release

Donald Trump has said he may ask European countries to release some of their diesel reserves as he considers banning US exports of the fuel.

The US President’s comment comes after Treasury Secretary Scott Bessent urged Europe to get ready to release diesel supplies immediately, arguing that US farmers, truckers, and businesses “should not be left carrying the burden” as prices soar.

The US has threatened to restrict diesel exports after the war in Iran caused sharp price rises for US voters ahead of the midterm elections in November.

On Thursday, the UK held talks with European partners about the potential release of diesel reserves in response to any ban.

Banning exports would flood the US market with diesel, and could bring prices down significantly for American drivers.

But experts warn such a ban would put further pressure on diesel prices in other countries, unless they can access further supplies.

The US is a vital supplier of diesel to the world, exporting between 1.2 and 1.5 million barrels per day.

Over half of the UK’s diesel is imported, with 31% of the imports coming from the US.

On Thursday, Trump was asked whether he would call on European countries to release some of their own diesel reserves.

“We may do that. They have some diesel,” he said.

An earlier post from Bessent on social media said European countries should “make additional supplies immediately available”.

The president is set to travel across the US campaigning for Republicans in the coming weeks in hopes of keeping control of the House and Senate in the November’s elections.

Diesel prices in the UK hit record highs this week and are hovering just under 200p per litre, according to motoring organisation the RAC.

UK Energy Minister Martin McCluskey was on a call with European counterparts on Thursday to discuss the potential ban.

A source familiar with the discussions told the BBC it was prudent to prepare a co-ordinated response with other countries, including those across EU, but added that there were still European reserves left from a coordinated release of strategic fuel stocks earlier in the year.

“We have a diverse and resilient supply. We continue to engage with our international partners and the UK fuel industry,” a government spokesperson said.

The government has stressed that there is no cause for concern about potential diesel shortages, though prices are expected to rise further.

The Trump administration has warned France and Germany to release emergency diesel reserves to help lower global fuel prices or risk facing a potential US ban on diesel exports, according to people familiar with the discussions.

The warning represents a sharp escalation in Washington’s pressure on European allies as President Donald Trump looks for ways to increase fuel supplies and bring down prices ahead of the November midterm elections.

US officials have become increasingly frustrated with France and Germany, which Washington believes have not fully acted on earlier commitments to release emergency oil and petroleum reserves as global fuel markets face mounting disruptions.

“It is in Europe’s best interest to work with the United States as we pursue multiple pathways to boost the supply of refined products and lower costs for consumers,” a US official told Reuters.

A second source familiar with the discussions said the United States had asked the European Union to release 120 million barrels of diesel over the next six months.

The demand highlights the growing importance of Europe’s fuel reserves at a time when disruptions to major energy-producing regions are tightening global supplies.

Washington Raises Pressure on Europe

The US administration’s warning comes as Trump considers restricting US diesel exports as part of a broader effort to increase domestic supplies and reduce fuel prices for American consumers.

The approach creates a difficult balance for Washington. Limiting exports could increase the amount of diesel available inside the United States, potentially putting downward pressure on domestic prices. But it could simultaneously reduce supplies available to international markets, particularly Europe, which has become increasingly dependent on imported refined fuels.

US Energy Secretary Chris Wright said on Wednesday that the administration expected European countries to announce additional diesel supplies soon.

“We’ve lost some diesel exports from the Middle East, although we’re restoring those, and we’ve lost diesel exports from China,” Wright told reporters.

The disruptions have exposed the vulnerability of global refined fuel markets to geopolitical conflicts and changes in trade flows.

Germany’s economy ministry did not immediately respond to a request for comment, while France’s energy ministry declined to comment.

The White House’s pressure also appears to have become a broader diplomatic issue among Western allies.

An official at the French presidency said Trump and French President Emmanuel Macron did not discuss the issue when they met on the sidelines of the UN General Assembly in New York last week.

Macron, however, plans to convene a video conference of G7 leaders to address rising fuel prices and the availability of refined petroleum products.

The discussions are expected to include coordination over the release of emergency reserves in cooperation with the International Energy Agency.

Why Europe Matters to the Fuel Market

Europe’s position in the global fuel market has changed substantially since Russia’s invasion of Ukraine.

European countries previously relied heavily on Russian crude oil and refined petroleum products. The subsequent sanctions and restrictions on Russian energy imports forced European governments and companies to find alternative suppliers.

The result has been greater dependence on imports from countries including the United States and suppliers in the Middle East and Asia.

That dependence has become more significant as the conflict involving the United States, Israel and Iran has disrupted energy flows from the Middle East.

The loss or reduction of refined fuel exports from major suppliers can quickly affect diesel markets because refining capacity cannot always be shifted between regions immediately.

Diesel is particularly important because it powers much of Europe’s commercial transport, heavy industry, agriculture and logistics sectors. Sustained shortages can therefore affect the broader economy rather than simply increasing prices at fuel stations.

The US Faces Its Own Fuel Dilemma

For Trump, the issue also has a strong domestic political dimension.

Fuel prices are highly visible to American consumers, making gasoline and diesel costs politically sensitive ahead of the November midterm elections.

The administration is therefore examining multiple ways to increase available supplies and reduce costs.

But a potential US diesel export ban could have consequences beyond America’s borders.

The United States has become an important supplier of refined petroleum products to international markets. Restricting those exports could tighten supplies elsewhere, potentially pushing international prices higher even if American prices fall.

That creates a difficult policy tradeoff for Washington.

The administration wants to protect US consumers from high fuel costs while maintaining sufficient supply in global markets. European governments, meanwhile, face pressure to use their own emergency reserves even as they seek to maintain energy security following the loss of Russian supplies.

Europe Seeks a Coordinated Response

France appears to be pursuing a broader G7 response rather than treating the issue as a bilateral dispute with Washington.

Macron’s planned meeting would allow the world’s major industrial economies to discuss the availability of refined products and potentially coordinate emergency stock releases through the International Energy Agency.

Such coordination could help prevent individual countries from taking measures that unintentionally worsen shortages elsewhere.

But disagreements over how much fuel should be released, when reserves should be used and who should bear the cost could complicate the process.

Emergency reserves are designed primarily to protect countries against severe supply disruptions. Releasing large quantities can provide temporary relief, but it also reduces the buffer available if another disruption occurs.

That makes Europe’s response particularly consequential at a time when energy markets remain exposed to geopolitical shocks.

A New Test for Transatlantic Energy Relations

The dispute illustrates how the global energy system has become increasingly intertwined with broader geopolitical and trade relationships.

Europe needs reliable fuel supplies after cutting its dependence on Russian energy, while the United States is attempting to use its position as a major energy producer and exporter to address domestic price pressures.

Trump’s warning to France and Germany adds another layer to that relationship by linking European reserve policy to continued access to US diesel exports.

Whether Europe ultimately releases the amount of diesel Washington has requested will depend on national assessments of market conditions, domestic energy security and the risks of further supply disruptions.

For now, the dispute signals that the energy consequences of conflicts in the Middle East are reaching far beyond the region itself.

As the United States and its European allies try to contain fuel prices, they face a common problem but increasingly different pressures over how the burden of stabilising global energy markets should be shared.

With information from Reuters.

Sean “Diddy” Combs’ release date has been moved up once again, just as reports of his alleged pampered federal prison lifestyle have emerged.

The 56-year-old is scheduled to be released on Jan. 21, 2028, from FCI Fort Dix, a low-security federal prison in New Jersey, according to the Federal Bureau of Prisons inmate database.

The disgraced music mogul was sentenced to 50 months in prison last October after he was convicted of transporting prostitutes across state lines for drug-fueled sex performances known as “freak-offs.”

The initial release date for Combs was projected for June 2028.

Time in the jailhouse for the “Mo Money Mo Problems” rapper has been shortened several times this year. The last update to his sentence occurred this summer, moving his release to late February 2028.

News of his shortened prison stint comes as reports of Combs’ special lifestyle have emerged in a report by NBC News published Tuesday.

According to four inmates — who were granted anonymity by the outlet to speak freely about life inside the prison — Combs has allegedly been paying men to clean and cook special meals for him, including curry chicken, pizza and empanadas, and that the hip-hop artist receives Chinese-style massages.

One man told NBC, “This is not some normal s— you see in jail. This is some rich s—. It looks crazy, but again, it’s Diddy.”

The news outlet also reviewed footage obtained from inside the correctional facility, where Combs appeared to be using a contraband phone, which multiple inmates claim the artist-producer is using to scroll Instagram and view explicit nude content shared by an old girlfriend.

There are also claims that the “I’ll Be Missing You” singer is purchasing an antidepressant drug known as Remeron, or “rem-roms,” from other inmates and that he keeps a secret stash of liquor that was smuggled into the prison by guards.

“Hell yeah, I drank with him,” one of the men told NBC. He recounted drinking Hennessy with Combs.

Sources also allege that individuals outside the prison are depositing thousands of dollars into the commissary accounts of those performing services for the “Bad Boy for Life” rapper.

A spokesperson for Combs responded to the Los Angeles Times’ request for comment.

“The continued scrutiny of every mundane detail of Sean Combs’s life in prison has reached the point where the media characterizes ordinary prison life as news,” the spokesperson said via email. “The only real news is that Sean continues to serve his sentence within the rules and he patiently awaits the court’s decision on his appeal.”

In an emailed statement to The Times, a FCI Fort Dix spokesperson said they cannot comment on the “conditions of confinement for any incarcerated individual,” nor can they “confirm or deny the existence of a corresponding investigation.”

“Like all correctional agencies, contraband, particularly cell phones, narcotics, and weapons, remains a constant challenge, and we continue to tackle the problem of contraband being introduced into our facilities,” the spokesperson said. “Inmates are not permitted to have access to cell phones, and all incarcerated individuals in the Federal Bureau of Prisons (BOP) who are found to violate the ‘Inmate Discipline Program’ policy are subject to sanctions.”

Combs’ legal troubles hit a peak last year after he was involved in a lengthy and public trial involving allegations of sexual assault and other violence. Among the accusers were his former girlfriend Casandra “Cassie” Ventura and producer Rodney “Lil Rod” Jones, who lodged civil complaints against the music tycoon.

In July 2025, Combs was found guilty on two counts of a prostitution-related charge, but the business titan was cleared of racketeering conspiracy and sex trafficking, which carried heavier penalties, including a maximum sentence of life in prison.

Times staff writer Alexandra Del Rosario contributed to this report.

COPS have threatened to force arrested criminals to listen to Taylor Swift’s new release on loop.

Greensboro Police in North Carolina, US, jokingly swiped at the superstar’s album after it received mixed reviews.

They posted: “Those who are arrested tonight will be required to listen to Taylor Swift’s new songs on repeat.”

But following a huge online backlash, the force later wrote: “We apologise for stirring up the Taylor bots.

“Please continue to listen to The Life of a Showgirl.”

But the post remains up on X with more than 80,000 likes.

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Cruel Summer singer Swift, 36, re-released her Life of a Showgirl album with four new songs last week, adding “The Encore” to the title.

But critics were not impressed.

Music magazine Pitchfork rated it 4/10, saying: “Taylor Swift has let the quality of her songwriting slide in favour of commercial domination.”

Critic Shaad D’Souza added: “Yes, Taylor Swift will always have one of the greatest songwriting catalogues of all time.

“Not even Taylor Swift could take that away from her — but she sure is trying.”

The album came out in 2025 as the first release since the end of her record-breaking Eras Tour, but failed to win acclaim.

Swift previously said she did not intend to add new tracks, but later admitted she went on a trip with her collaborators and “did what we do when we feel anything: we wrote more songs”.

The Targaryens are looking to conquer the summer box office.

“Game of Thrones: Aegon’s Conquest” will hit theaters June 1, 2029, according to Deadline. The movie, written by “House of Cards” showrunner Beau Willimon, will reportedly be directed by Owen Harris. Harris directed three episodes of the “Game of Thrones” spin-off “A Knight of the Seven Kingdoms.”

Additional details, including the movie’s story, have yet to be revealed. The title hints that the film will follow Aegon the Conqueror, who, along with his sister-wives Visenya and Rhaenys, invaded Westeros and conquered most of the Seven Kingdoms with the help of their dragons, Balerion, Vhagar and Meraxes.

Following his victory, King Aegon I became the first monarch to rule Westeros from the Iron Throne and the founder of the Targaryen dynasty. The conquest took place around 300 years before the events of “Game of Thrones” and is detailed in George R.R. Martin’s book “Fire & Blood.”

“Aegon’s Conquest” would mark the first time the original Aegon is depicted on screen, but the “Game of Thrones” franchise has featured multiple Aegon Targaryens over the years.

Aegon’s descendants revere the Conqueror so highly that he has numerous prominent namesakes. The Targaryen war of succession at the center of “Game of Thrones” prequel series “House of the Dragon” was sparked by the coronation of King Aegon II (portrayed by Tom Glynn-Carney), the younger half brother of the actual heir, Rhaenyra Targaryen (Emma D’Arcy). Rhaenyra also named one of her children Aegon.

Young Egg (Dexter Sol Ansell), one of the central characters in “A Knight of the Seven Kingdoms,” is eventually revealed to be the missing prince Aegon Targaryen. Even “Game of Thrones’” beloved Jon Snow (Kit Harrington), believed to be a bastard of House Stark, turned out to actually be a Targaryen named Aegon.

In May, when Samuel Gonzalez Terrones was diagnosed with depression and schizophrenia, he started seeing a therapist and taking medication that he hoped would finally alleviate the dark thoughts that had begun creeping up so frequently he would sometimes seek help by calling the police on himself.

A month later, his mom, Minerva Terrones Dominguez, 54, had just hopped off a bus on her way to a grocery store in San Bernardino when immigration agents arrested her for being in the country illegally. While she languished in detention, the family said, Samuel grew increasingly despondent.

To help pay for an immigration lawyer, his siblings and dad had taken up extra shifts at their jobs. But because Samuel’s condition meant he couldn’t hold a steady job, he spent more and more time alone at home in Rialto.

“My mom was the one who would take care of him when he would have those bad thoughts,” said his older sister Sari Gonzalez, 32. “Everybody would be at work or at school, so my mom was the only one that would be here to calm him down, to say, ‘Your siblings will be here in a bit, just wait.’”

The lawyer, Arturo Burga, had figured out a way to free Minerva from detention and allow her to stay permanently in the U.S. The legal pathway, called cancellation of removal, hinged on proving that her deportation would cause extreme hardship to a U.S. citizen: Samuel.

They never got to file the paperwork.

Samuel Gonzalez Terrones, 21.

(Gonzalez family)

At 3:55 a.m. on Aug. 12, San Bernardino police responded to a railroad crossing. Samuel was pronounced dead at the scene, according to a San Bernardino County coroner’s news release. He was 21.

In a letter Samuel wrote before his death, an excerpt of which was shared with The Times, he talked about his mother’s detention. He said her being taken away by Immigration and Customs Enforcement made him feel like he’d hit “one last wall.”

“To the ICE agent who took away my mother: I hope it was worth it,” Samuel wrote. “I can’t handle anymore injustices in this world.”

Motivations for suicide are often complex and unknowable, and it’s unclear how the Trump administration’s aggressive immigration policies may have moved an immigrant or family member to harm themselves. But immigrant advocates say they have heard of such deaths.

This month, a 20-year-old Haitian man in Springfield, Ohio, walked into oncoming traffic after the Trump administration ended his Temporary Protected Status and ICE fitted him with an ankle monitor.

In May, the Associated Press found that at least 10 detainees had died by suicide since President Trump took office — a pace that far exceeds the growth in the detainee population.

ICE did not respond to requests for comment.

Samuel’s family describes him, the second youngest of seven siblings, as a caring and generous person who, at his best, was quick to laugh, loved chocolate conchas and video games, and dreamed of becoming a graphic designer.

He kept a dark aesthetic, with a lip piercing and nails frequently painted black or red. But he also had a lighter side, Sari said, as evidenced by the Hannah Montana stickers decorating his bedroom wall.

When the siblings were younger, they worked out together and would challenge each other to see how many pull-ups they could do. They liked hanging out at a skate park, laughing as he guided Sari’s small dog, Polar, down a rail on a board.

His mental health struggles started in 2021, when he was a freshman at Cajon High School. Little by little, he lost his passion for the gym, Sari said, and everything else.

An undated photo of Samuel Gonzalez Terrones.

(Gonzalez family)

Sari said she and her siblings each played a different role in helping Samuel through his struggles. He and his younger sister played video games. Sari would talk to him about adulthood. Their older brother would take him to church. On good days, their father would bring him along to landscaping jobs.

“He really did try to get better,” she said. “He held on for a really long time, and I’m proud of him for being so strong.”

The day Minerva was detained, Samuel and Sari were at home.

According to a federal court petition seeking Minerva’s release from ICE custody, federal agents stopped her, said she “looked like someone” they were seeking and mocked her when they found her EBT card while searching her belongings.

Minerva has lived in the U.S. for 33 years, had never been arrested or convicted of a crime and had never been in removal proceedings, according to her lawyer.

Sari said an ICE agent called her and said she had an hour to pick up her mother’s things from the agency’s local office and to say goodbye before ICE moved her to a detention center.

Samuel was inconsolable. “I’ve never seen him cry like that,” Sari said.

Sari took up extra hours at the plastics factory where she works as a machine operator. On Sundays, her only day off each week, she would take Samuel and their youngest sister to visit their mom at the Adelanto ICE Processing Center. The drive was 45 minutes without traffic, but they’d always arrive three hours early to join other families on the wait list to see loved ones.

On the way to the facility, Samuel was visibly happy. But on the way home, Sari said, all would be crying.

Friends and relatives attend the graveside service for Samuel Gonzalez Terrones.

(Gina Ferazzi/Los Angeles Times)

The extra expense of legal representation left the family struggling to pay for bills and food. In the evenings, Samuel stopping spending time with his siblings and retreated to his bedroom.

Burga, the lawyer, alerted ICE of Samuel’s death via email and requested Minerva’s emergency release under humanitarian grounds. He said the ICE deportation officer who replied struck a softer tone than usual, offering sincere condolences to the family.

“Our office was devastated,” said Amber Burga, executive director of the law firm. “I thought to myself, it takes somebody committing suicide for them to have compassion.”

Sari waited two weeks to tell Minerva. She waited, in part, because her mom had an upcoming court hearing and she didn’t want grief to cloud her thinking.

Sari was given 10 minutes in a visitation room to break the news about Samuel’s death to her mother.

“It was just me, my aunt and the officer who was watching,” she said. “When I told her, they wouldn’t even let me hug her while my mom was crying. They told me, ‘You can’t hug her. You can’t touch her.’”

Three days later, on Aug. 31, a federal judge — who didn’t know about Samuel’s death — issued an order granting her petition for release from detention, finding that she had been held illegally “based solely on DHS’s mistake.”

In her ruling, U.S. District Judge Brianna Fuller Mircheff wrote that when Minerva was detained, another federal judge had already declared it unlawful for Homeland Security to require mandatory detention for people who, like her, had entered the U.S. illegally.

Minerva had been arrested without a warrant, and an immigration judge had not determined whether she was a flight risk or a danger to the public.

Referring to Minerva and similar cases, Mircheff wrote, “Hundreds, if not thousands of individuals were held without process that was owed to them.”

Lawyers for the federal government had argued that Minerva could simply wait until she had been detained for six months, at which point she’d be entitled to a bond hearing, court records show. That suggestion didn’t fly with Mircheff, either.

“It is beyond cruel to suggest that this Court would let her sit in custody another four months,” she wrote.

Minerva is still in deportation proceedings. Without Samuel, she no longer qualifies for the legal pathway her lawyers had built a case around. Sari said she’s now considering joining the U.S. military to access the immigration benefits available for undocumented parents of enlisted members.

The family started a fundraiser to cover the cost of Samuel’s funeral.

Samuel’s parents, siblings, and a few dozen other family members and friends arrived on Sept. 22 at noon to bury him at the Rialto Park Cemetery. Each person held a white, long-stemmed rose.

Sari sobbed. Minerva looked on at the black casket holding her youngest boy, the goofball who loved his family, the one who had longed for her support while she was detained.

Times staff photographer Gina Ferazzi contributed to this report.

DEVELOPING STORYDEVELOPING STORY,

OpenAI has cancelled the release of its latest AI model over safety concerns, according to media reports.

The move to scrap the release of GPT-6.1 Astra, reported by the Wall Street Journal and CNN on Monday, comes amid heightened concerns about AI’s potential to do catastrophic harm following a slew of incidents involving AI agents going rogue.

More to follow…

It’s a good thing Mogwai don’t seem to age — “Gremlins 3” has been delayed until 2028.

Warner Bros. on Wednesday shared a brief teaser of the upcoming movie on Instagram along with its new release date. “Gremlins 3” will now hit theaters on Oct. 8, 2028, instead of Nov. 19, 2027.

The brief social media clip features Gizmo rustling around inside a backpack in an indiscernible location.

“Uh-oh,” the adorable furry creature says while peering through the unzipped opening as the new release date appears. Hopefully he doesn’t snack on anything he isn’t supposed to while he awaits his big-screen return.

“Gremlins 3” was officially announced by Warner Bros. Discovery boss David Zaslav during an earnings call in 2025. Original “Gremlins” writer Chris Columbus will helm the feature, which is produced by Steven Spielberg’s Amblin Entertainment. Spielberg is an executive producer.

It has been decades since Gizmo’s last big-screen adventure. The Mogwai and his misbehaved progeny debuted in the 1984 holiday classic “Gremlins” and returned in the 1990 follow-up, “Gremlins 2: The New Batch.” Directed by Joe Dante, the films established three key rules for handling the mysterious, big-eared creatures: Don’t get them wet, feed them after midnight or expose them to light. Gizmo’s origin story was explored more recently in the HBO Max animated series, “Gremlins: Secrets of the Mogwai.”

The release date shift follows the recent settlement with California Atty. Gen. Rob Bonta that has cleared the way for Paramount Skydance to acquire Warner Bros. Discovery. According to Deadline, the change is unrelated to the pending merger.

Over the years, the concept of the “song of the summer” has been well-contested: Is it merely based on statistics? Is it the song that has become so omnipresent that many have become sick of it? Does this mean that “Happy” by Pharrell Williams and “Fancy” by Iggy Azalea count?

Last year, it was likely somewhere between Sabrina Carpenter’s “Manchild” and “Luther” by Kendrick Lamar, featuring SZA. Just based on numbers, it was Alex Warren’s “Ordinary,” but this is a strong case for why metrics don’t always matter.

On Sept. 23, the autumn equinox will arrive, officially bringing an end to the summer season and countless attempts at giving it an anthem. This year, there was a plethora of choices. So much so that we couldn’t narrow it down to a definitive tune.

However, you can find our potential picks below.

“The Peace,” underscores

“I don’t speak unless I’m spoken to / And I won’t smoke unless you’re smoking too.”

Underscores, the artist that you are. After “U” dropped in March, “The Peace” was one of the first tracks to go viral across social media. It’s since maintained its cultural relevancy, with the artist performing it as part of her DIY pop-up sets, staged from the back of a U-Haul truck.

Historically, underscores hasn’t written much about her personal life, opting for conceptual work. However, “The Peace” offers a rare, intimate glimpse into the artist’s love life and the feeling of sacrificing basic boundaries in order to satisfy someone else.

Beyond its storytelling, the song’s melody and chopped vocal riff are unforgettable on this track, standing out from the rest of the album. This isn’t a jab at the project — “U” is an incredible album and the song is just that good.

“stupid song,” Olivia Rodrigo

A song from Olivia Rodrigo’s third album, “You Seem Pretty Sad for a Girl So in Love,” was always going to make this list, given the strong reception it’s received and its incredible replayability. As further evidence of this, within weeks of its release, the song hit 300 million streams.

The album’s third single, “stupid song,” just makes it in over “the cure,” its second single. Though the latter has one of the best bridges of the year, its undeniably melancholic and macabre nature is what put it out of contention.

Though “stupid song” has its somber moments, it’s easier to scream in a crowd without catching concerned glares. This call for catharsis is ever-present in Rodrigo’s discography, but this last album is the artist in full stride.

“Dance…,” Slayyyter

Speaking of artists in full stride, Slayyyter has been the breakout act of the summer, which is incredible considering that her debut mixtape released in 2019. She’s got skin in the game but hasn’t really been able to crack the mainstream until the release of “Worst Girl in America” and a subsequent, viral Coachella set.

“Dance…” is the opening track of that album and also arguably the best song on it. After about a full minute of pensive, progressive, electronic buildup, listeners get a taste of bliss, sewn-in synths and heavy bass.

When one individual made the bold claim on X that it was “one of the best album intros ever,” Slayyyter was quick to respond with a simple “TRUE.” Shortly after its release, it went viral on Instagram reels and TikTok as creators used the song in a trend where they’d act fatigued before bursting into motion on beat.

“Caught in a Jam,” Portraits of Tracy

This is easily one of the most fun, captivating tracks of the summer — it’s funky, bouncy, buzzy and everything in between. Solidifying its cool is the reassuring note at the end of the music video description: “No generative AI was used at any stage in the production of this material.”

It features — without a doubt — one of the best bridges and refrains of the year, and perhaps onward. Not to mention, its lyrics are equally as enjoyable as the production.

“Oh, something changed in me, I felt it instantly / I had to hit the club so they could all see / Now I’m the dancing queen / F-f-f-far far from 17”

“Caught in a Jam” would an impressive feat from any artist, but it’s exciting to hear it coming from a 22-year-old. Hopefully, the future is bright and groovy for Portraits of Tracy. Reception of the artist’s latest EP, “Q: From Where Do Our Primal Instincts Originate? A: MTV! EP,” has been overwhelmingly positive, with Pitchfork placing it a 7.6 rating.

“BbY Wow,” Karol G, Judeline, rusowsky

The 2026 Coachella headliner is back at it again. This time around, Karol G released “BbY Wow” at the tail end of July, allowing it just enough time to seep into the brains of all its listeners.

Realistically, it needed no time at all. It didn’t take long for the song to hit No. 1 on Spotify global charts, receiving over 3 million streams within a week of its release.

The song is a masterclass in production, pulling and syncopating a sample from iconic dance hall tune “Coolie Dance Riddim,” released by Jamaican producer Cordel Skatta Burrell in 2003. In this, a lot of the heavy lifting is done, and all three artists are left to ride the smooth beat.

Naturally, Karol G really shines here, but Judeline and rusowsky provide an interesting dynamic to the song, making it an instant hit.

“Girl Like Me,” PinkPantheress

“Girl Like Me” is an odd entry for potential song of the summer. The track was released back in May 2025 as part of her second mixtape, “Fancy That.” However, it didn’t receive much buzz until April 2026, when PinkPantheress performed at Coachella.

Not long after, she released the official music video for the song, which blew up almost as soon as it landed on YouTube. The video, made in collaboration with faceless director Lauzza, features buildings shuffling on beat and other excerpts of British culture.

It would soon witness the same treatment on streaming, garnering a 165% increase in streaming activity over a four-week period, Billboard reported.

But it’s not all about numbers in the world of music and, thankfully, “Girl Like Me,” delivers sonically, as well. The song flips both “Romeo” and “Always Be There” by aughts-defining electronic duo Basement Jaxx and turns it into a thumping dance pop tune.

“Dine N’Dash,” the Strokes

As plainly stated in our coverage of the Strokes’ appearance at Just Like Heaven in August, the band is “currently riding the high” of its first Coachella performance in 15 years. “Reality Awaits” is an incredibly polarizing album. What’s dividing fans is Julian Casablancas’ insistence on using Autotune, as many prefer his raw vocals.

However, Autotune or not, “Dine N’Dash” is reminiscent of the best of the band, confirming that they’ve still got the juice to make hits 25 years after their debut. The chorus is the key here, as its smooth riff pauses for Casablancas to softy wail out “We could never afford it / So we dine and dash / I would always go last.”

Hello, 2001!

“brand new chanel$,” Slayyyter

It’s always difficult to give an artist a double entry on a list, but in the case of Slayyyter, it was mandatory. “Brand new chanel$” is poised to be a song off of a potential upcoming project, which is expected to be an inverse, “brother album” to “Worst Girl in America.”

In that, it completely lives up to her promises, taking the route of a more traditional pop song, while still delivering on all fronts. Notably, her vocal ability really shines through on this track, as she belts out “I‘m holding it alone just for tonight / I wonder if you / got her in your room / I call you on the phone to start a fight” during the chorus.

The song’s outro is equally as intoxicating, referencing the lyrics and melody of its apparent brother track, “Beat Up Chanel$.”

Like “Dance…,” the song was quick to go viral on social media, and the artist revealed that the song was made to process romantic trauma. Just two days before “WGIA” dropped and during rehearsals for her Coachella set, Slayyyter found out she had been cheated on by her then-boyfriend.

“Choosin’ Texas,” Ella Langley

It’s been 22 weeks since Langley’s “Choosin’ Texas” first appeared on top of the Billboard 100, tying Mariah Carey’s seasonally ubiquitous “All I Want for Christmas Is You.” Whether you like the song or not, its appeal is officially undeniable.

On Spotify, it’s racked up more than half a billion streams and on YouTube, nearly 100 million. Not to mention, it’s impossible to crawl into any dive bar in the country without being ambushed by “She’s from Texas, I can tell by the way / He’s two steppin’ ‘round the room,” delivered in a Southern drawl.

Is it the “Happy” or “Fancy” of 2026? We leave that with you to decide.

As President Trump tries to convince voters that Democrats have let crime run amok, he’s digging into the country’s political past to cite one of the most controversial campaign advertisements that relied heavily on racist tropes.

During a campaign stop Wednesday in Gastonia, N.C., to stump for Republican U.S. Senate candidate Michael Whatley, Trump resurrected a 1988 George H.W. Bush presidential campaign ad featuring Willie Horton, a Black man convicted of rape and assault after his release through a Massachusetts prison furlough program.

A grainy black-and-white prison photo of Horton was used in the ad targeting then-Massachusetts Gov. Michael Dukakis, who was ahead of Bush in the polls. On Wednesday, Trump evoked the Horton ad in an effort to convince voters Democratic former Gov. Roy Cooper, Whatley’s opponent in the Senate race, is soft on crime.

“Willie Horton was a bad guy, really bad guy,” Trump said, before comparing Dukakis’s release of Horton to the pretrial release of a Black man who faces a murder charge for last year’s killing of a white Ukrainian refugee in Charlotte, N.C.

But Cooper was not the governor when the man was released or when he was later charged with killing the refugee.

“Same thing as this, same as, same exact thing,” the president told the crowd in Gastonia.

It’s the second time Trump has invoked Willie Horton while campaigning for his party. Last month during a speech in Las Vegas, Trump called the Charlotte killing a “Willie Horton — modern day” tragedy.

“After the Willie Horton ad dropped, Bush established a lead in the polls and never looked back,” said Andra Gillespie, a political scientist at Emory University outside Atlanta. “They showed the picture, and you ascribed race onto it. It wasn’t sufficiently condemned as racism.”

A spokeswoman for the Republican National Committee, which organized the Gastonia campaign rally, defended Trump’s reference to Horton.

“Roy Cooper emptied prisons and released thousands of violent monsters onto North Carolina streets,” RNC National Press Secretary Natalie Baldassarre said in a statement to the Associated Press. “The results had deadly consequences, and every Democrat who supports abolishing or defunding the police, paroling criminals, and implementing lax bail policies will have to answer for their dangerous records in November.”

Trump paints North Carolina as a ‘dangerous state’

Wednesday’s rally cited the Aug. 22, 2025, killing of white 23-year-old Iryna Zarutska on a commuter train in Charlotte.

Decarlos Brown Jr., who is Black, faces murder and other charges in Zarutska’s stabbing, which was captured on video. Court records showed that at the time of the attack, Brown had 14 prior cases in Mecklenburg County, including serving five years for robbery with a dangerous weapon. Doctors had diagnosed him with schizophrenia.

Republicans and other influential voices in Trump’s Make America Great Again movement claimed the attack showed how Democratic elected leaders in large cities across the U.S. failed to protect residents, while some conservative commentators suggested Democrats were ignoring an unfounded “black-on-white” crime problem.

“He should have been locked up for many, many years,” Trump said Wednesday of Brown.

“Nobody used to think of North Carolina as a dangerous state, criminally dangerous,” Trump added while blaming Cooper. “It was apple pie, right? Now, it’s one of the most violent, one of the worst in the whole nation.”

According to 2024 FBI crime data, North Carolina ranked 19th for statewide violent-crime rates in a 50-state comparison.

During the Gastonia rally, a mosaic of mug shots was displayed on a large screen for the crowd. Trump claimed Cooper had cut a deal with “radical activists” to release “some of the worst criminals in the nation into North Carolina.”

“He released these people. This is just a small group of them,” the president said, pointing to the mug shots that overwhelmingly featured Black people.

Although it is unclear under what circumstances the people in the mug shots were released, state corrections officials have said Brown was not released early from prison or under Cooper’s COVID-era prisoner-release settlement that Trump referenced.

Before fatally stabbing Zarutska, according to court records, Brown had been on a pretrial release over a misdemeanor offense that was ordered by a magistrate after Cooper left office.

‘Tapping into anger’

Republicans are under pressure to win over swayable voters as the November midterms approach with Democrats pushing to gain control of the House, the Senate, or both. Some political strategists say part of the ploy of adding Horton to the North Carolina Senate campaign is to rile up Trump’s base.

“He’s tapping into the anger to remind Republican voters of what he thinks their first principles are in hopes that will be successful for Republican candidates,” Gillespie said.

“He’s doing this to try and divert attention away from criticism of how he’s governing at the moment,” she added. “Democrats want to make the story of this election Trump’s low approval numbers, the war in Iran, inflation, being preoccupied with things that don’t make a whole lot of sense when there are really serious things going on in the country.”

Dewey Clayton, professor emeritus of political science at the University of Louisville, said Trump and other Republicans may be thinking that what worked before in the 2016 and 2024 elections presumably will work again in this year’s midterms.

“It was very effective,” Clayton said. “You do not necessarily have to look at it as racial, in and of itself, although [race] clearly becomes a component. In 2026, talking about ads going back in the 1980s? I’m sure he had consultants that were basically saying this is tried and true.”

The GOP may need the push in November, Gillespie warns. “I think the motivation by going back to these old strategies is there is real concern about Republican enthusiasm and you might see lower Republican turnout,” she said.

Rhetoric attempts to divert voters’ attention from rising costs

The tactic speaks to desperation by Trump and the Whatley campaign, according to Morgan Jackson, a partner with Nexus Strategies in Raleigh.

“Trump brings up Willie Horton to stoke racial division, something he’s used for the last 10 years,” said Jackson, who is chief strategist for Cooper’s campaign. “It is very clear from the president’s speech last night their only goal is to sow division and hate and lies. Michael Whatley doubles down in support of that effort.”

Jackson also said Trump and Whatley are trying to change the election’s message of “rising inflation and the cost of everything.”

“They want to use inflammatory rhetoric, hate speech and lies to sow division in a chance to win an election,” he said. “By referencing Willie Horton, they are showing their hand very clearly.”

The AP sent an email Thursday seeking comment from Whatley’s Senate campaign.

Williams writes for the Associated Press. Williams reported from Detroit. AP videojournalist Erik Verduzco in Gastonia, N.C., contributed to this report.

Several dozen presidential briefing documents declassified Friday, the 25th anniversary of the Sept. 11 attacks, detail intelligence government officials had gathered about Osama bin Laden and Al Qaeda leading up to the hijackings that killed nearly 3,000 people and upended American national security.

The documents illustrate security analysts’ tracking of Bin Laden’s movements and support system, as well as concerns about possible threats to U.S. targets.

Proclaiming “an act of exceptional transparency,” CIA Director John Ratcliffe said the documents were the agency’s single largest release of declassified presidential daily briefs — the highly classified briefing prepared by the nation’s intelligence community for the government’s most senior leaders.

The documents range from a February 1998 file — prepared for then-President Clinton — titled “Terrorists seeking WMD capability” and mentioning “bin Ladin and other Islamic extremists” to a Sept. 12, 2001, report in which a source indicated the attacks had been planned for two years and had also targeted the U.S. Capitol.

Another, from just weeks before the attacks, details how Al Qaeda’s “flexible operational decision making and broad definition of acceptable targets enable the group to adjust plans to changing conditions.”

Asked for comment on the release, the White House noted the release of another batch of documents by the National Archives, also Friday. That batch, including interviews with national security officials in the Clinton and Bush administrations, was a product of the commission that probed the attacks from 2002 to 2004.

Kinnard writes for the Associated Press.

THE FINAL tickets for one of the country’s biggest Christmas events will drop TODAY.

LaplandUK will release its final batch of tickets today at midday.

These will be the final tickets available for the 2026 events and there will also be tickets to the Golden Experience available.

Tickets will be available for both Lapland Ascot and Lapland Manchester – which has more availability of the two.

Fans can also nab tickets to The Golden Experience – a VIP experience with a personal guide, private check in, a meal in Pumpernickel’s secret pantry in the Eleven Village, priority seating and access, honorary elf hats, Golden Explorers pin badge, onsite currency, a signed Lapland storybook and a 2026 bauble.

Each experience will have its own online queue.

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Those who are signed up to LaplandUK’s newsletter will receive an email before midday with links to all the queues.

Then at midday, all people in the virtual queues will be randomly assigned a place in line for tickets.

Once you reach the front of that line, you will be able to make your booking.

LaplandUK states: “We recommend joining ahead of midday to give you the best chance of securing your preferred visit.”

The experience is often dubbed the ‘Glastonbury of Christmas’ due to tickets selling out fast each year.

And earlier this year when tickets were released in March, they sold out within a few hours.

This year will mark the second edition of LaplandUK Manchester at Capesthorne Hall.

At both experiences, guests can enjoy immersive sets and live performances.

Tickets include a four-and-a-half hour journey through the Enchanted Forest and into the Eleven World.

Children get to help the elves make toys and Mother Christmas to decorate gingerbread.

And of course, after all that, guests will get to meet Father Christmas himself.

Both UK experiences will be open from November 7 to December 24.

And ticket prices range from £60 to £155 per person, depending on the day you visit.

Golden Experience tickets range from £299 to £599 per person.

It’s an exciting time for Southern California coaster fans. Universal Studios Hollywood is on the verge of officially opening Fast & Furious: Hollywood Drift, and Knott’s Berry Farm this summer unveiled the refurbished Montezooma: The Forbidden Fortress. Now Six Flags’ Magic Mountain is getting in on the coaster action.

Coming in 2027 to the Valencia park will be Thrill Glider, a first of its kind thrill ride designed by coaster manufacturer Vekoma exclusively for Magic Mountain.

Magic Mountain in a release describes Thrill Glider as introducing a new coaster category, one that combines a motorbike-like seating arrangement with suspended coaster technologies. Riders will board what the park is referring to “hoverbikes,” essentially bike vehicles designed to simulate a flying sensation by being suspended from the track. Riders will be seated in a prone, face-forward position that will hang from the track above.

Concept art for Thrill Glider, which will boast bike-like vehicles and a sci-fi backstory.

(Six Flags Magic Mountain)

The ride will feature 20 different coaster elements and is slated to last 80 seconds. Speeds will reach 50 mph, and the coaster will boast five inversions that will take guests upside down. The various inversions will include a barrel roll, a zero-g roll and an overbanked stall turn, hinting at a heavily twisted track that will create drifts and swinging. There will be at least 12 moments, Six Flags promises, in which riders will experience airtime lifts.

“It is the latest milestone in Six Flags Magic Mountain’s renaissance and a reflection of the park’s enduring role as an industry innovator,” said Brian Oerding, park president of Six Flags Magic Mountain in a release.

The ride will come with a heavy sci-fi-inspired narrative. The story: The ride is a new technology from a fictional inventor, Rebecca Silva, who will introduce guests in the waiting area to what is described as a “Futurist Pavilion.” Throughout the queue, riders will encounter “holographic presentations and scientific exhibits,” culminating in the discovery of a new energy source, detailed by illuminated blue energy lines, that will power the ride.

The goal, says Six Flags, is to provide an optimistic view of the future, albeit with many sudden dives and weightless moments. The ride will feature multiple launches, reach a height of 107 feet and traverse 3,380 feet of track, which is more than a half mile.

Concept art of Magic Mountain’s new Thrill Glider, which will reach a top height of 104 feet.

(Six Flags Magic Mountain)

A specific opening window has not been detailed, but the ride is currently under construction. It will be located on the former site of the Golden Bear Theatre and will overlook the recently refurbished kiddie area, Looney Tunes Land.

Thrill Glider is arriving at a moment when Six Flags has been garnering national attention. Magic Mountain’s X2 remains shut down while state safety officials continue an investigation involving the attraction.

The ride, first opened in 2002 as X, has been the subject of controversy and at least one high-profile lawsuit stemming from a 22-year-old man’s death. Six Flags bills the ride as “a right of passage for the ultimate daredevil” that goes up to 76 mph. A CNN report recently took a look at other, more recent injuries allegedly stemming from the attraction.

Sept. 8, 2026 11:29 AM PT

WASHINGTON — Lonnie Bunch is stepping down from the leadership of the Smithsonian Institution following a tumultuous year in which President Trump tried to remake the portrayal of U.S. history by the Smithsonian museums and other cultural entities.

Bunch said in a news release Tuesday that he was departing the position he had held since 2019 “with very mixed emotions and heartfelt gratitude.” The Smithsonian said he would leave the post at the end of the year.

Bunch’s departure comes two months after a White House report branded the leaders of the Smithsonian Institution, especially at the National Museum of American History, as radical activists who cannot be trusted, an indication that Trump could be preparing to install his own team.

Anthea M. Hartig, the first female director of that museum, faced growing scrutiny from Trump and other Republicans over the summer after the White House Domestic Policy Council’s report saying the museum’s leadership doesn’t tell history “in a way that is inspiring, unifying, and worthy of our great republic.”

Three weeks after the report’s release, Trump ordered his administration to install signs in front of the U.S. history museum telling visitors that some of the exhibits are inaccurate. Hartig pushed back, telling lawmakers during congressional hearings that the report “does not fairly or accurately characterize the full body of work at the museum.”

There had been speculation that firings were in the offing. Trump doesn’t have the power to fire leaders at the Smithsonian with the swiftness he’s managed at other top cultural institutions in Washington, most notably the Kennedy Center, where a board of his supporters named him chairman.

The Smithsonian operates outside the executive branch and museum directors report to Bunch, who is subject to oversight from a Board of Regents that includes Vice President JD Vance, Supreme Court Chief Justice John Roberts, a bipartisan group of lawmakers and so-called citizen regents.

Roberts, who serves as Smithsonian’s chancellor, said in a release that Bunch had “pursued excellence in the telling of our nation’s story.”

The White House did not immediately return a message seeking comment.

The Smithsonian has been under examination by the Trump administration since 2025 as it has focused on the images and messages presented to the public as the nation approached its 250th anniversary.

A March 2025 executive order, Restoring Truth and Sanity to American History, led to signs being changed at federal parks, exhibits being altered or in some cases removed, and military bases being renamed. Trump specifically cited the National Museum of African American History and Culture and argued that the Smithsonian as a whole was engaging in a “concerted and widespread effort to rewrite our Nation’s history.”

Several months later, the White House ordered a wide-ranging review of the Smithsonian museums and exhibitions before the country’s 250th birthday, with a goal of aligning the institution’s content with Trump’s interpretation of American history.

In a letter sent to Bunch at the time, the White House detailed the steps it expected the organization to take as part of the announced review. The examination is of all public-facing content, including social media, exhibition text and educational materials, to “assess tone, historical framing, and alignment with American ideals,” according to the letter.

That review initially focused on eight museums — the National Museum of American History, the National Museum of Natural History, the National Museum of African American History and Culture, the National Museum of the American Indian, the National Air and Space Museum, the Smithsonian American Art Museum, the National Portrait Gallery and the Hirshhorn Museum and Sculpture Garden.

Kinnard and Fields write for the Associated Press. Kinnard reported from Columbia, S.C.

One could say that I’ve been waiting my whole life for this moment.

It’s a musical event some might have thought unlikely or impossible — but to me, it wasn’t a matter of if Beyoncé would ever release a collaboration with Selena but when. And on Thursday night, with the release of the special anniversary edition of Beyoncé’s sophomore album, “B’Day,” it finally happened.

Alongside an expanded track list that includes remastered versions of the 2006 album’s original songs, plus new remixes and collaborations, there’s “Irreemplazable (Como La Flor),” a mashup of Beyoncé’s first Spanish-language release and one of Selena’s most beloved hits.

In her tragic absence, Selena’s estate gave a rare blessing to Beyoncé for the collaboration. A press release for the album noted that this “resounding approval” from the Quintanilla family “made it possible for this timely and meaningful duet.”

“Two women from Texas. Two unmistakable and irreplaceable voices that broke down and continue to break down barriers,” read the statement.

But not everyone was happy about the remix. Some fans viewed the collaboration cynically, criticizing it as a way for Beyoncé to capitalize on Selena’s legacy, or to court more Latino fans. Some voiced their dissatisfaction under a post from Selena’s husband, Chris Pérez, on Instagram — but he was quick to shut them down.

“Shout out to Beyoncé for showing respect to an ICON,” wrote Perez on Instagram. “In my opinion, nobody will ever, CAN ever, top Selena’s performance. But, dammit … can’t you just appreciate that another iconic/amazing artist chose to highlight Selena in this way?”

For those who need reminding: This isn’t Beyoncé’s first foray into Spanish-language music — and it’s not even her first tribute to Selena.

Long before Beyoncé reached superstardom, she was a girl from Houston who grew up listening to Selena on the radio. In 2007, she credited the “Queen of Tejano” with inspiring her to release “Irreemplazable,” a Spanish-language companion album to “B’Day.”

Working alongside Cuban American composer Rudy Pérez, the songs on that record were workshopped to retain the spirit of their English lyrics without being word-for-word translations: the catchy “To the left, to the left” refrain in “Irreplaceable” became “Ya lo ves, ya lo ves / Te olvidé, te olvidé” (“Now you see, now you see/I forgot you).”

Like Selena, Beyoncé learned to sing in Spanish phonetically, and in a 2007 MTV Tr3s documentary on the making of the album, you can see her angling toward perfection as Pérez and a friend corrected her pronunciation. Some of the lyrics she was tasked with delivering were tongue-twisters, even for native Spanish speakers. Try saying “Tú creías que eras imprescindible” five times fast and in key.

“I spent a lot of time on it making sure it was perfect because I didn’t want to disrespect the language, because it’s so beautiful,” Beyoncé told People en Español that year.

At the time, Beyoncé wasn’t the only major American artist making waves in Latin music. The pop landscape was undergoing a massive shift, thanks to the work of such crossover sensations as Daddy Yankee, Don Omar, and Shakira — and artists in the States were eager to tap into the burgeoning Latino market.

And while that was certainly a part of Beyoncé’s calculus when plotting “Irreemplazable,” she has a personal attachment to Spanish music. “A lot of my family, a lot of my friends who I grew up with speak Spanish, I grew up in Texas,” she said in the MTV doc. “I just have so much respect for the culture, and I really relate to it.”

“The heart and rhythm of the music and the drums and the spiciness,” she added, in her People interview, “it all reminds me of Creole, which is my heritage, and where I come from.”

While Beyoncé’s early solo releases were built on R&B, she demonstrated a curiosity for global sounds like reggae, Latin and Arabic music. Selena’s background was in Tejano, yet she was heavily influenced by heavy-hitters in pop, disco and R&B — namely Jody Watley, Janet Jackson and Donna Summer.

The two share a similar cultural background, one forged by migration, changing borders and centuries of history. And, as second- and third-generation Texans, Beyoncé and Selena were both able to take their heritage and interpret it, while also melding it with the melting pot of influences they were surrounded by.

Twenty years after the release of “B’Day,” Beyoncé has had the luxury of growing and maturing as an artist. She’s delivered masterful musical dissertations that challenge rigid ideas of “genre” and reemphasized the Black origins of traditions like country, rock and Americana.

Selena didn’t have the benefit of time; but in the years since her death, her music has been kept alive, replayed, reinterpreted, and remixed, so that new generations continue to celebrate her Tejano roots. With “Irremplazable (Como La Flor),” Selena and Beyoncé’s artistry gets to coexist.

It’s a blending of their worlds and voices — the merging of two songs empowering women to move on from their heartbreak, as well as a union of two artists who are so different, but so very much alike.