program

Embassy staffers and dependents evacuating, airlines suspending service, eyes in Iran warily turning skyward for signs of an attack.

The prospects of a showdown between the U.S. and Iran loom ever higher, as massive American naval and air power lies in wait off Iran’s shores and land borders.

Yet little of that urgency is felt in Iran’s government. Rather than quickly acquiescing to President Trump’s demands, Iranian diplomats persist in the kind of torturously slow diplomatic dance that marked previous discussions with the U.S., a pace that prompted Trump to declare on Friday that the Iranians were not negotiating in “good faith.”

But For Iran’s leadership, Iranian experts say, concessions of the sort Trump are asking for about nuclear power and the country’s role in the Middle East undermine the very ethos of the Islamic Republic and the decades-old project it has created.

“As an Islamic theocracy, Iran serves as a role model for the Islamic world. And as a role model, we cannot capitulate,” said Hamid Reza Taraghi, who heads international affairs for Iran’s Islamic Coalition Party, or Hezb-e Motalefeh Eslami.

Besides, he added, “militarily we are strong enough to fight back and make any enemy regret attacking us.”

Even as another round of negotiations ended with no resolution this week, the U.S. has completed a buildup involving more than 150 aircraft into the region, along with roughly a third of all active U.S. ships.

Observers say those forces remain insufficient for anything beyond a short campaign of a few weeks or a high-intensity kinetic strike.

Iran would be sure to retaliate, perhaps against an aircraft carrier or the many U.S. military bases arrayed in the region. Though such an attack is unlikely to destroy its target, it could damage or at least disrupt operations, demonstrating that “American power is not untouchable,” said Hooshang Talé, a former Iranian parliamentarian.

Tehran could also mobilize paramilitary groups it cultivated in the region, including Iraqi militias and Yemen’s Houthis, Talé added. Other U.S. rivals, such as Russia and China, may seize the opportunity to launch their own campaigns elsewhere in the world while the U.S. remains preoccupied in the Middle East, he said.

“From this perspective, Iran would not be acting entirely alone,” Tale said. “Indirect alignment among U.S. adversaries — even without a formal alliance — would create a cascading effect.”

The U.S. demands Iran give up all nuclear enrichment and relinquish existing stockpiles of enriched uranium so as to stop any path to developing a bomb. Iran has repeatedly stated it does not want to build a nuclear weapon and that nuclear enrichment would be for exclusively peaceful purposes.

The Trump administration has also talked about curtailing Iran’s ballistic missile program and its support to proxy groups, such as Hezbollah, in the region, though those have not been consistent demands. Tehran insists the talks should be limited to the nuclear issue.

After indirect negotiations on Thursday, Oman’s Foreign Minister Badr al-Busaidi — the mediator for the talks in Geneva — lauded what he said was “significant progress.” Iranian Foreign Ministry spokesman Esmail Baghaei said there had been “constructive proposals.”

Trump, however, struck a frustrated tone when speaking to reporters on Friday.

“We’re not exactly happy with the way they’re negotiating and, again, they cannot have nuclear weapons,” he said.

Trump also downplayed concerns that an attack could escalate into a longer conflict.

This frame grab from footage circulating on social media shows protesters dancing and cheering around a bonfire during an anti-government protest in Tehran, Iran, on Jan. 9.

(Uncredited / Associated Press)

“I guess you could say there’s always a risk. You know, when there’s war, there’s a risk in anything, both good and bad,” Trump said.

Three days earlier, in his State of the Union address Tuesday, said, “My preference is to solve this problem through diplomacy. But one thing is certain, I will never allow the world’s number one sponsor of terror, which they are by far, to have a nuclear weapon — can’t let that happen.”

There are other signs an attack could be imminent.

On Friday, the U.S. Embassy in Israel allowed staff to leave the country if they wished. That followed an earlier move this week to evacuate dependents in the embassy in Lebanon. Other countries have followed suit, including the U.K, which pulled its embassy staff in Tehran. Meanwhile, several airlines have suspended service to Israel and Iran.

A U.S. military campaign would come at a sensitive time for Iran’s leadership.

The country’s armed forces are still recovering from the June war with Israel and the U.S, which left more than 1,200 people dead and more than 6,000 injured in Iran. In Israel, 28 people were killed and dozens injured.

Unrest in January — when security forces killed anywhere from 3,000 to 30,000 protesters (estimates range wildly) — means the government has no shortage of domestic enemies. Meanwhile, long-term sanctions have hobbled Iran’s economy and left most Iranians desperately poor.

Despite those vulnerabilities, observers say the U.S. buildup is likely to make Iran dig in its heels, especially because it would not want to set the precedent of giving up positions at the barrel of a U.S. gun.

Other U.S. demands would constitute red lines. Its missile arsenal, for example, counts as its main counter to the U.S. and Israel, said Rose Kelanic, Director of the Middle East Program at the Defense Priorities think tank.

“Iran’s deterrence policy is defense by attrition. They act like a porcupine so the bear will drop them… The missiles are the quills,” she said, adding that the strategy means Iran cannot fully defend against the U.S., but could inflict pain.

At the same time, although mechanisms to monitor nuclear enrichment exist, reining in Tehran’s support for proxy groups would be a much harder matter to verify.

But the larger issue is that Iran doesn’t trust Trump to follow through on whatever the negotiations reach.

After all, it was Trump who withdrew from an Obama-era deal designed to curb Iran’s nuclear ambitions, despite widespread consensus Iran was in compliance.

Trump and numerous other critics complained Iran was not constrained in its other “malign activities,” such as support for militant groups in the Middle East and development of ballistic missiles. The Trump administration embarked on a policy of “maximum pressure” hoping to bring Iran to its knees, but it was met with what Iran watchers called maximum resistance.

In June, he joined Israel in attacking Iran’s nuclear facilities, a move that didn’t result in the Islamic Republic returning to negotiations and accepting Trump’s terms. And he has waxed wistfully about regime change.

“Trump has worked very hard to make U.S. threats credible by amassing this huge military force offshore, and they’re extremely credible at this point,” Kelanic said.

“But he also has to make his assurances credible that if Iran agrees to U.S. demands, that the U.S. won’t attack Iran anyway.”

Talé, the former parliamentarian, put it differently.

“If Iranian diplomats demonstrate flexibility, Trump will be more emboldened,” he said. “That’s why Iran, as a sovereign nation, must not capitulate to any foreign power, including America.”

“If I love you, I have to make you conscious of the things you don’t see.”

James Baldwin’s quote about the artist’s role in society is emblazoned on billboards across Los Angeles this winter. Created by artist Patrick Martinez, the purpose of the signage is two-fold: to promote Frieze Los Angeles and, in the case of neon signs at the art fair’s entrance, to stand as a discrete work of art on its own.

Martinez, an East Los Angeles-based artist, has long translated protest language into storefront-style neon, a strategy he now extends into a broader campaign tied to Frieze, which runs Feb. 26 through March 1 at the Santa Monica Airport and features more than 100 galleries.

This year, however, some of the fair’s most compelling work may be happening outside the tent. Frieze Projects’ “Body & Soul” features eight installations staged across Santa Monica’s Airport Park and beyond. The initiative is intended, organizers say, to broaden the fair’s reach beyond its art world audience — positioning Frieze as a civic platform rather than a purely commercial event.

In addition to Martinez’s creations, “Body & Soul” brings together site-specific works including Amanda Ross-Ho’s durational performance rolling a 16-foot inflatable Earth around the perimeter of a nearby soccer field; Cosmas & Damian Brown’s interactive fountain installation incorporating ceramic heads, incense and water; and Shana Hoehn’s first large-scale public sculpture, fabricated from a fallen tree sourced through Santa Monica’s Urban Forest program. Off campus, Kelly Wall extends the program to a former Westwood Village newsstand, where glass “magazines” will be displayed — 136 in all, priced at $300, with 15 given away.

Martinez’s billboards bearing 2024’s “If I Love You (James Baldwin)” serve as the most highly visible part of the fair’s public outreach. His neon installations respond to ICE raids and immigrant rights, placing protest at the literal threshold of one of Los Angeles’ most visible art events.

L.A. artist Patrick Martinez’s work is featured on billboards around the city, as well as at the entrance to Frieze Los Angeles.

(David Butow / For The Times)

The public art program acts as “a way that we can bring in people who may not be just the ticket goers or the VIP,” said Christine Messineo, Frieze’s director of Americas.

It also serves to amplify the city’s cultural temperature.

“Our job is to represent what’s happening in our community,” Messineo said, adding that immigration and social impact are not anomalies at the fair but part of its foundation.

Some of Martinez’s neon entrance signs — including “Abolish ICE” (2018), “No Body Is Illegal” (2021) and “Then They Came for Me 2” (2025) — predate the current political moment. Instead, they emerge from years of observation and protest.

The artist credits Messineo with approaching him last summer to utilize what he calls his “urgent warning signs” as the face of the fair. Demonstrators also carried signs bearing Martinez’s imagery last June during protests against ongoing federal immigration crackdowns in downtown Los Angeles.

Those events, Martinez says, are not experienced evenly across the city — particularly by the well-heeled audience that attends Frieze and spends $85 to $106 for weekend general admission tickets.

Patrick Martinez, “If I Love You (James Baldwin),” 2024.

(artwork Patrick Martinez / photo Paul Salveson)

Martinez wants his signs to unsettle viewers who are insulated from the city’s unrest.

“The Westside people aren’t even going to see any of that, right? So it’s bringing that kind of mindfulness to that space.”

“It felt prescient then,” Messineo said of engaging Martinez last year, “and I think even more so now.”

Frieze has integrated public art into its Los Angeles fair since its 2019 debut. But the works in “Body & Soul,” produced with the nonprofit Art Production Fund, lean into the particular conditions of public space.

The exhibition brings together Los Angeles artists exploring ideas of memory, community and collective experience — often in quieter ways than Martinez’s overt messaging.

Additional participants include Dan John Anderson, Polly Borland and Kohshin Finley.

Casey Fremont, Art Production Fund’s executive director, said most of the works are newly commissioned.

The program is designed to prioritize innovation over sales. “It isn’t transactional. It’s really just about experimenting and giving the public the opportunity to experience art like they’ve never experienced before.”

Artists scale up — and slow down

“Body & Soul” marks several participants’ first ventures into public work, including Hollywood artist Finley, whose “The Piano Player” will be installed near the corner of Airport Avenue and Donald Douglas Loop. Finley’s piece arranges ceramic vessels inside shadow-box shelving that the artist describes as containers for memory — some “you love to take out and peek into,” others that “should just stay shut forever.”

Kohshin Finley’s “The Piano Player” arranges ceramic vessels inside shadow-box shelving that the artist describes as containers for memory.

(Micaiah Carter)

The title references the film “Casablanca,” and its piano player, Sam, whose music stirs up memories of the central love story.

Finley said the public setting creates an unusually direct encounter as he, like many of his fellow artists, will be standing with his work.

“A lot of people have never seen a living artist,” he said.

Ross-Ho takes visibility even further with her inflatable soccer ball Earth, which weighs 78 pounds. The familiar “blue marble” image will no doubt draw spectators at the Airport Park Soccer Field outside the Frieze tent.

Amanda Ross-Ho is creating a durational performance on a soccer field by Frieze Los Angeles.

(Jennelle Fong for ILY2)

Ross-Ho’s performance, “Untitled Orbit (MANUAL MODE),” functions as an endurance test that is a response to what she calls “the temporal container of the art fair” — and to the pressures of contemporary life.

“Gesture and duration are the ways that I could achieve scale rather than something that was materially constrained like a giant sculpture,” she said.

Designing for gathering

Brown’s installation, “Fountain: Sources of Light,” invites guests to congregate. Positioned between the Airport Park playground and dog park, it combines running water, ceramic vessels, incense and sound.

“I really wanted to make a fountain because I thought that [it’s] something that … people tend to gravitate to,” he said.

The work will incorporate metal plates and bowls created by participants in the youth workshop Art Sundae, taking place Feb. 28 at Airport Park.

Near Brown’s fountain, Echo Park artist Hoehn will present “Deadfall,” a massive fallen fig tree embedded with carved cheerleader legs and skirts — imagery drawn from her Texas upbringing.

Shana Hoehn with one of her carved wooden sculptures.

(Josh Cohen)

“I’ve been working with cheerleading iconography for the past few years,” she said, linking the imagery to what she calls an omnipresent football culture layered with “American patriotism and militaristic qualities.”

Hoehn acknowledged that the fair’s four-day window and limited nearby parking may keep the audience closer to fair-goers than the broader public the program aims to reach.

Beyond the airport fence

A few miles away in Westwood Village, Mar Vista artist Wall will extend the program beyond the airport campus with “Everything Must Go,” installed at a defunct newsstand and on view from 5:48 p.m. (sunset) to 8 p.m. during the fair.

Where magazines and newspapers once were, glass stand-ins bearing skyline imagery will occupy illuminated lightbox shelves. As the glass “magazines” are removed, glowing silhouettes mark their absence.

Kelly Wall, ‘Everything Must Go’.

(Kelly Wall)

Wall’s related project will appear on the Frieze campus with found newspaper boxes transformed into lightbox displays for her glass publication.

“In things coming to an end, there is no real end … there’s transformation,” she said. “How you might see [the piece] may differ depending on different times — or where you’re personally at in your life.”

WASHINGTON — New whistleblower documents detail substantial cuts by the Trump administration to the training requirements for new immigration officers.

Among the cuts are the elimination of practical exams, use of force and legal training courses, and an overall reduction in training time, contrary to an official’s testimony to Congress earlier this month.

The documents, provided to Sen. Richard Blumenthal (D-Conn.) by whistleblowers from the Department of Homeland Security, were publicly revealed ahead of a forum Monday afternoon with congressional Democrats — the third in recent weeks probing what the members view as abusive and illegal tactics used by federal agents.

Lauren Bis, deputy assistant public affairs secretary at DHS, said no training hours have been cut.

“Our officers receive extensive firearm training, are taught de-escalation tactics, and receive 4th and 5th Amendment comprehensive instruction,” she said. “The training does not stop after graduation from the academy. Recruits are put on a rigorous on-the-job training program that is tracked and monitored.”

Blumenthal’s office also disclosed the identity of one whistleblower: Ryan Schwank, an attorney who most recently served as an instructor for new Immigration and Customs Enforcement recruits at the ICE Academy within the Federal Law Enforcement Training Center in Georgia. Schwank, who resigned Feb. 13, is scheduled to testify at the forum.

Schwank is one of two whistleblowers who made a confidential disclosure to Blumenthal’s office last month regarding an ICE policy allowing agents to enter people’s homes without a judicial warrant.

In excerpted quotes from Schwank’s prepared testimony shared with The Times, he calls the training program “deficient, defective and broken.”

“Deficient training can and will get people killed,” he wrote. “It can and will lead to unlawful arrests, violations of constitutional rights, and a fundamental loss of public trust in law enforcement. ICE is lying to Congress and the American people about the steps it is taking to ensure its 10,000 new officers faithfully uphold the Constitution and can perform their jobs.”

Blumenthal’s office did not confirm whether Schwank or the other, still anonymous whistleblower provided the documents released Monday in a 90-page memorandum from minority staff of the Senate Permanent Subcommittee on Investigations.

The documents show ICE has eliminated more than a dozen practical exams that ICE officers previously needed to graduate. In July 2021, a cadet needed to pass 25 practical exams to graduate. Now, nine are required.

Eliminated exams include “Judgment pistol shooting,” “Criminal encounters,” and “Determine removability.”

“All of these are now instead evaluated, if at all, mainly by open-book, multiple-choice written exams and without any graded practical examinations,” the memo states.

Comparisons between the program’s syllabus table of contents and general information sections from July 2025 — before the surge in hiring — and this month show that ICE appears to have cut whole courses, such as use of force simulation training, U.S. government structure, criminal vs. removal proceedings, and use of force.

Earlier this month, acting ICE Director Todd Lyons testified to Congress that while the agency had reduced the number of training days to 42 from 75, “We went from five days a week to six days a week. Five days a week was five eight-hour days. We’ve gone to six 12-hour days.”

But the documents appear to contradict Lyons’ testimony.

“The schedules reflected on these documents indicate that current ICE recruits receive nearly 250 fewer hours of training than previous cohorts of recruits,” the memo states.

The training reductions come as ICE plans to bring up more than 4,000 new Enforcement and Removal Operations officers this fiscal year, which ends in September. One of the documents notes that ICE had graduated 803 new officers in 2026 as of Jan. 29 and projected 3,204 more graduates by the end of the fiscal year.

In a written statement, Blumenthal encouraged more whistleblowers to come forward.

“We know about the Trump Administration’s decimation of training for immigration officers and its secret policy to shred your Constitutional rights because of the brave Americans who are speaking out today,” he wrote. “They are coming to Congress because we have the responsibility to not only bear witness to these crimes, but to do something to make sure they don’t happen again.”

UCLA has canceled an upcoming lecture featuring CBS News editor-in-chief Bari Weiss.

Weiss was scheduled to give the annual Daniel Pearl Memorial lecture on Feb. 27, about “The Future of Journalism.” But according to the university, the program will not move forward as scheduled, after Weiss’ team withdrew from the event.

A source familiar with the UCLA program said the lecture was canceled due to security concerns from Weiss, despite the public university offering to obtain additional security for the event, the source said. The Daniel Pearl Memorial lecture series honors the late journalist and is considered the capstone of the university’s Burkle Center for International Relations. Previous speakers include journalists Jake Tapper, Anderson Cooper and Bob Woodward.

According to the source, several employees at both the Burkle Center and the International Institute expressed opposition to Weiss speaking on campus. The university was also expecting a large number of students to protest the event.

Neither Weiss nor CBS immediately responded to a request for comment.

Weiss founded the media company, The Free Press, which was purchased in October by Paramount, CBS’ parent company. Following the $150 million purchase, Weiss was installed as editor-in-chief of CBS News.

Two months after taking on the new role, Weiss made the widely panned decision to pull a “60 Minutes” episode that examined the alleged abuse of deportees sent from the U.S. to an El Salvador prison. The decision earned Weiss heavy criticism and accusations that the move was politically motivated.

The canceled UCLA lecture comes at a time of ongoing organizational upheaval at CBS, which this week made headlines amid an escalating battle with its own late-night talk host, Stephen Colbert, over the FCC’s effort to enact stricter enforcement of the equal-time rule.

CBS late-night host Stephen Colbert shot back at his network Tuesday over its handling of his interview with Democratic U.S. Senate candidate James Talarico of Texas.

Colbert told viewers Monday he was instructed by CBS “in no uncertain terms” that Talarico could not appear on his “Late Show” program because it would require offering equal time to the candidate’s opponents in the Democratic senate primary. The host also said he was told by CBS not to discuss the matter on the air, a demand he ignored.

CBS contradicted Colbert’s account in a Tuesday statement, saying “‘The Late Show’ was not prohibited by CBS from broadcasting the interview with Rep. James Talarico,” and that Colbert was only advised the program would have to make the time available to Talarico’s opponents.

In his Tuesday “Late Show” monologue, Colbert described the CBS denial as “crap.” He said the CBS legal department cleared his Monday comments and even advised him on his language on the matter.

“They know damn well that every word of my script last night was approved by CBS’ lawyers, who for the record approve every script that goes on the air whether it’s about equal time or this image of frogs having sex,” he said.

Colbert took a paper copy with the CBS statement, crumpled it, and put it in a plastic bag typically used to collect dog feces.

The showdown centers on the Federal Communications Commission’s equal-time rule — which applies only to broadcast TV and radio. The rarely enforced regulation requires broadcasters who interview qualified candidates for office to offer equal time to other contenders on the ballot. Exceptions are typically given to interviews on news programs and talk shows.

FCC Chairman Brendan Carr has called to end the exception for talk shows. Experts say such a change would be difficult to enforce and even chill free speech by limiting which guests programs can book.

Carr’s move is largely seen as an accommodation to President Trump, whose animus toward late-night programs that frequently lampoon him is well-known.

Colbert conducted the interview with Talarico and posted it on YouTube, which is not under the FCC’s jurisdiction, where it attracted several million views.

On Tuesday, Colbert claimed CBS management is kowtowing to Carr and showing a lack of corporate courage. He noted that the talk show exemption in the equal time rule is still in place

“I’m just so surprised that this giant global corporation would not stand up to these bullies,” he said.

A CBS representative did not respond to a request for comment.

Colbert has little to risk by publicly taking on CBS management as his program is ending in May. The company cited financial losses as the reason for the cancellation, but the timing of the decision in July came before CBS parent Paramount Global closed its merger deal with Skydance Media, which required regulatory approval from the Trump administration.

Trump celebrated the announcement that Colbert’s program is ending and has called for the firing of late-night hosts Jimmy Kimmel of ABC and Seth Meyers of NBC.

Colbert is under contract through May and has been kept on the air since the cancellation announcement last year. But if CBS execs lose their patience, it’s conceivable that the network can pull him off the air and use guest hosts until the end of the program’s run.

CBS has yet to decide on a replacement for “The Late Show,” which was launched in 1993 when David Letterman joined the network.

Reporting from Sacramento — For all of the unprecedented elements of President Trump’s federal budget plans, there’s an item buried in the list of detailed spending cuts that has a familiar, contentious political legacy in California.

Trump has proposed canceling federal government subsidies to states that house prisoners and inmates who are in the U.S. illegally. He’s not the first president to try it, and undoubtedly will get an earful from states like California.

For sheer bravado, the award for defending that subsidy probably goes to former Gov. Pete Wilson. In a letter sent to federal officials in 1995, two days after Christmas, Wilson threatened to drop off one of the state’s undocumented prisoners — in shackles, no less — on the doorstep of a federal jail. (He never actually did it.)

“The intent of federal law is unequivocal,” Wilson wrote about the subsidy program. “The federal government must either reimburse the state at a fair rate for the incarceration of any undocumented inmate which it identifies or… take the burden of incarceration off the state’s hands.”

Wilson had won a second term the year before, with a blistering campaign attacking illegal immigration. His time in office was also marked by persistent state budget problems, and the money mattered. The state never got as much as it wanted, though, and years of squabbles followed over the fate of the State Criminal Alien Assistance Program, established as part of the sweeping immigration reforms of 1986.

Former Gov. Arnold Schwarzenegger did his fair share of complaining about skimpy SCAAP funding. In 2005, he and a bipartisan group of western U.S. governors demanded a boost in the program to a total of $850 million. That didn’t happen.

The past two presidents, George W. Bush and Barack Obama, offered their own proposals to cancel the program. Trump’s budget scores the possible savings at $210 million. His budget blueprint lampoons SCAAP as “poorly targeted,” and describes it as a program “in which two-thirds of the funding primarily reimburses four states” for housing felons who lack legal immigration status.

Want to take a guess which state gets the most? OK, that’s an easy one.

California’s state government received $44.1 million in the 2015 federal budget year, according to Justice Department data. Add to that another $12.8 million that was paid directly to California counties, with the largest local subsidy being the $3 million paid to the Los Angeles County Sheriff’s Department.

More than one-third of the entire program went to California. No other state’s share was even close. A win on this issue for the president would be particularly bitter for the state, where political animosity toward Trump is widespread.

Political Road Map: There’s a $368 billion reason that California depends on Washington »

In Gov. Jerry Brown’s budget unveiled last month, he assumed $50.6 million in federal help for prison costs related to felons in the U.S. illegally. A budget spokesman for Brown said the governor will ask for help from the state’s congressional delegation in saving the program. Still, it’s safe to say the estimate is now in doubt.

Roll back the clock, though, and take a look at how this political debate has changed. Wilson’s legacy on illegal immigration cast a long shadow as candidate Trump promised to go after “bad hombres” who are illegally in the country. The president’s official plan, by most estimates, would go even further.

When President Obama tried to nix the subsidy, conservatives warned it would endanger public safety. So far, few are making the same case now that it’s coming from Trump — a curious development, given California’s most famous illegal immigration critic once insisted the program was essential.

john.myers@latimes.com

Follow @johnmyers on Twitter, sign up for our daily Essential Politics newsletter and listen to the weekly California Politics Podcast

ALSO:

Los Angeles County sheriff opposes legislation to create a ‘sanctuary state’ in California

Gov. Jerry Brown projects a $1.6 billion deficit by the summer of 2018

Updates on California politics and state government

California and three other states sued the Trump administration Wednesday over its plans to slash $600 million from programs designed to prevent and track the spread of HIV, including in the LGBTQ+ community — arguing the move is based on “political animus and disagreements about unrelated topics such as federal immigration enforcement, political protest, and clean energy.”

“This action is lawless,” attorneys for California, Colorado, Illinois and Minnesota said in a complaint filed in federal court in Illinois against several Trump administration departments and officials, as well as President Trump himself.

The U.S. Centers for Disease Control and Prevention funding had been allocated to disease control programs in all four states, though California Atty. Gen. Rob Bonta’s office said California faces “the largest share” of the cuts.

That includes $130 million due to California under a Public Health Infrastructure Block Grant, which the state and its local public health departments use to fund their public health workforce, monitor disease spread and respond to public health emergencies, Bonta’s office said.

“President Trump … is using federal funding to compel states and jurisdictions to follow his agenda. Those efforts have all previously failed, and we expect that to happen once again,” Bonta said in a statement.

Health and Human Services Secretary Robert F. Kennedy Jr., one of the named defendants, has repeatedly turned his agency away from evidence-backed HIV monitoring and prevention programs in the last year, and the Trump administration has broadly attacked federal spending headed to blue states or allocated to initiatives geared toward the LGBTQ+ community.

The White House justified the latest cuts by claiming the programs “promote DEI and radical gender ideology,” but did not explain further. Health officials have said the cuts were to programs that did not reflect the CDC’s “priorities.”

Neither the White House nor Health and Human Services immediately responded to requests for comment on the lawsuit Wednesday.

The Los Angeles County Department of Public Health said the cuts would derail an estimated $64.5 million for 14 different county grant programs, resulting in “increased costs, more illness, and preventable deaths,” the department said.

Those programs focus on response to disasters, controlling outbreaks of diseases such as measles and flu, preventing the spread of diseases such as West Nile, dengue and hepatitis A, monitoring and treating HIV and other sexually transmitted diseases, fighting chronic illnesses such as diabetes and obesity, and supporting community health, the department said.

Those cuts would also include about $1.1 million for the department’s National HIV Behavioral Surveillance Project, which is focused on detecting emerging HIV trends and preventing outbreaks.

Dr. Paul Simon, an epidemiologist at the UCLA Fielding School and former chief science officer for the county’s public health department, said slashing the program was a “dangerous” and “shortsighted” move that would leave public health officials in the dark as to what’s happening with the disease on the ground.

Considerable cuts are also anticipated to the City of Long Beach, UCLA and nine community health providers who provide HIV prevention services, including $383,000 for the Los Angeles LGBT Center’s community HIV prevention programs, local officials said.

Leading California Democrats have railed against the cuts. Sen. Alex Padilla (D-Calif.) said the move was an unlawful attempt by Trump to punish blue states that “won’t bend to his extremist agenda.”

“His message to the 1.2 million Americans living with HIV is clear: their lives are not a priority, political retribution is,” Padilla said in a statement.

The states argue in the lawsuit that the administration’s decision “singles out jurisdictions for disfavor based not on any rational purpose related to the goals of any program but rather based on partisan animus.”

The lawsuit asked the court to declare the cuts unlawful, and to bar the Trump administration from implementing them or “engaging in future retaliatory conduct regarding federal funding or other participation in federal programs” based on the states exercising their sovereign authority in unrelated matters.

MILAN — Maxim Naumov typically trembles as he waits in his opening position before the music begins. But on Tuesday, the 24-year-old U.S. figure skater stood firm at center ice with the Olympic rings beneath his feet and his right fist raised. A white gold ring with a single diamond on his ring finger glittered in the light.

It was his father’s ring.

A year after his parents, Vadim Naumov and Evgenia Shishkova, were among 67 people killed in a Washingon, D.C. plane crash, Naumov carried their strength during his Olympic debut and delivered an emotional season’s best 85.65 in the men’s short program that qualified him for the free skate.

U.S. teammate Andrew Torgashev also scored a season’s best in his Olympic debut, qualifying for Thursday’s free skate with an 89.94. His coaching team, which includes Irvine-based Rafael Arutyunyan, fist-bumped after Torgashev hit the final combination jump of his program. Skating to “Maybe I Maybe You” by the Scorpions, Torgashev flashed the rock-and-roll symbol to the crowd as he saluted.

Instead of the raw emotion Naumov released after the U.S. championship that clinched his Olympic spot last month, he smiled purely and breathed deeply while the crowd at Milano Ice Skating Arena showered him with applause. He looked toward the rafters and spoke to his parents.

“Look what we just did,” Naumov said. “We did it.”

Maxim Naumov holds a photo of his parents after competing during the men’s free skate at the U.S. championships.

(Stephanie Scarbrough / Associated Press)

The elder Naumov and Shishkova were three-time world pairs skating medalists and two-time Olympians. The 1994 world champions coached at the Skating Club of Boston and remained at the 2025 U.S. championships in Wichita, Kan., after the competition to coach a development camp.

Maxim Naumov, who had finished fourth at the U.S. championships for the third time in a row, returned home immediately after the competition. In one of their last discussions as a family, Naumov’s father laid out the plan to ensure they could reach the Olympics in one year. The talk lasted about 45 minutes. After the first 30 minutes, Naumov said he was rolling his eyes the way children often do, but he understood the message: They were going to work together and revamp everything they do.

After the crash on Jan. 29, 2025, Naumov struggled to leave the house. He couldn’t bear to tie his skates. Going to the rink felt unimaginable.

At every moment, Naumov wanted to lay in bed and rot. He instead chose to find the thing that felt like the most difficult task and attack it. At first it was simply waking up. Then it was getting out of bed. Then it was going to work and coaching his parents’ former students. Now they’re his students.

“The only way out is through,” Naumov said. “Everyone has the ability to do that: to remain strong in your mind, have willpower and do things out of love instead of fear. I think if you’re able to do that, whatever it is that you’re going through, however big or small, you can have small wins every single day, and you can do things that you never thought that you could.”

Naumov earned his Olympic spot by finishing third at last month’s U.S. championships. The emotions of the national competition that would decide the family’s dream were so heavy that after he finished his free program, he found a secluded corner in the tunnel and sobbed.

Finally on the Olympic stage, Naumov felt nothing but stillness. Naumov said he felt his parents’ presence and the support of the entire figure skating community “like a hand on my back pushing me forward.”

Looking at old videos can still be painful for Naumov. But he mustered the strength to look through the family’s large photo album ahead of the U.S. championships and pick out several photos he brought to the competition. His parents had always been in the kiss-and-cry with him. With his spot on the Olympic team at stake, he wanted them there again.

Waiting for his score in Milan, Naumov flashed a photo he picked. He is flanked by his parents standing on the ice for the first time at about 3 years old.

Two decades later, he was stepping off Olympic ice.

“To be able to just have 2 minutes and 50 seconds to show what you’ve been working on for 19 years, and to be able to make it happen when it matters and when it counts, there’s no feeling like it at all ever,” Naumov said, still breathless from the emotional performance more than 30 minutes after he nailed the final note. “I just hope that I made everyone proud.”

U.S. flags waved on every side of the rink as he saluted the crowd. He knows his mother would have not been there watching in person because she was too nervous to attend. Refreshing the online score tracker to keep up with Naumov’s program, she would always find a way to send a message of support to her son.

Before his program, Naumov sent a message of his own.

“Mom and dad,” the videoboard in the arena read, “this is for you.”

The late afternoon sun was setting over Coldwater Canyon when the bus arrived. Students from Boyle Heights’ Bravo High spilled out into TreePeople, a nature reserve and nonprofit in Coldwater Canyon Park, and took off hiking.

As they looked around the sage and monkeyflower-lined path, their chatter quieted, and soon, they were writing poetry.

Alina Sadibekova, a junior at the magnet medical school, sat under native oak trees, breathing in the soil-rich air with a pen in hand.

“Our city is very busy, especially living in L.A. where everything just goes on and on and it feels like there’s never a point where we can take a breath,” Alina said. “Going to the parks helped me ground myself.”

During a field trip to Gabrielino Springs and the L.A. River Gardens, Bravo High School students from Feng Shui Poetry in the Parks work on poems inspired by the landscape.

(Genesis Sierra)

TreePeople, is one of many green spaces she has visited with Feng Shui Poetry in the Parks, a program dreamed up by the West Hollywood poet laureate, Jen Cheng, in partnership with Bravo High English teacher Steve “Mr. V” Valenzuela. Cheng’s aim is for poetry, nature and Chinese principles to inspire a love for nature in students otherwise surrounded by concrete.

“I think as humans, we’re part of nature, so being better connected to nature actually brings you more home to yourself,” Cheng said. She explains that feng shui, the ancient Chinese practice of arranging a space to encourage harmony, is based on five natural elements: water, wood, fire, earth and metal.

“Feng shui, in poetry, is a lens that you can use to process big ideas using your surroundings,” Cheng said. “You can say, ‘Let’s write about water running down a river,’ not literally, but maybe as a metaphor for migration.”

Feng Shui Poetry in the Parks has grant funding through 2026’s spring semester, but next school year is still up in the air. Cheng says she’s looking for other grants, but as the Trump administration cuts humanities funding, including National Endowment for the Arts grants, the options are scarce.

As the oldest of five growing up in Oakland, Cheng felt seen for the first time when she discovered poetry in elementary school. It was inspired by her most cherished memories: field trips. At the time, her immigrant family worked to the point where they were often “too busy for nature.” During field trips, it was exciting, she said, to be out of Oakland’s urban landscape and in parks that felt rare in her working-class experience.

Decades after her elementary school field trips, as a newly appointed poet laureate for West Hollywood, she envisioned a way to mirror this childhood experience.

Poets laureate, whose role is to champion and encourage poetry in their community, are eligible for a $50,000 nationwide grant through the Academy of American Poets to support “meaningful, impactful and innovative projects,” according to the AAP.

As a recipient of this grant, Cheng brought Feng Shui Poetry in the Parks to life with one final addition — a teacher with a passion for poetry, who could connect her to a classroom of students.

Everyone she spoke to, she said, pointed her to the same person — “Mr. V.”

Jen Cheng, left, and Steve Valenzuela, right, close the Feng Shui Poetry in the Parks reading with words of encouragement for the students who shared their poetry at Bravo High School on Dec. 4, 2025. Both instructors have said that they were surprised by the emotion and creativity the students demonstrated in their poems.

(Kayte Deioma)

A sanctuary for ‘lifesaving’ creativity

When you enter Valenzuela’s classroom, the walls are covered with dozens of CD sleeves, from Deftones to Rage Against the Machine. In the gaps, student artwork, notes and photos with current and former students hang.

Valenzuela leads Bravo High’s poetry club, KEEPERS, and for the last few years, he’s guided the students to win awards at international poetry slam Get Lit.

“Poetry is expression, poetry is life-changing, lifesaving, which sounds very dramatic, but it’s not. Some of the things the students have written about are very traumatic,” Valenzuela said. “I’ve seen them work through difficult experiences and come out of it using poetry.”

One such student is 17-year-old Paige Thibodeaux. “I used to think it was better to be closed off, but throughout this, I was able to show my friends and peers who I am,” Paige said. “I didn’t think that’s something I could do and I’m here now.”

Paige, who lives with her family in Compton, recalled having her guard up as she walked through her neighborhood, where she said expression through poetry felt inaccessible.

“I don’t see a lot of kids doing things like this,” she said.

Student poets, friends and family members gather before the start of the Feng Shui Poetry in the Parks poetry reading and zine release at Bravo High School on Dec. 4, 2025.

(Kayte Deioma)

Working on a book, she said, opened up a whole new side of her. She started to confide in friends about stress, or things that bothered her, which otherwise would have stayed inside.

‘I still don’t believe it’

Since August 2025, Paige and her classmates have developed their poems, received feedback from Cheng and submitted their final pieces to be published as a poetry collection.

The cover, designed by Bravo student Adrian Lopez, depicts a tree wrapping around the spine. The poems are rooted in their observations of current affairs and native plants; the publication was completed in December, when Valenzuela and Cheng planned for a reading and celebration of their work at Bravo High.

“Did you guys know your work is going to be read across the country?” Cheng said to students in class one day. “I’m sending it all the way to New York!”

“Feng Shui Poetry in the Parks Vol. 1” is being printed as a zine and will be sent to bookstores and libraries from San Francisco to Chicago as well as the Library of Congress.

Students giggled and gasped in disbelief. “No pressure, I guess,” one student joked.

“It’s really crazy, I still don’t believe it. It’s been a dream of mine,” Alina said. “I never realized I could be a published author as a junior in high school.”

The night of the poetry reading, students, parents and friends gathered in excitement in Bravo High School’s library, settling in rows before a single microphone. Out in the hallway, the raucous chatter of teenagers echoed in the halls, and cars honked on the busy street outside to pick them up. But inside the haven of the library, there was a quiet settling among the crowd for the long-awaited show.

Alina Sadibekova reads her poems “I Want to Fly” and “Messy” for the Feng Shui Poetry in the Parks reading at Bravo High School on Dec. 4, 2025. She says writing poetry over the course of the program “grounded” her and alleviated the stress of school.

(Kayte Deioma)

Aolani “Lani” Alarcon approached the mic to hushed voices. As the lights lowered, she thanked the crowd, the white flower tucked in her hair catching the light as she recited her first poem, “White Sage.”

She says poetry didn’t always come easily to her. “One of the biggest things I struggle with is judgment, so opening up or writing about touchy subjects or things that mean something to me was hard,” Lani said. “Knowing that I wouldn’t be judged, or that people would actually like what I write, means a lot.”

The 16-year-old smiled as she read, describing sage as an ancestor’s prayer. Her next poem, “Hummingbird,” delved into grief.

“You teach me that healing isn’t forgetting,” she read, tears welling. “It’s learning to carry love without breaking under it.”

Manuel Alarcon, her father, was seated in the crowd, clasping his hands in rapt attention. When the readings had finished, he pulled Lani into a long embrace.

“These field trips, it exposed them outside of city life,” Alarcon said. “There’s more than opening a book, listening to a teacher. You need that outside exposure to really understand life. And inner city kids don’t have that. I want [my daughter] to be part of breaking a cycle.”

Valenzuela clapped loudly and cheered as each student stepped off the podium.

“When young voices, and voices from marginalized communities tend to be silenced, sometimes we internalize that and silence ourselves,” Valenzuela said. “I want them to feel like they can speak up.”

As Feng Shui Poetry in the Parks carries on for another semester— maybe its last — students continue to explore writing poetry in the greens of L.A. parks. Some, like 17-year-old Saneli Soto, express themselves along the way.

Saneli’s poem reads:

I’m used to concrete floors
And concrete walls.
I’m used to five story buildings.
I needed a quiet place.
Where I could just lie in the grass.

Not long after Pacific Palisades and Altadena had burned, Gov. Gavin Newsom summoned reporters and television cameras to Dodger Stadium. Newsom stepped behind a podium dropped within a stadium parking lot, with a commanding view of Los Angeles as the backdrop.

He was there to unveil LA Rises, a signature initiative under which the private sector and philanthropists could unite to help Southern California rebuild and recover.

The most valuable player that day: Mark Walter, the Dodgers’ chairman and controlling owner. The big announcement: Walter and two of his associated charities — his family foundation and the Dodgers’ foundation — would contribute up to $100 million as “an initial commitment” to LA Rises.

“We should clap for that,” Dodgers co-owner Magic Johnson told the assembled media. “A hundred million dollars, that’s an outstanding thing.”

One year later, Newsom’s initiative has struggled to distinguish itself amid a panoply of wildfire relief efforts. LA Rises has delivered $20 million to date, including $7.8 million from Walter’s family foundation, according to Newsom’s office.

“If it’s a number of 20 million after one year, after such a severe occurrence, and with Los Angeles having the giving capacity to meet that goal, I would have expected to hear that there had been more commitments, at a minimum,” said Casey Rogers, founder of Santa Barbara-based Telea Insights, which advises philanthropists and leaders of nonprofit organizations.

“Maybe not all of those commitments would have been paid. Maybe they would have been commitments over a number of years. But it would have been closer to the goal.”

Walter stands by his pledge, Dodgers president Stan Kasten said. A representative of Newsom’s office said Walter’s pledge did not come with a timeline.

“I know we haven’t spent the full 100 yet,” Kasten said, “but this is a long-term commitment.”

Rather than solicit large donations up front and determine how to use the money later, LA Rises prefers to identify “impactful opportunities for investment” as they arise and then “coordinate financial support from a variety of private, public and philanthropic donors, including the Walter Family Foundation,” said Dee Dee Myers, director of Newsom’s office of business and economic development.

Of the Walter foundation contributions, $5 million went toward grants for impacted small business, workers and nonprofits, with $2.8 million to Pasadena City College for modernizing and expanding technical education programs to train workers that can help rebuild their own communities.

LA Rises also funded programs that include day camps and mental health intervention to children affected by the fires; streamlined architectural planning and permits for survivors wishing to rebuild; and support for Habitat for Humanity in building new homes and rebuilding damaged ones.

“The administration is incredibly grateful for any philanthropic dollars that have gone towards the rebuilding efforts in Los Angeles,” Myers said.

The competition for those dollars is fierce. The Milken Institute reported that private giving toward wildfire relief — from individuals, corporations and other entities — hit nearly $1 billion last year.

“I know there has been a lot of money that has been paid to various programs,” Kasten said, “and there has also been some rethinking about how LA Rises is deployed and what foundational money from the Dodgers is used for. We continue to work hard with a lot of groups on that tragedy.

“There are talks ongoing about a variety of programs and a variety of ways of funding things. We are still very involved with this, both with LA Rises and other entities.”

Kasten did not rule out Walter shifting some or all of his remaining funding commitment to an organization outside LA Rises.

“I don’t know exactly what entity we will be formally engaged with — or doing it separately — but we’re absolutely committed to helping out those programs that need that kind of help,” he said. “We’ve done a lot of it already, and we can do a lot more.”

To say that DeAndre Cole inherited a difficult challenge when he became the boys’ basketball coach at Compton Centennial this season would be an understatement. The team went 1-23 last season and had a streak of seven consecutive losing seasons since finishing 13-13 in 2017-2018.

“The expectation was to bring the winning culture, to bring some excitement,” the 44-year-old Cole said.

Incredibly, Centennial has already finished its regular season with a 12-12 record and represents one of the biggest turnaround stories in Southern California. The .500 record means Centennial is eligible for a Southern Section at-large playoff berth.

This is a program where UCLA assistant coach Rod Palmer once had teams competing against the best when alumnus Arron Affalo was bombing in threes and delivering dunks before going on to UCLA and the NBA. Centennial won the 2004 state Division III championship. This year’s team went 1-6 in the Ocean League, where Inglewood and high-scoring Jason Crowe Jr. won the league title.

Cole once served as an assistant coach at Washington Prep and Manual Arts. He was set to be head coach at Morningside until the school closed last year.

He’s a Crenshaw grad who says he was kicked off the basketball team by legendary coach Willie West. Asked what he learned, Cole said, “It takes hard work and being dedicated buying into the program and no player is bigger than the program.”

He said his problem was not listening to West and thinking he was the next Stephen Curry.

Even though Centennial had only six players available much of the season for varsity action, Cole created a junior varsity team, so help is on the way if the team gets a playoff spot. The team’s best two players have been guards Jaden McDonald, a transfer from Detroit, and Edward Johnson, who used to be home-schooled.

Five of the six players have played football, including Joshua Crathers, who was the school’s quarterback for two years.

Asked what he learned after winning one game last season, Crathers said, “Don’t give up. When you lose, you get better.”

Cole had to be creative when he lost a player against St. Bonaventure, leaving the Apaches with four players. A student who was a friend of a Centennial player with minimal practices was asked to join the team for a single game.

“We need you to show up,” Cole told the student.

Cole remembers him being so out of shape that he needed a water break after the first play of the game. Centennial won 63-58.

McDonald said the team has no choice but to be in their best shape knowing players have to play the entire game.

“I feel everything that comes to us is deserving, but we have to work hard,” McDonald said.

There’s no reason the program can’t continue to grow considering the Compton area is filled with talent. Remember the city is where DeMar DeRozan, Patrick Christopher, Tyson Chandler and Corey Benjamin once played. It’s about keeping the neighborhood kids home and showing players can develop and explore their basketball dreams.

Considering how far Centennial plunged, a 12-12 record at this point is a stunning reward for the school, players, parents and fans. Let’s see where Cole can take them.

The school is about to go through a rebuilding phase, with the gym being torn down and replaced on a whole new campus.

The straight outta of Compton story is in its beginning stage, but it sure looks like things are changing fast.