scare

Ten nightmares – one night – Kelly Williams’ favourites in a gauntlet of unforgettable hell at Universal’s Halloween Horror Nights 2025 where she screamed herself hoarse

I’d been anxiously counting down the days until the opening of Universal Orlando’s Halloween Horror Nights and finally, it had arrived.

The air in the park felt electric – thick with fog, echoing with screams and a primal promise that tonight, my nightmares would come alive.

Suddenly, I didn’t feel so brave as my heart jumped into my throat at the sound of chainsaws buzzing in the distance. Before I’d even reached the 10 haunted houses, I found myself in a hunting ground of bloodthirsty zombies as panicked victims urged me to run.

But there was no turning back…

Five Nights at Freddy’s

I started with a childhood-unravelled – the eerie animatronics of Freddy, Bonnie, Chica, and Foxy lurking at every turn of Freddy Fazbear’s Pizza. Jim Henson’s Creature Shop creations looked terrifyingly real, and when Freddy reached forward with his blazing eyes, I jolted.

The flickering cameras, the dim corridors, it was like stepping into a haunted bedtime story that always ends badly. And just as I thought I was safe, a flicker of a poster caught my eye near the exit. The design didn’t quite fit—newer, sharper, like it was whispering about horrors still to come in a sequel I wasn’t ready for.

El Artista: A Spanish Haunting

19th-century Spain never looked so menacing at this original concept house. I wandered into a country manor alive with bloody paintings, possessed by tortured spirits, where artist Sergio Navarro’s vision turned against him and dragged me into madness.

Figures chanted in candlelight, and I was swallowed by pitch-black hallways so disorienting I had to grope along the walls, certain something was right behind me (it was). The Gothic atmosphere and haunting visuals were beautiful yet utterly terrifying.

WWE Presents: The Horrors of The Wyatt Sicks

If every other house had been pure terror, this one was theatrical dread, despite the fact that my WWE knowledge is limited, to say the least. Entering, I passed through a twisted lantern-lit stage into a tunnel filled with the distorted faces of 27 WWE icons, including Bray Wyatt tributes.

The surreal realm of Uncle Howdy, Mercy the Buzzard, Abby the Witch – it was like a haunted wrestling dreamscape laced with sorrow and nightmares. I felt both unnerved and strangely reverent. This house was surprisingly one of my favourites.

Hatchet and Chains: Demon Bounty Hunters

This was raw, fiery chaos – an Old West torn apart by lava demons melting everything in sight. I dodged demonic assaults and swampy lava flows as bounty hunters hunted the chaos, while heat and horror raged around me.

Try as I might, I couldn’t look away, even though behind every corner was a scare actor waiting to spring. My heart jumped into my throat, and I laughed nervously, realising this was just the beginning.

Dolls: Let’s Play Dead

Suddenly, I was doll-sized, trapped in a nightmarish toy world as burnt, stitched, malformed dolls limped from shadows. A twisted little girl named Lyla giggled as I ran, chased by cursed playthings. The scenes were harrowing, and strangely childlike – a grotesque playroom with a dark twist.

Dolls had been tortured in a way that made Sid from Toy Story look like Willy Wonka. Pure nightmare fuel.

Grave of Flesh

I barely had time to steady my breath before I was dropped into my own funeral. In tight, cavernous tunnels, flesh-eating creatures pursued me relentlessly. The narrative is that flesh-eating zombies feast on our corpses when we die and drag our souls into a relentless world of horror.

Panic, claustrophobia, the feeling of being buried alive – it was hell incarnate, and I crawled out trembling.

Gálkn: Monsters of the North

Finally, a Norse-myth horror – ice, fjords, and ancient beasts stirring deep beneath a northern village. I raced through fjord fiends and a monstrous resurrection that felt like stepping into a brutal saga where survival was never guaranteed.

My voice was hoarse from screaming and laughing hysterically at the same time. My group huddled tighter together, knowing the scares came harder when we split apart.

Fallout

Next, I plunged into a decaying Vault 33 that opened into the blasted wasteland of post-apocalyptic Los Angeles. Rad-roaches scuttled by while Lucy’s voice echoed in my head.

Raiders, The Ghoul, even Maximus in his T-60 power armour – every element pulled me deeper into survival terrain, like a living nightmare in the world of Fallout.

Jason Universe

Here’s where I felt my heart really start pounding. Walking through the haunted woods, past the creaking lodge and into the decaying cabins of Camp Crystal Lake – Jason stands silent, relentless, a gauntlet of killers from the Friday the 13th films from 1 to 8.

It pulled me through scenes that felt cinematic, each room ratcheting up the dread, with Jason’s mum even making an appearance.

It wasn’t just nostalgia; it was a matter of being hunted. I bolted out, breathless and, somehow, triumphant that I’d survived what felt like endless corridors of hell – even though I wasn’t sure I wanted to.

Terrifier

Terrifier pushed horror into the realm of the visceral with an intense sensory overload. Art the Clown’s gruesome funhouse assaulted my senses with blood-soaked corridors and a hacksaw kill recreated in sickening detail.

Nauseating smells – faeces, bleach, salted flesh – clung to everything. With 35 bodies and six gallons of “blood” this is Universal’s first “unrated” house. I wanted to look away, but the narrow corridors kept pushing me deeper.

Victims can choose to take the ‘dry path’ or the ‘blood bath’ at the end of the maze. I chose the latter so the finale drenched me in warm, iron-scented water as I staggered out, sticky, unsettled with adrenaline crackling in my veins.

By the time I stumbled out of the last maze, I thought I’d finally be able to breathe. But instead of relief, I was plunged into more horror.

Neon lights from food stalls flickered, barely cutting through the haze. That’s when the sound hit me first—wet dragging footsteps, a low snarl, and then the unmistakable rattle of chains. Zombies appeared from nowhere, their skin mottled, their eyes glazed with hunger.

One carried a dismembered leg on a plate as he shuffled toward me. Another creature, something less human – its body twisted and barnacle-covered like it had risen straight from the depths – lurched over my shoulder.

Everywhere I turned, more figures emerged: a beautifully terrifying woman with teeth sharpened to jagged points, a gruesome gargoyle, and frantic villages begging me to turn back.

I forced myself forward, weaving between the monsters, my pulse hammering as one leaned close enough for me to feel its breath down my neck. And then – just as suddenly as it began – the creatures melted back into the fog, swallowed whole by shadows.

I found myself shaking, my skin damp with sweat and mist, and I realised Halloween Horror Nights didn’t let you escape when you left a house. No, they followed me to my bed that evening, where I relived the horrors all over again.

But in that moment, standing there under the Florida sky, with the distant shrieks of other brave souls echoing around me, I realised I’d done it. Ten houses. Ten nightmares survived. My nerves were fried, my legs ached, but I couldn’t stop grinning.

Halloween Horror Nights wasn’t just about the scares – it was about being fully alive in the middle of the madness.

Book it

Virgin Atlantic Holidays offers seven nights on a room-only basis at the Loews Sapphire Falls Resort in Orlando, starting at £1,719pp, including Virgin Atlantic flights from Heathrow and a ticket to Halloween Horror Nights. Find out more and book at virginholidays.co.uk.

I can’t think of another time that I was quite as terrified as when I walked alone into an interactive horror maze called “Feast” at a chilling carnival-like event called “The Queen Mary’s Dark Harbor: Summoned by the Seas,” which takes place in the parking lot in front of the famously haunted ship, and also in the creepy bowels of its engine rooms, through Nov. 2.

“Dark Harbor,” is the scarier sister event to Griffith Park’s famous “Haunted Hayride.” Both Halloween season fright fests are produced by Thirteenth Floor Entertainment Group, which specializes in seasonal terror. The highlight of the nightly carnivals — which include food and drink booths, bars and rides — are a series of interactive mazes populated by bloody monsters, drooling ghouls, murderous clowns, spectral ghosts and maniacal serial killers.

The spooks are largely played by local actors — many of whom come back year after year for a guaranteed paycheck while pursuing a profession that is anything but financially sound. It is to these hardworking artists that the events owe their success. I was struck by just how dedicated the actors were to scaring us mere mortals out of our pants.

The masks, elaborate makeup and props, including butcher knives and bats, surely help the players stay in character— but this is not easy work. The actors must contend with aggressive guests who try to get in their faces (this is against the rules), as well as shrill, shrieking patrons who jump and run as they approach (guilty!).

But the actors are specially trained to handle these reactions and more.

“Each fall, Queen Mary’s Dark Harbor and Los Angeles Haunted Hayride hire a few hundred performers, most of our cast are locals who come back year after year. We hold open calls in the summer and focus on energy, movement, and presence more than traditional acting experience,” wrote “Dark Harbor‘s” general manager, Star Romano, in an email.

After the performers are hired, Romano explained, they attend orientation, safety training and rehearsals leading into opening weekend.

“It’s a huge community effort, part performance, part team reunion, and one of my favorite things about the season,” Romano wrote.

The result of those efforts led to me sleeping with the lights on for two nights straight.

“Get away from me! I’m too scared!” I shouted at one Leatherface-type character as he approached me with a chain saw.

“That’s the whole point,” he growled under his breath before obeying my wishes and lurching off toward another fear-stricken guest.

(NOTE: For a kid-friendly immersive Halloween experience, you can head to the company’s “Magic of the Jack O’Lanterns,” which features 5,000 hand-carved pumpkins on-site at South Coast Botanic Garden.)

I’m arts and culture writer Jessica Gelt, inviting you to sink into spooky season with me. Here’s your weekly arts and culture news.

On our radar

Benjamin Millepied’s L.A. Dance Project performs “On the Other Side.”

(Laurent Philippe)

L.A. Dance Project
Renowned choreographer Benjamin Millepied continues his exploration of the intersection of dance and visual art with the ballet triptych “Gems,” featuring artwork by collaborators Barbara Kruger, Liam Gillick, Mark Bradford and others. The performance is composed of three contemporary ballets inspired by precious stones: “Reflections” (2013), “Hearts & Arrows” (2014) and “On the Other Side” (2016). The show — with music by David Lang and Philip Glass — marks the first time these pieces have been staged together.
— Jessica Gelt
7:30 p.m. Thursday through Oct. 25. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. https://thewallis.org/show-details/la-dance-project-gems

New York artist Jon Henry stages photographs that reflect on reports of Black men killed by police.

(The Brick)

Monuments
The most eagerly anticipated theme exhibition this fall is reflected in the emphatic title, pointedly written all in caps. “MONUMENTS” was inspired by the wave of revulsion following the violent 2017 white supremacist Unite the Right rally in Charlottesville, Va. — a deadly riot opposing the proposed removal of a local statue of Confederate Gen. Robert E. Lee. That statue is now gone, torn down along with some 200 other tributes across the country to American turncoats who supported chattel slavery. (The last known Confederate monument in Southern California was removed in 2020.)
A selection of decommissioned Confederate statues will be shown at MOCA and alternative space the Brick, joint organizers of the exhibition; they’ll be paired with contemporary work by Bethany Collins, Stan Douglas, Leonardo Drew, Jon Henry, Martin Puryear, Hank Willis Thomas, Kara Walker and a dozen other artists, borrowed and commissioned for the occasion.
— Christopher Knight
Thursday through May 3, 2026. Geffen Contemporary at Museum of Contemporary Art, 152 N. Central Ave., Little Tokyo; The Brick, 518 N. Western Ave. moca.org

Vikingur Olafsson will perform with conductor Santtu-Matias and Philharmonia.

(Timothy Norris / Los Angeles Philharmonic)

Santtu-Matias Rouvali and Vikingur Ólafsson join the Philharmonia Orchestra
It’s been almost a decade since Finnish conductor Santtu-Matias Rouvali, a former Dudamel Fellow at the L.A. Phil, last returned to Southern California as a guest conductor of the L.A. Phil. In the meantime, though, he’s been busily attracting attention in London as principal conductor of the Philharmonia Orchestra (having succeeded Esa-Pekka Salonen in 2021). For his first local appearance with the Philharmonia, he is joined by the stellar Icelandic pianist Vikingur Ólafsson in Ravel’s Piano Concerto in G. The program also includes the local premiere of a new score meant to awaken environmental awareness, popular Mexican composer Gabriela Ortiz’s “Si el Oxígeno Fuera Verde” (If Oxygen Were Green), along with Shostakovich‘s Fifth Symphony. Shortly after fall, Ólafsson heads back to Disney in January as soloist with the L.A. Phil for John Adams’ latest piano concerto, “After the Fall.”
— Mark Swed
8 p.m. Tuesday. Renée & Henry Segerstrom Concert Hall, 615 Town Center Drive, Costa Mesa. philharmonicsociety.org

The week ahead: A curated calendar

FRIDAY

Ethan Remez-Cott, left, and Matthew Goodrich in the play “Amerika or, The Man Who Disappeared.”

(Amanda Weier)

Amerika or, The Man Who Disappeared
There’s Kafkaesque and then there’s the genuine article. Open Fist Theatre Company presents the world premiere of Dietrich Smith’s adaptation of the Franz Kafka novel that details the strange experiences of a 17-year-old European immigrant after he arrives in New York City aboard a steamer.
7:30 p.m. Friday; 7 p.m. Saturday; 2 p.m. Sunday; and 7:30 p.m. Monday, Oct. 20; through Nov. 22. Atwater Village Theatre, 3269 Casitas Ave. openfist.org

Ms. Holmes & Ms. Watson–Apt. 2B
Two free-spirited roommates embrace mystery and adventure in the L.A. premiere of Kate Hamill’s dark modern comedy, a gender-bent spin on Sir Arthur Conan Doyle directed by Amie Farrell.
7:30 p.m. Thursday-Saturday; 2 p.m. Sunday through Nov. 2. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org

नेहा & Neel
Asian American theater collective Artists at Play and Latino Theater Company collaborate for the world premiere of Ankita Raturi’s new comedy about an Indian immigrant and single mom on a cross-country college tour with her 17-year-old American-born son. Directed by East West Players artistic director Lily Tung Crystal.
Through Nov. 16. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org

17th OC Japan Fair
Japanese culture festival featuring food, shopping, a cosplay show, a tuna cutting show, popular Japanese entertainers, traditional instrument performances, games, kimono models meet and greet, and more.
4 p.m.-10 p.m. Friday; noon-10 p.m. Saturday; 11 a.m.-7 p.m. Sunday. OC Fair & Event Center, 88 Fair Drive, Costa Mesa. oc-japanfair.com

David Roussève will perform “Becoming Daddy AF” Friday and Saturday at the Nimoy.

(Rachel Keane)

Becoming Daddy AF
Renowned dance-theater artist David Roussève presents the West Coast premiere of his experimental movement journey “Becoming Daddy AF.” The piece marks Roussève’s first full-length solo performance in more than two decades and explores themes that have touched and shaped his life, including HIV, genealogy and the loss of his husband of 26 years. (Jessica Gelt)
8 p.m. Friday and Saturday. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

Unravelled
The story of Canadian biologist Dr. Anne Adams, who turned to painting at age 53, and her remarkable connection to French composer Maurice Ravel, with whom she shared the same rare brain disease. A play infused with music and visual art, written by Jake Broder and directed by James Bonas.
7:30 p.m. Friday and Saturday; 2 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

SATURDAY

British artist Edmund de Waal will install new work in three sites at the Huntington, including the Chinese garden.

(Linnea Stephan)

The Eight Directions of the Wind
British artist, potter and writer Edmund de Waal is obsessed with archives, which he describes as “places, streets, hillsides as much as card indexes.” For a body of new work, he once traveled to the place in China where the clay used to make porcelain was discovered — and then on to Dresden, Germany; Cornwall, U.K.; and the Appalachian Mountains, where subsequent cultures reinvented it. De Waal’s three site-specific, yearlong installations will be in the Huntington’s cultural and natural “archives” that are its art gallery and Chinese and Japanese gardens. (Christopher Knight)
Through Oct. 26, 2026. The Huntington, 1151 Oxford Road, San Marino. huntington.org

Lorde performs Saturday at the Kia Forum.

(Scott A Garfitt / Invision/AP)

Lorde
Just as her generation has, by all accounts, sobered up and gone sexless, Lorde returned this year with a defiant album about the giddy rush of partying and the frightening ramifications of a body in search of pleasure. “Virgin” pulls her back to the experimental electro-pop many fans were hoping for after the relatively complacent “Solar Power,” and the album is brimming with startling meditations on pregnancy scares, familial inheritance and the malleability of gender. (August Brown)
7 p.m. Kia Forum, 3900 W. Manchester Blvd., Inglewood. thekiaforum.com

Orchidées
Cellist Kate Ellis performs composer Nick Roth’s cello étude — which traces the 100‑million‑year evolution of orchids by translating their DNA sequences into music — accompanied by time‑lapse footage of blooming specimens from the Huntington’s orchid collection. Also available to livestream.
7 p.m. The Huntington, 1151 Oxford Road, San Marino. huntington.org

Tortoise
The lauded post-punk band performs “Touch,” their first new album in nine years with opening sets from local duo Jeremiah Chiu & Marta Sofia Honer and KCRW DJ Ale Cohen.
8 p.m. Saturday. The Broad, outdoor East West Bank Plaza, 221 S. Grand Ave., downtown L.A. thebroad.org

TUESDAY
A Concert for Lowell
A memorial tribute to Lowell Hill, one of the great patrons of new music in L.A., featuring many of the city’s top local artists, including Wild Up, MicroFest, Piano Spheres, the Industry, Partch Ensemble, Monday Evening Concerts, Long Beach Opera and People Inside Electronics.
8 p.m. Monk Space, 4414 W. 2nd Street. brightworknewmusic.com

Morgan Siobhan Green as Eurydice and Nicholas Barasch as Orpheus in the 2022 “Hadestown” North American Tour.

(T Charles Erickson)

Hadestown
The Tony and Grammy Award-winning musical that reimagines the myth of Orpheus and Eurydice as a New Orleans-style folk opera returns on its latest national tour. “Born out of a concept album by Anaïs Mitchell, who wrote the book, lyrics and music, the show travels to the underworld and back again with liquified grace,” wrote Times theater critic Charles McNulty in a 2022 review. “Developed by Rachel Chavkin, the resourceful director who won a Tony for her staging, ‘Hadestown’ achieves a fluidity of musical theater storytelling that makes an old tale seem startlingly new.”
Through Nov. 2. Hollywood Pantages Theatre, 6233 Hollywood Blvd., Hollywood. broadwayinhollywood.com

Learning to Draw
The exhibition traces a 300-year evolution of artistic training and the mastery of drawing in Europe from about 1550 to 1850. Bringing together the physical control of the hand and the concentration of the mind, the foundational artistic act became essential to exploring, inventing and communicating visual ideas in the modern world.
Through Jan. 25, 2026. Getty Museum, 1200 Getty Center Drive. getty.edu

Dispatch: Ben Platt: Live at the Ahmanson

Actor, singer and songwriter Ben Platt stands for a portrait at the Bernard B. Jacobs Theatre in New York on Thursday, April 20, 2023.

(Justin Jun Lee / For The Times)

Breaking news sure to make L.A. musical theater fans swoon: Center Theatre Group announced Friday that Broadway superstar Ben Platt will be in residency for two weeks and 10 shows at the Ahmanson Theatre , Dec. 12–21. Two-time Tony Award-winning director Michael Arden is set to direct the the residency, appropriately titled, “Ben Platt: Live at the Ahmanson.” Platt’s appearance comes a year after he staged a wildly successful three-week residency at Broadway’s Palace Theatre, which included a cornucopia of famous special guests including Cynthia Erivo, Nicole Scherzinger, Jennifer Hudson, Kacey Musgraves, Sam Smith, Micaela Diamond and Shoshana Bean. The production is staying mum on who might appear onstage alongside Platt during his L.A. run, but it’s safe to expect more big names.

“When you think of the very best in musical theatre, it simply doesn’t get any better than Ben Platt, whose stage presence and charisma make him one of the seminal performers of his generation,” said CTG’s artistic director, Snehal Desai, in a news release that promised “the holiday event of the season.”

Tickets and information can be found at centertheatregroup.org.

Culture news and the SoCal scene

Bassist Tonya Sweets, from left, Marlon Alexander Vargas and drummer Dee Simone in “littleboy/littleman,” directed by Nancy Medina, at Geffen Playhouse.

(Jeff Lorch)

A tale from a land of immigrants
Rudi Goblen’s “littleboy/littleman” is in the midst of its world premiere at the Geffen Playhouse. The two-person show about two Nicaragua-born brothers is much like a performance piece, writes Times theater critic Charles McNulty in his review. It’s also a deeply American story. “Lest we forget our past, America is the great democratic experiment precisely because it’s a land of immigrants. Out of many, one — as our national motto, E pluribus unum, has it. How have we lost sight of this basic tenet of high school social studies?” McNulty writes.

Les Miz at 40
I went backstage at the Pantages for the opening night of “Les Misérables,” which happened to coincide with the 40th anniversary of the legendary musical. The mood was euphoric and everyone in the cast and crew seemed to have a story about a formative connection to the show. Stage manager Ken Davis walked me through the maze-like wings and filled me in on what it takes to tour a show of this scale. Of particular note: The touring production travels with 11 tractor trailers containing over 1,000 costumes, 120 wigs and hundreds of props.

Patrick Martinez, “Fallen Empire,” 2018, mixed media

(Michael Underwood)

When the sum is less than the whole
Times art critic Christopher Knight was not impressed by “Grounded,” a newly opened exhibition at the Los Angeles County Museum of Art. The show’s theme, rooted in recent acquisitions of contemporary art, is promising, but ultimately falls apart. Viewed as a whole, “the 39 assembled contemporary paintings, sculptures, photographs, textiles and videos by 35 artists based in the Americas and areas of the Pacific underperform,” writes Knight. “Sometimes that’s because the individual work is bland, while elsewhere its pertinence to the shambling theme is stretched to the breaking point,” Knight writes.

Remembering Bernstein
Tuesday marked the 35th anniversary of Leonard Bernstein’s death, and reminders of the great composer’s tributes to John F. Kennedy abound, writes Times classical music critic Mark Swed. In a piece of commentary about what Bernstein’s work can teach us about memorials, Swed examines multiple L.A. productions rooted in that work, including L.A. Opera’s “West Side Story” and Martha Graham Dance Company’s “En Masse” at the Soraya. Swed also wonders whether those important pieces will reach the Trump administration’s newly configured Kennedy Center in the spring.

Guests attend the K.A.M.P. family fundraiser at the Hammer Museum on Oct. 12, 2025, in Los Angeles.

(Stefanie Keenan / Getty Images for Hammer Museum)

Everyone went home happy
UCLA’s Hammer Museum raised nearly $200,000 last weekend with its 16th annual K.A.M.P. (Kids Art Museum Project) fundraiser. More than 700 excited parents and children showed up at the gloriously messy event co-chaired by Aurele Danoff Pelaia and Talia Friedman. Kids roamed the courtyard over the course of four hours, creating art at stations set up and manned by participating artists including Daniel Gibson; Sharon Johnston and Mark Lee of the Johnston Marklee architecture firm; Annie Lapin; Ryan Preciado; Rob Reynolds; Jennifer Rochlin; Mindy Shapero; Brooklin A. Soumahoro; and Christopher Suarez. Fairy Gardens were constructed of thick clay and foraged leaves; cardboard boxes were painted with rollers; plates were spray-painted and affixed with knickknacks and jewelry; and geometric shapes were glued to canvases and painted an array of bright colors. Children went home with their art, and parents left knowing they supported a host of free Hammer Kids programs that serve thousands of children and families annually.

Fair wages on Broadway
Musicians working on Broadway, represented by AFM Local 802, voted to authorize a strike earlier this week — with 98% in favor. The nearly 1,200 musicians have been working without a contract since Aug. 31. According to an open letter the musicians sent to the Broadway League on Oct. 1, their demands include: “Fair wages that reflect Broadway’s success. Stable health coverage to allow musicians and their families to enjoy the health benefits that all workers deserve. Employment and income security so that hardworking freelance musicians have some assurance of job security. This includes not eliminating current jobs on Broadway.” Bargaining talks are ongoing.

Gene Hackman co-stars in “Bonnie and Clyde,” alongside Warren Beatty and Faye Dunaway.

(Associated Press)

Gene Hackman, art collector
The late actor Gene Hackman’s art collection will go up for auction through Bonhams in November. Highlights of the 13-piece collection — which is being offered as a single-owner sale — include works by Milton Avery, Auguste Rodin and Richard Diebenkorn. Hackman was passionate about art throughout his life, and took an extra-special interest in it after he stopped acting. During that time he dedicated himself to taking classes and art-making. He even kept a journal of everything he learned, according to Bonhams.

Historic homes tour
Paging architecture fans: It’s not too late to reserve a spot in Dwell’s open-house event, back in L.A. for its second year. Tours of three historically significant Eastside homes are on offer during the day-long event, which launches from Frank Lloyd Wright’s Hollyhock House in Barnsdall Art Park. The three additional houses in the tour are: Richard Stampton’s Descanso House in Silver Lake; Taalman Architecture, Terremoto, and interior designer Kathryn McCullough’s Lark House in Mount Washington; and Fung + Blatt’s San Marino House in — you guessed it — San Marino.

— Jessica Gelt

And last but not least

Still feeling sad about losing Diane Keaton? Me too. Here’s a list I put together of her 10 most important films. Watch one you haven’t seen — if that’s possible.

Coronation Street spoilers for next week reveal worrying scenes for Asha Alahan, while Kevin Webster wants revenge and Tim Metcalfe’s shocking past is confirmed

There’s some big moments on Coronation Street next week, and some emotional scenes according to new spoilers.

Asha Alahan takes centre stage as she struggles to cope, with a hospital dash sparking fears about her mental wellbeing. Her family are left devastated, with questions raised as to whether she has attempted to take her own life.

There’s concern for Theo Silverton too as he continues to target his partner Todd Grimshaw amid his recent abuse. Abi Franklin is left out in the cold, and Kevin Webster takes brutal action.

The key storyline is Asha’s turmoil which she continues to hide from her loved ones. Her stepmother Bernie Winter is worried about her after recent events, with Asha avoiding work ever since the vile and racist abuse she faced weeks earlier.

READ MORE: Emmerdale spoilers tease Robron future and new Robert mystery after John updateREAD MORE: Emmerdale’s Anthony ‘not the body dug up by Caleb’ as John’s real victim ‘revealed’

Asha remains exhausted and hits the bottle, before telling Brody to mind the shop while she heads out. She leaves Brody panicked as he’s left in charge, with Asha suddenly heading down the street in tears.

But in a concerning turn of events we next see Asha in a bad way, having been found by Theo with Amy Barlow also at the scene. Dev races out and sees a paramedic tending to his daughter, while the paramedic asks Dev and Amy whether Asha may have taken any drugs.

Dev fears for his daughter at the hospital, where he’s met by Asha’s paramedic colleague Sienna who reveals drugs were found on his daughter. Bernie is with him, and she shocks her husband when she asks Sienna if Asha tried to kill herself. Will Asha be okay, and what has happened?

Later in the week Dev spirals over his daughter’s hospital dash. He tells his wife that he can’t help feeling angry that Asha was prepared to put the family through so much pain. So does this mean Asha did try to harm herself?

When Dev visits his daughter at the end of the week, it’s not clear if Asha is okay and if she is, what she will reveal. Elsewhere next week, Tim Metcalfe sparks concern as he faces someone from his past, leading to a worrying confession.

Tim recognises newcomer Trisha as someone he knew in the 80s. When he sees her again later while out for a drink with his wife Sally Metcalfe, Tim explains that they know each other.

Later in the week Trisha pops by at the cab office to see Tim, leaving Sally unnerved. She introduces herself as Tim’s wife, before berating her husband for being with Trisha instead of her.

Sally storms out, leaving Tim to reminisce about Trisha. But what he says about her leaves pal Brian stunned. He claims he was in a relationship with Trisha years earlier, but says he was only 14 years old and she was nearly 20.

Brian wastes no time in accusing Trisha of grooming Tim as a child, leaving her and Tim mortified. Brian urges Tim to face the fact that Trisha groomed him. When Sally finds out about the relationship, Tim admits that he was 14 when Trisha, 20, took his virginity leaving Sally shocked.

Also next week, Theo reappears after his sudden disappearing act last week. With him not being in touch, Todd is concerned for his partner, only for Theo to find an unresponsive Asha slumped on a bench in Victoria Garden.

He shouts for help before he faces a telling off from Todd. When Amy tells Todd that if it wasn’t for Theo things may have turned out very differently for Asha he’s left thoughtful.

Later in the week Todd lies to Theo on the day of Noah’s funeral, hiding from him that he’s got an appointment at the hospital to check for bowel cancer. He tells pal Billy Mayhew who agrees to go with him.

When Theo later spots them together he’s furious. Finally next week, Abi continues her secret relationship with brother-in-law Carl Webster after her split from husband Kevin Webster.

Debbie Webster demands they end things, knowing the truth about their affair. She also urges Kevin to hire a lawyer as Abi “isn’t to be trusted”. Fearing she’s about to be exposed, Abi sends a message to Carl to warn him that Kevin knows everything.

However, Abi is mortified when she realises she’s sent the text to Kevin by mistake. As Carl attempts to get hold of Kevin’s phone to delete the text, will it be too late? It seems so as at the end of the week Kevin kicks her out of the home.

Coronation Street airs Mondays, Wednesdays and Fridays at 8pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

One resident on Emmerdale will be left ‘devastated’ after a discovery on the ITV soap next week, linked to a separate character’s health scare according to new spoilers

Two characters face a worrying time on Emmerdale next week, with a “devastating” discovery linked to a character’s health scare.

New spoilers for next week’s episodes, released earlier this week, share fan favourite Liam Cavanagh is concerned about a potential diagnosis. Liam’s concern over a health issue leaves him fearing he may have cancer.

Soon the doctor is forced to confess all to his worried fiancée Chas Dingle, leaving her “devastated” when she finds out what her partner has been going through on his own. It kicks off following scenes this week, which showed Liam caught urinating at the allotments by Claudette Anderson.

He was forced to explain that he’s been having issues, unable to control when he ‘relieves himself’. Claudette urged Liam to see someone, and next week he continues to avoid this.

READ MORE: EastEnders Michelle Collins drops cryptic hint over Lauren and Peter weddingREAD MORE: Emmerdale spoilers tease Caleb mystery, Gabby’s secret revealed and Liam’s health fears

Spoilers reveal that Claudette catches up with Liam, and she tells him he needs to attend the appointment for his prostate. With Liam putting it off and avoiding the appointment, Claudette pleads with him repeatedly over the week to rebook it.

He gets her to cancel the initial appointment, and refuses to rebook as he ignores what’s going on. Soon enough someone else finds out what Liam is facing, as his colleague Manpreet Sharma witnesses a desperate Liam relieving himself in his own consulting room hand basin.

She knows something is very wrong and asks him about it, eventually getting to the truth. Liam tries to ignore it all but Manpreet urges him to face up to his health scare, with him also realising he needs to tell his partner Chas too.

He comes clean to Chas who is left “devastated” to hear Liam fears he may have prostate cancer. Gutted that Liam hadn’t confided in her she does her best to support Liam.

But will Liam be okay, as he finally agrees to an appointment to find out what is going on? It comes amid a dramatic time for Chas and Liam, after Chas’ son Aaron Dingle was almost killed by his husband John Sugden.

John has finally been exposed as a baddie, with it now known he framed Ella Forster for the harassment campaign against Chas and Liam. John set the whole thing up ahead of their planned wedding, in order to make himself seem the hero and in order to get Ella away from the village after her heartbreak over the couple getting together.

Viewers can watch these scenes play out next week!

Emmerdale airs weeknights at 7:30pm on ITV1 and ITVX, with an hour-long episode on Thursdays. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Despite claims that they wouldn’t be having a 23rd child, the Radfords have shocked viewers after a clip from the show appears to show Sue experiencing a pregnancy scare

Sue Radford has shocked viewers and sparked rumours of a pregnancy scare after a clip from an upcoming episode of 22 Kids and Counting showed her panic over a late period and “crazy” hormones.

Sue, who shares 22 children with husband Noel, turned 50 in March, and in the next episode of the reality show documenting the family’s life, we get to follow the lead-up to the milestone. In the promotional clip ahead of the air date, Sue can be seen saying: “My 50th is coming up, I feel like my hormones are crazy.”

In the 30-second video, we then hear a woman telling her: “I think it’s really risky for you to stop the pill.” The clip dramatically cuts to Sue approaching Noel and telling him she needs to talk because her period is “late”. The video ends on a cliff hanger, with both Noel and Sue stating: “Oh my God.”

The couple already have 22 children, who are: Chris, Sophie, Chloe, Jack, Daniel, Luke, Millie, Katie, James, Ellie, Aimee, Josh, Max, Tillie, Oscar, Casper, Hallie, Phoebe, Archie, Bonnie, and Heidie. Their 17th child, Alfie, was sadly still born in 2014.

Despite the show hinting at a possible pregnancy scare, Sue and Noel, 54, have previously insisted that Heidie was their last child. The five-year-old went to school for the first time last September, and Sue told the Mirror that she was finally enjoying having some free time with all the kids now out the house.

She said: “But I have to confess I did cry when she went to school. It’s such a big moment – your last baby going to school and you don’t have any more at home. I do also love having the house full and bustling.”

Ahead of her 50th this year, Sue explained that this birthday was a “big deal”, saying: “I said: ‘You know what, because I am turning 50, I am definitely having a whole year of celebrations!’”

The whole family, including the grandkids, headed to Disney World in Florida, US, to celebrate Sue in the Easter holidays. On her birthday, Noel wrote a heart-warming Instagram caption for his wife, in which he said: “Myself and all of our children want to wish this beautiful, loving, caring lady who we all call Sue and Mum a Happy big 50th Birthday today or as Sue says I’m 49 plus 1.”

Another milestone was celebrated in the Radford house this week, as Max received his GSCE results. The family announced the news of his success online, writing: “We are so incredibly proud of Max he passed his GCSE with mainly 7 and 8’s.”

They added: “He is so incredibly happy, well done Max we knew you would do it, very proud mum and dad moment.”

22 Kids and Counting is available to watch on My5

Bournemouth fight back from two down but Liverpool secure late win on emotional Anfield night.

Liverpool talisman Mo Salah and fellow forward Federico Chiesa struck late goals as the Premier League champions began the defence of their title by beating Bournemouth 4-2 in a thriller on the opening night of the season at Anfield.

On a bittersweet Friday evening charged with emotion after the July death of Liverpool forward Diogo Jota, newcomer Hugo Ekitike bagged a goal on his league debut to put the hosts ahead after 37 minutes, and Cody Gakpo doubled the lead in the 49th.

But Antoine Semenyo, who was the target of racist abuse in the first half that led to a pause in the game, pulled one back for the visitors in the 64th minute and completed a double 12 minutes later to rock Liverpool and shock the home fans.

However, substitute Chiesa sent the Liverpool faithful away happy with an 88th-minute strike after goalkeeper Djordje Petrovic swatted away a ball into the box by Salah, who scored himself deep into added time to wrap up the three points.

Salah chased the ball past the defence before cutting inside and firing into the bottom corner with a goal that put the Egypt international joint-fourth with Andy Cole on the all-time Premier League scorers’ list with 187.

An emotional Salah pointed to the heavens and flapped two hands to mimic Jota’s shark goal celebration.

He headed for The Kop stand after the final whistle and wiped away tears while applauding the fans who were singing Jota’s song to the tune of Bad Moon Rising.

The night started with an emotional minute’s silence for Jota and his brother Andre Silva, who died in a car crash. Fans fought back tears as they sang You’ll Never Walk Alone.

Ekitike, who has joined from Eintracht Frankfurt, was the most impressive of manager Arne Slot’s close-season signings in a spending spree topping 300 million pounds ($406.53m).

“Obviously, I think it was a good performance, I could do better,” said Ekitike, who held up two fingers in one hand, and made a zero with the other after his goal, a tribute to Liverpool’s Jota, who wore number 20.

“But the most important thing was winning, the mentality we showed. Obviously, we wanted to win tonight for the people who came and for Diogo,” added the 23-year-old forward.

The game was halted for several minutes after Bournemouth’s Ghana international Semenyo reported the racist abuse.

“It’s totally unacceptable,” Bournemouth captain Adam Smith said. “Kind of in shock to be honest that it happened. In this day and age, it shouldn’t be happening.

“I don’t know how Ant’s played on to be honest and come up with those goals … Something has to be done. We’ll support him in there and hopefully, he’ll be OK.”

Damon Heta beats James Bailey 6-0

From Jack Harris: The Dodgers lost the game Wednesday night.

What was more important, however, was that they didn’t lose their two-way star.

In the Dodgers’ 5-2 defeat to the Cincinnati Reds at Great American Ball Park, Shohei Ohtani left the mound alongside a trainer in the fourth inning with what the team later said was only cramping — a worrying scene in the moment, quickly alleviated by a seemingly benign injury announcement.

Ohtani remained in the game as a designated hitter, going 0-for-5 on the night.

The rest of the Dodgers’ lineup didn’t do much better, with Freddie Freeman’s two-run home run in the top of the fourth inning representing their only scoring.

It was a half-inning later that Ohtani’s injury scare occurred.

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Dodgers begin deadline with minor trade, while still seeking upgrades in bullpen and outfield

Dodgers box score

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UCLA NEWSLETTER

We have a new newsletter! It’s called UCLA Unlocked, and yes, you guess it, it’s about UCLA athletics, from football to basketball to baseball to you name it, it will be covered here.

Get informed and entertained about everything Bruin sports, from takeaways on the latest big game to recruiting buzz. We’ll also remember some of the greatest athletes, coaches and games that made UCLA sports so special.

The newsletter will be interactive, including polls and questions about UCLA sports old and new. It’ll also cover the school’s tradition-rich Olympic sports, highlighting one each week.

The newsletter will be emailed to you every Monday morning.

You can sign up for it here. And you can’t beat the price: Free!

ANGELS

The Angels acquired relievers Andrew Chafin and Luis García from the Washington Nationals in a trade for left-hander Jake Eder and minor league first baseman Sam Brown.

The Angels announced the deal to bolster their bullpen on Wednesday. The team also designated left-hander José Quijada for assignment to make room on its 40-man roster.

The 35-year-old Chafin joins his eighth major league team after going 1-1 with a 2.70 ERA in 26 appearances for Washington this season. Left-handed hitters are batting just .147 against him.

The Angels have one of the majors’ highest bullpen ERAs despite the presence of closer Kenley Jansen, who has 20 saves and a 2.93 ERA in another strong season.

Continue reading here

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Nathan Eovaldi limited the Angels to a run in seven innings, Adolis García hit a two-run homer in the eighth and the Texas Rangers beat the Angels 6-3 on Wednesday night.

Eovaldi (9-3) helped the Rangers avoid a series sweep and snap the Angels’ three-game winning streak. He allowed six hits and struck out four.

Marcus Semien was three for five with an RBI and two runs. He doubled and opened the scoring on Wyatt Langford’s single in the fourth, and had an RBI single in the sixth. Langford was two for five with a double.

Continue reading here

Angels box score

MLB scores

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RAMS

From Gary Klein: NFL careers typically do not last long.

For most players, getting to a second contract is challenging. And careers that extend well beyond that milestone are uncommon in a business that churns through talent.

So when Ahkello Witherspoon began his career in 2017, he could not envision that he would be preparing for his ninth season.

“I had no idea,” the Rams cornerback said.

Witherspoon, 30, is the most veteran player in a Rams secondary that remains unchanged in personnel from when the Rams advanced to the NFC divisional round.

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CHARGERS

From Sam Farmer: What Antonio Gates did as a Chargers tight end was remarkable.

But what he didn’t do was just as impressive.

Gates, who will be enshrined Saturday in the Pro Football Hall of Fame, is the only player to reach that pinnacle without a single snap of college football. He was a basketball star at Kent State, a half-hour up the road from Canton, Ohio, and never seemed to give football a second thought, even though he was a two-sport high school phenom in his hometown of Detroit.

“I never in a million years when he was playing basketball at Kent State thought he would be a professional football player,” said Steve Sefner, the school’s play-by-play announcer when the 6-foot-4 power forward was routinely dominating taller opponents.

“He had an elite first step, point-guard skills, making reads, passing,” recalled Anthony Wilkins, now a basketball assistant coach at the University of Nevada Las Vegas, and then Kent State’s co-captain with Gates. “We could put the ball in Tone’s hands and literally run the offense through him.”

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Chargers preseason preview: Five players to watch in opener

From Ben Bolch: It was 68 degrees and overcast, a cool coastal breeze wafting across the practice fields, when UCLA commenced its first off-campus football training camp in nearly a decade.

San Bernardino, this was not.

With 55 newcomers dotting a roster of 105, not to mention eight new assistant coaches, the Bruins’ camp that started in Costa Mesa on Wednesday morning was more about togetherness than toughness in the triple-digit temperatures of the Inland Empire.

Every offensive player was matched with a roommate from the defense or special teams. A series of bonding exercises was planned inside and outside the nearby team hotel. Everything the Bruins do over the next 2 ½ weeks will be of the get-to-know-you variety.

“I have a lot of tough guys, but it’s more of the connection,” coach DeShaun Foster said. “There’s a lot of new coaches and players, so I just wanted to find a way to make us be able to connect a little bit more, you know? To be able to eat three meals with each other and just get close.”

Continue reading here

From Ryan Kartje: Eight weeks ago, on the first day of USC football’s summer workout program, Trumain Carroll hoped to drive home one particular message.

How you do one thing, he told the team, is how you do everything.

Carroll had just been hired as USC’s new strength and conditioning coach, replacing Bennie Wylie, who was abruptly let go in April. The late start for Carroll left him with only so much time to lay a foundation. But this lesson was especially critical. Not only was it one of his core beliefs as a strength coach, it was also one of the main reasons he was brought to USC, where discipline, especially late in games, had often unraveled.

Carroll knew, that first day, that he needed to make clear how much details mattered. So when the team was lacking effort during warm-ups, he made players start again. And again. Soon enough, before the workout even started, they were out of time.

Continue reading here

THIS DAY IN SPORTS HISTORY

1932 — France beats the U.S. 3-2 for its sixth consecutive Davis Cup championship.

1934 — Britain, led by Fred Perry and Bunny Austin, defeats the U.S. 4-1 at Wimbledon to win the Davis Cup title.

1942 — Jockey Bill Turnbull wins seven of nine races at Rockingham Park in Salem, N.H.

1973 — Julius Erving, the American Basketball Association’s leading scorer, is traded by the cash-strapped Virginia Squires to the New York Nets for forward George Carter and cash.

1983 — Jan Stephenson beats JoAnne Carner and Patty Sheehan by one stroke to win the U.S. Women’s Open.

1993 — Mike Aulby becomes the third player in PBA history to win a tournament by rolling a 300 game in the title game. Aulby beats David Ozio 300-279 in the Wichita Open.

1994 — Sergei Bubka sets a world pole vault record for the 35th time in his career at a meet in Sestriere, Italy. Bubka soars 20 feet, 1¾ inches, adding a half-inch to his mark set in Tokyo in 1992.

2000 — Dorothy Delasin becomes the LPGA’s youngest winner in 25 years by beating Pat Hurst on the second extra hole to win the Giant Eagle LPGA Classic. The 19-year-old Delasin is the youngest winner on the tour since Amy Alcott took the Orange Blossom Classic at age 19 in 1975.

2005 — Grant Hackett becomes the first swimmer to win four straight world titles in the same event, capturing another 1,500-meter freestyle. The Aussie stretches out his own record for world championship medals to 17.

2007 — All-Star Kevin Garnett is traded from the Minnesota Timberwolves to Boston for five players and two draft picks. The Celtics obtain the former MVP and 10-time All-Star from Minnesota for forwards Al Jefferson, Ryan Gomes and Gerald Green, guard Sebastian Telfair and center Theo Ratliff and two first-round draft picks.

2011 — Yani Tseng wins the Women’s British Open for the second straight year, beating Brittany Lang by four strokes and becoming the youngest woman to capture a fifth major title. The 22-year-old top-ranked Taiwanese shot a 3-under 69 to finish at 16-under 272.

2012 — Michael Phelps breaks the Olympic medals record with his 19th, helping the U.S. romp to a 4×200-meter freestyle relay victory at the London Games. With 19 medals spanning three Olympics, Phelps moves one ahead of Soviet gymnast Larisa Latynina, who got her haul in 1956, 1960 and 1964.

2012 — The team of Gabrielle Douglas, McKayla Maroney, Alexandra Raisman, Kyla Ross and Jordyn Wieber lives up to all the hype, winning the first U.S. Olympic title in women’s gymnastics since 1996.

2021 — Katie Ledecky wins the women’s 800m gold in Tokyo. This is the third consecutive Olympics she has won the race.

THIS DAY IN BASEBALL HISTORY

1930 — Lou Gehrig drove in eight runs with a grand slam and two doubles, and the New York Yankees outlasted the Boston Red Sox 14-13.

1932 — Cleveland’s Municipal Stadium opened and Lefty Grove and the Philadelphia A’s beat the Indians 1-0 before 76,979 fans.

1934 — The St. Louis Cardinals defeated the Cincinnati Reds 8-6 in 18 innings at Cincinnati as Dizzy Dean and Tony Freitas both went the distance.

1954 — Joe Adcock hit four home runs and a double to lead the Milwaukee Braves to a 15-7 victory over the Brooklyn Dodgers at Ebbets Field. Adcock’s 18 total bases set a major league record at the time. Adcock homered in the second inning off Don Newcombe, doubled in the third and homered in the fifth off Erv Palica. He connected off Pete Wojey in the seventh and off Johnny Podres in the ninth. Adcock saw only seven pitches and his double off the left-center field fence just missed going out by inches.

1961 — The All-Star Game ended in a 1-1 tie at Fenway Park because of heavy rain.

1981 — The second baseball strike ended after 42 days.

1990 — Nolan Ryan, 43, won his 300th game, reaching the milestone in his second try, as the Texas Rangers beat the Milwaukee Brewers 11-3.

2002 — Mike Mussina became the second pitcher in major league history to give up six doubles in one inning, during the New York Yankees’ 17-6 loss to Texas. Hall of Famer Lefty Grove allowed that many with Boston in 1934 against Washington.

2003 — John Smoltz broke his own record as the fastest pitcher to record 40 saves by pitching a scoreless ninth in Atlanta’s 7-4 win over Houston. Last year, he got his 40th save on Aug. 8, en route to breaking the NL record with 55.

2007 — The New York Yankees tied a franchise record by hitting eight home runs, including two by Hideki Matsui, in a 16-3 rout of the Chicago White Sox. New York last hit eight homers in a game in a doubleheader opener at the Philadelphia Athletics on June 28, 1939.

2010 — Carlos Gonzalez hit a game-ending home run to complete the cycle, and Colorado rallied to a 6-5 win after blowing a three-run lead in the eighth inning to the Chicago Cubs.

2011 — Ricky Nolasco scattered 12 hits, Emilio Bonifacio homered and Florida handed the Atlanta Braves the 10,000th loss in franchise history. With the 3-1 loss, the Braves become the second big league team with 10,000 losses. The Phillies reached that mark in 2007.

2015 — New York’s Mark Teixeira homered from both sides of the plate for the record 14th time, hitting his 10th grand slam and a two-run homer that led the Yankees past the Chicago White Sox 13-6.

2021 — Seby Zavala becomes the first player in MLB history to record his first three home runs in the same game.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at [email protected]. To get this newsletter in your inbox, click here.

On Sunday, our thoughtful and reserved president reposted on his Truth Social site a video generated by artificial intelligence that falsely showed former President Obama being arrested and imprisoned.

There are those among you who think this is high humor; those among you who who find it as tiresome as it is offensive; and those among you blissfully unaware of the mental morass that is Truth Social.

Whatever camp you fall into, the video crosses all demographics by being expected — just another crazy Trump stunt in a repetitive cycle of division and diversion so frequent it makes Groundhog Day seem fresh. Epstein who?

But there are three reasons why this particular video — not made by the president but amplified to thousands — is worth noting, and maybe even worth fearing.

First, it is flat-out racist. In it, Obama is ripped out of a chair in the Oval Office and forced onto his knees, almost bowing, to a laughing Trump. That imagery isn’t hard to interpret: America’s most esteemed Black man — who recently warned we are on the brink of losing democracy — forced into submission before our leader.

The video comes as Trump claims that Tulsi Gabbard, director of national intelligence, has uncovered a “treasonous conspiracy in 2016” in which top Obama officials colluded with Russia to disrupt the election. Democrats say the claim is erroneous at best.

If you are inclined to give Trump the benefit of the doubt, right before this scene of Obama forced to kneel, a meme of Pepe the Frog — an iconic image of the far-right and white supremacy — flashes on the screen.

Not subtle. But also, not the first time racism has come straight from the White House. On Monday, the Rev. Amos Brown, pastor of San Francisco’s Third Baptist Church and a student of Martin Luther King Jr., reminded me that not too long ago, then-President Woodrow Wilson screened the pro-KKK film “The Birth of a Nation” at the executive mansion. It was the first film screening ever held there, and its anti-Black viewpoint sparked controversy and protests.

That was due in no small part to a truth that Hollywood knows well — fiction has great power to sway minds. Brown sees direct similarities in how Wilson amplified fictional anti-Blackness then, and how Trump is doing so now, both for political gain.

“Mr. Trump should realize that Obama hasn’t done anything to him. But just the idea, the thought of a Black person being human, is a threat to him and his supporters,” Brown told me.

Brown said he’s praying for the president to “stop this bigotry” and see the error of his ways. I’ll pray the great gods give the reverend good luck on that.

But, on the earthly plane, Brown said that “the more things change, the more they remain the same.”

Trump courted the Black vote and has his supporters among people of all colors and ethnicities, but he’s also played on racist tropes for political success, from stoking fear around the Central Park Five, now known as the Exonerated Five, decades ago to stoking fear around Black immigrants eating cats and dogs in Ohio during the recent election. It’s an old playbook, because it works.

Reposting the image of Obama on his knees is scary because it’s a harsh reminder that racism is no longer an undercurrent in our society, if it ever was. It’s a motivator and a power to be openly wielded — just the way Wilson did back in 1915.

But the differences in media from back in the day to now are what should raise our second fear around this video. A fictional film is one thing. An AI-generated video that for many people seems to depict reality is a whole new level of, well, reality.

The fear of deepfakes in politics is not new. It’s a global problem, and in fairness, this isn’t the first time (by far) Trump or other politicians have used deepfakes.

Trump last year reposted an image of Taylor Swift endorsing him (which never happened). Also last year, during the election and the height of the Elon Musk-Trump bromance, the billionaire posted a fake photo of political challenger Kamala Harris dressed in what looked like a communist military uniform.

Trump himself has not been immune. In 2023, Eliot Higgins, the founder of the investigative outlet Bellingcat, said he was toying with an AI tool and created images of Trump being arrested, never thinking it would go viral (especially since one image gave Trump three legs).

Of course it did, and millions of people looked at these fake pictures, at least some assuming they were real.

The list of deepfake political examples is long and ominous. Which brings us to the third reason Trump’s latest use of one is unsettling.

He clearly sees the effectiveness of manipulating race and reality to increase his own power and further his own agenda.

Obama on his knees strikes a chord all too close to the image of Latino Sen. Alex Padilla being taken to the floor by federal authorities a few weeks ago during a news conference. It bears chilling resemblance to the thousands of images flooding us daily of immigrants being taken down and detained by immigration officers in often violent fashion.

Videos like this one of Obama are the normalizing, the mockery, the celebration of the erosion of civil rights and violence we are currently seeing being aimed at Black, brown and vulnerable Americans.

There is nothing innocent or unplanned about these kinds of videos. They are a political weapon being used for a purpose.

Because when repetition dulls our shock of them, how long before we are no longer shocked by real images of real arrests?

MasterChef’s Gregg Wallace was reportedly rushed to hospital for a suspected heart attack, just days before the TV presenter faced fresh misconduct accusations from 50 people

Shamed MasterChef host Gregg Wallace has been sacked after 50 more people complained about him – but he has vowed to fight back. The 60-year-old accused BBC News of “peddling gossip” after it claimed to have received dozens of new complaints about him, ranging from sexual comments to groping. Wallace accepts his humour was “inappropriate” on the show. And a source close to him admits a social media video in which he lashed out at “middle-class women of a certain age” was a sackable offence.

But he still believes himself to be a victim and called the new claims “baseless and sensationalised”. He insisted: “I will not go quietly. I will not be cancelled for convenience.”

It comes just days after the TV presenter was reportedly rushed to hospital with a suspected heart attack. The 60-year-old was treated at a hospital in Ashford, Kent, after two days of agonising chest pain. A friend told The Sun: “The stress of this betrayal brought on my suspected heart attack. It’s been hell.” It is reported that two days after leaving hospital, Wallace was told that his contract would be terminated.

MasterChef production company Banijay is expected to release the ­findings of a six-month review into his behaviour tomorrow or on Friday. The review, by law firm Lewis Silkin, was ordered after allegations of i­nappropriate sexual behaviour on the set of the BBC cooking show were made against Wallace last year. His lawyers said then: “It is entirely false that he engages in behaviour of a sexually harassing nature.”

A Banijay insider said many of the BBC’s latest allegations are likely to have already been examined during the review. One source who has read the 200-page report said Wallace’s worst mistake was his December 2024 video about the initial allegations, in which he said: “The complaints [are] from a handful of middle-class women of a certain age.” The source added that alone was a “dismissible offence”.

Yesterday, the presenter posted a five-page statement on social media. Wallace said: “I recognise my humour and language, at times, was inappropriate. For that, I apologise.

“I have now been cleared by the Silkin report of the most serious and sensational accusations. The most damaging claims, including allegations from public figures which have not been upheld, were found to be baseless after a full and forensic six-month investigation.”

The presenter said he had taken the decision to speak out ahead of the publication of the Silkin report because: “I cannot sit in silence while my reputation is further damaged.”

Wallace claimed the new BBC News allegations included “legally unsafe accusations” which had been “found not credible by Silkin”.

He said allowing the stories to run ahead of the report was an attempt to derail the process. And in response to claims that the BBC had “fired” him, a spokesman said that this was ­impossible, because it was not his employer. Wallace, whose young son Sid has autism, argued that he should have been better looked after.

He added: “I was hired by the BBC and MasterChef as the cheeky greengrocer. A real person with warmth, character, rough edges and all. For over two decades, that ­authenticity was part of the brand.

“Now, in a sanitised world, that same personality is seen as a problem. My neurodiversity, now formally ­diagnosed as autism, was suspected and discussed by colleagues across countless seasons of MasterChef.

“Yet nothing was done to investigate my disability or protect me from what I now realise was a dangerous environment for over 20 years. That failure is now being quietly buried.”

He added: “I was tried by media and hung out to dry before the facts were established. The full story of this incredible injustice must be told.”

A source close to Wallace insisted he had been made the fall guy. They added: “This is about protecting a format, one of the most valuable formats that Banijay and the BBC has. And what they should be doing is having a clean start and not just chucking one bloke under the bus. Gregg has employed a lawyer and he’s going for blood. The report talks about him being odd – the guy has got autism and it was never addressed. It’s been a trial by social media and a big pile-on.

“All these things, when they’re looked at by a lawyer, are not true. Bullying Penny Lancaster? Not true. Vanessa Feltz? No evidence. It’s about him having a terrible sense of humour and telling rude jokes.”

The pal said that dad-of-three Wallace was “in a bad way”, warning: “This guy is fragile. When everything has been taken away like this, it’s quite overwhelming.”

One MasterChef insider said that no conversation over Wallace’s future employment had yet taken place. The latest allegations include two women who said Wallace exposed himself to them, a student who says he put his hand up her skirt in 2013 and another woman who claims he groped her the previous year.

It is not clear how many of the 50 allegations have been examined by the review lawyers, who looked only at allegations relating to MasterChef. The BBC said: “We are not going to comment until the investigation is complete and the findings published.”

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