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Moldova’s ruling pro-West governing party won a majority in the country’s tense Sunday elections, beating pro-Russian parties by a wide margin amid reported attempts to violently disrupt the vote and allegations of interference by Russia.

Results from more than 99 percent of the polling stations counted by Monday noon showed the Party of Action and Solidarity (PAS) clearly in the lead, despite analysis and opinion polls before the vote suggesting that pro-Russian parties would come close and possibly upset the ruling party’s parliamentary majority.

The small country is located between Ukraine and Romania. One of Europe’s poorest states, it was part of the Soviet Republic until 1991. The breakaway, semi-autonomous region of Transnistria, which lies along the border with Ukraine, has traditionally supported ties with Russia.

As a result, in recent years, Moldova has emerged as a battleground for influence between Russia and the West.

In a September 9 speech at the European Parliament, Moldovan President Maia Sandu, founder of PAS, declared that this election would be “the most consequential” in the country’s history.

For Moldovans, the elections represented a crucial turning point. The small country with Russia’s war in Ukraine on its doorstep could either continue on its current path towards European Union membership, or it could fall back into the old fold of Russian influence.

Ultimately, despite reports of pro-Russian groups threatening violence, with at least three people arrested in Moldova, and several bomb scares reported at polling booths abroad, the Moldovan diaspora played a key role in delivering a pro-EU victory.

What was the outcome of Moldova’s election?

Nearly all votes cast at polling stations had been counted by Monday. Some 1.6 million people cast their votes, making about 52.2 percent of eligible voters, which is higher than in previous elections.

The ruling pro-EU PAS, led by parliament president and PAS cofounder, Igor Grosu, won 50.16 percent of the vote and about 55 of the 101 seats in parliament, translating to a comfortable majority government, according to the country’s election agency.

The current prime minister, Dorin Recean, appointed by Sandu in February 2023, is expected to retain his position.

The pro-Russian Patriotic Electoral Bloc (BEP), an alliance of four parties led by former president and Russian ally Igor Dodon, came in a far second with 24.19 percent of the vote. The party won 26 seats in parliament. Two parties within the bloc, Heart of Moldova and Moldova Mare, were banned from participating in the election amid allegations they had received illicit funding from Russia.

In third place was the Alternative Party, which is also pro-EU with 7.97 percent of the vote, securing eight parliamentary seats.

Our Party, a populist group, and the conservative Democracy at Home party, respectively, won just more than 6 percent and 5 percent of the vote. That allowed them entry into parliament for the first time with 6 seats each.

What had polls predicted?

Opinion polls had suggested a much tighter race between the ruling PAS and the BEP, which was predicted to come a close second. That scenario would have disrupted PAS’s present control of parliament, potentially forcing it into an uncomfortable coalition with the BEP, and slowing down pro-EU reforms.

Before the Sunday polls, politicians and their supporters on both sides of the debate campaigned intensely on the streets and on TV, but also on online platforms such as TikTok, in an attempt to reach young people who make up about a quarter of the population.

What were the key issues?

EU accession was the single most important issue on the ballot this election. Under President Sandu, Moldova applied to join the EU in early 2022, just after Russia’s February invasion of Ukraine. Chisinau’s goal, alongside a better economy, has been to obtain security guarantees like its neighbour, Romania, which is a member of the EU and of the North Atlantic Treaty Alliance (NATO).

In July 2022, the EU granted Moldova – as well as Ukraine – candidate status, on the condition that democracy, human and minority rights, and rule of law reforms are made. European Commission President Ursula von der Leyen at the time declared that the future of Moldova was in the EU.

However, while President Sandu’s PAS is eager to achieve Moldova’s EU membership by 2028 when her term expires, she has accused Moscow of attempting to scupper this plan in order to continue wielding influence over a country it once controlled.

Russia has considerable support in Moldova, and backs a breakaway, autonomous enclave – Transnistria, located along its border with Ukraine. About 1,500 Russian troops are present there, and the enclave’s government has requested Russian annexation several times.

In a referendum vote last October, just more than 50 percent of Moldovans voted “yes” to joining the EU, a tight margin of victory that was seen as a predictor of this week’s parliamentary elections.

At the time, President Sandu blamed “dirty interference” from Russia for her camp’s thin victory.

Did Russia interfere in these elections?

During the run-up to Moldova’s election, the authorities have repeatedly accused Moscow of conducting a “hybrid war” – offline and online – to help pro-Russian parties to win the vote. Moscow denies meddling in Moldovan politics.

Russia is specifically accused of being behind a widespread “voter-buying” operation – through which voters are bribed to vote for particular parties – and of launching cyberattacks on Moldovan government networks throughout the year.

The authorities have also claimed that Moscow illicitly funds pro-Russia political parties. Two pro-Russia parties – Heart of Moldova and Moldova Mare – were barred from the vote on Friday over allegations of illegal financing and vote buying.

According to researchers and online monitoring groups, Moldova was flooded with online disinformation and propaganda in the months leading up to the vote that attempted to tarnish PAS and raise doubts and concerns about the EU. Researchers found that these campaigns were powered by artificial intelligence (AI), with bots deployed in comment sections on social media or fake websites posting AI-generated content deriding the EU.

International security professor Stefan Wolff, from the University of Birmingham, told Al Jazeera that Russia had indeed tried to influence Sunday’s elections to bring Moldova back under its influence.

“There is very little doubt in my mind and quite convincing evidence that Russia has done basically two things: Tried to bribe Moldovans literally with cash to vote for anti-European parties, and it has exerted massive campaigns of disinformation about what a pro-European choice would mean,” he said.

Wolff added that Russia also attempted to “discredit” President Sandu and PAS’s parliamentary candidates. “This really was a massive Russian operation, but it also, I think, shows the limits of how far Russia can push its influence in the post-Soviet space,” he said.

Google, in a press statement last week, said it had noticed coordinated campaigns targeting the Moldovan elections on YouTube. “We have terminated more than 1,000 channels since June 2024 for being part of coordinated influence operations targeting Moldova.”

What other disruptions to the election were there?

Two brothers and a third man had been arrested in Chisinau on suspicion of planning riots during the election on Sunday, Moldovan police said. According to local media, the police found flammable material in the possession of the suspects.

Last week, police arrested 74 people during 250 raids of groups linked to alleged Russian plans to instigate riots during the vote. Authorities said the suspects, who were between 19 and 49, had “systematically travelled” to Serbia, where they received training for “disorder and destabilisation”.

How did the Moldovan diaspora vote?

Some 17.5 percent of the votes – 288,000 – were cast by Moldovans living abroad, mostly in Europe and the US.

Bomb scares were reported at polling units in Italy, Romania, Spain and the US. Some polling units in Moldova also reported similar scares. The elections agency did not break down how the diaspora voted.

Voters in the enclave of Transnistria – where many people hold dual citizenship with Russia – faced logistical challenges, as they had to travel to polling stations 20km (12 miles) outside Transnistria. Media reports noted long car queues at Moldovan checkpoints on Sunday morning.

Some pro-Russian voters from the enclave told reporters they had been sent back and forth between polling stations because of bomb scares.

How has PAS reacted to the election result?

Speaking to reporters at the PAS headquarters in Chisinau on Monday after the party’s win, PAS leader Grosu reiterated the allegations against Russia.

“It was not only PAS that won these elections, it was the people who won,” Grosu said.

“The Russian Federation threw into battle everything it had that was most vile – mountains of money, mountains of lies, mountains of illegalities. It used criminals to try to turn our entire country into a haven for crime. It filled everything with hatred.”

Prime Minister Dorin Recean also said Moldovans “demonstrated that their freedom is priceless and their freedom cannot be bought, their freedom cannot be influenced by Russia’s propaganda and scaremongering”.

“This is a huge win for the people of Moldova, considering the fully-fledged hybrid war that Russia waged in Moldova,” Recean added. “The major task right now is to bring back the society together, because what Russia achieved is to produce a lot of tension and division in society.”

Last November, Romania cancelled its own presidential elections after authorities alleged that Russian interference had helped a far-right leader win the polls. A second election was held in May this year, which was won by the centrist and pro-EU candidate Nicusor Dan.

What happens next?

The election result was immediately denied by BEP leader Dodon, who called for protests at the parliament building in Chisinau after claiming – without providing evidence – that PAS had meddled with the vote.

In an address on national TV late on Sunday before the results were declared, Dodon claimed his party had won the vote. He called on the PAS government to resign, and asked supporters to take to the streets.

“We will not allow destabilisation,” the politician said. “The citizens have voted. Their vote must be respected even if you don’t like it”.

On Monday, dozens of people gathered to protest the results. It is unclear if the politician will launch a legal challenge.

Meanwhile, President Sandu will now have to nominate a prime minister who will form a new government. Analysts say the president will likely opt for continuity with Prime Minister Recean, who is pro-EU and previously served as Sandu’s defence and security adviser.

Virgin has announced a six-month contract for a ‘Head of Yes’ to try out some of the company’s best luxury travel and experiences

You could earn £50,000 to travel first class, rest your head in boutique hotels or cruise the seas aboard a luxury liner.

Virgin has launched a six-month contract for a ‘Head of Yes’ to test some of the company’s finest luxury travel and experiences available.

The role offers £50,000 and all the successful candidate will need to do is document their journeys on social media. It follows research of 2,000 adults which discovered that attending live music events, enjoying spa days and booking last-minute getaways are amongst the experiences Brits wish to embrace more often this year, by saying yes.

The survey showed nine per cent are hesitant to say yes to various activities blaming anxiety about change, a fear of the unknown or financial concerns as main reasons not to.

One in five also say no to opportunities due to being trapped in routine – with millennials being the worst offenders. Nevertheless, eight in ten are planning to make a conscious effort to become more daring and venture beyond their comfort zones next year.

They’re hoping to attempt activities such as skydiving, riding roller coasters, or sampling different cuisines.

Andrea Burchett, chief loyalty officer at Virgin, which commissioned the survey, said: “It’s positive to see people wanting to say ‘yes’ more – now they just need to do it.

“Actions speak louder than words, so if you’re thinking about doing something that might jolt you out of a comfort zone, there’s no better time for it.”

Brits reckon that by embracing more opportunities – whether that’s weekend getaways or simply accepting help from others – will bring them greater happiness and boost their mental and emotional wellbeing.

Meanwhile, others anticipate it would leave them feeling more satisfied with their lives, with seven in ten adding that some of their finest memories came from embracing new experiences.

Andrea added: “The Head of Yes role exists to remind the world what happens when you stop overthinking and start living.”

“Life doesn’t get bigger by playing it safe,” Andrea adds. “This [job] is for the person who says yes to karaoke, to skydives, to showing up even when it’s easier not to.

“Saying yes is the fastest route out of routine. If your idea of a good day is saying yes to something that makes your friends text, ‘Wait, what?!’, then you’re exactly the kind of mischief we want to fund.”

Applications to become the ‘Head of Yes’ are open from 29 September until 10 November.

Hopefuls simply need to share a TikTok video detailing a moment when they embraced an unforgettable adventure, using the hashtag #headofyes to enter.

RICHARD BRANSON’S TOP TIPS FOR SAYING YES

Say yes first

Work out the details later. Most of life’s great adventures start with a leap into the unknown. Don’t overthink it – opportunities rarely come fully formed.

Turn fear into fuel

The things that scare you often turn out to be the most rewarding. If it makes your stomach flip, it’s probably worth doing.

Embrace spontaneity

Some of my best experiences came from last-minute decisions. Say yes to that trip, concert or crazy idea. You’ll rarely regret it.

Make “why not?” your default

Instead of talking yourself out of things, ask yourself why not. More often than not, the reasons not to do something are smaller than you think.

Seek out adventure in the everyday

Saying yes doesn’t always mean skydiving. It can mean trying a new food, taking a different route or speaking to someone new.

Surround yourself with “yes” people

Spend time with people who lift you up and encourage you to try new things – you’ll find yourself saying yes more naturally.

Value experiences over perfection

Don’t wait for the “perfect time.” If you’re always waiting, you’ll miss the moment. Jump in and learn along the way.

Challenge routine

If you’re stuck doing the same things day in, day out, deliberately say yes to something that disrupts your usual pattern. That’s where growth happens.

Let curiosity lead you

Curiosity is the best compass. If something excites you or sparks a question, say yes to exploring it further.

Remember – life is short

No one looks back wishing they’d said no more often. Say yes, collect memories and live boldly

Sept. 25 (UPI) — The United States on Thursday sanctioned one person and five entities for their role in generating money for North Korea and its weapons programs.

“This action aims to disrupt illicit networks that facilitate these attacks and simultaneously cutting off funding for the DPRK unlawful weapons of mass destruction (WMD) and ballistic missile programs,” the State Department said in a statement.

DPRK are the initials of North Korea’s official name, the Democratic People’s Republic of Korea.

The department accused those blacklisted Thursday of generating revenue for Pyongyang by conducting arms deals with Myanmar’s military regime, which has been fighting a brutal civil war — resulting in civilian deaths and the destruction of civilian infrastructure — since its coup of February 2021.

Myanmar-based Royal Shune Lei Co. Limited and key personnel, including Kyaw Thu Myo Myint and Tin Myo Aung, who assisted in arms deals for the Myanmar Air Force with Kim Jong Ju, a Beijing-based deputy representative of the Korean Mining Development Trading Co., were sanctioned Thursday.

“Also known as the 221 General Bureau, KOMID serves as the DPRK’s primary arms dealer and exporter of ballistic missile-related equipment,” the State Department said.

The designations also sanction Aung Ko Ko Oo, director of Royal Shune Lei. The State Department also named Nam Chol Ung, a North Korean national who laundered foreign earnings through a network of businesses in Southeast Asia. Nam is a representative of the Pyongyang’s Reconnaissance General Bureau.

“These actions underscore the United States’ commitment to disrupting the networks that support DPRK’s destabilizing activities and to promoting accountability for those who enable Burma’s military regime,” the State Department release said.

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ROME — Acclaimed Italian actor Claudia Cardinale, who starred in some of the most celebrated European films of the 1960s and ’70s, has died, AFP reported Tuesday. She was 87.

She starred in more than 100 films and made-for-television productions, but she was best known for embodying youthful purity in Federico Fellini’s “8½,” in which she co-starred with Marcello Mastroianni in 1963.

Cardinale also won praise for her role as Angelica Sedara in Luchino Visconti’s award-winning screen adaption of the historical novel “The Leopard” that same year and a reformed prostitute in Sergio Leone’s spaghetti western “Once Upon a Time in the West” in 1968.

She died in Nemours, France, surrounded by her children, her agent Laurent Savry told AFP. Savry and his agency did not immediately return emailed requests for comment from the Associated Press.

Cardinale began her movie career at the age of 17 after winning a beauty contest in Tunisia, where she was born of Sicilian parents who had emigrated to North Africa. The contest brought her to the Venice Film Festival, where she came to the attention of the Italian movie industry.

Before entering the beauty contest, she had expected to become a schoolteacher.

“The fact I’m making movies is just an accident,” Cardinale recalled while accepting a lifetime achievement award at the Berlin Film Festival in 2002. “When they asked me, ‘Do you want to be in the movies?’ I said no, and they insisted for six months.”

Her success came in the wake of Sophia Loren’s international stardom, and she was touted as Italy’s answer to Brigitte Bardot. Although never achieving the level of success of the French actor, she nonetheless was considered a star and worked with the leading directors in Europe and Hollywood.

“They gave me everything,” Cardinale said. “It’s marvelous to live so many lives. I’ve been living more than 150 lives, totally different women.”

One of her earliest roles was as a black-clad Sicilian girl in the 1958 comedy classic “Big Deal on Madonna Street.” It was produced by Franco Cristaldi, who managed Cardinale’s early career and to whom she was married from 1966 to 1975.

The sensuous brunette with enormous eyes was often cast as a hot-blooded woman. As she had a deep voice and spoke Italian with a heavy French accent, her voice was dubbed in her early movies.

Her career in Hollywood brought only partial success because she was not interested in giving up European film. Nonetheless, she achieved some fame by teaming with Rock Hudson in the 1965 comedy thriller “Blindfold” and another comedy, “Don’t Make Waves,” with Tony Curtis two years later.

Cardinale herself considered the 1966 “The Professionals,” directed by Richard Brooks, as the best of her Hollywood films, where she starred alongside Burt Lancaster, Jack Palance, Robert Ryan and Lee Marvin.

In a 2002 interview with the Guardian, she explained that the Hollywood studio “wanted me to sign a contract of exclusivity, and I refused. Because I’m a European actress and I was going there for movies.”

“And I had a big opportunity with Richard Brooks, ‘The Professionals,’ which is really a magnificent movie,” she said. “For me, ‘The Professionals’ is the best I did in Hollywood.”

Among her industry prizes was a Golden Lion for lifetime achievement that she received at the Venice Film Festival nearly 40 years after her initial appearance onscreen.

In 2000, Cardinale was named a goodwill ambassador for the U.N. Educational, Scientific and Cultural Organization for the defense of women’s rights.

She had two children. One with Cristaldi and a second with her later companion, Italian director Pasquale Squitieri.

Simpson, the principal writer of this obituary, is a former Associated Press writer.

On a play-action pass, Chargers running back Najee Harris crumpled to the turf before the fake handoff could fully develop, immediately grabbing his left ankle and tossing aside his helmet in pain.

Needing assistance, trainers helped Harris to the sideline, as he was unable to put any weight on his leg, before he was carted to the locker room in the second quarter of a 23-20 win over the Denver Broncos at SoFi Stadium on Sunday.

Harris, who spent the lead-up to his first season in L.A. recovering from an offseason eye injury in a fireworks accident, was expected to be a key piece of a one-two punch with rookie Omarion Hampton.

Now, he appears to be sidelined for the season with an Achilles injury, according to head coach Jim Harbaugh, who called the diagnosis “preliminary” as Harris underwent postgame imaging.

“Not good,” Harbaugh said of his emotions as the play unfolded. “[I was] just hoping for the best — maybe a high ankle, something else that wouldn’t be long-term.”

Speaking at the podium with a somber tone, Harbaugh said he met with Harris at halftime and described the running back’s demeanor as “cold-blooded,” adding that he told him: “You’ll be back, kid.”

The injury appeared clear on film, according to Dr. Dan Ginader, physical therapist and author of “The Pain-Free Body,” who reviewed video of the play.

“When looking at the calf of the back plant leg, you can see the muscle sort of ‘jump’ which is indicative of a complete tear of the Achilles,” Ginader said. “Players who have suffered this injury often describe it as being hit in the heel with a shovel. … When you see the muscle jump and see the player crumble to the floor, you can be pretty sure it’s a complete tear.”

Before going down, Harris had been featured early Sunday, carrying six times for 28 yards. Durable throughout his career, he had appeared in all 71 games across five NFL seasons before the injury.

If it’s a complete tear, the earliest Harris could return is about eight months, Ginader said, though most players don’t feel fully themselves “until at least 12 months” post-surgery. For a skill player, he added, “it takes longer to be able to come back at full force.”

With Harris out, Hampton is expected to shoulder a bigger role moving forward. Hampton, who calls Harris a mentor, admitted the loss stings.

“It definitely hurts,” Hampton said.

Caleb Sanchez, a Cali boy, packed his memories of sunshine, beaches and In-N-Out burgers to get an Ivy League education and football experience at Columbia University in New York.

He became one of the most talked about freshman quarterbacks at the end of last season, passing for 241 yards and three touchdowns in a 21-12 win over Brown and passing for 201 yards in a 19-11 win over Cornell that helped Columbia win the Ivy League title.

Then came the real challenge — snow, a blizzard and freezing temperatures.

“I was very shocked,” he said. “I was warned every day the winter would be hard. I didn’t expect it to be as cold as it was.”

It wasn’t cold enough to discourage Sanchez from continuing his quest to balance athletics and academics. He began his sophomore season on Saturday as the backup quarterback in Columbia’s 38-14 loss to Lafayette. It’s another experience that he got used to at St. John Bosco, waiting until his senior year to become the starting quarterback and prove his ability,

Quarterback Caleb Sanchez of St. John Bosco.

(Craig Weston)

He’s one of 39 graduates of Southern Section schools to be playing Ivy League football this season. Harvard-Westlake and Loyola have the most with five players each.

There’s going to be standouts, such as Princeton defensive back Tahj Owens (Loyola), heading into his fourth season, and Yale receiver Nico Brown (Edison), who had five catches for 119 yards and one touchdown in his season debut against Holy Cross on Saturday.

Sanchez was able to redshirt last season as a freshman, having played only in the final three games, and the goal is to be a standout the next three seasons, earn his valuable Columbia degree and spend a fifth year at perhaps a big-time college program.

He has no regrets of seeking out an Ivy League experience after helping St. John Bosco reach the Division 1 championship game in 2023.

“I’ll leave here with one of the top degrees in the world,” he said.

That’s the attraction in a league where the eight schools don’t participate in NIL revenue sharing with students but will finally let football teams participate in the FCS playoffs this season.

The students have to be all in for academics and athletics.

“We’re 100% in school, 100% in football,” Sanchez said. “There’s no help for football players. Professors don’t care. They treat you as normal students.”

Sanchez, 20, rarely has free time. It’s classes, meetings, homework, practices, watching film, then sleep. His transition last year was challenging in that the Columbia offense was much different than that of St. John Bosco. He had to learn plays needing 20 to 30 words to call from a listening device in his helmet where just four words were used to call plays at St. John Bosco.

He’s 6 feet 3½ and 217 pounds, and could be preparing to have a season that will draw lots of attention. Certainly looking on and rooting from home will be his younger brother, Ryu, a seventh-grader with a future in football and academics.

Look for lots of good news from the Sanchez brothers in the coming years.

As for the coming weather change, Sanchez said he’s ready.

“I’m prepared now. Winter is not going to shock me.”

Can anyone deliver In-N-Out to New York?

Brown: DB Elias Archie, St. John Bosco; OL Kai Faucher, Harvard-Westlake; DL Mitch Mooney, San Marino; DL Caden Harman, Sierra Canyon.

Columbia: WR Caden Butler, Chaparral; DB Ethan Fullerton, Sherman Oaks Notre Dame; QB Caleb Sanchez, St. John Bosco; LB Patrick Sodl, Loyola; DL Will Matthew, Orange Vista; TE Santiago Hernandez, Harvard-Westlake; WR Elliot Cooper, Sherman Oaks Notre Dame; DL Shawn Lin, Loyola; DL Austin Coronado, Glendora.

Cornell: DB Rayjohn White, Bishop Amat; DB Brayon Crawford, Village Christian; WR AJ Holmes, Harvard-Westlake; QB Cameron Shannon, Riverside North; LB Darryl Davis, Culver City; LB Connor Klein, Loyola; TE Brandon Gilbert, Murrieta Valley.

Dartmouth: RB Desmin Jackson, Orange Lutheran; OL Ryan Turk, Loyola.

Harvard: K Dylan Fingersh, Capistrano Valley.

Pennsylvania: RB Julien Stokes, Grace Brethren; DB Alec Wills, Los Alamitos; LB Trevor Pajak, Mater Dei; WR Dylan Karz, Brentwood; K Josh Barnavon, Harvard-Westlake.

Princeton: DB Tahj Owens, Loyola; RB Kai Honda, Gardena Serra; DB D’Shawn Jones, Sierra Canyon; LB Jalen Jones, Santa Margarita; DB Justice Croffie, Los Alamitos.

Yale: WR Nico Brown, Edison; QB Marshall Howe, Harvard-Westlake; DL Ezekiel Larry, Sierra Canyon; DB Dillon Rickenbacker, St. John Bosco; TE Scott Truninger, Corona del Mar; WR Davis Wong, Brentwood.

Las Vegas Raiders offensive coordinator Chip Kelly told reporters Thursday that he does not game plan with team minority owner and Fox NFL broadcaster Tom Brady — at least not “on a weekly basis” — despite a report during “Monday Night Football” this week that suggested otherwise.

During the first quarter of the Chargers-Raiders game at Allegiant Stadium, ESPN’s Peter Schrager reported from the sideline that “Chip Kelly told us that he talks to Brady two to three times a week. They go through film. They go through the game plan.”

After the game, Raiders coach Pete Carroll called the report “not accurate” and said that while he and Kelly speak with Brady “regularly,” those conversations are “about life and football and whatever.”

Kelly was asked about the ESPN report during media availability Thursday. His response echoed Carroll’s.

“I’ve spent a lot of time just talking football with [Brady], but it’s not on a — we don’t talk about game plans,” the former UCLA coach said. “We spent a lot of time over the summer, a couple Zooms … and we would just talk ball, you know, ‘What did you like against this?’ So really, when I use Tom, and I just use him as a resource of, ‘Hey, you know, when you faced a Mike Zimmer-type defense, what did you like protection-wise and play-wise?’

“But on a weekly basis, he’s not game planning with us or talking to us.”

Kelly later added: “In terms of weekly game plans, like, that’s not a collaboration that we do. I mean, he’s also a busy guy, so I haven’t even thought of using him to do that, and I don’t think you can, so — you know, our staff does all that.

“But he’s been a guy that I could talk football with, just shooting it about, ‘Hey, have you ever faced a two-trap defense?’ and, ‘With the inverted, Tampa two that everybody’s running now, what was your best thoughts about that?,’ things like that. But we don’t talk game plan at all or any of that stuff in terms of on a weekly basis.”

The Times reached out to ESPN for comments from Schrager or the network on the matter. A network representative declined to comment.

During Schrager’s report, “Monday Night Football” showed a live shot of Brady sitting in the Raiders coaches’ booth and wearing a headset. Kelly told reporters Thursday that he thinks Brady did the same thing during the Raiders’ preseason game last month against the San Francisco 49ers, also at Allegiant Stadium.

“But he doesn’t talk to the coaches when he’s up there,” Kelly said. “I think he just — he’s watching football.”

NFL chief spokesperson Brian McCarthy said in a statement Tuesday that Brady was doing nothing wrong.

“There are no policies that prohibit an owner from sitting in the coaches’ booth or wearing a headset during a game,” McCarthy said. “Brady was sitting in the booth in his capacity as a limited partner.”

Brady faces a number of NFL-imposed restrictions on what he’s allowed to do as a broadcaster given his dual status as a team minority owner. Last season, Brady’s first in both roles, he was prohibited from attending the weekly production meetings during which the Fox crew meets with coaches and players ahead of that week’s game.

That restriction was eased going into this season.

“Tom continues to be prohibited from going to a team facility for practices or production meetings,” McCarthy said in his statement. “He may attend production meetings remotely but may not attend in person at the team facility or hotel. He may also conduct an interview off site with a player like he did last year a couple times, including for the Super Bowl.

“Of course, as with any production meeting with broadcast teams, it’s up to the club, coach or players to determine what they say in those sessions.”

Pakistan agrees to have Andy Pycroft as a cricket match referee after he apologises for his role in a handshake row against India.

Pakistan’s cricket match against the United Arab Emirates (UAE) in the Asia Cup was delayed by an hour amid uncertainty about the fixture as Pakistani officials deliberated pulling out of the tournament as a mark of protest.

The match at the Dubai International Cricket Stadium began at 7:30pm local time (15:30 GMT) on Wednesday, as the Pakistan Cricket Board (PCB) and the International Cricket Council (ICC) reached an agreement on Andy Pycroft’s assignment as match referee following his role in the “no handshake” row involving India three days earlier.

“The ICC’s match referee, Andy Pycroft, has apologised to the manager and captain of the Pakistan cricket team,” the PCB said in a statement released minutes before the toss for the Pakistan-UAE fixture.

“Andy Pycroft termed the September 14 incident a result of miscommunication.”

The PCB also said that the ICC “expressed its willingness to conduct an inquiry into the code of conduct violation that occurred during the September 14 match”, referring to Pycroft’s request to Pakistan and India captains to avoid the customary handshake at the toss, which the PCB alleges contravened the laws of the game.

Pycroft was the key match official in the crucial and politically charged match between the South Asian archrivals on Sunday, and had allegedly asked Pakistan’s captain Salman Agha and his Indian counterpart Suryakumar Yadav to not partake in the customary captains’ handshake at the toss.

Later, once Yadav hit the winning runs for India, he walked off the field along with his batting partner Shivam Dube without shaking the opposition’s hands – a tradition in cricket – in a move that went uncontested by the match officials.

Additionally, the Indian players and staff did not shake hands with the Pakistani contingent and instead shut the door of their dressing room as the Pakistanis looked on.

The move, and Pycroft’s decision not to reprimand the Indian team, infuriated the PCB, which lodged an immediate complaint with the tournament’s organisers.

The PCB also wrote to the ICC on Monday, asking for Pycroft’s removal as match referee for all of Pakistan’s remaining fixtures due to his “failure to discharge his duties”, according to a PCB official who spoke to Al Jazeera on the condition of anonymity.

The deadlock, resulting from the ICC’s apparent refusal to remove Pycroft, lasted up until an hour prior to the official match start time.

Later, as Pycroft conducted the toss in Dubai, the PCB released a video of a meeting where ICC General Manager of Cricket Wasim Khan is seen mediating a settlement between Pycroft and the Pakistan team – represented by manager Naveed Akram Cheema, captain Agha, and head coach Mike Hesson.

Hours earlier, the match’s fate was left in limbo as the Pakistani squad did not board the bus for the venue at its scheduled departure time, indicating a logistical logjam between the PCB and the ICC.

However, once both parties had reached an agreement, the team departed for the stadium. But the fate of the match became certain five minutes before the toss with the PCB’s statement.

Meanwhile, the UAE squad awaited Pakistan’s arrival at the stadium under a cloud of uncertainty.

The Group A fixture acts as a knockout game for both teams, with the winner progressing to the Super Four stage of the eight-nation tournament.

India have already qualified for the next stage on the back of their wins against the UAE and Pakistan.

Robert Redford, right, and Dustin Hoffman in the movie “All The President’s Men.”

(Sunset Boulevard / Corbis / Getty Images)

Alan J. Pakula’s Watergate drama is remembered as one of the great political thrillers, but for Redford it was a gamble of conviction and clout. He optioned the Woodward-Bernstein book himself, pushing through doubts that a film built on phone calls, door knocks and note-taking could grip audiences. As Bob Woodward he strips away glamour, playing a reporter who is awkward, halting and dogged, yet unshakable once the trail begins to unfold. Opposite Dustin Hoffman’s Carl Bernstein — fast-talking, improvisational, always pushing — Redford is methodical and contained, and together they embody the tension and rhythm of investigative reporting, turning the grind into suspense. With this role, Redford showed that persistence, not bravado, could carry a movie, and that a star could trade charm for credibility without losing magnetism. It cemented his reputation not just as a leading man but as a cultural force who could will serious stories onto the screen. — Josh Rottenberg

Los Angeles Mayor Karen Bass has hired Mitch Kamin, a lawyer who has fought the Trump administration and provided legal services for underserved communities, to be her next chief of staff.

Kamin, who, like the mayor, is a graduate of Alexander Hamilton High School, will be Bass’ third chief of staff in her nearly three years leading the city — a much more rapid turnover than in previous administrations.

Announcing the appointment in a press release Friday, Bass called Kamin a “seasoned leader and status quo disrupter.”

The Harvard-educated lawyer has decades of experience as an executive at nonprofits and legal services organizations and has served on several city commissions.

Most recently, he was general counsel and chief strategy officer for the Lucas Museum of Narrative Art, a project of “Star Wars” creator George Lucas that is set to open next year.

Before that, Kamin was a partner at the law firm Covington & Burling LLP, where he helped the firm recruit for its first L.A. office and was co-chair of the global commercial litigation practice group and the entertainment and media industry group. He previously was president of Bet Tzedek Legal Services, a nonprofit law firm that provides free legal services.

“Mitch is a passionate, committed and compelling leader,” former U.S. Attorney General Eric Holder, who was a partner with Kamin at Covington, said in a statement.

Kamin, 58, is taking charge of Bass’ office as the Trump administration continues its immigration crackdown in Los Angeles and across the country. During Trump’s first term, he represented the city in a lawsuit against the Department of Justice that prevented the federal government from requiring cooperation with immigration enforcement as a condition of receiving grant money.

Kamin replaces Carolyn Webb de Macias, who has led the mayor’s office since November 2023. She had been retired and was only supposed to serve in the role for a year but stayed on longer following the January wildfires, the mayor’s office said.

The mayor’s first chief of staff was Chris Thompson, who led the transition team after her election.

Chiefs of staff in recent mayoral administrations often served longer. Ana Guerrero headed the mayor’s office for eight years under Mayor Eric Garcetti, while Robin Kramer served under Mayor Antonio Villaraigosa for about four.

Guerrero lost her post in 2021 after revelations that she disparaged elected officials, city employees and others in a private Facebook group. She stayed on with the mayor in a diminished role.

Kamin was appointed by Garcetti in 2016 to serve on the commission that oversees the Los Angeles Homeless Services Authority. He also served as president of the board of commissioners for the Housing Authority of the City of Los Angeles starting in 2011.

Kamin was on the board when the agency fired its CEO, Rudolf Montiel. The board drew criticism for providing Montiel with a $1.2 million severance package.

“The basic thing was to eliminate any legal liability … close this chapter and move forward,” Kamin told The Times in 2011.

Kamin will start his new job on Sept. 22, Bass told her staff in an office-wide email.

“Mitch has my full support and mandate to lead this team and to maximize our effectiveness and performance,” she wrote.

Clifton Powell is unapologetically dropping the name of the agent who he alleges fired him for taking a role in the 2005 musical “The Gospel.”

“My agent at the time, and I’ll say his name, his name is Jeff Witjas at APA,” the veteran actor told “The Art of Dialogue” last week on YouTube. “He called me and said, ‘You’re doing another one of those little Black movies?’ I said, ‘You’re damn right. I got a family to feed’ and hung up the telephone on his ass and they let me go.”

Witjas did not respond immediately Friday to The Times’ request for comment.

One of Hollywood’s famous “Oh, that guy” character actors is headed toward 300 credits in his prolific career. Powell, 69, has appeared in Oscar-winning films like the 2004 biopic “Ray,” critically acclaimed films like the 1993 crime drama “Menace II Society” and box office juggernauts like the 1998 buddy-cop comedy “Rush Hour.”

Throughout his career, Powell said he doesn’t let his representation dictate the projects he takes. When picking his projects, the actor follows advice given to him by Jamie Foxx years ago.

“He said, ‘Clif Powell, keep one foot in…’ that means keep one foot in with your people and I’m always going to be with the people, because African Americans, and young white kids, young Asians, Latinos and women have made me a household name.”

Powell said his mentality has paid dividends. The director of “The Gospel” later cast him in Peacock’s critically hailed crime drama “Fight Night: The Million Dollar Heist.”

His hiccup with a top acting agency did not slow down his career. Based on his IMDb page, Powell has remained a working actor and kept his family well fed. But there are certain roles his personal boundaries have ruled out: gay roles.

“It’s not militant. It’s just that I’m — certain things I’m just not comfortable with,” Powell said.

One role that did fall within his zone of comfort was a part in 2Pac’s dystopian music video for “California Love,” where his character is introduced as “Monster” by a high-pitched Chris Tucker.

“A lot of people still don’t know that’s me … everybody thinks that’s George Clinton,” Powell said on “The Art of Dialogue.”

So shout his name next time the video plays, instead of saying “That’s the guy from ‘Rush Hour.’” That guy’s name is Clifton Powell.

NEW YORK — Former U.S. Sen. Robert Menendez’s wife told a judge that her husband was “not the man I thought he was” before she was sentenced Thursday to 4½ years in prison for selling the powerful New Jersey politician’s influence in exchange for bribes of cash, gold bars and a luxury car.

U.S. District Judge Sidney H. Stein sentenced Nadine Menendez, 58, after she was convicted in April of colluding from 2018-23 with her husband, the former Democratic chairman of the Senate Foreign Relations Committee, in a variety of corrupt schemes, some involving assisting the Egyptian government.

Sobbing as she addressed the judge shortly before she was sentenced, Nadine Menendez described her husband as a manipulative liar.

“I put my life in his hands and he strung my like a puppet,” she said. “The blindfold is off. I now know he’s not my savior. He’s not the man I thought he was.”

Stein told the defendant that she wasn’t the person she was portrayed as during last year’s trial of her husband and two New Jersey businessmen, when the judge said she was painted “as manipulative, hungry for money and the true force behind the conspiracies.”

But he said she also wasn’t the “innocent observer of what was happening around you,” as she was portrayed by her lawyer at her trial.

“You knew what you were doing. Your role was purposeful,” he said.

When she spoke, Nadine Menendez partly blamed her husband, saying she was duped by his power and stature and that she felt compelled to do whatever he wanted, such as calling or meeting with certain people.

“I would never have imagined someone of his ranking putting me in this position,” she said, though she acknowledged that in retrospect, she was a grown woman and should have known better.

Before the hearing, Bob Menendez submitted a letter to the judge saying he regretted that he didn’t fully preview what his lawyer said about his wife during his trial and in closing arguments.

“To suggest that Nadine was money hungry or in financial need, and therefore would solicit others for help, is simply wrong,” he wrote.

In addition to prison time, Stein sentenced Nadine Menendez to three years of supervised release. He said he granted her leniency in part because of the trial she endured, her difficult childhood in Lebanon, her abusive romantic partners, her health conditions and her age.

Stein said a prison term was important for general deterrence purposes: “People have to understand there are consequences.”

Nadine Menendez won’t have to surrender to prison until next summer. Stein set a reporting date of July 10, accommodating a defense request that she be allowed to remain free to complete necessary medical procedures before she heads behind bars. Federal prosecutors did not object to the request.

Prosecutors had sought a prison sentence of at least seven years.

Her lawyer, Sarah Krissoff, asked that she serve only a year behind bars, citing her difficult recovery from breast cancer, which was diagnosed just before last year’s trial, when she was to be tried along with her husband. She ended up being tried separately.

Bob Menendez, 71, is serving an 11-year sentence after his conviction on charges of taking bribes, extortion, and acting as an agent of the Egyptian government.

Prosecutors say Nadine Menendez played a large and crucial role in her husband’s crimes, serving as an intermediary between the senator and three New Jersey businessmen who literally lined his coat pockets with tens of thousands of dollars in cash in return for favors he could deliver with his political clout.

During a 2022 FBI raid on the couple’s New Jersey home, investigators found $480,000 in cash, gold bars worth an estimated $150,000 and a luxury convertible in the garage.

Prosecutors said that, among his other corrupt acts, the senator met with Egyptian intelligence officials and speeded that country’s access to U.S. military aid as part of a complex effort to help his bribe-paying associates, one of whom had business dealings with the Egyptian government.

Sisak and Neumeister write for the Associated Press.

Julio Torres is always in search of the next challenge. The writer, comedian, actor and producer is adding the title of playwright to his ever-growing, multi-hyphenate list of occupations. Since his days as an Emmy-nominated writer for “Saturday Night Live,” Torres has written and starred in the Peabody Award-winning HBO Max original series “Los Espookys,” wrote and starred in the HBO Max original series “Fantasmas” and directed, wrote and starred in his first feature film, “Problemista,” co-starring Tilda Swinton.

For his latest venture, Torres made his way to the stage — admittedly not knowing exactly what goes on in the theater, but willing to take a shot with his first comedic play, “Color Theories.” In it, the audience gets a closer look at the eccentricities that frame his imaginative inner world.

As the son of a civil engineer and architect/fashion designer, Torres’ knack for world building comes as no surprise. In a recent feature for Architectural Digest, Torres opened the doors to his wonderland Brooklyn studio apartment, which contained escapist daydream corners and custom futuristic furniture made of glass, chromatic metals and mirrors, all cut and shaped into squiggles and sharp edges. With elements of retro-elegance and the ambiance of a playhouse, Torres’ vision is nostalgically absurdist and highly refined.

The same can be said about most of his work, including his vision for “Color Theories.” In order to bring his ever unpredictable vision to life, Torres teamed up with longtime scenic design collaborator Tommaso Ortino to create a fantastical surrealist stage for his live theatrical debut, which took place Sept. 3 at the Performance Space New York, located in downtown Manhattan.

Julio Torres performs in “Color Theories” at the Performance Space New York.

(Emilio Madrid)

Before Torres begins his performance, the audience is greeted by a giant book doused in bold, mostly primary colors, a grandfather clock with the numbers melted off its face à la Dalí and tall, blank scrolls. On top of the book lies a giant lipstick-stained wine glass, and an actor lying face down in a bubble-shaped, burgundy satin cloak — or, Drew Rollins playing the role of spilled wine. Rollins is accompanied by Nick Myers, who sits on the side of the stage dressed as a music box in silver foil and oversized pearls. They both play the roles of Torres’ stagehands and narrative helpers. Costumes were designed by Muriel Parra, best known for her work in “A Fantastic Woman” (2017), “Neruda” (2016) and “The Settlers” (2023).

Once the lights come down and the play begins, the whimsical characters crack open the giant book, revealing a stark contrast of blank pages. They proceed to open a flap where the comedian emerges, from the cushioned interior of his own creation. He begins by describing the abstract personalities of different letters of the alphabet, referring to them as staff with “wants, needs, hopes and dreams.” From there, he seamlessly transitions into the definition of the first color on the list: navy blue, which represents (American) bureaucracy, policing and control. Throughout the play, this “law and order” blue encroaches on the existence of every color selected by Torres.

Upon noticing that Torres is spending too much time discussing navy blue, his robotic buddy Bebo — also a recurring character in “Fantasmas” — pops out of the giant clock and serves as a colonel of time and color story order. (He also happens to be blue.)

What Torres dubs as “relaxed” green, “commercial-portrayals-of-joy” yellow, “lusty and ragey” red, “teenage” orange, “soft” beige and “mysterious” purple are all accompanied by playful examples of behaviors, objects and societal conditioning that represent each color. The operatic sound effects paired with each color were created by Lia Ouyang Rusli, who was tasked with the important role of not only composing the sounds for each color, but their respective emotions. Torres explained in a separate interview: “Green should also sound like we combined the sounds of yellow and blue, and so that’s fun.”

One of the most poignant moments of the play is during his green monologue, when Torres reminisces about the video store he grew up visiting in San Salvador. He unashamedly admits he never returned a movie on time, so the owner would bargain the late fee with him based on if the movie was requested during the days it was off the shelf or not.

“This was all working perfectly fine until Blockbuster came in and suddenly we were in a navy blue system,” he explains — with a nod to the U.S. influence on El Salvador, namely in the way American capitalism infringes on countries within reach of its empirical tentacles.

Immigration status is a recurring theme in much of Torres’ work. In his directorial debut, “Problemista,” Torres plays the protagonist Alejandro, who scrambles to find a work visa in 30 days after being fired from his job — and makes desperate attempts to earn quick cash in an effort to pay his legal fees. In “Color Theories,” Torres describes several run-ins with airport immigration authorities and the complications of traveling with a Salvadoran passport.

He recounts being turned away from entering Costa Rica because his passport was too wrinkled — and of being taken to an interrogation room for not knowing he needed a travel visa to enter the U.K. While detained, he noticed authorities had branded the interrogation area as a pseudo-mental wellness safe space — messaging that contradicted the reality of his experience.

Torres uses blue and red to exemplify his anti-capitalist stance by endearingly explaining how those with extreme wealth maneuver tax evasion, how governments allow and excuse war crimes, and how pervasive individualism prevents progress. “Color Theories” reaches its apex when Torres begins discussing the space between the shades black and white — neither representing good nor evil, but rather the known and the unknown.

Julio Torres’ new play “Color Theories” at Performance Space New York.

(Emilio Madrid)

It’s a beautiful way to take what have become very divisive points of view and create an atmosphere of shared humanity among the audience. From here, the colors that become the focal point are bright, airy mixes of pastels, which highlight the beauty in all of our differences and ranges of knowledge.

In just over an hour, Torres delivers a concise portrait of how he navigates and experiences the world in terms an elementary schoolchild can understand — which he jokes about by saying the play will be taken to schools across the U.S. His character development transitions from a justified frustration to the conclusion that humans behaving as though they know it all is the ultimate act of hubris.

“Color Theories” does not communicate as a pessimistic rant about the world but rather examines how government and institutions of power shape our society — and how that power complicates and often oppresses the everyday reality of the average person — by using humorous, universally relatable vantage points and lighthearted pop culture moments.

The security of former Vice President Kamala Harris, once the duty of the U.S. Secret Service, has been thrown into flux, again, days after President Trump canceled her federal protection.

My colleague Richard Winton broke the news Saturday morning that the Los Angeles Police Department, which was assisting the California Highway Patrol in providing security for Harris, has been pulled off the detail after internal criticism of the arrangement.

Let’s jump into what Winton wrote about this quickly-evolving story.

What happened to Harris’ Secret Service protection?

Former vice presidents usually get Secret Service protection for six months after leaving office, while former presidents are given protection for life.

But before his term ended in January, President Joe Biden signed an order to extend Harris’ protection to July 2026.

Aides to Harris had asked Biden for the extension. Without it, her security detail would have ended last month, according to sources.

Trump ended that arrangement as of Monday.

How did the CHP and LAPD get involved?

Winton wrote Aug. 29 that California officials planned to utilize the CHP as her security detail. Gov. Gavin Newsom, who was required to sign off on such CHP protection, would not confirm the arrangement. “Our office does not comment on security arrangements,” said Izzy Gordon, a spokesperson for Newsom. “The safety of our public officials should never be subject to erratic, vindictive political impulses.”

Fox 11 broke the story of the use of LAPD officers earlier this week and got footage of the security detail outside Harris’ Brentwood home from one of its news helicopters.

On Thursday, Winton verified that LAPD Metropolitan Division officers designated for crime suppression had joined the security detail.

The effort was described as “temporary” by Jennifer Forkish, L.A. police communications director.

Roughly a dozen or more officers have begun working to protect Harris.

Sources not authorized to discuss the details of the plan said the city would fund the security while Harris was hiring her own security in the near future.

Controversy ensued

The Los Angeles Police Protective League, the union that represents rank-and-file LAPD officers, lambasted the move.

The union did not address Harris as a former vice president, nor as California senator or state attorney general, in its official rebuke.

“Pulling police officers from protecting everyday Angelenos to protect a failed presidential candidate who also happens to be a multi-millionaire, with multiple homes and who can easily afford to pay for her own security, is nuts,” its board of directors said.

The statement continued: Mayor Karen Bass “should tell Governor Newsom that if he wants to curry favor with Ms. Harris and her donor base, then he should open up his own wallet because LA taxpayers should not be footing the bill for this ridiculousness.”

What’s next?

The CHP has not indicated how the LAPD’s move would alter its arrangement with the former vice president or said how long it will continue.

The curtailing of Secret Service protection comes as Harris is going to begin a book tour next month for her memoir, “107 Days.” The tour has 15 stops, which include visits to London and Toronto. The book title references the short length of her presidential campaign.

For more info, check out the full story.

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When actor Cooper Hoffman pops up on a Zoom window for a joint interview, Andrew Barth Feldman practically bursts with joy.

“Oh my God,” Feldman exclaims. “Look at the buzz!”

The two friends, each in their own apartments in New York City, have not seen each other since Hoffman recently returned from Italy where he was shooting a role in Luca Guadagnino’s upcoming movie about the artificial intelligence company OpenAI, his hair styled in a severe, dark buzz cut.

The pair immediately launch into a spirited, rhythmic back-and-forth, playfully bouncing around ideas, making jokes and finishing each other’s sentences. It is similar to the nonstop banter between their duo in “Poetic License,” which has its world premiere at the Toronto International Film Festival tonight.

The first feature film directed by Maude Apatow, best known for her role on TV’s “Euphoria,” the film stars Apatow’s mother, Leslie Mann, as Liz, a woman who recently moved to a college town after her husband (Cliff “Method Man” Smith) joined the faculty there. Auditing a poetry class, Liz meets Ari (Hoffman) and Sam (Feldman), two awkward yet compellingly charming best friends who soon find themselves competing for her attention and affection.

Written by Raffi Donatich, the film is the first from Jewelbox Pictures, Apatow’s production company founded with her friend Olivia Rosenbloom, and comes into the festival still seeking distribution. (Keeping things in the family, the debuting director’s father, Judd Apatow, is a producer on the film as well.)

Via email, Maude Apatow spoke about the challenge of finding two actors who could not only play their individual roles, but also capture the speedy dynamic between them.

“A lot of the movie relies on the chemistry between Ari and Sam, so finding the perfect combo was massively important to me,” Apatow, 27, said. “After auditioning countless other boys, Andrew and Cooper were at the top of my list. … They were electric.”

Hoffman, 22, the son of late actor Philip Seymour Hoffman and director-producer Mimi O’Donnell, first burst to attention with his starring role in Paul Thomas Anderson’s 2021 “Licorice Pizza.” He can also be seen in the new Stephen King adaptation “The Long Walk,” which opens next week, and he has a role in Gregg Araki’s upcoming “I Want Your Sex.”

Feldman, 23, stepped into the title role of “Dear Evan Hansen” on Broadway at age 16, younger even than the adolescent title character. He also starred opposite Jennifer Lawrence in the 2023 comedy “No Hard Feelings,” in which his torchy showstopping performance of Hall & Oates’ bouncy ’80s “Maneater” has since racked up more than 18 million views on YouTube.

My conversation with the two actors took place on Labor Day. The following day Feldman began his nine-week run in the Tony-winning musical “Maybe Happy Ending.” Though playing the role of a robot, his casting, replacing the half-Filipino actor Darren Criss, sparked controversy and conversation around Asian representation on Broadway.

“It’s been the most vulnerable time of my whole entire life,” said Feldman of the response to his being cast in the show. “And I have much I want to say and for now the only place I really can is the show. I’m saying everything that I want to say, everything that I believe, I’m pouring my whole heart into the show itself. And I’m thankful that the conversation that’s been happening is happening. And I think this is my way of being part of it.”

“And one day we’ll have a much bigger conversation about it,” he adds, carefully. “But right now, I’m more excited to be talking about ‘Poetic License’ and anything would be reductive to the conversation to talk about it in this context. I don’t think it’s up to me to try to change any minds about it, only to do the best job I possibly can at uplifting this gorgeous, perfect story. Everything that I have to say for the time being is in the show. The show holds all of it.”

Feldman will miss three performances of the show over the weekend due to being in Toronto for the premiere of “Poetic License.”

Did the two of you meet making Jason Reitman’s “Saturday Night?”

Andrew Barth Feldman: Boy, did we.

Cooper Hoffman: We also got this job [“Poetic License”] on “Saturday Night.”

Feldman: So here’s the story. We’ve been preparing to tell it for so long. And this is what happened: We became really fast, really close friends on “Saturday Night” and that was a huge cast of a lot of people who are still huge parts of both of our lives. But we clicked really instantly.

And I was taping for this movie and Cooper was taping for this movie, and we both loved the script and, especially on that set, everyone was taping for all of the same things all of the time. So I got a call from my agent that they were asking me to chemistry-read with Cooper and since we were in the same place, might as well be convenient if we just do it in the same place on Zoom. Cooper was on his way to hanging out with me at Dylan O’Brien’s Airbnb. I was already there and Cooper’s on his way. So I called him, told him that this was happening. That’s how he found out that we were chemistry-reading together. And I think both of us said, “Oh, we got the job.” Like, that’s it. As soon as they see what we do when we’re alone together and how insane it is, we’ll have this job. And that’s how it happened.

Hoffman: It’s so true. We ended up running the lines with Dylan O’Brien playing — I don’t know why we keep using his full name — but Dylan playing Leslie Mann’s character. Dylan played Liz.

Feldman: He was really good. I was kind of hoping he would do it.

Andrew Barth Feldman, attending the London premiere of “No Hard Feelings” in 2023.

(John Phillips / Getty Images for Sony Pictures)

Why do you think the two of you just clicked like this?

Feldman: Why do you love who you love? I think there are a lot of real similarities to us. We both had losses of parents really early on in our lives. And that I think instantly brought us to a level of vulnerability with each other that we didn’t necessarily have with other people. But in terms of the candor and the rhythm that we have with each other, it’s just kind of feels like one of those universe once-in-a-lifetime things.

Hoffman: I would very much agree. It was one of those weird things where, as we had to play best friends, we were kind of figuring each other out. Andrew was always someone that I felt very comfortable talking to about things. We rarely would talk about the movie. It was much more about life and other things. And I feel very privileged to have shot this movie with Andrew, actually.

There is something really fresh about your dynamic. The best I can describe the movie is that it’s an adult coming of age rom-com of male friendship.

Hoffman: I would say that’s better than anything that we would say. To me, the thing is that I love a male friendship. I love a male friendship that almost feels like they’re dating, they’re one step away from being married. And what does that bring? What happens when you rely on someone so heavily?

Cooper Hoffman arrives at 2022’s Vanity Fair Oscar Party in Beverly Hills.

(Evan Agostini / Invision / AP)

Feldman: I feel like we both had relationships growing up that you’re basically zero degrees away from romance. It is a romantic relationship. And that is — or was, I guess? — formerly maybe more taboo. There are more expectations of masculinity around that. But I think especially in our generation and especially as people who have decided to do art with our lives, there’s really no taboo around it at all. And in fact, something to be really celebrated. It is kind of the healing factor for young men right now: male relationships that you can be really vulnerable in.

And besides being Sam and Ari’s relationship, it was — and is — Cooper’s and my relationship. We couldn’t shut up really. I mean, that’s important to note is that we never, ever stopped talking. We would be talking and talking and then somewhere during our conversation we would hear action be called and we would just keep talking until we found our way into the scene. Kind of the way we did the whole movie was just trying to tell as much truth as possible because we knew that our relationship was all that really needed to be there to make the relationship of the characters work.

Hoffman: I also just had a thought that this interview’s going to be so annoying to read because it’s literally just going to be me and Andrew complimenting each other for however long. You should have never put us on a call together.

Feldman: This is our first interview about this.

Cooper Hoffman in Paul Thomas Anderson’s 2021 movie “Licorice Pizza.”

(MGM/UA)

How did the two of you find working with Maude? On the one hand, this is her feature directing debut. On the other hand, she’s been on movie sets her whole life.

Feldman: She was really good. In all of those moments of improvisation and exploring, she was a massive collaborator in that. And was pushing both of us to places that I wouldn’t have gone initially, risky places in these scenes. Every time we would shoot something, we’d do it, go away and talk about it for 10 minutes and just be inventing and zip-zap-zopping across the three of us, and then just be like, OK, let’s go get another one. It was this really creative process that for me as a young person coming up in this industry, I haven’t really had permission to participate in up until working with somebody like Maude. She’s not too much older than us. We’re all coming at this as collaborators as opposed to hierarchically.

Hoffman: The thing with Maude is there was a real level playing field in which we were all figuring out this thing together. And Maude just has inherently very good instincts as a director. She was grounded and she knew what she wanted, but she was much more open for us to go, “Hey, we don’t know what this is. Can we figure this thing out?” And it was debatably the most collaborative set I’ve been on. Which was really great that Maude allowed for that space to happen.

Cooper, do you see your character here as an extension of what you were doing in “Licorice Pizza”? It’s this guy who outwardly has a lot of game, but then inwardly is struggling. Did it feel that way to you as you were performing the role?

Hoffman: No. And here’s the reason for that, I’m not opposed to that convo but I think a real fear of an actor is that you’re doing the same thing every time. And so I think I’m inherently going to jump to being like, “No, this is a completely different person.” And the thing is, I don’t think Ari has game. I never wanted to play it like that. I think he’s extremely confident, but, not to bring up Dylan O’Brien again but Dylan O’Brien used a very good metaphor, which is you’re like a duck. It’s calm on the surface, paddling vigorously underneath. And it does feel like that for Ari.

Andrew Barth Feldman with Jennifer Lawrence in a scene from “No Hard Feelings.”

(Macall Polay / Sony Pictures)

Andrew, you have your own background in musical theater, but you also had your rendition of “Maneater” in “No Hard Feelings.” Do people now always want you to do a number in a movie? Was there any discussion of you doing a number in this one?

Feldman: There was very briefly a discussion of me doing a number in this movie. I think I was talking to Raffi early on and she was like, “Oh my God, I had this idea, what if you actually sing this thing?” And I was like, I can’t do another one. Not right now. It’s too soon after “Maneater” and “Maneater” is still a really huge part of my life. I want to give that moment its moment.

What do you mean, that “Maneater” is still a big part of your life?

Feldman: People ask me to sing it all the time.

Hoffman: What do you mean? It’s a masterpiece. I watched it on a plane the other day. I cried. I literally cried. I love that scene so much. I love that movie so much.

Guys, thank you for your time. I can’t even imagine how this would’ve worked if I’d interviewed you separately.

Feldman: We wouldn’t have done it.

Cooper: I would’ve just talked about Andrew the whole time. By the way, if you would’ve gotten us in the room together, this interview would’ve never ended. It would’ve been physical bits. It would’ve been a whole thing.

Feldman: We talked on set so much about these moments — that we would get to eventually do press together and talk about the movie because we really were, from the beginning, giving one performance of these two characters together.

The UN chief says he values China’s support, where he is attending the 2025 Shanghai Cooperation Organisation summit.

Chinese President Xi Jinping has told United Nations Secretary-General Antonio Guterres that China supports the global organisation playing a central role in international affairs and that it upholds “true multilateralism”, according to Chinese state broadcaster CCTV.

Xi shared this message with Guterres on Saturday as the UN chief visited China to attend the 2025 Shanghai Cooperation Organisation (SCO) summit.

China will remain a reliable partner of the UN, President Xi added.

For his part, Guterres told Xi: “The support of China…is an extremely important element to preserve.”

The 25th SCO summit and the “SCO Plus” meeting will be held on Sunday and Monday in northern China’s Tianjin, showcasing Global South solidarity.

The high-level gathering comes amid rising geopolitical tensions, including Russia’s ongoing war in Ukraine, Israel’s genocide in Gaza and its escalating assault on the occupied West Bank, security tensions in South Asia and the Asia Pacific region, notably between Thailand and Cambodia, and United States President Donald Trump’s global trade war.

As the rotating chair, Xi will preside over the summit, which marks the fifth annual SCO summit hosted by China.

Leaders from more than 20 countries and heads of 10 international organisations will attend the summit.

Among the participants will be Russian President Vladimir Putin, Turkish President Recep Tayyip Erdogan, Indian Prime Minister Narendra Modi, Iranian President Masood Pezeshkian and Pakistani Prime Minister Shehbaz Sharif.

Xi will also meet Erdogan on the sidelines of the crucial summit.

The summit’s agenda includes promoting the “Shanghai Spirit”, improving internal mechanisms, and fostering multilateral cooperation in areas such as security, economics and culture.

A joint signing of the new Tianjin Declaration and the approval of a strategy for the next decade are other expected outcomes.

The summit will issue statements marking the 80th anniversary of the victory in World War II against Nazi Germany and Imperial Japan, and the 80th founding anniversary of the UN, aside from adopting a string of outcome documents on strengthening security, economic, people-to-people and cultural cooperation.

Founded in 2001, the SCO is a political and security alliance comprising 10 members: China, Russia, India, Iran, Kazakhstan, Kyrgyzstan, Pakistan, Tajikistan, Uzbekistan and Belarus.

The Chinese leader will also host Putin and North Korean leader Kim Jong Un at a large-scale military parade on September 3 to commemorate the 80th anniversary of the end of World War II in Asia.

China-Pakistan Economic Corridor has been a long-term strategic collaboration between China and Pakistan. It will now be in a second phase that marks a strong change towards smaller scale projects when it comes to large-scale infrastructure and energy projects towards smaller goals that are sustainable in nature. The agenda is now industrialization, modernization of agriculture, human development and regional integration. This move will take Pakistan as an important trade and economic centre. It aimed by getting new investments and generating millions of jobs. This will change the Pakistani economy into a modern dynamic system.

CPEC Phase II centres on turning the tide to industrialization. Special Economic Zones (SEZs) such as Allama Iqbal and Rashakai are coming up to attract local and foreign investment. Such areas have incentives such as tax relief, and special infrastructure to attract businesses into the zones. It is aimed at generating about 2.2 million new jobs by the year 2030. This will directly counter unemployment in Pakistan. Likewise, it will also enhance the country to develop its industrial Base and increase export capabilities. The moving of Chinese industries to these zones will be helpful to provide a positive technology and skill transfer. Not only will this make productivity to go up but will also help curb the trade imbalance experienced by Pakistan. In addition, modernization of agriculture is another pillar of this new era. Pakistan is a country with mainly agricultural industries and will be a great beneficiary.

Chinese technology and joint venture will assist in enhancing agricultural production and in securing food. This will boost field production and enable farmers to get new markets. As an illustration, the production of high-quality cotton and mangos is already in joint venture. This will also aid Pakistan to match its 5Es economic priorities with the economic priorities of that country. The agricultural sector of Pakistan can be more efficient and competitive through adopting modern practices by using facilities such as satellite imaging and data-driven farming.

Along with building industries and the agricultural sector, CPEC Phase II is also improving Pakistan core infrastructure. A big component of this is the $6.8 billion ML-1 railway modernization upgrade. It will modernize the railway system in the country, reducing the time and expenses of travelling and transportation logistics.

This will go a long way in easing movement of the goods within Pakistan and improving reliability in regional trade. It will also cause the railway to occupy a large share of freight traffic, limit the traffic pressure on roads. The project of Gwadar port is crucial. As, it is turning out to be a huge logistics hub that would link Pakistan with Central Asia, Iran and Afghanistan. This will open new trade corridors which will establish Pakistan as a regional hub. It is noteworthy that very little proportion of the national debt of Pakistan is associated to CPEC projects that contradicts the debt trap narrative and points to the long-term sustainability of this project.

In addition, Phase II is concerned with human development. This is critical in the regard of making sure that the CPEC benefits will be inclusive. The plan contains schemes of poverty alleviation, education, healthcare systems expansion, and women employment. Such endeavours are meant to enhance the life of common Pakistanis. They will also give the locals the much-needed skills and the possibilities of engaging in and gaining advantage of the new economic activities. As another example, vocational training facilities will be set up in Gwadar Port to train locals in skills that are required in its operations. This concentration on human capital maintains that the increase discoursed by CPEC is not socio-economic alone but fair as well.

The project also addresses geopolitical issues by means of being transparent and diplomatic. Pakistan and China collaborate to eliminate the doubts and preserve the overall perception of the project having all the positive qualities of a reciprocally beneficial move. Special 12,000 strong security force and local outreach programs to resolve local grievances especially in Balochistan, are deployed to protect CPEC infrastructure. The multifaceted security approach enhances the project to be long term and successful. To sum up, CPEC Phase II is a cohesive plan to transform the Pakistan economy. It is a strategic alliance that will lead to long term growth, new jobs in millions of people, and lead to strengthening of Pakistani role in international trade and regional connectivity.

Phase II of CPEC is the new direction in the Pakistani business. It is now on the industrialization, modernizing the agriculture and human development. SEZ is aimed at providing attraction and creation of millions of jobs by attracting investment. Historic improvements in the ML-1 railway line and Gwadar Port will improve connectivity in the region. The new phase holds an opportunity of economic sovereignty and long-term sustainable and inclusive growth of Pakistan. It shows its long-time dedication toward healthy and successful future. This is an evident shift towards a contemporary dynamic economy.

Susan Monarez fired while four officials resign amid tensions over vaccine policies and public health directives.

The director of the United States’s top public health agency has been fired after less than one month in the job, and several top agency leaders have resigned.

Susan Monarez is not “aligned with” President Donald Trump’s agenda and refused to resign, so the White House terminated her, deputy press secretary Kush Desai said on Wednesday night.

The US Department of Health and Human Services had announced her departure in a brief social media post on Wednesday afternoon.

Her lawyers responded with a statement, saying Monarez had neither resigned nor been told she was fired.

“When CDC Director Susan Monarez refused to rubber-stamp unscientific, reckless directives and fire dedicated health experts, she chose protecting the public over serving a political agenda. For that, she has been targeted,” lawyers Mark Zaid and Abbe David Lowell wrote in a statement.

“This is not about one official. It is about the systematic dismantling of public health institutions, the silencing of experts, and the dangerous politicization of science. The attack on Dr Monarez is a warning to every American: our evidence-based systems are being undermined from within,” they said.

Officials resign

Her departure coincided with the resignations this week of at least four top CDC officials.

The list includes Dr Debra Houry, the agency’s deputy director; Dr Daniel Jernigan, head of the agency’s National Center for Emerging and Zoonotic Infectious Diseases; Dr Demetre Daskalakis, head of its National Center for Immunization and Respiratory Diseases; and Dr Jennifer Layden, director of the Office of Public Health Data, Surveillance, and Technology.

In an email reported by The Associated Press, Houry lamented the effects on the agency from planned budget cuts, reorganisation and firings.

Monarez, 50, was the agency’s 21st director and the first to pass through Senate confirmation following a 2023 law. She was named acting director in January and then tapped as the nominee in March after Trump abruptly withdrew his first choice, David Weldon.

She was sworn in on July 31, less than a month ago, making her the shortest-serving CDC director in the history of the 79-year-old agency.

During her Senate confirmation process, Monarez told senators that she values vaccines, public health interventions and rigorous scientific evidence.