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Britney Spears sells rights to her music catalog

Britney Spears scored the early 2000s with hits from “Oops!… I Did It Again” to “Toxic.”

Now, the rights to those songs will belong to music publishing company Primary Wave after Spears reportedly signed a major new deal, according to NBC News. The outlet approximated the deal was for $200 million, and details of the sale were not disclosed.

Primary Wave, which was founded 20 years ago with the acquisition of 50% interest and partnership in Kurt Cobain’s music publishing catalog, also owns songs from the catalogs of music legends Bob Marley, Stevie Nicks and Whitney Houston, among others.

Representatives for Primary Wave and Spears did not immediately respond to The Times’ requests for comment.

Music rights acquisitions have become increasingly popular investments in recent years as the recorded music industry has boomed with the advent of streaming. With access to sprawling libraries on Spotify and Apple Music, consumers are listening to albums and artist catalogs at higher rates, and older artists are more prone to popping back into the zeitgeist. Licensing for movies and TV is also booming, and with Y2K nostalgia permeating today’s media, Spears may be selling at an opportune time.

Trade publication Music Business Worldwide estimated that more than $5 billion changed hands through music rights acquisitions in 2021, The Times previously reported. Additionally, songwriting catalogs at that time were being valued at twice the average price than in the 25 years prior.

Notable sellers include Bruce Springsteen, who in 2021 made a deal with Sony Music Entertainment to relinquish his master recordings and songs for $500 million. Shortly thereafter, David Bowie‘s estate sold his songwriting catalog to Warner Chappell Music for $250 million. ZZ Top, Tina Turner and Paul Simon all made similar deals around the same time.

Spears in 2023 released her memoir, “The Woman in Me,” which recounted her rise to fame and yearslong battle to escape a conservatorship she was placed under in 2008 for alleged mental health concerns. Music writer Jeff Weiss’ 2025 book, “Waiting for Britney Spears: A True Story, Allegedly,” included details — some true, some fabricated — from that highly publicized time in the singer’s life.

Spears’ ex-husband Kevin Federline followed the “Gimme More” singer’s memoir with last year’s “You Thought You Knew,” in which he accused Spears of consuming cocaine while she was still breastfeeding their second son, among other alleged concerning behaviors. Spears denied the allegations on social media.

Former Times staff writer Ryan Faughnder contributed to this report.

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Bad Bunny is American; Coldplay is not. Still, MAGA flips out

President Trump told the New York Post that music artist Bad Bunny was a “terrible choice” to headline the 2026 Super Bowl halftime show and that the NFL’s selection of the Puerto Rican singer and rapper sows “hatred.”

Department of Homeland Security adviser Corey Lewandowski suggested that Bad Bunny loathes the U.S. “It’s so shameful that they’ve decided to pick somebody who just seems to hate America so much to represent them at the halftime game,” he told conservative podcaster Benny Johnson.

Sen. Tommy Tuberville (R-Ala.) said on Monday that Bad Bunny disseminates “anti-American propaganda.”

The upshot: Bad Bunny (aka Benito Antonio Martínez Ocasio) is an enemy of the state. An outsider who doesn’t possess American values. A Super Bowl wrecker.

Bad Bunny in formalwear holding three Grammy Awards

Bad Bunny took home multiple trophies from the 68th Grammy Awards last weekend in Los Angeles, including for album of the year. Very American, sir.

(Matt Winkelmeyer / Getty Images for the Recording Academy)

Heated debate around who is worthy to perform the halftime show is an American tradition (Prince, yes. The Red Hot Chili Peppers, no). But now, unsurprisingly, politics are part of that debate, so the mere fact that Bad Bunny is brown and Latino and sings in Spanish is seen by some as an affront to the right. Clearly the “Woke Bowl” is disrespecting the tough-on-immigration president, and in Español, no less.

But Bad Bunny is an American citizen, as are most people born in Puerto Rico after 1898, thanks to the Jones-Shafroth Act of 1917. Bad Bunny, born in 1994, made the deadline with 96 years to spare. If the fear is that foreigners are coming here to take our jobs and ruin beloved American traditions, there are plenty of nonnative artists to grouse about.

For decades, outsiders have foisted their foreign music upon us at the Super Bowl between commercials for Doritos and Budweiser.

The United Kingdom’s Phil Collins played the 2000 Super Bowl XXXIV Halftime Show, as did Enrique Iglesias, who is from Spain. The Irishmen of U2 stole jobs away from Americans when they played the 2002 Super Bowl. The following year it was sneaky Canadian Shania Twain and a sus character from England referred to only as Sting.

Then came bad hombre after bad hombre from the UK: Paul McCartney, the Rolling Stones, the Who, Coldplay. And don’t even get me started on Shakira, gyrating her Colombian self into 2020’s Super Bowl LIV Halftime Show, or the following year, the Weeknd using his sweet voice to distract from the fact he’s Canadian.

Remember all the anti-immigrant furor around those aforementioned performances? Of course not — because there was none. And this year, if the delicately reunited U.K. duo Oasis was to pull things together for 2026 and play the Super Bowl, it most certainly wouldn’t inspire the same kind of vitriol.

The right remembers that Bad Bunny criticized the Trump administration for its handling of Puerto Rico’s hurricane recovery, and that that he has spoken out against ICE’s inhumane treatment of immigrants. But calling Bad Bunny a dissenter is too direct, too Stalinist. It’s better to cast doubt upon the singer’s loyalty to America via thinly veiled racist rhetoric.

Turning Point USA, the right-wing group founded by Charlie Kirk and helmed by his wife, Erika Kirk, following his assassination, has organized its own counter-concert called the “All-American Halftime Show”. It will star rap-rocker Kid Rock and country artists Brantley Gilbert, Lee Brice and Gabby Barrett. The show is counter-programmed to compete with the Super Bowl halftime show, airing on X and conservative networks such as TBN and OAN around the same time as Bad Bunny’s set.

When the “alternative” show’s lineup was announced this week, Kid Rock took a jab at Bad Bunny in a statement: “He’s said he’s having a dance party, wearing a dress, and singing in Spanish? Cool. We plan to play great songs for folks who love America.”

Kid Rock isn’t known to wear dresses on stage, as Bad Bunny has done, but it’s unclear which songs of his he’ll play in the name of “loving America.”

Turning Point spokesman Andrew Kolvet said the show will reflect conservative values such as “faith, family, and freedom,” so Kid Rock likely won’t perform his 2001 track “Cool, Daddy Cool,” where he sings “Young ladies, young ladies, I like ‘em underage see / Some say that’s statutory, but I say it’s mandatory.” It’s also unlikely he’ll bust out his 2007 song “Lowlife (Living the Highlife)”: “I make Black music for the white man / Keep cocaine upon my nightstand.”

One thing is certain: He’ll continue to sing Trump’s praises, in English.

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Unions urge Newsom and California lawmakers to rein in AI

National union leaders, including the head of one of California’s largest labor organizations, on Wednesday urged Gov. Gavin Newsom to protect workers as artificial intelligence threatens to replace or surveil employees — and warned that a failure to do so could hurt his presidential ambitions.

“This is a priority for the entire nation,” Lorena Gonzalez, president of the California Federation of Labor Unions, said at a news conference near the state Capitol. “He cannot spend his time waiting to be done in California and think he’s not going to get questions about the true issues surrounding AI, Big Tech and the Big Tech billionaires that are trying to buy our government.”

Gonzalez, a former state lawmaker from San Diego, said the federation is sponsoring a package of new bills aimed at reining in the use of AI and protecting the rights of workers, including safeguards against spying in the workplace and restrictions on layoffs.

The package of bills supported by labor organizations includes:

  • Senate Bill 947 by Sen. Jerry McNerney (D-Stockton), which would require human oversight if an algorithm is used to justify the discipline or termination of an employee.
  • Senate Bill 951, introduced by Sen. Eloise Gomez Reyes (D-Colton), which would require employers to provide a 90-day advance notice to workers and local and state governments before AI-related layoffs. It would apply to cases affecting 25 or more workers or 25% of the workforce, whichever is less. Recent layoffs, including at Amazon, Expedia and Pinterest, have been tied to AI, although some economists argue it’s challenging to determine whether that was the primary factor.
  • Assembly Bill 1331, dubbed “No bosses in the bathroom,” would grant workers the right to remove workplace surveillance tools when entering public bathrooms or certain employee-only areas. The bill, authored by Assemblymember Sade Elhawary (D-Los Angeles), would subject employers to a $500 civil penalty for violations.

Gonzalez said labor organizations are often told to “work it out” with businesses but argued this was a dead end.

“We are not going to be able to achieve guardrails by working with bosses who want no guardrails,” she said. “It is time that the governor engages with workers in the workplace. Every AI convening he does, everybody he’s pulled together is [representing] AI and Big Tech lobbyists.”

Gonzalez was joined Wednesday by Liz Shuler, president of the AFL-CIO, and other labor leaders from Iowa, Georgia, North Carolina and Nevada.

“This is the most urgent issue that we [as workers] are facing,” Shuler said. “This is a crisis and no one is prepared.”

In a joint letter addressed to Newsom, they implored the governor to act quickly to establish meaningful safeguards around the technology.

“This fight extends beyond devastating job losses and new forms of union busting,” a copy of the letter states. “There is dignity in human work that is the foundation of a healthy, productive democracy. The future of our economy and our society cannot be left to the unchecked whims of profit driven technology corporations and billionaires.”

In an email to The Times, Newsom spokesperson Tara Gallegos said the governor had a strong record of fighting for workers’ rights, including raising the minimum wage and expanding sick leave and other worker protections.

“No Governor has done more than Governor Gavin Newsom to regulate AI in a way that protects workers without killing jobs or innovation,” she wrote. “Under his leadership, California has taken the most comprehensive, worker-centered approach to AI in the country.”

Adults in the United States are growing increasingly concerned about the ramifications of AI, according to a survey from the Pew Research Center. Fifty percent of those surveyed last year said they are “more concerned than excited” about the increased use of AI in daily life, up from 37% in 2021.

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The right’s answer to the Super Bowl halftime show is here

When it was announced in the fall that Puerto Rican singer and rapper Bad Bunny was chosen to headline the Super Bowl LX halftime show, some folks took it personally.

Why not an American pop star (he is) who speaks English (he does) and likes the president (good luck, did you watch the Grammy Awards?)?! The right felt slighted, again, this time as the victim of a great left-wing conspiracy to turn football’s biggest night against them.

Then Turning Point USA — the conservative organization founded by Charlie Kirk and helmed by his wife, Erika Kirk, following his assassination — came up with an idea. They’d put on their own show in the barn, so to speak. Performers’ sets would be in English, unlike most of Bad Bunny’s material. And this great display of American-ness would take place during the Super Bowl, stealing away viewers and ratings from that other guy with the funny name.

On Monday, Turning Point finally announced the lineup for its counter-event, the “All-American Halftime Show.” Described by Fox News as a “star-studded alternative to the Super Bowl halftime show,” the roster’s brightest luminary is Kid Rock, who hasn’t had a hit song since Obama’s first year in office. The rest of the lineup consists of country artists you’ll likely have to Google to identify (Brantley Gilbert, Lee Brice and Gabby Barrett). Their sets will be streamed live on Sunday around 5 p.m., the same time Bad Bunny is slated to perform at Santa Clara’s Levi’s Stadium. It can be watched on Turning Point USA’s YouTube, X and Rumble channels, alongside conservative networks such as Daily Wire+, Real America’s Voice, TBN and OAN. Additional musical entertainers will be announced, the organization’s website says.

Kid Rock when he wasn't wearing an American flag as a poncho.

Kid Rock when he wasn’t wearing an American flag as a poncho.

(Pool Photo)

“We’re approaching this show like David and Goliath,” Kid Rock (aka Robert Ritchie) said in a statement. “Competing with the pro football machine and a global pop superstar is almost impossible … or is it?”

It is impossible, of course. Bad Bunny (aka Benito Antonio Martínez Ocasio) is an American pop sensation who has conquered the globe with a vibrant mix of reggaeton, Latin pop, rap and R&B. The 31-year-old was Spotify’s most-streamed artist of 2025 and made history just a couple of days ago at the Grammy Awards when he became the first Spanish-language artist to win album of the year.

Sunday, he will reach an even wider audience as part of the country’s most-watched television event when the New England Patriots face off against the Seattle Seahawks.

But Kid Rock, 55, appears to have high hopes, with an opportunity to regain relevance likely at the top of his wish list. There’s no better way to gain attention than ripping on the most popular artist around. “He’s said he’s having a dance party, wearing a dress, and singing in Spanish?” said Kid Rock of Bad Bunny. “Cool. We plan to play great songs for folks who love America.”

The “Bawitdaba” singer is familiar with right-wing outrage over a halftime show wardrobe choice, and knows what it’s like to have your patriotism questioned by primed mobs. In 2004, he was one of several performers flanking Super Bowl headliner Janet Jackson. He angered conservatives when he wore a defaced American flag as a poncho and later tossed the flag/garment into the crowd.

But that was then, this is now. There are windmills to slay, crises to fabricate, rings to kiss. And headlining a spite concert provides a great distraction from the real issues plaguing Trump’s presidency, be it the soaring cost of living, Americans killed by ICE agents under his watch, or the nausea-inducing contents of the Epstein files.

Are we still talking about those? Yes, we are. The New York Times identified more than 38,000 references to Trump, his family and his Mar-a-Lago Club in the latest batch of emails, government files, videos and other records released by the Justice Department. Previous installments of the Epstein files, which the department released late last year, included 130 files with Trump-related references.

No wonder his followers need a distraction.

Bad Bunny can take the heat. He used his acceptance speech at Sunday night’s Grammys ceremony in Los Angeles to condemn the Trump administration’s nationwide immigration crackdown. “Before I say thanks to God, I’m going to say ‘ICE out,’” he said. “We’re not savages. We’re not animals. We’re not aliens. We are humans, and we are Americans.”

And also Super Bowl headliners.

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New restaurants and pop-ups to try in Los Angeles in February 2026

Josef Centeno, who once dominated the corner of 4th and Main streets in downtown L.A. with his “Centenoplex” of restaurants, all centered around cozy Bäco Mercat, closed his Tex-Mex-ish restaurant Bar Amá in December to open Le Dräq, which brings the most popular dishes from the two restaurants onto one menu, including cheesy bäco bread, a mushroom coca made with vegan dough and green chicken enchiladas. Expect the menu to rotate often but to consistently feature eight dishes from Bäco Mercat, eight from Bar Amá and eight from Takoria, a new market-driven concept. The house burger is a standout, with pillowy milk bread from Centeno’s Orsa & Winston restaurant next door, a thick beef patty, Havarti cheese, and iceberg lettuce and raw red onion for crunch.

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