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Trump administration approves weed killer dicamba for two common genetically modified crops

The Environmental Protection Agency on Friday reapproved the weed killer dicamba for use on genetically modified soybeans and cotton, a pesticide that has raised widespread concern over its tendency to drift and destroy nearby crops.

The agency said dicamba was critical for farmers who would otherwise have their crops threatened by fast growing weeds. To ensure the pesticide is used safely, the agency said it imposed strong protections and limits on its use.

Dicamba is a common weed killer that can be sprayed on top of genetically engineered crops. It kills the weeds but doesn’t hurt the crops. It has been in use for decades, but it has become more widespread on farms in recent years.

Advocates sharply criticized the agency, saying they are moving forward after courts blocked similar efforts in 2020 and 2024. Allowing its use on these two common crops will drastically expand how much is applied and increase harm, advocates say.

Kelly Ryerson, an activist with the Make American Healthy Again movement that has forged a fragile political allegiance with the Trump administration, said she was disheartened by the decision.

“A top priority of mine was to have the use of Dicamba for over-the-top applications permanently discontinued because” of their harm, she said. “New restrictions on use are not sufficient, and will perpetuate the chemical treadmill where many farmers are trapped.”

The EPA said growers want the weed killer and they need to be supported — and that it isn’t a MAHA versus EPA issue.

The agency said concerns about dicamba drifting to places where it was not intended are real and must be managed. It set limits on how much can be applied per acre, how much can be applied on hot days and established buffer zones to prevent harm to nearby crops. If followed, the chemical can be used without threatening humans or the environment, according to EPA.

The American Soybean Assn. applauded the decision, saying clear rules would help farmers prepare for the next growing season and control destructive weeds.

Environmental groups said dicamba drift has damaged immense acreage, devastating vegetable farms, trees and other critical plants.

“When push comes to shove, this administration is willing to bend over backward to appease the pesticide industry, regardless of the consequences to public health or the environment,” said Nathan Donley, environmental health science director at the nonprofit Center for Biological Diversity.

Environmentalists said the EPA’s use restrictions are insufficient, allowing application for too much of the time and for too many days of the year. The buffer the agency uses to prevent harm to nearby plants has already proved ineffective, they said.

Researchers have been working to better understand its health risks. A 2020 study in the International Journal of Epidemiology found that dicamba exposure was linked to an increased risk for some cancers, including liver cancer and a type of leukemia affecting the blood and bone marrow.

Bayer, a manufacturer of dicamba, said the federal registration will allow them to now seek state approvals. They’ll launch training for applicators in the coming weeks.

Phillis writes for the Associated Press.

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Inside Clive Davis’ annual pre-Grammy gala at the Beverly Hilton

One way to honor your 93-year-old host: by calling him a “f— gangster” who’ll “slit your throat for a hit record.”

That’s how Monte Lipman big-upped Clive Davis on Saturday night at the Beverly Hilton, where Davis had convened an invite-only crowd of celebrities and music-industry insiders for his annual night-before-the-Grammys gala. Lipman, who runs Republic Records, was there to receive the Recording Academy’s Industry Icon award along with his brother and business partner, Avery; clearly, the commendation had gotten him feeling all warm and fuzzy about the record-biz machers who paved his way.

An incomplete list of stars in the Hilton’s ballroom for Saturday’s soiree: Joni Mitchell, Nancy Pelosi, Stevie Wonder, Colman Domingo, Frankie Valli, Martha Stewart, Lana Del Rey, Karol G, Brandi Carlile, Bill Maher, Teyana Taylor, Gladys Knight, Bryan Cox, Jeff Goldblum, Max Martin and — speaking of record-biz machers — Motown founder Berry Gordy, who at 96 had to have been the only person at the party with more experience on him than Davis.

Jennifer Hudson performs

Jennifer Hudson performs.

(Kayla Bartkowski / Los Angeles Times)

At least a few of these luminaries had come, no doubt, to see the Lipmans pick up their prize; among the many, many successes they’ve racked up in recent years include blockbusters by Taylor Swift, Morgan Wallen, Sabrina Carpenter, Chappell Roan, Post Malone and the lovable cartoon assassins of “KPop Demon Hunters.”

But mostly folks had come to schmooze and to take in the entertainment Davis had arranged.

As always, the show featured a blend of beloved old-timers and ascendant youngsters, including three of the nominees for the Grammys’ best new artist award: Sombr, pouting extravagantly through a pretend-sleazy “12 to 12”; Olivia Dean, downright luminous as a horn section added some swing to “Man I Need”; and Alex Warren, who’s beginning to look like he may never want to sing “Ordinary” again.

Sombr spins Olivia Dean during his performance.

Sombr spins Olivia Dean during his performance.

(Kayla Bartkowski / Los Angeles Times)

Clipse and John Legend performed “The Birds Don’t Sing,” from the rap duo’s “Let God Sort Em Out,” which is up for album of the year at Sunday’s Grammys ceremony. The women of “KPop Demon Hunters’” Huntr/x turned up to sing “Golden,” which is nominated for song of the year.

MGK and Jelly Roll tag-teamed an homage to the late Ozzy Osbourne, while Jennifer Hudson saluted the late Roberta Flack; her typically virtuosic rendition of “The First Time Ever I Saw Your Face” brought the room to as close to quiet as it got all night.

Pusha T of Clipse, left, and John Legend perform.

Pusha T of Clipse, left, and John Legend perform.

(Kayla Bartkowski / Los Angeles Times)

There were also tributes to two living legends: Bernie Taupin and Art Garfunkel. For the former, Darren Criss sang “Bennie and the Jets” — just one of the classics Taupin co-wrote with Elton John — then brought out Laufey for a surprisingly frisky take on John and Kiki Dee’s disco-era “Don’t Go Breaking My Heart.” (Free idea: Somebody cast Criss and Laufey in a reboot of “Grease.”)

To honor Garfunkel, the country duo Dan + Shay performed “Mrs. Robinson” before throwing to the 84-year-old himself, who sauntered onstage in a tuxedo and Phillies ball cap, sat down on a stool and — after having read a bit of poetry scrawled on the back on an envelope — closed the show with a touching if slightly wobbly journey across “Bridge Over Troubled Water.”

Behold more pictures from Saturday’s event:

Art Garfunkel performs.

Art Garfunkel performs.

(Kayla Bartkowski / Los Angeles Times)

Clive Davis, left, addresses the crowd.

Clive Davis, left, addresses the crowd.

(Kayla Bartkowski / Los Angeles Times)

Karol G on the red carpet.

Karol G on the red carpet.

(Kayla Bartkowski / Los Angeles Times)

Adam Lambert on the red carpet.

Adam Lambert on the red carpet.

(Kayla Bartkowski / Los Angeles Times)

Darren Criss, left, and Laufey perform.

Darren Criss, left, and Laufey perform.

(Kayla Bartkowski / Los Angeles Times)

Jelly Roll, left, and Bunnie Xo on the red carpet.

Jelly Roll, left, and Bunnie Xo on the red carpet.

(Kayla Bartkowski / Los Angeles Times)

Monte Lipman, left, and Avery Lipman on the red carpet.

Monte Lipman, left, and Avery Lipman on the red carpet.

(Kayla Bartkowski / Los Angeles Times)

Olivia Dean performs.

Olivia Dean performs.

(Kayla Bartkowski / Los Angeles Times)

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