Ten nightmares – one night – Kelly Williams’ favourites in a gauntlet of unforgettable hell at Universal’s Halloween Horror Nights 2025 where she screamed herself hoarse
Kelly Williams Assistant News Editor (Live)
09:30, 31 Oct 2025
This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
The air in the park felt electric – thick with fog, echoing with screams and a primal promise that tonight, my nightmares would come alive.
Suddenly, I didn’t feel so brave as my heart jumped into my throat at the sound of chainsaws buzzing in the distance. Before I’d even reached the 10 haunted houses, I found myself in a hunting ground of bloodthirsty zombies as panicked victims urged me to run.
But there was no turning back…
Five Nights at Freddy’s
I started with a childhood-unravelled – the eerie animatronics of Freddy, Bonnie, Chica, and Foxy lurking at every turn of Freddy Fazbear’s Pizza. Jim Henson’s Creature Shop creations looked terrifyingly real, and when Freddy reached forward with his blazing eyes, I jolted.
The flickering cameras, the dim corridors, it was like stepping into a haunted bedtime story that always ends badly. And just as I thought I was safe, a flicker of a poster caught my eye near the exit. The design didn’t quite fit—newer, sharper, like it was whispering about horrors still to come in a sequel I wasn’t ready for.
El Artista: A Spanish Haunting
19th-century Spain never looked so menacing at this original concept house. I wandered into a country manor alive with bloody paintings, possessed by tortured spirits, where artist Sergio Navarro’s vision turned against him and dragged me into madness.
Figures chanted in candlelight, and I was swallowed by pitch-black hallways so disorienting I had to grope along the walls, certain something was right behind me (it was). The Gothic atmosphere and haunting visuals were beautiful yet utterly terrifying.
WWE Presents: The Horrors of The Wyatt Sicks
If every other house had been pure terror, this one was theatrical dread, despite the fact that my WWE knowledge is limited, to say the least. Entering, I passed through a twisted lantern-lit stage into a tunnel filled with the distorted faces of 27 WWE icons, including Bray Wyatt tributes.
The surreal realm of Uncle Howdy, Mercy the Buzzard, Abby the Witch – it was like a haunted wrestling dreamscape laced with sorrow and nightmares. I felt both unnerved and strangely reverent. This house was surprisingly one of my favourites.
Hatchet and Chains: Demon Bounty Hunters
This was raw, fiery chaos – an Old West torn apart by lava demons melting everything in sight. I dodged demonic assaults and swampy lava flows as bounty hunters hunted the chaos, while heat and horror raged around me.
Try as I might, I couldn’t look away, even though behind every corner was a scare actor waiting to spring. My heart jumped into my throat, and I laughed nervously, realising this was just the beginning.
Dolls: Let’s Play Dead
Suddenly, I was doll-sized, trapped in a nightmarish toy world as burnt, stitched, malformed dolls limped from shadows. A twisted little girl named Lyla giggled as I ran, chased by cursed playthings. The scenes were harrowing, and strangely childlike – a grotesque playroom with a dark twist.
Dolls had been tortured in a way that made Sid from Toy Story look like Willy Wonka. Pure nightmare fuel.
Grave of Flesh
I barely had time to steady my breath before I was dropped into my own funeral. In tight, cavernous tunnels, flesh-eating creatures pursued me relentlessly. The narrative is that flesh-eating zombies feast on our corpses when we die and drag our souls into a relentless world of horror.
Panic, claustrophobia, the feeling of being buried alive – it was hell incarnate, and I crawled out trembling.
Gálkn: Monsters of the North
Finally, a Norse-myth horror – ice, fjords, and ancient beasts stirring deep beneath a northern village. I raced through fjord fiends and a monstrous resurrection that felt like stepping into a brutal saga where survival was never guaranteed.
My voice was hoarse from screaming and laughing hysterically at the same time. My group huddled tighter together, knowing the scares came harder when we split apart.
Fallout
Next, I plunged into a decaying Vault 33 that opened into the blasted wasteland of post-apocalyptic Los Angeles. Rad-roaches scuttled by while Lucy’s voice echoed in my head.
Raiders, The Ghoul, even Maximus in his T-60 power armour – every element pulled me deeper into survival terrain, like a living nightmare in the world of Fallout.
Jason Universe
Here’s where I felt my heart really start pounding. Walking through the haunted woods, past the creaking lodge and into the decaying cabins of Camp Crystal Lake – Jason stands silent, relentless, a gauntlet of killers from the Friday the 13th films from 1 to 8.
It pulled me through scenes that felt cinematic, each room ratcheting up the dread, with Jason’s mum even making an appearance.
It wasn’t just nostalgia; it was a matter of being hunted. I bolted out, breathless and, somehow, triumphant that I’d survived what felt like endless corridors of hell – even though I wasn’t sure I wanted to.
Terrifier
Terrifier pushed horror into the realm of the visceral with an intense sensory overload. Art the Clown’s gruesome funhouse assaulted my senses with blood-soaked corridors and a hacksaw kill recreated in sickening detail.
Nauseating smells – faeces, bleach, salted flesh – clung to everything. With 35 bodies and six gallons of “blood” this is Universal’s first “unrated” house. I wanted to look away, but the narrow corridors kept pushing me deeper.
Victims can choose to take the ‘dry path’ or the ‘blood bath’ at the end of the maze. I chose the latter so the finale drenched me in warm, iron-scented water as I staggered out, sticky, unsettled with adrenaline crackling in my veins.
By the time I stumbled out of the last maze, I thought I’d finally be able to breathe. But instead of relief, I was plunged into more horror.
Neon lights from food stalls flickered, barely cutting through the haze. That’s when the sound hit me first—wet dragging footsteps, a low snarl, and then the unmistakable rattle of chains. Zombies appeared from nowhere, their skin mottled, their eyes glazed with hunger.
One carried a dismembered leg on a plate as he shuffled toward me. Another creature, something less human – its body twisted and barnacle-covered like it had risen straight from the depths – lurched over my shoulder.
Everywhere I turned, more figures emerged: a beautifully terrifying woman with teeth sharpened to jagged points, a gruesome gargoyle, and frantic villages begging me to turn back.
I forced myself forward, weaving between the monsters, my pulse hammering as one leaned close enough for me to feel its breath down my neck. And then – just as suddenly as it began – the creatures melted back into the fog, swallowed whole by shadows.
I found myself shaking, my skin damp with sweat and mist, and I realised Halloween Horror Nights didn’t let you escape when you left a house. No, they followed me to my bed that evening, where I relived the horrors all over again.
But in that moment, standing there under the Florida sky, with the distant shrieks of other brave souls echoing around me, I realised I’d done it. Ten houses. Ten nightmares survived. My nerves were fried, my legs ached, but I couldn’t stop grinning.
Halloween Horror Nights wasn’t just about the scares – it was about being fully alive in the middle of the madness.
Book it
Virgin Atlantic Holidays offers seven nights on a room-only basis at the Loews Sapphire Falls Resort in Orlando, starting at £1,719pp, including Virgin Atlantic flights from Heathrow and a ticket to Halloween Horror Nights. Find out more and book at virginholidays.co.uk.
I can’t think of another time that I was quite as terrified as when I walked alone into an interactive horror maze called “Feast” at a chilling carnival-like event called “The Queen Mary’s Dark Harbor: Summoned by the Seas,” which takes place in the parking lot in front of the famously haunted ship, and also in the creepy bowels of its engine rooms, through Nov. 2.
“Dark Harbor,” is the scarier sister event to Griffith Park’s famous “Haunted Hayride.” Both Halloween season fright fests are produced by Thirteenth Floor Entertainment Group, which specializes in seasonal terror. The highlight of the nightly carnivals — which include food and drink booths, bars and rides — are a series of interactive mazes populated by bloody monsters, drooling ghouls, murderous clowns, spectral ghosts and maniacal serial killers.
The spooks are largely played by local actors — many of whom come back year after year for a guaranteed paycheck while pursuing a profession that is anything but financially sound. It is to these hardworking artists that the events owe their success. I was struck by just how dedicated the actors were to scaring us mere mortals out of our pants.
The masks, elaborate makeup and props, including butcher knives and bats, surely help the players stay in character— but this is not easy work. The actors must contend with aggressive guests who try to get in their faces (this is against the rules), as well as shrill, shrieking patrons who jump and run as they approach (guilty!).
But the actors are specially trained to handle these reactions and more.
“Each fall, Queen Mary’s Dark Harbor and Los Angeles Haunted Hayride hire a few hundred performers, most of our cast are locals who come back year after year. We hold open calls in the summer and focus on energy, movement, and presence more than traditional acting experience,” wrote “Dark Harbor‘s” general manager, Star Romano, in an email.
After the performers are hired, Romano explained, they attend orientation, safety training and rehearsals leading into opening weekend.
“It’s a huge community effort, part performance, part team reunion, and one of my favorite things about the season,” Romano wrote.
The result of those efforts led to me sleeping with the lights on for two nights straight.
“Get away from me! I’m too scared!” I shouted at one Leatherface-type character as he approached me with a chain saw.
“That’s the whole point,” he growled under his breath before obeying my wishes and lurching off toward another fear-stricken guest.
(NOTE: For a kid-friendly immersive Halloween experience, you can head to the company’s “Magic of the Jack O’Lanterns,” which features 5,000 hand-carved pumpkins on-site at South Coast Botanic Garden.)
I’m arts and culture writer Jessica Gelt, inviting you to sink into spooky season with me. Here’s your weekly arts and culture news.
On our radar
Benjamin Millepied’s L.A. Dance Project performs “On the Other Side.”
(Laurent Philippe)
L.A. Dance Project Renowned choreographer Benjamin Millepied continues his exploration of the intersection of dance and visual art with the ballet triptych “Gems,” featuring artwork by collaborators Barbara Kruger, Liam Gillick, Mark Bradford and others. The performance is composed of three contemporary ballets inspired by precious stones: “Reflections” (2013), “Hearts & Arrows” (2014) and “On the Other Side” (2016). The show — with music by David Lang and Philip Glass — marks the first time these pieces have been staged together. — Jessica Gelt 7:30 p.m. Thursday through Oct. 25. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. https://thewallis.org/show-details/la-dance-project-gems
New York artist Jon Henry stages photographs that reflect on reports of Black men killed by police.
(The Brick)
Monuments The most eagerly anticipated theme exhibition this fall is reflected in the emphatic title, pointedly written all in caps. “MONUMENTS” was inspired by the wave of revulsion following the violent 2017 white supremacist Unite the Right rally in Charlottesville, Va. — a deadly riot opposing the proposed removal of a local statue of Confederate Gen. Robert E. Lee. That statue is now gone, torn down along with some 200 other tributes across the country to American turncoats who supported chattel slavery. (The last known Confederate monument in Southern California was removed in 2020.) A selection of decommissioned Confederate statues will be shown at MOCA and alternative space the Brick, joint organizers of the exhibition; they’ll be paired with contemporary work by Bethany Collins, Stan Douglas, Leonardo Drew, Jon Henry, Martin Puryear, Hank Willis Thomas, Kara Walker and a dozen other artists, borrowed and commissioned for the occasion. — Christopher Knight Thursday through May 3, 2026. Geffen Contemporary at Museum of Contemporary Art, 152 N. Central Ave., Little Tokyo; The Brick, 518 N. Western Ave. moca.org
Vikingur Olafsson will perform with conductor Santtu-Matias and Philharmonia.
(Timothy Norris / Los Angeles Philharmonic)
Santtu-Matias Rouvali and Vikingur Ólafsson join the Philharmonia Orchestra It’s been almost a decade since Finnish conductor Santtu-Matias Rouvali, a former Dudamel Fellow at the L.A. Phil, last returned to Southern California as a guest conductor of the L.A. Phil. In the meantime, though, he’s been busily attracting attention in London as principal conductor of the Philharmonia Orchestra (having succeeded Esa-Pekka Salonen in 2021). For his first local appearance with the Philharmonia, he is joined by the stellar Icelandic pianist Vikingur Ólafsson in Ravel’s Piano Concerto in G. The program also includes the local premiere of a new score meant to awaken environmental awareness, popular Mexican composer Gabriela Ortiz’s “Si el Oxígeno Fuera Verde” (If Oxygen Were Green), along with Shostakovich‘s Fifth Symphony. Shortly after fall, Ólafsson heads back to Disney in January as soloist with the L.A. Phil for John Adams’ latest piano concerto, “After the Fall.” — Mark Swed 8 p.m. Tuesday. Renée & Henry Segerstrom Concert Hall, 615 Town Center Drive, Costa Mesa. philharmonicsociety.org
You’re reading Essential Arts
The week ahead: A curated calendar
FRIDAY
Ethan Remez-Cott, left, and Matthew Goodrich in the play “Amerika or, The Man Who Disappeared.”
(Amanda Weier)
Amerika or, The Man Who Disappeared There’s Kafkaesque and then there’s the genuine article. Open Fist Theatre Company presents the world premiere of Dietrich Smith’s adaptation of the Franz Kafka novel that details the strange experiences of a 17-year-old European immigrant after he arrives in New York City aboard a steamer. 7:30 p.m. Friday; 7 p.m. Saturday; 2 p.m. Sunday; and 7:30 p.m. Monday, Oct. 20; through Nov. 22. Atwater Village Theatre, 3269 Casitas Ave. openfist.org
Ms. Holmes & Ms. Watson–Apt. 2B Two free-spirited roommates embrace mystery and adventure in the L.A. premiere of Kate Hamill’s dark modern comedy, a gender-bent spin on Sir Arthur Conan Doyle directed by Amie Farrell. 7:30 p.m. Thursday-Saturday; 2 p.m. Sunday through Nov. 2. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org
नेहा & Neel Asian American theater collective Artists at Play and Latino Theater Company collaborate for the world premiere of Ankita Raturi’s new comedy about an Indian immigrant and single mom on a cross-country college tour with her 17-year-old American-born son. Directed by East West Players artistic director Lily Tung Crystal. Through Nov. 16. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org
17th OC Japan Fair Japanese culture festival featuring food, shopping, a cosplay show, a tuna cutting show, popular Japanese entertainers, traditional instrument performances, games, kimono models meet and greet, and more. 4 p.m.-10 p.m. Friday; noon-10 p.m. Saturday; 11 a.m.-7 p.m. Sunday. OC Fair & Event Center, 88 Fair Drive, Costa Mesa. oc-japanfair.com
David Roussève will perform “Becoming Daddy AF” Friday and Saturday at the Nimoy.
(Rachel Keane)
Becoming Daddy AF Renowned dance-theater artist David Roussève presents the West Coast premiere of his experimental movement journey “Becoming Daddy AF.” The piece marks Roussève’s first full-length solo performance in more than two decades and explores themes that have touched and shaped his life, including HIV, genealogy and the loss of his husband of 26 years. (Jessica Gelt) 8 p.m. Friday and Saturday. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Unravelled The story of Canadian biologist Dr. Anne Adams, who turned to painting at age 53, and her remarkable connection to French composer Maurice Ravel, with whom she shared the same rare brain disease. A play infused with music and visual art, written by Jake Broder and directed by James Bonas. 7:30 p.m. Friday and Saturday; 2 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
SATURDAY
British artist Edmund de Waal will install new work in three sites at the Huntington, including the Chinese garden.
(Linnea Stephan)
The Eight Directions of the Wind British artist, potter and writer Edmund de Waal is obsessed with archives, which he describes as “places, streets, hillsides as much as card indexes.” For a body of new work, he once traveled to the place in China where the clay used to make porcelain was discovered — and then on to Dresden, Germany; Cornwall, U.K.; and the Appalachian Mountains, where subsequent cultures reinvented it. De Waal’s three site-specific, yearlong installations will be in the Huntington’s cultural and natural “archives” that are its art gallery and Chinese and Japanese gardens. (Christopher Knight) Through Oct. 26, 2026. The Huntington, 1151 Oxford Road, San Marino. huntington.org
Lorde performs Saturday at the Kia Forum.
(Scott A Garfitt / Invision/AP)
Lorde Just as her generation has, by all accounts, sobered up and gone sexless, Lorde returned this year with a defiant album about the giddy rush of partying and the frightening ramifications of a body in search of pleasure. “Virgin” pulls her back to the experimental electro-pop many fans were hoping for after the relatively complacent “Solar Power,” and the album is brimming with startling meditations on pregnancy scares, familial inheritance and the malleability of gender. (August Brown) 7 p.m. Kia Forum, 3900 W. Manchester Blvd., Inglewood. thekiaforum.com
Orchidées Cellist Kate Ellis performs composer Nick Roth’s cello étude — which traces the 100‑million‑year evolution of orchids by translating their DNA sequences into music — accompanied by time‑lapse footage of blooming specimens from the Huntington’s orchid collection. Also available to livestream. 7 p.m. The Huntington, 1151 Oxford Road, San Marino. huntington.org
Tortoise The lauded post-punk band performs “Touch,” their first new album in nine years with opening sets from local duo Jeremiah Chiu & Marta Sofia Honer and KCRW DJ Ale Cohen. 8 p.m. Saturday. The Broad, outdoor East West Bank Plaza, 221 S. Grand Ave., downtown L.A. thebroad.org
TUESDAY A Concert for Lowell A memorial tribute to Lowell Hill, one of the great patrons of new music in L.A., featuring many of the city’s top local artists, including Wild Up, MicroFest, Piano Spheres, the Industry, Partch Ensemble, Monday Evening Concerts, Long Beach Opera and People Inside Electronics. 8 p.m. Monk Space, 4414 W. 2nd Street. brightworknewmusic.com
Morgan Siobhan Green as Eurydice and Nicholas Barasch as Orpheus in the 2022 “Hadestown” North American Tour.
(T Charles Erickson)
Hadestown The Tony and Grammy Award-winning musical that reimagines the myth of Orpheus and Eurydice as a New Orleans-style folk opera returns on its latest national tour. “Born out of a concept album by Anaïs Mitchell, who wrote the book, lyrics and music, the show travels to the underworld and back again with liquified grace,” wrote Times theater critic Charles McNulty in a 2022 review. “Developed by Rachel Chavkin, the resourceful director who won a Tony for her staging, ‘Hadestown’ achieves a fluidity of musical theater storytelling that makes an old tale seem startlingly new.” Through Nov. 2. Hollywood Pantages Theatre, 6233 Hollywood Blvd., Hollywood. broadwayinhollywood.com
Learning to Draw The exhibition traces a 300-year evolution of artistic training and the mastery of drawing in Europe from about 1550 to 1850. Bringing together the physical control of the hand and the concentration of the mind, the foundational artistic act became essential to exploring, inventing and communicating visual ideas in the modern world. Through Jan. 25, 2026. Getty Museum, 1200 Getty Center Drive. getty.edu
Dispatch: Ben Platt: Live at the Ahmanson
Actor, singer and songwriter Ben Platt stands for a portrait at the Bernard B. Jacobs Theatre in New York on Thursday, April 20, 2023.
(Justin Jun Lee / For The Times)
Breaking news sure to make L.A. musical theater fans swoon: Center Theatre Group announced Friday that Broadway superstar Ben Platt will be in residency for two weeks and 10 shows at the Ahmanson Theatre , Dec. 12–21. Two-time Tony Award-winning director Michael Arden is set to direct the the residency, appropriately titled, “Ben Platt: Live at the Ahmanson.” Platt’s appearance comes a year after he staged a wildly successful three-week residency at Broadway’s Palace Theatre, which included a cornucopia of famous special guests including Cynthia Erivo, Nicole Scherzinger, Jennifer Hudson, Kacey Musgraves, Sam Smith, Micaela Diamond and Shoshana Bean. The production is staying mum on who might appear onstage alongside Platt during his L.A. run, but it’s safe to expect more big names.
“When you think of the very best in musical theatre, it simply doesn’t get any better than Ben Platt, whose stage presence and charisma make him one of the seminal performers of his generation,” said CTG’s artistic director, Snehal Desai, in a news release that promised “the holiday event of the season.”
Bassist Tonya Sweets, from left, Marlon Alexander Vargas and drummer Dee Simone in “littleboy/littleman,” directed by Nancy Medina, at Geffen Playhouse.
(Jeff Lorch)
A tale from a land of immigrants Rudi Goblen’s “littleboy/littleman” is in the midst of its world premiere at the Geffen Playhouse. The two-person show about two Nicaragua-born brothers is much like a performance piece, writes Times theater critic Charles McNulty in his review. It’s also a deeply American story. “Lest we forget our past, America is the great democratic experiment precisely because it’s a land of immigrants. Out of many, one — as our national motto, E pluribus unum, has it. How have we lost sight of this basic tenet of high school social studies?” McNulty writes.
Les Miz at 40 I went backstage at the Pantages for the opening night of “Les Misérables,” which happened to coincide with the 40th anniversary of the legendary musical. The mood was euphoric and everyone in the cast and crew seemed to have a story about a formative connection to the show. Stage manager Ken Davis walked me through the maze-like wings and filled me in on what it takes to tour a show of this scale. Of particular note: The touring production travels with 11 tractor trailers containing over 1,000 costumes, 120 wigs and hundreds of props.
Patrick Martinez, “Fallen Empire,” 2018, mixed media
(Michael Underwood)
When the sum is less than the whole Times art critic Christopher Knight was not impressed by “Grounded,” a newly opened exhibition at the Los Angeles County Museum of Art. The show’s theme, rooted in recent acquisitions of contemporary art, is promising, but ultimately falls apart. Viewed as a whole, “the 39 assembled contemporary paintings, sculptures, photographs, textiles and videos by 35 artists based in the Americas and areas of the Pacific underperform,” writes Knight. “Sometimes that’s because the individual work is bland, while elsewhere its pertinence to the shambling theme is stretched to the breaking point,” Knight writes.
Remembering Bernstein Tuesday marked the 35th anniversary of Leonard Bernstein’s death, and reminders of the great composer’s tributes to John F. Kennedy abound, writes Times classical music critic Mark Swed. In a piece of commentary about what Bernstein’s work can teach us about memorials, Swed examines multiple L.A. productions rooted in that work, including L.A. Opera’s “West Side Story” and Martha Graham Dance Company’s “En Masse” at the Soraya. Swed also wonders whether those important pieces will reach the Trump administration’s newly configured Kennedy Center in the spring.
Enjoying this newsletter? Consider subscribing to the Los Angeles Times
Guests attend the K.A.M.P. family fundraiser at the Hammer Museum on Oct. 12, 2025, in Los Angeles.
(Stefanie Keenan / Getty Images for Hammer Museum)
Everyone went home happy UCLA’s Hammer Museum raised nearly $200,000 last weekend with its 16th annual K.A.M.P. (Kids Art Museum Project) fundraiser. More than 700 excited parents and children showed up at the gloriously messy event co-chaired by Aurele Danoff Pelaia and Talia Friedman. Kids roamed the courtyard over the course of four hours, creating art at stations set up and manned by participating artists including Daniel Gibson; Sharon Johnston and Mark Lee of the Johnston Marklee architecture firm; Annie Lapin; Ryan Preciado; Rob Reynolds; Jennifer Rochlin; Mindy Shapero; Brooklin A. Soumahoro; and Christopher Suarez. Fairy Gardens were constructed of thick clay and foraged leaves; cardboard boxes were painted with rollers; plates were spray-painted and affixed with knickknacks and jewelry; and geometric shapes were glued to canvases and painted an array of bright colors. Children went home with their art, and parents left knowing they supported a host of free Hammer Kids programs that serve thousands of children and families annually.
Fair wages on Broadway Musicians working on Broadway, represented by AFM Local 802, voted to authorize a strike earlier this week — with 98% in favor. The nearly 1,200 musicians have been working without a contract since Aug. 31. According to an open letter the musicians sent to the Broadway League on Oct. 1, their demands include: “Fair wages that reflect Broadway’s success. Stable health coverage to allow musicians and their families to enjoy the health benefits that all workers deserve. Employment and income security so that hardworking freelance musicians have some assurance of job security. This includes not eliminating current jobs on Broadway.” Bargaining talks are ongoing.
Gene Hackman co-stars in “Bonnie and Clyde,” alongside Warren Beatty and Faye Dunaway.
(Associated Press)
Gene Hackman, art collector The late actor Gene Hackman’s art collection will go up for auction through Bonhams in November. Highlights of the 13-piece collection — which is being offered as a single-owner sale — include works by Milton Avery, Auguste Rodin and Richard Diebenkorn. Hackman was passionate about art throughout his life, and took an extra-special interest in it after he stopped acting. During that time he dedicated himself to taking classes and art-making. He even kept a journal of everything he learned, according to Bonhams.
Historic homes tour Paging architecture fans: It’s not too late to reserve a spot in Dwell’s open-house event, back in L.A. for its second year. Tours of three historically significant Eastside homes are on offer during the day-long event, which launches from Frank Lloyd Wright’s Hollyhock House in Barnsdall Art Park. The three additional houses in the tour are: Richard Stampton’s Descanso House in Silver Lake; Taalman Architecture, Terremoto, and interior designer Kathryn McCullough’s Lark House in Mount Washington; and Fung + Blatt’s San Marino House in — you guessed it — San Marino.
— Jessica Gelt
And last but not least
Still feeling sad about losing Diane Keaton? Me too. Here’s a list I put together of her 10 most important films. Watch one you haven’t seen — if that’s possible.
Coronation Street spoilers for next week reveal worrying scenes for Asha Alahan, while Kevin Webster wants revenge and Tim Metcalfe’s shocking past is confirmed
Coronation Street spoilers for next week reveal worrying scenes for Asha Alahan(Image: ITV)
There’s some big moments on Coronation Street next week, and some emotional scenes according to new spoilers.
Asha Alahan takes centre stage as she struggles to cope, with a hospital dash sparking fears about her mental wellbeing. Her family are left devastated, with questions raised as to whether she has attempted to take her own life.
There’s concern for Theo Silverton too as he continues to target his partner Todd Grimshaw amid his recent abuse. Abi Franklin is left out in the cold, and Kevin Webster takes brutal action.
The key storyline is Asha’s turmoil which she continues to hide from her loved ones. Her stepmother Bernie Winter is worried about her after recent events, with Asha avoiding work ever since the vile and racist abuse she faced weeks earlier.
Asha remains exhausted and hits the bottle, before telling Brody to mind the shop while she heads out. She leaves Brody panicked as he’s left in charge, with Asha suddenly heading down the street in tears.
But in a concerning turn of events we next see Asha in a bad way, having been found by Theo with Amy Barlow also at the scene. Dev races out and sees a paramedic tending to his daughter, while the paramedic asks Dev and Amy whether Asha may have taken any drugs.
Dev fears for his daughter at the hospital, where he’s met by Asha’s paramedic colleague Sienna who reveals drugs were found on his daughter. Bernie is with him, and she shocks her husband when she asks Sienna if Asha tried to kill herself. Will Asha be okay, and what has happened?
Later in the week Dev spirals over his daughter’s hospital dash. He tells his wife that he can’t help feeling angry that Asha was prepared to put the family through so much pain. So does this mean Asha did try to harm herself?
When Dev visits his daughter at the end of the week, it’s not clear if Asha is okay and if she is, what she will reveal. Elsewhere next week, Tim Metcalfe sparks concern as he faces someone from his past, leading to a worrying confession.
Tim recognises newcomer Trisha as someone he knew in the 80s. When he sees her again later while out for a drink with his wife Sally Metcalfe, Tim explains that they know each other.
Later in the week Trisha pops by at the cab office to see Tim, leaving Sally unnerved. She introduces herself as Tim’s wife, before berating her husband for being with Trisha instead of her.
Sally storms out, leaving Tim to reminisce about Trisha. But what he says about her leaves pal Brian stunned. He claims he was in a relationship with Trisha years earlier, but says he was only 14 years old and she was nearly 20.
Brian wastes no time in accusing Trisha of grooming Tim as a child, leaving her and Tim mortified. Brian urges Tim to face the fact that Trisha groomed him. When Sally finds out about the relationship, Tim admits that he was 14 when Trisha, 20, took his virginity leaving Sally shocked.
Also next week, Theo reappears after his sudden disappearing act last week. With him not being in touch, Todd is concerned for his partner, only for Theo to find an unresponsive Asha slumped on a bench in Victoria Garden.
He shouts for help before he faces a telling off from Todd. When Amy tells Todd that if it wasn’t for Theo things may have turned out very differently for Asha he’s left thoughtful.
Later in the week Todd lies to Theo on the day of Noah’s funeral, hiding from him that he’s got an appointment at the hospital to check for bowel cancer. He tells pal Billy Mayhew who agrees to go with him.
When Theo later spots them together he’s furious. Finally next week, Abi continues her secret relationship with brother-in-law Carl Webster after her split from husband Kevin Webster.
Debbie Webster demands they end things, knowing the truth about their affair. She also urges Kevin to hire a lawyer as Abi “isn’t to be trusted”. Fearing she’s about to be exposed, Abi sends a message to Carl to warn him that Kevin knows everything.
However, Abi is mortified when she realises she’s sent the text to Kevin by mistake. As Carl attempts to get hold of Kevin’s phone to delete the text, will it be too late? It seems so as at the end of the week Kevin kicks her out of the home.
One resident on Emmerdale will be left ‘devastated’ after a discovery on the ITV soap next week, linked to a separate character’s health scare according to new spoilers
07:30, 19 Sep 2025Updated 07:33, 19 Sep 2025
Two characters face a worrying time on Emmerdale next week(Image: PA)
Two characters face a worrying time on Emmerdale next week, with a “devastating” discovery linked to a character’s health scare.
New spoilers for next week’s episodes, released earlier this week, share fan favourite Liam Cavanagh is concerned about a potential diagnosis. Liam’s concern over a health issue leaves him fearing he may have cancer.
Soon the doctor is forced to confess all to his worried fiancée Chas Dingle, leaving her “devastated” when she finds out what her partner has been going through on his own. It kicks off following scenes this week, which showed Liam caught urinating at the allotments by Claudette Anderson.
He was forced to explain that he’s been having issues, unable to control when he ‘relieves himself’. Claudette urged Liam to see someone, and next week he continues to avoid this.
One resident on Emmerdale will be left ‘devastated’ after a discovery on the ITV soap next week(Image: ITV)
Spoilers reveal that Claudette catches up with Liam, and she tells him he needs to attend the appointment for his prostate. With Liam putting it off and avoiding the appointment, Claudette pleads with him repeatedly over the week to rebook it.
He gets her to cancel the initial appointment, and refuses to rebook as he ignores what’s going on. Soon enough someone else finds out what Liam is facing, as his colleague Manpreet Sharma witnesses a desperate Liam relieving himself in his own consulting room hand basin.
She knows something is very wrong and asks him about it, eventually getting to the truth. Liam tries to ignore it all but Manpreet urges him to face up to his health scare, with him also realising he needs to tell his partner Chas too.
He comes clean to Chas who is left “devastated” to hear Liam fears he may have prostate cancer. Gutted that Liam hadn’t confided in her she does her best to support Liam.
Liam Cavanagh is concerned about a potential diagnosis(Image: ITV)
But will Liam be okay, as he finally agrees to an appointment to find out what is going on? It comes amid a dramatic time for Chas and Liam, after Chas’ son Aaron Dingle was almost killed by his husband John Sugden.
John has finally been exposed as a baddie, with it now known he framed Ella Forster for the harassment campaign against Chas and Liam. John set the whole thing up ahead of their planned wedding, in order to make himself seem the hero and in order to get Ella away from the village after her heartbreak over the couple getting together.
Viewers can watch these scenes play out next week!
