relationship

There’s a lot of chatter around reality TV right now and the hazards of leaning into mess for the sake of potential viewership. Before Utah-based reality star and social media influencer Taylor Frankie Paul was making national headlines over domestic violence allegations brought against her by former boyfriend Dakota Mortensen — putting “The Bachelorette” and “The Secret Lives of Mormon Wives” series under interrogation — The Times was working on a group of stories that captured the longevity and cultural impact of the unscripted format.

News and culture critic Lorraine Ali took a look at the reality TV-to-politics pipleline. Writer Pamela Chelin spoke with “Survivor” host Jeff Probst and others to discuss why CBS’ competition show continues to endure after more than 25 years. And I wrote an oral history on the first episode of “The Real Housewives of Orange County,” which premiered 20 years ago and, in that time, expanded and morphed into a franchise, spreading to 12 other U.S. locales, including the upcoming series set in Rhode Island.

Speaking of reality TV — Valerie Cherish and “The Comeback” have returned for another round of the showbiz satire. The HBO comedy, which blends scripted comedy with a mockumentary format, originally premiered a year before the “Real Housewives of Orange County” and lampooned the effects of the early-2000s reality TV boom. It followed Valerie (Lisa Kudrow), a former sitcom star from the ’90s, as she attempts to revive her career by starring in a new sitcom while allowing a reality TV crew to document her journey. When the short-lived series was revived in 2014, it poked fun at the rise of prestige TV and the evolution of celebrity culture in the social media era. Now, its third and final season finds our favorite leading lady navigating Hollywood’s AI revolution. Michael Patrick King, who developed the series with Kudrow, stopped by Guest Spot to discuss the show’s latest timely exploration.

Also in this week’s Screen Gab, we take a breather from current programming and dust off two bygone titles. One is an animated sitcom that revolves around a mild-mannered therapist and his sessions with a notable clientele of real-life comedians playing exaggerated versions of themselves; the other is a mid-aughts thriller (of the Lifetime TV variety) that follows a heroic doctor who moonlights as a dangerous predator — its Letterboxd rating spread is something to behold. And it’ll make you wonder what Valerie Cherish might have brought to camp like that.

Let it all be incentive to spend some extra time on the couch this weekend — it’ll cut down on trips to the gas pump! Until next week.

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Dr. Katz, played by creator Jonathan Katz, invites his ex-wife, Roz, played by actor/author Carrie Fisher, to indulge in a dysfunctional family Thanksgiving on “Dr. Katz, Professional Therapist.”

(Comedy Central)

“Dr. Katz, Professional Therapist” (YouTube)

Once in a while the algorithms that rule our lives do us an actual favor, and so it was that YouTube alerted me that the entirety of this great turn-of-the-century cartoon lives there, hosted unofficially on a variety of channels. (Just type in the title.) Created by star Jonathan Katz with Tom Snyder, the inventor of an animation workaround called Squigglevision — in which vibrating outlines give a crude effect of action — and co-produced by Loren Bouchard, who would go on to co-create “Bob’s Burgers,” this six-season, semi-improvised, Peabody Award-winning Comedy Central series is founded on the notion that a comedian’s patter can resemble the neurotic unloading one might encounter in a psychotherapist’s office. And so onto Katz’s couch comes a parade of future comedy elder statespersons, naively but recognizably rendered, including Ray Romano, Lisa Kudrow, Dave Chappelle, Garry Shandling, Marc Maron, Catherine O’Hara, Margaret Cho, Wanda Sykes, Patton Oswalt, Sandra Bernhard, Paul F. Tompkins, David Cross, Jim Gaffigan, Steven Wright and Conan O’Brien. Rodney Dangerfield, already an elder comedy statesperson, has some things to say about his wife. Framing the therapy sessions are the domestic misadventures of Katz and his adult child son, Ben (H. Jon Benjamin, the Mel Blanc of adult animation, if Mel Blanc only used his own voice). Can’t-be-bothered secretary Laura (Laura Silverman, recently seen as Jane the documentarian on the new season of “The Comeback”), fills out the regular cast. — Robert Lloyd

“Stalked by My Doctor” (Tubi)

Last weekend, the Museum of Home Video hosted an interactive game at Vidiots where the sold-out crowd watched the first five minutes of 10 films and then voted on which flick to finish. “Stalked by My Doctor” won in a landslide. This 2015 Lifetime TV movie is one of the most bizarrely watchable trash films of the 21st century. Eric Roberts stars as Dr. Beck, a lovelorn, egotistical California cardiologist who is convinced he’s a catch. This graying bachelor falls for his patient, a high schooler named Sophie (Brianna Joy Chomer) and, when rejected, threatens to clobber her disabled boyfriend (Carson Boatman) with the guy’s own crutch. Filmmaker Doug Campbell makes B-pictures like a plastic surgeon does liposuction: He hacks off all the fat. Subtle? Absolutely not. Yet, there’s not a single dull scene and the characters make smarter moves than you’d expect. By the end, I was hooting and clapping, and giddy to hear that this top-notch schlock launched a five-film franchise. Some night soon, you can bet I’ll put on “Stalked by My Doctor: Patient’s Revenge.” — Amy Nicholson

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Lisa Kudrow as Valerie Cherish in “The Comeback.”

(Erin Simkin / HBO)

Could ChatGPT deliver a script worthy of Valerie Cherish’s talents? More than 11 years after it was last revived, “The Comeback” returned this month with a third season that explores the fear of technology replacing artists, and the ethical compromises that arise, through its sharp and uncomfortable comedic touch. Valerie is offered the lead in a new sitcom, “How’s That?,” on a faltering streaming service called the New Net. But there’s a catch. It’s the first-ever TV series to be written by AI — a fact that network brass wants to keep secret to avoid industry backlash. Valerie is initially resistant to the idea, but a humiliating experience on an indie shoot has her reconsidering. Is she about to be part of the new future of TV? A new episode of “The Comeback” drops Sunday on HBO and HBO Max. Over email, King shared his worries over how AI may transform the entertainment business and the series he’d pick to join the comeback circuit. — Y.V.

This season has Valerie Cherish starring in the first sitcom written by artificial intelligence. The series has always hilariously explored industry shifts. What concerns or curiosities do you have regarding AI, and did those evolve as you worked on the season?

Concerns — yes, many. They range from young writers with nowhere to learn their craft to no writers, young or seasoned, anywhere but the Coffee Bean & Tea Leaf. And yes I’m curious — white-knuckle curious — to see how the threat of AI (Season 3) will change how we make TV compared to how way the threat of reality TV (Season 1) and the threat of prestige cable and streaming (Season 2) did. Spoiler alert …television and TV writers are still here. When is this being published?

Without spoiling anything, there’s a scene in this week’s second episode where Valerie takes a meeting with some Hollywood folks — and it’s an odd experience. Do those meetings feel any more confusing or bizarre to you, in terms of how network brass thinks about the landscape, than they did a decade or two ago?

That billion-participant Zoom scene in the episode is very reflective of the “pitch process” today — in fact more than reflective — it’s a documentary … minus the occasional “pop-up pet.” What’s missing from this current Zoom pitch process is the in-person connection, which also accounts, I think, for why you no longer hear the phrase: “I sold it in the room.” No room, more people — less sales?

What does your writing process with Lisa Kudrow look like? Place me in those weeks of writing the first episode of this season.

The first and every episode has the same process. We talk, we laugh, we eat, we improv, we take turns writing it down — you know, things human writers do.

In addition to this third go with “The Comeback,” you worked on multiple seasons of “… And Just Like That.” What have you found interesting about the process of revisiting characters at a different stage in your life? Has one felt easier to navigate than the other in the current entertainment landscape?

I’m fascinated by a character’s personal evolution — how they can grow over the years. Who they were, who they might be now, what they’ve let go of — how they’ve changed. I’m also fascinated by how some fans of these characters don’t want them to change. In the current TV landscape — the fans are very vocal.

What have you watched recently that you are recommending to everyone you know?

“The Pitt” [HBO Max]. In addition to the good characters, it’s the thrill of being introduced to new actors.

As a viewer, which show — excluding those in your catalog — do you think would be worthwhile to revisit in 2026?

“Freaks and Geeks” [Prime Video, Paramount+]. One season only. Sometimes … a special show that was canceled — deserves a comeback.

ICYMI

Must-read stories you might have missed

WASHINGTON — Before Japanese Prime Minister Sanae Takaichi departed for Washington, she told her nation’s lawmakers that her Oval Office meeting with President Trump on Thursday would be “very difficult.”

Actually, it was awkward.

After a reporter questioned Trump about not warning Japan before launching his “surprise” offensive in Iran, Trump said that surprise was the point.

“Who knows better about surprise than Japan?” Trump said, turning toward a visibly tense Takaichi, seated next to him. “Why didn’t you tell me about Pearl Harbor, OK?”

The joke hung in the air. There was brief and muted laughter.

Takaichi’s eyes appeared to widen, but she kept her expression neutral as the the cameras rolled. She did not comment on the president’s remark. (She smiled at other times during their meeting.)

When leaders of the United States and Japan have raised the events of Dec. 7, 1941 — the day of “infamy” that plunged the U.S. into World War II — the circumstances have previously been far more solemn.

In 2016, President Obama and Japanese Prime Minister Shinzo Abe scattered petals together on the waters of Pearl Harbor to honor the more than 2,400 killed in the attack. Abe laid a wreath in honor of the dead.

“Ours is an alliance of hope that will lead us to the future,” Abe said, speaking to World War II veterans after paying tribute at the Pearl Harbor memorial. “What has bonded us together is the power of reconciliation, made possible through the spirit of tolerance.”

Japan, long constrained by its pacifist constitution, is now under intense pressure from the White House to support the U.S.-led war in Iran.

“Look, I expect Japan to step up, because, you know, we have that kind of relationship, and we step up in Japan. We have 45,000 soldiers in Japan,” Trump said. “We spend a lot of money on Japan, and we’ve had that kind of relationship.”

Trump has made a habit of going off script during televised Oval Office encounters with foreign leaders.

A meeting with Ukrainian President Volodymyr Zelensky devolved into an on-camera shouting match with Trump and Vice President JD Vance repeatedly berating Zelensky for “gambling with World War III” and not showing enough gratitude for U.S. support.

And when South African President Cyril Ramaphosa visited the White House, he said he was “ambushed” when Trump dimmed the lights and played a video promoting widely debunked claims of white genocide in South Africa.

By comparison, the Japanese prime minister’s summit in Washington was mild. For her part, Takaichi focused her statements on a new $550-billion trade pact involving Alaskan oil.

As for Iran, along with America’s European allies, Takaichi had already signaled she would not send warships to the embattled Persian Gulf to protect oil shipments through the Strait of Hormuz. But Takaichi promised cooperation in other areas, perhaps in a logistical support role.

“I firmly believe that it is only you, Donald, who can achieve peace across the world,” she told Trump.

NO ONE could ever have imagined that little Maura Higgins from a sleepy Irish town would go on to be one of the country’s most famous exports.

Not least her sisters – Becki and Louise –  who have sat watching her meteoric rise to fame from the peripheries. There are few relationships closer than that of siblings, but what happens when celebrity gets in the way? Here, we take a look at their now very complicated dynamic – and reveal why Maura’s decision to miss Louise’s wedding had a lasting impact and how imitation isn’t always the highest form of flattery when it comes to Becki.

When Maura, now 35, chose to apply for Love Island, she already knew her older sister Louise was getting married that summer.

Astonishingly, fitness instructor Louise, 38, gave her blessing for her to miss her big day – but whisperings at the time suggested not everyone in the family agreed with the move.

She made it very clear what her intentions were when she chose fame over Louise’s wedding.

It was certainly risky, but it paid off massively. From the very first moment Maura appeared on screen in 2019 on Love Island, her family – which also includes her brother, who has never been named publicly – realised life would never be the same again.

An insider explained: “Maura was from a very tight-knit family and grew up in a place where everyone knew everyone. When she became well known, of course, things changed. 

“At times, she’s not always been able to support her sisters as much as she would like. She made it very clear what her intentions were when she chose fame over Louise’s wedding.

“Louise has spent years just trying to get on with her life, while Becki has been hanging off her coattails, desperate for even some semblance of her success.

“Like all sisters, there is a level of competitiveness and jealousy that just doesn’t exist in other relationships. It’s fair to say it’s very complicated.”

Today, Maura is a huge star both in the UK and in America – rubbing shoulders with A-listers and really putting her home town of Longford on the map in a way no one could ever have dreamed of.

But it has meant Maura has missed out on a series of huge life events – most notably her sister’s wedding.

When Louise walked down the aisle with long term fiance Mark Kelly at a private ceremony at Abbeyshrule Church, outside Ballymahon, Maura was busy cementing herself in the Love Island hall of fame.

Even Maura’s ex-boyfriend, James Finnegan, attended the big day, having grown very close to the family.

A source told us at the time: “Louise got engaged in 2016, and the wedding was planned over a year ago. So Maura would have known that when she applied for Love Island.

“But Maura and Louise are very close, and her sister fully supports her decision to go on Love Island.

“In fact, she’s happy for Maura and is delighted she’s been given an amazing opportunity to find love and further her career.”

Louise made the decision to distance herself from the limelight as much as possible at that time.

Mimicking Maura

But Becki, Maura’s younger sister, who is now 31, grabbed the chance of fame with both hands.

She chatted about Maura whenever she got the chance and even appeared on Virgin Media One’s Ireland AM for a fashion segment. 

Maura was delighted, gushing that she was “so proud”.

She started joining Maura on nights out and built up her own social media presence.

Becki, however, has never quite managed to break into the limelight fully – despite her best efforts. She regularly posts images of herself glammed up for a night out and clearly shares Maura’s same cheeky sense of humour, judging by some of her more risky posts.

She has just 3.5k followers but has still managed to land herself a few paid ads here and there. 

‘Scared and alone’

As Maura’s fame grew, her schedule became busier and busier – she moved to London and her once close relationship with her sisters felt the strain.

Maura has said she felt “scared” and “very alone” during that period of her life.

It wasn’t long until Becki and Louise stopped posting publicly about their sister – they couldn’t keep up with her endless achievements.

Maura tried to get back to see Louise’s children as much as possible and is particularly close to her niece Isabelle. While she may not always be around, she made sure she was there for Isabelle’s first Holy Communion in 2024, calling her a “best friend for life”.

When she found out her nephew, believed to be her brother’s son, was being bullied in 2022, she showed up at his school to pick him up – no doubt scaring the bullies off for good. 

Maura was very close to her siblings while growing up, and their bond became even tighter when her parents, Sharon and Seamus, split up.

The break-up was a defining moment in all their lives.

In an interview with Married At First Sight relationship expert Paul C Brunson‘s podcast We Need To Talk, she talked about a moment her mum collapsed at the family home, following her split with her dad.

Maura candidly said: “It was a very nasty break-up and a lot went on, like, things I would never want to talk about because I wouldn’t want to be saying things about my mum or dad.”

She added: “When the break-up happened, my mum was trying to keep a roof over four kids and herself, and we were all in school, it was very, very hard and I remember seeing my mum struggle a lot.”

Maura continued: “She had a nervous breakdown, she collapsed in the kitchen in front of all of us and only my older sister, she was a lot older at the time, she knew how to like put her on her side and call the ambulance.

“I don’t know why I remember this, but I remember, mammy has a rare blood type and my older sister knew to say that to the paramedics.”

Cutting contact

After appearing on Love Island, Maura ended up cutting all contact with her dad, which is said to have left him blindsided.

She explained: “My dad spoke to me not very nice. I’m not saying it was just a bit of an argument. It was horrendous where I physically couldn’t breathe after the phone call.

“I thought to myself, ‘I wouldn’t let a partner talk to me like that. I wouldn’t let a friend talk to me like that. I’m not going to let my dad talk to me like that’.

“But also, I think if I dig deep, I don’t think I’ve ever forgiven my dad for not being there for me when my best friend passed away. And he wasn’t there for me.”

Maura and her sister’s close friend, Andrew Rowan, died aged 26 in a crash when his motorbike collided with three cars in 2017.

The sisters were bonded by the horror. Tragically, Becki suffered more heartache when another close friend passed away at the start of the year.

As she laid him to rest on January 23rd, Maura was in New York filming The Drew Barrymore Show.

It was a real sign of just how far apart their lives had become. Maura’s future is no doubt going to be bright – but what part, if any, her sisters will play isn’t as clear. 

WARNING: Contains spoilers about the Handcuffed final.

The sheer number of people who pulled out proves just how hard Channel 4’s Handcuffed: Last Pair Standing was: challenging 18 Brits to remain handcuffed to a total stranger. And not just any total stranger – one a team of producers have judged will create the most explosive TV possible.

Tonight, viewers saw Staffordshire porn star Rob, 32, and West Sussex homemaker Charlie, 44, make it all the way to the end, winning the show and a suitcase bulging with £100,000. Now, after the pre-recorded series, they explain whether they stayed in touch and just what they plan to do with the winnings.

The reality is quite sweet – with the pair very much in each other’s lives. Speaking about the moment they were uncuffed, Rob said: “It felt great! I just wanted to shout “FREEDOM” at the top of my lungs. It was a nice moment, but also a little sad moment knowing that my partner has now got to go.”

Charlie added: “It was a huge relief. We actually had to wait quite a long time! It wasn’t like we were instantly un-handcuffed. It was a crazy experience but a huge relief. It took a while to get used to doing things on my own, but that’s maybe because I was very overtired.”

But fans of the couple will be pleased to hear that they have stayed in touch in a major way. Charlie explained: “I’ve learned so much from Rob. He’s such a gentle giant and a kind person. It’s lovely now that we don’t have to keep our friendship secret.

“We can meet up and we’ve been texting a lot. He’s been chatting to my husband Simon! I’ve been chatting to his mum! He and his family are coming over to our house this Friday night to celebrate. I learned so much from walking beside him.

“It was a once in a lifetime experience. Rob was really keen that I didn’t put everyone else’s needs first and I’ve tried to implement that since. We talked about a lot of things! Rob is a very deep person and he’s a very good listener.”

Rob said: “One of the first things I’m going to do is a huge Costco run of food and drink and go out with Tilly to feed the homeless. I was very inspired watching what she did on the programme – I’d like to do a few acts of kindness. I’m also going travelling round South East Asia and investing in a new business. And then I’ll put the rest in savings for a rainy day.”

He added: “I learned a lot. I learned that money doesn’t always buy happiness. It’s important to spend a lot of time with your friends and family, and that I was putting work before everything. I was working too hard and not having an equal balance. And Charlie taught me how to make sourdough!”

Speaking about what they learnt about themselves during the programme, Rob said: “I learned that I need to take a little bit of a step back and prioritise different things in my life. And I want to get a bit more into baking and cooking.”

Charlie said: “That I can slow down, and be a bit more patient. And that I can take some time to rest and recharge, so then I can be my best for myself and others.”

Tonight viewers saw host Jonathan Ross taking the final pairings to Loch Lomond in Scotland to take part in a Mr & Mrs quiz to see who knew each other best. The final three – Charlie and Rob, Tilly and Anthony and Morag and Angie – all then competed in a handcuffed race from Scotland, to Wales and on to London.

Viewers saw Charlie and Rob scramble onto a bus where Jonathan was waiting with the key to unlock them – and a case full of the cash.

The 10th season of “Love Is Blind” ventured to Ohio, yielded a record seven engaged couples and made structured cape blazers and the idea of daily Pilates classes feel like rage bait.

With the season over, and just two couples saying “I do,” the cast of the popular Netflix dating series came together for this week’s reunion special to share updates on their lives since the cameras went down — and to unpack the twists, turns and lies that played out over the season. The result was a reunion that finally provided (mostly) satisfying questions and answers about participants’ pasts and presents instead of dancing around topics.

Unable to budget the time for a trip to Cabo — or even Malibu — to process it all, TV editor Maira Garcia and I have brought our running “LIB” thread out of our Slack DMs to unpack our thoughts in this safe place.

Also in this week’s Screen Gab, our streaming recommendations include a spray-tan crime comedy and a Morgan Freeman-narrated mind trip about the rise and fall of dinosaurs. Plus, we tell you where you can stream the slate of best picture nominees ahead of this Sunday’s Academy Awards ceremony.

This is your cue to block off some “couch time” in your calendar this weekend.

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Will Forte as Martin and D’Arcy Carden as Vicki in a scene from “Sunny Nights.”

(Lisa Tomasetti / Hulu)

“Sunny Nights” (Hulu)

D’Arcy Carden fans, and I can’t imagine anyone who’s ever seen her work isn’t one, will be elated to find her at full force starring in this dark, sometimes violent Australian crime comedy alongside Will Forte, who, yes, has fans of his own. They play brother Martin (cautious) and sister Vicki (impulsive), who have traveled to Sydney to flog a tanning spray at a lifestyle convention, though Martin has an ulterior motive, to win back his wife, Joyce (Ra Chapman). What with one thing and another, they find themselves repeatedly in need of cash and mixed up with a panoply of criminals, some fairly sympathetic (former rugby star Willie Mason, excellent as former rugby star Terry; Jessica De Gouw as Susi), and others not at all (Rachel House as kingpin Mony, just out of the jug). All are trying to change their lives, or at least their business plan, including Joyce, a journalist stuck writing clickbait articles for an editor who doesn’t want to know, and Megan Wilding as Nova, an animal control worker who knows something important about an exploding crocodile. — Robert Lloyd

A still from “The Dinosaurs.”

(Netflix)

“The Dinosaurs” (Netflix)

This four-part series will have you mentioning the Carnian pluvial episode in every conversation. Aptly narrated by Morgan Freeman and executive produced by Steven Spielberg, the sweeping CGI-enhanced nature documentary traces the evolutionary history of dinosaurs, from their origins in the Triassic period to their extinction 66 million years ago. And it’s more proof that attention spans, no matter a person’s age, will always lock in for dinosaurs. Before morning, your Google search history will include terms like “Marasuchus,” “Vulcanodon,” “Heterodontosaurus” and that Carnian pluvial episode (a.k.a. the longest downpour in history, which lasted more than a million years). Prepare to have your perception of time forever altered. Still, it’s a surefire way to give your mental health a break from current events — though, for a certain generation, it may also unlock those “Land Before Time” memories. — Y.V.

Catch up

Everything you need to know about the film or TV series everyone’s talking about

Scenes from “One Battle After Another,” left, “Hamnet” and “Sinners.”

(Warner Bros. Pictures; Focus Features)

The 98th Academy Awards will broadcast Sunday at 4 p.m. Pacific. How many of the best picture nominees have you seen? Is it less than the number of think pieces you’ve read on Timothée Chalamet’s comments on ballet and opera? We’re here to help. If you’re feeling inspired to be a studious viewer ahead of film’s big night, here’s where you can stream the best picture nominees:

• “Bugonia” (Peacock): Directed by Yorgos Lanthimos, the surreal comedy thriller follows a paranoid bee keeper (Jesse Plemons) who kidnaps a pharmaceutical CEO (Emma Stone), convinced she is an alien responsible for destroying humanity. The film received four Oscar nominations.
• “F1” (Apple TV): From “Top Gun: Maverick” director Joseph Kosinski, the sports drama stars Brad Pitt as retired F1 driver Sonny Hayes, who agrees to compete in the globe’s most prestigious racing event to salvage his reputation and the failing team of his buddy. The film received four Oscar nominations.
• “Frankenstein” (Netflix): Guillermo del Toro’s adaptation of the classic horror tale transforms Jacob Elordi into the tragic monster, known here as The Creature, and features Oscar Isaac as its titular mad maker. The film received nine Oscar nominations.
• “Hamnet” (Peacock): Based on Maggie O’Farrell’s novel, Chloé Zhao’s historical drama explores the grief, love and strained marriage of William Shakespeare (Paul Mescal) and his wife, Agnes (Jessie Buckley). The film received eight Oscar nominations.
• “Marty Supreme” (Available to rent or buy on platforms like Prime Video and Apple TV): Directed and co-written by Josh Safdie, the film is loosely based on the life of American table tennis player Marty Reisman, here called Marty Mauser and played by Timothée Chalamet. It is expected to be released on HBO Max later this spring. The film received nine Oscar nominations.
• “One Battle After Another” (HBO Max): Paul Thomas Anderson’s satirical political thriller, a loose adaptation of Thomas Pynchon’s “Vineland,” follows a paranoid ex-revolutionary (Leonardo DiCaprio) trying to save his daughter when an old enemy (Sean Penn) resurfaces. The film received 13 Oscar nominations.
• “Sentimental Value” (Available to rent or buy on platforms like Prime Video and Apple TV): Joachim Trier’s Norwegian drama follows two sisters (played by Renate Reinsve and Inga Ibsdotter Lilleaas) as they reunite with their estranged filmmaker father (Stellan Skarsgard). The film received nine Oscar nominations. It is expected to be released on Hulu later this month.
• “Sinners” (HBO Max): Ryan Coogler’s gothic horror drama is set in 1932 Mississippi and follows twin brothers (played by Michael B. Jordan) who, trying to leave their troubled past behind them, return to their hometown to start anew — only to face new horrors. It became the most-nominated film in Academy Awards history with 16 total nominations.
• “The Secret Agent” (Hulu, Disney+): Directed by Kleber Mendonça Filho, the Brazilian historical political thriller stars Wagner Moura as a former professor fleeing persecution during the 1970s military dictatorship while trying to protect his son. The film received four Oscar nominations.
• “Train Dreams” (Netflix): Based on Denis Johnson’s 2011 novella of the same name, the film is an intimate birth-to-death portrait of a quiet railway laborer (Joel Edgerton) as he watches the world change around him. The film received four Oscar nominations.

Break down

Times staffers chew on the pop culture of the moment — love it, hate it or somewhere in between

It’s crazy to think that about six years ago, golden goblets, pods and “the experiment” were disparate ideas and objects that were on the precipice of infiltrating the culture. Now, you can’t think of one without the others. “Love Is Blind,” the reality dating show that tests the premise of whether singles can find love sight unseen and marry at the end, marked a milestone this year with its 10th season, filmed in Ohio.

While the series has produced a number of marriages and engagements, some have ended in breakups and divorce, as we saw on Wednesday’s Season 10 reunion. So while the answer to the question “Is love blind?” seems to be no, the series has nonetheless made for entertaining television for viewers who have made dissecting the people, fights and makeups a sport. Why are we so invested? Because it’s a reflection of where we are as a society when it comes to relationships and what we expect from partners emotionally, politically, physically and financially. With that in mind, Yvonne and I sat down with our golden goblets to unpack the Season 10 reunion. Here are five moments that stood out. — M.G.

Jordan and Amber are now divorced

Jordan Faeth and Amber Morrison were one of two couples to say “I do” at the altar. Morrison, a single mom, discussed with Faeth over the course of the show if he was ready to be a stepparent and where they would live, given that Morrison owned a home and her daughter was happy at her school. At the reunion, the couple revealed that they never moved in together and that they divorced after four months. Morrison talked about how her daughter was distraught after the breakup, leading to an emotional moment where Morrison ran offstage in tears. It raised an important question that fans have debated closely: Should parents be on the show? Seasons 6 and 9 also featured single parents, neither of whom made it to the altar. Given the compressed timeline of when people meet, become engaged and head to the altar, deciding whether marriage should include parenthood at the start adds another layer of complexity, not to mention how it could affect a child, who suddenly has a stranger in their life. The outcome wasn’t necessarily surprising, but it was sad.

Vic and Christine: boring but perfect. More, please

The other couple to make it down the aisle was Vic St. John and Christine Hamilton, who hit it off from the get-go and seemed to exist in their own blissful bubble. According to Netflix production, the show only budgets for six couples to go on a trip after the reveal and engagement. But they continued to track them, with St. John and Hamilton spending time in Malibu instead, taping dispatches together and getting to know each other without the rest of the cast in proximity. Throughout the course of the show, you see their connection grow. Their mature and thoughtful conversations about being an interracial couple and potentially raising biracial children were exactly the type of discussions you would hope they’d have before proceeding down the aisle. It may not make for dramatic TV, but it was genuinely thrilling to see a couple so well-suited for each other continuing to thrive. And in an effort to make up for not getting to go to Cabo, Mexico, with everyone else, the show offered them a trip paid by … Turbo Tax? It was an odd product placement, but if they want to foot the bill for their honeymoon, no one’s complaining. As long as it’s somewhere tropical on a beach — and not Lake Erie.

Who took accountability?

Despite not making it to the altar on screen after the blazer cape breakup, Connor Spies and Bri McNees are still together. But the bigger record-scratch moment arrived later, when it was revealed that Devonta Anderson broke up with Brittany Wicker a few days after what he told her was a work trip but was actually a getaway to Austin, Texas, to attend a concert with McNees, Ashley Carpenter and Priyanka Grandhi. Wicker didn’t seem thrilled that she had to find out about the trip from Amber (who found out from Jordan, who can’t remember that he even knew about it). McNees didn’t like the implication that she may have broken “girl code” with the whole fiasco — but if all the women are as close as they say they are, why wouldn’t you check in about such an arrangement regardless of the relationship status? (It was weird, too, that Connor thought it was a girls’ trip.) And the fact that it was the same three women who listened to Chris Fusco talk poorly about his former fiancée Jess Barrett — giant sigh. During the reunion, after Barrett voiced her disappointment in her friends about that incident, Carpenter apologized for not doing more to defend her in the moment.

Meanwhile, Nick unleashed his best attempt to channel Andy Cohen and grilled Fusco about his highly questionable behavior and the backlash over his comments to Barrett about her body, specifically stating he usually dates women who do Pilates or workout daily, and for trying to make the moves on McNees. Fusco, mostly quiet and stone-faced (could it be the shame?), acknowledged he was not proud of the moments he watched back and apologized to Barrett. His seat mate, goalkeeper Alex Henderson, was also on the defense. The self-proclaimed nomad never fully seem to vibe with his fiancée, Carpenter. He admitted she’s not his usual type. She still maintained he wasn’t telling the whole truth about his job or dating history, and overall lifestyle. Throughout his segment, Henderson was noticeably irritated by the insinuation that his stories didn’t add up. But he did seem to enjoy being asked to describe his relationship with Carpenter as if it was a soccer match, prompting him to cite a Liverpool game that ended in a tie. Are you laughing too?

Can this be a TikTok?

To commemorate the milestone season, the audience for the reunion special consisted of 150 former participants of the series. And while the time spent getting life updates with some of them throughout the show felt less forced and time-consuming than reunions past, it still felt like an add-on better suited to live in a separate (shorter) special or as social media content. If we wanted an update on these people’s lives, we can find them on social media. A gender reveal courtesy of someone’s dead grandmother, as sweet and touching and lovely as that may for an expectant couple, is not the sort of jaw-dropping moment a show like this needs. And maybe the money saved — assuming production footed the bill for those flights — could have sent every couple to Cabo.

Did you hear? Nick Lachey is from Ohio, guys.

His constant mention of his hometown roots was unquestionably the biggest declaration of love in the 90-minute special. Sorry, Vanessa.

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Stating that she fears for her life, Sparks forward Rickea Jackson has filed a petition for protection against her ex-boyfriend, Atlanta Falcons edge rusher James Pearce Jr.

Miami-Dade (Fla.) County Judge Heloiza Correa granted Jackson’s initial request for protection Feb. 9, and a permanent injunction hearing is set for April 21. Pearce is under order not to have contact with Jackson or come within 500 feet of her home or place of employment.

“James has threatened to kill me, James has threatened to harm me, James has threatened to injure me, James has threatened to place a bag over my head, and James has verbally and physically abused me on more than one occasion,” Jackson wrote in her statement to the court.

Jackson, 24, also filed notice with the court that she is willing to testify against Pearce. Her original petition for injunction for protection against dating violence — essentially a restraining order — was filed two days after Pearce’s arrest Feb. 7 for allegedly ramming his Lamborghini SUV into her car more than once, and doing the same to a police car in Doral, Fla.

Pearce, 22, faces felony charges of aggravated battery with a deadly weapon, aggravated stalking, aggravated battery and fleeing from a police officer. He also faces a misdemeanor charge of resisting an officer and nine traffic violations.

“Mr. Pearce maintains his innocence and urges the public to understand that while allegations have the power to shape a narrative, that it is hardly the full, complete story,” Pearce’s attorney, Jacob Nunez, told AP shortly after the arrest. “We look forward to vigorously defending our client.”

In a court filing, Jackson said that she broke up with Pearce weeks before the incident that led to his arrest. She said Pearce offered her $200,000 to remain in a relationship with him and that his behavior toward her became increasingly alarming. According to ESPN, at least seven other 911 calls to police ⁠in the months before the Feb. 7 incident reported Pearce to be stalking or harassing an unnamed girlfriend.

A police report says the relationship between Jackson and Pearce began three years ago when both were star athletes at Tennessee.

Pearce was taken by the Falcons in the first round of the 2025 draft with a pick acquired from the Rams. The 6-foot-5, 243-pound edge rusher finished third for AP Defensive Rookie of the Year after recording 10.5 sacks.

Jackson was a first-round pick of the Sparks in 2024. The 6-2 forward emerged as a star in her second season, picking up MVP votes after averaging 14.7 points, 3.2 rebounds and 1.7 assists.

“She’s a smooth person, smooth athlete, smooth basketball player,” Sparks coach Lynne Roberts said in 2025. “She makes hard things look really easy … she makes things look effortless, and I know they’re not.”

The relationship between Jackson and Pearce became volatile in January when the Falcons star admitted in a police report obtained by ESPN that he thought Jackson was cheating on him.

The Feb. 7 incident was described in Jackson’s court filing and a police report. Jackson was attempting to get away from Pearce, who followed her in his car, tried to open her car door at a stop and slammed into her car more than once while she tried to enter the Doral Police Department parking lot “because I knew James was going to hurt me,” Jackson said.

An officer pulled a gun on Pearce and ordered him to get on the ground. However, Pearce jumped back into his car. The officer attempted to open the door, but Pearce shut it and drove away, his car clipping an officer’s left knee.

Police gave chase and Pearce crashed at an intersection before fleeing on foot. Officers said that they caught up with him and he resisted arrest. He was released after posting a $20,500 bond.

In its second week of release, the sophomore season of “Paradise” is already at its midpoint. And it just delivered one of the season’s shocking twists with the death of — don’t worry, we won’t spoil it for you.

The post-apocalyptic drama, which dropped its fourth episode this week, has ventured outside bunker life this season as our Secret Service protagonist Xavier (Sterling K. Brown) continues his journey through Atlanta to find his wife — and now, he’s got a baby to keep safe in the process. Meanwhile, back inside the idyllic simulated town in the depths of Colorado, which anchored the first season, things have started to unravel and the fight for control intensifies. And the mastermind behind it all — Samantha “Sinatra” Redmond (Julianne Nicholson), the tech billionaire who set up the bunker town after a massive catastrophe threatened the extinction of the human race — isn’t MIA anymore. Last seen unconscious in a hospital bed after being shot, she’s awake and ready to regain order and control. Nicholson stopped by Guest Spot to talk about what she finds intriguing about her character’s motivations.

Also in this week’s Screen Gab, our recommendations include an ever timely reminder from Anthony Bourdain on the gift and privilege of discovering a new culture and engaging it without judgment, as well as a suburban noir starring a trio of TV heavyweights that spins middle-age malaise, swinging and murder into an addictive tale.

Read on. Then press play and give your thumb a break from all the fast-forwarding you did while watching the wedding episode of this season’s “Love is Blind.” See you next week.

— Yvonne Villarreal

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Anthony Bourdain visits Havana in 2015 for an episode of “Anthony Bourdain: Parts Unknown.”

(David Scott Holloway / CNN / Turner Entertainment)

“Anthony Bourdain: Parts Unknown” (HBO Max)

It was Bourdain’s masterpiece, the last and best of his several series, and arguably the greatest travel show ever. Bourdain will occasionally fetch up at some fancy eatery, but the heart of any cuisine is formed on the street, or in the country, or along the sea. As a story of how people live, with a good bit of historical context thrown in, the series is explicitly and implicitly political, philosophical and autobiographical; Bourdain has no time for bigots, fascists or bullies — or, one would imagine, McDonald’s cheeseburgers — but he revels in complexity and contradiction. (See Season 4, Episode 6, “Iran.”) The episode on Massachusetts encompasses clambakes and heroin. “I visited and learned to love many places not my own,” says the host, “cultures and beliefs very different from the Upper East Side of Manhattan.” They include, among many other places, Cuba, Ethiopia, Beirut, Buenos Aires, Hanoi, Sri Lanka, Puerto Rico, Scotland, Borneo, Los Angeles and Hanoi, where he sits down with then-president Barack Obama in a family-run noodle shop. Gorgeously filmed, the series can be heartbreakingly beautiful, and sometimes plain heartbreaking. There are 12 seasons running from 2014 to Bourdain’s death in 2018, and I can’t help but believe that anyone who watches them attentively will come out a better person. — Robert Lloyd

Jason Bateman, Linda Cardellini and David Harbour in “DTF St. Louis.”

(Tina Rowden / HBO)

“DTF St. Louis” (HBO Max)

The true-ish crime series about a deadly love triangle is so wonderfully twisted and unexpectedly deep, it’d be criminal to miss this dark comedy starring David Harbour, Jason Bateman and Linda Cardellini. Initially inspired by a real scandal (covered in the 2017 New Yorker article “My Dentist’s Murder Trial: Adultery, False Identities, and a Lethal Sedation”), it evolved into something else. Set in the suburbs of St. Louis, the seven-part series follows fastidious local news weatherman Clark (Bateman), the TV station’s guileless sign language interpreter Floyd (Harbour) and Floyd’s calculating wife, Carol (Cardellini), as each grapples with a middle-age identity crisis. Seeking to spice up their sex life, the men join the discreet, eponymous hook-up app, and one of them ends up dead. Solving this peculiar whodunit is anything but predictable, and the case consumes seasoned detective Homer (Richard Jenkins) as well as young crimes officer Jodie (Joy Sunday). But it’s the quest for connection among all these misfit characters, including Floyd and Carol’s troubled son Richard (Arlan Ruf ) and an unlikely hookup (Peter Sarsgaard), that makes this series so powerful. — Lorraine Ali

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A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Julianne Nicholson as Sinatra in a scene from Season 2 of “Paradise.”

(Ser Baffo / Disney)

If you see Nicholson on screen, you know things are about to get good. She consistently and compellingly delivers strong performances in some of your favorite films and TV shows, whether she’s expressing both quiet strength and palpable desperation as a mother in “Mare of Easttown” or bringing comedic pizzazz as a social media star in “Hacks.” Her latest captivating performance, in Hulu’s “Paradise,” brings power to a complicated character. She plays Samantha “Sinatra” Redmond, a deeply emotional and eerily ruthless billionaire mastermind responsible for the underground bunker city that grounds the series. Driven by the intense grief of losing a son and a desire to control her environment to protect her family, the character is faced with trying to regain order of the simulated utopia after tension and chaos erupts. Over email, Nicholson shared her thoughts on the morally ambiguous character and the Dustin Hoffman film that brings her comfort. — Yvonne Villarreal

Sinatra is not the usual “villain” in a post-apocalyptic story. Despite her approach, there is an altruistic motive, at least initially, that drives her actions. Which version of her fascinates you the most: pre-global disaster Samantha, who is trying to figure out a way to protect her remaining family, or post-apocalyptic Sinatra, who is closer to facing a reckoning in the aftermath of what she’s created?

I am especially interested in Sinatra after she wakes from the coma. Finding the balance between vulnerability and control. Taking back her power while also recognizing no amount of it or money will necessarily keep herself/her family safe. And then the idea that the bigger picture she’s been working towards the whole time may actually be coming true with the introduction of Link [Thomas Doherty], and who he may be to her, cracks her wide open.

There have been real-life assessments of the power billionaires wield and their influence in the White House — those figures are primarily men. How have those conversations shaped your performance or how you think about the power dynamics of “Paradise’s” fictional world?

I love that Dan Fogelman wrote the most powerful person in the room as a woman. Normalizing women in power can only be a good thing. Even if we don’t necessarily agree with her tactics, she sure is fun to play. I love her take no prisoners/no apologies attitude.

This season Sinatra wakes from her coma and faces a new obstacle in Jane (Nicole Brydon Bloom). What intrigues you about how they play off each other and how Sinatra is navigating the threat Jane may pose?

One of the most fun scenes to play in Season 2 was when Jane is trying to find out what Sinatra remembers of the shooting. The wonderful director, Ken Olin, really encouraged us to make a cat and mouse game of it with neither giving anything away. And I love we don’t ever find out what Sinatra remembers. I think it’s a real case of keep your friend close here. Sinatra realizes Jane is much more valuable as an ally than an adversary.

In “Paradise,” Sinatra (Julianne Nicholson), left, was last seen in a coma after being shot.

(Ser Baffo / Disney)

You delivered a brilliant performance in Season 4 of “Hacks” as TikTok sensation “Dance Mom.” What’s a memory that stands out from filming those scenes? And did you find yourself giving a dance lesson on the set of “Paradise”?

I loved every moment of working on “Hacks.” I loved having dance/choreography sessions with Cory Baker in the run up to filming and the utter absurdity of the “boofing” scene. I also almost lost it when DM was passed out on the stoop on Wisteria Lane and Jimmy [Paul W. Downs] and Kayla [Megan Stalter] come driving around in the golf cart looking for her and shouting, “Dance Mom!” That name alone is so funny to me. Alas, there were no dance lessons in “Paradise.”

What have you watched recently that you are recommending to everyone you know?

I was blown away this year by the film “Sirât.” I recommend but also warn as it is a deeply affecting, intense film and not for the faint of heart. I love its exploration of a world I know nothing about (a traveling rave culture set in Morocco), the humanity in it and the real faces and performances of the actors. [And] its originality and bravery.

What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?

“Tootsie” is one of my favorite films and I can watch that any time. It’s partially nostalgic as I remember watching it in the theater when it came out and I was so taken with NYC at that time. The tall buildings, yellow cabs and hustle and bustle. It’s such a smart comedy with brilliant performances across the board, starting with Dustin Hoffman but each actor is as perfect as the next! So much heart and depth without ever taking itself too seriously. And just very, very funny.

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Mexican writer-director Michel Franco (“Memory”) explores dynamics of money, class and the border through the spiky, unsettling erotic drama “Dreams,” starring Jessica Chastain and Isaac Hernández, a Mexican ballet dancer and actor.

In the languidly paced movie, Franco presents two individuals in love (or lust?) who experiment with wielding the power at their fingertips against each other. The film examines the push-pull of attraction and rejection on a scope that’s both intimate and global, finding the uneasy space where the two meet.

Chastain stars as Jennifer McCarthy, a wealthy San Francisco philanthropist and socialite who runs a foundation that supports a ballet school in Mexico City. But Franco does not center on her experience, but that of Fernando (Hernández), whom we meet first escaping from the back of a box truck filled with migrants crossing the U.S.–Mexico border. He’s abandoned in San Antonio on a 100-degree day.

His journey is one of extreme survival, but his destination is the lap of luxury: a modernist San Francisco mansion where he makes himself at home and where he’s clearly been before. A talented ballet dancer who has already once been deported, he’s risked everything to be with his lover, Jennifer, though, as a high-profile figure, she’d rather keep her affair with Fernando under wraps. He’s her dirty little secret but he’s also a human being who refuses to be kept in the shadows.

As Jennifer and Fernando attempt to navigate what it looks like for them to be together, it seems that larger forces will shatter their connection. In reality, the only real danger is each other.

The storytelling logic of “Dreams” is predicated on watching these characters move through space, the way we watch dancers do. Franco offers some fascinating parallels to juxtapose the wildly varying experiences of Fernando and Jennifer — he almost dies of thirst and heat stroke; she arrives in Mexico on a private plane, but both enter empty homes alone, melancholy. During a rift in their relationship, Fernando retreats to a motel, drinking red wine out of plastic cups with a friend in his humble room, ignoring Jennifer’s calls, while she eats alone in her darkened dining room, sipping out of crystal.

These comparisons aren’t exactly nuanced but they are stark and, for most of the film, Franco just asks us to watch them move together and apart, in a strange, avoidant pas de deux. Often dwarfed by architecture, their distinctive bodies in space are more important than the sparse dialogue that only serves to fill in crucial gaps in storytelling.

Cinematographer Yves Cape captures it all in crisp, saturated images. The lack of musical score (beyond diegetic music in the ballet scenes) contributes to the dry, flat affect and tone, as these characters enact increasing cruelties — both emotional and physical — upon each other as a means of trying to contain each other, until it escalates into something truly dark and disturbing.

Franco loses the plot of “Dreams” in the third act. What is a rather staid drama about the weight of social expectations on a relationship becomes a dramatically unexpected game of vengeance as Jennifer and Fernando grasp at any power they have over the other. She fetishizes him and he returns the favor, violently.

Ultimately, Franco jettisons his characters for the sake of unearned plot twists that leave the viewer feeling only icky. These events aren’t illuminating and feel instead like a bleak betrayal. The circumstances of the story might be timely, but “Dreams” doesn’t help us understand the situation better, leaving us in the dark about what we’re supposed to take away from this story of sex, violence, money and liberty. Anything it suggests we already know.

Katie Walsh is a Tribune News Service film critic.