Robert

Some victims of disgraced undertaker Robert Bush have not been refunded for fake funeral plans he sold them, a court has heard.

The 48-year-old defrauded 172 people over 11 years to the tune of £562,000, Hull Crown Court was told.

He previously admitted 67 offences in relation to his business, Legacy Independent Funeral Directors in Hull, including failing to bury and cremate people, theft from 12 charities, fraudulent trading in funeral plans, and fraud.

On the fourth day of his sentencing hearing, one woman said her parents, who paid £2,649 each for funeral plans, were not alive “to see the justice they deserved”. Another said she had not been refunded £5,000 for two policies.

This story contains details some might find distressing.

Wiping her eyes with a tissue, Maxine Hill told Mr Justice Hilliard the bank refused to refund the money fraudulently taken by Bush, whom Hill knew personally.

Bush visited both her parents, Margaret and John, in their own home and issued a handwritten receipt to her mother who paid him in cash.

The bank initially refunded the amount paid by Hill’s father but 90 days later, the bank took the money back saying “there was no evidence that he hadn’t received a product”, the court heard.

Both have since died – Margaret in May 2024 and John in June 2025.

Colson Whitehead’s latest foray into the bent world of “reluctant fence” Ray Carney — “Cool Machine,” the third and final installment of his Harlem Trilogy — is an American epic disguised as a heist novel. It’s a dizzyingly brilliant measure of the versatility and depth of the acclaimed author’s literary talent.

After writing two books dealing with monstrous historical trauma and institutional abuse — “The Underground Railroad” and “The Nickel Boys,” for which he won two successive Pulitzers — Whitehead pivots to an entirely new genre, subverting it, toying with it, making it wholly his own. And while the Harlem novels, too, have a great deal to say about serious subjects such as systemic racism, corruption, and crimes and misdemeanors of various proportions, they often lean on humor to get the message across.

In fact, it’s easy to envision the author at his laptop, as exhilarated as his prose, cracking himself up over how he bends language, employs slang, and forges descriptions like this one about a bar where Carney and a partner in crime conspire over how to fence a stolen diamond necklace: “He met Flinch Wilson at the Marlin, a narrow dive on 110th and Broadway with a decor inspired by an old leather shoe that lived in a drainage pipe.” Or this about a rival who has it out for Carney and his cohorts: “Buzz struck him as a plumber, one who comes back when you aren’t home to strangle your parakeet if you stiff him on the bill.”

“Cool Machine” is set in the 1980s, and Carney is still in the picture. It’s the Reagan era, and predatory capitalism rules, as does Mayor Giuliani, who’s waged war on the mafia and the homeless. What Whitehead dubs the “churn” roils the city and his protagonist. It’s that “churn” that beckons Carney to break his promise to himself and once again divert from his legit furniture store business. The excuse this time is that his wife Elizabeth wants to open her own travel agency, and can’t get a bank loan. Despite the couple’s closeness, for all these years her husband has managed to conceal that he’s a part-time crook. He desires respectability, but savors the buzz, the camaraderie — the honor among thieves. Carney falls in with criminal mastermind Uncle Rich and signs on to his outrageous plan to break into the Waldorf Astoria; the goal is to liberate Jesse Owens’ Olympic gold medal from those who forced him to cash it in.

The intricacy with which Whitehead details the planning and execution of this caper marks him as a top-tier researcher — he’s drawn on many primary sources to ground this work of fiction in historical fact. (There’s also his obsessive use of Pinterest.) The scenes set in the bowels of Grand Central, where there’s a secret train track leading to the Waldorf, are thrilling enough to read for their action, but the atmospheric descriptions are equally delectable: “Track 23’s next departure pulled into the station. One commuter joined Carney and Uncle Rich on the platform, a deflated man in a pinstripe suit with shiny elbows, then another businessman who sagged on one side, as if his briefcase was filled with lead weights.” One of the marvels of this novel is how effortlessly such sentences land, despite being honed to perfection. It would be a spoiler to say anything further about whether the thieves’ mission impossible yields their reward.

Part two of the novel shifts downtown, into the heart of the ’80s East Village art scene. A preoccupation of Whitehead’s — Jean-Michel Basquiat — is the inspiration for a fictional graffiti artist whose omnipresent scrawls capture the pretensions of the burgeoning wheelers and dealers, who, like uptown crooks, are relentless strivers, albeit with sleeker facades. Their snobbery is juxtaposed with Carney’s friend and colleague Pepper’s unsettling bluntness and eyeball to eyeball stare. He’s on the trail of a psychopath-for-hire dubbed “the Melancholy Hitman,” while battling stomach issues that have him downing Pepto-Bismol and coughing up blood in random bathrooms. In this section, Carney plays a supporting role to Pepper’s lead; “Escape from New York” is the enveloping soundtrack.

In the novel’s final act, Carney reemerges from straight life and Pepper from retirement in Delaware to rescue Carney’s nephew, Robert, who’s on the mob’s hit list for a murder he witnessed. Political corruption is rampant, and the revelation of who’s on the take has rattled a lot of cages. Robert is unwittingly entrapped, and has absconded with something mob bigwig Lombardi wants revenge for. Carney dons his best furniture salesman hat to make the pitch of a lifetime, a deal that could save Robert’s life, or take Carney’s. As Carney drives to the meet-up, he reflects on New York’s evolution: “Crime transformed the city by degrees. He thought of what John [his son] told him about rap music, where it came from. Rap was part of the New York environment now, barging from boom boxes and windows. They created something new from the spoils, the theft of turntables from record shops, the rip-off of a musical line or riff from another song — a crooked art.”

For those who enjoy knowing how an author’s inspiration arrives, it’s amusing to note that in the case of the trilogy that kicked off in 2021 with “Harlem Shuffle,” Whitehead told the New Yorker: “I was staring off into space and thinking about how much I like heist films and how much fun it would be to write a heist.” That sounds simple enough, but “Harlem Shuffle” turned out to be years in the making. The idea initially came to him around the same time he was writing “The Underground Railroad,” which was published in 2016. It wasn’t until after the release of that book, and then “Nickel Boys,” that Whitehead decided to lighten the mood by composing a crime novel set in New York City in the 1960s. And while he usually avoids staying on the same topic or voice from book to book, in the midst of writing “Harlem Shuffle,” Whitehead found he was still imagining further escapades for his main character, this time in the 1970s, with the city on the verge of bankruptcy, and incendiary conflagrations between the NYPD and the Black Liberation Army trending. As he envisioned what would become “Crook Manifesto,” Whitehead thought: “Why not make it three?”

Carney is part poet. Part crook. Part salesman. Part philosopher. To my knowledge, Carney’s creator is neither crook nor salesman, but Whitehead can lay claim to those other two mantles. His vocabulary appears boundless, as does his apparent love for the city he grew up in, where he still lives. “Cool Machine” is a modern masterpiece and an ode to New York, no matter that rats skitter and cockroaches scamper underfoot. When Carney has the chance to move anywhere in the world he wants, he ponders the appeal of fresh air. “Fresh was nice,” he reflects, “but so was other stuff. Noise, dirt, and struggle.” After escaping Manhattan, he wonders, “Where do you go? There’s no place else. It was like going on the lam from yourself.”

Whether or not New York is your jam, or a place you have escaped from or to, Whitehead’s Harlem Trilogy is destined to live on as an American classic. Never mind the rats and cockroaches — it’s the churn.

Haber is a writer, editor and publishing strategist, and co-founder of the Ink Book Club on Substack. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

Fit-again wing Robert Baloucoune returns to the Ireland line-up for Saturday’s much-anticipated Nations Championship game against New Zealand in Auckland.

Baloucoune, who won the Six Nations Rising Player award after starring in Ireland’s Triple Crown campaign earlier this year, missed the wins over Australia and Japan with a hamstring issue.

Head coach Andy Farrell recalls a host of key players after fielding a heavily rotated in last week’s 36-20 victory over Japan, with the return of captain Dan Sheehan, prop Tadhg Furlong and fly-half Sam Prendergast among nine changes.

Tom O’Toole, Tadhg Beirne, James Ryan, Jack Conan, Stuart McCloskey and Jimmy O’Brien are the six players retained in the line-up.

Having beaten the Wallabies and Brave Blossoms, Ireland aim to round out the southern hemisphere leg of their Nations Championship campaign with a statement win at Eden Park (08:10 BST).

The All Blacks, who beat France and Italy in their first two games, have not lost at the Auckland venue since 1994, a run of 52 Tests.

Emmerdale’s Serena Sugden’s secret was exposed to her cousin Robert by his ex Kev Townsend on Monday’s episode of the ITV soap, and it might not end well for some characters

Serena in Emmerdale seems to have finally been exposed, as her secret career was revealed.

Kev Townsend finally remembered where he knew Serena from, and he wasted no time in telling her cousin Robert Sugden. Kev shocked Robert as he outed Serena as a copper.

If he’s correct, this explains her shifty behaviour and her constant interrogations. But why is she asking questions about her killer cousin John Sugden and his victims?

Moira Dingle, Vanessa Woodfield and Aaron Dingle had all been suspicious of Serena as she quizzed them about John’s killer actions. While Robert wasn’t concerned, he was warned by Moira on Monday.

Moira told him how she’d been looking into Nate’s death at the hands of John, and she warned him not to tell Serena about how John died. It seems Moira could have been right to be so worried.

Kev then let himself into Robert’s house, leaving Robert stunned. But he was even more shocked when Kev dropped the bombshell that Serena “is police”, branding her a “copper”.

So is Serena a police officer, and is Kev right? He did say he never forgets a face and he’s rarely every wrong so it seems Serena has been sussed.

But what will Robert do with this information, and what is Serena up to? Of course Robert knows his sister Victoria Sugden, Serena’s other cousin, killed John in self-defence.

So Serena being a police officer could be bad news for them as they are covering up a crime. It comes as Aaron is set to make a discovery about his partner Robert’s cousin Serena, after he continues to be concerned about her presence.

When Robert is knocked unconscious by a runaway trailer on the farm, Serena helps him. But after she calls Aaron and tends to Robert’s injuries, Aaron shares his concern about Serena.

He questions the fact that Serena just happened to be at the right place at the right time. But spoilers could explain what really caused the incident with Robert, and it might have nothing to do with Serena.

A spoiler about a scene involving Mackenzie Boyd and Ross Barton, who are at the farm that same week, mentions a trailer. Is it just a coincidence, or is it linked?

So the spoiler reads: “A simmering tension from Mack towards Ross builds as they load bags from a trailer.” It’s at this point that the pair end up fighting, and Mack attacks Ross.

So what happens with the trailer? Is it the same trailer that ends up “running away’ and colliding with poor Robert on the farm?

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Ulster have been handed a major boost as winger Robert Baloucoune is fit enough to start Friday’s European Challenge Cup final against Montpellier.

Baloucoune was expected to be sidelined for three months after picking up an elbow injury in Ireland’s Triple Crown-sealing Six Nations win over Scotland in March.

But having returned to training ahead of schedule, the 28-year-old has been selected on the right wing by head coach Richie Murphy as Ulster bid to end a 20-year wait for silverware.

Baloucoune, who has scored six tries in seven games for Ulster this season, joins Mike Lowry and leading try-scorer Zac Ward in the back three, with Jacob Stockdale having already been ruled out.

In Stuart McCloskey’s absence, Jude Postlethwaite partners James Hume in midfield, while the first-choice half-back pairing of Jack Murphy and Nathan Doak are reinstated after starting last week’s United Rugby Championship loss to Glasgow on the bench.

In the pack, Angus Bell returns at loose-head prop for his Ulster swansong before returning to Australia, with Tom O’Toole at tight-head. A calf problem for vastly experienced hooker Rob Herring means Tom Stewart completes the front row.

Without suspended captain Iain Henderson, Harry Sheridan partners Cormac Izuchukwu in the second row, while flanker David McCann has returned to fitness to start alongside stand-in skipper Nick Timoney and Juarno Augustus in the back row.

Murphy has opted for a split of five-three split on the bench, with James McCormick, Eric O’Sullivan, Scott Wilson, Charlie Irvine and Bryn Ward providing forwards cover and Conor McKee, Jake Flannery and Ethan McIlroy as the backline replacements.

The race for the 34th Congressional District in the core of Los Angeles was supposed to be a battle for the soul of the Democratic Party. The two dozen hopefuls vying for a spot in the top-two primary were full of self-proclaimed fighters ready to oppose President Trump and establishment Democrats.

Instead, it’s shaping up to be a contest between the powerful group of Latinos who make up a majority of the district’s voters and the small but politically potent Korean American community, as Assemblyman Jimmy Gomez and former city planning Commissioner Robert Lee Ahn grabbed the runoff spots that will determine L.A.’s next member of Congress.

“This is really ethnic politics 101,” said Matt Barreto, a UCLA professor of political science who helps run the polling firm Latino Decisions.

Ahn, an attorney and a relative unknown in the crowded primary field, surprised many with a victory that vaulted him ahead of multiple Latino candidates in a district where more than half the voters are Latino. If elected in the June 6 runoff, he would be the only Korean American member of Congress and the first in nearly 20 years.

But it wasn’t surprising to anyone who studies the intricacies of identity politics in Los Angeles, or to those who had been paying attention to Ahn’s aggressive focus on Korean American voters.

Ahn’s campaign staff spent dozens of hours registering voters at malls and outside restaurants in Koreatown, signing up hundreds of new voters. Ahn made his pitch at multiple Korean churches in the district, and a large portion of his donor base was from the Korean American community, which helped him raise more money than Gomez in the latter part of the campaign despite a deluge of cash Gomez received from political committees.

And when Virginia state legislator Mark Keam, also a Korean American, flew to Los Angeles to endorse Ahn, a bank of TV cameras from Korean American news stations was there.

Robert Lee Ahn raised the most money by far in latest campaign finance reports »

Daniel Hong, a 38-year-old who works in the film industry, voted for the first time Tuesday even though he’s been a citizen for about 20 years. Hong, who is Korean American, said he read numerous articles about Ahn and received multiple phone calls from his campaign.

“That was the first time anybody has ever reached out to me for my vote,” said Hong as he stood outside a polling place set up in a Korean Presbyterian church.

Deborah Choi, 62, said she voted for Ahn so “he can speak for Korean Americans here.” The first wave of Koreans immigrated to the U.S. “so many years ago,” Choi said, but their representation in the highest elected offices remains low. She hopes her 36-year-old son will one day run for office too.

Though county election officials have yet to process more than 13,000 ballots, the 41-year-old Ahn remains thousands of votes ahead of the third-place candidate, fellow former planning Commissioner Maria Cabildo.

With turnout expected to hover around 15% of registered voters, preliminary returns show Ahn’s strategy paid off big. The biggest strongholds of votes for Ahn centered on Koreatown, Westlake and Chinatown, while the 42-year-old Gomez was ahead in neighborhoods throughout the northeast part of the district.

In early absentee ballot returns headed into primary election day, Korean Americans made up nearly a quarter of votes even though they comprise just 6% of registered voters.

Few Korean Americans have come this close to winning a seat in Congress since 1998, when Republican Jay Kim of Diamond Bar lost to a primary challenger after three terms in office. (David Min, a UC Irvine professor, announced a challenge to GOP Rep. Mimi Walters of Orange County this week.)

“Korean Americans in Southern California have been hungry for political representation for a very long time,” said Taeku Lee, a professor of politics and law at UC Berkeley. Lee said the recent campaign that helped propel David Ryu, the first Korean American elected to the L.A. City Council, may have also helped the community learn on-the-ground skills that mobilized voters in the congressional race.

The symbolism of Ahn’s win was not lost on his supporters Tuesday night.

“It’s very significant,” said Jinha Park, a radiologist who attended Ahn’s election night party at a Mexican restaurant in Westlake. “The Korean American community has always felt voiceless at the federal level.”

The question now, as the two Democrats ready for what could be a costly runoff, is whether Ahn, the son of Korean immigrants, can broaden his appeal beyond the Korean American voters who are motivated to send him to Washington.

He faces a fierce challenge: While progressive candidates to his left spoke passionately about fighting for “sanctuary cities” that protect undocumented immigrants and single-payer healthcare, Ahn emphasized the “business sensibility” he would bring to the office and argued there was room to negotiate with Republicans on certain issues, an idea that could prove unpopular in a district where just 9% of voters are Republican, and where Bernie Sanders beat Hillary Clinton in last year’s presidential primary.

Ahn will also have to make a case to Latino voters, who make up more than half of registered voters in the district, why they should choose him over Gomez. The three-term assemblyman is the son of Mexican immigrants, has amassed dozens of establishment endorsements from Democratic elected officials, labor unions and environmental groups, and touted his progressive record in the Legislature.

Among his backers is Xavier Becerra, who rose to become the highest-ranking Latino U.S. congressman and vacated the seat to become California’s attorney general.

Votes that went to the remaining Latino candidates in the primary made up more than 38% of voters at last count, and the district has sent a Latino to Congress for more than half a century.

“When [Ahn is] running against a guy named Gomez, as good as his outreach might be in the Latino community, Latinos’ gut and heart is going to be more with Gomez,” said UCLA professor Barreto.

Ahn dismissed the idea. “The notion that Latinos will only vote for a Latino … I think we’re really going to transcend that with our campaign,” Ahn said in an interview Wednesday. He appears to be positioning himself as an outsider, which would be similar to the campaign Ryu ran when he made his successful council run in 2015. Ahn called Gomez a “professional politician that is powered by special interests.”

Gomez’s camp shot back, saying voters will see through Ahn’s formidable fundraising and realize his credentials don’t match with the district.

“More than anything, he’s ideologically out of step with the district,” said Parke Skelton, a campaign consultant for Gomez. Skelton said Ahn, who changed his registration from Republican to Democrat in 2012, “has taken positions that really put him out of the mainstream Democratic base in this district.”

christine.maiduc@latimes.com

For more on California politics, follow @cmaiduc.

ALSO

Half the candidates in L.A.’s latest congressional race have their own immigrant story. With Trump, this contest is personal.

Results from L.A.’s congressional primary

Updates on California politics

Sign up for our free Essential Politics newsletter