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An upcoming adaptation of a bestselling rom-com has landed a major Bridgerton star for the leading role

Bridgerton sensation Phoebe Dynevor has secured the leading role in Beach Read, the forthcoming film adaptation of Emily Henry’s chart-topping romantic novel.

First released in 2020, the story centres on two authors and former university competitors who cross paths again unexpectedly, embarking on a literary duel whilst vowing to resist any romantic entanglement.

Dynevor, celebrated for her portrayal of Daphne Bridgerton in Netflix’s smash-hit Regency drama’s debut season, will take on the part of romance writer January Andrews.

Within the narrative, January faces off against and ultimately develops feelings for Gus Everett, whose casting remains unannounced.

Devotees of Henry’s work have grounds for enthusiasm regarding the upcoming adaptation, as Yulin Kuang is at the helm. Kuang co-authored Netflix’s recent take on People We Meet on Vacation, featuring Emily Bader and Tom Blyth, reports the Express.

Kuang is also crafting the screenplay, with 20th Century Studios backing the project, ensuring audiences can expect a cinema release.

The complete film synopsis from Deadline states: “Beach Read is a romantic comedy following January Andrews, a successful romance novelist who struggles with grief and writer’s block after her father’s death and the discovery of secrets he’s long kept hidden.”

“While spending the summer in his Michigan beach house to prepare it for sale, she unexpectedly reconnects with Gus Everett, an author who was once her rival in college.

“Both creatively stuck, they agree to a writing challenge over the summer, swapping literary genres while promising that there will be no romance between them. Of course, you know what they say about the best-laid plans.”

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Fans will no doubt be thrilled to witness January and Gus’s swoon-worthy romance translated to screen, as Henry’s original novel has garnered glowing reviews from both critics and readers alike over the years.

One five-star Amazon review gushed: “I’ve read this book at least six times now, and somehow, I love it more with each reread.”

They continued: “Everything about this story is perfect. It’s heartwarming, smart, and emotionally rich, but still manages to have me giggling, kicking my feet, and fully rooting for these two. This is such a comforting read I keep the audiobook on standby for whenever I have the chance to replay it.”

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Another reader enthused: “Together Gus and January have managed to chip away a piece of my heart to call their own. No romance book has had me screaming, crying, smiling and laughing as much as Beach Read.”

A final admirer declared: “Oh my word, I loved this book so much. I can’t stop recommending it to people, even my guy friends. I’m not sure how anyone can consider this anything but a masterpiece.”

Eager to be captivated by another brilliant Emily Henry adaptation? Stay tuned for further updates.

Beach Read does not currently have a release date.

FANS of Oscar-nominated actress Cynthia Erivo were delighted when they heard the Wicked star was hitting the West End, but have been left demanding refunds after watching her perform in the flesh.

The A-list actress is currently starring in one-woman show Dracula at the Noël Coward Theatre in London’s West End, which kicked off last week and sees her playing a whopping 23 characters.

However, it seems that Cynthia may have bitten off more than she can chew with the vamp role – as fans have scrutinised her for “reading off of the teleprompter” throughout.

The show is filled with complex filmed sections, which means the autocue is clearly visible on massive screens throughout.

Taking to TikTok to share their frustration, one audience member wrote: “Did I just pay £135 to watch Cynthia Erivo read off a teleprompter?”

Agreeing in the comment section of the clip, another said: “The show was rubbish. After arguing with the ticket office I got a refund.”

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As one theatre-lover asked whether the teleprompter could really be seen from the audience, the original poster responded: ” Saw it with my own eyes unfortunately.

“As did many people in my section who were confused why there were multiple”.

Another user slammed: “Why play 20 roles if you know you can’t memorise a script consisting of 20 roles”.

The early reviews of the show will be a blow after the production budget was believed to be north of £3million, while tickets are as much as £225.

However, it’s not all bad for the Elphaba star, with some fans lauding her performance.

“I was at the first preview and it was genuinely the most incredible thing. Cynthia was epic!!,” said one fan after watching Dracula.

Another said: “My mind was blown”.

A third defended her use of the teleprompter, asking: “Did you want her to memorize 20 thousand words?”

Cynthia is no stranger to the West End and has even won a Tony award for her stage work.

In 2016, the actress won the gong for Best Actress in a Leading Role for her portrayal Celie in the revival of The Color Purple. 

Cynthia is set to star in Dracula until 31 May. 

The word “desert” suggests barrenness for many, but anyone who lives in or near one knows how rich, wild and complex it can be. That’s equally true of the best books set there. The winter months are the best time to travel to the desert — but tucking into one of these titles is timeless, of course. Here is a brief selection of some of the best desert reads, old and new, that put the Southwest at their center. Whether you’re planning a road trip or reading from the comfort of home, get a glimpse of awe-inspiring vistas, rugged wildlife, tales of resilience and more.

“The Land of Little Rain”
By Mary Austin
Penguin Classics: 128 pp., $17
(1903; reprint 1997)

Arguably the first collection of lyrical essay writing about the California desert, Austin drew on her travels through the Owens Valley and environs, covering mining, the Shoshone tribe, weather and water. The book is thrilling in Austin’s close attention to details, from the grasses to rivers and hard-trod trails. Here, she writes, “it is possible to live with great zest, to have red blood and delicate joys.”

“Desert Solitaire: A Season in the Wilderness”
By Edward Abbey
Ballantine Books: 352 pp., $10
(1968; reprinted 1985)

Chronicling his stint in Utah’s Arches National Park in the late ‘50s, Abbey’s bestselling memoir revealed the beauty and fragility of the Southwest to a wider American audience, depicting the punishing weather and awe-inspiring vistas while thundering against the masses of lookie-loos driving into the desert only to despoil it. It’s often likened to “Walden,” but Abbey’s flinty, darkly humorous voice gave Western literature a tone distinct from East Coast gentility and folksy cowboy writing.

“Desert Oracle, Volume 1: Strange True Tales from the American Southwest”
By Ken Layne
Picador: 304 pp., $20
(2021)

Part handbook, part folklore collection, part tribute to the Southwest, Layne’s entertaining chronicle is built on brief chapters about the outlaws, writers, singers and other characters who define the region’s hardy reputation, from the path of Western swing musicians from Texas to L.A. to UFO conspiracists who convene in New Mexico, the Manson family’s trek to Death Valley, and beyond.

“The Deserts of California: A California Field Atlas”
By Obi Kaufmann
Heyday, 576 pp., $55
(2023)

Kaufmann’s lavishly illustrated field guide to the state’s arid regions is wide-ranging both geographically (from the Great Basin to the north and the Sonoran and Mojave to the south) and in terms of the species covered, from bats to bobcats and chias to palo verdes. It’s built for both the backpack and end table, with detailed descriptions alongside pleas for the land’s preservation.

“Mecca”
By Susan Straight
V: 384, $19
(2022)

A contemporary epic set in the Imperial Valley, Straight’s novel is a cross-section of desert denizens — a motorcycle officer, a Palm Springs spa employee, a family rocked by a police shooting — set against the demands of desert life. Encompassing COVID-19 and wildfires, it speaks to the present while exploring the region’s long history.

“Mojave Ghost”
By Forrest Gander
New Directions, 80 pp., $16
(2024)

“In this xeric topography / we fold ourselves into the circumstance of desert foothills / chewed away by leprosies, toothed winds, and / sudden rains,” writes the Pulitzer-winning poet Forrest Gander in this book-length poem about his hike across the 800 miles of the San Andreas Fault after the deaths of his wife, poet C.D. Wright, and mother. Though the writing is informed by the starkness of the landscape, he writes beautifully about the desert’s healing powers.

Athitakis is a writer in Phoenix and author of “The New Midwest.”