Racism

Durban, South Africa – Bishop Raphael Bahebwa is in hiding, afraid he could be attacked for speaking out for the rights of foreigners in South Africa.

“I am in hiding now because they say they are going to kill me for speaking about the rights of foreigners,” he told Al Jazeera.

Bahebwa has lived in South Africa for 26 years, after arriving as a refugee from the Democratic Republic of the Congo (DRC).

In that time, he has watched antiforeigner sentiment flare repeatedly in the country he came to call home. But he says this year feels different.

A September 30 deadline declared by March and March, an anti-immigration movement that has led protests across South Africa this year, has renewed fears of violence among migrant communities.

The group has called for undocumented foreign nationals to leave South Africa and has warned of further demonstrations if its demands are not met.

For Bahebwa and other refugees in Durban, however, the distinction between documented and undocumented migrants offers little comfort. They say the hostility they experience on the streets rarely begins with a request to see their papers.

Fears of renewed violence

South Africa will hold local government elections on November 4, in a campaign in which migration has become an increasingly prominent political and social issue.

For months, Bahebwa was among hundreds of refugees and asylum seekers who slept on the pavement outside the Durban Refugee Reception Centre on Che Guevara Road.

Many were from the DRC and Burundi, with others from Uganda, Mozambique and Tanzania. They said they had fled their communities because they feared antiforeigner attacks.

They arrived outside the Department of Home Affairs (DHA) office seeking safety.

Instead, the pavement became their home.

For roughly four months, men, women and children slept outside, exposed to the elements and dependent on civil society organisations and volunteers for food and other necessities.

“It has been very tough,” Bahebwa said. “Never before have I experienced something like this.”

Some of the migrants told Al Jazeera that conditions became desperate. They described irregular access to food and medication and said one man who had tuberculosis died while living at the camp. Al Jazeera has not independently established the circumstances of his death.

The camp was also not far removed from the hostility its residents said they had fled.

On September 3, members of March and March confronted refugees and asylum seekers living outside the centre. Violence broke out, and police intervened. At least four people were reported injured.

At another protest days later, police officers stood between the two groups, forming a barrier as tensions rose.

March and March has described its mobilisation as a campaign against undocumented immigration, crime and deteriorating conditions in South African communities.

The group says the government’s response to immigration enforcement has been insufficient.

Its leaders have repeatedly rejected accusations that their campaign is xenophobic and insist their target is undocumented migration rather than foreign nationals generally.

Bahebwa said documented and undocumented migrants alike have been caught in the hostility.

Earlier this year, six refugees working in salons around Durban’s Warwick Street Market were beaten by men carrying sticks, according to public-interest news outlet GroundUp. Two were hospitalised.

Bahebwa said the migrants had also struggled to obtain help from the authorities after earlier attacks.

“Police said we can’t open cases because we are foreigners. We had nowhere to go,” he alleged. Police have not publicly responded to that specific allegation.

Nowhere obvious to return to

In mid-September, the government moved to clear the makeshift camp outside the refugee centre.

The refugees were given a choice: return to the communities they had fled or accept temporary accommodation at the Lindela facility in Gauteng, hundreds of kilometres from Durban. Lindela is a government-run immigration detention facility used to hold people facing deportation.

The choice divided them.

Some feared going to Lindela, a facility historically associated with immigration detention and repatriation. Others felt they could no longer endure life on the pavement.

On September 15, 274 people were transported by bus from Durban to Lindela. About 150 others chose to remain in Durban and began trying to find alternative accommodation.

For those who stayed behind, leaving the pavement did not resolve the problem that had brought them there in the first place.

Kafuti Muyumba, a small business owner from the DRC and a representative of the refugee community, said many were afraid to return to neighbourhoods where they had built businesses and lives.

People are afraid, he said. “Even the police allow March and March violence. They came with sticks and say we are attacking them,” Muyumba told Al Jazeera.

He said many refugees had lost their livelihoods during the months of upheaval and were now desperate to find accommodation.

“This is not the first time we are experiencing xenophobia,” he said. “In 2008 and then in 2015 we also experienced this.”

In 2008, xenophobic violence spread through townships and informal settlements, killing dozens and displacing thousands.

Further outbreaks of violence against foreign nationals followed in subsequent years.

For Muyumba, those memories make the rhetoric surrounding September 30 difficult to dismiss.

“We don’t trust the police. They are not being fair with us. Some of them are also saying we must go,” he said.

Police have said there are no plans to change their normal policing approach because of the September 30 deadline and that any protesters will be expected to remain within the law.

March and March said all it wants is for undocumented immigrants to leave the country and return home.

But Muyumba said returning to the DRC is not a viable alternative for many Congolese refugees.

“There is still war there,” he said.

A country tightening its borders

In response to ongoing protests, the South African government said it had intensified its immigration enforcement.

Between June 14 and August 20, authorities processed 86,596 foreign nationals for deportation and repatriation, according to the government’s Inter-Ministerial Committee on Migration.

Malawians made up the largest group, followed by Zimbabweans and Mozambicans.

Government data says 90 percent of those repatriated had entered South Africa illegally, while 95 percent were classified as having crossed the border outside official ports of entry.

The government says the operations form part of a broader effort to strengthen border management and enforce immigration law.

At the same time, officials have repeatedly warned private groups against taking immigration enforcement into their own hands.

March and March’s September 30 deadline has no legal authority. The government says common citizens cannot deport anyone from South Africa.

But deadlines do not need legal force to create fear, as was the case for an earlier deadline of June 30. For the refugees who spent months sleeping outside the DHA office in Durban, September 30 is another uncertainty layered on top of many others.

Some have been moved hundreds of kilometres away.

Others are trying to find new homes in the same communities they once fled. But among the migrants Al Jazeera spoke to, there is a shared anxiety that paperwork may offer limited protection when anger is directed first at being foreign.

Bahebwa has spent more than a quarter of a century in South Africa. For now, he says he is hiding and does not know what September 30 will bring.

“They are scapegoating us as foreigners,” he said. “It is not going to end on September 30. It has to do with the elections.”

Justice minister condemns ‘Hitler salutes, antisemitic slogans, violence’ at the anti-immigration rally.

Dutch riot police have intervened at a protest against immigration and asylum policies after about 500 far-right demonstrators pelted them with projectiles and fireworks .

Police used baton charges and dogs to break up the demonstration in The Hague on Saturday, reported the AFP news agency.

Local authorities said the demonstration was ended because of continued violence, and protesters were escorted away from Malieveld park in the city centre.

Police said they arrested 24 people and deployed water cannon to disperse the rioters. Further investigations were underway, they added.

Prime Minister Rob Jetten said on X that the demonstrators deliberately sought confrontation with the police and chanted “abhorrent” far-right and antisemitic slogans

Justice Minister David van Weel condemned the violent scenes and slogans.

“Identical images from the Malieveld. Hitler salutes, antisemitic slogans, violence against the police and throwing fireworks at the riot squad,” he posted on X. “It is important that hardline action is taken against this.”

He also thanked police officers for helping to maintain the democratic rule of law.

The “Wij zijn het volk” rally, which translates to “We are the people”, was organised to protest against government policies in the Netherlands’, specifically on immigration.

The protesters had planned to march through The Hague, but local authorities banned it when violence began and ordered the demonstration to be broken up.

Someone at the rally was seen giving a Hitler salute, while a truck serving as a stage displayed a screen reading “The Netherlands is for the Dutch,” according to the country’s largest national news agency, Algemeen Nederlands Persbureau (ANP).

Protester Thijs Jansen, a 31-year-old mechanic, told AFP: “We’re losing our country. We’re literally losing our country to mass migration”.

Saturday’s unrest came a year after Dutch police used water cannon to disperse another anti-immigration rally in The Hague.

A police car was then set on fire in clashes between black-clad protesters and police, as the headquarters of the centrist D66 party were attacked. Its leader, Rob Jetten, is now prime minister.

Spain’s Lamine Yamal says most racism he has suffered has come from people unaware of their own comments or behaviour.

Barcelona forward ‌Lamine Yamal said he has experienced racism “a thousand ⁠times”, with ⁠many people unaware that their comments or behaviour are racist.

The 19-year-old has been the target of ⁠racial abuse during his rapid rise to prominence.

In October 2024, footage appeared to show Lamine, Raphinha and Ansu ⁠Fati being racially abused during Barcelona’s match against Real Madrid at the Santiago Bernabeu.

The Spanish Observatory on Racism and Xenophobia said in a bulletin published in March that Lamine and ‌Vinicius Jr were the most frequent targets of online racist abuse in Spain in the final quarter of 2025.

Asked by former Argentina international Jorge Valdano in an interview with Spanish broadcaster Movistar whether he had directly experienced racism, Lamine said: “A thousand times.

“People are indirectly ⁠racist toward you, but maybe don’t ⁠realise it. There are a lot of comments or looks that are racist, and they don’t even notice.

“If someone calls me Black, it’s ⁠not going to bother me at all, ultimately I’m Black, I’m not any other ⁠colour. Another thing is whether it’s ⁠good or bad, whether they’re saying it to offend me.

“But if I’m playing a match and they paid for a ticket to see ‌me, I’m not going to get angry just because they disrespected me.”

La Liga has stepped up efforts to combat racist ‌abuse ‌in stadiums following several high-profile incidents in Spanish football in recent years.

We’re hunkered down in a dark stairwell on the side of a hotel facing a busy street in Hollywood. To passersby, we could easily be mistaken for two teenagers hiding in the shadows. In reality, I’m sitting with Kelela, the electronic R&B architect whose uncompromising vision has quietly reshaped the contours of alternative music.

Dressed in oversize sunglasses, an acid-washed tee, light blue jeans, checkered Vans and a vibrant auburn-colored French bob with micro bangs, she effortlessly rolls a joint with long ombre nails that mimic smoke and fire. She slips it between her lips and flicks a lighter stamped with a single word: Gotham.

(Robert Gauthier / Los Angeles Times)

Her lighter choice is pure coincidence, she says, but it fits the apocalyptic visual universe she’s built for “New Avatar,” her dark, guitar-heavy third album that merges her early D.C. indie roots with shoegaze, grunge, futuristic club music and R&B. Produced almost exclusively by Oscar Scheller — who has crafted tracks for PinkPantheress and Lily Allen — the 12-track project finds Kelela chasing intimacy, desire and emotional refuge in the midst of an increasingly chaotic world. From the color-inverted cover art to her icy white hair and bleached brows in the video for “idea 1” — a song that draws inspiration from Octavia Butler’s 1993 sci-fi classic “Parable of the Sower” — the world-building is unmistakable.

“I used it to describe the context … of these stories on the record,” Kelela explains about the Gotham visual concept. “It’s a basic reference, but it feels like it applies. It’s the context for people needing to be saved and everything being f— on some level, but there still being hope.”

Just a few miles from the Hollywood stairwell where we’re sitting, Kelela will translate her genre-flexing record for the stage at the Wiltern during two back-to-back shows on Sept. 21 and 22.

Although she’s a New Yorker now, Los Angeles plays a crucial role in her musical journey. In 2010, the Ethiopian American singer-songwriter moved to Venice to work as a nanny before taking a gig as a solar panel telemarketer — a job she picked to avoid moving back home but unexpectedly excelled at.

“I’ve sold solar power to hundreds of people in the L.A. area,” she quips. “I would level with people. I didn’t sound like a salesperson because I can’t sell something that doesn’t make sense.”

(Robert Gauthier / Los Angeles Times)

The job funded her first solo apartment in MacArthur Park, but an insurance payout from a totaled car ultimately gave her the financial runway to leave sales behind and focus solely on music. That freedom manifested into her debut mixtape “Cut 4 Me,” featuring fan favorites like “Send Me Out” and “Bank Head.”

“It’s a very L.A. story,” she says with a laugh.

More than 10 years after the breakthrough record, Kelela returned to L.A. to record “New Avatar” with Scheller at his home studio in Silver Lake.

During their first session, she played him “Outta Time,” a track featuring British singer-producer A.K. Paul (Jai Paul’s brother) that she’d been holding onto for a decade until she was ready to make her first guitar-centered album. She also showed Scheller her “white bag” playlist — a collection of indie, rock and alternative tracks she loved as a teenager, from Incubus to Deftones to the Red Hot Chili Peppers. He understood the assignment and by the end of their session, they walked away with two songs: the lead single “Idea 1” and the sensual, U.K. garage-infused “Don’t Piss Me Off.”

“I had a sketch and I think that felt very magical,” Kelela says.

Their natural flow was part of the reason why Kelela was able to release “New Avatar” sooner than previous albums. It arrives just three years after its predecessor, “Raven.”

(Robert Gauthier / Los Angeles Times)

But leaning into her “white bag” wasn’t just about nostalgia. It’s a return for the artist who was once the frontwoman of indie rockers Dizzy Spells and was rocking out with her then-boyfriend, guitarist Tosin Abasi (of Animals as Leaders). It’s also a direct confrontation with the industry’s racialized genre boxes — a phenomenon Kelela identifies as “sonic racism.”

“It’s designed to keep us apart, to keep us out,” she says, “and I think clocking that is really important.”

She points to the unspoken kinship that forms when Black fans who love heavier guitar music find each other in white-dominated crowds.

“When they meet it’s a different type of bond through the music — like ‘I’ve always felt on the outside,’ but also ‘We are so inside,’” she says. “That catharsis is another feeling and I knew so much of my audience had an experience with this music, but maybe had to compartmentalize and be on the outside in order to enjoy it.” With “New Avatar,” she wanted to “dismantle and disrupt” that dissonance without abandoning her R&B roots, she says.

(Robert Gauthier / Los Angeles Times)

That philosophy echoes through the record’s lyricism. Where 2023’s “Raven,” a rave-inspired, post-pandemic offering that ruminated on the times and being firm in your boundaries, “New Avatar” is its older sister who is a bit more wise and speaks with even sharper conviction.

“We need space to feel over it,” she says, “and to not be considered Debbie Downers. That’s basically the role that Black women have been sort of relegated to — to be truth tellers. Then everyone’s like ‘Ugh, come on…’ But it’s like we’re laughing all the time. I’m so happy. I’m not unhappy.”

She adds, “The key is not rooted in escapism. The key is rooted in being honest about what you saw, and that’s kind of the tradition that I’d want my work to live in.”

On “Point Blank,” Kelela explores the emotional labor for a woman in a one-sided relationship: “By now, I hope you see/That bullet set me free/And the more I pour, the more you reap/And I’m too spent too weep.” As the title implies, “Don’t Piss Me Off” sees a woman losing her patience with a lover: “Know you want me/Tell me I’m wrong/Takin’ all night/Don’t piss me off.” But by the album’s closer “If We Meet Again,” she cuts ties entirely: “If we ever amend/Nevermind, over and out.”

“A lot of the songs are like “Y’all ain’t s—,’” she says laughing, “But I try to say it in an artful way.”

Two bright spots on the album arrive in the final act: the dream pop-infused “New Life Forms” featuring Fousheé and “The Bridge,” a song about yearning with PinkPantheress, who returned the favor after Kelela appeared on her track “Bury Me.” Directed by Yasser Abubeker, “The Bridge” music video features a memorable, sultry dance number between the two singers — a sequence Kelela encouraged fans to learn before her shows.

“I cried the first time that Yasser sent me the edit,” she says. “It’s like a love letter to Black queer culture, our intimacy. It’s so sexy without me and her having an overt love interest. It just feels so implied in this smart way.”

The day before we met in Hollywood, Kelela gave an intimate live performance for Spotify. Backed by an all-Black femme band featuring a string quartet, guitar, bass and backup vocals, she performed “Idea 1” and a cover of Incubus’ “Mexico” — a rendition that earned her praise on social media from Incubus’ frontman, Brandon Boyd, himself.

“It’s a really important image,” says Kelela about the video. “In addition to it sounding exquisite, I’m not gonna lie, it also tore visually and symbolically.”

She’ll also be backed by a full band during her “New Avatar Live” tour, which she envisions as a high-energy rave that could break into a mosh pit at any moment.

(Robert Gauthier / Los Angeles Times)

“It’s another medium for me to be able to articulate or dismantle those constructs around what makes sense together,” Kelela says. “It’s going to be first and foremost — like any record or anything that I do — cathartic for me.”

She continues, “So I’m going to be living my best f— life and through that I know I will give a good show because it just excites me. It’s a dream come true to be able to pull these things together.”

Israeli forces have fired tear gas into a mosque in the occupied West Bank, leaving worshippers inside struggling to breathe, hours after settlers tried to set fire to a second mosque in the territory.

The Palestinian Ministry of Religious Affairs condemned the continued pogroms on Tuesday, calling them a flagrant violation of the sanctity of places of worship.

Footage, verified by Al Jazeera, showed worshippers at the mosque in Madama, near Nablus, coughing in the aftermath of the tear gas attack.

One elderly man was seen bent over as another tried to help him.

The ministry said Israeli forces “fired tear gas canisters” into the mosque as people gathered for their evening prayers. The attack “resulted in several elderly worshippers suffering from suffocation and caused widespread disruption to the congregation”, it added.

The attack in Madama came hours after Israeli settlers tried to set fire to another mosque in the nearby town of Bazariya.

Photos and videos from Nur al-Din Zanki Mosque showed blackened burn marks around a window of a room and Hebrew phrases sprayed on the exterior walls.

Majed Nasr, who lives near the mosque, said the attack took place early on Tuesday morning. “There was a small explosion that caused a fire inside the mosque building,” he told the AFP news agency. “We managed to contain the blaze before things could get worse and reach the main upper part of the building.”

The Religious Affairs Ministry condemned the “criminal attack” and said some 13 mosques have been “violated” by the Israeli military or settlers since the start of 2026.

Local sources told the Anadolu agency that the racist slogans sprayed at the site included threats against Palestinians and a message to the United States ambassador to Israel, Mike Huckabee, saying: “Huckabee, greetings from the terrorists.”

Last month, Huckabee had described Israeli settlers attacking Palestinians in the town of Qusra and other areas of the occupied West Bank as “terrorists”.

The office of Palestinian President Mahmoud Abbas issued a statement following the Madama attack, warning of “the dangers of the continued and escalating religious war” waged by Israeli forces and settlers against religious sites in the occupied West Bank, including the Al-Aqsa Mosque compound in occupied East Jerusalem.

The “systematic attacks … crossed all red lines and risked triggering a religious conflict with serious consequences for the region and the world”, it said.

Settlers also burned vehicles in the town of Beta, south of Nablus, and set fire to a Palestinian vehicle in Nahalin, west of Bethlehem, on Tuesday, according to media reports and footage posted online.

The attacks come amid a sharp increase in pogroms by Israeli forces and settlers across the occupied West Bank.

The United Nations said in August that at least 76 Palestinians have been killed in the territory this year and that some 3,800 people have been displaced by settler violence, as well as demolitions and evictions.

It also said settler violence had reached “unprecedented levels,” with more than 1,430 attacks resulting in casualties or property damage documented this year.

Elsewhere in the occupied West Bank, Israeli forces arrested at least 14 Palestinians, including five in Rummanah, one at the Anab checkpoint, one in Tammun, three in Hebron, two in Bethlehem and two in Nablus.

Israeli forces also uprooted olive trees near Jenin, demolished greenhouses and issued a demolition notice for a home in the town of Idhna.