Beaumont 49, Hilo (Hawaii) 6 Chaminade 38, Wahiawa Leilehua (Hawaii) 9 San Clemente 23, Kapa’a (Hawaii) 8
FRIDAY’S SCHEDULE
INTERSECTIONAL
Capistrano Valley vs. Honolulu (HI) Damien at Radford, 9:30 p.m. Newport Harbor at Waianae (HI) Nanakuli, 10 p.m. San Juan Hills at Kaneohe (HI) Castle, 10:30 p.m. Villa Park at Honolulu (HI) Farrington, 10:30 p.m.
SATURDAY’S SCHEDULE
INTERSECTIONAL
Edison at Honolulu (HI) Iolani, 6:15 p.m. Viewpoint at Lake Mead Christian Academy (NV), 7 p.m.
It wasn’t quite Babe Ruth pointing from the batter’s box. The moment won’t make its way into any movie. But Snell did tell manager Dave Roberts over text message that he was going to throw six innings in his first start back from the injured list after undergoing surgery to remove loose bodies from his elbow.
Then, en route to a 5-4 walk-off Dodgers victory in 10 innings against the Royals, Snell did just that.
“I knew that’s what the plan was coming in, and I really wanted to execute that plan,” Snell said after limiting the Royals to one run and three hits.
Despite Snell’s resume, the two-time Cy Young winner wasn’t guaranteed a smooth return. It had been three months since he’d last started a major-league game. And it was only his second start of the season, after a late buildup in spring training due to shoulder fatigue, a May season debut against the Braves, and surgery shortly after.
Eventually getting back this version of him, however, was key to the Dodgers’ postseason aspirations.
“I think the biggest thing was just being aggressive,” Snell said. “Be in the zone, attack. I know how good my stuff is, so I didn’t want to just be nibbling and then complaining like, ‘Oh that’s a strike.’ I didn’t want to do any of that again like I did versus Atlanta.”
That was a short and not so sweet season debut. He exited after three innings, having put his team in a five-run (four earned runs) hole.
The difference Tuesday was “stark,” as Roberts put it.
To clear room on the roster to activate Snell, the Dodgers (72-48) optioned left-handed pitcher Charlie Barnes to triple-A and transferred right-handed reliever Blake Treinen (right elbow inflammation) from the 15-day IL to the 60-day. Though he has not yet begun a minor-league rehab assignment, manager Dave Roberts said Treinen has not had a setback.
Snell, who had 10 strikeouts Tuesday, kept the Royals off balance all night leaning on a fastball that had a little extra life to it, a curveball that generated a 63% whiff rate, and a changeup that was especially effective against right-handed hitters.
Max Muncy and teammates celebrate after his walk-off single Tuesday.
(Eric Thayer / Los Angeles Times)
“I was more calm than I thought I was going to be, so that was good,” Snell said. “But the curveball’s finally coming back to how I remember it being. It was always a pitch that was a wipeout, I could throw it, but now I’m finally releasing it where I need to release it. And I’m kind of releasing everything in the same slot out in front.”
Counterintuitively, Snell pointed to his last rehab start, in high-altitude Salt Lake City, as another factor that helped lock him in for Tuesday. It’s a notoriously difficult place to pitch, with the thin mountain air affecting the way the ball moves.
“To have that start and be that frustrated pitching knowing that I can’t throw anything that I want with any shape,” Snell said, “to be able to come here and just pitch and know I can throw a curveball where I want, whenever I want, and a fastball, that felt way better.
“But Salt Lake was so difficult. Oh my God. If I played in Salt Lake growing up, I don’t know if I’d be here today.”
Roberts set expectations low in his pregame availability, saying the hope was to get Snell through five innings. Snell had other plans.
He struck out the side in the first inning and retired the first 10 hitters he faced.
When he finally gave up back-to-back singles to the Royals’ Bobby Witt Jr. and Jac Caglianone, neither was particularly well struck — a soft line drive and a grounder that found a hole on the right side of the infield.
With runners on the corners and one out, Snell gave up the only run of his start, on a sacrifice fly by Salvador Perez.
The next inning, Snell worked around a leadoff hit — a blooper into shallow right field that speedy Tyler Tolbert stretched into a double — and a stolen base, to strand Tolbert at third.
Back out for the sixth, Snell retired the side in order. He finished his outing by getting Perez to chase a changeup below the zone and pop it up behind second base.
“He was fantastic tonight,” Roberts said. “And you know we pushed him a little bit into the six and through the six, but just because he was so efficient, certainly that extra inning was huge for us.”
It was especially important once the back and forth in late innings pushed the game into extras.
Hard-throwing right-hander Seth Halvorsen tossed a scoreless tenth inning in his Dodgers debut, setting up Max Muncy for a walk-off single in the bottom half of the inning.
“That’s the Snell that we’re used to seeing,” Muncy said. “And hopefully we have him for the next two, three months — for the long run.”
“Spider-Man: Brand New Day” swung into the top spot at the box office and scored one of the highest-grossing opening weekends with an estimated haul of $355 million in the U.S. and Canada, far surpassing studio and analyst expectations.
The Sony Pictures film also brought in $572 million internationally for a worldwide total of $927 million, according to studio estimates.
The movie’s haul now ranks as the second-biggest domestic and global opening ever, surpassed only by Walt Disney Co. and Marvel Studios’ “Avengers: Endgame” in 2019.
The film, which stars Tom Holland and Zendaya, is produced by Sony-owned Columbia Pictures, Marvel Studios and Pascal Pictures. Its production budget was about $225 million.
Marvel Studios President and “Spider-Man” producer Kevin Feige called the debut “truly phenomenal.”
“We are grateful to audiences everywhere for coming out and experiencing our film the way it was meant to be seen,” he said in a statement Sunday. “This debut reflects the enduring power of Marvel’s characters, and the connection they continue to have with fans around the world — and, as audiences saw, it sets up exciting things to come.”
Anticipation for the movie was building for months, as robust pre-sales indicated high interest in Spidey’s return to the big screen.
The previous film in the franchise, 2021’s “Spider-Man: No Way Home,” had one of the biggest domestic debuts on record with $260 million.
But it came during the depths of a COVID-19 surge and against very little competition at the box office. That film also reunited all three Spider-Men — Holland, Tobey Maguire and Andrew Garfield — in one time-bending, multiverse storyline, a move “Spider-Man” producer Amy Pascal described as 20 years in the making.
This time around, “Spider-Man” was up against the juggernaut holdover Universal Pictures’ Christopher Nolan film, “The Odyssey,” which came in second at the domestic box office with $51 million on its way to a global total of $911.4 million.
The strong performance of “The Odyssey,” as well as the billion-dollar-grossing “The Super Mario Galaxy Movie” and “Michael” earlier this year, helped push Universal over the $4-billion global box office mark this weekend, the first studio to do so this year.
Walt Disney Co. and Pixar’s “Toy Story 5” came in third with $6.3 million to add to its worldwide total of more than $1.06 billion. Universal and Illumination’s “Minions & Monsters” ($5.8 million) and Disney’s live-action “Moana” ($5.3 million) rounded out the top five this weekend, according to data from Rentrak.
“‘Spider-Man: Brand New Day’ is fundamentally a movie about friendship, about the balm of connection in all our lives,” Sony Pictures Motion Picture Group Chairman Tom Rothman said in a statement Sunday. He added that this theme resonates with “audiences of all ages and all around the world.”
ATLANTA — The jury is still out on whether Lionel Messi is the greatest soccer player ever. But there should be no doubt he’s the greatest to ever play in a World Cup.
And you don’t need the records, the wins or the goals to prove that — although he certainly has enough of those. You just need to see Messi at his most magical, as he was Wednesday, setting up a pair of game-changing goals in a seven-minute span to lift Argentina to a 2-1 win over England and into Sunday’s World Cup final with Spain.
“It’s really hard to speak right now, but I’m going to try not to cry,” Lautaro Martínez, who scored the winning goal two minutes into stoppage time, said in Spanish. “I’m already overwhelmed inside. It’s incredible. Everything we’ve achieved is just incredible.”
Like their 13-game World Cup unbeaten streak, dating to the opening game of the 2022 tournament in Qatar. Or back-to-back trips to the final, which gives them a chance to become the first repeat champion in the men’s tournament since Brazil in 1962.
Argentina’s Lautaro Martinez scores his team’s second goal in front of England goalkeeper Jordan Pickford (1) and fellow England players Ezri Konsa (2) and John Stones (5) during a World Cup semifinal in Atlanta on Wednesday.
(Erik S. Lesser / Associated Press)
But it hasn’t been easy. Eleven of Argentina’s 19 goals — including both scores in Wednesday’s semifinal — have come after the 75th minute. They trailed in the 80th minute or later in two of their last three knockout games, only to rally both times.
And Messi has either scored or assisted on three of the four goals that rescued Argentina.
“This group, in the face of adversity, keeps going, keeps going, and never gets tired,” Martínez said. “And we have the best in the world as our example.”
On Wednesday that meant heartache for England, which was as close to a World Cup final as it has been in six decades, leading 1-0 on Anthony Gordon’s second-half goal with just five minutes left in normal time.
But after taking the lead, England turned strangely conservative, dropping all 11 players behind the ball at times, daring Argentina to score. Eventually it did, with Enzo Fernández curling a right-footed shot from about 20 yards past England keeper Jordan Pickford and in at the left post to tie the game.
It was a pass from Messi that found Fernández in space at the top of the box, earning the Argentine captain his record 11th World Cup assist.
“The opponent doubted themselves,” Argentine coach Lionel Scaloni said. “We smelt blood and went for it. We all felt it. “
The tie didn’t last for long though, with Messi threading a perfect cross from the right wing to Martínez, who found space between English defenders John Stones and Ezri Konsa at the far post. Messi’s pass just cleared the leaping Stones, then dipped to Martínez, who nodded it home.
England’s Harry Kane and England’s Jude Bellingham are dejected after losing to Argentina during a World Cup semifinal on Wednesday in Atlanta.
(Jeff Roberson / Associated Press)
When the ball hit the net, the sellout crowd at Atlanta’s massive Mercedes-Benz Stadium erupted.
“Once again, despite falling behind, we managed to turn the game around in stoppage time. That speaks volumes about this group, about this team that never settles, always wants more, always strives for more,” Martínez said.
It also gives Messi a chance to strive for more in Sunday’s final. He has already played in more World Cup games, scored more World Cup goals and had more World Cup assists than any man in history. With a win over Spain, he can join another elite group of men: those who have won back-to-back World Cup titles.
History will eventually decide if it was Messi’s brillance or the tactical surrender of England coach Thomas Tuchel that truly turned the game around. Tuchel, however, said he had no regrets.
“We played the matches how they were,” he said. “We overcame every obstacle. We were very, very close today. It’s not a moment now to analyze the full tournament because we lost a crucial match.”
His captain, Harry Kane, who lost in the semifinal of a World Cup for the second time in three tournament, was also not interested in second-guessing.
Argentina’s Lionel Messi sits on the shoulders of a teammate and celebrates after beating England in a World Cup semifinal on Wednesday in Atlanta.
(Rebecca Blackwell / Associated Press)
“We had a lot of good moments in this tournament, a lot of good games,” he said. “We talked about knocking on the door. We’re close, we just have to find that missing piece in the final stage of the tournament.”
They may be closer than they think: England is the only team this century to score the first goal in a World Cup semifinal but not reach the final, according to the OptaJoe statistical service.
Argentina’s team, meanwhile, is missing nothing — except maybe a second title,
“The people of Argentina should celebrate being in a final,” Scaloni said. “This group of players is difficult to describe in words. They are so special. I’m getting emotional. They fight for everything.
“We’re going to try to win the final. But what else does this team need to do? There isn’t much else to say. I’m eternally grateful to this group of players.”
Sports editor Iliana Limón Romero contributed to this report.
ALWAYS dreamed of turning left as you board the aeroplane, but don’t have the cash to splash on business class flights?
Airlines will rarely dish out a swish upgrade for birthdays or weddings nowadays, but there are some clever ways of bagging one without spending a penny.
These hacks will save you buckets of cash and hopefully see you bumped up to the luxe seatsCredit: GettyTravel reporter Sophie uses a shopping trick to bag cheap dealsCredit: Supplied
Or if you do have a little cash to spare, there are more affordable ways of doing it.
The below hacks have been tried and tested by regular travellers, including myself – and anyone can give them a go.
I’ve been collecting Avios for a couple of years now and I’ve accumulated enough points to upgrade on every one of my upcoming flights to both short and long haul destinations.
Once you start incorporating points collection into your daily routine, you’ll be raking them in in a matter of months.
When it comes to Avios upgrades, you can only bump yourself up one cabin class (so if you’re flying economy, you can move up to premium) and not all flights can be upgraded.
There has to be availability, too. So if the flight is looking chocka block, you may not get the chance.
You won’t have to pay any cash for the actual upgrade, but you will have to pay the difference in taxes as it costs the airline more in mandatory charges to fly passengers in upper class cabins.
Birthdays and weddings rarely get you far these days, says SophieCredit: Getty
2. ALWAYS BOOK PREMIUM ECONOMY
If you have the money to book a premium economy seat, this massively boosts your chances of moving up.
“And if you hold airline status or a credit card linked to the airline then you are typically the one that gets the operational bump up.”
The leap in price from premium economy to business can be pretty hefty if you’re paying for it outright at the beginning of the booking.
But by comparison, the price jump from economy up to premium economy is much smaller, so it’s certainly a more affordable way of doing it if you can spare that extra cash.
If you’re travelling solo, this only boosts your chances for logistical reasons. Airlines won’t just upgrade one member of a party.
If the flight is overbooked and there is only one seat left in business, the person travelling on their own is most likely to get the bump if several travellers have status.
It’s the easiest and most simple solution for the airline.
Spending a little bit more on premium can pay offCredit: Getty
3. PLAY UPGRADE CHICKEN
Sometimes it pays to play the risk game, but it is a gamble.
If you’ve got a bit of spare cash and the flight is relatively empty, it might be worth leaving your upgrade until the last possible moment.
Regular traveller and boss of PR firm Florence & Fable, Florence Bate tried this hack when flying from Bermuda to London Gatwick with British Airways – and it paid off.
She said: “It was about four or five years ago. I asked to upgrade at the check-in desk when I first arrived at the airport.
“I think I remember it being around £200 at that time.
“Then I waited until the gate, just before boarding the plane, and it was £60. I upgraded there and then to premium economy, nothing fancy.
“I just think if you never ask, you’ll never know. Ask at all check-in points and hope for the best!”
Avios upgrades can be a very easy way to do itCredit: Supplied
4. FLY AT QUIET TIMES OR BE FLEXIBLE
Having some movement to your travel plans, or intentionally selecting a less popular time to fly or month to visit that destination can sometimes pay off.
“It might not necessarily get you the full upgrade but it does regularly get you perks.
“My family does this a lot and we often get a free glass of bubbly or special treatment.”
One Sun reader reports to have actually bagged the upgrade, but only after doing some extensive digging.
They said: “I found out which crew were on board the plane and had gotten some advice from a friend.
“This friend does work at the airline I was flying with, so I’d had a tip off that one particular staff member liked those Tony’s chocolate bars.
“I asked for them my name when I stepped on board and handed them the chocolate, next thing I know I was being whisked to the front of the plane. It was only a very short flight, but it still felt glam.”
ARLINGTON, Tex. — Alejandro Osuna hit a three-run homer during a five-run eighth inning and the Texas Rangers pulled away for an 8-3 win over the Angels on Tuesday night.
Osuna’s first homer of the season followed RBI singles by Ezequiel Duran and Justin Foscue in the six-hit inning off Sam Bachman (1-2). Foscue also hit a pinch-hit home run in the seventh, tying the score 3-3.
Peyton Gray (4-0) pitched a scoreless eighth for the win for the Rangers, who pulled within one-half game of first-place Seattle in the AL West.
The last-place Angels have lost seven consecutive games, tying their longest losing streak of the season.
Rangers starter Jacob deGrom left after throwing 80 pitches in five innings because of an issue with his left hip and leg. DeGrom said he’s often felt tightness there between starts, but it usually goes away before he pitches again. This time it remained, preventing him from throwing changeups, and tightened in the fifth inning. He expects to make his next start.
DeGrom suffered first-inning struggles before settling in, his pattern this season. He gave up a pair of two-out runs in the first on Jorge Soler’s double that one-hopped the left-field wall and Josh Lowe’s single to shallow left after a wild pitch.
DeGrom didn’t give up another run, giving up five hits and two walks. In 18 starts this season, deGrom has a 9.50 ERA in the first inning and 2.29 afterward.
Texas tied the score 2-2 in the second on Nicky Lopez’s two-out, opposite-field single to left after two walks by José Soriano, who leads the AL with 51. Soriano didn’t walk another batter and gave up only two hits in six innings.
Rookie Wade Meckler’s RBI single off Chris Martin in the seventh gave the Angels a 3-2 lead before Foscue homered off Tayler Saucedo.
The Angels won the first three games against the Rangers this season.
Sixteen of the 48 teams are heading home, but which of the sides left standing will survive all the way to the World Cup final at MetLife Stadium near New York City on 19 July?
The hopes of another 16 nations will bite the dust after the first knockout round, which includes England against DR Congo and holders Argentina against surprise package Cape Verde.
It was a different team who caused the biggest shock in the final set of group games, however.
While BBC Sport’s football expert Chris Sutton and AI still went for Cape Verde to lose against Saudi Arabia – from more than 50,000 users playing the BBC’s new predictor game – 39% of you correctly went for a draw and 43% even backed the African side to win.
Instead, it was Ecuador who caught almost everyone out this time.
From more than 56,000 users predictions for that game, only 597 of you correctly backed them to beat Germany.
Chris and AI were also wrong about that one but, overall, they both got 15/24 predictions right from that set of matches.
Again, the users did better, with 17/24, and they still lead the way with 72 of this World Cup’s 104 matches now completed.
Chris has been right 41 times (57%), AI has a score of 43 (60%), but you lot are doing even better with 48 (67%).
Before the tournament, Chris also picked the order he thought each of the 12 groups would finish in. He was right about seven of the winners, but only got all four teams in the correct order in three of the groups.
AI’s predictions have been generated using Microsoft Copilot Chat. We simply asked the tool to ‘predict the results of the World Cup last-32 ties’.
The new BBC predictor game allows readers to pick a winner from each knockout tie.
Ismael Kone’s serious-looking injury left Canada manager Jesse Marsch in tears and overshadowed their first-ever World Cup finals win as they thrashed nine-man Qatar 6-0.
A site of big changes, the Music Center has become farewell central. Alongside the Gustavo Dudamel hullabaloo at Walt Disney Concert Hall, James Conlon has begun his final appearances in the Dorothy Chandler Pavilion as music director for two decades of Los Angeles Opera, with his own signature form of enchantment in Mozart’s “Magic Flute.”
The silent-movie panache of Barrie Kosky’s production, which opened Saturday night at the Dorothy Chandler Pavilion and runs through June 21, is on its way to becoming a perennial. This is the third revival since L.A. Opera first staged it in 2013 — all four times with Conlon in the pit. The production operates like an operatic graphic novel and live animated film charmingly all in one. The scene is a giant movie screen broken up in sections and upon which is projected witty, fantastical background animation, while the characters are the live singers, dressed as though silent film stars.
The orchestra plays Mozart’s score as though it were, as orchestras did in the old days, accompanying a silent movie but to radically different effect. Fulgurous cinematic spectacle may immerse your attention, but the opera’s essence is transferred from the stage to the pit. The singers, meanwhile, function to an unusual degree as choreographed characters in a cartoon, leaving little opportunity for body language, allowing, instead, individual expression almost exclusively to their voices.
In Mozart’s opera, Tamino, a prince in a fairyland of mystic temples and mystifying gods, relies on his supernatural flute that turn sorrow into joy to get him out of jams. The genius of Kosky’s singularly musical production is that it magically makes the orchestra itself a compendious magic flute. It more than ever becomes an agent of delight.
That is where Conlon comes in. He has, while leading L.A. Opera for 20 seasons (half the company’s existence), served as an advocate for the core operatic repertory — notably Mozart, Verdi and Wagner — much of it little heard in our late-blooming former operatic desert. He has also been an international champion of his “recovered voices” project, salvaging the neglected operas of composers in the first half of the 20th century who were silenced by Nazi Germany.
“The Magic Flute,” one of the world’s two or three most popular operas, needs no such patronage. Written at the end of Mozart’s life as a popular entertainment, its a singspiel, or sung play. As a proto-Broadway musical operatic genre of spoken word and musical numbers, it appeals on all levels. The fairy-tale libretto is child-friendly. Mozart’s score is tune heaven.
The troublesome Queen of the Night dazzles with high notes that shoot out like daggers. The main lovers, Tamino and Pamina, are lyrical wonders. The comical bird-catcher, Papageno, is everyone’s darling. The domineering Sarastro, an all-powerful priest, bellows spiritual profundities. But if you start digging under the surface, deeper than the symbolic Freemasonry and all, you may never find bottom.
The opera begins with three ceremonial chords in the orchestra that signal a brief, sober introduction quickly undercut by an exhilarating fast-forwarding overture. Those three chords can be made to mean many things. Often, they come across as commands by an orchestra to sit up straight and pay attention. They may be dignified or downright quirky and playfully no big deal, just a here-we-go.
Conlon handles them as a sweet, perfectly tuned, almost amorous invitation to pleasure, implying this will be a genial, gracious, laid-back “Flute.” Among his accomplishments in L.A. has been to make the opera’s orchestra capable of producing just such velvety, flowing Mozart, as well as terse, tight theater.
Here, Conlon offers a lesson in the kind of leadership generally lacking in modern society, by simultaneously staying out of the way yet being at the essential center of things. Depth here is not announced, but the care of phrasing implies that there is more to everything Mozart is saying than first meets the ear, that, under it all, the “Magic Flute” is not fantasy but a spiritual lesson in morality.
Many in the cast, this revival, are young singers, not yet well known and new to the company. Sydney Mancasola and Miles Mykkanen, as Pamina and Tamino, are likable, lyric lovers. Kyle Miller catches Papageno’s vulnerable charm. Aigul Khismatullina, Queen of the Night, impresses with the silvery pricks of her high notes, while Kwangchul Youn’s Sarastro, unsteady in middle register, takes on weight at the bottom of his bass. Zhengyi Bai’s lustful Monostatos, disguised in the production as a hammy vampire, almost steals the show a time or two. The Three Ladies and Three Spirits provide vocal allure.
One of the evening’s most theatrical moments, though, came after the music stopped when what sounded like a gun interrupted curtain calls. But as if rescued by a magic flute, an instant of fear turned to joy, glittery gold graffiti filling the Chandler and celebrating Conlon.
‘The Magic Flute’
Where: Dorothy Chandler Pavilion, 135 N. Grand Ave., L.A.
When: Through June 21
Tickets: $49-$440
Running time: About 2 hours, 50 minutes, with one intermission.
The chasm between the Freeway Series rivals was on display in the Dodgers’ 9-2 win against the Angels at Dodger Stadium on Saturday night.
The bottom of the first inning took so long that Dodgers starter Yoshinobu Yamamoto resorted to throwing a ball against the back of the dugout to stay warm.
The one-run lead the Angels (24-41) had jumped out to in the top of the inning — when a leaping center fielder Andy Pages couldn’t quite reel in Oswald Peraza’s deep line drive for an RBI triple — was long forgotten after the Dodgers rallied for nine runs in the first.
Andy Pages celebrates with teammates in the dugout after hitting a two-run home run as part of a nine-run first inning for the Dodgers.
(Ronaldo Bolaños / Los Angeles Times)
It was the most runs the Dodgers scored in a single inning in nearly five years, matching their seventh-inning rally against the Nationals on July 2, 2021.
The Dodgers (42-23) helped themselves with a show of power. Pages drove in the first two runs by crushing a center-cut changeup from Angels starting pitcher Jack Kochanowicz over the left-field wall.
Judging by his stroll out of the batter’s box, Pages seemed to know it was a homer on contact.
The ball had so much loft that reliever Blake Treinen parked under it in the bullpen and caught it with his hat. His fellow relievers mobbed him in an impromptu mosh pit.
Dodgers pitcher Yoshinobu Yamamoto delivers against the Angels in the first inning Saturday at Dodger Stadium.
(Ronaldo Bolaños / Los Angeles Times)
Later in the same inning, after the lineup turned over, Shohei Ohtani also notched a two-run homer, for his second hit. In between, rookie Ryan Ward hit a two-run double off the wall.
The Dodgers brought 12 batters to the plate and recorded six hits in a row — seven total.
The Angels’ shoddy defense exacerbated the scoring spree. They had a chance to get out of it just four runs into the rally.
Kochanowicz had faced eight hitters and only recorded one out when Angels manager Kurt Suzuki turned to his bullpen.
Veteran left-hander Brent Suter jogged in with the bases loaded. Immediately, Suter got Alex Freeland to hit a ground ball to shortstop Zach Neto, for what should have been an inning-ending double play.
Instead, Neto’s throw across his body sailed past second and into foul territory on the other side of the diamond. By the time Angels right fielder Jo Adell collected the ball and threw to the cutoff man, three runs were scored.
Rams defensive end Myles Garrett throws out the ceremonial first pitch Saturday at Dodger Stadium.
(Ronaldo Bolaños / Los Angeles Times)
Ohtani was up next. And in a two-strike count, he stayed inside a sinker to launch his two-run blast to left-center field.
The Angels’ defense didn’t fare much better in the second, although Suter navigated a pair of misplays — Neto muffed a one-hopper up the middle, which was ruled a single, and third baseman Donovan Walton overthrew first on a chopper — to escape without the Dodgers extending their lead.
Yamamoto retired 22 straight en route to eight innings of two-hit ball.
By mid-game, both teams were putting in replacements. The Angels had time to chip away, but they didn’t score again until Neto’s solo homer off Dodgers reliever Jack Dreyer in the ninth inning.
The contrast was glaring.
Smith scratched
Dodgers catcher Will Smith was scratched from the lineup because of a stiff neck, manager Dave Roberts said. The issue “came out of nowhere,” Roberts said, pointing to a “bad night’s sleep or a bad pillow.”
“He was going to play two out of three [against the Angels] regardless,” Roberts said. “So it’s nice that we could kind of tap Dalton [Rushing] on the shoulder and get him in there.”
Roberts said he expects Smith will return to the lineup Sunday.
Injury update
Right-handed reliever Brock Stewart (left foot bone spur) is progressing after a setback a week and a half ago stymied his throwing progression.
The last time Stewart threw live batting practice, he aggravated the injury by running afterward. But throwing to hitters Saturday went better. He’s scheduled to throw one more live BP session before going out on a minor-league rehab assignment, Roberts said.
Roster moves
The Dodgers added right-hander Nick Frasso to the 40-man roster and transferred right-hander Tyler Glasnow (back spasms) to the 60-day injured list.
The team originally expected Glasnow to avoid the IL altogether, but his back issues have persisted. He remains shut down from throwing after a flare-up.
“He wants to get cranking again,” Roberts said, “but the doctors just aren’t allowing it and the body is not allowing for it right now.”
The Dodgers also traded left-hander Antoine Kelly, whom they signed to a minor-league deal in November to the Cubs.
Reid Detmers had a career-high 14 strikeouts and pinch runner Donovan Walton touched home on an errant throw in the ninth to give the Angels a walk-off 2-1 win at Angel Stadium and their first three-game sweep of the season.
With one out and runners on first and second in the ninth, third baseman Oswald Peraza grounded into a fielder’s choice at second. Rangers second baseman Justin Foscue bobbled the ball and first baseman Jake Burger couldn’t cleanly field his throw, allowing Walton to advance from second to score the game-winning run.
The Angels’ dugout erupted as Walton scored.
“That was amazing,” Peraza said. “I went up there and just put the ball in play, and not trying too much. I’m happy for the sweep. And yeah, amazing.”
The win sealed the Angels’ fourth series victory and second three-game winning streak of the year.
Detmers (1-5) entered on a three-game skid and finished dominantly after yielding a second-inning home run to Burger.
The left-handed pitcher ultimately gave up one hit and one run through eight innings — his first time pitching through eight innings in 2026 and first time since his no-hitter as a rookie in 2022 — while setting a new personal best with 14 strikeouts to zero walks.
“I mean, you realize it, but you don’t really think much of it,” Detmers said when asked if he was aware of his strikeout count. “It’s more just, ‘How can I get this next guy out?’ Like I said a little bit ago, just stick with the process, don’t overthink stuff. There’s not a whole lot that goes into it, to be honest with you …”
In front of an announced crowd of 36,903 on “Little League Day” in Anaheim, the 26-year-old used 96 pitches to lower his ERA from 5.07 to 4.57 in the win.
Rangers left-handed starter MacKenzie Gore (3-4) dueled, too, giving up one hit, two walks and one run through six innings.
“Gore was really good today,” Detmers said. “His stuff was really good today. He kept us off balance and got out of a couple of big situations.”
But the Angels’ offense, finishing with four hits, found a way to make do without solely relying on the long ball.
Mike Trout started the Angels’ scoring in the third with a two-out single to score Sebastián Rivero from second and tie the score at one.
The Angels’ run support behind Detmers was far from ideal. But Angels manager Kurt Suzuki is proud of his team’s effort in what was a pitcher’s duel.
“Like we talked about, you put the ball in play, things happen,” Suzuki said. “You never know what can happen when you put the ball in play. And you know, [Peraza] showed right there with the speed and putting it in play … forcing the issue a little bit.”
After Detmers and Gore sat down, Gavin Collyer (0-1) earned the loss, and Angels right-handed reliever Sam Bachman earned his first win of the year after striking out Rangers right fielder Brandon Nimmo to get out of a two-out, bases-loaded jam in the ninth.
Glad his team won, Detmers considers Sunday’s game his second-best career performance after his no-hitter. Suzuki, who was Angels teammates with Detmers during his no-hitter from four seasons ago, also chimed in.
“Yeah, I mean, never discredit a no-hitter, right?” Suzuki said. “A no-hitter is special. But for him, I think what made [Sunday] … he was better was the strikeouts, right? It was not many balls put in play, that’s for sure … He struck out 14 guys, [and] to do it under 100 pitches, that’s even more impressive. That means you’re getting in, getting out of there really quick. So, I think … just probably the best start he’s had.”
Despite the recent uproar among fans frustrated with the Angels, whose 20-34 record is tied for worst in MLB with the Rockies, the Angels aim to stay hot.
“Well, as you know, we need more wins,” Peraza said. “[We’re] working very hard every day for that result.”
