rescues

Kylian Mbappe converted two penalties, and 10-man Real Madrid came back to beat visiting Marseille 2-1 on the opening night of the new Champions League season.

The victory on Tuesday meant that 15-time champion Madrid became the first team in competition history – since the rebranding in the early 1990s – to reach 200 wins.

It also gave former Madrid-playing standout Xabi Alonso a victory in his Champions League debut as the club’s coach.

Timothy Weah put visiting Marseille ahead early on, but Mbappe struck back from the penalty spot in the 29th and 81st.

The first penalty came after a foul on Rodrygo, and the second was for a handball by a defender.

Mbappe now has 50 goals in 64 matches with Madrid, moving level with former Real and Manchester United forward Ruud van Nistelrooy.

“We are happy that he keeps scoring goals and has been feeling more and more comfortable,” Madrid midfielder Federico Valverde said of the France player.

“Our job is to make sure the ball gets to him and that he can have even more scoring opportunities than he is having now.”

Madrid captain Dani Carvajal was sent off in the 72nd for head-butting Marseille goalkeeper Geronimo Rulli.

Weah, a United States international and the son of former Ballon d’Or winner George Weah, was set up by Mason Greenwood, who stripped Madrid’s Arda Guler near midfield.

Trent Alexander-Arnold’s Champions League debut for Madrid lasted only five minutes. The England defender was replaced by Carvajal because of an apparent muscle injury.

Spanish police clashed with Marseille fans before the match, but the situation was controlled quickly.

Dortmund and Juventus share eight-goal thriller

An early own goal from goalkeeper Luiz Junior gave Tottenham a 1-0 win over visiting Villarreal.

Borussia Dortmund and Juventus drew 4-4 in Turin. Juventus substitute Dusan Vlahovic scored one goal in stoppage time. He then set up the equaliser for English defender Lloyd Kelly. The game had been 0-0 at halftime.

Qarabag came from two goals down to win 3-2 at Benfica.

In the second season of the new league-phase format, the top eight teams advance to the round of 16. The next 16 teams enter a two-leg playoff, with eight advancing.

MADNESS 😱🤯#UCL pic.twitter.com/Fu1aZyXzxe

— UEFA Champions League (@ChampionsLeague) September 16, 2025

Arsenal subs decisive against Bilbao

Viktor Gyokeres was off target in his Champions League debut for Arsenal.

The London club’s substitutes were decisive, though, in a 2-0 win for the Gunners at Athletic Bilbao.

Gabriel Martinelli scored less than a minute after he came on, and Leandro Trossard, who had replaced Gyokeres, doubled the lead 15 minutes later.

Gyokeres, Arsenal’s prized signing who scored six Champions League goals for Sporting Lisbon last season, missed a golden chance shortly after the break. The Sweden international evaded his marker with ease and rose to meet a well-placed free kick from Declan Rice, but his header went well wide of the target.

Martinelli and Trossard also provided the assists on each other’s goals.

Union’s memorable debut in Eindhoven

Competition newcomer Union Saint-Gilloise made a memorable debut, as the Belgian club won 3-1 across the border at PSV Eindhoven.

The first goal of this season’s competition was a penalty kick converted by Canada international Promise David.

The penalty was awarded when United States international Ricardo Pepi harshly landed his boot into the leg of Union’s English centre back, Christian Burgess.

Goalkeeper Matej Kovar then went the wrong way on the spot kick in the ninth minute.

Another error by Pepi led to Union’s second before the break, a dribbling exhibition and expert finish by Anouar Ait El Hadj.

Union, who qualified by winning the Belgian league for the first time in 90 years, is one of four clubs making their competition debuts this season. The others are Bodø/Glimt (Norway), Kairat (Kazakhstan) and Pafos (Cyprus).

Argentinian defender Kevin Mac Allister, who is named for Macaulay Culkin’s character in Home Alone, made it 3-0 from close range in the 81st.

Ruben van Bommel, the son of former Netherlands standout Mark van Bommel, scored for PSV in the 90th.

PSV had gone unbeaten in its previous 11 group or league matches in the UEFA competition.

Sunday was gut-check time for the Dodgers.

A day where, as a clearly frustrated Dave Roberts put it before the game, the team needed to “not get embarrassed” in the face of a potential three-game sweep by the Arizona Diamondbacks, and play with a level of “pride” that had been missing the previous two nights.

“Whatever it is, we’ve got to do it right now,” the manager said. “We’ve got to win today. We’ve got to play better baseball. … There’s more in there. There just is.”

Whatever Roberts was looking for, the Dodgers provided just enough Sunday.

Despite blowing a three-run lead that tied the game going into the ninth, the Dodgers prevailed on Will Smith’s pinch-hit, walk-off home run, beating the Diamondbacks 5-4 to move two games up in the National League West standings after the San Diego Padres’ rubber-match loss to the Minnesota Twins earlier in the day.

The win should have been simpler.

Yoshinobu Yamamoto delivered a seven-inning, one-run gem, tying his career-high with 10 strikeouts while also not allowing a walk. The Dodgers lineup, meanwhile, wore down Arizona starter Brandon Pfaadt, scoring twice in the first and again in the fourth and fifth to chase him from the game early.

Tanner Scott almost wasted those efforts. In the eighth, he gave up a pair of two-out singles before Corbin Carroll took him deep for a tying three-run blast. Scott was booed off the mound, his earned-run average rising to 4.44 in a disastrous debut season in Los Angeles.

Dodgers pitcher Yoshinobu Yamamoto delivers during the fourth inning Sunday against the Diamondbacks.

(Carlin Stiehl / Los Angeles Times)

Smith, however, saved the day, coming off the bench and hitting the second pitch he saw into the left-field pavilion to ensure the Dodgers didn’t come out of this weekend empty-handed.

Of course, any feeling of progress from the Dodgers will remain tempered for now.

Friday and Saturday, after all, produced the kind of maddening performances from the club that have dogged them throughout the second half of the season.

The team looked lifeless at the plate both nights, scoring one run off Arizona’s beleaguered pitching staff in 18 total innings. They committed fundamental miscues on the bases and on defense, lapses Roberts boiled down to a simple lack of focus. And, as has become a recurring theme during their 22-27 rut since the Fourth of July, they once again played down to a level their $400-million roster simply shouldn’t.

“There has to be a point where that has to be sharpened,” Roberts said. “And that’s where, I feel, the time is now.”

Given the roller-coaster nature of the season, it’s impossible to know if — and when — the next drop is coming.

The Dodgers (78-59) have shown flashes of improvement at times in the last two months — like when they swept the Reds to start this homestand, or swept the Padres at the end of the previous one — only to quickly revert to a lesser version of themselves again.

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1. Dodgers catcher Will Smith celebrates after hitting a walk-off home run in the ninth inning Sunday. 2. Freddie Freeman, left, and Alex Call, center, and other Dodgers players celebrate with Will Smith, right, as he crosses home plate. 3. Will Smith, left, celebrates with Alex Call, right, and his Dodgers teammates. (Carlin Stiehl / Los Angeles Times)

Asked why that has been the case pregame, Roberts struggled to find an answer.

He alluded to a potential World Series hangover, noting that “when you’re playing a long season, you’re defending champions, people are coming after you — which we know and understand — it’s just hard to keep that dialed-in focus every single night. That’s just reality.”

He highlighted the lack of consistent production from veteran players — coinciding with his decision Sunday to leave Teoscar Hernández on the bench, in favor of Alex Call in right field, amid a recent three-for-27 slump that has been compounded by persistently shaky defense.

“He’s an everyday guy,” Roberts said of Hernández, whom the team hopes will benefit from a “two-day reset” between Sunday’s day off and Monday’s travel day. “But I do think that where we’re at, you’ve got to perform too, to warrant being out there every single day.”

Dodgers reliever Tanner Scott pitches in the eighth inning Sunday.

(Carlin Stiehl / Los Angeles Times)

Roberts said that mindset applies to the rest of the roster as a whole, from left field (where Michael Conforto has been better of late, but is still batting under .200) to other superstars at the top of the lineup.

“No one is going to be exempt,” Roberts said. “We’ve got to ramp it up and we’ve got to be better. If some other guys deserve more opportunities, then they’re going to get them. That’s just the way it should be.”

It all reflected what Roberts hopes will be a switch-flipping moment from his club; that disaster-averting wins like Sunday outnumber the kind of clunkers they had on Friday and Saturday.

“I do think that a flip can be switched,” Roberts said. “Each day should be equally important. Every little play, pitch, should be equally important. ‘How you do anything is how you do everything,’ that kind of adage, I believe in that. When you’re playing a long season, it’s hard to be that locked in every single pitch. But I’m not going to not try to ask our guys to do that, though.”

An Indian military helicopter rescued several people stranded by raging flood waters from the roof of a collapsing building in Punjab state. At least 36 people have been killed over the past 24 hours as heavy rains swept the Himalayas.

James Gunn’s “Superman” soared to the top of the box office this weekend, giving Warner Bros.’s DC Studios much-needed momentum in the superhero genre after a string of underperforming movies.

“Superman,” which stars David Corenswet as the Man of Steel, hauled in a robust $122 million in the U.S. and Canada. Globally, “Superman” brought in a total of $217 million.

The movie was a big swing for Burbank-based Warner Bros. and DC, costing an estimated $225 million to produce, not including substantial spending on a global marketing campaign.

“Superman” benefited from mostly positive critics reviews — the movie notched a 82% approval rating on aggregator Rotten Tomatoes. Moviegoers liked it too, indicated by an “A-” grade from polling firm CinemaScore and a 93% positive audience rating from Rotten Tomatoes.

The performance for “Superman” fell short of expectations from some analysts, who had projected an opening weekend of $130 million. Industry observers attributed that to heavy competition from other blockbusters, including Universal’s “Jurassic World Rebirth” and Apple and Warner Bros.’ “F1 The Movie.”

Shortly before its release, “Superman” came under fire from right-wing commentators, who criticized comments Gunn made to the Times of London about how Superman (created by a Jewish writer-artist team in the late 1930s) is an immigrant and that he is “the story of America.”

“If there’s any softness here, it’s overseas,” said industry analyst and consultant David A. Gross in his FranchiseRe newsletter, after describing the domestic opening as “outstanding” for a longrunning superhero franchise.

The movie generated $95 million outside the U.S. and Canada.

Analysts had raised questions about whether Superman’s reputation for earnestly promoting truth, justice and the American way would still appeal to a global audience, particularly as other countries have bristled at the U.S. tariff and trade policies enacted by President Trump.

“Superman has always been identified as a quintessentially American character and story, and in some parts of the world, America is currently not enjoying its greatest popularity,” Gross said.

The movie’s overall success is key to a planned reboot and refresh of the DC universe. Gunn and producer Peter Safran were named co-chairmen and co-chief executives of DC Studios in 2022 to help turn around the Warner Bros.-owned superhero brand after a years-long rough patch.

While 2013’s “Man of Steel,” directed by Zack Snyder, and 2016’s “Batman v Superman: Dawn of Justice” each achieved substantial box office hauls, they did not receive overwhelmingly positive reviews. 2017’s “Justice League,” which was intended to be DC’s version of Marvel Studios’ “Avengers,” was a critical and commercial disaster for the studio.

More recently, films focused on other DC characters such as 2023’s “Shazam! Fury of the Gods,” “The Flash” and last year’s “Joker: Folie à Deux” struggled at the box office.

With Gunn and Safran at the helm, the pair are now tasked with creating a cohesive vision and framework for its superhero universe, not unlike its rival Marvel, which has long consolidated control under president Kevin Feige (though its films and shows are handled by different directors).

Starting the new DC epoch with Superman also presented its own unique challenges. Though he is one of the most recognizable superheroes in the world, Superman’s film track record has been a roller coaster. Alternatively sincere, campy or gritty, the Man of Steel has been difficult for filmmakers and producers to strike the right tone.

Gunn’s version of “Superman” — still mostly sincere but a touch of the filmmaker’s signature goofy humor — worked for critics and audiences. It was a tall order, considering some fans still hold Richard Donner’s 1978 “Superman,” starring Christopher Reeve, as the gold standard.

“Pinning down ‘Superman’ has been a challenge,” said Paul Dergarabedian, senior media analyst at Comscore. “It’s been like Kryptonite for years for many filmmakers and producers to get it right.”

“Superman” bumped “Jurassic World Rebirth” to second place, where it collected $38.8 million domestically over the weekend for a total of $231 million so far. “F1,” Universal’s “How to Train Your Dragon” and Disney-Pixar’s “Elio” rounded out the top five at the box office this weekend.

Later this month, another major superhero movie will enter the summer blockbuster marketplace: “The Fantastic Four: First Steps,” from Walt Disney Co.-owned Marvel Studios.

Twenty-nine hours before his official return to the Dodger Stadium mound, Emmet Sheehan took a moment to get himself reacquainted with his home ballpark.

In an empty Dodger Stadium on Tuesday afternoon, Sheehan walked onto the field at Chavez Ravine, climbed up a slope he hadn’t toed since the 2023 season, and practiced his pitching motion a few times before returning to the clubhouse.

For Sheehan, such dry tosses are part of his normal pre-start routine. In any ballpark where he pitches, he likes to get a feel for the mound and its surroundings before the game.

The only difference this time: how long it had been since he’d taken the bump in a big-league stadium.

After an auspicious rookie season in 2023, in which his 4.92 earned-run average belied the potential he flashed with his low-arm-slot, high-velocity delivery, Sheehan missed all of last season and the first three months of this campaign after undergoing Tommy John surgery.

A former sixth-round draft pick who blossomed into one of the organization’s top pitching prospects during an impressive minor-league career, Sheehan became one of the many homegrown Dodgers pitchers to endure a major surgery after injuring his elbow in spring training last year.

In recent months, however, his relatively seamless recovery process had fueled excitement throughout the organization leading up to his return on Wednesday.

And over four sharp innings in the Dodgers’ 4-3 win against the San Diego Padres — one that ended on a walk-off home run by Will Smith in the ninth — the 25-year-old right-hander showed exactly why.

With his fastball sitting around 95 mph, and a tantalizing combination of sliders and changeups keeping Padres hitters off balance, Sheehan gave up just one run while striking out six batters in his big-league return.

He threw 65 pitches, 43 for strikes. He didn’t issue a walk, while yielding only three hits. And the lone score against him came when second baseman Tommy Edman failed to corral a hard-hit one-hopper with two outs in the top of the second.

Other than that, he posted nothing but zeroes.

Sheehan wasn’t the winning pitcher. That honor went to another former prospect, left-hander Justin Wrobleski, who followed Sheehan with five stellar innings of long relief, flashing his own promising signs (including a fastball that touched 99 mph at one point) after an up-and-down start to his big-league career.

For most of his outing, Wrobleski was protecting a 3-1 lead the Dodgers took in the bottom of the fifth, when Max Muncy hit a leadoff triple, Hyeseong Kim followed an Andy Pages sacrifice fly with a double, and slumping rookie catcher Dalton Rushing plated the game’s go-ahead runs on a two-run single.

But with the Dodgers’ bullpen worn thin from back-to-back bullpen games the previous two nights, Wrobleski went back to the mound in the ninth to try to finish things off. He couldn’t, giving up two runs after a Max Muncy throwing error put him in a jam.

However, Smith made sure it didn’t matter, coming off the bench in the bottom of the ninth to whack a walk-off home run just over the right-field wall.

Will Smith runs to first after hitting a walk-off home run in the ninth inning for the Dodgers against the Padres on Wednesday night.

(Gina Ferazzi / Los Angeles Times)

Despite the late dramatics, it was Sheehan’s return that had the biggest future implications on the Dodgers’ season, giving their shorthanded rotation a badly needed, and highly intriguing, new option for the second half of the season.

While discussing Sheehan before the game, manager Dave Roberts said the Dodgers always “liked his makeup, his toughness, his ability to repeat his delivery, the swing-and-miss stuff, the preparation.”

But the way he navigated his Tommy John recovery — returning to action 13 months after undergoing the procedure last May — had added another element of optimism among team officials.

Roberts noted how Sheehan had seemingly increased his physical strength during his rehab, with the once lanky 6-foot-5 pitcher now possessing noticeably more mass. He also explained how Sheehan has “had a chance to watch a lot of baseball, learn and then now apply it.”

“I think that’s going to make him a better major league pitcher,” Roberts said.

One start back, signs of such growth were already becoming clear.