Robbie

Watch the three FA Cup goals scored by Jack Wilshere (for Arsenal and Bournemouth) and Robbie Savage (for Leicester).

Forest Green Rovers, managed by Savage, face Luton Town, managed by Wilshere, in the FA Cup first round on Friday evening.

WATCH MORE: Eze and Alexander-Arnold star in best goals from last season’s FA Cup

Available to UK users only.

HE’S got some time on his hands after pushing back the release of new album Britpop until February.

And after announcing he was planning on opening a luxury hotel in Dubai, Robbie Williams is now working on another madcap idea.

“I want to open a University of Entertainment,” Robbie, right, revealed. “I did notice nobody else is doing it.”

He said of the inspiration behind his dream school: “I grew up as a vaudevillian. That’s what I am. I am cabaret.

“I spent all of my youth watching my dad do cabaret and watching all of the acts that he would bring off and on stage — and how talented and hard-working they were, and how genuinely funny the funny acts were, and how genuinely amazing the vocalists were.”

Robbie, who left Take That in 1995 before launching his hugely successful solo career, added: “I arrived in 1995, after Take That, I want to be Oasis.

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“I want to be Radiohead. Then, when I opened my mouth and my mind, I came out instead and I’m not cool. And you go, ‘OK, so what am I? Oh, I’m all of these people that I loved — Tommy Cooper, The Two Ronnies and Morecambe and Wise.

‘In a different place’

“The way they made me feel is how I want to make people feel.”

Robbie will be back on stage next year, kicking off a mini-tour in Glasgow on February 4, before playing three more intimate shows in Liverpool, London and Wolverhampton.

And until then, he said he’s going to be busy working on his new plans.

He told the Heretics podcast: “I’ve got so many fingers in so many pies, giving me so much to peruse. My ambition and my want and my need and my desire has not abated. But the oxygen I once had in my career, where I couldn’t miss every time I went to the table, has been taken away from me just because I’m an older pop star now.

“The rise was a long time ago, 1990 till, say, 2010.

“It’s only different as it’s different for everyone else lucky enough to have had my kind of career. I was the most played artist for ten years in a row.

“And, you know, thank you. I’ve had a nice run, but I’m in a different place now.

“And it’s not over. Where does all of that naked ambition and drive go?

“It goes into purpose. It goes into creating.”

If it ever gets off the ground, I’ll make sure to sign up for a night class.

Good friendships in the Mix

THEY may no longer be making music together, but Little Mix are still best of pals.

Pregnant Perrie Edwards and Leigh-Anne Pinnock were backstage at the Roundhouse in Camden to support Jade Thirlwall at her gig.

Leigh-Anne shared this sweet snap of them together, and one of my mates spotted them dancing and singing along to Angel Of My Dreams.

Jade, whose debut album, That’s Showbiz Baby, peaked at No3 when it came out last month, is now preparing to head Stateside in the New Year.

Let’s hope she can do what Little Mix couldn’t and crack America.

Jade kicks off a run of 14 shows in San Diego on January 30.

Fergie up fur reunion

IT looks like Fergie can’t decide if she’s too hot or too cold.

The Black Eyed Peas singer teamed this crop-top with a faux fur jacket as she performed at One Musicfest in Atlanta, Georgia.

The I Gotta Feeling singer wowed fans at the event in Piedmont Park, belting out some of her biggest hits including amazing 2006 single London Bridge.

Earlier this year, I revealed that Fergie had created a whole new music video for the track in the capital as part of Lena Dunham’s Netflix series, Too Much.

Fergie left the Black Eyed Peas in 2018, but I told you this summer that discussions are under way about a possible reunion with her bandmates Will.i.am, APL.DE.AP and Taboo.

I’d love to see this happen.

Jovi’s got the Midas Tuchel

I TRIED my hardest to make Jon Bon Jovi a Spurs fan when I hung out with him last week, but his legendary PR Alan Edwards – a die-hard Gooner – persuaded him to follow the reds.

Jon was obviously something of a lucky charm as Arsenal managed a 1-0 win over Crystal Palace on Sunday.

He later hung out with England boss Thomas Tuchel and Jason Sudeikis.

It was Jon’s first Premier League game and I bet my last quid it’ll be his last given how rubbish Arsenal are.

You should have watched Spurs instead, Jon.

We battered Everton 3-0.

Is Geri in a bad Spice?

THE Spice Girls were all smiles at the launch of Victoria Beckham’s Netflix documentary this month.

But insiders say those grins were more like grimaces once the cameras were off – and the finger of blame is being pointed at Geri Horner.

A well-placed mole told me that while Mel C and Emma Bunton were together on row D, Geri was placed in a different area with her husband Christian Horner.

And the apparent snub is now the talk of the town.

Our source explained: “All people are still talking about what happened with Geri that night.

“She was seated away from Mel C and Emma, which seems weird given they were there to support Victoria. Inside the party she only seemed to talk to Victoria, too. It all felt rather frosty. No one has seen a photo of the four of them together either.”

Something is definitely up.

Last November, I revealed how Geri was dragging her heels over a new Netflix band biopic.

And last week, The Sun reported the band – completed by Mel B – were planning on implementing a “rule of four”, to allow the show to go ahead even if Geri wasn’t on board.

A telly insider said: “Geri has been dragging her heels for almost a year now and the rest are keen to plough ahead, as next year marks the 30th anniversary of first single Wannabe.”

Get it together, Ginger.

Cops get Raye on track

RAYE has revealed the police have found her stolen car – with her songwriting books on the backseat.

The Where Is My Husband! singer was forced to push back her second album after the thieves nicked her motor last year.

But now Raye is busy putting the finishing touches to the record after getting them back.

Appearing on Global’s Big Top 40, Raye, right, said: “It was a rollercoaster journey but what I didn’t tell people is that the police called me two or three months ago and said, ‘We’ve found your car.’

“Not only did they get it back but not one thing had been taken out of the car.

“All my songwriting books were there untouched.

“There was so much important stuff in there and when I was flicking through it I was like, ‘Thank God this has been returned to me’.”

Mark: I still get nervous

MARK RONSON has a load of hits to his name but has admitted he still questions if he’s any good every time he gets into the studio.

On Radio 2’s Tracks Of My Years, which airs all this week on Vernon Kay’s morning show, Mark said: “Every time I get into the studio with somebody for the first time, or even if it’s someone like Dua Lipa, or someone I’ve worked with a lot, it’s that combination of like, before the first day of school meets a blind date, meets every insecurity.

“Am I going to think of an idea? Am I going to be able to deliver?

“I still have that and I know people might be like, ‘That’s ridiculous, you’re good, don’t worry about it’.

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“But I think it’s served me well in my career because it’s always made me work extra hard.

“I wouldn’t know what to do if I fully lost that.”

Brad Ingelsby knew after the breakout success of HBO’s “Mare of Easttown” — a crime drama about a police detective (Kate Winslet) investigating the murder of a teenage girl in a fictional working-class town — he didn’t want his next series to be another whodunit.

“That’s Mare’s thing,” he says on a recent late afternoon. “So, you start to go, if you’re going to write another story in the crime genre, what would get the audience to keep clicking to the next episode? I just thought, ‘Well, maybe a collision course show, where [in] every episode, we get a little closer, a little closer, a little closer, until things collide.’ ”

In “Task,” which concluded Sunday on HBO, Mark Ruffalo stars as Tom Brandis, a priest-turned-FBI agent leading a task force investigating a series of robberies in Delaware County, Pa., an area commonly referred to as Delco that was also the setting for “Mare of Easttown.” (And with references to Wawa and Scrapple, along with visits to Rita’s Water Ice, it slips into its role of expanding the universe.) It leads Tom to Robbie Prendergast (Tom Pelphrey), a sanitation worker who robs drug houses at night to provide for his family. Both men are emotionally tortured by life events — Tom’s wife was murdered by their adopted son, who is incarcerated; Robbie’s brother was killed by a member of a motorcycle gang — that have set them each on different, but destructive paths.

In “Task,” Mark Ruffalo, left, Alison Oliver, Thuso Mbedu and Fabein Frankel portray law enforcement officers who are part of an FBI task force investigating a string of robberies.

(Peter Kramer / HBO)

“ ‘Mare’ was about the moms — the damage that all the guys have caused and the women are kind of having to pick up the pieces of that,” Ingelsby says. “This [show] is all about the fathers and being left behind, seeing the damage they’ve done to their kids, how they’re going to fix that in their lives — or not be able to fix it. The guys who are actually doing the damage without knowing.”

Ingelsby says his uncle, who was an Augustinian priest, helped inspire the throughline of the series.

“I’ve always been very intrigued by his idea of faith in God over the years, and how it’s changed over time, and what he believed once and what he believes now,” he says. “I was intrigued by the idea of a guy who, everything he held as truth, all the pillars of his life, have come crumbling down. And Robbie has a much different faith. And it’s through the gauntlet of the story, how their lives intersect, that they both get to navigate their own journeys of faith.”

Over dinner at a West Hollywood hotel, The Times sat down with Ingelsby, Ruffalo and Pelphrey to discuss their faith journeys, economic inequality, fatherhood — and Wawa, too. Here are edited excerpts from the conversation, which contains spoilers about the finale.

After the success of “Mare of Easttown,” creator Brad Ingelsby wanted his follow-up, “Task,” to feel connected, but not repetitive: “ ‘Mare’ was about the moms,” he says. “This [show] is all about the fathers and being left behind, seeing the damage they’ve done to their kids, how they’re going to fix that in their lives — or not be able to fix it.”

(Bexx Francois/For The Times)

The themes of the show involve forgiveness and faith. Every person has experienced something in life that has tested those ideas. How has your own relationship to faith and forgiveness evolved as you’ve lived more life or taken on roles that ask you to live different experiences?

Pelphrey: My faith, to me, is when I got sober. God willing, Oct. 1, which is three days from now, it’ll be 12 years. That’s truly by the grace of God — you hear that phrase, but I genuinely, I mean that. That’s how I’ve experienced faith, through my sobriety. I was raised Catholic, but the experience I had at 31 was like in a different dimension to what I thought of religion or ideas. It’s one thing to have an idea, it’s another thing to have your heart opened. It’s definitely an important part of my life. And I think Brad did such a beautiful job conveying that. My grandma used to have one of these things when I was a kid — not a real gem, but like a glass cut thing so if you put it in the window, the sun shines through a million different ways, and the color goes everywhere. I feel like you [Brad] did that with some themes in the show where you’re like, “Let me just hold it up, and we’ll just look at it a few different ways.”

Ruffalo: My journey with faith is probably very similar to Tom’s. When you get a job or something, it can take you on a journey that you’re ripe to take. It touches your life at a very moment where you need it. I’d say, after my brother died, the whole notion of faith just went out the window for me. But oddly enough, I have a lot of addiction, alcoholism in my family. I say, either you are one or you love one. When you love somebody who’s struggling with that, it takes a lot of faith to let them go and to trust it will be OK. My friend says to me, “They got a God and you ain’t it.”

My faith has been renewed, actually, through Tom [the character] — he is an alcoholic. It’s touched my life in so many ways, even with my brother, that it’s like where I lost my faith and where I gained my faith again has been through this journey with alcoholism and drug addiction. And I waver. You look at the world and you’re like, “Where is God in this? Please show yourself. ” But the thing about faith is it requires you to believe without any evidence of its existence. I’d rather believe in that than nothing. Although, I fought him [Brad] all the time. I was like, “He’s [Tom] not really praying here. He’s trying to pray. He’s going through the actions of praying, but he can’t quite get to the opening sentence, which is “ … God …” He does pray, eventually, but it’s a journey.

There’s the powerful moment in that car when Tom and Robbie finally meet in Episode 5. Robbie says, “I don’t think I’ve ever experienced God in my life.” This is a man that hasn’t felt hope, and he has this glimmer of it with this goal of escaping to Canada. Tom, how was it getting into the mindset of this guy just trying to get out of this life?

Pelphrey: It’s heartbreaking. We’re articulating an American dream that far too many people don’t get to experience, and maybe are starting to lose the hope of ever experiencing it. That’s a very real thing — unfortunately, way too real and increasingly way too common. It was just constantly reminding myself: What does this character want? And at the end of the day, regardless of how extreme some of the things Robbie’s doing, he just wants a decent life for his kids. And the fact that he’s having a hard time getting it is heartbreaking.

That scene and in the car, the first time I read it, I was like, “Oh, he’s [Brad] got some balls.” You have so much s— boiling over — the plot lines, the violence, the stakes are through the roof for everyone now in the show, and we are going to sit in a car for half an episode? And two dudes are gonna talk?

In Episode 5, Robbie Prendergast (Tom Pelphrey), left, and Tom Brandis (Mark Ruffalo) finally meet.

(HBO)

Ruffalo: There’s no chase! And when they finally face each other, they’re not even [actually] facing each other! They’re both pushed to the edge and you don’t know where it could go. Tom certainly doesn’t know where it will go. Tom’s kind of at that point, like, “F— it. Go ahead.” We talked about it a lot, I was like, “I think Tom should die.”

[They break into laughter]

Ingelsby: Every single day he was pitching it.

Ruffalo: I was pitching Tom should have a heart attack at the end and he literally sees God and he says to God, “I’m ready.” He finally finds his faith. It’s finally paid off and he says [gasping], “I’m … reaaady.”

Ingelsby: Enough people die here. But that particular episode has always been very special to me. That’s when the show is operating at the peak of its powers. It just felt like, how do we subvert the expectations of the audience and do that in a way that still feels true to who these characters are? I remember talking to you [Tom] about this. You were like, “As soon as I know Cliff’s done, I’m on a one-way street. I have a plan.” But with you [Mark], once they get out of the car and you feel like you’re going to die, you’re like, “I want to call my family.” That’s when you get activated in a way. You’ve been going through the motions in life, but that’s when it gets very real.

Ruffalo: It’s like being reborn. It opens his heart. He sees how life can be taken away.

We’re in a political and cultural moment where the mood of the country is simmering — there’s anger and rage on all sides, and a lot of it stems from class and systemic issues that are in place that put people in certain positions. There’s that layer, but there’s also the grief element both these men are facing.

Ingelsby: With Robbie in particular, I was interested in a guy that felt really stuck. What I liked about Robbie was, if he didn’t take action, what would happen to Robbie? He’d be a trash man in too deep his whole life. Who cares about Robbie and his family? Nobody. He was left behind. In early versions of the script, I very explicitly said, “He wants his bite of the apple.” There are lots of people like that now. I loved writing Robbie because it felt like he was raging against being left behind and and I felt, in many cases, in the script, why wouldn’t you do something? Whether you agree with the actions or not —

Pelphrey: He had his f— life stolen from him. What he’s going after is a very specific thing. He’s not lashing out blindly against anybody to get any money at any cost. He’s like: “I’m gonna take it from these mother f—, who are bad dudes.” Even within that, he has principles. No one’s gonna die — obviously, the rules all go out the window Episode 2, but we’re not going to take the drugs, we’re not going to sell the drug. We’re going to destroy the drugs. We’re going to take the cash. Even within his brand of lashing out, he actually has a set of principles that he’s operating by.

Mark Ruffalo, left, and Tom Pelphrey star as two troubled men on a collision course in “Task.” Ruffalo portrays an FBI agent recovering from a family tragedy, while Pelphrey plays a garbage collector and criminal involved in a series of robberies. (Bexx Francois/For The Times)

Mark and Tom, as sons and fathers, how did you think about the father-child relationships of these two men and the collateral damage of their choices?

Ruffalo: It’s so hard to be a father, especially now because this generation is like, “We’re not going to do it the way our parents, our fathers did. We see that there’s another way to do it. We’re actually talking about it.” At the same time, we don’t exactly know what it is that we should do differently, plus we have the responsibility of, financially, keeping it together. It’s obviously hard to be a mom too. These guys are doing the best they can.

Pelphrey: Becoming a dad two and a half years ago now, it’s just the most f— awesome, wild, intense, crazy s— I’ve ever experienced in my life. It’s like getting struck by lightning. I’m so in love and I feel so vulnerable and I feel so happy — it’s all the feelings. Then suddenly, when you’re thinking about how you feel, you go, “How do I balance this? How do I protect her, but make sure that she’s brave and experiencing things? And you quickly realize there is so much to this that I will have no power over and the realization of that, in the deepest sense — and I’ve already had moments of that and we’re just getting started here. You imagine what it’s like, when you don’t have kids, but you have no f— clue. One of the things I could say without blinking, ever, is, “I totally understand why he’s doing what he’s doing.”

Was there a version where Robbie lived?

Ingelsby: No, I felt like structurally what needed to happen was Tom had to witness Robbie’s kindness, then his sacrifice. It felt very necessary to be like, “Oh, wait. Robbie — he went up to the woods…” Because he’s always like, “What’s the plan?” Tom realizes, “Oh, I know what the plan was. He went there to die.” Part of Tom’s journey to getting rid of the anger and to believing in something at the end, was to have witnessed the goodness in Robbie. He [Robbie] also gets in so deep eventually, he has pushed himself into such a corner and there’s no good way out of this. What’s an audience gonna think if he gets out of this unscathed? Even if he were to survive, he’s gonna be in jail for the rest of his life. The idea of sacrifice would speak to Tom as a character and get him to his ultimate decision to give the boy [Sam] up, but also forgive his own son and, quite literally, get the house ready for him.

Mark, how did you feel about the statement that Tom winds up giving at the hearing in the finale?

Ruffalo: He had to sit down and write that. I don’t think he really knew what he was going to be writing. He’s taking stock of his life and his son’s life and the story of the life. It’s connecting him to the whole story. It’s not just the loss of my wife, but also we raised that boy. We made this life together and, even in the hard part of it all, that’s where we learned what love is. Then when he gets in there, he doesn’t even know that he’s gonna say it. He doesn’t know he’s going to confront him with it and say [to his son], “Look at me.” But the whole journey, leads us there.

There’s something, too, about his composure in that moment.

Ingelsby: That’s the genius of Mark. That was the first or second take, what we used.

How many versions of it did you write? Was there an overly emotional or dramatic version?

Ingelsby: There was a longer version. But I think what was important about it was — and Mark does such a beautiful job — was that he had to be honest about how hard it was. I was always worried it would be a bit maudlin, if he just went in and said straight away, “I love you.” It was almost like he had to be really honest with everybody, like, “Hey, this was f— horrible.” And the shame of changing your name —

Ruffalo: Yes. To be that honest and to say that I pretended like I wasn’t his father. It’s so shameful. It’s so honest.

Ingelsby: I think because he’s so honest, it makes the forgiveness even more impactful. When he says, “I forgive you,” you believe because he’s earned the trust in the speech by admitting the things that were so shameful .

Ruffalo: It doesn’t just go one way — forgiveness. There’s a lot of shame on it on the other side, that’s where the anger comes from. There’s always this question: What could I have done? The backstory was I left, knowing that he was in an episode, but I had to go. I left her with him, thinking it would blow over. And it didn’t. He has to also be honest about his part in it. What dad says, “That’s not my kid. You’re in retreat already.”

Ingelsby: That’s what we want the ending to be. It’s not that everything’s going to be easy. I think the same for Mare — it wasn’t like Mare’s life was so great at the end of the show. There was a lot of going on.

Ruffalo: She’s going to an AA meeting. Tom and Mare can meet at an AA meeting.

Tom Pelphrey as Robbie Prendergrast, a garbage collector trying to avenge his brother’s death by hitting trap houses belonging to a local gang before getting caught in a deadly standoff. (HBO)

Mark Ruffalo, Silvia Dionicio and Phoebe Fox in “Task.” Ruffalo plays a priest-turned-FBI agent who hasn’t confronted his feelings about the murder of his wife at the hands of their adopted son. (HBO)

To that point, was there thought about whether to incorporate “Mare” characters in this show, if they’re in the same universe?

Ingelsby: It’s funny you say that. [In] one of the early scripts, we had a scene where Emily (Silvia Dionicio), at the end of the show, went to a concert with her boyfriend, Leo, the guy that’s a magician. And Mare’s daughter, Siobhan (Angourie Rice), was playing. And there was another connective piece I’m missing. I think Leo’s brother was in the band. And they had a moment together, because I felt like Emily and Siobhan were very, very similar. That they had the weight of the world on their shoulders in some way, Emily especially —

Ruffalo: They’re well suited for each other. They could just sink to the bottom of the lake together.

He’s got a crossover season mapped out for you.

Pelphrey: If we hold hands, we can sink faster.

Ingelsby: But we did have something connecting them. But I’m glad HBO read it and were like, “Is it a bit much?” It felt like maybe we were reaching to do something that the story didn’t require. And when we took it out, I felt like this story exists on its own, and we didn’t need that. If we had threaded it through the story in a more interesting way, maybe it would have worked, but it would have felt really tacked on and kind of just fan service for the sake of fan service, which I didn’t want.

Can we talk about the Phillies cup? It’s seems like such an obscure detail, but that cup triggered me. I know it well. A father trying to hide his vice.

Ingelsby: That’s another detail of my own life that I can repurpose, steal. That’s my dad. He drinks out of that. He watches every Phillies game. There’s 162 games. And if he can’t watch, he’s listening to it in a radio in the car. I feel like we always talk about in the specific, is the universal. And Mark did the swirly thing.

Ruffalo: That’s what made me want to do the show. That he was drinking out of that. And then he swirled his hand. I said, “This guy is writing character like nobody is doing that I’ve seen in television.” I only read the first episode and I was like, “I want to go. I trust this journey with him.” And it was from that nuance thing. I know that guy. He’s a priest who swirls his vodka and tonic with his finger. In a Phillies cup. And he thinks he’s pulling it over. That’s my family. It’s so honest.

The accent was such a feature of “Mare of Easttown.” I imagine that had its own expectations or pressure for this show.

Ingelsby: “Mare” was more a community — very, very specific community. I felt like, in that show, we had to go all in and Kate did. A lot of Mark’s character was driven by my uncle, who has no accent at all. Because he went to the seminary, then he went to Merrimack College, he was a teacher — he bounced around. And even me, there’s a couple words I’ll say that you can’t pick up a heavy accent. There’s a couple words, where maybe you could pick it up.

Ruffalo: We tried. I tried it. I kept kicking it out, it just didn’t feel right. He does hit some of those words. He does say wooder — cheery wooder ice. We kept some of it in, but we didn’t go as hard at it because he goes another way. I feel like he might have ended up in South America at some point. I was thinking he traveled the world.

Did you pay many visits to Wawa? I remember Kate telling me about her Wawa experiences.

Pelphrey: I grew up going to Wawa. I was Wawa all the time because I was living out in the suburbs.

Ingelsby: I think Kate ate hoagies or something.

Pelphrey: They make a good sandwich.

Ruffalo: Oh, bro. I started with a fat suit and then I had to take it off. I just kept getting fatter. My wife saw me and she’s like [to the kids], “huh, your father’s eating his way through Philly.” But, man, I’d be like, “How about a sandwich for the scene?” [Mimics scarfing down a sandwich.] Like a troll.

Ingelsby: He is an amazing sandwich eater. We were talking about it.

Pelphrey: We were.

Ruffalo: Oh, I knew I was going to be eating a sandwich that day [in a scene], so I starved myself so I could just plow that thing.

Are you interested in a Season 2, Brad?

Ruffalo: No one wants a Season 2. [the trio laughs] No, I’m kidding. That would be amazing.

Ingelsby: It would be amazing. If people respond and we get a chance to do it.

Could we get that “Task”-”Mare” crossover?

Ingelsby: A lot could happen.

Ruffalo: Some “Mare” people could show up. There could be a love affair.

ROBBIE Williams has revealed his life-changing health battle for the first time, admitting ‘you’re always looking for the cure.’ 

The music star said he’s been secretly living with Tourette’s syndrome. 

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Robbie, 51, has claimed that his Tourette’s are ‘intrusive’ while speaking on a podcast about it for the first time. 

The music legend starred on the first episode of the new season of Paul Whitehouse and Dr Mine Conkbayir’s podcast I’m ADHD! No You’re Not. 

He said: “I’ve just realised that I have Tourettes, but they don’t come out. 

“They are intrusive thoughts that happen, I was just walking down the road the other day, and I realised that these intrusive thoughts are inside Tourettes. It just doesn’t come out.

“Not only that, you would think that a stadium full of people professing their love to you would work as (a distraction), but whatever it is inside me cannot hear it. I cannot take it in.”

In “Task,” premiering Sunday on HBO, Brad Ingelsby, creator of the 2021 miniseries “Mare of Easttown,” which introduced the wider world to Wawa and the Delco accent, returns with another tale of crime and family in the rural-suburban wilds west of Philadelphia. Where women were at the center of “Mare,” men are the subject here — a cop and a criminal, symmetrically arranged — messed-up middle-aged single fathers who care about their kids.

Both have been loaded with tragedy. Robbie (Tom Pelphrey), whose wife took off a year before, has a much-missed dead brother in whose house he’s living with his two kids and young adult niece (Emilia Jones as Maeve, a secret hero); he’s a garbage collector with a sideline in robbing drug houses, which he identifies through their trash. This routine has been successful enough that he and his partner, fellow trashman Cliff (Raúl Castillo), have drawn the attention of the authorities.

FBI agent Tom (Mark Ruffalo) has a dead wife (Mireille Enos, seen briefly in flashback), a son in jail he can’t bring himself to visit and a semi-estranged adult daughter (Phoebe Fox); on leave from field work, he’s been manning the agency table at job fairs. That changes when his boss (Martha Plimpton), much to his displeasure, calls him back as a substitute to lead a task force into the drug house robberies, already assembled by his predecessor from other branches of law enforcement. There’s Lizzie (Alison Oliver), young and distractable; Aleah (Thuso Mbedu), terse and focused; and Anthony (Fabien Frankel), loose and Italian.

It’s clear from the guns that both sides pack, and the fact that Robbie has been stealing from criminals — notably a drug-dealing motorcycle gang, the Dark Hearts, which has its own explosive internal business — that something is going to go fatally wrong sooner or later. (If that’s a spoiler, you are blessed with a special brand of naivete.) The bikers, who are not at all nice, though painted with some recognizably human qualities — represented primarily by Jamie McShane as Perry and Sam Keeley as Jayson — are the usual screen collection of exclusively good-looking men and women, though to be fair, this is true of Tom’s team too — Tom perhaps excepted. (Ruffalo put on weight for the role, and wants you to notice.)

In “Task,” Robbie (Tom Pelphrey) is a single father who steals from other criminals.

(Peter Kramer / HBO)

Indeed, the predominant experience of watching “Task” is waiting for the next terrible thing to happen, which may be called suspense or dramatic tension, but in the event makes for an often depressing watch, especially since the safety (physical, psychological) of young children is involved. (That can feel a little cheap, dramaturgically, like endangering a kitten, but it works.) One is grateful for anything relatively ordinary — Lizzie and Anthony dancing in a bar, Tom’s younger daughter, Emily (Silvia Dionicio) connecting with a co-worker at the custard ice stand. (Another item for the regional reference bucket.)

In the compare-and-contrast structure of the series, we learn that Robbie, though he is a fount of bad decisions, is the more optimistic, proactive of the two characters — he has a dream, in the form of a brochure, regarding a Canadian island, where he would like to spirit his family away. (He’s doing the crime to afford it.) He’s interested enough in finding “a life companion” to open a dating app. Tom, who had been a priest for eight years before losing the spirit and joining the FBI, still in mourning for his wife, drinks too much, is packing a paunch and can’t connect with Emily, the only family member left in the house.

Both have connections to nature. Tom, who grows vegetables, is a birdwatcher; Robbie keeps chickens. Both are essentially tenderhearted, which is perhaps not the most practical quality for their professions, but necessary for the story — we need to like them. They’re like one and a half sides of the same coin.

In among the criminal antics and police work is a lot of talk about life and death and God, guilt and forgiveness. Ingelsby thinks big. The title to one episode, “Out Beyond Ideas of Wrongdoing and Rightdoing There Is a River,” paraphrases the 13th century Persian poet Rumi, and water is a motif — diving into it, swimming in it, hanging around by it. Birds, too, which show up in random shots and, like the lakes and rivers, function as a sort of psychic relief for the viewer and metaphors for the story. When Tom, speaking to Robbie, identifies a certain bird as a “vagrant … a bird that strayed outside its normal range, strayed so far that it’s forgotten how to find its way home,” that is not really about birds. The writing can be a little on the nose, but better a violent story with ideas than one with none.

For all my reservations when it comes to this sort of drama, it’s very well made and very well acted, and, where many crime stories settle for sensational nihilism, “Task” does want to leave you feeling … pretty good. Not horrible. Hopeful. I trust that hasn’t spoiled it for you.

The first trailer for the new Wuthering Heights movie adaptation has been released and it’s clear that Emerald Fennell’s take on the classic novel is set to be a very provocative one

Emily Bronte fans have been left divided as the first look at the latest Wuthering Heights movie adaptation has been revealed. The iconic dark romance is set to get the Hollywood treatment with Jacob Elordi and Margot Robbie in the leading roles.

Saltburn director Emerald Fennell’s hotly anticipated movie adaptation set on the lonesome Yorkshire Moors has been given a saucy makeover, with many fearing it is a far cry from the classic book. The opening scene sees a man ejaculates while being executed, with other risqué scenes teased.

In the new trailer, Charli xcx‘s hit Everything Is Romantic acts as a soundtrack as viewers are introduced to Margot and Jacob as Catherine and Heathcliff.

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Those who have already seen the full movie are said to have described Oscar-nominated Fennel’s take on Bronte’s classic novel as “aggressively provocative”, with mixed reviews coming out of advanced screenings.

And the first trailer has certainly sparked some conflicting opinions from social media commentators too. The teaser kicks off with a sweeping shot of a grand estate nestled in the West Yorkshire moors, followed by a stunning close-up of Margot. Suddenly, we’re treated to an intimate shot of two female hands kneading bread.

What follows is a montage of more traditional images interspersed with provocative shots: a bare, glistening back; a shirtless Jacob handling hay in a stable; more bread kneading; fingers tracing through egg yolks; Margot’s Catherine slipping her fingers into Jacob’s mouth; a woman having horse tack placed on her face; and, naturally, a finger probing the mouth of a fish.

“It’s worse than you could ever imagine,” one Twitter (X) user penned in reaction to the trailer going live. “This looks and feels garish & tacky as sh** lmao god bless,” another added as a third fumed: “someone take away emerald fennell’s directing license i’m so serious.”

But some are excited to see the latest adapation of Wuthering Heights when it lands in cinemas on Valentine’s Day next year. “It looks stunning and erotic. (In the best way),” one fan quipped, as another gushed: “Margot Robbie + Jacob Elordi in a gothic Valentine’s release? That’s gonna pack theaters.”

At the first test screening for the film last month, one viewer describe Fennell’s take as “aggressively provocative and tonally abrasive”. Following the screening, it was reported that the movie opens with a public hanging in which the “condemned man ejaculates mid-execution”. The throng of people watching the execution then react orgiastically, and a nun “fondles the corpse’s visible erection”.

Speaking about the upcoming movie earlier this year, Jacob gushed: “The performances from everyone – it’s breathtaking,” he said. “It’s an incredible romance. It’s a true epic. It’s visually beautiful. The script is beautiful. The costumes are incredible.”

Jacob being cast as Heathcliff initially sparked some controversary, due to the character being described as hating dark skin in Bronte’s book. Casting director, Karmel Cochrane, defended the decision to place a white man in the role earlier this year.

“There was one Instagram comment that said the casting director should be shot,” she said. “But just wait till you see it, and then you can decide whether you want to shoot me or not. But you really don’t need to be accurate. It’s just a book. That is not based on real life. It’s all art.”

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Mention the rugby league Ashes, and it’s hard not to think of Adrian Morley, a brutal hit and a red card after just 12 seconds.

Whatever happens when Australia visit this October and November, the series is unlikely to start quite as explosively as that first Test in Wigan 22 years ago.

One of the most feared forwards in the game, Morley poleaxed Australia prop Robbie Kearns straight from the kick-off with a high tackle.

The Great Britain forward, who played his club rugby in the NRL for Sydney Roosters at the time, was dismissed by referee Steve Ganson with the words: “Adrian. Adrian. It’s a real bad one. It’s across the chin. You’re off mate.”

Morley’s former Great Britain team-mate Jon Wilkin said: “He said that when he got sent off, he was back in the dressing room before the mascot had taken his head off.

“The mascot took his head off and said ‘What are you doing back in here?'”

Wilkin, Jamie Peacock and Brian Noble have recalled the extraordinary incident for a new weekly BBC podcast which has its first episode released on Thursday – Rugby League Top 10.

In the first episode, presenter Mark Chapman sets them the task of ranking the sport’s hard men.

Former Great Britain captain Peacock, who played alongside Morley in that 2003 series, said: “His brother got to the game late. He got to his seat about 20 minutes in, and said ‘I think I’m going to put some money on. Has our Adrian scored?’ And someone replied ‘Well, you can ask him, he’s sat there’.”

Each week Peacock, Noble and Wilkin will discuss, debate and argue over lists of the best players, games, finals and iconic moments in rugby league.

But as Chapman pointed out, the lists don’t cover the entire history of rugby league, “because we’d be here for hours”, and nor are they restricted to the Super League era. Instead, “the cut-off point for these lists is roughly 40 years ago”.

Morley, the first British player to win a Grand Final in both Super League and the NRL, is one of 10 hard men that the panel must rank – with the others, in alphabetical order, being: Stuart Fielden, Thomas Leuluai, Barrie McDermott, Terry Newton, Malcolm Reilly, Kelvin Skerrett, Gorden Tallis, Ruben Wiki and Paul Wood.

Doc Martin star Martin Clunes has signed up for a huge-budget film that will see him star alongside Margot Robbie as well as Euphoria actor Jacob Elordi

Martin Clunes is set to star in a major Hollywood film, alongside big names like Margot Robbie and Jacob Elordi.

The Doc Martin actor’s next role will be in the upcoming Wuthering Heights, directed by Emerald Fennell, slated for release in February 2026. However, many details about the film remain a secret.

In a recent interview with The i Paper, Martin unveiled his involvement in this “massive, Warner Brothers, huge-budget movie, all built on sets at Elstree”.

He will take on the character of Mr Earnshaw, father of Catherine Earnshaw, in Wuthering Heights. Margot Robbie is set to play Catherine, while Jacob Elordi will portray Heathcliff.

Other cast members include Hong Chau as Nelly Dean and Shazad Latif as Edgar Linton, with Alison Oliver playing Isabella Linton. Owen Cooper, Charlotte Mellington, and Vy Nguyen will also feature as young Heathcliff, teenage Catherine, and young Nelly respectively, reports Wales Online.

Wuthering Heights is based on Emily Brontë’s 1847 novel of the same name, which explores the turbulent relationship between Catherine and Heathcliff, an orphan adopted by Catherine’s family.

If the film stays true to the book, audiences can anticipate a gripping story of love and revenge set in 19th-century Yorkshire, with themes of social class, obsession, and love taking centre stage.

Emerald is set for her third venture with LuckyChap Entertainment, the production company helmed by Margot Robbie, her spouse Tom Ackerley, and Josey McNamara. She has previously joined forces with them for the acclaimed films Promising Young Woman and Saltburn.

Although Emerald has kept quiet about the particulars of her upcoming adaptation of Wuthering Heights, her fascination with gothic themes is no secret.

In a piece for the Los Angeles Times, Emerald confided: “I’ve always been obsessed with the gothic. Whether it was Edward Gorey’s children who are variously choked by peaches, sucked dry by leeches or smothered by rugs; Du Maurier’s imperilled heroines or the disturbing erotic power of Angela Carter’s fairy tales, the gothic world has always had me in its grip.”

She continued: “It’s a genre where comedy and horror, revulsion and desire, sex and death are forever entwined, where every exchange is heavy with the threat of violence, or sex or both.”

Wuthering Heights will be released 13 February 2026

Tadhg Furlong and Robbie Henshaw have been ruled out of Leinster’s United Rugby Championship quarter-final against Scarlets at Aviva Stadium on Saturday (15:00 BST).

Leinster said prop Furlong is unavailable after picking up a “minor calf injury” while centre Henshaw has sustained a knee injury which could keep him out for four weeks.

In more positive news, Jordan Larmour is in contention to feature after being sidelined for five months with a hamstring injury.

The 27-year-old wing, who has 32 Ireland caps, has been restricted to just five appearances this season, the last of which came against Munster on 27 December.

Furlong has also endured an injury-plagued campaign. The 32-year-old has only managed eight appearances for Leinster while calf and hamstring issues restricted him to just one substitute appearance in Ireland’s Six Nations campaign.

Despite his lack of game time, he was named in Andy Farrell’s British and Irish Lions squad last month.

Furlong started all three Tests in the 2017 and 2021 Lions series in New Zealand and South Africa.

Leinster are top seeds in the URC play-offs after finishing the regular season top of the standings, but fell to a shock 35-22 loss to Scarlets in Llanelli last month.