Remake

Cape Fear,” premiering Friday on Apple TV, is a 10-episode limited series remake of a 1991 Martin Scorsese remake of a 1962 film adapted from John D. MacDonald’s 1957 novel “The Executioners,” and as in a game of telephone each subsequent version adds new material and moves a little farther from the original. (The credits to the series, created by Nick Antosca, note all previous sources and screenwriters.) Thirty-four years having passed since the last go-round, we are treated to such modern advances as catfishing, drones, deep fakes, social media and pushy true-crime podcasters.

In each iteration, a family is menaced by a recently released ex-con who blames one or more of them for his incarceration. Antosca fills his extra-long take on the material with complications and inventions; though the series is also chock full of borrowings from and allusions to its predecessors — you can hardly call them Easter eggs, lying there as they do in plain sight. (And sound: Bernard Herrmann and Elmer Bernstein‘s earlier scores share space with Jeff Russo’s new one.)

In every version, the antagonist is a now-charming, now-menacing psychopath named Max Cady (Javier Bardem), memorably played by Robert Mitchum in 1962 and Robert De Niro in 1991. In the novel and movies, Cady was serving time for rape; here it’s for the murder of his wife and unborn child, when new evidence suddenly springs him from prison after 17 years. We are invited to suspect this evidence from the very beginning, though this suspicion will itself become suspect. “Or is it?” is a question you’ll be prompted to ask through the series.

The objects of Cady’s slow-boiling vengeance — seemingly — are married lawyers Tom (Patrick Wilson) and Anna Bowden (Amy Adams), sharing the position previously represented solely by Gregory Peck and Nick Nolte in turn. Anna, who had unsuccessfully represented Cady, ironically works for an Innocence Project-type nonprofit, whose chief, Noa Toussaint (CCH Pounder), is only too delighted to fundraise on the back of Cady’s celebrity. Cady, claiming no hard feelings, insinuates himself into their world, apparently friendly, apparently helpful, so that it’s not always clear what’s sincere and what’s strategy. Is he a wolf in sheep’s clothing, or just a creepy, sometimes violent sheep? (“Killed his wife, didn’t kill his wife,” a minor character will volunteer, “he’s an arrogant bastard either way.”)

There are now two Bowden children in the picture, doubling earlier versions. Natalie (Lily Collias), Anna’s daughter from a previous relationship, is a good girl looking to go just a little bad, who feels unseen by her busy parents. Sad, sullen younger half-brother Zach (Joe Anders), unrecovered from a social media misstep, is acting more strangely than teenage boys usually do.

This is a cat and mouse — or cats and mice — melodrama, with customized stock characters given dark secrets and backstory traumas less as explanation than complication. (Good, bad, whatever, everyone’s got issues.) Cady, who has a prison-acquired brain injury — cue flashback, in black and white, naturally — suffers from headaches and hallucinations, reacting painfully to flashbulbs (a Chekov gun, I wondered?), seeing visions of his dead wife and son, whom he pictures grown. (He is sad about it, whether or not it’s his fault.) And is that masked woman in green he keeps seeing real or imagined?

On a nuts and bolts level, it’s all screwed together tight, even the pieces that stick out at weird angles. (Is there a reason to make Cady an apparently talented chef, other than to demonstrate his knife skills?) The actors fill their parts with feeling. Bardem gets the most, and most extreme attitudes, to play, whether cozying up individually to the Bowdens, threatening a groupie, undergoing a religious conversion, acting normal or being weird. Adams is low-key forceful as his primary opponent. (Tom’s comparatively weak character is underscored by his secret habit of microdosing LSD and a nothingburger flirtation with a colleague.) Collias is impressively real. The dialogue is well-crafted, the Southern atmosphere (Atlanta doubling Savannah, with Savannah here and there standing for itself) suitably oppressive.

Nevertheless, it’s fair to ask whether this story, even with its yards of extra material, could be told in under nine hours? The answer, most assuredly, is yes. And might it be better shorter? It might.

Not that I’ve ever been a fly on the walls of the executive conference or dining or washrooms where such deals are made, but I suspect the length has less to do with artistic necessity than A) the obscure economics of streaming and B) the not unrelated habits of viewers, who, to judge by questions I get asked, abhor a vacuum. A 10-episode series will put off the moment when they have “nothing to watch,” while the streamer gets to keep them in the ecosystem longer. “Cape Fear” is hardly the only series to which this applies. As I imagine the series will do well — mystery with a smattering of horror seems very much what the people want — more may be just the ticket for some people. Still, there’s a sense that the story has expanded to fill the space, with plotlines for all and crazy side trips (snakes! drugs!) in escalating levels of nuttiness.

That might be more feature than bug, but I can’t say I felt much of anything for the characters, or was concerned whether the Bowdens would emerge from their ordeals a stronger family. (Whatever the outcome, I’d say they have work to do.) Having been given only eight of 10 episodes to review, I’m interested, in a disinterested way, how this all will shake out, when the story finally moves to the Cape Fear River, and whatever final twists — that there will be twists, I am certain — an inevitably Action Packed Finale has in store.

Voters in California may get a chance to remake the state’s open primary system in two years.

Political consultant Steve Maviglio filed an application Friday with state officials that seeks to alter California’s voting system by reverting to a traditional primary. Under the proposal, the top candidates from each party would advance to the general election in November.

The current system allows the top two candidates, regardless of party, to move on to the runoff. That has led to instances in which two Democrats or two Republicans have faced off in the general election.

The state’s gubernatorial election, for example, has prompted concern that two Republicans could shut out the Democratic candidates. Riverside County Sheriff Chad Bianco and former Fox News commentator Steve Hilton have polled high in various surveys and are facing a large field of Democrats.

Democratic voters vastly outnumber Republicans in California, yet some political consultants said they feared there were so many Democrats running that voters wouldn’t coalesce around one candidate and the field would be split. Those fears have eased somewhat in recent months as some Democratic candidates advance from the pack.

The state’s top-two primary system has been in place since California voters passed Proposition 14 in 2010. The goal was to help end partisan gridlock in Sacramento and force candidates in primaries to appeal to a wider range of voters, rather than just those in their own party.

Proposition 14, as well as the state’s once-a-decade redistricting process, has led to some dramatic races, including the 2012 face-off between Democratic Reps. Brad Sherman and Howard Berman for a congressional seat in Los Angeles’ San Fernando Valley. Amid aspersions and attack ads, the pair nearly came to blows at a community debate.

Maviglio described the ballot measure as a simple repeal of Proposition 14, and said he was inspired by the governor’s race.

“It was extremely scary to envision the November ballot for governor with Republicans on it,” Maviglio said.

The New York Times first reported on the ballot measure proposal.

A news release from Maviglio states that the proposed repeal of Prop. 14 “is fueled by concerns that California’s primaries are disenfranchising a majority of California voters by limiting choice to candidates from one party.”

A website for the effort includes criticisms of the current primary system by Democratic Party Chair Rusty Hicks and Ron Nehring, former chairman of the California Republican Party.

Maviglio’s ballot initiative proposes to appear on the 2028 ballot and take effect in 2030.

Talk of changing Proposition 14 has been swirling in Sacramento for months.

Secretary of State Shirley Weber told reporters at an unrelated news conference last week that she had voted years ago against Proposition 14. She questioned whether it had actually succeeded in creating more diversity.

“I did not like the open primary,” Weber said. “I didn’t think it would solve any problems. They had a list of problems it would solve, and none of those have been solved.”