Radio

Riverside-based radio station, 99.1 KGGI, has lost its last local on-air host.

Longtime radio personalities Evelyn Erives, Nick Nack and Garrison King were all cut from the Inland Empire station last week as part of iHeartMedia’s latest round of national layoffs. In an internal memo, the media giant said it would restructure its radio programming to better “leverage” the company’s technology.

iHeartMedia declined to comment on how many people lost their jobs, but dozens of on-air and other staff positions have reportedly been cut across the country.

The memo — attributed to Chief Programming Officer Tom Poleman and Ann Marie Licata, the chief executive of the company’s multiplatform group — framed the changes as a way to “move faster and operate with greater precision across markets,” and to “position us not just to adapt to the future, but to lead it.”

The cuts are part of a broader push to reduce costs. In May, iHeartMedia launched a new savings program, set to begin in the second half of 2026, aimed at trimming an additional $50 million on top of the $100 million in savings the company had already announced.

iHeartMedia is the nation’s largest radio operator, with more than 850 stations across 160 markets and a sizable presence in Burbank. Its Los Angeles–area stations include KFI-AM 640, KLAC-AM 570, KOST-FM 103.5 and KIIS-FM 102.7.

As the media landscape continues to evolve, the company has leaned harder into podcasting, home to hallmark shows like “Stuff You Should Know,” “Questlove Supreme” and “Las Culturistas.”

Last year, iHeartMedia introduced its “Guaranteed Human” campaign, an ongoing pledge that no iHeartMedia station or podcast will feature an AI-generated personality or AI-generated music.

How that promise squares with the layoffs is unclear. With stations like Riverside’s 99.1 now stripped of their local hosts, the company has said nothing about who — or what — will replace them.

All times BST. Matches and coverage times are subject to late changes. The BBC is not responsible for any changes that may be made. Full radio coverage times to follow when available.

Monday, 29 June

Men’s and women’s singles first round

10:30-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-22:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:00-00:05 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Tuesday, 30 June

Men’s and women’s singles first round

11:00-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-22:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:00-00:05 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Wednesday, 1 July

Men’s and women’s singles second round, men’s doubles first round

11:15-13:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

13:00-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-22:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:30-00:30 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Thursday, 2 July

Men’s and women’s singles second round, men’s and women’s doubles first round

11:00-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-22:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:00-00:00 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Friday, 3 July

Men’s and women’s singles third round, men’s doubles second round, women’s doubles first round, mixed doubles first round

11:00-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-22:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:00-00:00 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Saturday, 4 July

Men’s and women’s singles third round, men’s and women’s doubles second round, mixed doubles first round, boys’ and girls’ singles first round

11:00-21:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

12:20-17:15 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

17:30-21:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

00:30-01:30 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Sunday, 5 July

Men’s and women’s singles fourth round, men’s doubles third round, women’s doubles second round, mixed doubles second round, boys’ and girls’ singles first round

11:00-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

12:35-17:35 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:40-00:40 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Monday, 6 July

Men’s and women’s singles fourth round, men’s and women’s doubles third round, mixed doubles quarter-finals, girls’ singles second round, boys’ and girls’ doubles first round

11:00-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-22:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:00-00:00 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Tuesday, 7 July

Men’s and women’s singles quarter-finals, men’s doubles quarter-finals, women’s doubles third round, mixed doubles semi-finals, boys’ singles second round, girls’ doubles first round

12:30-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-22:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:30-00:30 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Wednesday, 8 July

Men’s and women’s singles quarter-finals, men’s and women’s doubles quarter-finals, quad singles quarter-finals, men’s and women’s wheelchair doubles quarter-finals, boys’ and girls’ singles third round, boys’ and girls’ doubles second round

12:15-13:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

13:00-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

13:45-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-21:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:00-00:00 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Thursday, 9 July

Women’s singles semi-finals, men’s doubles semi-finals, women’s doubles quarter-finals, mixed doubles final, men’s and women’s wheelchair singles quarter-finals, men’s, women’s and quad wheelchair doubles semi-finals, boys’ and girls’ singles quarter-finals, boys’ and girls’ doubles quarter-finals

12:30-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-21:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:30-00:30 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Friday, 10 July

Men’s singles semi-finals, women’s doubles semi-finals, men’s, women’s and quad wheelchair singles semi-finals, boys’ and girls’ singles semi-finals, boys’ and girls’ doubles semi-finals

12:30-19:30 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:30-21:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:00-00:00 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Saturday, 11 July

Women’s singles final, men’s doubles final, women’s wheelchair singles final, men and quad wheelchair doubles finals, girls’ singles final, girls’ doubles final, boys’ doubles final

11:30-13:15 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

12:15-19:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:00-00:00 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Sunday, 12 July

Men’s singles final, women’s doubles final, men and quad wheelchair singles final, women’s wheelchair doubles final, boys’ singles final

11:30-13:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

13:00-20:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

01:50-02:50 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

AFTER years of writing about politics, technology and the chaos of the modern world, Matt Bellamy wanted something different for Muse’s tenth album.

“The theme was to get back into mystery a little bit,” he says. “The mysteries of the universe, mysteries of spirituality and returning to the rawness of the unknown.”

Inspired by the 1977 Wow! Signal — an unexplained radio signal from space once seen as possible evidence of alien intelligence — and a turbulent period in his personal life, the record finds Bellamy searching for meaning on both a cosmic and personal level.

“I’ve turned completely apolitical,” he admits. “It’s weird when you go through things in your personal life — the news just becomes an annoying noise.

“When your life’s going great, you get drawn into the news and what’s going on in the world.

“But when you’re actually going through something yourself, the news and politics just become a headache.

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“I’m a little bit gloriously out of touch. I’ve normally been so in touch, my finger’s always been on the pulse, and a lot of the albums I’ve made talk about the rise of populism. But this album and my life for the last year-and-a-half has been different.”

Bellamy has split from US model Elle Evans, his wife of six years, who he quietly separated from in October 2025.

“I’ve been through a separation involving two young kids,” he says carefully.

“I can’t really talk about the reasons behind it, but it was not your normal run-of-the-mill situation. I became a full-time single parent for a period of eight months.

“She’s doing a lot better now and she’s getting better, but it was an unusual situation to go through. It made writing the album so much easier.

“It’s hard to talk about what’s behind the album because I don’t throw people under the bus. And I don’t want my kids to grow up reading stuff.”

Bellamy, 48, is in London for band rehearsals and when we meet, he’s just back from the gym in a bid to shape up for the tour.

“I’m not that old,” he laughs. “But I met Mick Jagger at a party and I went straight in on the fitness. I was, like, ‘What is your secret?!’ He said when he was in his 30s, he started working out a few weeks before a tour.

“By the time he got to his 40s, he was working out for the same length as the tour.

“If it was a three-month tour, he’d work out for three months before. And by the time he got to his 50s, he was just working out all the time, all year round.”

The 1977 Wow! Signal fascinates Bellamy because it remains unexplained and happened around the time the band members were born.

“The Wow! Signal is probably, to this day, still the most interesting signal that’s ever been seen in space,” he explains.

“It happened in 1977, which is basically within 12 months of all the band being born.

“Chris [Wolstenholme] and I were born in 1978 and Dom [Howard] in 1977, so I just thought it was funny that this little Wow! Signal appeared around the time we came into this world.

“I think this album was really me letting go a little bit and engaging with the unknown.

“What is this thing inside me, or all of us, that wants to not be alone? I don’t mean with a partner or friends. I mean this thing in the universe. At the moment, we appear to be so alone, and we have this drive, which you see through religion and science.

“Behind all of it, we just don’t want to be alone.”

That search drew Bellamy back to one of his formative influences.

“I grew up watching Contact, the Jodie Foster film from the 90s,” he says. “I used to read Carl Sagan’s books and that film really stayed with me.”

It has also led him into the world of AI.

He adds: “I’ve spent time in the tech world, in California’s Silicon Valley and the Bay Area, and I had some involvement in that world.

“I went to a private talk where Sam Altman (CEO of OpenAI) was talking off the record about his thoughts on AI.

“I saw (Meta CEO Mark) Zuckerberg talking about it, too, and I was interested in what they were saying.

“When you really hear them, they know they’re ushering in an intelligence which is beyond us. They start to see it as, ‘Well, we’re just kind of messengers bringing in this thing that is going to be more intelligent than us’.”

Bellamy says he enjoys asking AI philosophical questions — and that is where Hexagons began.

“That’s actually my favourite thing to do with AI, and where I got the idea for Hexagons,” he says. “And again, I think that is part of the same human condition.

“Whether it be religion, looking for aliens in space or trying to bring in artificial intelligence, it’s kind of all the same thing.”

Epic, organ-led Be With You was the first song that made the album’s direction clear.

“You can look at it as a love song, or you can look at it as a religious song, almost,” he says.

“I’m not a religious person, but I decided to play the song on a church organ.

“I went to the biggest church organ in Los Angeles, so the song was recorded in this church-like setting.

“I liked the idea that it could be perceived as searching for alien life, or searching for alien intelligence of some kind, or God. That was the first song that felt right, lyrically and musically.

“There are a lot of personal elements in the album that are quite unusual for me.”

Bellamy says the album came from a difficult period, but that made the music flow.

“This was actually the easiest album for me to write and make for 15-plus years,” he says.

“Space Debris is probably the biggest reveal of what I went through, especially lyrically at the end,” he says.

“It’s the rawest moment of explaining what really happened over the last year. I like using space analogies — space debris, things breaking up and falling apart in gravity — to describe the chaos and feeling in your life.

“It also fits the theme of connecting this search into outer space for a higher power with the chaos and feeling in your own life.

“I hope the fans don’t ask me to play that one live.”

If Space Debris is the album’s rawest confession, Bellamy says it also opened the door to bigger questions running through the record.

“What I went through threw me off into the unknown,” he explains.

“When things go wrong in your life, that’s when you’re most likely to seek meaning or search for answers.

“In my case, it was a blend between religious thought, alien intelligence and AI.

“I don’t know what it is, but you’re searching for this higher power to guide you, or to give you answers.

“Music became my catharsis. It became my way to understand my situation.

“Making this album gave me flashbacks to these periods where music was my everything.

“It wasn’t something I had to do to pay the bills. It wasn’t something I had to do for the record label. It was something that I had to do for myself.

“That’s why I think this album is probably, since the 2000s anyway, the most raw, emotionally raw and honest album I’ve done.”

Bellamy says despite the personal nature of the album, Chris and Dom were central to every song.

“I’ve always been in charge of the lyrics, and I’m the leader in terms of the concepts,” he says.

“But musically, this is the most equal album we’ve had for a long time.”

The Wow! Signal includes some of the best tracks Muse have made in years.

Cryogen has already been compared to early Muse, while Shimmering Scars shows off the vulnerability in Bellamy’s voice.

“Cryogen is deliberately Muse from 2001,” he says.

With Shimmering Scars, he explains: “I felt like I needed to do five or six takes, so we could edit the best bits in.

“But producer Dan Lancaster was, like, ‘Nah, let it be raw, let it be weird.’

“To me, it sounded a bit off — not quite what I wanted it to be. But he was, like, ‘No, that’s the whole point. That sounds a little bit raw’.

“This is the first album where we said, ‘Let’s give Dan a go at producing it’. The last two albums were self-produced, so it was nice to hand the reins to someone else.

“He did a great job keeping us towards that more raw, vulnerable state in the performances.”

Bellamy believes AI is pushing younger listeners back towards authenticity.

“My stepson with Kate [Hudson], Ryder, is 22 and he’s just graduated from NYU,” he says. “Then Bing is 14, and I’ve got the two little ones as well.

“Having a boy who’s 22 and a boy who’s 14 means I get a real sense of what’s going on in their generation.

“I think that generation is turning away from pop, hip-hop and dance a little bit. They’re seeking raw, chaotic-sounding music.

“I think the reason why is because that generation is drowned by AI. AI is dominating everything they do, from schoolwork to music and the arts.

“I could be wrong but from what I sense from them, they’re gravitating towards what they know to be real.”

Recent single Nightshift Superstar was the band wanting to go French disco.

“I love Daft Punk, Justice and ABBA,” Bellamy says. “I went to see ABBA’s show and I loved it. They’re some of the best songs ever written. So after that and seeing Justice in Paris, I was, like, ‘How do we do that? Let’s just go there’.

“The song has a late-70s feel but with a more cutting-edge tone associated with modern dance music.

“But the good thing about it is that it really is us playing.”

One surprise on The Wow! Signal is Hush — a collaboration with pop star Ellie Goulding.

“Ellie was in the studio next-door, working with Marshmello on something,” says the singer.

“We have known each other for years and always wanted to try and do something together.

“Muse fans will read online that we’ve done a song with Ellie Goulding and think it’s going to be a pop song.

“But it’s got one of the biggest, heaviest riffs we’ve done in a long time. To me, it sounds a bit like New Born or something from 2001.

“The verses get a little bit poppy, I guess, but the main riff is pretty hard rock, so I thought it was quite fun to get Ellie’s voice over that kind of heaviness.

“I think it’ll be a nice surprise.”

Bellamy says the song came together by chance.

“This was an experiment,” he says. “It’s the only song on the album that really involves multiple writers.

“Ellie popped her head in towards the end of the day, at about 11pm, and went, ‘Hey, what are you guys up to?’ We played the song and she said, ‘Oh, can I sing on it?’ We tweaked the lyrics and turned it into a duet.

“It came completely by chance. It wasn’t planned to be a collaboration.”

Bellamy says the reaction from Muse fans to the new songs has “been the best we’ve had for at least 15 years” and he’s looking forward to getting back on the road following their special Brixton Academy show in April to launch the album.

The show marked Muse’s first appearance at the venue in 25 years, just before the release of Origin of Symmetry.

“I didn’t realise it had been so long,” Bellamy says.

“I remember the last time we played there, it was around the second album and I was so nervous because it was the biggest show Muse had ever done.

“We got to debut Be With You for the first time, and we had a great time.”

Visually, Bellamy says the full Wow! Signal world will come to life properly when Muse return to Europe in November.

“The American tour starts with what I’d call a medium-level production,” he says.

“But when we come to Europe, including London and Manchester in November, that’s when we’re going to ramp it up to a really sophisticated production.

“I think there’ll be a lot of geometry, a lot of hexagons, shapes and lasers, and strange, interesting visuals.

“Hopefully we’ll build the spaceship you see on the album cover in the arena.”

• The album The Wow! Signal is out today.

The Wow! Signal

GREG James has confirmed his Radio 1 show return and revealed that he’s ‘exhausted’ as he shared an update on his dad’s recent open heart surgeries.

The radio star, 40, was missing from the Radio 1 Breakfast, which airs weekdays from 7am to 10:30am, on Wednesday and Thursday (18 June 2026).

Greg took to his Instagram story this morning to reveal the heart-breaking reason why – and admitted that he’s “in no fit state” because his father Alan Milward has undergone heart surgery.

Then this afternoon, he decided to give his 1.3m followers on the social media platform an update.

Sharing a selfie from a sauna, Greg wrote: “Hello from the sauna! I felt daft updating on all of this but because it was such a loud part of the comic relief challenge, I feel like it’s nice to be honest about it all.

“Just to say, my dad is responsive, just about conscious and being looked after amazingly.

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“Obviously, after two open heart surgeries in three months, he’s not out of the woods by a long way, but we’re hopeful he’ll be fixed and we can all just get on with life.

“Which is what I’m gonna try and do.

“I won’t keep updating on here about it all as quite frankly, we’re all exhausted by it and it’s going to be a long road to recovery.”

He then went on to share exactly when he’ll be back on the radio – and fans don’t have long to wait.

Greg continued: “I’ve wanted to make sure my mum is OK so it’s been nice to spend loads of time with her and my big sis, but I’m back to the show tomorrow and I can’t wait.

“Thank you again for the most amazing load of messages.

“It’s genuinely very comforting.”

It comes after Greg told fans yesterday: “Hello from my mum’s garden! I wasn’t on the breakfast show today as my dad was in for another go at heart surgery (it’s been a wild few months and I didn’t want to bore you with it all). 

“But here we are. Back to square one. Waiting for news and staying distracted and keeping calm by making water features. 

“All being well, back on tomorrow morning.”

However Greg later revealed Alan’s surgery took “much longer” than they’d expected so he would be taking another day off. 

He said: “What a great day! An absolute hoot in ICU. 

“Surgery was much longer than everyone hoped. Big up my mum and my big sis. And the surgeons. And the NHS. What a gang. We’ve all gone mad. 

“Real talk, surgery went ok but he’s far from out of the woods so I’m gonna take it easy tomorrow and hopefully back on Friday. 

“Plus, I’m in no fit state to be on the radio. I mean, look at me, I’m posting photos from intensive care ffs. Thank you for your lovely messages.”

In March Greg had to cancel his show and rush home after Alan suffered a stroke during a planned heart operation.

He later opened up about his dad’s struggles during his 1,000km tandem bike ride for Red Nose Day.

Undertaking the mammoth task just a week after Alan’s stroke, Greg got emotional talking about the man he calls “Big Al”.

He said: “I feel elated. I feel a bit overwhelmed by all these people who just turned up out of nowhere. I just burst into tears as I was going up to Blaenavon. It was all a bit much.

“Just thought about… I just thought about everything. Just thought about my dad, thought about my mum. It got way too much. It’s so silly. It must have been the altitude.”

GREG James has revealed the heartbreaking reason he’s been missing from his Radio 1 show for two days saying he’s “in no fit state” to be on air. 

The 40-year-old was absent from his Radio 1 Breakfast show on Wednesday and also missed Thursday’s edition. 

Greg took to social media to tell fans he’s been supporting his family while his father Alan Milward undergoes heart surgery. 

Writing on Instagram, the presenter said: “Hello from my mum’s garden! I wasn’t on the breakfast show today as my dad was in for another go at heart surgery (it’s been a wild few months and I didn’t want to bore you with it all). 

“But here we are. Back to square one. Waiting for news and staying distracted and keeping calm by making water features. 

“All being well, back on tomorrow morning.”

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However Greg later revealed Alan’s surgery took “much longer” than they’d expected so he would be taking another day off. 

He said: “What a great day! An absolute hoot in ICU. 

“Surgery was much longer than everyone hoped. Big up my mum and my big sis. And the surgeons. And the NHS. What a gang. We’ve all gone mad. 

“Real talk, surgery went ok but he’s far from out of the woods so I’m gonna take it easy tomorrow and hopefully back on Friday. 

“Plus, I’m in no fit state to be on the radio. I mean, look at me, I’m posting photos from intensive care ffs. Thank you for your lovely messages.”

In March Greg had to cancel his show and rush home after Alan suffered a stroke during a planned heart operation.

He later opened up about his dad’s struggles during his 1,000km tandem bike ride for Red Nose Day.

Undertaking the mammoth task just a week after Alan’s stroke, Greg got emotional talking about the man he calls “Big Al”.

He said: “I feel elated. I feel a bit overwhelmed by all these people who just turned up out of nowhere. I just burst into tears as I was going up to Blaenavon. It was all a bit much.

“Just thought about… I just thought about everything. Just thought about my dad, thought about my mum. It got way too much. It’s so silly. It must have been the altitude.”

TINA Daheley’s BBC Radio 2 Breakfast Show replacement has been revealed just a day after she announced she’s quitting.

The newsreader has spent nearly eight years on the programme and was dubbed former host Scott Mills’ “work wife”, but now she’s moving on.

Filling her sizeable shoes is journalist Matt Carter, and he can’t wait to get going.

Writing on Instagram, he said: “Thrilled to finally be able to spill the beans and tell you I’ll be joining a stellar cast of @djsaracox, @theelliebrennan and the fantastic prod team as your newsreader on the NEW breakfast show next month! Big (and very stylish) shoes to fill – wish me luck…

“See you on the 6th!”

The news was well received by listeners and station legends.

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Zoe Ball said: “Fantastic news Matthew [heart].”

While OJ Borg posted: “Mate this is wicked! You were wicked when we did breakfast together.”

Tina, 45, told how the role had been “one of the greatest privileges of my life” and admitted it was “humbling” to “deliver the biggest breakfast show in Europe”.

She then made the reveal she is staying in the Radio 2 fold and on Jeremy Vine‘s 12-2pm show over summer.

In an emotional statement, she wrote: “After more than seven years of early alarm calls on Radio 2, I’m stepping away from Radio 2 breakfast.

“It’s been one of the greatest privileges of my life to wake up with you every morning, and humbling to have been trusted to deliver the news on the biggest breakfast show in Europe.”

Tina went on to reminisce about her time with the BBC and said: “My breakfast run ends on Radio 2 but it all started on 1Xtra where I landed my dream job reading the news on Trevor Nelson’s Breakfast Show.

“From there, I spent a decade broadcasting to one in four young people in the UK on Radio 1.

“After 18 years and six back to back breakfast shows (probably a record) in there somewhere, I am looking forward to a lie in”.

Tina, who began her BBC radio career on Trevor Nelson’s show, reads the early-morning news and contributes to lively discussions.

Earlier this year, she went “missing” amid an “awful week” after being struck down by illness.

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SCOTT Mills has been sacked from BBC Radio 2 – yet what’s happening?

She was absent at the same time as her former co-host Scott was pulled off-air.

It was revealed earlier this year that fan-favourite host Scott, 53, had been fired from his Radio 2 Breakfast Show over allegations surrounding his “personal conduct“.

Scott was dismissed after new information about a police investigation about alleged sex offences with a boy aged under 16 in 2018 came to light at the BBC.

As well as losing his role on Radio 2, Mills was also sacked from working on the BBC’s Eurovision coverage and from a new podcast spin off from Race Across The World, which he won the celebrity series of in 2024.

It was revealed shortly afterwards that Sara Cox would take over the sought after Breakfast Show slot earlier this year, with insiders saying the talented star was seen as the “heir apparent” for the job.

Bill Cody, the Grand Ole Opry and longtime WSM Radio host who woke up listeners with his velvet voice and country music lore, has died. He was 67.

The Tennessee radio station confirmed Cody’s death on social media on Tuesday, writing, “It is with heavy hearts that we share the passing of our dear friend and beloved WSM voice, Bill Cody.

“A singular presence on WSM-AM Nashville for more than three decades, Bill welcomed listeners each morning on Coffee, Country & Cody with a broad smile, a conversational ease, and an unerring ability to make both artists and audiences feel at home. He joined WSM in 1994 and had Charlie Daniels as his first in-studio guest. He built more than a morning show; he created a gathering place rooted in his deep love for country music and the people behind it.”

In late May, Cody’s daughter Hannah Davis shared that the radio host had been admitted to the intensive care unit with heart and kidney failure. “After weeks of being on a roller coaster of emotions, tests, dialysis, medications, steps forwards and steps backwards, it was determined earlier this week that his only option for survival would be a double transplant, heart and kidney,” she wrote on Facebook. “We need a miracle and we know God is able.”

On Tuesday, she wrote that Cody had died peacefully surrounded by family and “was welcomed into heaven as thunder bellowed outside, and we laughed because we knew it was a band of angels rejoicing.”

With nearly 50 years on the airwaves across syndicated radio, television and film, Cody was honored with a star on the Music City Walk of Fame in the fall of 2024. His credits included the film “American Saturday Night: Live From the Grand Ole Opry,” the television show “Tennessee’s Wild Side” on PBS, “Ray Stevens’ Nashville” on RFD-TV, and GAC TV’s “Master Series.”

In 2008, the beloved Nashville host was inducted into the Country Radio Hall of Fame, and across his career, he earned multiple nominations from the Country Music Assn., the Academy of Country Music and Billboard for his contributions to broadcasting.

Born Trent Clutts on Dec. 16, 1958, in Huntsville, Ala., Cody was inspired to pursue a career in broadcasting during visits to a Kentucky radio station with his dad. His father was a Southern Baptist minister, and his Sunday morning sermons were broadcast on the radio in the afternoons. Cody couldn’t get enough of the goings-on at the station when the two would stop by to drop off cassettes.

In 1971, when the radio host was 17, he was hired as a night deejay at WVLK in Lexington, Ky., but the program director didn’t think “Trent Clutts” had the right ring for radio. Cody named himself after “Buffalo Bill,” one of the most famous showmen of the American Old West, and used the moniker for the rest of his career.

As a teenager, Cody noticed a girl named Rebecca during study hall and, according to Davis, winked at her from across the room. The wink sealed the deal and the two spent more than 50 years as a couple, welcomed three children — Luke, Hannah, and Levi, who died in 2025 — and eventually grandchildren, who called him PoPo. The family lived in Cross Plains, Tenn.

“Like so many of us at the Opry, Bill Cody lived out his dreams on the Opry stage. More times than I could count he and I would look at each other as if to say, ‘Can you believe we get to do this?’” Dan Rogers, executive producer at the Grand Ole Opry, wrote on social media.

“Even better, he made Opry audiences tuned in from around the world feel like they were here too, themselves a part of country music’s most famous show. Then, he’d get up early the next morning and — with that signature smile in his voice — tell everybody about it on his show.

“He was the best of friends to country music and to everyone who was a part of it. We’re sure going to miss him.”

ZARA McDermott looked proud as punch as she watched boyfriend Louis Tomlinson perform from the side of the stage.

The reality star stood in pride of place throughout his set at BBC Radio 1’s Big Weekend in Sunderland.

Zara, 28, kept it casual for the festival outing in a black cropped T-shirt teamed with low-rise green trousers.

The former Love Island star accessorised with a beige Miu Miu baseball cap while wearing her brunette hair loose over her shoulders.

Holding a can of Diet Coke, Zara appeared animated as she chatted and clapped from the VIP viewing area while watching Louis, 33, perform.

Their relationship was recently rocked by rumours Zara was more than just good friends with Joey Essex.

hot water

Zara McDermott’s fury over online storm after ‘innocent’ pics with Joey Essex

proud partner

Zara McDermott pays rare tribute to Louis Tomlinson after his tour troubles

The pair formed a tight-knit bond after meeting while starring together on ITV’s Cooking With The Stars.

In pictures taken after filming wrapped on the reality show, Zara and Joey were seen together, with him leaning in to kiss her on the cheek.

Zara was met with furious trolling despite multiple reports insisting the snaps were completely innocent.

Zara and Louis were first linked in March 2025 after fans noticed they had followed each other on Instagram, with many believing the pair were introduced through the singer’s sisters.

The couple have proved an unlikely match given the singer’s past views on Love Island, the ITV2 dating show that made her famous in 2018.

When Zara’s series came to an end, Louis publicly celebrated online, tweeting: “Can I just say, thank f**k Love Island is over!”

He later doubled down on his criticism of the programme, claiming the hit reality series was “not a good message for the younger people watching”.

As a radio professional who grew up aspiring to work at CBS News Radio, anchor Steve Kathan understood the weight of the words he wrote and recorded Friday on the final broadcast of “World News Roundup.”

“America’s longest running newscast signs off for the last time,” Kathan said in the small dimly lighted studio in the CBS Broadcast Center on Manhattan’s West Side. “It all began on March 13, 1938,” he said, referring to the iconic news program.

Kathan played a recording of Edward R. Morrow, the legendary CBS News journalist who delivered his first report on the debut of the program, saying “the best in radio reporting is yet to be — good night and good luck.”

“And goodbye,” Kathan added, ending the run of around 23,000 editions of the 10-minute signature broadcast, delivered from CBS’ radio network . A final news update was scheduled to run later Friday night.

CBS News Radio and its 26 employees became a victim of budget cuts across parent-company Paramount’s news division announced in March.

“A shift in radio station programming strategies, coupled with challenging economic realities, has made it impossible to continue the service,” the company said.

Privately, longtime insiders at CBS News say the division has struggled for years to find ways to financially turn around its radio business.

The unit was operating at a loss with monthly revenues recently falling as low as $67,000, according to a network executive not authorized to discuss the matter publicly. The service held on because it still had value in promoting CBS News and its journalism, reaching 20 million listeners a week.

Leadership over the years have put off the messy task of winding the radio business down due to its iconic status at the company. CBS News editor-in-chief Bari Weiss was reluctant to make the cuts as well, according to people inside the company familiar with her thinking. But with Paramount taking on substantial debt to acquire Warner Bros. Discovery, considerations of the division’s legacy are likely to matter less in ongoing efforts to reduce costs.

Kathan had heard rumblings about CBS getting out of radio going all the way back to its first ownership change in the 1980s when Larry Tisch acquired the company.

“Even though I’ve been here 39 years, the thought was someone’s going to decide to do it,” he said.

As television dominated the media landscape, CBS News Radio retained its role as what Kathan called “the background track of American history.”

As a child growing up in Connecticut, Kathan recalls watching Douglas Edwards, the “World News Roundup” evening anchor for two decades, doing TV news updates in between the soap operas his mother watched on CBS. After Kathan joined the network in 1987 as a writer and producer, he would see Edwards and other famous names from the division walking through the hallways of the broadcast center before doing his afternoon newscasts.

“Just the fact that you were working with them made you think and realize you had to up your game,” Kathan said. “You wanted the audience to trust you as much as it trusted them.”

“World News Roundup” rose to prominence during World War II, when Murrow and other CBS News correspondents delivered live reports from Europe.

Once TV supplanted radio as a source for scripted entertainment, news and information became the primary mission of CBS’ radio division that began in 1927. In 1967, the company converted its owned AM radio stations — including its Los Angeles outlet KNX — to an all-news format.

While the stations focused on local news, traffic, weather and sports, they also prominently featured CBS News Radio reports at the top of the hour and other features throughout the day.

Longtime listeners became familiar with Edwards, Dallas Townsend, Reid Collins, Richard C. Hottelet, Christopher Glenn and other CBS News veterans who brought national and world stories to listeners throughout the day, introduced by a five-note sounder that simulated a telegraph. Dan Rather and Walter Cronkite were heard daily with analysis.

The radio network developed a major star in Charles Osgood, who joined WCBS in New York as anchor. He went national in 1971 with a twice-daily segment called “The Osgood File.”

Osgood wrote two-minute reports in succinct prose delivered in his mellifluous tones. He occasionally offered commentary in verse, which earned him the title of poet-in-residence at CBS News.

Osgood’s popularity was rivaled only by ABC Radio personality Paul Harvey. CBS News even allowed him to read commercial copy to satisfy eager advertisers who wanted their product messages presented in his comforting voice. When Osgood became a host on the TV side in the 1990s on “CBS News Sunday Morning,” his sign-off remained “I’ll see you on the radio.” He filed his final “Osgood File” report in 2017.

Charles Osgood in the WCBS radio studio in New York on July 25, 1967.

(CBS Photo Archive/CBS)

CBS sold off its radio stations in 2017, but continued to produce and distribute its network programs as the business faced competition from digital media.

Dustin Gervais, technical operations manager for the network, said CBS News Radio struggled as more audio advertisers prefer digital content because of its effectiveness at targeting specific demographic groups. The shift is reflected in radio ad revenue, which dipped about 2% to $14.37 billion, according to media research firm Kagan. But the digital ad revenue portion of that pie continued to grow, topping $1.75 billion.

Charles Forelle, managing editor for CBS News, said the company plans to remain in the audio journalism business through podcasting and not straight newscasts.

“We have a whole bunch of different things in development that are less news reading and more other things,” he told The Times.

Not all of radio’s problems are related to digital.

Michael Socolow, a professor of communication and journalism at the University of Maine, notes that the industry troubles began in 1996 when deregulation loosened the limit on the number of stations a single entity can own. Buying sprees of outlets led to owners who became highly leveraged and less able to invest in programming, which put the squeeze on suppliers such as CBS News Radio.

“Radio was hollowed out by the corporations, before its utility to the American citizen ended,” Socolow said. “You can trace it to the Telecom Act of 1996.”

Some of the 26 employees at CBS News Radio who were severed from the company have found work at Worldwide News Network, a service launched by John Catsimatidis, the owner of New York’s top-rated talk station WABC. The company said the service, which begins Saturday, will deliver “hard news, breaking headlines, and fact-driven reporting to affiliates across the country.”

CBS News Radio’s biggest customer — the all-news stations owned by Audacy, including KNX — have already switched their network service to ABC News Audio.

BBC radio presenter Dave Llewellyn has died aged 57 after two decades on air – as his devastated family release a touching tribute.

The Radio Tees star – famed for his distinctive bright red hair – was hailed as the “most loving father and husband” by his daughter Amy.

Dave worked as a travel presenter in the north east region for more than 20 years – famously starting out as the “eye in the sky” in a plane.

Alongside his traffic updates, the larger-than-life DJ also co-hosted a gardening show at the weekends.

And for the past six years, he was a producer on BBC Radio Tees, most recently working on Gary Philipson’s daytime programme.

The presenter, hailed as “incredibly modest and generous” by his daughter Amy, died after a short illness.

She said: “Outside of his work he loved his family and his music.

“His true talent shone through while he was playing his keyboards, synthesisers and bass.

“He was the most loving father and husband, always going out of his way to make us happy.

“He will be sadly missed by everyone who knew him, especially our beloved dog Cupid who always saw a taste of his generosity, usually in the form of a shared sausage sandwich.”

More to follow… For the latest news on this story keep checking back at The Sun Online

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BBC RADIO 2 legend Bob Harris has shared a new health update with fans, after revealing that his cancer has spread. 

The radio star, who previously revealed he was forced to take a break from broadcasting as a result of his health issues, posted a new image of himself with a big grin and a thumbs up. 

Bob, 80, could be seen sitting at home in a gown and appeared in good spirits, while writing to fans: “Hiya Folks! I hope you’re all ok. Sending you all my love.” 

The star, who is resting up at home and out of hospital, was flooded with sweet messages from fans. 

One person wrote: “Sending all the love your way,” while another added: “Fab photo Looking great. Keep up the good work.” 

Bob, 80, was initially diagnosed with prostate cancer in 2007 and managed the disease with treatment before recent setbacks.

‘FRIGHTENING NEWS’

BBC Radio 2’s Bob Harris reveals his cancer has spread in health update

‘ROAD TO RECOVERY’

BBC Radio 2’s Bob Harris taking a break after surviving a heart scare

Last month, he shared how his cancer has spread from his prostate to his upper spine.

Taking to Instagram to update his fans at the time, Bob shared a photo of himself walking with a stick.

“I’m sorry it’s been so long since I last posted but the past few weeks have proved to be an extremely testing time,” he penned in the caption.

Bob went on: “When I posted last time from hospital, we were trying to find the reason for the excruciating pain I was feeling in my back.

“Several scans later, we discovered that my prostate cancer has got into my upper spine…really frightening news.

“So, I immediately began a course of radiotherapy – two weeks in hospital in total – to bring things back under control. Thankfully I’m back at home now, on the pathway to recovery and feeling stronger every day.”

He added: “I have started a programme of rehab and today I got out into this glorious weather for the first time with my son @expiredfilmclub who took the photograph.

“Just want to send so much love to Zoe and to everyone who have been in touch.

“See you soon folks! xxx.”

Bob previously suffered a heart scare that forced him off the air in 2019. 

He suffered a tear to his aorta which he described as “extremely serious” at the time.

Bob has hosted The Country Show on BBC Radio 2 for a number of years and famously hosted BBC Two music show, The Old Grey Whistle Test, in the 1970s.

KIRSTEN O’Brien hung up her headphones at BBC Berkshire after revealing a new gig.

The kids’ TV presenter will be joining the BBC Radio 2 team for a very different role.

On her last day at the station, she was surprised by fellow 90s stars Dick and Dom.

She shared BBC Berkshire’s tweet, with a selfie of her and the boys and wrote: “Bit of news! Love that the lads surprised me today, I’m sad to be leaving BBC Berkshire as I’ve had a ball, but I can’t wait to get stuck in doing the traffic reports on BBC Radio 2 from Monday!”

Kirsten hosted the 10am-2pm slot on the Berkshire-based station and on her final show, she told listeners: “It’s eight years I’ve been here.

“I started at the old place at Caversham Park, doing a bit of covering, did the news, of course, some breakfast, and then the last two years doing brilliant things on this mid-morning show.

BEEB SHAME

BBC Radio 1 airs N-word slur twice in news blunder weeks after Baftas slip

saying thanks

Rylan is favourite to replace Sara Cox on BBC Radio 2 Drivetime, say bookies

“I’ve really, really enjoyed it. I’ve done all sorts while I’ve been here. I’ve visited everywhere from Reading Uni to the tip.

“I was thinking back about where I’ve been. My kids have grown up since when I first started, they weren’t sleeping.

“We were talking to sleep experts about helping me out. And now, of course, I just get them for stories.

“They provide endless content for me. Mark as well, whose life plays out on the radio, poor fella.

“So, I’ve always said I’ve come in here for a bit of a rest, a chat, to hear your stories as well and a bit of a laugh, and it’s been absolutely brilliant.”

Brigitte Tetta will be taking over Kirsten’s slot.

Kirsten was met with messages of support from listeners, with one writing: “Will be great to hear your voice on BBCRadio2. Always brings a bit of nostalgia from the CBBC and SMart days!”

A second added: “Heard you with Sara Cox a couple of weeks ago and you were great!”

“Congratulations Kirsten best wishes for the new adventures ahead,” echoed another.

“Wooooaahhhh, what?! I did not have this on my Bingo card for 2026! Fantastic, Kirst!! Huge congrats,” wrote a forth.

One said how they’d been impressed with her joining Trevor Nelson last week.

Another suggested there needed to be a SMart reboot.

Kirsten O’Brien became a familiar face of children’s television in the late 1990s and 2000s, where she started her career as a CBBC presenter.

She became known for her on-screen partnership with Otis the Aardvark.

In 1999, she landed the SMart gig, which saw her also take on SMarteenies and Smile.

Whilst she didn’t work with Dick and Dom (Richard McCourt and Dominic Wood), they were all part of the CBBC presenting gang and were close pals.

SCOTT Mills has been dealt with a fresh blow after his sacking from the BBC as his M3 bridge tribute has been permanently removed.

It was officially unveiled as The Scott Mills Bridge back in 2016 and a plaque was installed at Fleet Services on the M3.

His then BBC Radio 1 co-host Chris Stark and Welcome Break staff led a campaign to rename it after him.

However, after his dismissal from the BBC, the plaque has now been removed.

In official pictures obtained by The Sun, the plaque which was previously on a wall next to a set of stairs, has been taken down.

The black and silver frame previously said “The Scott Mills Bridge” alongside the Welcome Break logo and his signature.

SCOTT-FREE

BBC axes all Top of the Pops episodes Scott Mills in amid sex abuse claims row

MILLS STEPS OUT

Scott Mills seen for first time since being sacked by BBC over sex probe

The Sun previously revealed that the bridge would be renamed as Welcome Break, who own the service station, want to disassociate themselves from Scott, 53, following the scandal.

A source explained last month: “It’s highly likely Welcome Break will rename the bridge in light of Scott being fired, especially given the nature of the allegations.

“It’s not a great look for them to be associated with any scandals.”

Scott was suddenly axed by the BBC with news of his sacking being made public last month.

He was last on-air as host of the Radio 2 Breakfast Show on Tuesday, March 24, before a complaint arose.

BBC chiefs are understood to have taken swift action in sacking him thereafter.

The complaint is believed to relate to “serious sexual offences” against a teenage boy.

He was questioned by police under caution in 2018 – when he was in his 40s, the Mirror reports.

The interview was related to alleged offences which took place between 1997 and 2000.

The case was dropped in full due to a lack of evidence.

A source close to Mills — the BBC’s 11th highest-paid star — told The Sun: “Scott was told about the allegation in a meeting with senior staff present. He was tense.

“He has completely shut down now and no one can get hold of him. No calls, no messages — nothing.

“The people who know him are blindsided by all of this and they can’t get hold of him.”

An internal message was sent around Radio 2 after Mills’ exit was made public.

It was revealed last week that Sara Cox will take over as host of BBC Radio 2’s Breakfast Show.

She expressed: “There are not enough adjectives to really sum up how I’m feeling about being trusted with such an iconic show but let’s start with ecstatic, honoured and incredibly chuffed.

“It’s been a dream to host the Breakfast Show since I joined Radio 2 and it feels like a bit of a full circle for me.

“I’ve had the most glorious seven years of my career on Teatime so thank you to my brilliant Teatime listeners who hopefully will join me at Breakfast for excellent music and all my usual nonsense plus some superstar guests.

“I honestly can’t wait to wake the nation up with the biggest most fun breakfast show ever.”

BBC Radio 2 presenter Sara Cox, who has just landed the biggest job on the station, has been married to husband Ben Cyzer, with whom she shares two children, since 2013

Newly announced BBC Radio 2 Breakfast Show presenter Sara Cox has always been open about her home life, previously sharing a “depressing” revelation about her marriage to husband Ben Cyzer.

The broadcaster, who is set to replace Scott Mills on the nation’s biggest radio show, struck up a relationship with advertising boss Ben back in 2006, a year following the breakdown of her first marriage.

The BBC Radio 2 host tied the knot with Ben in 2013, and together they’re parents to daughter Renee and son Isaac. She’s also mum to Lola from her earlier marriage to DJ Jon Carter.

Yet Sara, aged 51, has disclosed a nightly struggle she endures with Ben. Speaking on her Teen Commandments podcast, which she co-hosts with Clare Hamilton, Sara revealed that Ben’s snoring regularly drives her to escape to another bedroom.

She explained: “This is my issue that I’ve got with Ben in the night if I wake up, just him breathing is annoying. Not during the day, I just mean any slight noises.”

“You know on a wildlife documentary when they have a shot of an animal that’s on high alert for a predator? I feel like I’ve got that heaving in the middle of the night, I can just hear the tiniest [noise]…it’s just so magnified in the middle of the night.

“I think there’s a bit of anxiety in there. I remember in my twenties if I woke up at like half one, I probably wouldn’t have been in bed at half one, but if I woke up in the middle of the night and it was like 3am, in my twenties I’d be like, ‘Yeah, I’ve got loads of time to sleep, amazing’. Now I’m 50 I go, ‘F**k, it’s three, I’m not going to sleep, I’m never going to get back to sleep again’.

“So I need to tap into that twenties energy of thinking, ‘I’ve got loads of time to sleep’.”

When questioned about managing her partner Ben’s nocturnal disturbances, Sara Cox revealed: “I nudge him, he’s really patient, he’s great about it, and then we just keep sleeping in separate rooms, which is a bit depressing.”

Sara has just revealed how “ecstatic” she feels to take the reins of the BBC Radio 2 Breakfast Show, after its former host, Scott Mills, was axed from the role last month.

“There are not enough adjectives to really sum up how I’m feeling about being trusted with such an iconic show but let’s start with ecstatic, honoured and incredibly chuffed,” she shared.

The star, who currently hosts Radio 2’s weekday Teatime show and will begin fronting the Breakfast Show in the summer, added: “It’s been a dream to host the Breakfast Show since I joined Radio 2 and it feels like a bit of a full circle for me.

“I’ve had the most glorious seven years of my career on teatime so thank you to my brilliant Teatime listeners who hopefully will join me at Breakfast for excellent music and all my usual nonsense plus some superstar guests. I honestly can’t wait to wake the nation up with the biggest most fun breakfast show ever.”

Some billionaires put their money into space rocket launches. Others invest in longevity treatments to extend their time on Earth.

But when New York grocery and oil magnate John Catsimatidis tapped into his fortune for a passion project, he chose WABC, an AM radio station well past its glory years.

Catsimatidis , 77, acquired WABC in 2019 and has turned it into the most listened to talk station in the U.S., according to Nielsen data, reaching more than 400,000 listeners a week.

He is also on the air every day as part of the station’s award-winning evening program “Cats & Cosby,” where he and veteran journalist Rita Cosby hold a daily salon with like-minded friends and big-name political figures.

In a windowed studio overlooking Third Avenue in midtown Manhattan, Catsimatidis can be seen scrolling through his mobile phone and looking as if his mind is elsewhere while on the air. But he quickly snaps into delivering a concise opinion or question whenever Cosby directs him.

“John can look like he’s taking a little bit of a nap, but he’s always ahead of you in the conversation,” said radio consultant Jerry Crowley, who first gave Catsimatidis his own program at Salem Broadcasting’s WNYM.

Catsimatidis is among the circle of media commentators who speak regularly with President Trump, whom he’s known for 45 years and strongly supports. The relationship has made WABC part of the national political conversation.

In December, Trump revealed the U.S. military’s first land strike on Venezuela to Catsimatidis during a morning call into WABC, to the surprise of some national security TV correspondents.

Catsimatidis may become even more well-known soon thanks to his cameo role in the Oscar-nominated film “Marty Supreme,” which will be available April 22 to the 60 million U.S. subscribers of streaming service HBO Max.

“Marty Supreme” director Josh Safdie cast Catsimatidis as Christopher Galanis, a financial backer of the table tennis phenom played by Timothée Chalamet in the film. Safdie told Vanity Fair he liked Catsimatidis’ “larger-than-life regional business man” look, which he noticed when the mogul ran for New York City mayor in 2013.

Rita Cosby and John Catsimatidis in WABC’s New York studio with former NY Gov. David Paterson and Edward Cox.

(Justin Jun Lee/For The Times)

Catsimatidis added some verisimilitude to the role as he once rented a basement apartment to Marty Reisman, the table tennis champion who inspired the film.

“He put 20 pingpong tables in there,” Catsimatidis said. “And he was such a hustler. He’d give you 18 points and he’d still beat you.”

The brief scene required five days of shooting. “Even though it was a pain in the ass to do so many takes, I admire Josh for being a perfectionist,” Catsimatidis said during a recent interview at his office, where a plate of peeled or cut fresh fruit is always nearby.

After the film’s Christmas release Catsimatidis was getting calls from people he had not heard from in years.

“I didn’t know how important a movie this was,” Catsimatidis said. “When Josh said he had a role for me, I said, ‘OK. Why not? It’s a new adventure.”

Catsimatidis has had more than his share of adventures.

His father was a lighthouse keeper, living in solitude on the Greek island of Kandelioussa for 16 years before entering a family-arranged marriage with his mother. The couple emigrated from Greece to the U.S. when Catsimatidis was a toddler.

Catsimatidis grew up in West Harlem and studied electrical engineering at New York University. But he showed a talent for selling as a teenager when he hawked bottles of aftershave lotion out of the trunk of his Buick. In the late 1960s, he bought out a 50% share in an upper Manhattan supermarket where he worked as a clerk and, to the chagrin of his parents, dropped out of college to work full time in the grocery business.

John Catsimatidis during a live broadcast of his WABC radio show “Cats & Cosby” at the station’s New York studio.

(Justin Jun Lee/For The Times)

By the age of 25, he had opened 10 stores under the name Red Apple and was earning $1 million a year. In his 30s, he became a jet pilot and owned a regional airline. Investments in real estate and an oil refinery he bought out of bankruptcy have driven his current net worth up to $4.8 billion, according to Forbes.

Business success earned Catsimatidis a seat at the table in national politics. He backed the 1988 presidential campaign of fellow Greek American Michael Dukakis and donated to Bill Clinton. By 2016, he was aligned with Trump, as are most of the hosts on WABC, including Newsmax’s Greg Kelly and Fox Business Network’s Larry Kudlow.

Catsimatidis has been a fixture in the New York tabloids for decades, not always in a positive way as he’s had legal battles with unions at his businesses over the years. He now deals with the occasional furors that arise when managing outspoken on-air personalities in the current divisive political media environment.

He clashed with Rudy Giuliani, who is suing Catsimatidis for removing the former mayor from his hosting role at the station in 2024. Giuliani was pulled off the air after he refused to stop talking about false claims of voter fraud in the 2020 presidential election — a matter that cost Fox News $787 million in a defamation suit.

When WABC’s fiery morning host Sid Rosenberg is mentioned, Catsimatidis bows his head and performs the sign of the cross.

Rosenberg, a relentless Trump supporter, called New York Mayor Zohran Mamdani a “radical Islam cockroach” during an on-air rant last month. Catsimatidis had the host deliver an on-air apology and issued one of his own online.

Catsimatidis, who is also chief executive of the Gristides supermarket chain, is no fan of Mamdani’s policies and is among the New York business types who declared they would leave the city if the Democratic Socialist took office. But he said he maintains a cordial relationship with Mamdani and offered advice on the mayor’s proposal to open city-run grocery stores.

“I don’t care if you’re a socialist, a Republican, a Democrat or an independent,” he said. “As long as you have common sense.”

Catsimatidis made millions from buying New York real estate on the cheap in the 1970s when the city was in deep economic trouble. So he recognized a bargain when his Red Apple Media group bought WABC for $12 million from Cumulus Media.

WABC was the most listened-to station in the country during the heyday of top 40 radio in the 1960s — riding the wave of the Beatles — and well into the ‘70s. The station’s booming 50,000-watt signal at 770 on the AM dial reached 40 states.

WABC switched to an all-talk format in 1982 and boosted the careers of conservative radio personalities Rush Limbaugh and Sean Hannity.

The station’s fortunes declined under Cumulus, which was crushed by debt and losing ground to new competition from digital media.

The challenges did not discourage Catsimatidis, who recalls listening to WABC on his transistor radio as a student attending Brooklyn Tech High School in the 1960s. He loves the station’s legacy, and brought back its famous jingles with the dial position and call letters put to the tune of Rodgers and Hart’s “Manhattan.”

Catsimatidis even hired one of WABC’s legendary disc jockeys, Bruce Morrow — known to millions of baby boomers as Cousin Brucie. Morrow, now 89, plays oldies on Saturday nights.

But the investment has gone beyond nostalgia. After taking over, Catsimatidis told its president, Chad Lopez, to drop its weekend infomercials and replace them with locally produced shows. The decision meant walking away from $2.7 million in annual revenue, but Catsimatidis insisted.

“John said, ‘I want to make WABC great,’” Lopez said. “Once we went to more live and local programming, you could see the audience start coming in.”

The station also reduced its commercial load. A typical talk station carries up to 21 minutes of ads in an hour. WABC carries about six to eight minutes per hour at most.

WABC does not break out its finances, but Catsimatidis said it turns a profit, which he puts back into the business. The station has expanded its digital presence, creating podcasts of its daily programs and bite-size versions of longer interviews on the station for downloads.

Every bit of news made on the station’s programs is quickly turned into social media content. The livestream of the station attracts listeners in all 50 U.S. states and 176 countries. WABC programs are syndicated to 532 radio stations in the U.S., including 16 in California such as KINS in Eureka.

Catsimatidis speaks of grandiose-sounding plans to take on the BBC or replace the Voice of America with WABC content, while keeping an eye out for other distressed radio properties he could turn around.

“Whatever we can buy for nothing, we’ll buy,” he said. “They became distressed because of stupid management.”

BBC bosses are poised to offer Sara Cox the Radio 2 Breakfast Show job after Scott Mills’s sacking, insiders told The Sun. 

Sources said veteran broadcaster Sara, 51, was seen as the “heir apparent” for the role — which is widely regarded as the best job in radio. 

Mills, who had hosted the show since January 2025, was dismissed last month. 

It came after new information about a police investigation over alleged sex offences with a boy aged under 16 in 2018 came to light at the BBC. OJ Borg and Gary Davies have filled in since Mills left the station. 

Insiders said they expected Sara, who joined the BBC in 1999 as a Radio 1 DJ, to be offered the job this summer. 

A source said: “Sara is the heir apparent for the Breakfast Show job. 

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“Since Scott left, she has been the name which has been discussed as the best candidate and everyone at Radio 2 is saying she will be offered it. 

“Sara has made a huge success of her drivetime slot and is hugely popular at the station, plus she’s hosted the Breakfast Show as a stand-in before. 

“The BBC won’t be rushing this through as they want the dust to settle. But Sara is the one in line and, as far as her colleagues are concerned, she is the best person for the job.” 

Sara, who began a TV career in the 90s, featured on Radio 2 as a cover host for various shows in 2012 while still working for Radio 1.

The mum-of-three landed her first permanent Radio 2 show, hosting Sounds of the 80s on Saturday nights, the following year. 

She went on to replace Simon Mayo as the drivetime presenter in 2019 and stood in on the Breakfast Show in 2025. 

That year, she was chosen to complete a Children in Need challenge and raised over £11.5million after walking and running 135 miles in five days. 

She said of working for Radio 2: “It’s sort of my dream job.” 

SCOTT SPOTTED

By Emily-Jane Heap 

SCOTT Mills is seen for the first time since being sacked by the BBC. 

The star, who was axed as Radio 2 Breakfast Show host, was out walking walked his dog with his husband Sam Vaughan. 

Mills, 53, confirmed he was quizzed by police in 2018 following an allegation of a historical sexual offence against a boy under 16. 

The case was dropped due to a lack of evidence. 

But Mills was sacked last month after new information came to light, the BBC said. 

He was allowed to keep his job for almost a decade despite the BBC being made aware in 2017 of an ongoing probe.