series

All episodes have found a new home on the streaming platform

What some consider as the ‘best series ever made’ that is based on an award-winning novel is now streaming on Netflix.

In the latest significant update for the streamer’s library, all episodes of The Man In The High Castle have been added to the service. While it was originally a Prime Video exclusive released back in 2015, running for four season until 2019.

It is an alternate history period drama, loosely based on the novel of the same name written by Phillip K. Dick. The author was one of the most celebrated sci-fi writers, with many of his works adapted for the screen including into films such as Blade Runner, Minority Report and Total Recall.

The story takes a look at what the world might look like had the outcome of World War II turned out differently. In this dystopian scenario, the Axis powers won the war, leading to the United States being divided into three parts, an area controlled by the Japanese, a Nazi-controlled section, and a buffer zone between the two.

Despite the oppression, a new hope emerges when films turn up that seem to show a different world. A woman believes the films contain the key to freedom and is determined to find their mysterious guardian as she begins to build a network of resistance.

The series was created for television by Frank Spotnitz who previously worked as a writer for The X Files. Alien director Ridley Scott served as an executive producer.

It boasts an 84% rating on website Rotten Tomatoes. One reviewer claimed: “a superb, frightening experience filled with unexpected twists and (some sci-fi) turns.”

A different critic penned: “unlike anything else on television, impeccably acted and packed with vivid, multi-layered characters, gut-wrenching twists and dark, dark moments of human misery”.

It would go on to last for three more seasons and years after the final episode released, many fans still hail it as one of the more superior historical fiction shows. One went so far as to post on Rotten Tomatoes declaring it as “one of the best shows ever made.”

Another added: “a haunting alternative history vision implemented in a extremely authentic fashion.”

While a third confessed how they were hooked upon discovering the series for the first time. They said: “Beyond impressed, stayed up until 2am on a week day… I decided to squeeze in the pilot. Needless to say, seven episodes later I was still watching.”

They continued: “The storyline is incredible. The acting is great. The emotions that it brought out of me was real and raw. It made me appreciate and think differently about the word/idea/concept that we all throw around ‘FREEDOM'” Yes, it’s fictional, and yes it’s just a TV-show, but boy they hit on something, at least in me. I’m beyond impressed!”

Someone else commented: “This is the best series since Breaking Bad. I think every one under the age of 40 needs to see this.”

The Man In The High Castle is streaming on Netflix.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Matt Tebbutt will not return to MasterChef The Professionals after just one series at the helm, it has been reported. He stepped in to replace axed Gregg Wallace

Matt Tebbutt is reportedly not returning to MasterChef The Professionals after just one series at the helm. The TV chef was drafted in to replace Gregg Wallace, who was axed from the show over misconduct allegations.

It has been reported that the popular TV host will not be returning to the BBC professionals series when this one wraps – with just Marcus Wareing and Monica Galetti hosting the show.

Sources claim that the decision for Matt not to return is nothing to do with the presenter and more so because of the closeness with Monica and Marcus, who have been on the show since 2014 bar a brief hiatus for Monica.

“There might be a few eyebrows raised that Matt isn’t staying on given he has just joined. He didn’t do anything wrong and will definitely come back to the series as a guest in the future,” a source told The Sun.

“But bosses simply realised that they could get away with just having Marcus and Monica at the helm, especially as their chemistry is great and they have a tight relationship. Three was a bit of a crowd. Matt has taken it all in his stride and has plenty of other work to keep him busy. The whole experience was brilliant exposure for him.”

A Banijay spokeswoman said: “No decisions have been made yet about the presenting line up for the future series of MasterChef. We won’t comment on speculation.”

When Matt joined the show last year, he described it as an “absolute honour”. Announcing the exciting news, he said: “It’s an absolute honour to be working alongside these two titans of the food world. Their knowledge and uncompromising attitude is now the stuff of legend and I look forward to them taking me under their wing and seeing the chefs get off to a flying start in the competition!”

Matt previously confessed it was difficult stepping into Gregg’s shoes. He explained: “Stepping into someone’s TV shoes is a difficult position to be in. But I did it before – under totally different circumstances, of course – when James Martin left Saturday Kitchen.

“I just try and make my own mark without making too many waves. I’ll be as safe as houses on MasterChef: The Professionals! It’s fair to say the ‘Good Cop’ would apply here. My two grown-up kids, for instance, call me ‘GI Dad’ but the ‘GI’ refers to ‘give in’ rather than the GI Joe reference that I’d hoped they meant. Seriously, though, I think I’ll be pretty fair but expect high standards – after all some of these contestants are at the top of their game.

“It’s all been very exciting and I was very chuffed to be picked for The Professionals. I was pretty surprised to be honest but I think they wanted to get someone with as much experience as possible so they could drop them in at the deep end! And the fact that my name also begins with a ‘M’ maybe helps. A bit of alliteration never hurts.”

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Ellis has returned, bringing back DCI Ellis and DS Chet Harper to investigate a new head-scratching murder.

WARNING: This article contains spoilers from Ellis.

Ellis season two has arrived and it seems that fans have been left saying the same thing about the new series.

When it initially debuted in October 2024, Ellis received rave reviews from Channel 5 viewers as no non-sense DCI Ellis (played by Sharon D Clarke) travels around helping local police forces in need of help with difficult investigations.

So fans couldn’t wait for its return with Ellis debuting its second season tonight, Tuesday, March 10, with the first episode revolving around the murder of a big-hearted businessman.

Peter Barron (James Doran) had launched a new scheme to help young offenders by employing them at a gardening centre but not everyone in the town was happy with the initiative.

It didn’t take long before DCI Ellis and DS Chet Harper (Andrew Gower) were called as Peter was found dead in his home, kicking off this week’s investigation.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Despite its previous popularity, it didn’t take long for fans to complain about the debut episode of Ellis season two.

“I am not as gripped by the new episode so far,” a viewer commented.

Another agreed: “Disappointed. Loved the last series, but this has got off to a rather wooden and uninspiring series two.”

A third echoed: “New to this but it seems very cliched. Will try and stick with it but so far it’s like it has been written from a kit.”

Another wrote: “Don’t really think much this programme,” as someone else posted: “That didn’t really feel like an ‘end of episode one’ scene in #Ellis .

“I suspect this was originally intended to be broadcast as a single two-hour story like the first series, rather than split in two.”

But some were happy to see the drama’s return with a fan writing: “Good to have #Ellis back, I’ve been looking forward to it.”

Ellis season two will consist of four episodes in total with the series split into two different investigations. Fans are going to be able to find out what happened to Peter Barron tomorrow night, Wednesday, March 11. After this, Ellis will return for a new story on Tuesday, March 17, and Wednesday, March 18.

Ellis season two continues on Wednesday, March 11, at 9pm on Channel 5.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

If you are anything like me, you felt pretty out of sorts this week, not sure how to process the news that we are suddenly, apparently, a nation again at war. It can make the movies seem frivolous — a glorious, privileged sandbox to stick your head in — but it is also times like these that make them seem most vital and necessary: a place to focus energy and anxiety and maybe figure things out.

I was particularly struck by something New York Times critic Wesley Morris said in an appearance on the podcast “The Big Picture.” He was ostensibly talking about the downside of the Paramount-Warner Bros. merger news (“These people are f— with our dreams here” is how he began) but he landed on why movies matter in their moment, crucial to “how we develop as a culture, how we come to understand ourselves as a people, what this country ought to or should look like 40 years from now.”

The week’s big new release is Maggie Gyllenhaal’s “The Bride!” a sort-of adaptation of 1935’s “Bride of Frankenstein” starring Jessie Buckley and Christian Bale that is also very much its own thing, purpose-built to drive some people up a tree and already sharply dividing critics.

Christian Bale and Jessie Buckley in the movie “The Bride!”

(Niko Tavernise / Warner Bros. Pictures)

In her largely positive review, Amy Nicholson calls the movie “an unhinged scream,” adding, “‘Every wacky second, you’re well aware how perilously close it is to falling apart at the seams. This spiritual sequel to ‘Frankenstein’ is a romantic tale of obsession, possession and fantasy — adjectives that also apply to its filmmaker, Maggie Gyllenhaal, who expends massive quantities of energy jolting it to life. She succeeds by the skin of her teeth.”

I interviewed Gyllenhaal about “The Bride!” — including the significance of that exclamation point in the title. There have been numerous reports about a back-and-forth between the filmmaker and execs at Warner Bros. and Gyllenhaal didn’t shy away from talking about it. She had specific praise for Pam Abdy, co-chair and co-chief executive of Warner Bros. Motion Picture Group.

“Something really alive was born, and I think the movie is better for the work that she and I did together,” Gyllenhaal told me. “I know that’s an unusual thing to say. I know that you have lots of people saying like, ‘Ah, the studio f— my movie up.’ That is not my experience. It’s really not.”

Louis Malle’s ‘…and the Pursuit of Happiness’

A scene from Louis Malle’s documentary “…and the Pursuit of Happiness.”

(Janus Films)

On Saturday, in a co-presentation of 7th House at the Philosophical Research Society and El Cine, the will be a 16mm screening of director Louis Malle’s 1986 “…and the Pursuit of Happiness,” a documentary made for television that explores the immigrant experience in America. The French-born filmmaker traveled across the U.S. interviewing recent arrivals from all walks of life.

Writing about the film in 1988, The Times’ Kevin Thomas called it “an often amusing and always insightful survey of the contemporary emigre experience. … an irresistible array of vignettes depicting cultural accommodation and assimilation in all its variety.”

I got on a video call this week with 7th House programmer Alex McDonald and El Cine founder Mariana Da Silva to talk about why this movie matters now.

The movie is streaming on the Criterion Channel right now. Why was it important to also put this movie in front of audiences right now?

Alex McDonald: I think Mariana and I are on the same page with this. I never let streaming or home video availability deter programming. Growing up, the theater was a holy place, a cathedral of congregation. I feel like these films are meant to be seen with an audience. And thankfully, I feel like our audience recognizes that as well, even if the film is out there. Particularly in our current moment, it’s a very prescient film and it’s one that will be all the more powerful within community.

Mariana Da Silva: I agree fully. One of the biggest things within our program is the communal aspects — just seeing the same people come back, that trust that develops with the audience. The best part I love about going to movie theaters is standing outside with people I maybe would never speak to and having a conversation about a film.

A scene from Louis Malle’s documentary “…and the Pursuit of Happiness.”

(Janus Films)

Do you respond to a movie like this as a sort of time capsule of how things were, or is it important to you that it is saying something about what’s happening right now?

McDonald: That’s something I’m very conscious of when I program repertory titles. When I program social, politically minded films, a lot of what I’m trying to do is to show that the issues within these things have not really changed — the ways in which things have progressed, the way in which we have regressed. Malle has such a humane view on all of these people in the film. He narrates but he doesn’t really editorialize. He just sort of observes, and in doing so, he’s making the most compelling argument for the richness of diversity and everything that these people contribute to this country, what they lose in assimilation, what they have to give up and what they bring. There’s a complexity to it. There are certainly dissenting voices in it and those resonate differently now.

It wasn’t perfect then. Obviously, there’s always been conflict, but I think there was an open-heartedness that has really shifted. And this is kind of a poignant reminder of what we need to try to get back to and recognize.

Da Silva: If we were able to have these conversations more openly, it would put us all on an even playing field. Humans are flawed. There’s been a lot of miseducation. In this moment, especially for me as somebody who is an immigrant, I feel like there’s so many people who I know who are so liberal and so aware, but then they don’t really understand the experience of the immigrant. And it’s not their fault in any capacity. They just haven’t been exposed to somebody like me before.

I think we can all come together on the things we celebrate, but we also need to be very open and come together on the things that we differ on too.

Points of interest

‘Good Night, and Good Luck’ in 35mm

George Clooney, left, and David Strathairn in the 2005 movie “Good Night, and Good Luck.”

(Melinda Sue Gordon / Warner Independent Pictures)

On Sunday afternoon at the Los Feliz Theater, as part of the American Cinematheque’s ongoing “Sunday Print Edition” series, there will be a 35mm screening of George Clooney’s “Good Night, and Good Luck,” introduced by The Times’ own Rosanna Xia.

Starring David Strathairn as pioneering television journalist Edward R. Murrow at the height of the McCarthy era, the film was nominated for six Oscars, including picture, director, actor and original screenplay.

As Kenneth Turan wrote in his original review, “‘Good Night, and Good Luck’ couldn’t be more unlikely, more unfashionable — or more compelling. Everything about it — its look, its style, even its sound — stands in stark opposition to the trends of the moment. Yet by sticking to events that are half a century old, it tells a story whose implications for today are inescapable. … The son of a TV anchorman, Clooney had the nerve to believe that a drama of ideas could be as entertaining as ‘Desperate Housewives.’ He insisted that a fight for America’s soul, a clash of values over critical intellectual issues like freedom of the press and the excesses of government, had an inherent intensity that would carry everything before it. And it does.”

‘Days and Nights in the Forest’ 4K restoration

An image from Satyajit Ray’s 1970 drama “Days and Nights in the Forest.”

(Janus Films)

Now playing at the Laemmle Royal in a new 4K restoration undertaken by the Film Foundation is Satyajit Ray’s 1970 “Days and Nights in the Forest.” In this examination of masculinity and class, four male friends drive from the bustling city of Kolkata to a rural village, mixing with the locals with volatile results.

In a special video introduction, Wes Anderson, a longtime admirer of Ray, admits he lifted a scene from “Days and Nights” for one of his own films — 2023’s “Asteroid City” — and says, “Anything by Satyajit Ray must be cherished and preserved, but ‘Days and Nights in the Forest,’ I think you will agree, is one of the special gems among his many treasures.”

‘Grease 2’ returns

Michelle Pfeiffer on the set of “Grease 2” in 1981.

(Vinnie Zuffante / Getty Images)

The Cinematic Void series at the American Cinematheque will show 1982’s pastiche musical “Grease 2” on Monday. Directed by choreographer-turned-filmmaker Patricia Birch, the film is, of course, a sequel to 1978’s megahit “Grease” but it is also very much its own thing. Largely dismissed on initial release, it has found a growing following over the years thanks in large part to its extremely engaging young cast, including an on-the-rise Michelle Pfeiffer.

In his initial review (more complementary than one might expect), Kevin Thomas wrote, “There’s so much youthful talent and vitality in ‘Grease 2’ that it’s depressing to discover it is so unblushing and relentless and paean to ignorance. … This is a pity, because Birch displays an organic sense of how to make dance evolve out of the kids’ everyday activities — converging en mass at Rydell High on the first day of school or having fun at the bowling alley. But Birch has scant opportunity beyond letting us know she cares for these ignoramuses, most of who seem likable enough beneath aggressively crude exteriors.”

Anti-fascist films at UCLA

Ingrid Bergman and Charles Boyer in the 1948 drama “Arch of Triumph.”

(Enterprise-UA / Photofest)

The ongoing series at the UCLA Film and Television Archive titled “From John Doe to Lonesome Rhodes: Anti-fascism from the Archive” hits a real stride this weekend for two nights of restored rarities. On Friday comes a restored 35mm print of 1948’s “Arch of Triumph,” directed by Lewis Milestone and starring Ingrid Bergman, Charles Boyer and Charles Laughton in a romantic drama of refugees in 1938 Paris. Also playing is Arthur Ripley’s rare 1944 emigree drama “Voice in the Wind.”

Much of the press around the film at the time of its release had to do with the challenge of bringing the racier aspects of the novel by Erich Maria Remarque (“All Quiet on the Western Front”) to the screen. As producer David Lewis told The Times’ Philip K. Scheuer, “I promise you that as Joan, Ingrid Bergman will set the town on its ear. They’ll never think of her as anything but sexy again.”

Saturday brings the world premiere of the 35mm restoration of Walter Comes’ 1947 “The Burning Cross,” in which a returning veteran is recruited into the KKK. John Reinhardt’s 1948 “Open Secret,” about antisemitism, will also play in a 35mm restoration.

The series concludes next week with a 35mm screening of Elia Kazan’s 1957 “A Face in the Crowd,” starring Andy Griffith in an examination of the dark side of populist politics and media manipulation.

Daryl Hannah is no fan of FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette.” She made that abundantly clear in an op-ed for the New York Times that also criticized the series for what she claims is a misogynistic portrayal of her younger self.

“It’s appalling to me that I even have to defend myself against a television show,” Hannah, 65, wrote in the op-ed published Friday. “These are not creative embellishments of personality. They are assertions about conduct — and they are false.”

A representative for FX did not immediately respond to a request for comment Friday.

“Splash” and “Kill Bill” star Hannah, whose romance with Kennedy in the 1990s made for tabloid fodder before his marriage to Bessette, wrote that the Ryan Murphy-produced project depicted her as “irritating, self-absorbed, whiny and inappropriate.” She wrote that the show also depicted her as a cocaine-loving, selfish obstacle in the way of the series’ late lovers. Kennedy and Bessette Kennedy died in a plane crash in 1999.

These creative choices, she claimed, were “no accident.”

Hannah decried her story being used as a “narrative device” to drive tension in the series and as a result, the series fell into “textbook misogyny” by pitting two women — in this case, actor Dree Hemingway’s Daryl Hannah and Sarah Pidgeon’s Carolyn Bessette — against each other.

The actor, also a filmmaker and advocate for environmental and senior health causes, also distanced herself from the series’ “untrue” depictions of her life, behavior, actions and relationship with Kennedy.

“I have never desecrated any family heirloom or intruded upon anyone’s private memorial,” she wrote. “I have never planted any story in the press. I never compared Jacqueline Onassis’ death to a dog’s.”

“Love Story,” created by Connor Hines, premiered in February with Paul Anthony Kelly starring as Kennedy. Hannah wrote that since the show’s debut, she received many “hostile and even threatening” messages from viewers who believe the series’ depictions.

Before Hannah’s op-ed, Murphy received criticism from Jack Schlossberg, the grandson of John F. Kennedy and nephew of John F. Kennedy Jr. In an interview with “CBS News Sunday Morning,” the 33-year-old political commentator said Murphy “knows nothing” about his family and that the prolific TV creator is making a “ton of money on a grotesque display of someone else’s life.”

While she has often chosen not to address “outrageous lies, crappy stories and unflattering characterizations,” Hannah wrote her “silence should not be mistaken for agreement with lies.” She said she felt compelled to speak out against the series’ depiction of her because continuing her “good work,” including her philanthropic efforts, “requires an intact reputation.”

Hannah said she has respected the Kennedy family’s privacy and, like Schlossberg, condemned “self-serving sensationalists trading in gossip, innuendo and speculation.”

“In a digital era, entertainment often becomes collective memory,” she wrote. “Real names are not fictional tools. They belong to real lives.”

Netflix has added the acclaimed thriller series to its collection, eleven years after the TV show finished up, with all seven seasons now available to binge

Netflix has welcomed a gripping thriller to its library, more than a decade after the television series wrapped up. The streaming giant revealed to subscribers that every season of The Mentalist, headlined by Simon Baker, would be landing on the platform.

Having arrived on Netflix on Sunday, March 1, long-time devotees of the programme can now devour all episodes at their leisure. For enthusiasts of police procedurals searching for their next marathon-worthy series, there are seven full seasons to explore.

Should you be new to the programme, viewers follow the journey of independent consultant for the California Bureau of Investigation, Patrick Jane (Baker). Jane has built a name for himself through unorthodox and unusual investigative techniques, combined with a disregard for standard procedure. Oh, and he also claimed to be a psychic.

Whilst the “psychic” element may be bogus, Jane possesses razor-sharp observational abilities and an exceptional understanding of human psychology to crack cases, reports the Express.

Beyond collaborating on investigations with law enforcement, he exploits his connections within the CBI to track down the mysterious serial killer Red John, who brutally killed his wife and daughter – a storyline forming the backbone of much of the series. Yet his quest for justice isn’t always straightforward.

The debut season appeared to split critics, though it’s lauded for featuring “all of the key components of the perfect crime investigation series,” according to the Pittsburgh Post-Gazette.

The final series, which broadcast in 2015, achieved an 83 per cent overall score on Rotten Tomatoes. Jeff Jensen wrote for Entertainment Weekly about the concluding season: “That hard-working bunch earned their party. I think the show honored the fans who stuck with it and by it. On a personal note:

“My late wife-who loved The Mentalist, who turned me onto the show, who found the show easy to forgive and enjoy after the disappointment of the Red John denouement-would have been very pleased.

“I enjoyed it on her behalf and chose to take the story’s conclusions, as easy and sentimental as they may have been, as a challenge to hope and optimism for a better tomorrow. Jane and Lisbon, thank you for that gift.”

Darragh McManus wrote for The Guardian: “Funny, thoughtful and intricately plotted, The Mentalist is one of the best things to appear on TV in a long time.”

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In its second week of release, the sophomore season of “Paradise” is already at its midpoint. And it just delivered one of the season’s shocking twists with the death of — don’t worry, we won’t spoil it for you.

The post-apocalyptic drama, which dropped its fourth episode this week, has ventured outside bunker life this season as our Secret Service protagonist Xavier (Sterling K. Brown) continues his journey through Atlanta to find his wife — and now, he’s got a baby to keep safe in the process. Meanwhile, back inside the idyllic simulated town in the depths of Colorado, which anchored the first season, things have started to unravel and the fight for control intensifies. And the mastermind behind it all — Samantha “Sinatra” Redmond (Julianne Nicholson), the tech billionaire who set up the bunker town after a massive catastrophe threatened the extinction of the human race — isn’t MIA anymore. Last seen unconscious in a hospital bed after being shot, she’s awake and ready to regain order and control. Nicholson stopped by Guest Spot to talk about what she finds intriguing about her character’s motivations.

Also in this week’s Screen Gab, our recommendations include an ever timely reminder from Anthony Bourdain on the gift and privilege of discovering a new culture and engaging it without judgment, as well as a suburban noir starring a trio of TV heavyweights that spins middle-age malaise, swinging and murder into an addictive tale.

Read on. Then press play and give your thumb a break from all the fast-forwarding you did while watching the wedding episode of this season’s “Love is Blind.” See you next week.

— Yvonne Villarreal

Turn on

Recommendations from the film and TV experts at The Times

Anthony Bourdain visits Havana in 2015 for an episode of “Anthony Bourdain: Parts Unknown.”

(David Scott Holloway / CNN / Turner Entertainment)

“Anthony Bourdain: Parts Unknown” (HBO Max)

It was Bourdain’s masterpiece, the last and best of his several series, and arguably the greatest travel show ever. Bourdain will occasionally fetch up at some fancy eatery, but the heart of any cuisine is formed on the street, or in the country, or along the sea. As a story of how people live, with a good bit of historical context thrown in, the series is explicitly and implicitly political, philosophical and autobiographical; Bourdain has no time for bigots, fascists or bullies — or, one would imagine, McDonald’s cheeseburgers — but he revels in complexity and contradiction. (See Season 4, Episode 6, “Iran.”) The episode on Massachusetts encompasses clambakes and heroin. “I visited and learned to love many places not my own,” says the host, “cultures and beliefs very different from the Upper East Side of Manhattan.” They include, among many other places, Cuba, Ethiopia, Beirut, Buenos Aires, Hanoi, Sri Lanka, Puerto Rico, Scotland, Borneo, Los Angeles and Hanoi, where he sits down with then-president Barack Obama in a family-run noodle shop. Gorgeously filmed, the series can be heartbreakingly beautiful, and sometimes plain heartbreaking. There are 12 seasons running from 2014 to Bourdain’s death in 2018, and I can’t help but believe that anyone who watches them attentively will come out a better person. — Robert Lloyd

Jason Bateman, Linda Cardellini and David Harbour in “DTF St. Louis.”

(Tina Rowden / HBO)

“DTF St. Louis” (HBO Max)

The true-ish crime series about a deadly love triangle is so wonderfully twisted and unexpectedly deep, it’d be criminal to miss this dark comedy starring David Harbour, Jason Bateman and Linda Cardellini. Initially inspired by a real scandal (covered in the 2017 New Yorker article “My Dentist’s Murder Trial: Adultery, False Identities, and a Lethal Sedation”), it evolved into something else. Set in the suburbs of St. Louis, the seven-part series follows fastidious local news weatherman Clark (Bateman), the TV station’s guileless sign language interpreter Floyd (Harbour) and Floyd’s calculating wife, Carol (Cardellini), as each grapples with a middle-age identity crisis. Seeking to spice up their sex life, the men join the discreet, eponymous hook-up app, and one of them ends up dead. Solving this peculiar whodunit is anything but predictable, and the case consumes seasoned detective Homer (Richard Jenkins) as well as young crimes officer Jodie (Joy Sunday). But it’s the quest for connection among all these misfit characters, including Floyd and Carol’s troubled son Richard (Arlan Ruf ) and an unlikely hookup (Peter Sarsgaard), that makes this series so powerful. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Julianne Nicholson as Sinatra in a scene from Season 2 of “Paradise.”

(Ser Baffo / Disney)

If you see Nicholson on screen, you know things are about to get good. She consistently and compellingly delivers strong performances in some of your favorite films and TV shows, whether she’s expressing both quiet strength and palpable desperation as a mother in “Mare of Easttown” or bringing comedic pizzazz as a social media star in “Hacks.” Her latest captivating performance, in Hulu’s “Paradise,” brings power to a complicated character. She plays Samantha “Sinatra” Redmond, a deeply emotional and eerily ruthless billionaire mastermind responsible for the underground bunker city that grounds the series. Driven by the intense grief of losing a son and a desire to control her environment to protect her family, the character is faced with trying to regain order of the simulated utopia after tension and chaos erupts. Over email, Nicholson shared her thoughts on the morally ambiguous character and the Dustin Hoffman film that brings her comfort. — Yvonne Villarreal

Sinatra is not the usual “villain” in a post-apocalyptic story. Despite her approach, there is an altruistic motive, at least initially, that drives her actions. Which version of her fascinates you the most: pre-global disaster Samantha, who is trying to figure out a way to protect her remaining family, or post-apocalyptic Sinatra, who is closer to facing a reckoning in the aftermath of what she’s created?

I am especially interested in Sinatra after she wakes from the coma. Finding the balance between vulnerability and control. Taking back her power while also recognizing no amount of it or money will necessarily keep herself/her family safe. And then the idea that the bigger picture she’s been working towards the whole time may actually be coming true with the introduction of Link [Thomas Doherty], and who he may be to her, cracks her wide open.

There have been real-life assessments of the power billionaires wield and their influence in the White House — those figures are primarily men. How have those conversations shaped your performance or how you think about the power dynamics of “Paradise’s” fictional world?

I love that Dan Fogelman wrote the most powerful person in the room as a woman. Normalizing women in power can only be a good thing. Even if we don’t necessarily agree with her tactics, she sure is fun to play. I love her take no prisoners/no apologies attitude.

This season Sinatra wakes from her coma and faces a new obstacle in Jane (Nicole Brydon Bloom). What intrigues you about how they play off each other and how Sinatra is navigating the threat Jane may pose?

One of the most fun scenes to play in Season 2 was when Jane is trying to find out what Sinatra remembers of the shooting. The wonderful director, Ken Olin, really encouraged us to make a cat and mouse game of it with neither giving anything away. And I love we don’t ever find out what Sinatra remembers. I think it’s a real case of keep your friend close here. Sinatra realizes Jane is much more valuable as an ally than an adversary.

In “Paradise,” Sinatra (Julianne Nicholson), left, was last seen in a coma after being shot.

(Ser Baffo / Disney)

You delivered a brilliant performance in Season 4 of “Hacks” as TikTok sensation “Dance Mom.” What’s a memory that stands out from filming those scenes? And did you find yourself giving a dance lesson on the set of “Paradise”?

I loved every moment of working on “Hacks.” I loved having dance/choreography sessions with Cory Baker in the run up to filming and the utter absurdity of the “boofing” scene. I also almost lost it when DM was passed out on the stoop on Wisteria Lane and Jimmy [Paul W. Downs] and Kayla [Megan Stalter] come driving around in the golf cart looking for her and shouting, “Dance Mom!” That name alone is so funny to me. Alas, there were no dance lessons in “Paradise.”

What have you watched recently that you are recommending to everyone you know?

I was blown away this year by the film “Sirât.” I recommend but also warn as it is a deeply affecting, intense film and not for the faint of heart. I love its exploration of a world I know nothing about (a traveling rave culture set in Morocco), the humanity in it and the real faces and performances of the actors. [And] its originality and bravery.

What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?

“Tootsie” is one of my favorite films and I can watch that any time. It’s partially nostalgic as I remember watching it in the theater when it came out and I was so taken with NYC at that time. The tall buildings, yellow cabs and hustle and bustle. It’s such a smart comedy with brilliant performances across the board, starting with Dustin Hoffman but each actor is as perfect as the next! So much heart and depth without ever taking itself too seriously. And just very, very funny.

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The saga of “A Court of Thorns and Roses” will continue.

Author Sarah J. Maas announced on Alex Cooper’s “Call Her Daddy” podcast Wednesday that two new books will be released in the hugely popular romantasy series, ending a five-year drought since the fifth installment, “A Court of Silver Flames.” The sixth book will be published on Oct. 27, 2026, and the seventh on Jan. 12, 2027.

“It took me a while to find the right story and to be in the right headspace. And then, like what poured out of me was this and it poured out very quickly,” the author told Cooper. “The story that was finally ready to come out of me was big. Really, really big.”

Maas first teased the sixth book on Instagram in July, with the caption “First drafts DONE” on a video that drew nearly a million likes.

Maas did not share details about the book titles, cover art or whose point of view the stories will follow, but did mention that the character’s perspective was “one of the surprising things” for her while writing.

On Instagram, Maas thanked her fans for their patience, passion and “never letting the world fade.”

“I know how long you’ve waited. I know how much these characters mean to you. And I also know these stories deserve more than speed and deadlines. They deserve my best self. They deserve the right moment,” Maas wrote. “I’m so honored by the way you guys have always embraced Prythian as your own. I truly hope it feels like coming home for you like it did for me.”

The first installment of the “A Court of Thorns and Roses” series was released in 2015, but the franchise gained popularity on BookTok — a TikTok subcommunity dedicated to literature — during the COVID-19 pandemic. The books follow Feyre Archeron in the faerie lands of Prythian and her love story with the High Lord of the Night Court, Rhysand.

Maas has sold more than 70 million English copies between her interconnected “Throne of Glass,” “A Court of Thorns and Roses” and “Crescent City” series, according to her website. Maas is a major player in the romantasy — a portmanteau of romance and fantasy — genre, which has soared in popularity on TikTok.

“This is going to sound silly, and you probably won’t believe me, but just talking about things like legacy is beyond for me,” Maas told Cooper. “I’m still very much that girl in middle school or high school sneaking off to watch anime or drool over Legolas and getting to go play in these worlds in my head and do the thing that makes me come alive every day, that’s incredible.”

The beloved period drama has been hailed by audiences online and compared to Downton Abbey and Sherlock Holmes

Fans of period drama have been met with bittersweet news following the recent confirmation that a cherished series will be making a comeback – but for one final outing only.

This announcement follows previous excitement surrounding a WWII film due for release later this year and a Netflix period drama series drawing comparisons to HBO’s Chernobyl, reports the Express.

The costume drama has previously earned acclaim from one IMDb reviewer who described it as “One of the best”. They highlighted how the lead performer was an “absolute master at facial expressions”.

They continued: “IMHO this series continues to get stronger and is one of the best things produced for network TV. I am hoping this will be as long lived as some of the classic British shows like Vera and Silent Witness [sic].”

Another viewer wrote in their 10/10 assessment: “A wonderful TV detective story that bridges 21 century sensibilities with the horrible conditions of Victorian England, with its pollution, gender and class inequalities, poverty, etc.”

They further commended the programme: “What truly makes this show exceptional are the costumes, the sets, the great chemistry between the two protagonist, and the relationships amongst the other characters that slowly develops throughout the six episodes [sic].”

A third 10/10 review declared: “Fresh look, captivating plot, beautifully portrayed characters, real feel of old atmosphere, close attention to detail.”

The admirer revealed they were “totally hooked” by the production.

A third glowing review, titled “Amazing period piece”, saw the reviewer enthuse: “I joined PBS for this great masterpiece.

“The tension between the lead actors keeps me coming back for more. In this Downton Abbey meets Sherlock Holmes drama, each episode brings a more compelling reason to keep coming back for more.”

Miss Scarlet is set to wrap up after its upcoming seventh season, having first graced our screens in 2020.

The series features Peaky Blinders actress Kate Phillips in the starring role of Eliza Scarlet, the first female detective in Victorian London.

Not only has Miss Scarlet been solving mysteries, but she’s also been shattering the glass ceiling with her work throughout the city.

In a statement obtained by Deadline, the show’s creator Rachael New expressed: “Making Miss Scarlet has been the greatest joy of my professional career.

“Every stage of this beautiful show – from the writing, filming, editing and finally it reaching the screen – it has taken a whole village. A village of exceptionally talented people.

“From the wonderful exec team who first saw the potential in this story, to my brilliant writing partner Ben Edwards, the Belgrade production team, the Dublin post team and not least to our remarkable cast led by the magnificent Kate Philips, it has been a collaborative and beautiful experience.

“I’m very proud of how the final season plays out and the story we tell for Eliza.”

She added: “It’s a wrench to say goodbye to a character that I have lived and breathed for all these years, but Eliza will forever be with me whether on screen or off.”

Meanwhile, leading actress Phillips remarked: “What a journey this has been. Miss Scarlet has been one of the greatest joys of my career, and I will forever be grateful to Rachael New for creating such a witty, sharp, and delightful character in Eliza.

“It’s been a privilege to work on a show crafted with so much love and dedication and as we prepare to say goodbye, I’m so proud of what we’ve achieved and the memories we’ve made.

“Thank you to everyone who has supported us – I can’t wait to share the farewell Miss Scarlet deserves.”

Alongside Phillips, Miss Scarlet – formerly known as Miss Scarlet and the Duke – also features Tom Durant-Pritchard, Paul Bazely, Tim Chipping, Evan McCabe, Felix Scott, Cordelia Bugeja, and Ansu Kabia.

Production is currently underway in Serbia on series seven’s final six episodes of the drama.

Miss Scarlet is available to stream on UKTV’s U.

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Adrian Dunbar, who has played Superintendent Ted Hastings in Line of Duty for years, has starred in the lead role of Alex Ridley in the ITV detective series since 2022

Popular crime drama Ridley — which stars Adrian Dunbar — has been scrapped despite top ratings, it is reported.

The ITV series sees Dunbar play the title role, a retired Detective Inspector turned police consultant and regular jazz club singer, and has drawn in viewers since 2022. Bronagh Waugh and Georgie Glen have also had regular roles across the two seasons.

But there will be no more, according to reports today. ITV has reportedly decided to shelve the programme, filmed across Lancashire and the Yorkshire Dales.

An ITV spokesman said: “There are currently no plans to return to Ridley. We’d like to extend our thanks to creator and writer Paul Matthew Thompson, executive producer Jonathan Fisher and the team at West Road Pictures for producing two successful series.”

READ MORE: Loose Women star Kaye Adams ‘axed by BBC over behaviour’ as pal claims ‘stitch-up’READ MORE: Martin Compston’s wife puts him on drastic diet ahead of Line Of Duty comeback

It is a fresh blow for Dunbar, 67, following years of uncertainty around the future of Line of Duty. The actor, born in Enniskillen, County Fermanagh, had hinted he hoped Ridley would return. Speaking in an interview in August last year, Dunbar said: “The programme did very good numbers when it was shown in America and I know that PBS [the US’s Public Broadcasting Service], who part-financed Ridley, would like us to film another series.

“There’s definitely more to be said about Alex Ridley, his troubled life and the team of detectives with whom he works, and I would love to film more.”

But The Sun says this unlikely. The publication reports the programme had received top reviews and, since the last series ended in the autumn of last year, there had been hints it would come back.

Dunbar’s uncertainty around Line of Duty finally vanished late last year though when it was confirmed the popular police drama would return for a seventh season. In November last year, a source said: “Although this has been discussed at length since the unsatisfactory ending of series six in 2021, it’s still going to create huge excitement when the Beeb makes the announcement.

“It’s one they’ve been preparing to make for weeks, but they’ve been trying to pick the right moment, since The Celebrity Traitors has been hogging quite a lot of limelight recently.” They added: “And the BBC very much view Line Of Duty as one of the jewels in its crown that they want to deliver with some fanfare.”

Martin Compston played DS Steve Arnott in the show, which came to an end when his character and his team discovered the identity of “H”. He last year also shared details on whether viewers can expect more from the series.

LONDON — Sherlock Holmes and James Moriarty are notorious literary foes, but in “Young Sherlock” the duo make the unlikeliest of friends. The Prime Video series premiering Wednesday reimagines the fictional detective’s early years as he investigates a murder case that originates at Oxford, where he first meets his eventual antagonist. Their relationship is the basis of the first season, and in the hands of actors Hero Fiennes Tiffin and Dónal Finn, it’s particularly electric.

“I was always interested in the Moriarty character because he’s a hugely iconic villain,” says showrunner Matthew Parkhill. Guy Ritchie, who directs and is an executive producer on the series, tapped him to expand on an idea for a show that revealed Sherlock’s evolution into the detective we know and love.

“He’s mentioned in four books, but he’s only ever in one,” Parkhill adds, speaking from London’s Rosewood Hotel during a press day in late February. “Why are these guys such great enemies? If a great friendship turns sour, it can become a great rivalry. But the story is basically going to be how this incredible friendship unravels.”

Tiffin, who previously worked with Ritchie in 2024’s “The Ministry of Ungentlemanly Warfare,” auditioned to play Sherlock while on vacation in Thailand. Parkhill responded to the “sense of innocence and wonder” Tiffin brought to the long-established character, who is 19 during the events of this season. After being cast, he did a series of chemistry reads with several actors up for Moriarty. Finn had been one of the last tapes Parkhill had watched, but the showrunner was immediately captivated by his “magnetism and intensity and charm.”

“Very quickly it became apparent that there was this energy and the chemistry they had together,” Parkhill says. “For me, they’re two sides of the same coin. What we’ll explore if we get to carry on even more is why one chooses one path and one chooses another. Dónal had a charm and these flashes of darkness.”

In “Young Sherlock,” Moriarty (Dónal Finn), left, and Sherlock (Hero Fiennes Tiffin) become friends at Oxford.

(Daniel Smith / Prime)

Both actors could feel it as well. “When Dónal came in within 2½ seconds I realized I need to bring my A-game because he was going to make me look bad otherwise,” says Tiffin, 28, speaking alongside Finn at the Rosewood later that day. “Once we started filming, we were on the same wavelength. We weren’t coming in and trying to go toe-to-toe and test each other, but we were collaborating and working towards the same goal.”

“The most dramatic version of this show was if an unstoppable force meets an immovable object and there’s an equality in what they do,” adds Finn, 30. “That required both of us to make each other look as good as we could.”

“Young Sherlock” is inspired by but not based on Andrew Lane’s “Young Sherlock Holmes” book series. Although it sees Ritchie returning to the world of Sir Arthur Conan Doyle, the show is not a prequel to the director’s 2009 film “Sherlock Holmes” nor its 2011 sequel, which starred Robert Downey Jr. as the titular character.

“This is a different universe,” Parkhill confirms. “They are cousins in terms of tone. But Guy’s not the same director he was when he made those. The things he was interested in exploring now were also different. But we wanted the show to have that same irreverence.”

He adds, “The most basic thing for me was: What makes him become this person? He’s on the cusp of trying to find his place in the world and his sense of self, which makes it an interesting period of his life to explore.”

“When Dónal came in within 2½ seconds I realized I need to bring my A-game because he was going to make me look bad otherwise,” says Tiffin, right, posing with Finn.

(Evelyn Freja / For The Times)

The eight-episode series opens with a flashback to Sherlock’s childhood, revealing the loss of his sister Beatrice. Her death has sent a ripple effect through his family — his mother, Cordelia (Natascha McElhone), is in an asylum and his father, Silas (Joseph Fiennes), has departed. Sherlock himself has been incarcerated, much to the dismay of his older brother Mycroft (Max Irons), a civil servant who pulls a few strings to get Sherlock out of prison. Sherlock accepts a job as a servant at Oxford, where he meets Moriarty. The pair investigate a murder at the university involving Princess Gulun Shou’an (Zine Tseng), which eventually is far more complex than they could have imagined.

“The plot has got to be clear enough that the audience can go on this journey with us, but difficult and mysterious enough that Sherlock doesn’t guess it straight away,” Finn says. “I have a great admiration for Matthew for managing that, and also giving each character a role to play in that journey.”

One of those characters is Silas, Sherlock’s adventuring father who doesn’t appear until the end of Episode 4. Parkhill approached Fiennes, Tiffin’s uncle, to play the role.

“When I sat down with Matthew, I thought, ‘Oh, God, is this a gimmicky thing of getting family members?’” says Fiennes in a separate interview. “But I quickly felt, ‘No, it’s not.’ It felt very natural and it’s a gift to play family members with family. Actors are always trying to research and unearth and unpack to get to that state, but we could walk on set and already have that.”

Tiffin and Fiennes hadn’t previously worked together, but they found a rhythm quickly when Fiennes arrived a few months into production in Wales. Episode 5, a chapter of the saga that pits Sherlock against his father and reckons with their history, felt like a real moment of collaboration.

Joseph Fiennes plays Sherlock Holmes’ father, Silas, in “Young Sherlock.” The actor is Tiffin’s uncle: “It felt very natural and it’s a gift to play family members with family.”

(Daniel Smith / Prime)

“We were four months into shooting, so I’d built this confidence up, and then Joe comes in and I shrunk back into the shell of myself,” Tiffin says. “I’d love to put it down to acting, but that’s definitely my relationship with Joe seeping through. It’s good because Silas has been absent in Sherlock’s life for a while, and Sherlock wants to please and impress him too.”

He describes an “unspoken, innate, really deep, almost inaccessible thing” between himself and his uncle. “When I opened the doors at the end of Episode 4 and see Joe, I’ve opened my front door at my parents’ house when he’s come over for dinner when I’m 6 years old,” Tiffin says.

Ritchie directed the first two episodes and then handed off the reins, but his signature style is infused through the series. It has a contemporary bent despite the 1870s setting, with modern music used as the soundtrack. It’s full of action and momentum, much like Ritchie’s “Sherlock Holmes” films, but here the character is still finding his footing. When we meet Sherlock, he’s not an established detective and he has no idea how to properly fight.

“I do have to admit from watching Robert Downey Jr. in Guy Ritchie’s movies, especially as a young boy, he was the epitome of cool,” Tiffin says. “So it was a complete surprise to me that my Sherlock was not just going to not be able to fight, but was terrible at defending himself. ”

Moriarty, however, is far better equipped, teaching Sherlock how to defend himself. Finn relished working with Ritchie, whose fight scenes are a signature of his work.

“They’re brilliant, but he knows that we see fight sequences every day and wants to make them special,” Finn says. “He knows how to sprinkle them with humor or to film them in a way you don’t expect.”

“I do have to admit from watching Robert Downey Jr. in Guy Ritchie’s movies, especially as a young boy, he was the epitome of cool,” says Tiffin about the “Sherlock Holmes” films.

(Evelyn Freja / For The Times)

“They’re also not one-dimensional,” Tiffin adds. “The fight always informs something. It’s never just two people fighting.”

Tiffin had a lot of previous iterations of Sherlock to draw from, as well as the novels themselves. He visited the Sherlock Holmes Museum in London ahead of shooting. He pulled from his longtime love of Downey’s portrayal, but he wanted to make the character his own.

“A big thing for us was making sure that our characters show signs of becoming the characters who are fully developed in Conan Doyle’s works,” he says. “They need to be close enough, but still have room to grow. Sherlock hasn’t been exposed to the hardships of the world yet, so he still has this youthful energy. If we get more seasons, we will see Sherlock lose that.”

There are fewer cinematic touchpoints for Moriarty, although Andrew Scott famously played him in the BBC’s adaptation alongside Benedict Cumberbatch. Finn had a photograph of Scott on his wall during drama school.

“It’s hard not to be inspired by what people have done before you, but you also have to draw the line somewhere,” Finn says. “And these aren’t iterations of the characters we’ve seen before. We have the opportunity to map out what events or what choices they make that shape the person we know.”

There are nods to the more established versions throughout the series, including Sherlock picking up his iconic hat in a shop and Moriarty rejecting it. Several of Sherlock’s famous lines from the novels are actually spoken first by Moriarty, who repeatedly emphasizes that he is not a sidekick but an equal.

“There are these great moments when these characters have left a mark on each other,” Finn says. “If you’re a fan of the Sherlock Holmes canon, you’ll notice them.”

“Its so fun and interesting planting those seeds,” Tiffin adds. “Not only is it fun to explore in our story, but it makes you understand Conan Doyle’s works in a different way and enriches that. Everything about the idea of Moriarty and Sherlock being enemies is enriched by the idea that they were once friends.”

“There are these great moments when these characters have left a mark on each other,” Finn says. “If you’re a fan of the Sherlock Holmes canon, you’ll notice them.”

(Evelyn Freja / For The Times)

There are a few glimmers of Moriarty’s future sensibility, although for the most part Sherlock and Moriarty remain steadfast pals. For Fiennes, this “bromance” is the heart of the story alongside the familial dynamic between Sherlock and Silas.

“You get these two incredibly intelligent misfits who are out of joint with the social world that they’re in,” Fiennes says. “Oxford, the mothership of intellect, is devoid of spirituality, and these two misfits have this spirit we love. We want to hang with them because of their mischievous nature. We know it will all come crashing down and feed into the characters we know later.”

“They are both looking for some sense of connection,” Finn adds. “And so it makes the friendship a really true friendship. It’s rare for both of these characters to feel that they find someone who is an intellectual match. It enriches the idea that when there is a rivalry it’s not just because of opposing moral views. What if it’s driven by revenge or heartbreak or betrayal?”

Parkhill has mapped out several potential future seasons of “Young Sherlock.” The finale concludes with a cliffhanger and a possible new mystery. The showrunner plans to take the show as far as 1887’s “A Study in Scarlet,” the first of Doyle’s novels, and then pass the baton back to literature.

“We will never go past that book, which psychologically gave me a freedom I needed to do this series,” Parkhill says. “We’re aware of the stories, but we used them as a playground in which to play instead of drawing from them directly.”

“We’ve shown signs of them eventually being able to become these more developed characters that Doyle established, but we need to document that journey,” Tiffin adds. “I will never feel complete until I can finish that journey and arrive at 221b Baker Street and meet John Watson and draw a line through the word ‘young.’”

Silent Witness star David Caves has hinted at the BBC crime drama’s future after the latest series concluded

Silent Witness star David Caves has dropped a hint about the future of the show as the current series concluded.

The 29th series of the BBC crime drama, which centres on a team of pathologists probing mysterious deaths, finished on Tuesday night (March 3) with a nail-biting episode where Dr Nikki Alexander (Emilia Fox) found herself in peril after being drugged.

The programme has been a huge success with audiences and has been airing since 1996, so fans are hopeful for a 30th instalment, reports the Express.

As the final episode aired, David – who portrays Nikki’s spouse and colleague Jack Hodgson – gave a clue on X (formerly Twitter), posting: “Can’t believe that’s it for another series. To everyone who has watched and supported – thank you!”

“Here’s to the stories we’ve told – and to those still to come…” he added, tagging co-stars Emilia, Francesca Mills and Maggie Steed.

The latest series of the show kicked off in February and has featured several gripping tales including two-part finale Shame, which began on Monday (March 2).

It saw the team investigating what seemed to be the suicide of a British-Chinese pro-democracy activist, whose body was found floating in a lake.

However, as Nikki and Harriet Maven (Maggie Steed) delved deeper into the woman’s fate, evidence started to suggest something far more sinister had transpired and it became evident that things were not as they appeared.

There has already been a hint that Silent Witness is poised for a 30th series, after a photo emerged last month showing some cast and crew seemingly on location.

The image was posted on Instagram by Bodenham Arboretum in Worcestershire, accompanied by a caption which read: “For those of you who have visited Bodenham in the last two weeks you may have wondered what was going on… cryptic signage, trailers, security etc, occupying two of our car parks… well now all can be revealed..

“Bodenham had the privilege of being chosen as the BBC drama’s Silent Witness base camp whilst filming locally for the 30th series.”

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Silent Witness airs on BBC One and is available on BBC iPlayer

The blood of the dragon is headed to the big screen.

A “Game of Thrones” movie is in development at Warner Bros. written by “House of Cards” showrunner Beau Willimon, The Times has confirmed. According to Page Six, which first reported Willimon’s involvement, the “Andor” alum has already submitted a first draft.

While details of the plot have yet to be confirmed, the film will reportedly center Aegon the Conqueror, who was the first Targaryen monarch to sit atop the Iron Throne in the world of George R.R. Martin’s “A Song of Ice and Fire” series. According to the Hollywood Reporter, HBO is also developing the story of Aegon’s conquest of Westeros as a potential drama series.

King Aegon I is the Targaryen who started it all. Around 300 years before the events of “Game of Thrones,” the dragonlord led a campaign, with his sister-wives Visenya and Rhaenys, to conquer six of the seven kingdoms of Westeros. He was the first ruler of the unified realm and launched the Targaryen dynasty.

His descendants revere Aegon the Conqueror so highly that he has numerous prominent namesakes. King Aegon II, whose controversial coronation is what sparked the Targaryen civil war known as the Dance of Dragons, is a key character in the “Game of Thrones” prequel series “House of the Dragon” (portrayed by Tom Glynn-Carney). In “A Knight of the Seven Kingdoms,” adapted from Martin’s “Tales of Dunk and Egg” novellas, young Egg (Dexter Sol Ansell) is revealed to be the missing prince Aegon Targaryen. Even “Game of Thrones” eventually revealed that the show’s beloved Jon Snow (Kit Harrington) was a Targaryen named Aegon.

Other previously reported “Game of Thrones” spinoffs in the works include an animated project about “House of the Dragons” character Corlys Velaryon, also known as the Sea Snake.

The third season of “House of the Dragon” will premiere in June.

THE quiet town of Burnham-on-Crouch in Essex is set to be a TV star.

ITV presenter Josie Gibson was seen filming at the pretty destination on the Dengie Peninsula last week known for its top-tier sailing scene and fresh seafood.

Josie, along with a film crew, were seen at various different spots in Burnham-on-Crouch, which sits on the River Crouch.

The town that is just an hour outside of London was called “wonderfully understated” by The Telegraph and it even questioned whether it’s “the most peaceful town in England.”

While it might be quiet on land, Burnham-on-Crouch has a busy harbour, as well as a quayside, boat-building yards, listed buildings and sailing clubs.

Thanks to its location and popularity within the sailing circle, Burnham-on-Crouch is nicknamed ‘Cowes of the East Coast’.

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£9.50 holiday spot with shipwrecks, seals offshore & horseshoe-shaped waterfalls

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Best pubs, fish and chip shops and cafes in Sussex – by Sun readers & locals

This is after the world-renowned Cowes on the Isle of Wight which is the “Yachting Capital of the World”.

Throughout the year are sailing events, but what Burnham-on-Crouch is most famous for is Burnham Week.

The major sailing regatta is held every year at the end of August with plenty of competitive racing for various yacht and dinghy classes.

This year it will kick off on August 29 until September 5, 2026 – and it is a major week in the sailing calendar.

Last week though, the TV crew were spotted on dry land filming outside The Cabin Dairy on the High Street.

The cafe has been in operation since the 1990s, serving up breakfast, brunch, sandwiches, toasties, tea, coffee and ice cream.

Another spot that was seen in front of the camera was The Quarterdeck restaurant.

The seafood restaurant and bistro bar sits on the waterfront, serving dishes like the seafood board with Maldon cured smoked salmon, crevettes, pickled roll mops and anchovies.

Of course you can pick up fish and chips too, as well as a Sailor Sandwich with fish goujons, and oysters.

For oyster fans, check out Burnham Seafood and Oyster Bar which is a fish stall open on Fridays, Saturdays and Sundays.

Here, locals can pick up top quality seafood from lobsters to crab, and of course, oysters.

Seafood is a big part of the town’s history as it used to be a thriving oyster port.

In the 19th century, the River Crouch was filled with oyster beds, which were then harvested and traded into London and across Europe.

Next door to The Quarterdeck is Harbour Delights, an American retro diner that serves up tasty drinks and desserts.

You can choose from ice cream sundaes, Belgian waffles, bubble tea, milkshakes, and enjoy a coke float.

One place the crew weren’t seen filming at, but is a Burnham hotspot is the Jolly Fryer.

The fish and chip shop in previous years was voted as the Best Chippy in Essex.

You can pick up a medium cod for two with large chips and either curry sauce or mushy peas for £21.99.

As for what’s nearby, from certain points in the town you can see across the river to Wallasea Island which has been turned into a nature reserve.

Visitors can visit by ferry, which will cost around £5 each way, to see wading birds as well as rare butterflies.

For wine fans, head to family-run Clayhill Vineyard which makes Bacchus (often referred to as England’s answer to Sauvignon Blanc) and chardonnay.

One Sun Writer who visited said: “I particularly loved the English sparkling wine and at £19 per bottle it’s much cheaper — and in my opinion nicer — than champagne.“

The vineyard has views of the River Crouch, and has a small cafe for lunch, tea and cake – and you can taste its wine here too.

For train enthusiasts, head to nearby Mangapps Railway & Museum which is a working railway and museum on a farm in Burnham-on-Crouch.

It has a three-quarter mile passenger line with restored stations, signal boxes, and visitors can go on as many train rides as they like with their ticket.

One visitor on Tripadvisor wrote: “Nice little museum. Lots of different trains and even a well-kept, older station where you can enjoy a small ride on an old train.”

It’s open on weekends between 11.30AM to 5PM. Ticket prices are £15 per adult, £8 per child and under three’s go free.

For anyone who is a fan of The War of the Worlds by H.G. Wells, then you might want to head up to Tillingham.

Fans of the book will know that village is where the narrator’s younger brother escapes to when London is invaded by Martians.

Burnham-on-Crouch is served by the Crouch Valley branch line.

From London Liverpool Street, it can be reached in just over an hour with one transfer at Wickford.

This Essex town has been called a ‘Cotswolds alternative’…

Senior Consumer Reporter Adele Cooke visited Saffron Walden…

She said: “Its Saturday market is often a place to spot TV chef Jamie Oliver. We admired the great artisan stands, but sadly didn’t spot Jamie.

“Coffee in hand, we took a stroll to St Mary’s Church, which dates to Norman times and is still the tallest building in Essex with its spire topping out at 193ft. Then it was on to Bridge End Gardens and its maze –  before a pint at the Cross Keys Hotel, also known for its great food.

“The fun continued with a visit to one of Essex’s Tiptree tea rooms. I knew Tiptree as the makers of tasty jams, often served in little jars at posh hotels.

“We got the day off to the best of starts at Tiptree’s Courtyard tea room in Saffron Walden with their traditional breakfast, a Full English complete with tasty local sausages, bacon, egg and even some traditional Tiptree brown sauce.”

For more on Essex, Britain’s smallest town named one of the coolest spots in the country with cosy pubs and coastal walks.

And this pretty village is regularly named ‘UK’s most beautiful’ is a perfect weekend break.

The day after he saved the Dodgers’ season, Will Klein was hungry. He ordered from Mod Pizza.

He drove over to pick up his order. The guy that handed him the pizza told him he looked just like Will Klein.

“You should just look at the name on the order,” Klein told him.

Chaos ensued.

“He actually started screaming,” Klein said. “He just started flipping out, which was funny.”

Thing is, if it were two days earlier, the guy would have had no idea what Klein looked like. Neither would you.

On Oct. 26, Klein was the last man in the Dodgers’ bullpen, a wild thing on his fourth organization in two years, a last-minute addition to the World Series roster.

On Oct. 27, the Dodgers played 18 innings, and the last man in the Dodgers’ bullpen delivered the game of his life: four shutout innings, holding the Toronto Blue Jays at bay until Freddie Freeman hit a walk-off home run.

Dodgers pitcher Will Klein celebrates during the 16th inning of Game 3 of the World Series against the Toronto Blue Jays at Dodger Stadium on Oct. 27.

(Mark J. Terrill / Associated Press)

When Klein returned to the clubhouse, Sandy Koufax walked over to shake hands and congratulate him.

That was Game 3 of the World Series. The Dodgers, the significantly older team, slogged through the next two games, batting .164 and losing both.

If not for Klein, that would have been the end. The Blue Jays would have won the series in five games, and there would have been no Kiké Hernández launching a game-ending double play on the run in Game 6, no Miguel Rojas tying home run and game-saving throw in Game 7, no Andy Pages game-saving catch and Will Smith winning home run in Game 7, no Yoshinobu Yamamoto winning Game 6 as a starter and Game 7 as a reliever.

There would have been no parade.

When Klein rescued the Dodgers, he had pitched one inning in the previous 30 days.

“You can never take your mind out of it,” he said. “You’ve got to stay prepared. Something might come up, and you don’t want to be the guy that gets thrown in the fire and just burns.”

The Dodgers are not shy about grabbing a minor league pitcher, telling him what he can do better and what he should stop doing, and seeing what sticks. If nothing sticks, the Dodgers are also not shy about spitting out the pitcher and designating him for assignment.

In his minor league career, Klein struck out 13 batters every nine innings, which is tremendous. He walked seven batters every nine innings, which is hideous.

The Dodgers scrapped his slider, mixed in a sweeper, and told him his arm was so good that he should stop trying to make perfect pitches and just let fly.

“A lot of times, pitchers are guilty of giving hitters too much credit, and hitters are guilty of giving pitchers too much credit,” said Andrew Friedman, the Dodgers’ president of baseball operations.

“Part of our job is to show them information that helps instill some confidence. I think that really landed with Will.”

In his four September appearances with the Dodgers — after a minor-league stint to apply the team’s advice — he faced 17 batters, walked one, and did not give up a run. That’s why he isn’t buying the suggestion that something suddenly clicked in the World Series.

“Things were incrementally getting better,” he said, “and then you add that to the atmosphere. It amplifies it to 100. All the prep work and mental stuff that I had been doing, I finally got a chance to shine.”

Said Dodgers manager Dave Roberts: “He’s done it in the highest of leverage. You can’t manufacture that. You’ve got to live it and do it. So, since he’s done it, I think he’s got a real confidence.”

Dodgers pitcher Will Klein speaks during DodgerFest at Dodger Stadium on Jan. 31.

(John McCoy / Getty Images)

Klein last started a game three years ago, at triple A. After making 72 pitches in those four innings of Game 3, did he entertain the thought that maybe, just maybe, he was meant to be a starter after all?

“No,” he said abruptly. “I hate waiting four or five days to pitch and knowing exactly when I’m going to pitch.

“When I did, the anxiety just built. I want to go pitch. I hate sitting there and waiting. That kind of eats at you. I like being able to go out to the bullpen and have a chance to pitch every day.”

The Dodgers are so deep that Klein might not make the team out of spring training. Whatever happens, he’ll always have Game 3.

In the wake of that game, a fan wanted to buy a Klein jersey but could not find one. So the fan made one himself before Game 4, using white electrical tape on the back of a Dodger blue jersey. I showed Klein a picture.

“That’s cool,” Klein said. “That’s pretty funny.”

Dave Wong, a Dodgers fan living in San Francisco Giants territory, also wanted to buy a Klein jersey.

“They didn’t have a jersey for him,” Wong said.

He settled for the Dodger blue T-shirt he found online and wore it to last Friday’s Cactus League game against the Giants, with these words in white letters: “Will Klein Appreciation Shirt.”

This, then, would be a Will Klein Appreciation Column.

Two episodes have currently been released as a brand new series of Scrubs has finally returned

*Warning: contains spoilers for new Scrubs reboot*

Scrubs fans have been left in “tears” as they asked the same question about Dr Perry Cox following the return of a brand new series.

After almost two decades, a brand new season of Scrubs has finally been released to Disney Plus. Fans saw the return of familiar faces such as Zach Braff as John ‘J.D’ Dorian, Donald Faison as Christopher Turk and Sarah Chalke as Elliot Reid.

Despite only two episodes being released so far, the Scrubs reboot has delivered bombshell moments such as the revelation that JD and Elliot are now divorced with two kids, with Carla and Turk, who remain happily married, have four children.

However, it was the end of the first episode that left viewers stunned after Dr Cox’s unexpected revelation. After convincing JD to return to Sacred Heart, he revealed he would not be working with his mentor, but instead will be replacing him.

In emotional scenes Dr Cox said: “You’re not going to be working with me. You’re going to be me.”

He continued: “This particular world has passed me by. You are the only one I trust to do better and try harder.”

Fans were worried what this means for Dr Cox now as they took to social media to ask what will happen to the favourite character. One person wrote on X: “Wait Dr. Cox isn’t going to be regular, or Carla? Oh, no.”

Another said: “If Dr. Cox comes back to #Scrubs as a patient I will riot!!!”

A third penned: “I really enjoyed the revival #scrubs on Wednesday night. Was it perfect? Hardly. Did I feel jaded when Dr. Cox disappeared after episode 1? Yes. But watching the premiere felt nostalgic from a time where we could just watch a comedy and chuckle.”

A fourth worried: “They took Dr. Cox picture down. @scrubsabc DO NOT do us dirty and kill him off or something. He needs to be around.”

One person simply added: “I feel robbed of Dr Cox oh well.”

Over on Reddit, one worried user asked: “Is Cox going to retire, or is he going to get a new job in the show?” However, many agreed they would see Cox “retire” as they “demand answers”.

In an interview with Deadline, creator Bill Lawrence previously spoke about Cox’s retirement adding: “Dr. Cox is a huge character on the show. He comes back at the end of the year and will continue on next year.”

As the brand new series returned, many fans have been “in tears” as one person wrote: “I’m not ashamed to say I cried a few tears in the first episode.”

Another said: “I missed seeing JD day dream #Scrubs shedding tears as I’m watching.” A third replied: “Just watched the first episode. It was great. Got me right in the feels..”

Scrubs is available to stream on Disney Plus. For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

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MAYA Jama has signed up for another series of Love Island — putting an end to speculation.

The host, 31, last night wrapped on the All Stars’ spin-off and will officially be back this summer.

A source said: “Love Island wouldn’t be the same without Maya so bosses are thrilled to confirm she’ll be in Majorca this summer.

“She remains one of the most-loved things about the show.”

Maya has been hosting Love Island UK since January 2023, beginning with the show’s ninth series.

She replaced former host Laura Whitmore and has since continued to host All Stars and Love Island games.

FURIOUS FANS

Love Island fans left ‘raging’ as ITV show ends on nail-biting cliffhanger

BUCKLE UP, MAYA!

Maya Jama shows off sensational curves in plunging dress for Love Island

Last month Maya cleared up confusion with fans over where she currently lives.

Penned over a screenshotted DM of a fan saying, “Have I missed a chapter?? You’ve moved from London?” in response to one of her past Instagram stories, Maya explained how she’s bought multiple houses.

“To answer my dms right now lol I also bought a house in the Cotswolds last year so I’ll be there sometimes, maybe I need to do a lil catch up life update vid or something soon.”

Maya followed up the post with a quick video where she’s utterly beaming about the news.

Switching out her usual glam for a maroon hoodie with a yellow graphic, she addressed the camera candidly saying: “Writing it like that just makes you sound like a braggy f**k but I’m very proud of myself.

“Council house Queen to multiple property owner.

“Honey, thank you!!!” 

Maya was born and raised in Brisol and has Somali descent as well as Swedish.

She moved to London at the age of 16 to pursue a career as an actress, even auditioning for Skins.

England and South Africa have postponed a T20 international series which was originally planned for next winter.

The two sides will play three Test matches and three one-day internationals across December 2026 and January 2027.

In addition to the ODIs the white-ball leg of the tour was supposed to include three T20s as per the International Cricket Council’s Future Tours Programme.

Cricket South Africa and the England and Wales Cricket Board are planning to rearrange the 20-over series to a later date.

South Africa’s domestic T20 franchise tournament – the SA20 – is set to be played from 9 January until 14 February 2027 and a number of players from both sides are expected to participate.

“The originally planned T20 series has been removed from the schedule due to scheduling conflicts,” said an ECB statement.

“Both parties are exploring opportunities to reschedule it at a later date.”

England’s Test series in South Africa starts on 17 December at the Wanderers in Johannesburg.

The second Test between the sides will start on 26 December at SuperSport Park at Centurion while the final Test at Newlands in Cape Town begins on 3 January.

The ODI series starts at Boland Park in Paarl on 10 January, with the final two matches of the series at the Manguang Oval in Bloemfontein on 13 and 15 January.

Welcome to Screen Gab, the newsletter for everyone who is feeling mighty nostalgic about the ’90s and early aughts.

On Thursday night, we learned that Eric Dane died at 53 after a battle with ALS, also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease. The actor was known for his mid-2000s role on ABC’s medical drama “Grey’s Anatomy,” where he earned the moniker “McSteamy” as Dr. Mark Sloan, a plastic surgeon. Coincidentally, yesterday marked the 20th anniversary of his first appearance on “Grey’s.” More recently, he appeared in HBO’s teen drama “Euphoria” as Cal Jacobs, a very complex father to Nate (Jacob Elordi), one of the central characters. The actor will appear posthumously in the show’s third season when it returns in April. Dane remained busy in the past couple of years, having also appeared in the one-season action series “Countdown” on Prime Video and in an episode of ABC’s “Brilliant Minds.” If you want to go further on Dane, Netflix announced this morning that an episode of the docuseries “Famous Last Words” featuring the actor was available. The show consists of an interview with a notable subject, and is only released posthumously.

If you want another trip down memory lane, last week saw the arrival of FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette,” which takes a closer look at the famous couple who unexpectedly met a tragic end. The show fully immerses you in the culture of New York in the ’90s, complete with Calvin Klein ads, tabloid magazines with zany headlines and partying at the Roxy nightclub. Connor Hines, the creator of “Love Story,” spoke to us about the show, which you can read below.

Also in this week’s Screen Gab, we recommend an Irish series on Netflix from the creator of “Derry Girls” and another nostalgic docuseries about “America’s Next Top Model.”

ICYMI

Must-read stories you might have missed

Grace Van Patten and Jackson White of “Tell Me Lies” at American Quick Start & Gas Inc. in Brooklyn, N.Y.

(Dutch Doscher / For The Times)

On ‘Tell Me Lies,’ Grace Van Patten and Jackson White’s toxic (onscreen) relationship ends: After three seasons, “Tell Me Lies” comes to an end. Creator Meaghan Oppenheimer unpacks the series finale alongside stars Grace Van Patten and Jackson White.

Missed ‘Scrubs’? They did too, and now they’re back making the rounds: Donald Faison, Zach Braff and Sarah Chalke spoke about reuniting for the revival of the beloved medical comedy created by Bill Lawrence and now helmed by Aseem Batra.

‘Baywatch’ casting call brings back ’90s with in-person auditions, red suits and ripped bods: About 2,000 people flocked to Marina del Rey on Wednesday in hopes of landing a role in the upcoming “Baywatch” reboot, which the production hopes will be a boon for Hollywood.

How ‘The Pitt’ portrayed a rape kit exam sensitively with the help of experts: To portray the exam shown in Episode 7 accurately, the show’s writers and actors consulted with experts from the UCLA Health Rape Treatment Center and Pittsburgh Action Against Rape.

Turn on

Recommendations from the film and TV experts at The Times

Bronagh Gallagher, back left, as Booker, Shauna Bray as Midwife, Saoirse-Monica Jackson as Feeney in “How To Get To Heaven From Belfast.”

(Christopher Barr / Netflix)

“How to Get to Heaven From Belfast” (Netflix)

Lisa McGee, whose “Derry Girls” was the toast of 2018, returns with another comedy of Irish women in a mad place. Three friends since school travel to a one-taxi, one-hotel town for the wake of an estranged fourth: Saoirse (Roisin Gallagher), an award-winning television writer who can’t seem to keep her engagement ring on her finger; Robyn (Sinéad Keenan), a busy, bored rich wife and mother; and Dara (Caoilfhionn Dunne), who has been stuck, or has stuck herself, caring for her mother. All share a dark secret they hope to keep buried, but which has begun to poke its head above ground. What, and who, they find, and don’t find, kicks off a manic mystery, served with a side of car trouble, hangovers, a storm, a blackout, oddball supporting characters and a little romance, not necessarily in that order, with sharp, funny dialogue driving it along. And that’s just the beginning. — Robert Lloyd

A still of “America’s Next Top Model” contestants, clockwise from far left, Nicole Panattoni, Adrianne Curry, Elyse Sewell, Kesse Wallace, Robbyne Manning, Giselle Samson, Shannon Stewart and Ebony Haith as featured in “Reality Check: Inside America’s Next Top Model.”

(Courtesy of Netflix)

“Reality Check: America’s Next Top Model” (Netflix)

“We were all rooting for you!” was the cry heard ‘round the world from Tyra Banks, the host and creator of the reality TV series that aimed to find the next fresh face of magazine covers and fashion runways. But viewers learn in this docuseries that what we saw on screen didn’t tell the whole story. From allegations of sexual assault to discord among the judges, “America’s Next Top Model” had a lot of problems, many of them relating to the fact that a show like it hadn’t been done and producers were inexperienced in handling serious issues on set. “Reality Check” features candid interviews with former contestants including Shandi Sullivan, Keenyah Hill, Tiffany Richardson (recipient of that famous “rooting” speech) and Banks herself. — Maira Garcia

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Sarah Pidgeon as Carolyn Bessette Kennedy and Paul Kelly as John F. Kennedy Jr. in “Love Story: John F. Kennedy Jr. & Carolyn Bessette.”

(FX)

The latest anthology series produced by Ryan Murphy dramatizes the true-life romance between John F. Kennedy Jr. and Carolyn Bessette that gripped the culture in the ’90s. Nearly three decades after their tragic deaths, FX’s “Love Story” revisits the tumultuous seven-year relationship between the pair. JFK Jr. (Paul Anthony Kelly) spent his life navigating the public spotlight as the son and namesake of an assassinated (and beloved) president, and Bessette (Sarah Pidgeon) was a publicist working at Calvin Klein. Inspired by Elizabeth Beller’s book “One Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy,” the nine-episode series chronicles the couple’s whirlwind romance and their struggle to maintain their relationship under intense media scrutiny before their deaths in a 1999 plane crash. The first four episodes are streaming now on Hulu and Disney+, with new episodes released weekly on Thursdays. Connor Hines, who created the series, stopped by Guest Spot to discuss what intrigued him about the couple’s plight and the early aughts rom-com that he admires. — Yvonne Villarreal

You were a child when the love story of John F. Kennedy Jr. and Carolyn Bessette — as well as that fateful flight — generated intense media attention. What do you remember about their story? What stood out then?

My father commuted into Manhattan every day for work and always brought home the New York Post. I have vivid memories of seeing photos of them splashed across the cover. I knew about the Kennedy family, of course, but I couldn’t fully grasp the choke hold John F. Kennedy Jr. had on the country at the time. The scale of the fascination was something I only truly understood later.

Why does this story feel worth revisiting now? And did any modern couples in the spotlight become reference points as you unpacked questions about public fascination while weaving together this story?

We’re living in an attention economy, so a couple beset by obsession and scrutiny feels especially resonant right now. There are, unfortunately, far too many examples of women who marry high-profile figures only to be harangued for expressing anything other than gratitude and graciousness. That dynamic hasn’t disappeared — it’s simply evolved.

The series grapples with the media invasion that swirled around them. Some critics contend that dramatizing their story for television reignites it. How do you see it? And how did that inform your approach to telling this story?

They’ve been memorialized as these beautiful, one-dimensional fashion figures whose marriage buckled under immense pressure. The series felt like an opportunity to course-correct a dated and misogynistic narrative, especially surrounding Carolyn — and to add dimension to two people who were far more complex than the images and tabloid stories written about them.

You seemingly had a lot of material to draw from and public moments in their relationship timeline to focus on. What was a moment that most fascinated you?

I was personally drawn to Carolyn’s rich life before she became a public figure. She was incredibly sharp, savvy and dynamic — she ascended from folding sweaters at a Calvin Klein store in the mall to becoming a muse and trusted advisor to Calvin Klein himself. I don’t think people fully appreciate how much she gave up to be with John.

What have you watched recently that you are recommending to everyone you know?

“Dying for Sex” [Hulu, Disney+]. “Adolescence” [Netflix].

What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?

“Something’s Gotta Give” [Tubi], or anything by Nora Ephron. I’m also an unapologetic champion of the Bravo network.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

This week we lost two towering figures with the deaths of Robert Duvall and Frederick Wiseman.

Duvall, who died at 95 at his home in Virginia, was known as an actor for roles in films such as “The Godfather,” “Apocalypse Now,” “To Kill a Mockingbird” and countless more. As a director, his work included “The Apostle” and a handful of other projects.

Robert Duvall in the movie “Apocalypse Now.”

(CBS Photo Archive / Getty Images)

The movies team published a list of 10 of our favorite performances, including “Tender Mercies,” for which he won an Academy Award, as well as “Network,” “The Great Santini” and “Widows.”

Wiseman, who died at 96 in Cambridge, Mass., directed more than 45 documentary features beginning with 1967’s “Titicut Follies” on through 2023’s “Menus-Plaisirs — Les Troigros.” His work was known for its rigorous examinations of systems and institutions, giving viewers insights into why things functioned the way they did.

Frederick Wiseman, photographed at the Venice Film Festival in 2014.

(David Azia / Associated Press)

“The institution is also just an excuse to observe human behavior in somewhat defined conditions,” Wiseman told the Associated Press in 2020. “The films are as much about that as they are about institutions.”

Tribute screenings have already started to pop up in tribute to Duvall, with presumably more for both men on the way.

‘Sunshine’ in 35mm

Rose Byrne in the 2007 movie “Sunshine.”

(Alex Bailey / Twentieth Century Fox)

The collaboration between director Danny Boyle and screenwriter Alex Garland has yielded an ongoing examination of societies in varying stages of collapse, lately in their recent revival of the “28 Years Later” series. Among their other works is 2007’s “Sunshine,” which, while seen as something of a disappointment on initial release, has only grown in esteem in the years since. The Academy Museum will screen the movie on 35mm Friday in the Ted Mann Theater.

In 2057, Earth is freezing as the sun has begun to die. An international crew of astronauts — including Cillian Murphy, Michelle Yeoh, Rose Byrne, Hiroyuki Sanada, Benedict Wong and Chris Evans — are dispatched with the improbable mission of reigniting the sun. When they encounter another ship along the way, things begin to go very wrong.

In his review, Kenneth Turan wrote, “Not reflected in a synopsis is the way screenwriter Garland has made ‘Sunshine’ a thoughtful genre film, one with philosophical concerns about God, man and morality. It’s not for nothing that Icarus’ talking computer echoes Hal of Stanley Kubrick’s ‘2001: A Space Odyssey.’ Garland and Boyle also have devoted time and effort to character psychology, to making the members of the Icarus’ crew into recognizable people and not Hollywood stick figures. … All these good things enable us to buy into ‘Sunshine’s’ story for a considerable span, creating a palpable tension that underlines that no one should feel safe in the far reaches of space.”

John Horn also wrote an extensive production story on the film. Referring to delays in the editing process, which caused a delay in the film’s release, Boyle said, “No director, unless they are contractually obligated, will ever go back and do a sequel set in space. When I finished it in January, I would have said no, it wasn’t worth it. Because I fell out with everybody. To make these movies, you have to be so uncompromising and scorch all of the ground in front of you.”

Slamdance Film Festival

Vondie Curtis-Hall in the movie “The Projectionist,” the opening night film of the 2026 Slamdance Film Festival.

(Slamdance Film Festival)

The Slamdance Film Festival has launched its second year in Los Angeles, running through Feb. 25 with screenings at the DGA, Landmark Sunset and 2220 Arts + Archives. The virtual edition of the festival will run from Feb. 24–March 6 on the Slamdance Channel.

The festival opened with the world premiere of Alexandre Rockwell’s “The Projectionist.” Starring Vondie Curtis-Hall along with Kasi Lemmons and Kevin Corrigan, the film tells the story of a lonely film projectionist confronting his past.

Rockwell, who, in 1992 won the Grand Jury prize at Sundance with “In the Soup,” lauded Slamdance as “a festival that embodies the vital spirit of independent film better than anywhere.”

Among other notable titles in this year’s program is “The Untitled Ruby Slippers Documentary” directed by Seth Gordon and Nikki Calabrese, the story of the theft and recovery of one of the most famous pieces of Hollywood movie memorabilia. Gordon’s “The King of Kong” premiered at Slamdance in 2007.

Points of interest

‘A Thousand and One’

Teyana Taylor in the movie “A Thousand and One.”

(Aaron Ricketts / Focus Features)

Teyana Taylor is an Oscar nominee for her performance in “One Battle After Another.” (She’s also a recent guest on “The Envelope” podcast.) She got that role after “One Battle” director Paul Thomas Anderson saw Taylor’s performance in “A Thousand and One,” written and directed by A.V. Rockwell. Vidiots will show the movie Saturday.

In the film Taylor plays Inez, recently released from jail in New York City and attempting to reconnect with her son who has been in the foster system. When an opportunity presents itself, she impulsively abducts him and tries to get them set up in a new life together.

In her review of the film, Katie Walsh noted that Taylor “brings to her astonishing performance the coiled physicality of a panther ready to pounce.” Walsh added, “The film is utterly absorbing, anchored by the unpredictable performance of Taylor, playing a hopelessly complicated, but deeply caring woman. When faced with dire circumstances, she survives, then dares to imagine a life for Terry beyond the cycle she’s experienced, forging a family unit she never had.”

Sonaiya Kelley spoke to both Rockwell and Taylor about the film. Taylor said of the part, “I was drawn to the role before I even read the whole script. … A lot of the emotions I put onto Inez were real emotions from real triggers.”

‘Dont Look Back’

Bob Dylan in the documentary “Dont Look Back.”

(Criterion Collection)

As part of an ongoing series, the Academy Museum will show D.A. Pennebaker’s 1967 “Dont Look Back” in the David Geffen Theater with doc director Joan Churchill in person to introduce the film.

A pioneering work of cinema verité, the film tags along on Bob Dylan’s 1965 tour of England, capturing a period of heady creative evolution. As Dylan plays a series of shows, he is also seen in various hotel rooms, cutting down journalists and others with a self-regarding wit.

As Charles Champlin said in his 1967 review, “The technical shortcomings deliberately enhance the atmosphere of claustrophobic chaos surrounding a pop idol on tour. And this, after all, is what the film is about. … [Dylan’s] milieu and its hangers-on are by no means uniformaly attractive. But after this skillful and exhaustive piece of film reportage, no one need ask what it and they and he are really like. The camera has become an X-ray.”

The new series of Big Cats 24/7 is back in the Okavango Delta following the lives of lions and leopards

Having only been away from the Okavango Delta in Botswana for six months since filming the first series, the BBC ’s wildlife filmmakers might have worried there would not be enough new things happening amongst the big cats there. But if anything, the dramatic lives of Africa’s lions, cheetahs and leopards had more shocks and surprises than the first time around.

Following them across six vital months from June to November we see the cats – and humans – battle punishing seasonal change, from flood to extreme drought. The Xudum lion pride, now the largest in the world, grapples with the challenges of this newfound status. When we rejoin them, dominant males Big Toe and Madumo are missing so the pride females, deserted by their leaders, are forced to battle intruders alone and also find enough food to feed 40 lions. There is an influx of aggressive male leopards and a new female, Lediba. And cheetah Pobe surprises the team with two young cubs of her own – but her challenge now is to keep them safe.

Cinematographer and wildlife presenter Gordon Buchanan says: “I think my slight concern was that we’re going back to the same place. We’re going back to the same cats. Are we going to go back to the same stories? And no, absolutely not. I mean I was startled at how things that were quite common in the first year, we see all the time, you didn’t see you didn’t see again,

“This series is a drama. And I suppose our job is just to capture that. This second series is a bit like The White Lotus[TV Drama}. There’s some similar characters, and there’s similar themes, but the stories are completely different.”

For Gordon, returning to cover the Lion pride was the highlight and he adds: “Filming 24/7 means surrendering to their world, working on their terms. The hours are long, the terrain unforgiving – deep sand, floodwaters, freezing cold nights or searing midday heat. You chase fleeting glimpses across vast landscapes and are often driven by nothing more than instinct. It’s physically and mentally gruelling. But when you finally catch ‘the’ moment, it makes everything worth it.

“Many lions don’t even make it to their second birthday so to see a lion you met as a vulnerable cub stride successfully and confidently towards adulthood is the most wonderful thing of all. There’s is nothing more beautiful than a lion cub giving life its best shot.”

This extraordinary, exclusive access to the cats’ lives is supported by the use of cutting-edge filming equipment: state-of-the-art thermal cameras, and the latest in drone technology, meaning the team can film the cats from the ground, the air and, uniquely, through the night. By following the cats around the clock, the team reveals yet more brand-new insights into their lives.

But fellow filmmaker Anna Dimitriadis didn’t wait long to be reunited with her beloved cheetah pal Pobe. “It’s every wildlife cinematographer’s dream to be able to go back to the same place and see characters that you filmed with before. But seeing her on the first day, it was like she was coming back to welcome us. It really felt like Pobe knew we’d arrived, and it felt like she was showing off because she had her two lovely little cubs as well. It basically felt like just seeing an old friend that I got to know really well. I mean, I got to know her very well. She’s actually tattooed on my arm now so she’s with me forever.”

Anna and Gordon worked alongside a team that also included Brad Bestelink who grew up in the Delta and Botswana born Tristen Woodward in the heart of big cat territory. And by the end of series two, Anna feels even closer to the cat and her routines which we will witness.

“I just know so much about her, and I could really predict her behaviour by the end, like I knew the exact kind of hunting style she was going to do. And I could predict exactly what we were going to see. It was really cool, when you start having that connection with an animal.

“This time, we saw another side. She was playful, tender and at times extremely vulnerable. Our time with her this year was a powerful reminder of how hard life is for a solitary cat. At every stage – whether still learning or in her prime – survival is a constant battle and every success is hard won.”

Meet some of the stars of the Delta…

POBE A smart, experienced and streetwise female cheetah; charismatic Pobe, now seven-years-old has a new family! She has two young cubs to take care of and though she is an experienced mother and superb huntress – already seen one cub, Neelo, to independence – the odds are stacked against her. Navigating Xudum island – now home to the largest lion pride in the world, and leopards round every tree – is no easy task. She knows when to run and hide and avoid danger, but with two innocent cubs in tow, she’s more exposed than ever.

XUDUM A remarkably relaxed and an impressive leopard; Xudum can confidently catch a meal leaping through the air (jumping from trees) or stalking on the ground. She is the resident female leopard followed by the team in Series 1, is now six years old and should have started a family. Unfortunately, after her tragedy witnessed by the team in 2023, Xudum is still to rear a cub successfully. Surrounded by dangerous male leopards (who will kill any cubs that do not belong to them), in series two Xudum must find a new, safer territory in which to make her home and become a mother.

BIG TOE & MADUMO So named due to a prominent digit on his paw, Big Toe is now eleven years old, ruling the Xudum pride alongside his sibling, Madumo, for the last six years. He’s a formidable lion, slightly leaner and wirier than Madumo, but no less formidable. Though he’s undeniably the more handsome of the two, he’s no pretty-boy; usually the first to get into a scuffle with intruders, or younger males in the pride.

Madumo – meaning “to roar” – is the other dominant male lions of the Xudum pride. Though he is bigger and heavier set, Madumo is the brains of the operation, while his coalition partner Big Toe is the ‘grafter’. But when required, Madumo has the muscle to be a powerful and commanding leader. He and Big Toe remain extremely close; most likely brothers from the same cohort of cubs, they make a strong and formidable partnership and over the past 6-years he and Big Toe have successfully protected the Xudum pride.

But as we start season two, both are now absent, where they are is unclear; and without their combined strength and new male lions circling, the Xudum pride’s females are under more pressure to protect their family than ever before.

MATHATA Trouble by name, trouble by nature! Mathata is the oldest cub in the Xudum pride – 18 months in age – and the rest of the youngsters seem to look to Mathata for leadership. But as Mathata (Magogo’s son) grows, will he cause trouble for his siblings, or will he rally them to make trouble for their enemies, and prey?

He is now ready to join his mother and aunts as they hunt and feed their family, but he has a lot to learn before he will start being a useful addition – his inexperience could be a hindrance.

LEDIBA The queen of stealth! Lediba is a small and subtle female leopard. She shows more patience in her stalking and variety to her diet, than any other leopard the team has seen on Xudum island. Lediba (10 years old) is also an experienced mother; previously raising cubs to adulthood and has two young cubs to provide for in series two. She will have to work hard to keep them safe from scavenging lions and unpredictable male leopards. For the team, getting to know Lediba’s character will take as much patience as she shows during each hunt!

MAGOGO At more than eleven years old, Magogo is likely the oldest female in the Xudum pride. She is an experienced, wise and powerful lioness and has successfully reared multiple generations of cubs, showing her skill as a mother. His son, Mathata, is the eldest cub in the Xudum pride, and a future pride male. Despite being eighteen months old, Mathata still relies on Magogo for food and protection against any intruding male lions – so Magogo still has her work cut-out to support him.

* Series Two of Big Cats 24/7 starts on BBC2 and BBC iPlayer on Friday February 27 at 9pm.

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A beloved children’s programme is now available to watch for free on a streaming service.

A classic children’s programme is streaming for free from today on ITVX.

Captain Pugwash first aired on British television in 1957 as a black-and-white stop-motion show, before the full colour version of the series was first broadcast from 1974-75.

The series is based on the much loved children’s comic strips and books created by Josh Ryan.

It follows Captain Horatio Pugwash as he sails the high seas in his ship, the Black Pig, ably assisted by Tom the captain boy, pirates Willy and Barnabas and Master Mate.

Along their adventures, they’re battling against his mortal enemy, Cut-Throat Jake, captain of the Flying Dustman.

The children’s animation was written, illustrated and produced by John Ryan, before Peter Hawkins voiced all the characters, bringing them to life.

Captain Pugwash originally ran from 1957 to 1966 before being revived in colour in the 70s, and again in 1997.

The synopsis teases on ITVX: “The bumbling 50s kids TV star is back on screen. Join him aboard the Black Pig & meet cabin boy Tom, pirates Willy & Barnabas, & Master Mate. Beware of the enemy Cut-Throat Jake.”

Viewers have been left reminiscing on the iconic childhood series, with one writing on Reddit : “Love Pugwash – have complete set of DVDs.”

Another said: “I can hear the theme tune in my head right now,” as a third elsewhere wrote: “Ooh wow, that brings back memories, brilliant.”

This comes as ITV has added a variety of returning and new programmes to the streaming service, with more yet to come this year.

In a press release announced earlier this year, the broadcaster shared: “ITV will ring in the new year with a raft of brand new dramas, exclusive entertainment shows, much loved juggernauts and big name reality.

“Jing Lusi, Michelle Keegan, Martin Compston, Natalie Dormer, Shaun Evans, Romala Garai, Eve Myles, Gemma Arterton, Rafe Spall, Dominic Cooper, Luke Evans, David Morrissey, Douglas Booth, Sophie Rundle, Philip Glenister, Mia McKenna-Bruce, Rishi Nair, Robson Green, Aimée-Ffion Edwards, Daniel Mays, Ben Miller, John Simm, Richie Campbell and Omid Djalili are just some of the names appearing in ITV dramas over the next twelve months.”

Drama includes Michelle Keegan’s The Blame, The Party, based on the acclaimed novel by Elizabeth Day, Gemma Arterton leading a stellar cast in Secret Service, and new scandalous drama Adultery.

Elsewhere in entertainment, Graham Norton hosts a street-sized reality game, The Neighbourhood, Rob Brydon is fronting new gameshow The Floor and Gary Lineker is hosting The Box. Ben Shephard ’s The Summit has already begun, and I’m A Celebrity All Stars will return alongside Britain’s Got Talent, Ant & Dec’s Limitless Win and The 1% Club.

Captain Pugwash is available to watch on ITVX.