Sasaki

PHOENIX — By the time Dodgers right-hander Roki Sasaki reached the blue backdrop set up in the Surprise Stadium interview room, he’d diagnosed the issue.

“I think it’s because of the two-seamer,” Sasaki said through an interpreter. “It kind of caused my forearm to pronate a little more. Also my arm slot was a little down.”

Those arm-side misses had, after three straight walks, prompted manager Dave Roberts to temporarily pull Sasaki from his most recent spring training appearance. But even though that start, marred by a wild third inning, brought Sasaki’s Cactus League ERA to 13.50, he’ll enter his Freeway Series start Monday with a spot in the regular-season rotation already secured.

Roberts has repeatedly made that point clear.

However, when asked directly if Sasaki was one of the Dodgers’ 13 best pitchers right now, Roberts gave an indirect answer: “He is going to start the season in the rotation.”

Answering why the organization has been so bullish on the decision requires zooming out.

“As we look out two, three, four, five, six years, it is imperative for us to integrate talented young players under our roster,” president of baseball operations Andrew Friedman said during an interview with The Times last week. “And that requires patience. And we have to have that even with the insanely high expectations we have.

“We have to be able to balance those two things, or there are a lot of cautionary tales of large-revenue teams who have had a run of success, and then they fall off the cliff.”

Sasaki, 24, is one of those young players the Dodgers are counting on to bridge the gap.

When Sasaki was posted by Nippon Professional Baseball’s Chiba Lotte Marines before last season, upward of 20 teams expressed their interest in the young phenom who was coming to the United States through amateur international free agency.

In his debut season, he produced a 4.72 ERA through eight starts — before an injury the Dodgers described as a right shoulder impingement sidelined him for much of the rest of the season. When Sasaki returned, it was as a reliever, a role he thrived in through the postseason.

Sasaki enters Year 2 with just 47 major-league innings under his belt, including the regular season and playoffs.

“On top of all those other things that you’re adapting to and learning, you’re also learning a new ball,” Friedman said. “Roki could really command his fastball in Japan, and right now it hasn’t been as good. So how much of that is the ball, how much of it is mindset, how much of it is delivery just getting out of whack? All of those are fair questions, but I think it speaks to, we have to have a level of grace with this and work with him to continue his development.

“Because we’ve seen it at an extremely high level, and now it’s on all of us to help him get back to that.”

NPB baseballs are slightly smaller, tackier and have higher seams than MLB baseballs. Players making the transition to MLB also have to adjust to a different strike zone, style of play and the off-the-field challenges of living in a foreign country.

The season before Sasaki signed with the Dodgers, his future teammate Yoshinobu Yamamoto and the Cubs’ Shota Imanaga set the bar high with relatively smooth transitions. But they were also coming over at later stages in their careers.

“We’re very mindful that this guy is essentially two years, three years behind Yamamoto,” Roberts said, “as far as on the progression side, the development side.”

Sasaki has shown he can be effective out of the bullpen, but pigeonholing him in a relief role at this stage of his career would be a disservice to him and the organization.

The Dodgers have identified the addition of the two-seamer as a development that could help Sasaki stick as a major-league starter.

“It’s our job as coaches to get a player to understand the value of having a ball bear in and get in on right-hand hitters to keep them off the outside part of the plate,” Roberts said. “There’s a little bit of trying to pronate too much — trying to make the ball move, versus trusting his grip and his throw. But that’s a coach’s responsibility to [figure out,] how do we get him there, along with him feeling comfortable.”

The Dodgers have decided that, at least for now, the best setting for that growth is the major leagues. Across the industry, there’s an understanding that the gap between Triple-A and the big leagues is bigger than ever. That makes evaluating players in Triple-A all the more difficult.

“He’s not close to a finished product,” Roberts said. “But he’s 24. … You could look at a team that would potentially sign a veteran, turnkey starter, but we’ve got to get him to cut his teeth and deal with some things. That’s part of the growth.”

Robert Vargas is in a bit of a time crunch.

The Los Angeles-based artist has embarked on one of his most ambitious murals. Titled “Samurai of the Diamond,” it features the Dodgers’ trio of Japanese stars — two-way player Shohei Ohtani and pitchers Roki Sasaki and Yoshinobu Yamamoto — in larger-than-life fashion on a 12-story wall of the DoubleTree Hotel in Torrance.

Artist Robert Vargas takes a break from painting Saturday to show his progress on his newest mural.

(Genaro Molina / Los Angeles Times)

As of early Saturday afternoon, Vargas still had a lot of painting to do in order to have the mural finished by the official unveiling at 10 a.m. Tuesday. Anyone familiar with Vargas and how he works, however, knows he will get it done.

“It may be finished at 9:59, but at 10 o’clock we will unveil this,” Vargas said

Koreatown resident Diego Guerrero is one of those who knows Vargas’ style. After witnessing the artist working on his massive Fernando Valenzuela mural in Boyle Heights during the fall of 2024, Guerrero said he had “full faith” Vargas would meet his deadline this time around.

“I know he’s got this,” Guerrero said while visiting the DoubleTree site Saturday. “Last time he was doing this, it was raining and even that time he pulled it off. So I have no doubt he’ll finish it.”

Vargas said the new piece was conceived as a follow-up to the massive mural of Ohtani he painted on the side of the Miyako Hotel in Little Tokyo soon after the former Angels pitcher signed with the Dodgers prior to the 2024 season. In two seasons with L.A., Ohtani has won two National League MVP awards and helped the Dodgers win two World Series championships.

The Dodgers signed Yamamoto during the same offseason and Sasaki a year later. Both pitchers played key roles in the team’s 2025 postseason run. Yamamoto went 7-1 with two complete games and pitched for the final out in Game 7 of the World Series against the Toronto Blue Jays. Sasaki moved to the bullpen for the playoffs and recorded three saves and two holds.

“If [the Ohtani] mural was about ushering in a new era and a new face here in Los Angeles, this mural is about building a cultural bridge from Los Angeles to Japan and really emphasizing the greatness that these foreign-born Japanese players are contributing not only to the team, but to this community’s identity,” Vargas said. “And also inspiring to kids who can look up and see heroes that look like them from this community.”

Robert Vargas paints an image of Shohei Ohtani as part of the local artist’s ‘Samurai of the Diamond’ mural Saturday at the DoubleTree Hotel in Torrance.

(Genaro Molina / Los Angeles Times)

Known for its large Japanese American population and concentration of Japanese businesses, Torrance signed friendship city agreements with Bizen (Yamamoto’s hometown) in August 2024 and Oshu (Ohtani’s hometown) in October 2024.

Vargas, who has a home in Japan because of the frequent mural work he does there, came up with the idea of a Torrance mural honoring the Dodgers’ Japanese stars around that time.

“I feel that they are examples of how to do things right on and off the field,” Vargas said of the three players. “Their work ethic is really reflected in the culture. That’s why Ohtani is so respected out there on the field, not just for what he’s doing with the bat or with the baseball but just how he conducts himself. It’s refreshing.”

His idea received support from local leaders, such as Mayor George Chen and city council member Jon Kaji.

“Ever since the Dodgers signed Shohei Ohtani in December, 2023, the community has rallied around Ohtani, Yoshinobu Yamamoto and Roki Sasaki giving us all a sense of pride,” Kaji said in an email to The Times. “…’Samurai of the Diamond’ exemplifies the unifying power of sports that transcends borders and nationalities.”

Chen wrote in a separate email: “There are many Dodgers fans in the City of Torrance and the greatness of these 3 players have been great role models to young and old. They are performing at the highest levels in MLB, yet they have shown us that even great athletes and celebrities can maintain a certain level of maturity, respectful to others, picking up trash, not retaliating when attacked, and always showing great sportsmanship.”

The wall will include an interactive feature: When visitors scan a QR code, they will see each player come to life and throw a strike, with animation provided by the AR Firm. Also, lights are being installed in the parking lot to illuminate the mural at night.

“It’s going to be a destination,” Vargas said.

DoubleTree general manager Linda Amato, who is also the executive chairperson of the Discover Torrance visitors bureau, said the hotel plans to create “opportunities for guests to gather outdoors, enjoying [Dodgers] games under the stars alongside the interactive mural.”

“The response from the community has been incredible,” Amato said in an email. “There’s a real sense of excitement — people are stopping by daily to watch the progress and engage with the project. It’s brought a new energy to the city. Robert Vargas has been amazing throughout the process, often speaking with visitors about his vision and techniques, which adds to the overall experience.”

Vargas hand-picked the DoubleTree Hotel in Torrance as the location for his latest mural, despite the wall’s deep ridges, which make it difficult to paint.

(Genaro Molina / Los Angeles Times)

Vargas hand-picked the DoubleTree as the site, even though he said the hotel’s exterior “presents the most difficult surface challenge” he has faced. The wall is lined with thick, vertical grooves, described by Vargas as “almost like a lattice surface because the corrugation is so deep.”

Because of that, Vargas — who always works freehand and does not use spray paints — has to carefully paint each section with a brush, as even a roller will not work on that surface. He calls the process “very exciting.”

Actor Edward James Olmos, who was visiting Vargas at the site Thursday morning, thinks his longtime friend is nuts.

“That’s the worst f— texture I’ve seen in my life,” the 79-year-old “Stand and Deliver” actor said of the wall’s surface. “Not one artist I’ve ever known would even want to try to do this. He chose it. I told him he’s off his a—. Have you ever seen that texture before? Never.”

Vargas he said he’s not thinking about that or any other challenges when he’s several stories in the air working on a project he knows will mean a lot to many people.

“When I’m up there and I think about the community that’s down here and how excited they are to see an image like this — not only because of what the content is, but that it’s happening here in Torrance and not just in Little Tokyo — they feel very, very proud,” Vargas said. “So the wind conditions, the heat conditions, the scaling, all of that becomes secondary when you think about why you’re creating it.”

On Saturday afternoon, East Los Angeles resident Edgar Reyes came out to see the super-sized artwork being created in real time.

“It’s just amazing to be able to witness it and see how people are coming together,” said Reyes, who described himself as a “big Robert Vargas fan.” “I think for Torrance this is a good thing because you see a lot of murals in the east side of L.A. because there’s a lot of graffiti artists and all that, compared to over here. So it’s something really huge for Torrance, I believe.”

Koreatown resident Diego Guerrero, who also visited the site on Saturday, said it is “mesmerizing” to watch Vargas work and called the mural “mind-blowing.”

“It’s so huge,” Guerrero said. “You could see it from miles away. And it’s like, hey, I know them — they’re part of the Dodgers. But not just that. They’re part of the minority. They’re Japanese players, we’re Hispanics, but we’re the same. We want to feel like we’re represented and we’re here. The world will see us, you know?”

Robert Vargas plans to finish his ‘Samurai of the Diamond’ mural in time for its official unveiling Tuesday at 10 a.m.

(Genaro Molina / Los Angeles Times)

Around midday Saturday, Vargas faced another delay when high winds caused him to temporarily come down from the wall. He had already made arrangements to be able to work through the night on Saturday and said he was prepared to work nonstop, if necessary, to be finished in time for the unveiling two days before the Dodgers’ season opener Thursday against the Arizona Diamondbacks.

“I’m going to get it done,” he said.

“My time frames are pretty ambitious, but I also know what I’m capable of when it comes to my speed,” Vargas added. “And also I think that my process is really charged by my intention of why I’m creating these pieces, and that is what fuels me to completion.”

Phoenix — A sparse crowd braved the heat, which was approaching 100 degrees when Dodgers right-hander Shohei Ohtani walked off the mound at Camelback Ranch. But those who did were treated to a dominant pitching performance from the four-time MVP in his first start of spring training.

They repaid the favor with a standing ovation.

Ohtani limited the San Francisco Giants to one hit and overshot the innings goal manager Dave Roberts laid out Wednesday morning by pitching to one batter in the fifth inning. Ohtani didn’t give up a run in those 4 ⅓ innings, and the only other blemishes on the performance were a pair of walks and a hit batter.

“I was pretty happy with the pitch count today,” Ohtani said through interpreter Will Ireton. “In terms of the next outing, I do want to be better at executing in two-strike counts. I just didn’t finish off hitters as much as I wanted to.”

Ohtani is scheduled to make a start in the Freeway Series against the Angels before his first start of the season. If the rest of spring training goes smoothly, Roberts said he expects Ohtani to be ready to throw about five innings in his first regular-season start.

At that length, the Dodgers won’t need to designate long relievers to piggyback Ohtani’s starts. But Roberts stressed the importance of still carrying relievers who can throw multiple innings as the starters continue to build up early in the season.

“Once the season starts you’ve got to see how he’s feeling, how his stuff looks, how he’s throwing the baseball,” Roberts said after the Dodgers’ 5-1 win that was stopped after the eighth inning due to the heat.

Most of Ohtani’s build-up has taken place outside of competition, as he balanced playing in the World Baseball Classic for Team Japan as a position player, and addressing pitching on the side. By last week, he’d ramped up to a four-inning live batting practice session against his teammates on the national team in Miami.

“It actually didn’t feel like it was my first spring training outing,” Ohtani said. “I do see this as more of an extension of a live BP situation. So it didn’t feel too bad going into this game.”

Ohtani didn’t hit on Wednesday. With the heat and his unique spring, the team wanted to let him focus on pitching. He’s expected to be the designated hitter in Cactus League play Friday.

“In terms of the hitting, it did help that I played in an atmosphere that was pretty intense and competitive,” Ohtani said. “So the fact that I had to get things going earlier in the offseason maybe was the only thing that really affected my preparation. But I think it helped me more so than it hurt me, as I played through these meaningful games in the World Baseball Classic.”

Ohtani used a wide range of his arsenal Friday, landing an especially effective curveball for a called third strike against Heliot Ramos in the fourth inning.

“Never really surprised with him,” catcher Dalton Rushing said. “Everyone knows what he’s capable of. Everyone knows his main goal when he goes out there. He expects perfection every single time. And I think he was very, very close to it today.”

PHOENIX — It hasn’t been the smoothest spring training for right-hander Roki Sasaki as he prepares for his second season with the Dodgers.

Sasaki’s first two starts in Cactus League play featured some problems with command and plenty of hard contact. But with left-hander Blake Snell and right-hander Gavin Stone sidelined with shoulder issues, Dodgers manager Dave Roberts left no doubt where Sasaki stood as he got ready to pitch in a B-game against White Sox minor leaguers on Tuesday.

“Having Blake [Snell] late to the season, which we know, [and] Gavin Stone, late to the season, as we know, we’re going to need Roki,” Roberts said. “With the buildup, I just don’t see a world in which he doesn’t break with us as a starter, and so, we’re going to need those innings.”

Sasaki took a promising step forward on a minor-league field at Camelback Ranch.

The hard-throwing right-hander threw 59 pitches, 40 for strikes, across four innings while striking out nine of the 13 batters he faced and allowing two to reach base.

Although Roberts did not see Sasaki’s outing, he heard rave reviews from members of the organization who attended.

“They said it was electric,” Roberts said after the Dodgers’ 4-1 win over the Arizona Diamondbacks at Camelback Ranch. “They said [he was touching] 98 to 100 [mph]. The fastball was spraying a little early, but then he locked it in. And then the split was on-play, short, lot of swing-and-miss. Couldn’t have asked for a better day.”

Sasaki surrendered a single through the right side of the infield to the first batter he faced, then proceeded to strike out the next seven batters. His only other hiccup came in the third inning, when he hit Jason Matthews with a stray breaking ball on a full count.

“I actually felt pretty bad the last couple days, but today I was able to make an adjustment, so that’s what I really need for right now,” Sasaki said via an interpreter after his outing. “I think I can keep moving forward.”

Sasaki was shelled in his second Cactus League start last week, yielding four runs, three walks, a single and a grand slam to the Cleveland Guardians at Goodyear Ballpark. He was lifted from the game without recording an out, only to get re-inserted in the second inning to complete two scoreless innings.

Sasaki noted mechanical issues as the reason for his struggles after the game. Tuesday, he said he felt much better, focusing on his core and obliques.

“I was actually focusing on core, oblique stuff,” Sasaki said. “I think it’s all about mechanics. If my mechanics are really good, my command is good too.”

Roberts took away plenty of value from the outing, even one against a lineup of minor leaguers.

“There’s still value in getting hitters out and seeing guys swing and miss,” Roberts said. “I think we accomplished what we wanted to today, we built him up. Obviously, built up some confidence. So, just go from there.”

GOODYEAR, Ariz. — Roki Sasaki’s struggles from his first Cactus League start carried over into Tuesday’s game against the Cleveland Guardians at Goodyear Ballpark.

The Dodgers right-hander gave up three walks and two hits, including a grand slam to Guardians slugger Kyle Manzardo, before he was lifted after 23 pitches. He displayed no command, missing arm side repeatedly and throwing only eight strikes. None of the five batters he faced in the first inning saw a first-pitch strike.

But then, he flashed the tantalizing potential that the Dodgers saw when they signed him before last season.

Re-inserted into the game to start the second inning, which is allowed in spring training, the 24-year-old settled down and retired all six batters he faced in his last two innings of work while throwing 22 pitches — 13 for strikes — in the Dodgers’ 5-4 win.

Working in a healthy mix of fastballs, cutters and splitters, Sasaki struck out two and was able to limit hard contact, which had been an issue for him in the first inning and in his first start last week against the Arizona Diamondbacks. The home run by Manzardo recorded an exit velocity of 104.6 mph.

“I wasn’t overly concerned,” Dodgers manager Dave Roberts said. “But it was good to see him bounce back.”

Sasaki said through an interpreter after he was lifted from the game that something felt off about his upper-body mechanics. He made a simple adjustment and found success in it.

“It was actually my upper body,” Sasaki said. “My lower half actually felt pretty good. My upper body felt a little off, so I was trying to make an adjustment.”

Said Roberts when asked about Sasaki missing arm side: “Maybe he’s trying to be a little too fine and/or just a little bit out of sync with the delivery. That’s why you have spring training, you work though it, you’ve got to be able to make in-game adjustments. As he gets more experienced, you would expect that to happen in the inning rather than sit for 20 minutes, come in and reset.”