Jay-Z burnishes his legend at SoFi Stadium
As the intro of his song “Girls, Girls, Girls” poured over the crowd at SoFi Stadium late Friday night, Jay-Z locked eyes (from behind his ever-present shades) with a guy near the stage whose excitement had bubbled over at last.
“Oh, this yo s—,” the rapper observed with a knowing little laugh. “You was waiting for this s— all night long.”
Dude was lucky not to wait even longer: The first of two SoFi gigs, Friday’s show was an almost comically overstuffed display of hits by an aging cultural giant in the middle of a legend-reclamation project; Jay-Z performed parts of three dozen songs over two hours, which was still only a fraction of the 152 entries he’s notched on Billboard’s Hot R&B/Hip-Hop Songs chart since 1996.
“We got a million of these,” he said after doling out a few verses of “On to the Next One” — not bragging so much as explaining.
Having earlier visited stadiums in London, Paris and his hometown of New York, the 56-year-old is in Inglewood this weekend as part of what he’s calling JAŸ-Z30: a yearlong celebration of himself timed to the 30th anniversary of his debut album, “Reasonable Doubt,” and the 25th anniversary of his commercial high point, “The Blueprint.” Last month, HBO premiered an 8-part docuseries in which Jay-Z combs through the minutiae of his songwriting with the producer Rick Rubin; any day now, the rapper is expected to announce that he’ll return to SoFi in February to headline the halftime show at Super Bowl LXI.
That’s a lot of action for an artist who’s spent much of the last decade in éminence-grise mode — Jay-Z’s most recent solo album, “4:44,” came out in 2017 — but he seemed in fighting trim Friday, moving nimbly through the songs that made him a superstar and helped put hip-hop at the center of pop music. He was backed by a muscular live band (complete with horn players and a string section) that could push the music toward plush soul, sticky funk or crunching hard rock; “99 Problems,” in particular, made you think about how funny it’ll be, if indeed Jay-Z ends up at the Super Bowl, to see a rapper bring big guitars back to an event that rock fans love these days to lament.
Jay-Z’s daughter Blue Ivy joined him to play piano during “The Story of OJ” and “Dead Presidents II”; he beamed as she walked offstage afterward — a moving vision of fatherly pride. He also brought out Scarface, the veteran Houston MC, to do “This Can’t Be Life” and Scarface’s Geto Boys classic “Mind Playing Tricks on Me.” A pair of OGs still competing in a young man’s game, the two traded compliments before parting: “Jay-Z is a killer,” said Scarface, whom Jay-Z hailed as “one of the best writers of any genre.”
With a set list that jumped freely among albums and eras, the concert felt a little scattershot; it wasn’t always clear what story Jay-Z was trying to tell about his life and career beyond the glorification of his success. And you have to wonder how a man who’s found work as an event planner — booking the halftime show falls under the purview of his Roc Nation company — could end the night so anticlimactically with an appearance by a past-his-prime DJ Khaled. (It didn’t help that many in the audience were anxiously awaiting Jay-Z’s wife, Beyoncé, who performed with him at Yankee Stadium but didn’t show on Friday.)
The evening’s emotional peak came maybe two-thirds of the way through in “Never Change” and “Song Cry,” two tracks from “The Blueprint” written by a guy in his early 30s struggling with how — or whether — to hold onto his complicated past. That he performed them here as a middle-aged billionaire proved he figured it out; that they were so lush with the pain of nostalgia proved he remains an artist.
