reaction

Strictly’s head judge Shirley Ballas admits it will be ‘sad’ to film the BBC dance programme without Tess Daly and Claudia Winkleman as the hosts after their unexpected exit

Shirley Ballas has revealed her true thoughts on Tess Daly and Claudia Winkleman quitting Strictly Come Dancing. The presenting duo announced in October that they would be departing the series this year after over two decades on the programme.

While they didn’t give any indication as to why they made the decision to step back, the pair simply told fans they were passing over the “baton” to new presenters. But for head judge Shirley, 65, she admits that it will be “sad” to return to the dance studio without the bubbly pair.

In a new interview, Wallasey-born Shirley has revealed she was “surprised” when she heard that they were stepping down after 11 years fronting the BBC show. Winkleman, 53, and Daly, 56, had fronted the series together since 2014, and their last appearance presenting the show together was during its pre-recorded festive episode, which aired on Christmas Day.

“Everyone was surprised,” Ballas said. She went on to tell Saga Magazine, for their January issue: “I share the changing room next to them, and they are full of giggles and laughter.

“They also showed me the way from when I joined until now, so it will be a sad day when they go.” Shirley, who admits she had no TV experience when she joined the show, made her debut as head judge in September 2017. But while Shirley has appeared on nine seasons of the show, she almost quit the year after she joined.

“I didn’t know if I wanted the job back because of the intrusion, people selling stories, the constant criticism,” she explained. But it was her son, fellow dancer Mark, who encouraged Shirley to stay on the show. He told his mother that the programme would give her a platform to shout about causes she’s passionate about.

But while Shirley was shocked about Tess and Claudia’s decision to exit, the stars of this years series found out when the pair made a public announcement. “We’d just finished on Lorraine, and we just looked at our phones and we saw it on social media,” actor Lewis Cope said.

He added: “We were so shocked. And then we were told later, it had to be that way, and they couldn’t really give anyone a heads up.” This, however, hasn’t stopped several celebs being linked to the job. These include Zoe Ball, who previously hosted It Takes Two, former professional dancer Janette Manrara and Roman Kemp.

However, Chief Content Officer for the BBC, Kate Phillips, has been sifting through dozens of names. She said on the Rest Is Entertainment podcast that her emails had been “inundated” with people sharing their interest.

“We have had so many people who are keen to be considered, which is great,” she said. This year, it wasn’t just Tess and Claudia’s unexpected exit which saw a major change to Strictly, the casting vote in the dance off also rotated between Ballas, Motsi Mabuse, Craig Revel Horwood and Anton du Beke.

“They called me about the idea and I loved it,” she said of the new decision. Shirley added: “It’s onerous; quite often there’s just a hair’s breadth in it, so it makes sense to share it. And when I spoke to Craig [Revel Horwood], he said, ‘Darling I’ve been waiting 21 years to send somebody home.’ It made his day.”

The full interview is available in Saga Magazine’s January issue.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

HELEN Flanagan has opened up on a “difficult” fallout from her split with her ex that impacts her relationship with her daughter Matilda.

The former Coronation Street actress, 35, took to her Instagram page to give an insight into her state of mind after her children returned from their Christmas stay with Scott Sinclair.

In her frank video Helen, who starred as the Wicked Queen in Liverpool’s Snow White panto through the festive season, began by stating that she now had her kids back.

Her three children Matilda, 10, Delilah, seven, and Charlie, four had all been spending Christmas with their father Scott, 36.

Helen said: “What I find probably the most difficult is probably with Maltida because I feel like she’s the eldest.

“Me and her Dad broke up when she was seven.

ONE HEL OF A NIGHT

Helen Flanagan turns heads in cut-out black dress on night out with pals

hel’s hurt

Helen Flanagan brands Xmas without her kids ‘unnatural’ amid Scott Sinclair row

“I feel like Delilah is just so oblivious she doesn’t care, Charlie doesn’t care he was one.

“But Matilda is sensitive and she takes everything very much in and every single time that I get her back, she’s in a mood with me.

“She’s really moody, she’s got attitude, she’s really sassy and it’s just expected because I know it’s what it’s like.

“And I think it’s almost like she feels like I’m kind of disowning her in a way when I’ve not got her and it’s not.

“Regardless of mine and her Dad’s relationship I always want her to have a relationship with her father because I think that’s good for her.

“And regardless of everything that goes on, I always tell her that her Dad loves her and that she must love her Dad.

“It’s totally separate.”

This comes weeks after Helen publicly slated her ex Scott Sinclair for skipping their son’s Christmas nativity.

The mum-of-three lashed out online at the Bristol Rovers footballer after he posted about spending a weekend in Abu Dhabi at the Grand Prix instead.

Scott had posted snaps from his weekend in the United Arab Emirates where he watched Lando Norris secure his maiden Drivers’ Championship title.

“What a weekend-Abu Dhabi F1,” Scott wrote.

He added: “Happy Days, blurry nights..”

“You really are a piece of s***,” Helen raged, as she shared Scott’s Instagram post.

“How dare you not turn up to Charlie’s nativity.”

Meanwhile Helen posted a snap of her cuddling their son, writing: “Loved Charlie’s nativity. My star, my heartbeat.”

The Coronation Street star split from her ex-fiancé Scott in 2022 after 13 years together.

She recently hinted at trouble “co-parenting” with Scott, telling The Sun: “He lives like Somerset and I live in Lancashire. So we live so far away from each other, which is really difficult when you’ve got three young children.

“I hate calling it co-parenting because I don’t really feel like a co-parent to be honest with you anyway.”

She recently took to her social media pages to praise her mum for her support in raising their brood.

“My mum’s incredible,” Helen said.

“She really helps me bring up my children really. I’m very lucky to have that support.”

My name is Jon Halperin. I booked and managed Chain Reaction from 2000 to 2006. It started by accident while I was running a one-person record label. I went to the club to see the band Melee perform and the prior talent buyer for the club had just quit that day. I told owner Tim Hill I’d do it (having only booked three shows ever at a coffee shop). We slept on it, and I was hired the next day.

I joined Ron Martinez (of Final Conflict). He was booking the punk and hardcore shows. I booked the indie, ska, emo, screamo and pop punk stuff. We made a great team. Best work-wife ever.

Story time. My friend Ikey Owens (RIP) hit me up and told me that he and the guys from At the Drive In were going to be starting a new band. I’d booked Defacto (their dub project) before, and we agreed to throw them on a show and just bill it as “Defacto.” There were maybe 200 people there to see the first show for a band that would soon be known as the Mars Volta.

That wasn’t out of the ordinary. Chain Reaction had many artists grace that stage that went on to bigger things: Death Cab for Cutie, Avenged Sevenfold, Maroon 5, Fall Out Boy, Panic at the Disco, Taking Back Sunday, Pierce the Veil, My Morning Jacket. The list goes on and on.

Jon Halperin, who booked Chain Reaction from 2000 to 2006, stands in front of the club during its heyday.

(From Jon Halperin)

I used to make a deal with the kids. Buy a ticket to “X” show, and if you didn’t like the band, I’d refund you. I never had to. I knew my audience and they trusted my curation of the room. … It was by the kids, for the kids, except I was 30 at the time. I had to think like a teenager. My friend Brian once called me “Peter Pan.”

Halfway through my reign, social media became a thing. There was Friendster and a bit later MySpace. YouTube stated just a few years after. But those first few years of me at the venue, it was word of mouth. It was paper fliers dropped off at coffee shops and record stores. It was the flier in the venue window. It was Mean Street Magazine and Skratch Magazine.

I’d tease the press when they wanted to review a show. If you don’t show up with a pen and paper, you aren’t getting in (sorry, Kelli).

Most music industry went to the Los Angeles show, but smart industry came to us. Countless acts got signed following their shows. You’d often see the band meeting with a label in the parking lot near their tour van.

It was a dry room when I was there. No booze or weed whatsoever. We made only one exception to the weed rule. An artist in a band with Crohn’s disease who traveled with a nurse. Not saying bands didn’t drink backstage, on stage, in their vans (we rarely had buses), but what we didn’t see didn’t happen.

Touche Amoré performing at Chain Reaction in 2010.

(Joe Calixto)

We were often referred to as the “CBGB’s of the West,” and for a lot of bands, locals and touring acts alike, we were just that. We were the epicenter. There were other venues of course, but for some reason, we were the venue to play. Showcase Theater in Corona was edging toward its demise. Koo’s Cafe in Santa Ana was done. Back Alley in Fullerton wasn’t active. Galaxy Theater [in Santa Ana] was still, well, the Galaxy. There was no House of Blues Anaheim. Bands would drive a thousand miles to play one show at Chain Reaction. We were where the local bands started as first of four on a bill and would be headlining us within a year. We were their jumping-off point. We were where the kids came out. The real fans, many of whom started bands themselves.

Thankfully, there are other smaller venues out there today fostering the all-ages scene: Programme Skate in Fullerton, the Locker Room at Garden AMP [in Garden Grove], Toxic Toast in Long Beach, the Haven Pomona, but it’s just not the same. It was a moment in time. A time that will be forgotten in a few decades, but for today, my social media is being inundated with memories of a room that was a second home for thousands of kids.

Zero regrets. It was the best and worst times of my life. Working a day gig and then heading to the venue nearly every day of the week was rough. Relationships and friendships were hard, being that I couldn’t go out at night. I couldn’t get a pet. I was constantly tired. But I wouldn’t trade those six years for the world.

RIP, Chain Reaction.

Kitsch Liao, associate director at the Atlantic Council Global China Hub, says Beijing’s reaction to the largest US arms sale to Taiwan is an information warfare tactic.