentiis.

In a 1967 profile of Fonda and Vadim in Rome, which includes Fonda driving a Ferrari through the streets of the city to get from the historic villa where they are staying to Cinecittà studio, Fonda said, “The main thing about this role is to keep her innocent. You see, Barbarella is not a vamp and her sexuality is not measured by the rules of our society. She is not being promiscuous but she follows the natural reaction of another type of upbringing. She isn’t a so-called ‘sexually liberated woman’ either. That would mean rebellion against something. She is different. She was born free.”

“Danger: Diabolik” stars John Philip Law (also in “Barbarella”) as a master thief. With a score by Ennio Morricone and directed with high style by Bava, best known for more lurid genre excursions, the film is the ’60s Euro-heist jaunt of your wildest imagination.

Elaine May’s ‘A New Leaf’

Elaine May and Walter Matthau in the movie “A New Leaf.”

(United Archives via Getty Images)

On Wednesday, the Academy Museum will show Elaine May’s 1971 debut feature as writer-director, “A New Leaf,” in the big David Geffen Theater. Selected by the writer’s branch of the Academy, the screening will feature screenwriter Karen McCullah, writer-producer Kirsten “Kiwi” Smith and writer-producer Katie Silberman in person to talk about the film and May’s ongoing influence.

Even though the film as we know it was taken away from May and isn’t her complete vision, “A New Leaf” is nevertheless a film of bold, confident energy. Walter Matthau plays a trust fund playboy who is fast running out of money. He hatches a scheme to find, marry and then murder a woman of means to continue to fund his lifestyle. Enter May as a botanist who is equal parts awkward and rich. Dark, funny and insightful, the film is a true gem.

Here’s hoping the recently renewed interest in May’s slim body of directorial work — she has so far made only four films — spurs a long-gestating new project rumored to be shooting soon into a reality.

Eric Rohmer’s ‘My Night at Maud’s’ and ‘A Tale of Winter’

Françoise Fabian and Jean-Louis Trintignant in Eric Rohmer’s “My Night at Maud’s.”

(Janus Films)

On Wednesday at the Aero, the American Cinematheque will have a double-bill from French filmmaker Eric Rohmer: 1969’s “My Night at Maud’s” and 1992’s “A Tale of Winter.”

“My Night at Maud’s,” a breakout international hit for Rohmer, was nominated for two Oscars, for foreign language film and original screenplay. A series of conversations among an interlocking cast of characters, the film helped set the template for dialogue-driven adult dramas that still hold sway.

In his April 1970 review, Charles Champlin wrote, “‘My Night at Maud’s’ argues that thee attractive and intelligent people sitting around arguing about the philosophy of Pascal constitutes a movie. I agree. Standing on my chair and waving noisemakers in the air I agree. … But whether or not one cares about the substance of the arguments, ‘My Night at Maud’s’ is a hugely pleasurable evening out because of the excellence of its performances and the convincing and captivatingly credibility of its three principals. It is an adult film which makes clear once and for all what randy juvenilia all other ‘adult’ films are. This one is, of course, in impeccable taste.”

“A Tale of Winter” is the second of what became Rohmer’s “Tales of the Four Seasons.” In reviewing the film, Kevin Thomas wrote, “The French respect the quirky workings of the human heart more than any other people and among the French filmmakers, the keenest observer may be Eric Rohmer, whose ‘A Tale of Winter’ finds him at his scintillating best, never wiser or funnier.”

Series two of the Death in Paradise spin-off, Return to Paradise, concludes tonight

Return to Paradise concludes tonight, leaving fans wondering if Glenn and Daisy will tie the knot. The Death in Paradise spin-off, set in Australia, has been a massive hit with viewers, particularly after Anna Samson, portraying DI Mackenzie Clarke, stepped into the role of the show’s first female lead.

The synopsis for tonight’s climactic finale hints, “Mack is forced to interrupt Glenn and Daisy’s wedding when a guest collapses and dies, apparently poisoned by a fast-acting toxin present on the surface of a programme for the event.

“The happy couple are distinctly unhappy when the proceedings are halted, and it may be that Mack has finally pushed Glenn too far.”

However, after six thrilling episodes of the BBC drama, series two of Return to Paradise will draw to a close. The show, which typically airs every Friday at 8pm, will make way for the Celebrity Masterchef Final next week.

The synopsis for the upcoming show, scheduled to air between 8pm and 9pm on Friday, December 19, states, “Fifteen famous faces started the battle to become Celebrity MasterChef Champion 2025 and now only three remain,” reports the Express.

“The finalists must now cook and present a three-course meal for Grace Dent and John Torode, who will be expecting only the very best. The title is within reach – but any flaws in their cooking could see the contestants losing their grip on the trophy.”

Although the second series of Return to Paradise has wrapped up, devoted viewers needn’t fret, as both Death in Paradise and Beyond Paradise are set to deliver festive treats with a special Christmas episode arriving on screens this month.

Kris Marshall is returning as DI Humphrey Goodman in Beyond Paradise, joined once again by Sally Bretton as his beloved Martha Lloyd.

The Christmas special’s synopsis reveals: “When Esther discovers a man on the steps of the Shipton Abbott police station with no memory, holding a photo of Humphrey, the team gets to work to uncover who the mysterious man is while balancing a flurry of festive cases.”

It continues: “At the same time, with the help of Anne, Zoe and a special guest, Martha races to pull off her secret plan while Kelby tries to help a mystery man trapped inside his snowman costume. But with an influx of unexpected visitors, a slew of holiday crimes to crack, and a heartwarming reunion on the line, can the team juggle it all and still be ready for a life-changing reveal?”

Meanwhile, Don Gilet returns as DI Mervin Wilson in Death in Paradise, alongside Shantol Jackson reprising her role as his partner, Naomi Thomas.

The festive episode of Death in Paradise promises intrigue, as the synopsis reveals: “The office Christmas party of a lifetime takes a dark turn when four co-workers wake up to find a stranger dead in the pool of their Caribbean villa. DI Mervin Wilson and the team identify the murder weapon, but they’re left baffled when they find that it was locked in a drawer when the murder took place… thousands of miles away from the crime scene, in Swindon!

“Stuck in Saint Marie, the team calls on the help of a familiar face to crack the case. Meanwhile, Mervin’s anxiously waiting to hear back from his newly discovered brother, which prevents him from embracing Saint Marie’s Christmas celebrations. Can Mervin resolve his family situation and get into the festive spirit – for the sake of his team and the island?”

Viewers can catch Return to Paradise on BBC iPlayer.