Richard

Richard Madeley has been married to fellow TV presenter Judy Finnigan for almost 40 years, but the couple have been sleeping in separate rooms due to one particular reason

Richard Madeley has revealed the heartfelt reason behind why he sleeps in a separate bedroom from Judy Finnigan. The 69 year old Good Morning Britain presenter shot to stardom alongside Judy during the 1980s when the couple fronted ITV’s This Morning, before launching their own show, Richard and Judy, on Channel 4.

The pair first crossed paths in 1982, while both were married to different partners, but their romance flourished and 39 years ago today (November 21) they tied the knot in Manchester. They share two children, Jack and Chloe Madeley, while Richard is also stepfather to Judy’s two eldest sons, Dan and Tom Henshaw, from her previous marriage.

Richard and Judy, who turns 78 today (Saturday, May 16), ran from 2001 to 2009 before declining ratings led to its cancellation by television channel Watch. Judy later became a regular panellist on ITV’s Loose Women while Richard joined Good Morning Britain. However, a decade ago, Judy made the major decision to step back from television – which has resulted in them sleeping separately.

And Richard says his wife is “really enjoying” her break from the cameras. Meanwhile, he continues presenting GMB alongside journalist Susanna Reid. Though he recently took time off from the programme, informing followers he was “operating at 80 per cent” after contracting Covid.

Hosting ITV’s flagship morning programme means early rises for Richard. With GMB broadcasting from 6am, he regularly retreats to the spare room so his wife can enjoy a few extra hours of sleep. The beloved presenter lifted the lid on their bedtime arrangements during an appearance on Kate Thornton’s White Wine Question Time podcast.

He explained: “When I’m doing Good Morning Britain I sleep in the spare room. I do probably sleep a little bit better in bed with Judy but I’m okay on my own.” When asked whether he’d consider waking Judy up early instead, he added: “I wouldn’t think of doing that to Judy. Apart from anything else, Judy and her sleep, you do not mess with,” reports the Manchester Evening News.

Kate revealed that fellow early-morning broadcaster Amol Rajan claims he “sleeps better” with his wife beside him — meaning the couple, who have four children all under the age of seven, must rise at the crack of dawn whenever he presents the Today programme. Richard quipped: “Amol Rajan’s wife must be a saint.”

He added: “We did This Morning, but the difference between me and Amol there is that Judy and I would get up at the same time. The alarm would go off, we’d both get up and roll into our jeans, get in the car, and drive to Liverpool to do the show, and then when we were in London, drive down to the Southbank.

So we went to bed at the same time and woke up at the same time.” Richard and Judy first crossed paths in the 1980s while working on separate Granada TV programmes. Richard recalls hearing that Judy was “dicing [an executive] into small cubes with her tongue” following his “something sexist” remark. Speaking to the Guardian in 2014, he said: “I thought, wow – I’m going to marry her.”

Richard has recently disclosed that Judy initially harboured doubts about his capabilities as a stepfather. Speaking to Busted’s Matt Willis on the On the Mend podcast, Richard revealed that Judy made clear she came as a “three-pack” alongside twins Dan and Tom. To thoroughly assess his feelings about the relationship, Richard jetted off to Greece for some soul-searching.

He spent a fortnight in the Mediterranean nation reflecting “quite deeply” on his future, though the tale would eventually reach a happy ending. Richard explained: “So, I went off on my own. I went off to Greece for two weeks on a kind of a solo holiday to think about it, because I didn’t want to rush – well, I wasn’t rushing – but I didn’t want to make that mistake.”

Richard says the period apart from Judy helped him recognise that he was “quite comfortable” taking on a role in the boys’ lives. He added: “I didn’t want to say airily and with super-confidence, ‘Oh, yeah, it’ll be fine. You know, I’m happy to be a stepfather’. I needed to know that I could deliver and that I meant it.”

Good Morning Britain star Richard Madeley is to head inside one of the world’s most controversial prison’s for an eye-opening Channel 5 documentary

Richard Madeley is switching the comfort of the Good Morning Britain sofa for the grey walls of prison for a new documentary. The presenter will also head over to Channel 5 for the documentary as he takes on a huge new project.

The feature-length documentary titled Richard Madeley On Murder Row has been commissioned and is set to air later this year. The programme will offer up a rare peek inside one of the world’s most controversial prisons.

The 69-year-old star will head to Centro de Confinamiento del Terrorismo (CECOT). The vast maximum security prison has become the cornerstone of El Salvador President Nayib Bukele’s war on gangs.

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Richard will be given access to the full site. It’s said the rare offer “took months to negotiate”, with the presenter also taking in how life really is inside the detention centre.

The GMB presenter will speak to inmates at the facility as they live under the strict regime. And he will also chat with guards who set the harsh rules to try to keep the felons under control.

Away from the institute, Richard will visit the tough urban areas that surround it and are home o a number of violent gangs. He will find out exactly what the effects of the CECOT being on their doorstep has had.

Speaking of the opportunity, Richard said: “‘I was genuinely thrilled to be asked to front this film for 5. It’s not every day you’re given the chance to step inside a place as extraordinary and talked about as CECOT.”

He went on: “What struck me straight away was the sheer scale of it, and the stories behind it. In meeting the people who run the prison and those living inside it, what unfolds is a fascinating and often surprising look at justice, security, and the human realities behind the headlines. It’s been a remarkable experience.”

Guy Davies, Consultant Editor for Commissioning 5, said: “This access to CECOT was a tantalising prospect. Richard is, at heart, a first-class popular journalist and we were thrilled to get the chance for him to serve some time there. I think viewers will be very surprised by the results.”

And Andy Dunn, Senior Executive Producer, ITN Productions, added: “Gaining access to CECOT, the most secretive and notorious prison in the world, took months of negotiation. It was really important for Richard to experience the extreme conditions there first hand, and he takes us on a compelling and unique journey as he considers the effectiveness and ethics of such a harsh regime.”

Last year, it was revealed Donald Trump had sent 250 gang members to what has been labelled the “world’s worst prison”. The maximum security mega-prison in Tecoluca, El Salvador has seen hundreds of immigrants being sent from the US by the Trump administration.

Tens of thousands of prisoners have been locked up on bare metal bunks in the prison. They often don’t have a mattress and conditions have been described as inhumane. Cells have two toilets and a basin which are open with no privacy while there are no windows and they are watched by guards from holes in the mesh ceiling.

The conditions are unlike anything seen in the UK system as the inmates take their cramped space on the metal bunks.

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Half Man is Richard Gadd’s next major show after his global success with Netflix’s Baby Reindeer.

Richard Gadd is Half Man’s creator and executive producer but he wasn’t always going to star in the BBC drama.

After they find themselves unexpectedly living together, Ruben (played by Stuart Campbell) and Niall (Mitchell Robertson) become like brothers, one fierce and loyal, the other meek and mild-mannered.

Over the course of six episodes, Half Man follows the pairs’ lives over the next 30 years until Niall’s (Jamie Bell) wedding day and violent Ruben ( Richard Gadd ) brings trouble.

While Baby Reindeer star Richard Gadd created and executive produced this new BBC series, he wasn’t initially going to portray Ruben.

It wasn’t until he was convinced that he was right for the part by Billy Elliot icon Jamie Bell that he decided to take on the ruthless role.

Speaking at a Q&A with the BBC, Gadd explained: “I wasn’t going to do it to begin with.

“I wasn’t going to do Ruben, because acting in something and directing and doing everything else is a lot.

“You have to see a show from the inside and the outside which is actually the main pressure of the role.

“So I wasn’t going to do it, I didn’t want to do it. Baby Reindeer was out and that’d take one thing off my plate.

“But Jamie [Bell] was the first to suggest it. He was like ‘have you ever thought about doing this?’

“And it sort of terrified me in a way. I was like ‘Wow. That’s real far.’

“But I often feel that what scares you in life, you should probably do it.”

While Gadd’s co-star Jamie Bell shot to fame as Billy Elliot in the iconic 2000 film, he is set to take on another unforgettable role.

Bell will be joining the Peaky Blinders universe in the upcoming two-season sequel as Tommy Shelby’s (Cillian Murphy) son Duke Shelby in the 1950s.

The role of Duke was originally portrayed by Saltburn star Barry Keoghan in the Netflix film Peaky Blinders: The Immortal Man.

Half Man premieres on Tuesday, April 28, at 10.40pm on BBC One.

Plucked from a previous life as a working actor, Richard Gadd experienced a disorienting whirlwind less than two years ago. “Baby Reindeer,” his painfully personal 2024 Netflix show, based on the sexual assault he survived, instantly opened the floodgates of fame for him.

“The show came out on Thursday, and by Sunday, I could barely walk anywhere without being recognized, without being stopped,” Gadd says while visiting The Times’ offices earlier this month. “That’s an adjustment because I always thought if anything like that ever happened, it would be a bit more of a gradual process. But it was overnight, so I didn’t have time to adjust.”

Now the winner of three Emmy Awards and a slew of other accolades for that series, which he starred in, wrote and served as showrunner, Gadd, 36, has already helmed a new emotionally ferocious show.

Probing the tropes of rigid masculinity, “Half Man,” premiering Thursday on HBO, chronicles the destructive bond between two men over several decades. Niall and Ruben — whose respective mothers are romantic partners — call themselves brothers but they couldn’t be more dissimilar.

Bullied at school, meek Niall (played by Mitchell Robertson in his youth and Jamie Bell in adulthood) lost his father as a young boy. He dreams of being a writer. Meanwhile, the insolent and hyper-confident Ruben (Stuart Campbell as a teen and Gadd as a grown-up) has been in trouble with the law from a tender age. Facing any conflict, he resorts to brutal violence. When Ruben takes Niall under his wing, the two become inseparable. But as the years and resentments pile on, their cancerous brotherhood threatens to obliterate them both.

“Half Man” follows the destructive bond between Ruben (Richard Gadd), left, and Niall (Jamie Bell) over several decades.

(Anne Binckebanck / HBO)

“Richard’s writing is really unique and really singular,” Bell says on a video call from England, where he’s currently shooting the “Peaky Blinders” sequel series and is sporting a shorter haircut. “He identifies that real gray area of humanity really well and he puts a voice to the most uncomfortable places that we go into or things that we think when we’re alone in the dark, when we think no one’s watching.”

Gadd wrote the first episode of what would become “Half Man” back in 2019, while he still was performing the live version of “Baby Reindeer,” which he turned into the series. At the time, he recalls, society at large was seriously engaging in conversations around toxic masculinity and sexual violence as the #MeToo movement gained strength.

“It wasn’t necessarily that I set out going, ‘Oh, I want to make a show about that,’” Gadd says. “It was more that something must have just drifted into my head thinking, ‘You take two men repressed in their current life, repressed in the modern world. And then you go all the way back to their childhood. You contextualize learned behavior; you contextualize trauma and things they learned that make them these repressed adults. And you bring a bit of context to, I suppose, difficult male behavior in the present.’”

As “Baby Reindeer” launched his career as a creator, Gadd put “Half Man” on ice for four years but couldn’t stop thinking about returning to it. “Even as I was coming to the end of ‘Baby Reindeer,’ I thought, ‘I’m really looking forward to getting back to that project,” he recalls. “The second ‘Baby Reindeer’ finished, I thought, ‘This is what I’m going to do now.’”

Sitting across from the mild-mannered Gadd, the magnitude of his transformation on screen for “Half Man” becomes even more impressive. Gadd comes off as thoughtful and emphatic, while Ruben, his physically imposing character, commands trepidation.

“The second ‘Baby Reindeer’ finished, I thought, ‘This is what I’m going to do now,’” Gadd says about working on “Half Man.”

(Ian Spanier / For The Times)

Watching Gadd as the rage-fueled Ruben, one might be surprised to learn he originally had no intention of acting in “Half Man.” After wearing multiple hats on “Baby Reindeer,” Gadd thought this time around he could get a purely external bird’s-eye view of a project as showrunner and writer of “Half Man.” But eventually people around him suggested he should be in front of the camera once again.

“My initial response was always, ‘That’s just so far away from anything I’ve done before. It’s so far away from me. Are people going to buy it?’” he recalls. “And behind every single fear-based thought was a worry of what people might think, which in my opinion, isn’t a good enough reason to not do something.”

Convinced audiences would struggle to see the guy from “Baby Reindeer” as this “hard man,” a U.K. term for tough and intimidating men, he had to physically morph. To inhabit a new body, Gadd underwent a strict exercise regimen, and most importantly, a new diet.

“I had a chef make these meals in England, fun enough, and send them up to Scotland where I was filming,” he recalls. “I’d eat them at specific times. You go through periods of fasting and through dehydration whenever you had your top off. There was a real science to it.”

And yet, though he at first worried he wouldn’t look big enough, Gadd refused to portray Ruben with a chiseled physique conceived for mere aesthetics.

“I didn’t want him to have a six pack, I wanted him to feel like a real person,” Gadd says. “Sometimes when you see someone on TV and they’re ripped, I almost don’t think that’s real strength. Someone like Ruben, they wear their life in their body, they’re heavy set. It’s not ripped. It’s bulky. It’s natural to him.”

Before he agreed to play the character, Gadd auditioned numerous actors for the part, but with all of them he felt they were too focused on his appearance as an imposing figure and not his inner turmoil. “Ruben is extremely sad as a person. He’s terribly broken and traumatized,” he says.

For the series, Gadd bulked up to become more physically imposing: “Someone like Ruben, they wear their life in their body, they’re heavy set. It’s not ripped. It’s bulky. It’s natural to him.” Richard Gadd in “Half Man.” (Anne Binckebanck / HBO)

When asked if he sees himself as Ruben, Gadd contemplates the question, debating whether it’s his “jetlagged brain” or ambivalence about finding some of Ruben within him.

“Do I see myself in Ruben?” After a pause, he concedes: “All of his behavior is a reaction to a deep traumatic happening in his life. I can relate to finding it extremely difficult to get past big traumatic events and coming to terms with them and coming to terms with yourself even as a result of them.”

With less hesitation, Bell, 40, acknowledges that he finds a certain kinship with his character. As a teenager, Bell flocked to people with a defiant edge. “I grew up without a father in an all-female household and I felt very naked as a child in terms of needing to be protected by someone who was dominant and aggressive,” he says. “I totally understand why Niall seeks solace in someone like him. No one will touch Ruben. There is a safety in that.”

Gadd says he doesn’t think about celebrities when searching for the actors. “I’m quite fame-averse when it comes to casting because I think sometimes it can get in the way,” he explains. “You can have a show, which starts up with all the best intentions, turn into a sort of acting vehicle for someone, or the discussion becomes about the actor doing this role.”

That said, when the casting director on “Half Man” asked him about his “dream cast,” Gadd expressed Bell was the only one who would genuinely excite him. But could that happen? “In my head, I was still in pre-‘Baby Reindeer’ time where I thought, ‘Well, somebody like him is not going to be interested.’ And then I thought, ‘Well, he might be,’” Gadd says.

For his part, Bell found the “nihilism” in Niall, a man desperately running from his true self and living in Ruben’s shadow, an enticing and complex character to play. “[Niall] conceals himself in many different ways, and has a lot of self-loathing, but at the same time has all these ambitions and actually is incredibly egotistical and thinks that his way is the correct way, and that other people don’t understand that he is terminally unique,” Bell explains with a chuckle.

Bell, who plays Niall, says his character “conceals himself in many different ways, and has a lot of self-loathing, but at the same time has all these ambitions and actually is incredibly egotistical …”

(Anne Binckebanck / HBO)

Aside from a tight schedule to produce “Half Man,” the challenge for Bell was adjusting to the dramatic intensity that Gadd was after. “I wasn’t particularly prepared for that, therefore sometimes my reading of certain scenes I’d get wrong. We’d start scenes and Richard was like, ‘You are pitching it at like a six, and this is very much an 11,’” Bell recalls laughing. I was like, ‘Oh, OK.’ That took some modulating.”

In Gadd’s mind, Bell remains an “underrated” artist. A proud Scotsman, Gadd recalls loving Bell in the 2007 romantic dramedy “Hallam Foe,” where the British actor played Scottish. For “Half Man,” Gadd thought Bell could convey the pain that haunts Niall, even as his actions paint him less like Ruben’s victim and more like a vengeful participant in the chaos.

“There’s always something I find so vulnerable about Jamie and I knew that I was going to take Niall in some really big journeys where he was going to almost test the audience’s love for him,” Gadd says. That Niall finds Ruben so alluring is natural to Gadd, who believes the notion of a valiant male figure has been bred into everyone via fables and fairy tales.

Gadd adds that whether or not we like to admit it, we’re drawn to alpha male characters. “Because from an early age, we’ve been told they are always at the top of the social hierarchy. And as a result, we’ve always, as a society, answered to those kinds of people as some sort of leaders.”

And though he says he’s unfamiliar with the “manosphere,” the misogynistic and chauvinistic online community, Gadd doesn’t believe Ruben would fall for the gurus in those circles who claim to have the answers for young guys to become “real men.”

“Ruben carved his own masculinity. To give him credit, if that’s even something you can give him, those spaces wouldn’t hold any weight for him. He’s his own man,” Gad says. “He would never follow anyone on social media. He’s the person to be followed.”

Based on the tone of Gadd’s output thus far, it may come as a surprise that as a young person he dreamed of creating a show along the lines of the U.K.’s “The Office,” which he considers a “perfect piece of art.” The stories he is telling now better reflect his “neuroses” and the experiences he’s endured.

“My life just took a very dramatic turn, and my sensibilities weren’t workplace sitcoms anymore. When I grew up and I was doing comedy I thought, ‘I’ll write a sitcom one day and every character will be sort of funny in it,’” he says. “But my life just took a turn to the point where I needed my writing and my art darkened because what I went through was very dark.”

Humor is not entirely absent from “Half Man,” some of the characters’ reactions to their distressing realities earn a chuckle. Still, Gadd’s funny bone might also find an outlet in other people’s narratives. He was recently announced as part of the cast in Apple TV’s upcoming high-concept series “Husbands,” for which he already shot his scenes. Adapted from a bestselling novel of the same name, it stars Juno Temple as a woman who gets to experience life with a different partner every time she changes the light bulb in her attic.

“I’m very picky with stuff I take on. Because I love writing my own work so much, anything that takes me out on someone else’s show has to be very special. And this was very special,” Gadd says.

“Everything I do doesn’t have to be dark,” he adds with a soft smile.