The BBC has confirmed the start date for the second series of The Night Manager, as a new trailer has been released for the upcoming series.
After nearly ten years of anticipation, BBC viewers were delighted to discover that a fresh instalment of The Night Manager was being developed.
In 2016, the gripping thriller proved hugely successful as it chronicled former soldier Jonathan Pine (Tom Hiddleston) working as a hotel night manager who becomes enlisted by British intelligence operative Angela Burr (Olivia Coleman).
The eagerly-awaited second instalment will resume years following the dramatic conclusion, with audiences witnessing Jonathan as a junior MI6 operative managing a discreet surveillance team in London dubbed ‘The Night Owls’.
This week, the BBC unveiled a thrilling trailer for the upcoming series, confirming it will broadcast on January 1.
The preview reveals Jonathan in his fresh position, whilst a narrator directs him to ‘watch, listen and report’. Yet the voice then sternly warns: “You do not hunt down.”
Cutting to Colombia, the MI6 operative must investigate Teddy Dos Santos (Diego Calva), suspected of trafficking weapons into the nation with British Intelligence assistance, reports the Express.
Adopting a fresh identity, Jonathan becomes deeply entangled in a deadly conspiracy. Betrayal appears imminent as he challenges Agent Burr, declaring she ‘lied’ to him, prompting her reply: “I had no choice!”
A montage of rapid-fire sequences follows, featuring heart-stopping pursuit scenes and Jonathan fleeing through a structure as explosions erupt around him.
In a chilling moment, Jonathan is seen being restrained by Teddy as he questions, ‘Who are you, Matthew?Why are you really here?” While a woman’s voice accuses him of ‘playing her’.
The trailer, shared on social media, sparked an immediate reaction from fans, with many expressing their excitement for the show’s return. One fan exclaimed: “Wow wow wow wow.” Another chimed in: “FINALLY!!!!”
Speaking about the series, Tom Hiddleston told the BBC: “The first series of The Night Manager was one of the most creatively fulfilling projects I have ever worked on. “”The depth, range and complexity of Jonathan Pine was, and remains, a thrilling prospect.
I’m so looking forward to reuniting with Simon and Stephen Cornwell, David Farr and Stephen Garrett, and to working with Georgi Banks-Davies to tell the next chapter of our story. I can’t wait.”
The BBC has also confirmed that The Night Manager will be returning for another series following this upcoming one.
Tune into the new series of The Night Manager from 1 January on BBC iPlayer in the UK, and from 11 January on Prime Video where available.
Netflix has released a new four-episode series that follows a serial killer who strikes terror in Italy by targeting couples parked in lovers lanes – and viewers have been urged to check it out
Netflix fans believe the show is underrated (stock image)(Image: NurPhoto, NurPhoto via Getty Images)
Netflix subscribers are being urged to watch a gripping mini-series that will have you hooked from the very first episode. Film enthusiast Eccy Reviews, who shares the latest film and TV recommendations on social media, has told his followers they must watch The Monster of Florence.
The four-part series tells the true story of a “serial killer who strikes terror in Italy by targeting couples parked in lovers lanes, authorities explore a case from 1968 that may be key to identifying The Monster of Florence”. Directed by Leonardo Fasoli and Stefano Sollima, the programme features performances from Francesca Olia, Liliana Bottone, and Marco Bullitta.
Discussing the series, Eccy Reviews said: “You need to stop whatever you’re doing because Netflix just dropped a brand new series and it honestly might be one of the best shows of the year.”.
“It’s based on a true story. Now, trust me when I tell you that the first episode will have you absolutely hooked. It made me binge the entire thing and I honestly can’t recommend it enough.
“It can’t go under the radar. Everyone needs to watch it, everyone needs to talk about it. So make sure to get this show on your watch list and get it watched.”
Responding to his recommendation, one viewer said: “When I say my jaw just kept hitting the floor! This was a lot to take in but I did like it.”
Another commented: “Straight out of a Criminal Minds episode.”
A third wrote: “I always follow your recommendations, I’m starting it now.”
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One viewer shared their thoughts on IMDb, stating: “I’d never heard of these murders until I watched this series.
“It’s well-acted and portrays the changing look and feel of the time periods in which it is set – a 20 year time span – through decor, cars, fashions and background music.
“The treatment of women is absolutely disturbing – not just the horrific murders but also the total misogyny and disrespect that they lived under in some family units.
“Apart from the detectives investigating these crimes – and the innocent victims – I don’t think there is one man featured who has any redeemable qualities.
“It was interesting but at times repetitive in that the same event was shown several times, albeit from different people’s perspective.”
Another viewer chimed in with: “This crime thriller is based on true events. After long time finally a solid psycho murder episode from Italy on Netflix.
“I find it is actually on short supply to see good series or movies from Italy on Netflix. The first episode was for me too slow paced and I thought already to stop.
“But the longer I watched it the more interesting the story got. There are many flashbacks to reconstruct the mystery puzzles and help so the audience to understand what was really going on.
“The atmosphere and filming locations have been wonderfully created from the 60s to the 80s.
“The actors played the characters respectably and I think the director did a great job too.
“If you liked the other two psycho killer series on Netflix Jeffrey Dahmer or Ed Gein this is for you. Final vote: 7/10.”
This article contains some spoilers for the Netflix miniseries “Death by Lightning.”
If politics today make your head spin, wait until you see Netflix’s “Death by Lightning.” The four-part miniseries, premiering Thursday, chronicles one of the more jaw-dropping stretches of post-Civil War American history, when corruption ran rampant, a presidential nominee was drafted at the 11th hour, only to be assassinated early in his term by one of his biggest fans — becoming perhaps the greatest head of state we never really got to have.
And the show answers the burning expletive-laced question posed by its first line: Who is Charles Guiteau?
“I’ve been in a James Garfield rabbit hole for seven years of my life at this point,” says showrunner Mike Makowsky, who adapted Candice Millard’s 2011 chronicle of Garfield and Guiteau, “Destiny of the Republic.” Those who paid attention in history class probably remember that Garfield served briefly as our 20th president in 1881 before being shot and killed. Those who remember more than that are few and far between.
“My own agent half the time refers to him as Andrew Garfield,” says Makowsky. “And I have to confess, I knew very little about Garfield, like most Americans, until I picked up Candice Millard’s remarkable book.”
Realizing he knew little about one of the four American presidents to be assassinated, Makowsky thought, “Since I would desperately like to be on ‘Jeopardy!’ someday, I was like, ‘Let me educate myself.’ I wound up reading the entire book in one sitting.”
“Death by Lightning,” directed by “Captain Fantastic” auteur Matt Ross, boasts a remarkable cast: Betty Gilpin as First Lady Lucretia Garfield; Nick Offerman as Garfield’s successor, a hard-drinking, hard-partying Chester A. Arthur; Michael Shannon as James Garfield, the polymath president, crusader against corruption and noble to a fault; and Matthew Macfadyen as Charles Guiteau, the frustrated office-seeker who shot him.
“I wanted to cast people who were somewhat counterintuitive,” says Ross. “If you read the cast list for this, you might assume Michael Shannon was playing Guiteau because he has played a lot of complicated, for lack of a better word, villains — tough guys, bad guys. And Matthew Macfadyen has played more heroic characters.”
Guiteau is definitely no Darcy from “Pride and Prejudice,” or Tom Wambsgans from “Succession,” for that matter. In the series’ conception of him, he shares more DNA with Martin Scorsese’s unhinged protagonists than he does with Darcy — or, certainly, with Garfield.
The proto-incel with a gun
As portrayed in “Death by Lightning,” Guiteau is a rotten-toothed, scheming, big-dreaming, delusional charlatan and possible sociopath. He’s the proto-incel, and the diametrical opposite to Garfield, whom Makowsky defines as “lawful good,” to borrow the Dungeons & Dragons classification.
“I think the most reductive view of Guiteau is ‘chaotic evil,’ right? But that’s the least interesting rendering of this person,” he says. “What are the societal factors that alienate a man like Guiteau from his fellow human beings? The show is meant to probe into his psyche.”
He was a member of the Oneida community, a religious sect based in New York that practiced communalism, free love and mutual criticism, which is depicted in the series (and yes, they founded the flatware company). But Guiteau couldn’t partake in what Makowsky delicately called the “benefits” of such a society, largely because his delusions of grandeur alienated him from others there. The women reportedly nicknamed him “Charles Gitout.”
“Everyone who encountered him described him as being disagreeable, odd, rude, selfish,” Ross says, explaining the need for an actor who had the opposite qualities. “He’s an extreme example of someone who had no work to be seen for, but was so desperately looking for affirmation and love.”
Charles Guiteau (Matthew Macfadyen) was part of the Oneida community, which practiced communalism and free love, but he wasn’t accepted by its members.
(Larry Horricks/Netflix)
Ross describes Macfadyen as someone who’s empathetic, warm and funny. “I wanted that humanity because the real Guiteau was a deeply disturbed man who was psychologically brutalized by his father to the point he was a non-functioning person.”
Makowsky says as he was reading Millard’s book, he thought of Rupert Pupkin, Robert De Niro’s deranged-fan protagonist in Scorsese’s “King of Comedy.” “This guy showing up, day in and day out, hoping for an audience with his hero [Garfield], being continually rebuffed to the point where something in his brain breaks,” he says of Guiteau. “He felt like a direct historical antecedent to the Rupert Pupkins and Travis Bickles of the world. He fell through the cracks and we lost potentially one of our greatest presidents because of it.”
Makowsky recalls shooting the only dialogue scene between Garfield and Guiteau, when the “greatest fan” finally gets to meet his idol. To Makowsky’s surprise, Macfadyen’s Guiteau “just burst into tears. That wasn’t scripted. It was so overwhelming to him. I think in that moment, more than any other in the series, you feel something for this man.”
Party (hearty) over country
Garfield was succeeded in office by Chester A. Arthur, whom Makowsky calls one of the least likely persons to ever become president. “The man had never held elected office,” he says. “His one political appointment prior to his nomination for vice president was as chief crony of the spoils system of [New York Sen.] Roscoe Conkling’s political machine. The level of corruption was so audacious and insane.”
He’s played with oft-drunken brio by Nick Offerman, whose voice Makowsky says he heard in his head as soon as he started writing the role: “I was like, it has to be Nick Offerman.” He took some liberties with the character and events, including a memorable sequence where Arthur and Guiteau go on a bender. Makowsky says they “probably never had a wild night out in New York, but it was an indelible proposition and I couldn’t resist.”
Nick Offerman plays eventual President Chester A. Arthur, who was closely aligned with New York Sen. Roscoe Conkling (Shea Whigham).
Betty Gilpin portrays First Lady Lucretia Garfield as her husband’s intellectual equal. (Larry Horricks / Netflix)
As to the first lady, “Lucretia Garfield was every bit her husband’s intellectual equal. But she couldn’t vote. There was a ceiling to what a woman in her day could accomplish,” Makowsky says, wistfully musing on what she might have achieved, given the chance. “And Betty [Gilpin] radiates that strength and that acute intelligence.”
Having recently given birth, Gilpin took her family along to Budapest for filming, voraciously researching Lucretia and reading her entire correspondence with her husband. The role gets meatier as the series progresses until she initiates an unforgettable, blistering encounter with Guiteau to button the story.
“Betty jokingly said to me, ‘If you cut that scene, I will kill you.’ I was like, ‘There’s no way that scene is being cut. It’s one of my favorite scenes in the entire show,’” Ross recalls. “Everyone who read it was like, ‘Oh my God, this scene.’ And Betty just knocked it out of the park, take after take after take.”
The forgotten president
Ross says when he first read Makowsky’s scripts, he thought they were “fantastically relevant” and offered a fresh look at American history. “As an American, I’m always trying to figure out what it means to be American,” he says. “The story of Garfield, you couldn’t make it up. He was a hero of working people and the promise of American democracy — having a representational democracy where those in power and the wealthy are not controlling the laws of the land, which could not be more relevant today.”
Makowsky calls Garfield “a poster boy for the American dream,” rising from poverty to the nation’s top office.
“He was a war hero and a Renaissance man that did math theorems while he was in Congress and who could recite Homer from memory,” he says. “This remarkable individual, fiercely intelligent and a brilliant, powerful orator, was far ahead of his time on certain political questions of the day. He was an outspoken proponent for civil rights and universal education and civil service reform.”
In real life, and as depicted in the series, Garfield worked with notable Black leaders like Frederick Douglass and Blanche Bruce, the first Black register of the Treasury, whom he appointed.
“The great tragedy is we were robbed of a potentially generational leader in Garfield,” Makowsky says.
“Death by Lightning” showrunner Mike Makowsky says Americans were robbed of a “potentially generational leader” in James Garfield.
(Larry Horricks / Netflix)
Garfield wasn’t even seeking the nomination when he spoke on behalf of another candidate at the Republican National Convention of 1880, but his speech so moved the delegates that they eventually persuaded him to accept the nomination after more than 30 votes failed to produce another winner. It reminded Makowsky of then-Sen. Barack Obama’s 2004 speech at the Democratic National Convention, where he presented “a strong and confident, optimistic vision for the future of our country.”
Nowadays, such a rise seems less likely. “I don’t know if that would happen today, obviously because of money in politics; no one can run if they don’t have phenomenal backing,” Ross says.
Ross emphasizes the show is “not a history lesson,” drawing a distinction between drama and documentary. At times, “Death by Lightning” plays like a black comedy. Makowsky’s dialogue, while usually honoring what we think of as the formality and vocabulary of the 1880s’ idiom, occasionally veers into hilariously cathartic invective that bracingly reminds us these were living, breathing people with fire in their bellies.
“Ken Burns could make a 10-hour documentary to encapsulate all the nuances of this incredible story,” says Ross. What Makowsky did, Ross says, was contextualize the history through the prism of two very different people, Garfield and Guiteau.
“One is this incredibly admirable American figure I think everyone should know about, the greatest president we never really had. And then the other is a charlatan, a deeply broken, deeply mentally ill man who just kind of wanted to be Instagram-famous, just wanted to be known. You see this moment in history through their eyes, and I thought that was delicious.”
“Death By Lightning,” premiering Thursday on Netflix, introduces itself as “a story about two men the world forgot,” and while it is undoubtedly true that few in 2025 will recognize the name Charles Guiteau, many will know James A. Garfield, given that he was one of only four assassinated American presidents. There are less well remembered presidents, for sure — does the name John Tyler ring a bell? — and assassins better known than Guiteau, but if you’re going to make a docudrama, it does help to choose a story that might be more surprising to viewers and comes with a murder built in. It is also, I would guess intentionally, a tale made for our times, with its themes of civil rights, income inequality, cronyism and corruption.
Indeed, most everything about the Garfield story is dramatic — a tragedy, not merely for the family, but for the nation. For the sense one gets from “Death by Lightning” and from the historical record it fairly represents, is that Garfield, killed after only 200 days in office, might have made a very good chief executive. (The stated source for the series is Candice Millard’s 2011 book “Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President”; Millard is also a voice in the more briefly titled, illuminating “American Experience” documentary “Murder of a President.”)
That the longtime Ohio congressman did not seek but was drafted for the job — a compromise chosen, against his protests, on the 36th ballot at the 1880 Republican National Convention, where he’d given a stirring speech to nominate a fellow Ohioan, Treasury Secretary John Sherman — made him, one might say, especially qualified for the job; unlike some politicians one might name, he was self-effacing and humble and not out for personal gain. But he saw, finally, that he had a chance to “fix all the things that terrify me about this republic,” most especially the ongoing oppression of Black citizens, a major theme of his inauguration speech (with remarks transferred here to a campaign address delivered to a crowd of 50,000 from a balcony overlooking New York’s Madison Square Park). “I would rather be with you and defeated than against you and victorious,” he tells a group of Black veterans gathered on his front porch, from which he conducted his campaign. (Some 20,000 people were said to have visited there during its course.)
Political machinations and complications aside, the narrative, which stretches two years across four episodes, is really fairly simple, even schematic, cutting back and forth between Garfield (Michael Shannon, between tours covering early R.E.M. albums) and Guiteau (Matthew Macfadyen), a drifter with delusions of grandeur, as they approach their historically sealed date with destiny. Garfield is goodness personified; we meet him on his farm, cooking breakfast for the family, planing wood to make a picnic table. (A table we will meet again.) Guiteau goes from one failed project to another, living it up on money stolen from his sister, running out on restaurant checks and rooming house bills, telling lies about himself he might well have thought were true, until he decides that politics is the place to make his mark. Under the impression that he was responsible for Garfield’s election, he believed the new president owed him a job — ambassador to France would be nice — and when none was coming, turned sour. A message from God, and the belief that he would save the republic, set him on a path to murder.
Matthew Macfadyen plays Garfield’s assassin, Charles Guiteau, in the miniseries.
(Larry Horricks / Netflix)
The series largely belongs to them — both actors are terrific, Shannon imbuing Garfield with a gravity leavened with kindness and humor, Macfadyen’s Guiteau, optimistically dedicated to his delusions yet always about to pop. But it’s a loaded cast. The ever-invaluable Betty Gilpin, in her fourth big series this year after “American Primeval,” “The Terminal List: Dark Wolf” and “Hal & Harper,” plays Garfield’s wife, Crete, fully up on the political scene and free with her opinions. Shea Whigham is New York senator and power broker Roscoe Conkling, Garfield’s moral opposite, and the series’ villain, if you excuse Guiteau as mentally ill. (The jury didn’t.). As wise Maine Sen. James Blaine, Bradley Whitford exudes a convincing, quiet authority, honed over those years working in the pretend White House on “The West Wing.” All the men have been whiskered to resemble their historical models.
Where most of them, even Guiteau, remain consistent from beginning to end, it’s Nick Offerman’s Chester A. Arthur who goes on a journey. Conkling’s right hand, in charge of the New York Customs House — which generated a third of the country’s revenues through import fees — he’s offered the position of vice president to appease Conkling, New York being key to winning the election. Arthur begins as a thuggish, cigar-smoking, sausage-eating, drunken clown, until he’s forced, by events, and the possibility of inheriting the presidency, to reckon with himself.
When First Lady Crete Garfield wonders whether there should be a little extra security (or, really, any security at all) around her husband, he responds, “Assassination can no more be guarded against than death by lightning — it’s best not to worry too much about either one,” giving the series its title and clearing up any confusion you may have had about its meaning. Indeed, Guiteau moves in and out of what today would be well guarded rooms with surprising ease, managing encounters (some certainly invented) with Crete, Blaine, a drunken Arthur and Garfield, whom he implores, “Tell me how I can be great, too.”
Created by Mike Makowsky, it isn’t free from theatrical effects, dramatic overreach or obvious statements, but as period pieces go, it’s unusually persuasive, in big and little ways. Only occasionally does one feel taken out of a 19th century reality into a 21st century television series. The effects budget has been spent where it matters, with some detailed evocations of late 19th century Chicago and Washington that don’t scream CGI. The first episode, which recreates the 1880 convention, held at the Interstate Exposition Building in Chicago, aligns perfectly with engravings of the scene and brings it to life, supporting the wheeling and dealing and speechifying in a way that one imagines is close to being there.
Because we know what’s coming, the series can be emotionally taxing, especially as a wounded Garfield lingers through much of the final episode, while being mistreated by his doctor, Willard Bliss (Zeljko Ivanek), who ignores the advice of the younger, better informed Dr. Charles Purvis (Shaun Parkes), the first Black physician to attend to a sitting president; many, including Millard, believe it was the doctor who killed him through a lack of sanitary precautions, and that Garfield might have recovered if he’d just been left alone, an idea the series supports.
But you can’t change history, as much as “Death By Lightning” makes you wish you could.
BBC viewers have been urged to look out for any clues as the broadcaster is reportedly gearing up to announce the return of one of its biggest shows very soon
23:45, 05 Nov 2025Updated 23:45, 05 Nov 2025
Line of Duty could be making a comeback very soon(Image: BBC)
A huge BBC drama is set to announce its comeback within a matter of days. Fans have been waiting on tenterhooks to see if another series will be released, and now the cast have finally aligned their schedules to make it happen.
The BBC are said to be gearing up to confirm Line of Duty will be back on screens for a seventh series. Fans have been urged to keep an eye out for any online announcements that will be followed by TV teaser trailers.
Now, it seems fans won’t have long to wait for an official announcement as a source said: “Although this has been discussed at length since the unsatisfactory ending of series six in 2021, it’s still going to create huge excitement when the Beeb makes the announcement.
“It’s one they’ve been preparing to make for weeks, but they’ve been trying to pick the right moment, since The Celebrity Traitors has been hogging quite a lot of limelight recently.” They added to Sun: “And the BBC very much view Line Of Duty as one of the jewels in its crown that they want to deliver with some fanfare.”
The BBC declined to comment when approached by the Mirror. Back in July, Actor Adrian said: “We’re really excited about getting our hands on a Line of Duty script, to see what happens to us.”
The Ridley star even teased what is to come on the programme, which could air in 2026, as he told The Times: “It is down to the BBC to make an announcement, but we’re keeping our fingers crossed that next year we’ll be working on a new series. No doubt Jed will think of some interesting twists and turns.”
Martin Compston played DS Steve Arnott in the show, which came to an end when his character and his team discovered the identity of “H”. He also shared details on whether viewers can expect more from the series.
“We’re always talking about possibilities and schedules and whatnot,” he said to The Sun. Martin didn’t dare share more and added: “Everybody’s got stuff going on at the minute, so I think anything, unfortunately, would be a way off.”
Before Martin discussed a potential new series, a source told the same publication that Adrian, Vicky McClure and Martin will reunite to film six new episodes. They said at the time: “This is the news Line of Duty fans have been waiting for since the sixth season left them deflated when it aired back in 2021.
“The BBC almost immediately requested more episodes to continue the story, but the success of the show meant Vicky, Martin and Adrian were instantly snapped up for other projects. But after several meetings with Jed [Mercurio, creator and writer] and the production team, they’ve finally managed to clear space in their calendars next year to commit to making the show.”
While last August, Adrian said that he was desperate to get back into character for another series. He told Good Housekeeping: “We all want another series.
“We filmed our last series in lockdown, which meant we didn’t get to do anything other than work, so we’re really keen to get together for one last hurrah.”
The Chicago Cubs’ Kyle Tucker runs the bases after hitting a solo home run during the seventh inning of Game 4 of their NLDS against the Milwaukee Brewers.
(Nam Y. Huh / Associated Press)
The most obvious area of need for next year’s Dodgers will be in the outfield.
Andy Pages will be back, trying to build upon his 27-homer campaign in 2025. Teoscar Hernández will enter the second of his three-year contract, trying to rebound from his injury-plagued struggles this past summer.
But the third spot remains wide open, with Michael Conforto hitting free agency after his dismal performance on a one-year, $17 million deal this past year, and Alex Call having been used in more of a depth role after his arrival of this year’s trade deadline.
Internally, the Dodgers don’t have an immediate plug-and-play option, as top prospects Josue De Paula, Zyhir Hope, Eduardo Quintero and Mike Sirota remain a ways away from the majors.
Thus, don’t be surprised to see the Dodgers linked with big names on either the free-agent or trade market this winter, starting with top free-agent prize Kyle Tucker.
Since the summer, industry speculation has swirled about the Dodgers’ expected pursuit of Tucker this offseason. The four-time All-Star did not finish 2025 well while nursing a couple injuries, but remains one of the premier left-handed bats in the sport, and could command upward of $400-$500 million on a long-term deal — a hefty price tag, but certainly not one beyond the Dodgers’ capabilities.
Free agency will include other notable outfield options. Cody Bellinger is hitting the open market, though a reunion with the Dodgers has always seemed like a long shot. Harrison Bader and Trent Grisham could provide more glove-first alternatives, and have been linked with the Dodgers in the past.
Then there are potential trade candidates, from left fielder Steven Kwan of the Cleveland Guardians to utilityman Brendan Donovan of the St. Louis Cardinals, also players the Dodgers have inquired about in the past.
The Dodgers could construct their 2026 roster in other ways, thanks to the versatility Tommy Edman provides in center field. But another outfield addition remains their most logical priority this winter. And there will be no shortage of possibilities.
The celebration had hardly begun, when Shohei Ohtani first voiced the theme of the day.
“I’m already thinking about the third time,” he said in Japanese, standing atop a double-decker bus in downtown Los Angeles with of thousands of blue-clad, flag-waving, championship-celebrating Dodgers fans lining the streets around him for the team’s 2025 World Series parade.
Turns out, he wasn’t alone.
Two days removed from a dramatic Game 7 victory that made the Dodgers baseball’s first repeat champion in 25 years, the team rolled through the streets of downtown and into a sold-out rally at Dodger Stadium on Monday already thinking about what lies ahead in 2026.
With three titles in the last six seasons, their modern-day dynasty might now be cemented.
But their goal of adding to this “golden era of Dodger baseball,” as top executive Andrew Friedman has repeatedly called it, is far from over.
“All I have to say to you,” owner and chairman Mark Walter told the 52,703 fans at the team’s stadium rally, “is we’ll be back next year.”
“I have a crazy idea for you,” Friedman echoed. “How about we do it again?”
When manager Dave Roberts took the mic, he tripled down on that objective: “What’s better than two? Three! Three-peat! Three-peat! Let’s go.”
When shortstop Mookie Betts, the only active player with four World Series rings, followed him, he quadrupled the expectation: “I got four. Now it’s time to fill the hand all the way up, baby. ‘Three-peat’ ain’t never sounded so sweet. Somebody make that a T-shirt.”
For these history-achieving, legacy-sealing Dodgers, Monday was a reminder of the ultimate end goal — the kind of scene that, as they embark on another short winter, will soon fuel their motivations for another confetti-filled parade this time next year.
“For me, winning a championship, the seminal moment of that is the parade,” Friedman said. “The jubilation of doing it, when you get the final out, whatever game you win it in, is special. That night is special. But to be able to take a breath and then experience a parade, in my mind, that is what has always driven me to want to win.”
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“[To] do this for the city, that’s what it’s all about,” first baseman Freddie Freeman added. “There’s nothing that feels as important as winning a championship. And if so happens to be three in a row, that’s what it is. But that’s what’s gonna drive us to keep going.”
Much of the group had been part of the 2020 title team that was denied such a serenade following that pandemic-altered campaign. They had waited four long years to experience a city-wide celebration. The reception they received was sentimental and unique.
Now, as third baseman Max Muncy said with a devious grin from atop a makeshift stage in the Dodger Stadium outfield, “it’s starting to get a little bit comfortable up here. Let’s keep it going.”
“Losing,” star pitcher and World Series MVP Yoshinobu Yamamoto added, in English, in a callback to one of his memorable quotes from this past October, “isn’t an option.”
Doing it won’t be easy.
This year, the Dodgers’ win total went down to 93 in an inconsistent regular season. They had to play in the wild-card round for the first time since the playoffs expanded in 2022. And in the World Series, they faced elimination in Games 6 and 7, narrowly winning both to complete their quest to repeat.
“I borderline still can’t believe we won Game 7,” fan favorite Kiké Hernández said in a bus-top interview.
But, he quickly added, “We’re all winners. Winners win.”
Thus, they also get celebrations like Monday’s.
As it was 367 days earlier, the Dodgers winded down a parade route in front of tens of thousands of fans from Temple Street to Grand Avenue to 7th Street to Figueroa. Both on board the double-decker buses and in the frenzied masses below, elation swirled and beverages flowed.
Once the team arrived at Dodger Stadium, it climbed atop a blue circular riser in the middle of the field — the final symbolic steps of their ascent back to the mountaintop of the sport.
Anthony Anderson introduced them to the crowd, while Ice Cube delivered the trophy in a blue 1957 Chevy Bel-Air.
Familiar scenes, they are hoping become an annual tradition.
“Job in 2024, done. Job in 2025, done,” Freeman said. “Job in 2026? Starts now.”
The Dodgers did take time to recognize their newfound place in baseball history, having become just the sixth MLB franchise to win three titles in the span of six years and the first since the New York Yankees of 1998 to 2000 to win in consecutive years.
Where last year’s parade day felt more like an overdue coronation, this one served to crystallize their legacy.
“Everybody’s been asking questions about a dynasty,” Hernández said. “How about three in six years? How about a back-to-back?”
And, on Monday, all the main characters of this storybook accomplishment got their moment in the sun.
There was, as team broadcaster and rally emcee Joe Davis described him, “the Hall of Fame-bound” Roberts, who now only trails Walter Alston in team history with three World Series rings.
“We talked about last year, wanting to run it back,” he said. “And I’ll tell you right now, this group of guys was never gonna be denied to bring this city another championship.”
There was Game 7 hero Miguel Rojas calling up surprise October closer Roki Sasaki, on his birthday, to dance to his “Bailalo Rocky” entrance song; a request Sasaki sheepishly obliged by pumping his fist to the beat.
Yamamoto, coming off his heroic pitching victories in Games 6 and 7, received some of the day’s loudest ovations.
“We did it together,” he said. “I love the Dodgers. I love Los Angeles.”
Muncy, Ohtani and Blake Snell also all addressed the crowd.
“I’m trying to get used to this,” Snell said.
“I’m ready to get another ring next year,” Ohtani reiterated.
One franchise face who won’t be back for that chase: Clayton Kershaw, who rode into the sunset of retirement by getting one last day at Dodger Stadium, fighting back tears as he thanked the crowd at the end of his illustrious (and also Hall of Fame-bound) 18-year career.
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“Last year, I said I was a Dodger for life. And today, that’s true,” Kershaw said. “And today, I get to say that I’m a champion for life. And that’s never going away.”
Kershaw, of course, is one of the few still around from the club’s dark days of the early 2010s, when money was scarce and playoff appearances were uncertain and parades were only things to dream about — not expect.
As he walks away, however, the team has been totally transformed.
Now, the Dodgers have been to 13 straight postseasons. They’ve set payroll records and bolstered their roster with a wave of star signings. They’ve turned the pursuit of championships into a yearly expectation, proud but unsatisfied with what they’ve achieved to this point.
“I think, definitionally, it’s a dynasty,” said Friedman, the architect of this run with the help of Walter’s deep-pocketed Guggenheim ownership group. “But that to me, in a lot of ways, that kind of caps it if you say, ‘OK, this is what it is.’ For me, it’s still evolving and growing. We want to add to it. We want to continue it, and do everything we can to put it at a level where people after us have a hard time reaching.”
On Monday, they raised that bar another notch higher.
“This parade was the most insane thing I’ve ever witnessed, been a part of,” Kershaw said. “It truly is the most incredible day ever to be able to end your career on.”
On Tuesday, the Dodgers’ long road toward holding another one begins.
“I know they’re gonna get one more next year,” Kershaw told the crowd. “And I’m gonna watch, just like all of you.”
Dodgers fans filled the streets of downtown Los Angeles early Monday morning, to celebrate the Dodgers becoming baseball’s first back-to-back World Series champion in 25 years.
The celebratory parade is commenced at 11 a.m., with the Dodgers traveling on top of double-decker buses through downtown with a final stop at Dodger Stadium.
The 2025 Dodgers team has been a bright spot for many Angelenos during an otherwise tumultuous year for the region, after historic firestorms devastated thousands of homes in January and then widespread immigration sweeps over the summer by the Trump administration.
(Eric Thayer/Los Angeles Times)
Manager Dave Roberts holds the Commissioner’s Trophy during the Dodgers World Championship Parade and Celebration Monday.
(Kayla Bartkowsk/Los Angeles Times)
Ramon Ontivros, left, and Michelle Ruiz, both from Redlands, join fans lining the streets of downtown Los Angeles.
(Kayla Bartkowsk/Los Angeles Times)
From left, Mike Soto, Luis Espino, and Francisco Espino, join fans lining the streets of downtown Los Angeles.
(Allen J. Schaben/Los Angeles Times)
Mia Nava, 9, waves a flag. “She’s skipping school today and her teachers know her passion.” Said her mom, Jennie Nava.
(Carlin Stiehl/For The Times)
Alex Portugal holds onto a championship belt at Dodger Stadium. Claudia Villar Lee, poses with a model of the World Series trophy around her neck.
(Kayla Bartkowsk/Los Angeles Times)
Young fans line the streets of downtown Los Angeles for the Dodgers World Championship Parade and Celebration.
The Los Angeles Dodgers’ thrilling 11-inning Saturday win over the Toronto Blue Jays was the most watched World Series game since 2017, according to Nielsen data.
The Fox telecast of the Game 7 contest giving the Dodgers their second consecutive world championship attracted an average of 25. 5 million viewers on Fox.
Viewers watching the Spanish-language telecast on Fox Deportes and Fox Sports streaming platforms brought the audience figure to just under 26 million.
The Dodgers’ 5-4 win delivered the largest audience for a World Series game since the Houston Astros’ Game 7 win over the the team in 2017, which had an audience of 28.3 million.
The figure was 10% over the last decisive game seven World Series game in 2019, when the Washington Nationals defeated the Astros.
The battle on Saturday will go down as one of the most memorable games in World Series history, with a number of spectacular plays in the field and a dramatic go-ahead home run by Dodgers catcher Will Smith.
Dodgers pitcher Yoshinobu Yamamoto won his third game of the series with his strong relief outing, earning him the Most Valuable Player Award for the series.
The audience level peaked between 8:30 and 8:45 p.m. Pacific, with 31.5 million viewers tuned in.
The Dodgers became the first Major League Baseball team to win back-to-back championships in 25 years.
TORONTO — Beneath his feet, confetti decorated the turf. Behind him, the video boards congratulated his team on its latest championship.
The Dodgers owner who lives and breathes championships smiled broadly. Magic Johnson always does, of course. This time, he had an impish twinkle in his eye.
“They said we ruined baseball,” Johnson said. “Well, I guess we didn’t.”
If you are not in Los Angeles, you might be screaming in frustration. The team with all the gold makes the rules, and the new rule is that the Dodgers win every year, and now their most famous owner is mocking you?
He is not.
He is, however, issuing a subtle warning to all of baseball’s owners: Don’t let your desperation for a salary cap destroy a sport on the rise — in no small part thanks to the Dodgers.
The NBA was not much more than a minor league 45 years ago. This is crazy to imagine now, but the NBA Finals aired on tape delay, on late-night television, most often at 11:30 p.m. The NBA audience was so small that advertisers would not pay prime-time rates for those commercials, so the games were not broadcast in prime time.
Johnson helped change that. The rivalry between his Lakers and Larry Bird’s Celtics revived the NBA, and then Michael Jordan and the Chicago Bulls became global sporting icons.
From 1980-88, either the Lakers or the Celtics won the NBA title in every year but one. From 1991-98, the Bulls won six titles.
The Celtics and Lakers and Bulls did not ruin the NBA.
“What the Celtics and Lakers were able to do, and Michael Jordan’s Bulls, was to bring in new fans — fans that were, ‘Oh, I don’t know about the NBA,’” Johnson said, “but the play was so good, and the Celtics and Lakers and Bulls were so dominant, people said, ‘Oh man, I want to watch them.’
“It’s the same thing happening here.”
The NBA leadership could not believe its good fortune. Baseball’s leadership appears intent on lighting its good fortune on fire.
“My phone was blowing up with people who hadn’t watched baseball for a long time,” Johnson said. “They were watching this series.
“This was good for baseball around the world.”
The World Baseball Classic is four months away. The World Series most valuable player, the Dodgers’ Yoshinobu Yamamoto, is from Japan.
So is the Dodgers’ Shohei Ohtani, the closest baseball has ever had to its own Jordan. The Dodgers rescued him from purgatory in Anaheim and surrounded him with a star-studded roster, and now he makes more money from pitching products than pitching baseballs. To the Dodgers, he doubles as an All-Star and cash machine.
The league — and all the owners complaining about the Dodgers and their spending — happily profited from this traveling road show. The Dodgers get the same share of international merchandise and broadcast revenue every other team does.
The Dodgers led the major leagues in road attendance, again. The league sent the Dodgers to Seoul last spring and Tokyo this spring, meaning that, for two years running, they were one of the first two teams to report to spring training and one of the last two playing at season’s end. The league’s television partners rushed to book the Dodgers, even for games at times inconvenient to the team.
“MLB put us in every hard situation you can think about,” infielder Miguel Rojas said. “We never complained. We were trying to come through for the fans, for baseball, and everybody should be recognizing what we are doing.”
With the Blue Jays in the World Series, Canadian ratings for the World Series increased tenfold. The Dodgers did not destroy the Jays. They survived them, and barely at that.
The Dodgers have not ruined competition, despite the spotlight.
“They have a great team,” Toronto infielder Ernie Clement said. “There’s no denying it. They’re one of the best teams probably ever put together, and we’ve taken ‘em to seven games, so that’s got to say something about us.”
Toronto manager John Schneider said his team, which won more games than the Dodgers this season, had chances to sweep the World Series.
“People were calling it David versus Goliath,” Schneider said, shaking his head from side to side. “It’s not even… close.”
The Dodgers make a lot of money, pour the money back into the team, and win. They give the people what they want.
“People want the best,” co-owner Todd Boehly said.
Granted, not every team can spend like the Dodgers. Most cannot, and baseball should be able to find ways to share the wealth without risking its tenuous but growing popularity by locking out players in pursuit of a salary cap.
After all, isn’t a compelling product with stars from home and abroad good for baseball?
“You bet,” controlling owner Mark Walter said. “I think they think so, too.”
It was time to go. The parade was 36 hours away, and Johnson had to rest his throat.
“I’m hoarse,” he said. “I’ve never been hoarse.”
So we’ll leave you with one bit of sports trivia, in response to the mistaken notion that a salary cap assures competitive balance: In the Magic, Bird and Jordan years, the ones that lifted the NBA into popular culture, did the NBA have a salary cap?
It did then. It does now. Onto the quest for a three-peat.
Highlights from the Dodgers’ 5-4 win in 11 innings over the Blue Jays in Game 7 of the World Series.
Lowering his head, Yamamoto said to Osamu Yada, “Thank you for everything this year.”
Yamamoto figured his season was over. He’d thrown 96 pitches over six innings, and he half-joked in the postgame news conference that he wanted to cheer on his team rather than pitch again the next day. Manager Dave Roberts had the same thought, saying Yamamoto would be the only pitcher unavailable in Game 7.
The trainer had other ideas.
“Let’s see if you can throw in the bullpen tomorrow,” Yada said.
By just being in the bullpen, Yada said, Yamamoto could provide the Dodgers a psychological edge over the Toronto Blue Jays.
“That’s how I got tricked,” Yamamoto said in Japanese with a laugh.
Yada’s guiding hand transformed Yamamoto into a legend on Saturday night.
When he forced Alejando Kirk to ground into a game-ending double play, Yamamoto removed his cap and raised his arms toward the heavens. Catcher Will Smith rushed the mound and picked him up from the waist.
“I felt a joy I never felt before,” Yamamoto said.
Dodgers catcher Will Smith picks up Dodgers pitcher Yoshinobu Yamamoto after the final out of a 5-4 win in 11 innings over the Toronto Blue Jays in Game 7 of the World Series on Saturday.
(Gina Ferazzi / Los Angeles Times)
Yamamoto pitched a complete game in Game 2. He pitched six more in Game 6. His contributions in Game 7 increased his series total to 17 ⅔ innings, over which he allowed only two runs.
The throwback performance earned him the series’ most valuable player award, as well as universal admiration.
“I really think he’s the No. 1 pitcher in the world,” Shohei Ohtani said in Japanese. “Everyone on the team thinks that, too.”
“I mean, he pitched last night, started,” Freeman said. “He threw the most innings out of our pitchers tonight.”
Freeman pointed out that in addition to pitching in three games, Yamamoto also warmed up to pitch in a fourth. Two days after his complete game in Game 2, he prepared in the bullpen to pitch a potential 19th inning in Game 3. The Dodgers won that game in the 18th inning.
“I’ve never seen anything like that,” Freeman said.
President of baseball operations Andrew Friedman said of Yamamoto’s Game 7 performance, “For him to have the same stuff that he had the night before is really the greatest accomplishment I’ve ever seen on a major league baseball field.”
Did Friedman think any other pitcher could have done what Yamamoto did in this series?
“No, I don’t,” Friedman said. “In fact, yesterday morning I didn’t necessarily think Yama could either.”
Friedman said he didn’t think much of it when he was notified after Game 6 that Yamamoto was receiving treatment from Yada at the team hotel with the intention of perhaps pitching in Game 7. Friedman was told the next morning that Yamamoto received another round of treatment.
The possibility of Yamamoto pitching in Game 7 became real to Friedman after he performed his trademark javelin-throwing routine and played catch at Rogers Centre. Yamamoto still wasn’t convinced.
Dodgers pitcher Yoshinobu Yamamoto, left, celebrates with Shohei Ohtani and teammates after a 5-4 win over the Toronto Blue Jays in Game 7 of the World Series at Rogers Centre on Saturday.
(Robert Gauthier / Los Angeles Times)
“I didn’t think I would pitch,” Yamamoto said. “But I felt good when I practiced, and the next thing I knew, I was on the mound (in the game).”
The superstitious Sonoda wears the same pair of lucky underwear on days Yamamoto pitches. He wore the rabbit-themed boxers for Game 6. Sensing Yamamoto might pitch again, Sonoda wore the same boxers for Game 7.
“Just in case,” Sonoda admitted, “I didn’t wash them.”
Yamamoto had never pitched on consecutive days as a professional, in either the United States or Japan. When was called on to relieve Blake Snell in the ninth inning, he was uncertain of how he would perform.
Inheriting two baserunners from Snell with one out, Yamamoto loaded the bases by plunking Kirk. He forced Dalton Varsho to ground into a force out at home, only to throw a curveball to Ernie Clement that was driven to the wall in left field. Defensive replacement Andy Pages crashed into Kiké Hernández on the warning track but held on to the ball, preventing the Blue Jays from scoring the walk-off run.
Yamamoto pitched a 1-2-3 10th inning and went into the bottom of the 11th with a 5-4 lead, courtesy of a homer by Smith in the top of the inning.
Vladimir Guerrero Jr. started the inning by pulling a 96.9-mph fastball for a double and advanced to third base on a sacrifice bunt by Isiah Kiner-Falefa. Yamamoto walked Addison Barger to place runners on the corners, setting up the game-ending double play by Kirk.
“I really couldn’t believe it,” Yamamoto said. “I was so excited I couldn’t even recall what kind of pitch I threw at the end. When my teammates ran to me, I felt the greatest joy I’ve felt up to this point.”
Clayton Kershaw, whom Yamamoto wanted to send into retirement with another championship, embraced him harder than he’d ever embraced him. Roberts swallowed him an embrace.
Yamamoto was moved to tears.
Overwhelmed by the moment, Yamamoto didn’t sound as if he grasped the magnitude of what he’d just done. In time, he will.
On the night the Dodgers solidified their dynasty, Yamamoto made this World Series his.
SOME places in the UK are especially memorable thanks to television series that have been filmed there, particularly in the south of England.
The pretty village of Looe is famous for being the backdrop of Beyond Paradis and Port Isaac was used for years in Martin Clunes‘ series Doc Martin – now the Lizard peninsula is set to be big thanks to the HBOHarry Potter series.
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Cast of the new Harry Potter series have been seen filming on the Lizard peninsulaCredit: AlamyThe peninsula has steep cliffs and hidden covesCredit: Parkdean
The beach on the cove is split in two, one part is where you’ll find the fishing boats, and the other is where visitors and locals will go swimming, snorkelling and rock pooling.
Further around Cadgwith Cove is a 200-foot blowhole called the ‘Devil’s Frying Pan’.
The village itself is full of chocolate-box looking cottages, and anyone wanting to stay in Cadgwith Cove can do so at the local inn.
Harry Potter is also expected to film in Kynance Cove, a tidal beach famous for its white sand, turquoise sea and rock stacks.
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Anyone can visit Kynance Cove, but there is a small fee for parking – unless you’re a National Trust member.
It’s worth the trip though with some visitors even describing it as “the best beach, give you Portugal vibes”.
Others describe it as a “Cornish gem”, however, there are warnings of strong waves and fast-rising tides.
While there aren’t many facilities, there is a cafe on the beach that serves sandwiches, salads, jacket potatoes, pasties and hot drinks.
For more budget-friendly holiday stay option on the peninsula, Brits can head to Lizard Point Holiday Park run by Parkdean Resorts.
The site is closed for the winter season, but reopens in March next year.
Actor John Lithgow who plays Albus Dumbledore was seen filming in Cadgwith CoveCredit: Alamy
A five-night stay in May on a Trelan Caravan with a flatscreen TV, comfy sofas and sleeps up to six starts from £219, which is £7.30pppn.
The Compass Bungalow is the same price but sleeps up to four people; however, it is more spacious and has a brand new kitchen and bathroom.
Facilities include indoor and outdoor pools, kart and bike hire, children’s shows from PAW Patrol to Milkshake Mornings.
Kids can also check out the soft play, amusement arcade, bungee trampoline, adventure golf, high ropes, table tennis, football as well as art and craft sessions.
There are on-site bars and restaurants, an ice cream parlour, drinks van and Street Eats for takeaways.
Port Isaac further north became so well-known after being used as the filming location for the BBC Doc Martin series that ran for 18 years.
It became the fictional village of Portwenn, showing off its clusters of stone cottages and narrow streets.
Port Isaac on the Cornwall coast was used as the backdrop of Doc MartinCredit: Getty ImagesBeyond Paradise is filmed in the coastal town of Looe in DevonCredit: Red Planet Pictures, Joss Barratt
The spin-off to Death in Paradise started in 2023 and is set in the fictional town of Shipton Abbott. The beaches of Looe and Fore Street are popular locations and the Guildhall is what they use for the Shipton Abbott Police Station.
Martha’s restaurant, The Ten Miles Kitchen, is filmed in The Stables, Port Eliot House & Gardens a cafe 20 minutes inland from Looe in the parish of St Germans.
It’s a great place to pop in for a coffee or brunch and a look over the garden estate.
On Barry Island itself, there’s the famous Marco’s Cafe and the Arcade where Nessa worked the slots.
Just up the road is The Colcot Arms aka Smithy’s local Essex hangout and of course the Tadross Hotel which doubles as The Dolphin – where pints cost £4, according to reviews left by guests.
Midsomer Murders
In rural Oxfordshire there is one of the deadliest villages around, Midsomer. ITV’s Midsomer Murders is filmed mostly in the quaint and historic town of Wallingford.
Wallingford isn’t the only location used. Just 30 minutes up the road is the village of Thame which also doubles as Causton village.
In Thame, the Spread Eagle, a red-brick hotel that serves up four roast mains on a Sunday, has been used for filming. They’ve also used The Black Horse, which has monthly offers from Happy Hour to deals on main courses.
Rumsey’s Chocolaterie has also appeared on-screen, and it’s worth a trip there just for the hot chocolates alone. They also offer workshops where you can make truffles and chocolate figurines.
At the Thame Museum, they offer a free Midsomer Walking Tour leaflet and there’s an opportunity to have a photo taken next to the ‘Causton Town Hall’ sign.
Grassington becomes the fictional market town of Darrowby and there are lots of familiar sights, as most of the village is used for filming.
The production team dress up shop fronts, with The Stripey Badger Bookshop becoming G F Engleby Grocers and The Devonshire transforming into the Drovers Arms.
The traditional family pub is very highly rated and offers everything from hearty breakfasts to Sunday lunch. It even offers ‘Dining for Dogs’ with ‘Diced Chuck Steak Doggy Dinner’ or ‘Sausage Stew’ on the menu.
For the chance to spot some filming, plan a trip in late Spring, early Summer as the cast begin with the Christmas special around that time.
Call the Midwife
Call the Midwife has returned for series fourteen and there are plenty of locations from over the years to visit for free.
In the latest series, the ladies of Nonnatus house took a trip to the seaside which was filmed on West Wittering beach, in Sussex.
Another recognisable location is the lighthouse from the 2019 Christmas Special, where Nurse Val and Nurse Lucille go to Scotland.
It’s actually the Eilean Glas Lighthouse on the east coast of the island of Scalpay. To get there, park in the village of Kennavay and take the 30-minute trail. The building also operates as a small museum and serves tea and coffee during open hours.
Shetland
Talking of Scotland, Shetland is the filming location for Shetland, obviously. The TV series starring Ashley Jensen is filmed in the main town and port, Lerwick.
The most recognisable spot of Lodberries House, which was the home of former lead DI Jimmy Perez (Douglas Henshall).
Another popular location for the show is Commercial Street, which has featured in almost every single series of Shetland ever.
There are also lots of other iconic locations in Lerwick, including Lerwick Town Hall, Bain’s Beach and Lerwick Harbour.
TORONTO — It was a game that started on Saturday and ended on Sunday, a World Series contest so packed with the rare, the historic and the dramatic that it couldn’t possibly be confined to one day.
At 11 innings, it was the longest Game 7 this century, and it equaled the longest in more than a century. It was the first Game 7 that had a ninth-inning home run to tie the score and the first to feature two video reviews that prevented the go-ahead run from scoring.
“It’s one of the greatest games I’ve ever been a part of,” Dodgers manager Dave Roberts said after his team outlasted the Toronto Blue Jays 5-4 to win its second straight World Series and end the longest season in franchise history, one that began in Japan and ended in Canada.
The victory made the Dodgers the first team to win back-to-back titles in 25 years and with that championship, Roberts’ third, he passed Hall of Famer Tommy Lasorda to become the second-most-decorated Dodger manager ever. He now trails only Walter Alston, another Hall of Famer, who won four World Series with the team.
Roberts, however, won his three titles over six seasons, something no Dodger skipper has ever done.
“It’s hard to reconcile that one,” said Roberts, whose jersey from Saturday’s game is on its way to Cooperstown, joining the cap the Hall of Fame requested after last year’s World Series win.
“I’m just really elated and really proud of our team, our guys, the way we fought. We’ve done something that hasn’t been done in decades. There was so many pressure points and how that game could have flipped, and we just kept fighting, and guys stepped up big.”
So did the manager.
Every move Roberts made worked, every button he pushed was the right one. Miguel Rojas, starting for the second time in nearly a month, saved the season with a game-tying home run in the top of the ninth while Andy Pages, inserted for defensive purposes during the bottom of the inning, ran down Ernie Clements’ drive at the wall with the bases loaded to end the threat.
In the 11th he had Yoshinobu Yamamoto pitch around Addison Barger, putting the winning run on base. But that set up the game-ending double play three pitches later.
“Credit to him, man. Every single move he did this postseason was incredible,” said Tyler Glasnow, one of four starting pitchers Roberts used in relief Saturday. And he had a fifth, Clayton Kershaw, warming up when the game ended.
Added Dodgers co-owner Magic Johnson: “He did some coaching tonight. This was a great manager’s game from him. He’s proven how great a manager he is. He’s a Hall of Famer.”
Roberts asked Yamamoto, who pitched six innings Friday to win Game 6, to throw another 2 2/3 innings in Game 7. It worked; Yamamoto won that game too.
“What Yoshi did tonight is unprecedented in modern-day baseball,” said Roberts, who came into the postgame interview room wearing ski goggles and dripping of champagne. “It just goes down to just trusting your players. It’s nice when you can look down the roster and have 26 guys that you believe in and know that at some point in time their number’s going to be called.”
And Roberts needed all 26 guys. Although the Dodgers players wore t-shirts with the slogan “We Rule October” when they mounted a makeshift stage in the center of the Rogers Centre field to celebrate their victory early Sunday, October was only part of it. Their year started in Tokyo in March and ended in Toronto in November, making it the first major league season to begin and end outside the U.S.
“We really extended the season,” Max Muncy, whose eighth-inning homer started the Dodgers’ comeback, said with a grin after the team’s 179th game in 226 days.
“Look back at the miles that we’ve logged this year,” Roberts said. “We never wavered. It’s a long season and we persevered, and we’re the last team standing.”
That, too, is a credit to Roberts, who has made the playoffs in each of his 10 seasons and went to the World Series five times, trailing only Alston among Dodger managers. His .621 regular-season winning percentage is best in franchise history among managers who worked more than three seasons. And he figures to keep padding those records.
“We’ve put together something pretty special,” said Roberts, who celebrated with his family on the field afterward. “I’m proud of the players for the fans, scouting, player development, all the stuff. To do what we’ve done in this span of time is pretty remarkable.
“I guess I’ll let the pundits and all the fans talk about if it’s a dynasty or not. But I’m pretty happy with where we’re at.”
On Sunday morning Glasnow, who missed the playoffs last season with an elbow injury, was pretty happy with where he was at as well.
“To be a part of the World Series is crazy,” he said, standing just off the infield as blue and gold confetti rained down. “You dream about it as a kid. To live it out, I feel so lucky. This group of guys, I’m so close to everyone. So many good people on this team. It’s just the perfect group of guys.”
Toronto’s veteran starter Max Scherzer came out of the game with the lead still 3-1 in the fifth inning, and the Dodgers rallied in the sixth when Tommy Edman’s sacrifice fly scored Mookie Betts to reduce the deficit to one run.
Back came the Blue Jays, when Ernie Clement’s stolen base put him in position for Gimenez to drive him in with a right-field double.
As is common in a World Series game seven, both sides made frequent pitching changes, even turning to starting pitchers from earlier in the series.
Trey Yesavage, who had started games one and five for Toronto, gave up Muncy’s solo shot in the eighth, before Rojas’ last-gasp effort off Jeff Hoffman levelled the scores.
Toronto loaded the bases in the bottom of the ninth but failed to conjure a run, and the Dodgers did the same in the 10th as expectation mounted, but both sides fluffed their lines.
It was only the sixth time in history that a World Series game seven had gone to extra innings, and Smith’s homer put the Dodgers within sight of the title.
The Blue Jays were tantalisingly close to taking it to a 12th inning or even winning it with a walk-off, but Yoshinobu Yamamoto, the Dodgers’ winning pitcher from games two and six, picked up another win in relief and was named as the series’ Most Valuable Player.
Will Smith’s 11th-inning home run allows LA Dodgers to win Game 7 against Toronto Blue Jays and record seventh World Series title in franchise history.
Published On 2 Nov 20252 Nov 2025
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Will Smith homered in the 11th inning after Miguel Rojas connected for a tying drive in the ninth, and the Los Angeles Dodgers beat the Toronto Blue Jays 5-4 in Game 7 on Saturday night to become the first team in a quarter century to win consecutive Major League Baseball (MLB) World Series titles.
Los Angeles overcame 3-0 and 4-2 deficits and escaped a bases-loaded jam in the ninth to become the first repeat champion since the 1998-2000 New York Yankees, and the first from the National League since the 1975 and ’76 Cincinnati Reds.
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Smith hit a 2-0 slider off Shane Bieber into the Blue Jays’ bullpen, giving the Dodgers their first lead of the night.
Yoshinobu Yamamoto, who threw 96 pitches in the Dodgers’ win on Friday, escaped a bases-loaded jam in the ninth and pitched 2 2/3 innings for his third win of the Series.
He gave up a leadoff double in the 11th to Vladimir Guerrero Jr, who was sacrificed to third. Addison Barger walked, and Alejandro Kirk grounded to shortstop Mookie Betts, who started a title-winning 6-4-3 double play.
Smith connects for the match-winning home run in the 11th inning [Ashley Landis/AP]
Dodgers rally to win Game 7
With their ninth title and third in six years, the Dodgers made an argument for their 2020s teams to be considered a dynasty. Dave Roberts, their manager since 2016, boosted the probability that he will gain induction to the Hall of Fame.
Bo Bichette put Toronto ahead in the third with a three-run homer off two-way star Shohei Ohtani, who was pitching on three days’ rest after taking the loss in Game 3.
Los Angeles closed to 3-2 on sacrifice flies from Teoscar Hernandez in the fourth off Max Scherzer and Tommy Edman in the sixth against Chris Bassitt.
Andres Gimenez restored Toronto’s two-run lead with an RBI double in the sixth off Tyler Glasnow, who relieved after getting the final three outs on three pitches to save Game 6 on Friday.
Max Muncy’s eighth-inning homer off star rookie Trey Yesavage cut the Dodgers’ deficit to one run, and Rojas, inserted into the lineup in Game 6 to provide some energy, homered on a full-count slider from Jeff Hoffman.
Toronto put two on with one out in the bottom half against Blake Snell, and Los Angeles turned to Yamamoto.
He hit Alejandro Kirk on a hand with a pitch, loading the bases and prompting the Dodgers to play the infield in and the outfield shallow. Daulton Varsho grounded to second, where Rojas stumbled but managed to throw home for a force-out as catcher Smith kept his foot on the plate.
Ernie Clement then flied out to Andy Pages, who made a jumping, backhand catch on the centre-field warning track as he crashed into left fielder Kike Hernandez.
Seranthony Dominguez walked Mookie Betts with one out in the 10th, and Muncy singled for his third hit. Hernandez walked, loading the bases. Pages grounded to shortstop, where Gimenez threw home for a force-out. First baseman Guerrero then threw to pitcher Seranthony Dominguez covering first, just beating Hernandez in a call upheld in a video review.
The epic night matched the Marlins’ 3-2 win over Cleveland in 1997 as the second-longest Series Game 7, behind only the Washington Senators’ 4-3 victory against the New York Giants in 1924.
Los Angeles Dodgers pitcher Clayton Kershaw #22 celebrates with the Commissioner’s Trophy after defeating the Toronto Blue Jays in Game 7 [Kevin Sousa/Imagn Images via Reuters]
Welcome to Screen Gab, the spooky newsletter for everyone who loves scares, thrills, tricks and treats.
Happy Halloween! Whether you plan to stay home or don a costume and hit the town, at some point this weekend, it’s worth putting on a movie or show to fit the theme of the season. The great thing is that there’s something for everyone, as our guide to Halloween programming shows. Whether you prefer something kid-friendly like “Is It Cake? Halloween” or something more sinister like the newly released HBO series “It: Welcome to Derry,” which expands Stephen King’s horror universe (more on that below), there’s plenty to choose from. And if you‘re in L.A., film editor Joshua Rothkopf and reporter Mark Olsen have compiled a guide to local theaters hosting screenings of classic horror films like “Black Sabbath” and “Bride of Frankenstein.” (If you can’t snag a ticket, their list also doubles as a great reference for films to watch at home, as many are available to stream.)
If that’s not enough, we have more recommendations that you can add to your queue, including a special episode of a (sadly) recently canceled Apple TV series and the pair of “It” films that led to the creation of “Welcome to Derry.” Additionally, Jovan Adepo, who plays Leroy Hanlon on the prequel series, which dropped its second episode on HBO Max in time for Halloween, spoke to us about some of the real-life themes of horror the show covers.
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Must-read stories you might have missed
Rhea Seehorn stars in the new Apple TV series “Pluribus.”
Forget ‘I’m too old for this’: Women over 60 are redefining action stardom: The growing army of 60-ish women who kick ass, take names and rarely complain about getting too old for anything has been joined by Emma Thompson’s Zoë Boehm in “Down Cemetery Road” and the menopausal punk rockers of “Riot Women.”
That this period comedy, on my best of 2024 list, failed to complete a second season is one of the great television tragedies of this year. (Star and co-creator Noel Fielding stopped showing up partway through production, reportedly due to health issues.) It has nevertheless left us this one extra, excellent, just-released Halloween-appropriate episode. A mysterious creature (see title) has been attacking coaches along the highway, leaving Dick (Fielding), the notorious English highwayman, and his motley crew without anything to rob. Although technically about a criminal, its hero is good-hearted — essentially a version of the Fielding one sees co-hosting “The Great British Baking Show” — and its approach to monsters trends more to understanding than horror. (A recommendation in itself.) Continuing in the All Hallows Eve spirit, you’ll find more paranormal doings in the series’ still-available first season, including witches, warlocks and a cursed coach. And you may want to carry on (and should) to its equally fine twin sister, “Renegade Nell” (Disney+) — another period supernatural comedy about an early 18th century highwayman (or woman, as the case may be), which adds a feminist twist. — Robert Lloyd
Bill Skarsgård as Pennywise in “It: Chapter Two.”
(Brooke Palmer/Warner Bros. Pictures)
“It” and “It: Chapter Two” (HBO Max)
The Halloween season is in full swing, and there are few things more terrifying than a demonic clown with a red balloon. HBO has just launched “It: Welcome to Derry,” the prequel to “It” and “It: Chapter Two,” the recent hit film adaptations of Stephen King’s 1986 epic novel featuring Pennywise, the deadly clown who preys on children and adults. Co-created by Andy Muschietti, who directed the films and directs on the series, the drama is set in the early 1960s in the fictional town of Derry, Maine, and takes on an even more nightmarish quality in delving into the origins of the notorious villain. Bill Skarsgård, who played Pennywise in the films, reprises the role in “Derry.” Before more episodes are released, viewers should get their scare on by revisiting the films or watching them for the first time. The first film is particularly chilling, and Pennywise will give you the shivers. Be afraid. — Greg Braxton
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Jovan Adepo as Maj. Leroy Hanlon in HBO’s “It: Welcome to Derry.”
(Brooke Palmer / HBO)
The monster at the center of Stephen King’s “It” remains one of horror’s most terrifying figures. The author’s novel provided readers with the original tale of a group adolescents who battled a demonic clown, but it wasn’t until 1990 that we got an onscreen adaptation via the ABC miniseries that starred Tim Curry as the story’s terrifying villain, Pennywise. His devilish clown was merciless, preying on children and taunting them with bursts of blood, dead loved ones and a frightening set of sharp teeth. And while those things were scary, what made the adaptation horrifying was how it made mundane things like storm drains, old pipes and red balloons appear much more sinister.
Nearly two decades later, the feature films introduced a whole new generation to the terrors of “It,” and now with “Welcome to Derry,” we get a new story that adds more layers and aims to show who or what It really is. The HBO series, which will have a three-season arc, begins in 1962 with the story of the Hanlons, a Black military family that moves to Derry. The patriarch, Air Force Maj. Leroy Hanlon, played by Adepo, is a respected war hero who almost immediately has to battle a different kind of demon: bigotry. It’s a central theme and shows how “these horrors keep haunting us,” according to Barbara Muschietti, who alongside her brother Andy, spoke recently about the series to senior reporter Greg Braxton.
Adepo is no stranger to stories where race and bigotry are explored, having starred in series like Netflix’s “When They See Us,” a dramatization about the Central Park Five, and HBO’s “The Watchmen,” in which he played Hooded Justice. He stopped by Guest Spot this week to talk about the kinds of horrors “Welcome to Derry” portrays, what helped him unwind after filming and how he turns to a pair of TV comedies for comfort. — Maira Garcia
“It” has been adapted for the screen before. How familiar were you with King’s universe and “It” before taking on this role? Had you read the book or watched the films or miniseries?
I hadn’t read the book in the years before, but I was quite familiar with the recent two films, as well as the classic miniseries. Taking on the role of Leroy gave me a special opportunity to dive deeper into the lore and to also explore some of my own choices for how Leroy was portrayed.
“Welcome to Derry” begins by giving us some of the back story for Mike Hanlon’s family — a key character in “It.” In Episode 1, we’re introduced to your character, Leroy Hanlon, Mike’s grandfather, an Air Force major who encounters overt racism almost immediately when arriving on base in Derry. You’ve explored themes of race in previous roles — what was it like to explore it in the context of this show and the time period it’s set in, the ‘60s?
I think it’s the perfect lens through which to tell this story within the context of the era, because it adds another layer of life challenges for the Hanlons. It explores the struggle of dealing with prejudice and oppression among the members of the community, who are being tormented in a completely different way. That dynamic already creates an interesting environment that only deepens when you add the individual obstacles these characters face.
I’m compelled by an idea that this series brings forth: Monsters are terrifying, but the real world — with war, racism, genocide and so forth — is frightening enough. Did that resonate with you and your character at all?
Yes, in fact, I think that idea runs through the veins of a few characters here. I truly think this genre — and what Andy and Barb have brought to this season — beautifully showcases a very relatable experience of fear, one rooted in real historical moments and woven into a much more sensational element. Along with [co-showrunners Jason] Fuchs and [Brad Caleb] Kane, they’ve created space for viewers to connect with characters’ lives before the monster really begins to engage.
Working on such heavy material, how would you unwind after shoots?
I spent a lot of time at home recharging — watching films, exploring my neighborhood on walks with my dog, and so on. Building a routine of going shopping at the market, visiting my butcher shop, and going out to eat with my castmates was also quite relaxing. Most of us lived close to each other, so I saw everyone quite often.
What have you watched recently that you are recommending to everyone you know?
I’m a creature of habit, so on my off days I usually recharge by watching previously released shows or films. I think the last thing I brought up in conversation on set was the HBO show “Animals” [HBO Max].
What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?
Oh, man. Comfort watching, to me, is something I can put on in the background after a long day on set. I’d have to give it to “Family Guy” [Hulu] or “The Office” [Peacock].
Emmerdale star Lewis Cope has scored the first 40 of this year’s Strictly Come Dancing after impressing all four judges with his Couple’s choice set to a Radiohead classic
Emmerdale star Lewis Cope has scored the first 40 of this year’s Strictly during Halloween Week(Image: CREDIT LINE:BBC/Guy Levy)
Emmerdale star Lewis Cope has scored the first 40 of this year’s Strictly Come Dancing. The actor, 30, took to the stage with professional partner Katya Jones in the latest round of the BBC Saturday night favourite to perform their Couple’s choice to Creep by Radiohead, and it all started with an emotional VT focusing on Lewis’ family.
The soap actor left his hometown of Hartlepool in the North East at the age of just 10 so he could star as Michael in the West End production of Billy Elliot: The Musical, and Lewis explained that he went in a completely different direction to his brothers, who chose to go in boxing. Speaking about his family, he said: “They believed in me more than I believed in myself to be honest. The first person I called when I found out I was doing Strictly was Nana Dot. She’s the queen of the family.”
His grandmother then made an appearance, where she noted how ‘proud’ she was of Lewis, and the whole family spoke of how important it was that they gathered around every week to watch him. Following the dance, the audience cheered. Craig simply clapped and said: “As it’s Halloween, darling, that was spooktacular!”
Motsi said: “I’m so glad I had a few moments to calm down. This is one of those moments that we’re going to look at in five or ten yeas and say ‘Remember when Lewis Cope did that thing?!’
Shirley added: “I’m having an emotional moment so I’m just going to hold my skeleton. Leaving home at 10, my message isn’t for you, it’s for our Nana Dot, for your mum, siblings and for everybody for giving you to all of us so we could enjoy that brilliant, phenomenal work. Well done you!”
Anton said: “It is [the best] dance of this series, by about a million miles. But Craig and I have been here since the very, very beginning and that dance was as good as anything we’ve seen on any series. There was nothing you could have done to make that any better!” All four judges then awarded Lewis a 10, making him the first to receive a perfect score.
At home, viewers were equally as thrilled and flooded social media with their reactions. One said: “Been a long long time since I’ve seen a dance on #Strictly that I’ve wanted to watch again immediately! Lewis and Katya! Holy fucking s***!,” and another said: “Outstanding!!!!! Lewis & Katayka ! We have first perfect score! 40!”
A third said: “Lewis was always going to get the first 40!” With 13 siblings, life in the Cope household came at a frenetic pace, often centred around boxing. His brothers Adam, Danny and Peter all won the Northern area title as professional fighters. “I boxed and still train now, but back then it was more a social thing to be with my brothers – that’s what I enjoyed,” he says.
Instead dance became his passion which for some young boys could have led to derision. “Being from a working-class town 20 years ago, there was always that bit of pressure but my family were so supportive that I never felt it,” he says, before laughing: “Having so many brothers that did boxing also helped.”
In any case, the concept of particular sports being for specific genders is “outdated”, he says, adding: “I do think the world has changed from 20 years ago when it happened to me. We have come a long way.” Lewis has so far taken Strictly by storm, finishing second in the combined judges’ scoreboards of weeks one and two.
It’s even more impressive given he was a last minute replacement for Game of Thrones actor Kristian Nairn “I didn’t have time to really think….I just had to try and take it all in my stride,” he says.
“I have never done a TV show like this before. But it seems I’ve gone into the biggest one. There wasn’t even a warm-up. On a serious note, it’s been fine; everyone has been supportive and full of love.”
From Mount Maunganui to Wellington, plus a loss in Hamilton in between, England’s batting failings against the Black Caps were undeniably a concerning trend.
Yes, captain Harry Brook lost all three tosses to expose those batters to the worst of conditions on at least two occasions.
Yes, New Zealand’s 50-over side, with their 93% win ratio at home since 2019, provide one of the toughest challenges in world sport.
But with four Ashes bankers in England’s top five – and the fifth a possible starter in Jacob Bethell – they returned only one innings above 34 between them across three matches.
Bethell, Brook, Ben Duckett, Jamie Smith and Joe Root batted 15 times collectively in the 50-over series and together had nine single-figure scores.
No-one would call that ideal.
“It’s a different form of the game and it’s a completely different kind of challenge that we’re going to be confronted with as well,” said coach Brendon McCullum, denying batters would be scarred by the 3-0 series sweep heading into the Ashes.
At no point have England been in New Zealand because they see it as the optimal way to prepare for five Tests in Australia.
These fixtures were part of their wider schedule, dictated by those with a grip on the purse strings and who sign broadcast deals.
England have, instead, tried to make the most of the cramped schedule and ease players back into action after a post-summer break.
Steve Smith’s Sheffield Shield century appeared ominous, but fellow Australia middle-order batter Travis Head is also battling through white-ball matches against India, with no score above 30 in four attempts.
Had Root stroked New Zealand’s medium-fast pacers for a century in front of Aotearoa’s grass banks, few would have said it mattered when it came to facing Mitchell Starc and Josh Hazlewood in the Perth cauldron with a different ball.
The reverse must also be true.
“Jamie Smith, Joe Root and Ben Duckett, they’ll be better for the run, too,” McCullum said.
“I’m sure they’ll be better for it with the prep that we’ve had with the other Test guys [bowlers Mark Wood, Josh Tongue and Gus Atkinson] who’ve been here for a while, too, we’ll have no excuses come Australia.”
TORONTO — Tyler Glasnow threw seven, maybe eight, pitches in the bullpen. There was no more time to wait. The red emergency light was flashing.
For 14 years, Glasnow has made a nice living as a pitcher. He has thrown hard, if not always durably or effectively.
There is one thing he had not done. In 320 games, from the minors to the majors, from the Arizona Fall League to the World Series, he never had earned a save.
Until Friday, that is, and only after the Dodgers presented him with this opportunity out of equal parts confidence and desperation: Please save us. The winning run is at the plate with no one out. If you fail, we lose the World Series.
No pressure, kid.
He is not one of the more intense personalities on the roster, which makes him a good fit in a situation in which someone else might think twice, or more, at the magnitude of the moment.
“I honestly didn’t have time to think about it,” Glasnow said.
In Game 6 on Friday, the Dodgers in order used a starter to start, a reliever to relieve, the closer of the moment, and then Glasnow to close. In Game 7 on Saturday, the Dodgers plan to start Shohei Ohtani, likely followed by a parade of starters.
Glasnow, who said he could not recall ever pitching on back-to-back days, could be one of them.
“I threw three pitches,” he said. “I’m ready to go.”
The Dodgers had asked him to be ready to go in relief on Friday, so he moseyed on down to the bullpen in the second inning. He didn’t really believe he would pitch. After all, Dodgers starter Yoshinobu Yamamoto had thrown consecutive complete games. If Yamamoto could not throw another, Glasnow did not believe he would be the first guy called.
He was not. Justin Wrobleski was, protecting a 3-1 lead, and he delivered a scoreless seventh inning. Closer Roki Sasaki was next, and the Dodgers planned for him to work the eighth and ninth.
Glasnow said bullpen coach Josh Bard warned him to be on alert. Sasaki walked two in the eighth but escaped. He hit a batter and gave up a double to lead off the ninth, and the Dodgers rushed in Glasnow.
“I warmed up very little, got out there,” Glasnow said. “It was like no thinking at all.”
The Dodgers’ scouting reports gave Glasnow and catcher Will Smith reason to believe Ernie Clement would try to jump on the first pitch, so Glasnow said he threw a two-seam fastball that he seldom throws to right-handed batters. Clement popped up.
The next batter, Andrés Giménez, hit a sinking fly ball to left fielder Kiké Hernández. Off the bat, Glasnow said he feared a hit.
If the ball falls in, Giménez has a single and the Dodgers’ lead shrinks to one run. If the ball skips past Hernández, the Blue Jays tie the score.
Glasnow said he had three brief thoughts, in order:
1: “Please don’t be a hit.”
Hernández charged hard and made the running catch.
2: “Sweet, it’s not a hit.”
Hernández threw to second base for the game-ending double play.
3: “Nice, a double play.”
Wrobleski tipped his cap to his new bullpen mate.
“He’s a beast, man,” Wrobleski said. “To be able to come in in that spot, it takes a lot of mental strength and toughness. He did it. I didn’t expect anything less out of him, but it was awesome.”
Wrobleski was pretty good himself. The Dodgers optioned him the maximum five times last year and four times this year. He did not pitch in the first three rounds of the playoffs, and his previous two World Series appearances came in a mop-up role and during an 18-inning game.
Dodgers reliever Justin Wrobleski reacts after striking out Toronto’s Andrés Giménez to end the seventh inning in Game 6 of the World Series on Friday.
(Robert Gauthier / Los Angeles Times)
On Friday, they entrusted him with helping to keep their season alive. They got three critical outs from Wrobleski, who is not even making $1 million this season, and three more from Glasnow, who is making $30 million.
“We got a lot of guys that aren’t making what everybody thinks they’re making, especially down in that bullpen,” Wrobleski said. ”We were talking about it the other day. There’s a spot for everybody. If you keep grinding, you can wedge yourself in.”
He did. He was recruited by Clemson out of high school, then basically cut from the team.
“They told me to leave,” he said.
Did a new coach come in?
“No, I was just bad,” he said. “I had like a 10.3 ERA.”
Glasnow signed with the Pittsburgh Pirates out of Hart High in Santa Clarita. In the majors, the Pirates tried him in relief without offering him a chance to close. Did they fail to recognize a budding bullpen star? “I never threw strikes,” he said. “I just wasn’t that good.”
We’ve all heard stories about the kid who goes into his backyard with a wiffle ball, taking a swing and pretending to be the batter who hits the home run in the World Series.
Glasnow doesn’t hit.
“I’ve had all sorts of daydreams about every pitching thing possible as a kid — relieving, closing out a game, starting in the World Series,” he said. “I thought about it all the time. So it’s pretty wild. I haven’t really processed it, either. I think going out to be able to get a save in the World Series is pretty wild.”
The game-ending double play was reviewed by instant replay, so Glasnow missed out on the trademark closer experience: the last out, immediately followed by the handshake line. Instead, everyone looked to the giant video board and waited.
Eventually, an informal line formed.
“I got some dap-ups,” he said. He smiled broadly, then walked out into the Toronto night, the proud owner of his first professional save. For his team, and for Los Angeles, he had kept the hope of a parade alive.
And Shohei Ohtani is expected to be their starting pitcher.
In what will be just four days removed from his six-plus-inning, 93-pitch start in Game 4 of this World Series, Ohtani will likely serve as the team’s opener in Saturday’s winner-take-all contest, according to a person with knowledge of the situation not authorized to speak publicly.
While Ohtani almost certainly won’t make a full-length start, he should be able to get through at least two or three innings (depending on how laborious his outing is). Four or five innings might not be out of the question, either, even in what will be only his second career MLB outing pitching on three days’ rest.
The only time Ohtani did so was in 2023, when he followed a rain-shortened two-inning start at Fenway Park against the Red Sox with a seven-inning outing four days later.
Saturday, of course, will come under entirely different circumstances, in what will be the first seventh game in a World Series since 2019.
By starting Ohtani, the Dodgers would ensure they wouldn’t lose his bat for the rest of the game, thanks to MLB’s two-way rules. If he were to enter in relief during the game, the only way he could stay in afterward is if he shifted to the outfield (since MLB’s rules stipulate that a team would lose the DH spot under such circumstances). Starting him also eliminates any complications that would come with trying to find him time to warm up if his spot in the batting order arose the inning prior — something that would have made it potentially more difficult for him to be able to close out the game.
Ohtani has completed six innings in each of his three previous pitching appearances this postseason, with a 3.50 ERA and 25 strikeouts in 18 innings.
The Dodgers should have options behind Ohtani. Tyler Glasnow will likely be available after needing just three pitches to get the save in Friday’s wild finish. Blake Snell also said he would be available after his Game 5 start on Wednesday.
In the bullpen, Roki Sasaki figures to be at manager Dave Roberts’ disposal, as well, despite throwing 33 pitches in one-plus inning of work on Friday.
Roberts said everyone short of Game 6 starter Yoshinobu Yamamoto would be available.
