returns

Wildest moments from The BRITs as it returns tonight

THE BRIT Awards are back again tonight, and music fans will be excited to see if they are any shocking moments on the show.

While the award ceremony celebrates musical talent, the event hosted by Jack Whitehall, is also infamous for being host to an array of wild celebrity moments.

As we gear up for the likes of global hitmaker Alex Warren, pop legend Harry Styles and KPop Demon Hunters to take the stage this evening, we take a look back at the wildest moments that took place at the Brits over the years.

Danny Dyer shocked viewers as he dropped the c-word (2025)

Danny dropped the c-word on live TV and shocked viewersCredit: ITV

EastEnders legend Danny, 48, was chatting with host Jack Whitehall, 37, when he made the X-rated blunder, forcing producers to mute the audio.

The actor was discussing his new film Marching Powder when he struggled to find the right words to describe it without getting himself into trouble.

And, while Danny’s comments didn’t make the airwaves in their entirety, The Sun captured it all from the crowd.

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“It’s basically Bridget Jones, but with the word c**t,” he quipped, leaving Jack scrambling to remind him, “Danny, like when I said say anything, not bad words, obviously.”

Producers silenced some of his comments, swiftly cutting to an ad break before things got even worse.

Lewis Capaldi’s sweary speech (2021)

Lewis Capaldi’s speech had to be muted due to excessive swearingCredit: Getty

The singer, 29, appeared at the O2 to present the award for British Album of the Year.

However his speech had to be muted due to the amount of swear words he used.

Lewis said to the audience: “Hello motherf***ers! Listen guys… I’m f***ing sweating – it’s like a swamp down there, I’m telling you. Sweaty b****cks.”

He added: “It’s been a great year for albums….

“Most of all because I haven’t f***ing released one!”

The award was given to Dua Lipa for her album ‘Future Nostalgia’.

Jack Whitehall and Little Mix (2019, 2021)

Jack Whitehall has had a few awkward moments with Little MixCredit: Rex Features

Jack has had a couple of awkward moments with Little Mix at the awards ceremony.

In 2019 he brought up a comment about the girls made by Piers Morgan after they posed nude.

Jack asked Leigh-Anne Pinnock, Perrie Edwards, Jesy Nelson and Jade Thirwall: “What would you say to that dutty wasteman?”

The girls were left lost for words, with him adding: “What? I want some beef at some Brits.”

Then in 2021 he chatted to the band again, but this time as a trio after Jesy Nelson left in 2020.

Leigh-Anne and Perrie proudly showed off their growing baby bumps, to which Jack said: “The next question on my card is, “What do you do to pass the time in lockdown?”

“He went there, he actually went there,” Leigh-Anne joked back.

Madonna’s cape fail (2015)

Madonna fell as she performed on stage for the BRIT Awards in 2015 at The O2 ArenaCredit: Getty – Contributor

Madonna took a tumble down a flight of stairs at the 2015 awards, she later blamed the fall on the design of the cape she had been wearing.

But the cape’s designer, Giorgio Armani claimed that the cape was originally designed with a hook – but Madonna has requested a tie.

He said:  “Madonna, as we all know, is very difficult. That’s all there was to it.”

Liam Gallagher vs. Peter Kay (2010)

Liam Gallagher made a surprise appearance when he collected the award for best BRIT’s Album of 30 YearsCredit: PA:Press Association

At the 2010 ceremony, the Oasis frontman made a surprise appearance to accept his award for Best Brits album of the past 30 years – but then went on to give a rambling and foul-mouthed acceptance speech.

Liam then threw his microphone into the crowd, causing a 10 minute delay.

Host comedian Peter Kay eventually got back on stage where he referred to the Oasis member’s actions by saying: “What a k***head.”

Brian McFadden vs. So Solid Crew (2002)

Brian reportedly threw a bottle of water over another band backstageCredit: PA:Press Association

This may not be on of Brian’s best thought out moments, but reportedly the then-Westlife singer threw a bottle of water over all 24 members of So Solid Crew backstage at the 2002 awards.

Apparently, he’d consumed two bottles of vodka and eight cans of Red Bull before he decided it was a good idea.

We don’t think either of the band’s would have been happy about that.

Robbie Williams vs. Liam Gallagher (2000)

Robbie Williams offered Liam Gallagher a fight during his speechCredit: Alamy

Who could forget the time that Robbie used his acceptance speech to offer Oasis singer Liam Gallagher a fight?

In 2000, Rob famously used his Brit Awards acceptance speech to offer to fight Liam, leading the rocker to call Rob a “fat f***ing idiot”.

Robbie said: “So, anybody like to see me fight Liam?

“Would you pay to come and see it? Liam, a hundred grand of your money and a hundred grand of my money.

“We’ll get in a ring and we’ll have a fight and you can all watch it on TV, what d’you think about that?”

Robbie was quickly escorted away from the stage.

Ronnie Wood and Brandon Block (2000)

Ronnie Wood threw a drink into dance DJ Brandon Block’s faceCredit: Richard Pohle – The Times

In one of the most awkward moments in the history of the Brits, dance DJ Brandon Block was so drunk that when his friends joked that he had won an award he staggered onto stage to accept it – interrupting rock legend Ronnie Wood’s speech.

Brandon was pulled back but broke free from security and squared up to the Rolling Stone’s rocker.

Ronnie then retaliated by throwing a drink in his face.

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‘Sickening’ true crime show returns with brutal episode tonight

The harrowing series has been branded a must watch for fans of true crime

A harrowing true crime documentary leaving fans sick to their stomach returns to television tonight (February 26), with a twist.

A Killer Makes A Call is a Channel 5 documentary that plunges viewers into the real life drama and urgency when a call is made to 999. But there’s a twist, as things are not as they first appear.

With each episode centered around a different case, the series so far has seen three instalments released, each with its own harrowing investigation at its heart. As Channel 5 teases: “The call comes through. Murder. But maybe the caller isn’t as innocent as they seem…”

The true crime documentary series instead focusing on instances where the perpetrator has made a call to the emergency services, often posing as a distressed witness or victim to avoid suspicion.

Branded as a perfect watch for fans of true crime, the harrowing series plunges viewers into each chilling investigation, examining why killers make a call to 999 and how they use that to create false narratives until detectives uncover the truth.

True crime fans will be pleased to know that A Killer Makes A Call returns to Channel 5 this evening with yet another disturbing case. It will air at 10pm on the channel.

The repeat episode, from series two, explores the moment a devastated family deal with their son’s fatal overdose. Carrying out their own investigation into what happened, the family soon find some surprising evidence.

Channel 5 teases: “When a family refuse to accept their son Jack died of an overdose, they undertake their own investigation, and identify a man with Jack the night that he died. Dots are joined, connecting four murders.”

With expert testimonies as well as heartbreaking family statements, viewers will witness how investigations were carried out as well as the reasonings behind the crimes.

First airing on Channel 5 back in 2024, the documentary series has become a popular choice amongst true crime fans with with many branded previous episodes as ‘sickening’.

Taking to social media, one person previously said: “Just watched this episode of #AKillerMakesACall on @channel5_tv. The verdict was quite sickening.” Another added: “Turned my stomach #akillermakesacall.” A third praised: “Great TV.”

The docuseries has also been branded as “wild” as another said it was “definitely one to watch.” Over on TikTok, one viewer said: “It’s definitely worth a binge watch if you like a true crime”, as another commented they had “binged” the episodes in one sitting.

A Killer Makes a Call airs tonight at 10pm on Channel 5. Episodes are also available to stream on 5 online.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

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Prep baseball roundup: Aidan Martinez returns from Tommy John surgery for Birmingham

Two years after Tommy John surgery on his right elbow, Aidan Martinez returned to the mound for Birmingham High on Monday in the closer’s role and responded with three strikeouts and three walks and no hits in 1 1/3 innings in the Patriots’ 7-4 win over Ventura in the Easton tournament.

It’s another positive development for a Birmingham team that already has two productive starters in sophomores Carlos Acuna and Nate Solis. Freshman Ivan Rivera started on the mound for Birmingahm against Ventura.

“He’s getting better every day,” coach Matt Mowry said of Martinez. “He looked good. He was just a little rusty. He has a good arm and is going to help us out.”

There was a brief delay before the game when Ventura High went on lockdown when a police chase of a possible stolen vehicle ended outside of the school, with suspects getting out and running into the school before being captured.

Villa Park 12, Downey 3: Aiden Young had an RBI double and Gunner Santillo had three hits for Villa Park.

Bishop Alemany 1, Culver City 0: DC Ravago threw a one-hit shutout with seven strikeouts for 3-0 Alemany, which hosts Oaks Christian in the Easton tournament semifinals Wednesday.

Calabasas 5, Rio Mesa 4: Connor Kingston got out of a bases loaded situation in the seventh to pick up the save for Calabasas, which faces host St. Francis on Wednesday in the Easton tournament semifinals. Evan Barak had two hits and two RBIs.

Cleveland 6, Camarillo 4: Josh Pearlstein had two hits and two RBIs for Cleveland.

Agoura 4, Mira Costa 3: Tyler Starling contributed two hits for the Chargers.

Valencia 2, Oxnard Pacifica 1: Dexton Otton threw four scoreless innings for the Vikings.

Dos Pueblos 9, Granada Hills 3: Liam Shea gave up one hit and no runs in five innings for Dos Pueblos, which had a six-run second inning.

Simi Valley 6, Highland 4: Andrew Nicklaus had two doubles and three RBIs for Simi Valley.

North Hollywood 7, Taft 6: Despite scoring five runs in the seventh, Taft couldn’t come back from a 7-1 deficit.

Westlake 9, Chatsworth 1: Holden Backus finished with three hits and three RBIs for Westlake.

Arcadia 6, San Dimas 2: Peter Cuoco struck out eight in five innings and Damian Catano had two RBIs for the Apaches.

Thousand Oaks 11, Saugus 5: Dylan Sax had two hits and three RBIs for the Lancers.



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‘Scrubs’ returns with Turk, J.D. and Elliot making the rounds again

The cast of “Scrubs” knows that the show’s creator, Bill Lawrence, has a habit of building communities with his series, which include “Ted Lasso” and “Shrinking.” But the “Scrubs” crew knows they are the closest.

“Since I work on all those shows, I can say that we’re the tightest-knit group,” says Zach Braff on a video call with his fellow fake doctors Sarah Chalke and Donald Faison. “We vacation together.”

Lawrence, just a day later, has to concede that Braff has a point. “It’s annoying because I have to admit that they are right,” he says. “We’ve stayed the tightest because we all still spend way too much time together.”

And now the gang is back together for a new, nine-episode season of the beloved series premiering Feb. 25 on ABC, and the next day on Hulu. When “Scrubs” debuted in 2001, narrator J.D. (Braff), his best friend Turk (Faison) and on-again, off-again love interest Elliot (Chalke) were interns at Sacred Heart Hospital. Now, J.D. is a concierge doctor, while Turk and Elliot have advanced to leadership positions at Sacred Heart. There’s a new batch of interns, a new cheery hospital representative (Vanessa Bayer) whose job involves making sure no one gets offended, and a new doctor (Joel Kim Booster) who is not too fond of J.D. But there are also other familiar faces including John C. McGinley as J.D.’s begrudging mentor Dr. Cox and Judy Reyes as nurse Carla, who also happens to be Turk’s wife.

A woman and two men in blue and green medical scrubs standing in a hospital room.
Two doctors stand and another sits up on a counter.

“Scrubs” then and now: Sarah Chalke, Zach Braff and Donald Faison in the original series, left, and in the ABC revival. (Chris Haston/NBC) (Brian Bowen Smith/Disney)

In the Season 8 finale — before the show reset with a medical school setting — J.D., always prone to elaborate fantasy sequences, sees a vision of how his life is going to turn out. His reality doesn’t exactly resemble that.

“We say midlife crisis or whatever, but it’s a time of questioning, a time where you take stock of your life,” says showrunner Aseem Batra. “That’s really a cool time to catch up with our characters because when we saw them last, they were in their quarter life.”

Batra herself has followed a similar path to the characters. After working as an assistant at ABC, her first writing gig was on “Scrubs.” Now she’s in a position of authority. “Truly, it was the best job I had and it was my first job and I’m doing it again out of pure love,” she says. (Longtime “Scrubs” writer Tim Hobert was originally announced as co-showrunner but departed the project.)

Lawrence, who serves as executive producer on the new incarnation, can also see a parallel between his path and that of his fictional creations. “I’m only good at writing about stuff that’s at least tangentially part of my life and the idea that of those young goofballs who are the students now being the teachers, it’s very much part of my life right now,” he says.

A man in a navy suit sits on a stool and a woman in a navy top and black slacks leans against his shoulder.

“Scrubs” creator Bill Lawrence has handed the reins to Aseem Batra, who is the showrunner of the revival. “Truly, it was the best job I had and it was my first job and I’m doing it again out of pure love,” she says.

(Christina House / Los Angeles Times)

Still, Lawrence says the reason the revival of the show was able to work is because of the closeness of the original cast. Faison and Braff are still constantly collaborating whether that’s on a podcast or commercials, and even though she’s decamped from Los Angeles to Canada, Chalke makes a point to keep in touch. On a boisterous Zoom call, we spoke about returning to their beloved characters.

What were your reactions coming back to this world?

Donald Faison: Please. Please. Revive it. Do me that solid and revive it.

Sarah Chalke: I manifested it. A couple years ago, I was like, “Oh, I miss ‘Scrubs.’ I want to do a comedy like ‘Scrubs’ that shoots in Vancouver, and then it all happened.”

Zach Braff: To be honest, I was very surprised when it actually started happening that ABC was going to put it in prime time. I thought it might be something on Hulu. That felt like a giant audience with Hulu the next day and a really big scale and really a belief in the project. That was really exciting.

Why do you think the show’s legacy is so strong that there is that belief?

Braff: I think that it’s Bill’s unique mix of comedy and pathos and emotion and fantasy. It’s such a unique recipe. But in execution, as he did with the first pilot, it was undeniable. It was so groundbreaking at the time. No one had done that in the network space. It was also at a time when there was no streaming. So, the show was on at 9:30 and Bill was trying to push what you could still do on network [television]. That’s why it was a more risqué version of what we’re doing now. I think now the goal was — well, there’s streaming for that. What’s a show that we can have on at 8 that pairs with “Abbott Elementary” that parents can watch with their kids? Maybe some jokes will fly over the kids’ heads, but it’s not trying to compete with what people are doing on streaming.

What do you remember about getting cast? You were all in your 20s.

Faison: I was the oldest one. Still the oldest one. I remember how big of a deal it was. This was the pilot of the season. I remember everybody and their mama was talking about how great the script was and how they wanted to be on the show. I remember my agent telling me, “This is a big one. The creator of the show really likes you. Let’s see what you can do.”

Chalke: I didn’t know this until two days ago. Our casting director came up to set to visit, and she said I was the first person to audition on the first morning of casting. In the character description, it said she moves and talks at a faster pace than normal humans. And in every single job, I’ve been told, “Slow down.” It felt like the luckiest thing; I’ll never forget when Bill called me and said that I got it and I truly couldn’t believe it. And the experience far exceeded any expectation I could have had about what it was going to be.

When I think back on it, what I remember is what that felt like to be at work every day, genuinely laughing so hard to the point where it would get late at night and there was one sound that Zach and Donald could make that would make me laugh.

A woman in a black and white polka dot dress sits with her hand near her head.

Sarah Chalke on being cast in “Scrubs”: “I’ll never forget when Bill called me and said that I got it and I truly couldn’t believe it. And the experience far exceeded any expectation I could have had about what it was going to be.”

(Christina House / Los Angeles Times)

What was the sound?

Faison: It’s almost like a fart.

Braff: No, it’s not a fart.

Faison: I’m not trying to make a fart joke. But do you know how when you fart, it always sounds like a question mark. So, that’s the sound.

Braff: Esther, do not use this, please. It’s a high-pitched noise like this [does noise]. We would do it quietly enough that no one would hear we were doing it. And then she would break down laughing and ruin the take and we’d be like, “Sarah, what are you doing? It’s late. We want to go home.”

Zach, what were your initial thoughts about the project?

Braff: I was waiting tables at a French-Vietnamese restaurant called Le Colonial at Beverly and Robertson [in L.A.]. And I had to wear a tunic, which I put into “Garden State.” I’d been auditioning for so many things and not really getting much traction in the sitcom space, but I read this and I thought it was so funny. I was like, “Oh, I think I could really sell this because I find it so funny.”

How did you know the chemistry between the three of you was going to work?

Braff: When we were shooting the pilot, I was just like, “Wow. I really love these people.” I was obsessed with Sarah. I thought Donald was the funniest person I’d ever met. And then Bill was legitimately the funniest person I’ve ever met. I just felt in really good hands.

Chalke: We were all so excited to be there and we’d just hang out and watch the other scenes that we weren’t in. And I remember just being by the monitor, watching everybody else work and just being so blown away.

Braff: We would hang out after we were wrapped, which Sarah still does occasionally. This time Donald came early because there’s this really weird coffee robot in the production office that Donald seems to think is amazing coffee. So, I caught him a few times coming in early for the coffee robot.

Faison: That’s not why I came in early. I was notoriously late and unprepared the first go of “Scrubs.” I heard Tom Hanks talking about how he was a young actor and a very established actor kept forgetting their lines. And the director finally goes, “Ah, come on, come on guys. Three things. Show up early, know the text, have an idea. Let’s take 10,” and walks away. And Tom Hanks goes, “Oh, if that’s what it takes, I can do that s—.” So, I took that to heart and this is the second opportunity.

Braff: I thought it was the coffee robot.

A man in a purple sweater and striped beige pants stands with his arms crossed.
A man in black rimmed glasses sits with his hands below his chin.
A woman with blonde hair in a black and white polka dot dress looks over her shoulder.

Zach Braff on his co-stars: “When we were shooting the pilot, I was just like, ‘Wow. I really love these people.’ I was obsessed with Sarah. I thought Donald was the funniest person I’d ever met.” (Christina House / Los Angeles Times)

But Sarah would hang out after you wrapped?

Chalke: We are all executive producers on this. Zach is producing and directing and editing and writing and doing all of the things, and that’s been really neat to watch. I legitimately do want to learn. Obviously, there’s a balance of that with also going back into work full-time and having two kids.

Braff: Sarah gave me this whole speech at the top of the show. She’s like, “Hey, I really do want to learn this stuff. I want to sit by your director’s chair. I want to ask you questions. I want to learn to genuinely [executive produce], genuinely direct.” And I was like, “Great.” The first week I was like, “All right. Sarah, we’re going on a big tech scout. It’s probably going to be about…”

Chalke: “In a van for seven hours.”

Braff: I go, “You’re going to learn more on the tech scout than you could in film school.” And she’s like, “No, I won’t be able to do that.” And then by the end of the nine episodes, Sarah was like, “I think my EP thing is morale.”

Faison: I want to piggyback on something Sarah said though. Zach has done a lot, these nine episodes. For this revival, he’s done so much and has worked so hard on this. And that’s made us all feel very safe and secure also because we know we have the No. 1 guy on the call sheet who cares about the show completely putting in 100% to make sure that we’re coming out the gate with something very, very, very, very strong and undeniable for the fans.

What were your conversations about where your characters would be after all these years?

Braff: One of the big conversations we had was we wanted to reground the show because the show got really broad over the years and we wanted to dial it back and go back to where we started, where it exists in a real place. We have the luxury of the fantasies where we can be super silly. And obviously, we dip our toe over the line sometimes and stuff is a little broad. But for the most part, the new show is back to Season 1 and grounded again.

As we all know, especially when you reach 50 years old, a lot of things in life don’t turn out the way you hope they would. And that’s why we opened the show with J.D. living this fantasy that he is this heroic trauma ER guy when in fact he’s fixing toes in the suburbs. Also, I think with regard to me and Donald, [Lawrence] said, “I want them to be silly as those two guys are in real life, but … when they drop in and they’re teachers, they’re really good teachers.”

A man in a purple sweater embraces a man in a brown jacket seated next to him.

Donald Faison on returning for the revival: “When we did the table read, I laughed so hard when the first voice-over kicked in, when Zach read the voice-over.”

(Christina House / Los Angeles Times)

Was it easy to fall back into your rhythms?

Faison: When we did the table read, I laughed so hard when the first voice-over kicked in, when Zach read the voice-over.

Braff: The whole room did. It was really funny because no one had heard me do that voice in 20 years.

Chalke: One of the coolest things that helped with the show was Bill would just write to everybody’s strengths or write to their quirks or write to their personalities and weave it in. That happened this season, but it happened all through the first eight years. And so, to a certain extent, the lines blurred sometimes between ourselves and our characters. So, stepping back into them, there’s a reason why it felt so comfortable.

Braff: Sarah is a fast-talking klutz.

Chalke: I am. We met all the interns and Zach said, “So, guys, Chalke’s going to come in every day and something’s going to be broken. Every day there’s going to be a story.” And then I proceeded the very next day, which was the day before filming, to fall and break my finger. So, I did have to come in on the first day and say, “So, I broke my finger.”

How did you break your finger?

Braff: Walking.

Chalke: It’s part of who I am, but it’s also part of who Elliot is.

Braff: I think if we put in the show how really klutzy you are, people would think it’s too much.

Was there anything you were nostalgic for that wasn’t in the new incarnation?

Chalke: Sam Lloyd.

Braff: Sam Lloyd who played the lawyer was such a big part of the show and not only a fan favorite, but our favorite. He was just the funniest, nicest man. And Bill calls people like Sam Lloyd “comedy assassins.” They come in and they have one line and you’re laughing. And he was one of the greats.

Faison: It’s not the same “Scrubs.” And I kind of miss a little bit of that. There are so many new stories to tell. And you get nostalgic when you see the stuff that we’re doing in it, but I do sometimes miss some of the stories that we told in the past. It’s like capturing lightning in the bottle again, and I feel like we did it. I really do hope we have that opportunity again. I really do hope that this isn’t just nine. But it’s important for the audience to know that we’re definitely older. That’s just real talk. I’m not a 26-year-old man anymore. I’m 50.

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BBC Line of Duty major plot spoiler revealed as iconic villain returns in huge twist

Line of Duty is back for a new series – with Adrian Dunbar, Vicky McClure and Martin Compston all reprising their roles for the seventh series

Line of Duty is back for a new series – and now a big plotline has been let slip ahead of the new episodes. The BBC show – featuring Adrian Dunbar, Vicky McClure and Martin Compston – ended four years ago but will make a return for a seventh series.

In a shocking turn of events, the fictional police anti-corruption unit AC-12, which investigates bent coppers, finally unmasked the mysterious ‘H’, who was unmasked as bumbling detective Ian Buckells.

Fans were left fuming by the big reveal – which had been years in the making – and begged for the show to continue. It is now back, with the unit having been ditched and rebranded as the Inspectorate of Police Standards.

In the story, Detective Inspector Dominic Gough, a charismatic officer winning plaudits for a string of takedowns of organised crime, is accused of abusing his position of trust to act as a sexual predator. But the team must work out whether Gough’s case is actually a deliberate distraction from a bigger threat.

Creator Jed Mercurio said of the upcoming new series: “Everyone involved in Line of Duty feels enormous gratitude to the show’s fans. We’re privileged to have had so many of you follow the ups and downs of AC-12 over six previous seasons, and we couldn’t be more delighted to be returning for a seventh.

“Corruption in this country is supposed to have come to an end while Line of Duty was off air so I’ve been forced to use my imagination.”

Martin Compston – who played Steve Arnott since its inception – added: “Line of Duty has been a job of a lifetime. Not only in terms of the show’s success but the people I’ve had the opportunity to work with I now call some of my closest friends. I can’t wait to pull the waistcoat on again and get the team back together.”

Vicky said: “It goes without saying I’m so excited Line of Duty is back – can’t wait to work with Jed, Martin and Adrian again. Belfast, we’ll see you soon!”

With Adrian adding: “As we count down the AC12 days of Christmas what a joy it is to know that the Three Amigos will be back filming together next year. Delighted with the news and looking forward to those mercurial twists and turns.”

Now, sources have claimed that there will be a revisit of the ‘H’ storyline in a shocking twist.

“There was genuine anger about the way series six ended and that was part of the reason that a seventh outing was ordered. But this is the first time that there’s been any news on whether they’ll bring back the ‘H’ storyline — and devotees will be thrilled to hear Jed will be giving them just what they want,” a source told The Sun.

“Although there is still likely to be a new villain introduced into the new season, just as there has been with every series since the show was launched. But the incoming baddie’s storyline is likely to be intertwined with that of ‘H’ in a sensational double-whammy.”

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Gubernatorial candidate Gavin Newsom shared his tax returns — here’s what we learned

In his first five years as California’s lieutenant governor, Gavin Newsom made more than $4 million from his wineries, restaurants, hotels and other hospitality businesses.

And that’s on top of his government salary, which is $142,577 a year.

The former mayor of San Francisco is the first candidate in the 2018 race for governor to release his state and federal tax returns. He filed jointly with his wife, the actress and filmmaker Jennifer Siebel Newsom. On Monday, Newsom allowed reporters to review — but not photocopy — six years of the couple’s returns, from 2010 to 2015, at the San Francisco offices of his campaign consultants, SCN Strategies.

Newsom, the early front-runner in the June 2018 primary, cites his business expertise as a key credential in his campaign for governor. With the help of the wealthy Getty family, he opened a San Francisco wine store in 1992, expanding it over the last 25 years into a network of nearly two dozen businesses known as PlumpJack Group. They include Napa Valley wineries, hotels in Lake Tahoe and Palm Springs, and bars and restaurants in San Francisco.

Here’s what you should know about the tax documents:

The Newsoms reported an average of $1.4 million in income from 2010 to 2015

The Newsoms’ tax returns provided a window into a complex web of the family’s financial interests throughout California. The couple’s lowest adjusted gross income since 2011 was $1.37 million in 2013.

The Newsoms’ average income and tax bills in the years 2010-2015 were:

  • Adjusted gross income: $1.4 million.
  • Federal tax rate: 26.4%.
  • Rate of charitable giving compared to income: 6.8%.
  • Federal taxes paid: $384,687.
  • State taxes paid: $139,146.
PlumpJack Group was founded by Lt. Gov. Gavin Newsom as PlumpJack Wine in 1992. Newsom is still a partner in the company, which has expanded to include restaurants, bars and resorts in addition to three wineries and two wine shops, including this store in San Francisco. (Phil Willon/Los Angeles Times)

PlumpJack Group was founded by Lt. Gov. Gavin Newsom as PlumpJack Wine in 1992. Newsom is still a partner in the company, which has expanded to include restaurants, bars and resorts in addition to three wineries and two wine shops, including this store in San Francisco. (Phil Willon/Los Angeles Times)

(Phil Willon/Los Angeles Times)

2015 was a good year for the Newsoms

The couple, who now live in Marin County, reported an adjusted gross income of $1,720,383 in 2015, the highest amount they earned in the past six years. The Newsoms’ total tax bill came to $753,866, with $568,333 going to the Internal Revenue Service and $185,533 to the California treasury. They donated $62,973 to charity, including a $1,000 contribution to the Bay Area Discovery Museum.

The Newsoms’ biggest income source came from Airelle Wines Inc., which runs Napa wineries, at roughly $790,000.

They made hundreds of thousands of dollars selling silver bars — and donated more than $100,000 to charities each year

  • The tax returns show the Newsoms made hundreds of thousands of dollars trading silver bars during Newsom’s tenure as lieutenant governor. In 2011 alone, they turned a profit of $499,452 on the sale of silver bars.

  • Newsom’s 2013 book, “Citizenville,” appeared to be a moderate money-maker. From 2011 to 2015, Newsom reported a total of $370,325 in income as an author and by working in media. A spokesman for the lieutenant governor said he was unsure if some of that total included money Newsom was paid for his former talk show on Current TV, “The Gavin Newsom Show,” which aired in 2012 and 2013.

  • The Newsoms reported an average of $102,212 in charitable donations each year — nearly 7 percent of their income. But apart from clothing and toy donations to the Salvation Army and Goodwill, it was unclear which charities received money from the couple. Because the Newsoms hold interests in a wide network of partnerships, corporations and trusts, and most of their charitable donations were channeled through them, it is unclear which organizations received the money. A spokesman for Newsom’s political campaign said some of the charities the couple donated money to included the Law Center to Prevent Gun Violence, Best Buddies and Planned Parenthood LA.

Newsom owns a Tesla, and received tax credit for it

Over the years, the Newsoms have received a few tax breaks for their rapidly growing, environmentally conscious family.

  • Newsom received a $7,500 “Alternative Motor Vehicle Credit” on his 2012 taxes after buying a Tesla Model S.
  • He received a $500 tax credit in 2012 for installing energy-efficient doors, windows and insulation.
  • In 2010, the Newsoms’ daughter Montana was their only dependent. Then came their son Hunter in 2011. Daughter Brooklynn arrived in 2013. The Newsoms’ fourth child, Dutch, will make his grand entrance on the 2016 return.

Releasing his taxes ratchets up the pressure on his rivals to do the same

Newsom’s release of his tax returns puts pressure on his rivals to make theirs public too. The move could be a sign that the lieutenant governor is banking on revelations that he thinks could be useful to his campaign, such as information detailing Antonio Villaraigosa’s income sources in the years since he left office as mayor of Los Angeles.

Villaraigosa and Newsom’s other chief rival, state Treasurer John Chiang, have agreed to make public their tax returns, but have not yet specified when they will do so. Another candidate, Delaine Eastin, a former superintendent of public instruction, has also vowed to release her tax returns.

A spokesman for the leading Republican in the race, venture capitalist John Cox, said it was too early to say whether he would make his tax returns public.

phil.willon@latimes.com

Twitter: @philwillon

michael.finnegan@latimes.com

Twitter: @finneganLAT

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As Sudanese city returns to life after two-year siege, drone threat lingers | Sudan war News

Markets reopen in Dilling, South Kordofan’s second largest city. Yet residents face critical medical shortages and persistent aerial attacks.

Life is cautiously returning to the streets of Dilling, the second largest city in South Kordofan state, after the Sudanese army broke a suffocating siege that had isolated the area for more than two years.

For months, the city had been encircled by the paramilitary Rapid Support Forces (RSF) and the Sudan People’s Liberation Movement-North (SPLM-N), cutting off vital supply lines and trapping civilians in a severe humanitarian crisis.

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While the lifting of the blockade has allowed goods to flow again, local authorities and residents said the city remains under the threat of drone attacks.

Al Jazeera Arabic’s Hisham Uweit, reporting from Dilling, described a city “recovering slowly” from the economic strangulation.

“For over two years, heavy siege conditions were imposed on the city. Movement disappeared, goods vanished and livelihoods narrowed,” Uweit said.

“Now the eyes of buyers pick through the few available goods … as if the market itself is announcing its recovery at a leisurely pace, drawing determination from the patience of its residents.”

Markets return to life

The immediate impact of the army’s advance is visible in the local markets, which were largely shuttered during the blockade. Fresh produce, absent for months, has begun to reappear in stalls.

“The market and vegetables have all returned,” a local trader told Al Jazeera. “Before, the market didn’t exist. Now we have okra, potatoes, sweet potatoes, chillies and lemons. Everything is with us, and the market has returned to normal.”

However, the resumption of trade masks deep scars left by the isolation. The blockade devastated the local economy, stripping residents of their savings and leaving infrastructure in disrepair.

‘The price of isolation’

While food supplies are improving, Dilling’s health sector remains in critical condition. The city’s main hospital is struggling with a severe lack of equipment and essential medicines, a shortage that has had life-altering consequences for the most vulnerable.

Abdelrahman, a local resident suffering from diabetes, paid a heavy price for the siege. During the months of encirclement, insulin supplies ran dry. His condition deteriorated rapidly, ultimately leading to the amputation of both his legs.

“He had a medical appointment after a month, but the month closed off his check-ups,” a relative of Abdelrahman said. “He is suffering severely. He is missing his insulin. There is a shortage of food, and he is tired. His health has declined sharply.”

‘Chased like locusts’

Despite the Sudanese army asserting control over access routes, the security situation in Dilling remains precarious. Authorities said the city is subjected to almost daily drone strikes launched by the RSF and SPLM-N, targeting infrastructure and residential areas.

For Maryam, a mother displaced multiple times by the conflict, the breaking of the siege has not brought peace. She described the terror of the unmanned aerial vehicles that hover over their homes.

“Now the drones bombard and chase us. They chase us like locusts,” Maryam said. “When they come, we just run to hide. When they hover over us, they burn the thatch [roofs], start fires and force you to leave your home.”

She added that the constant threat of aerial bombardment makes normal life impossible: “If you are having a meal, like porridge, … the moment you see them, you leave it.”

Uweit said that while the lifting of the siege is a “glimmer of hope” and a first step towards recovery, the dual challenge of rebuilding a shattered health system and fending off persistent military attacks means Dilling’s ordeal is far from over.

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Nigeria’s Argungu fishing contest returns after years of pause | Arts and Culture News

Thousands of fishermen converged on the milky waters of the Matan Fadan river, a UNESCO heritage site, winding through verdant landscape in northwestern Nigeria’s Argungu.

President Bola Tinubu joined thousands of spectators on Saturday, cheering competitors vying to catch the largest fish, despite security concerns deterring some attendance.

Participants employed only traditional methods, including hand-woven nets and calabash gourds, with some demonstrating their prowess using bare hands. The Kebbi State waterway teemed with woven nets and canoes as fishermen waded through.

This year’s champion landed a 59kg (130-pound) croaker fish, winning a cash prize. Other participants sell their catch, stimulating the local economy.

The river remains closed throughout the year, overseen by a titled authority known as Sarkin Ruwa, the water chief.

The fishing contest marked the pinnacle of the annual international fishing festival, which showcased cultural displays, including traditional wrestling and musical performances.

“I thank God that I got something to take home to my family to eat. I am very happy that I came,” Aliyu Muhammadu, a 63-year-old fisherman who participated in the competition, told The Associated Press news agency.

The festival originated in 1934, marking peace between the extensive Sokoto Caliphate – a vast 19th-century Islamic empire spanning from Nigeria into parts of modern-day Burkina Faso – and the previously resistant Argungu emirate.

Considered a symbol of unity, the festival ran continuously for decades until 2010, when infrastructure problems and growing northern Nigerian insecurity forced its suspension. It briefly resumed in 2020 before pausing again until this year.

Nigeria faces complex security challenges, particularly in the north, where thousands of people have been killed in attacks over the years.

While Tinubu characterised the festival’s return as a sign of stability, for many, it represents restored community pride.

“Our challenge now is that people are scared of coming. A lot of people don’t attend the event like before because of insecurity,” said Hussein Mukwashe, the Sarkin Ruwa of Argungu.

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BBC to show Scots’ games live as Serie A returns to free-to-air TV

Adams: The Leicester-born 29-year-old has established himself as Clarke’s first pick up front. Since switching allegiances in 2021, he has amassed 45 caps and contributed 11 goals. Formerly of Sheffield United and Birmingham City, he moved to Torino two years ago after featuring in the Premier League with Southampton.

This season, he has scored six goals in 26 appearances, 17 of them starts, for the side sitting 13th of Serie A’s 20 clubs.

Bowie: The Kirkcaldy-born 23-year-old began his career with Raith Rovers before spells with Fulham and on loan to Northampton Town before rising to prominence with Hibernian, his nine goal in 30 appearances this season leading to his January sale to Hellas Verona.

Bowie, who has two Scotland caps, made his debut, and first start, in a 0-0 draw at home to Pisa.

Doig: The Edinburgh-born 23-year-old became a first-team regular for Hibs in the Scottish Premiership before moving to Italy and is already at his second Serie A club. He moved from Verona to Sassuolo in 2024 and won his one and only Scotland cap last year in a left-back role in which he finds himself behind Liverpool’s Andy Robertson and Celtic’s Kieran Tierney.

Doig has made 24 appearances, 20 of them starts, this season for his 11th-placed club side.

Ferguson: Having started his career with local club Hamilton Academical, the 26-year-old spent four seasons with Aberdeen in the Premiership before being sold to Bologna in summer 2022. Ferguson, who has 21 Scotland caps, became captain the following October and led his side to a Coppa Italia final win over AC Milan last year and European qualification.

He has made 29 appearances this season, 21 of them starts for the side sitting eighth.

Gilmour: Irvine-born, the 24-year-old started his career with Rangers but moved to Chelsea while still a youth. He made his senior debut aged 18 but moved to Premier League rivals Norwich City on a season-long loan in 2021.

Transferred to Brighton & Hove Albion the following year, he helped them to a sixth-place finish and qualification for European football for the first time before being sold to Napoli in 2024, on the same day as Scotland team-mate McTominay, and they finished the season with the first league titles of their careers. However, this season he has been limited to 12 appearances, only six of them starts, having been sidelined since November.

McTominay: The Lancaster-born midfielder came through Manchester United’s youth ranks and, although he did not make his first-team debut until aged 21, he went on to make 255 appearances for the Premier League club. After being sold to Napoli, the 29-year-old was nominated for the prestigious Ballon d’Or award last season as his goalscoring feats helped win the league title.

His 14 goals in 67 Scotland appearances include a lauded overhead kick that helped beat Denmark to secure World Cup qualification in November. McTominay has made 34 appearances this season for his club, scoring 10 goals.

Miller: Born in Wishaw, the 19-year-old son of Scotland-capped former striker Lee came through the youth ranks with Motherwell, making his debut just days after turning 16. After 76 appearances for the Premiership club, he was sold to Udinese in August for a Well club record fee, two months after being handed the first of his four Scotland caps.

He has made 14 appearances, six of them starts, so far.

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