Kaleena Smith averaged 31 points, seven assists and four steals a game this season while playing for the No. 1 program in the Southland, but her expanded leadership role is what earns her the honor of The Times’ girls’ basketball player of the year.
The 5-foot-6 junior point guard marshaled Ontario Christian to the CIF state championships in Sacramento for the first time in the program’s history and along the way her voice spoke almost as loudly as her game — surprising for someone who is not talkative by nature.
“Her numbers speak for themselves but the biggest difference in Kaleena this season has been her leadership,” Knights coach Aundre Cummings, said. “She’s always coming to practice first and leaving last, which teammates respect, but also knowing when to speak up.”
Smith has been nicknamed “Special K” for her talent and charisma, traits that make her one of the top national recruits in the class of 2027. She is garnering attention from multiple college programs. USC women’s coach Lindsay Gottlieb was even on hand to witness Smith score 23 points and contribute six assists in the Southern California regional semifinals against Etiwanda on March 8 and the state championship game against Archbishop Mitty at Golden 1 Center in Sacramento.
“I’m being more vocal, yes, because I’m gonna have to do that in college,” said Smith, who spent countless hours refining her mid-range jumper this winter. “As captain it’s one of my responsibilities.”
One hundred games into her high school career, Smith is living up to the hype thrust upon her when she was named MaxPreps’ national freshman of the Year in 2024. She passed the 2,000-point plateau when she scored 51 points against Esperanza in November.
Smith paced Ontario Christian to the Southern Section Open Division title as a sophomore and although the Knights were denied a repeat (she had 30 points and five assists in a finals defeat to Sierra Canyon) her stats are better in every significant category. Intertwined with her competitive spirit and winning mindset is the maturity and confidence of an upperclassman.
“Her leadership is what stands out,” sophomore teammate Tatianna Griffin said. “She’s a very quiet person. I’m not sure it comes naturally or not but when she says something we listen.”
Griffin’s own game has blossomed because of Smith’s willingness to give her the ball in clutch situations, and Smith has been a mentor to freshman Chloe Jenkins, who led the team in rebounds (11.3 per game).
Adding leadership to her basketball IQ, court vision, defense, quickness, shooting, passing and dribbling has made Smith a complete player, one who is poised for a senior season worth talking about.
In a stunning move, CBS News is shutting down its radio division, getting out of the medium where its storied history began nearly 100 years ago.
CBS News Radio will stop offering its service to its 700 affiliate stations on May 22.
“While this was a necessary decision, it was not an easy one,” the company said in a memo obtained by The Times. “A shift in radio station programming strategies, coupled with challenging economic realities, has made it impossible to continue the service.”
CBS sold its own radio stations in 2017, but continued to offer hourly network newscasts to affiliate stations, including “World News Roundup,” which has been on the air since 1938. Legendary CBS News journalist Edward R. Murrow delivered his first report on the program.
The news of the shutdown comes as dozens of CBS News employees are learning Friday if they have a future at the struggling news division.
A morning email from CBS News President Tom Cibrowski and editor-in-chief Bari Weiss that was obtained by The Times said staff affected by a new round of job reductions will be notified by the end of the day. About 6% of the 1,000 CBS News employees will be affected.
The cuts had been hinted at earlier this year by Weiss, when she said her business goal for the division is to expand its reach on digital platforms. Weiss and Cibrowski raised the same issue in their note informing employees of the cuts.
“It’s no secret that the news business is changing radically, and that we need to change along with it,” they wrote. “New audiences are burgeoning in new places and we are pressing forward with ambitious plans to grow and invest so that we can be there for them.”
CBS News has been dealing with a decline in revenue for its TV programs, as viewers have gravitated toward streaming platforms and social media.
The network’s daily programs “CBS Evening News with Tony Dokoupil” and “CBS Mornings,” both run well behind their competition in the ratings. It does have two strong weekend franchises in “60 Minutes” and “CBS Sunday Morning.”
CBS News is expected to be under the same corporate ownership as CNN once parent company Paramount closes its $111 billion deal to acquire Warner Bros. Discovery. The two divisions are likely to share news gathering costs, which could lead to the closure of bureaus and a reduction of personnel.
Weiss had joined CBS News earlier that month and was not directly involved in the staff reductions. She is said to be more personally involved in the cuts occurring Friday.
MS NOW is making sweeping changes to its daytime programming, moving hosts Stephanie Ruhle and Alicia Menendez to new time slots.
The changes include the departure of Ana Cabrera, who told viewers about her plans Wednesday. Carbera joined MS NOW — formerly MSNBC — from CNN in 2023. Chris Jansing, the current 11 a.m. Eastern host, will become chief political correspondent.
Stephanie Ruhle is the new anchor for MSNBC’s “The 11th Hour.”
(MSNBC)
The moves announced by MS NOW President Rebecca Kutler are aimed at improving daytime ratings on the network, which changed its name from MSNBC after being spun off from Comcast into a new company called Versant.
MS NOW has seen improved ratings in prime time with opinion programming since the network was re-branded in November. The politically progressive-leaning network will have hosts with a point-of-view in the daytime hours as well once the programming changes take effect in June.
In a memo to staff obtained by The Times, Kutler said the daytime programming will “still be rooted in hard news.”
Ana Cabrera speaks at The Common Good Forum & American Spirit Awards 2018 at The Common Good Forum on May 21, 2018 in New York City.
(Sylvain Gaboury / Patrick McMullan via Getty Images)
Ruhle will move from her 11 p.m. Eastern program “The 11th Hour” to a daytime shift from 9 a.m. to 11 a.m. Eastern. Her program will focus on money and politics.
Menendez will host two hours in the afternoon starting at noon Eastern.
The schedule changes will take effect in June.
Alicia Menendez, Michael Steele and Symone Sanders Townsend of MSNBC’s “The Weekend.”
(MSNBC/Virginia Sherwood/MSNBC)
Once Ruhle’s new program debuts, “Morning Joe” will return to a three-hour format. The program co-hosted by Joe Scarborough and Mika Brzezinski expanded to four hours in 2022. Although the expansion improved ratings, the hosts have asked to scale back so they can pursue other projects at the network.
Menendez has been part of the trio on “The Weeknight,” with Michael Steele and Simone Sanders-Townsend. Luke Russert will take her seat on the program as he returns to an on-air role. Russert had been part of the daytime MSNBC show “The Cycle,” and recently served as creative director for MS NOW’s live event series.
Ruhle will be replaced on “The 11th Hour” by Ali Velshi, who recently served as a weekend anchor. Jacob Soboroff, the network’s national correspondent, will take over Velshi’s anchor duties from 10 a.m. to 1 p.m. Eastern.
Kutler said there will be no job reductions related to the schedule changes, saying she expects to have “more people working at MS NOW by the end of 2026 than we do today.”
MS NOW is the second most-watched cable news network behind Fox News while leading CNN.
A dispute over the city of Los Angeles’ eviction defense program came to an end Tuesday when the City Council approved millions of dollars in funding for the next 15 months.
The program, Stay Housed L.A., started in 2021 and provides thousands of renters with legal representation in eviction proceedings as well as other services.
Tenant advocates feared that the new contract, which passed 12 to 1 and funds an initial portion of a three-year, $177-million contract, was under threat after City Atty. Hydee Feldstein Soto urged the council to reconsider it in a confidential memo last week.
Feldstein Soto said she had concerns about awarding such a large contract to Legal Aid Foundation of Los Angeles, which frequently sues the city over homelessness issues.
Legal Aid is the main legal service provider under the Stay Housed L.A. contract, which also funds Southern California Housing Rights Center for short-term emergency rental assistance, Liberty Hill Foundation for tenant outreach and Strategic Actions for a Just Economy to protect tenants from harassment.
The city’s Housing Department had recommended a three-year contract, but the council opted for a shorter period that can be extended.
Legal Aid has argued that its lawsuits against the city are unrelated to its eviction defense work under the Stay Housed L.A. contract.
“We are very relieved that our services can continue uninterrupted,” said Barbara Schultz, director of housing justice for Legal Aid, in an interview after the vote.
Feldstein Soto, who is running for reelection, said in a statement that her office wanted to make sure the city wasn’t giving a “blank check” to Legal Aid without requiring detailed reporting of finances and outcomes.
“The eviction defense program is a city program and is in zero jeopardy,” she said. “What is in question is a $177-million blank check to [Legal Aid] and its partners without the reports and invoice review that is required by law. That is an amount that exceeds the budget of numerous city departments.”
On Tuesday, the City Council added a requirement that the nonprofits in the program provide “performance metrics” including the number of tenants served, case outcomes and demographic data.
Schultz said that Legal Aid already provides monthly data to the city.
John Lee was the only councilmember who voted against the new contract, saying he was not comfortable with the new “transparency requirements.”
Since its inception, Stay Housed L.A. has opened about 26,000 cases overall, providing full representation for 6,150 cases and working on nearly 20,000 “limited scope” cases, according to data from Legal Aid. The original contract, which is set to lapse at the end of the month, was for about $90 million.
The program is funded by Measure ULA, the “mansion tax” passed by city voters in 2022. On Tuesday, the council included a provision that would allow it to cease funding the eviction defense program if Measure ULA were overturned.
The Legal Aid Foundation of Los Angeles routinely sues the city — and wins.
In the last two months, the nonprofit has notched victories in three lawsuits over the city’s handling of the homelessness crisis.
Legal Aid also defends tenants at risk of eviction as part of the city and Los Angeles County’s Stay Housed L.A. program.
Last Tuesday, the City Council was set to vote on a $177-million contract for Legal Aid to continue representing tenants for the next three years, with other groups providing related services.
But the night before the vote, City Atty. Hydee Feldstein Soto sent a confidential memo to council offices recommending that council members “reconsider the award of such a large contract to a frequent litigant against the city,” according to a portion of the memo obtained by The Times.
On the day of the scheduled vote, the council delayed it for a week, until Tuesday.
“[Legal Aid’s] mission includes improving the lives of our client communities through systemic change, which sometimes means filing litigation against government entities engaging in illegal conduct,” Barbara Schultz, director of housing justice for Legal Aid, said in an interview.
Schultz said that Legal Aid’s litigation and eviction work “are entirely separate.”
Through a spokesperson, Feldstein Soto declined to comment. She is running for reelection this year.
The contract, which would last for three years, would award nearly $107 million to Legal Aid for eviction defense and prevention, $42 million to the Southern California Housing Rights Center for short-term emergency rental assistance, nearly $22 million to Liberty Hill Foundation for tenant outreach and close to $7 million to Strategic Actions for a Just Economy to protect tenants from harassment.
The battle over the contract has serious implications for Los Angeles tenants at risk of eviction, Schultz said.
Legal Aid, which has participated in the program since its inception in 2021, will have to stop accepting new clients if the contract does not pass on Tuesday. Each month, about 160 tenants will be without legal representation and about 575 more won’t get advice that could help them avoid eviction proceedings, Schultz said.
Schultz said that Legal Aid subcontracts some of the legal work in the program to groups such as Bet Tzedek and Inner City Law Center.
“We get 600 to 800 eviction filings each month in our district alone. If council doesn’t act, those families will have no help from the city,” City Councilmember Hugo Soto-Martínez said in a statement.
The Stay Housed L.A. program has opened about 26,000 cases overall, providing full representation for 6,150 cases and working on nearly 20,000 “limited scope” cases, according to data from Legal Aid. The original contract, which is set to lapse at the end of the month, was for about $90 million.
Measure ULA, the “mansion tax” passed by city voters in 2022, includes funding for the program.
Last June, Feldstein Soto tried to block the City Council from extending the contract without a competitive bidding process, a core tenet she has preached as the city’s elected legal counsel.
At the time, some City Council members grumbled, but still, they opened the contract to bidders.
Months later, the city Housing Department awarded the contract to Legal Aid and the other organizations before sending it to the City Council for approval.
“Our understanding of the city’s contracting process is that it is trying to get the best services it can at the best value and not using the process to influence the political or legal activities of nonprofit advocacy organizations,” Elizabeth Hamilton, deputy director of Strategic Actions for a Just Economy, which has also filed lawsuits against the city, said in a statement.
Feldstein Soto’s confidential memo cited other potential issues with the contract, calling for an audit of Stay Housed L.A. and asserting that a confidentiality clause in the original contract might violate state public records laws.
Recently, Legal Aid has scored several victories against the city.
In January, a judge ruled that the city violated the state’s open meeting law when council members made a plan behind closed doors to sweep 9,800 homeless encampments. Legal Aid represented the plaintiffs in that case.
In February, with Legal Aid also serving as plaintiffs’ counsel, a judge ruled that the city lacked the legal authority to carry out a state law allowing the dismantling of abandoned or inoperable RVs worth up to $4,000.
That same month, Legal Aid scored another victory when a federal judge found that the city violated homeless people’s constitutional rights by seizing and destroying their property during encampment cleanups.
Gayle King, the most high-profile star at CBS News, has signed a new deal with the network.
A CBS News representative said Wednesday the division reached an agreement with King, 71, to continue as co-host of “CBS Mornings” co-host but did not reveal the length or the terms. Her current deal was set to end in May.
King’s future at the program came into question last fall after the arrival of CBS News Editor-in-chief Bari Weiss. There were leaks to the trades and tabloid press that parent company Paramount was looking to trim King’s salary or reduce her role at the network as a means to cut costs.
“Rumors of my demise were inaccurate and greatly exaggerated,” King said in a statement. “CBS News is my longtime home, and I am committed to our mission. I’m excited about continuing at CBS Mornings. As always, I’m open to new adventures here and ready to go. It took a minute, but we got there. And now that we are here, I am all in.”
King is the highest paid on-air talent at CBS News, earning an annual eight-figure salary.
Known for her effusive charm, King apparently won Weiss over.
“There is only one Gayle King,” Weiss said in a statement. “We’re so proud that she’ll continue to call CBS home. We’re thrilled to have her on in the morning—and equally excited to work with her on new, enterprising projects that bring her talents to new audiences.”
While King is locked in for at least another year, there is a search underway for at least one new co-host on the program.
King’s current co-host is Nate Burleson, who is also an analyst for CBS Sports. The network has not permanently replaced Tony Dokoupil, who left “CBS Mornings” in January to take over as anchor of the “CBS Evening News.”
King joined CBS News in 2012, when she joined “CBS This Morning.” As co-hosts alongside Charlie Rose and Norah O’Donnell, the program experienced five consecutive years of ratings growth.
“CBS This Morning” was adrift after Rose — a major audience draw — was ousted over sexual harassment allegations. In 2021, it was renamed “CBS Mornings,” with King taking a more prominent role.
“CBS Mornings” ranks third in ratings behind NBC’s “Today” and ABC’s “Good Morning America,” but remains a significant revenue generator for CBS News.
Los Angeles cannabis businesses that owe back taxes wouldn’t have to pay late fees and interest under an “amnesty” program proposed by the City Council.
To qualify, the businesses would have to pay their city taxes within three years.
The council’s unanimous vote on Tuesday, asking the Office of Finance to draft language creating the program, comes at a time when city leaders are searching for money to cover basic services after closing a $1-billion budget gap.
More than 500 of the roughly 700 licensed cannabis businesses in the city collectively owed about $400 million in taxes — an amount that includes $100 million in penalties and $35 million in interest, according to an October report from the Office of Finance.
The total amount owed increased to $417 million as of December, according to Matthew Crawford, the office’s assistant director.
But only about $150 million is collectible, since some tax debts are outside of the three-year statute of limitations and some cannabis businesses are no longer operating.
Based on a projection that about half of eligible cannabis businesses would take part in the program, the city would collect about $30 million in back taxes while waiving about $25 million in penalties, the October report said.
Under the amnesty program, about 20% of the revenue would go to the city’s general fund and the Office of Finance. The Los Angeles Police Department and the city attorney’s office would receive about 40% for illegal cannabis enforcement, and the remaining 40% would fund social equity grants to cannabis operators, particularly members of low-income and minority communities that have been subject to disparate enforcement of criminal cannabis laws.
“The city finds itself with a unique opportunity to bring businesses into compliance and, at the same time, properly fund cannabis industry-centric programming,” City Councilmember Imelda Padilla said during Tuesday’s meeting.
Owners of cannabis businesses say the 10% city tax rate on their gross sales is exorbitant, at the same time that illegal cannabis businesses have carved out a chunk of the market.
“Not only are we competing against the illicit market, we’re competing against licensed dispensaries that the city is allowing to stay open who have made it their business model to not pay tax,” Daniel Sosa, who owns four cannabis dispensaries in the city, told the council on Tuesday.
The amnesty program should be mandatory for businesses that are behind on their taxes, and those who default on their payments should have their licenses stripped, Sosa said.
Sosa said that the tax on cannabis sales should be “just like every other business pays in the city: guns, tobacco, alcohol, major, major billion dollar corporations.”
Other business tax rates in the city range from 0.11% to 0.425%, according to Crawford.
Last month, the council placed a cannabis-related measure on the June 2 ballot that, if approved by voters, would close a tax loophole for illegal cannabis businesses and open them up to the threat of civil collection.
Embassy staffers and dependents evacuating, airlines suspending service, eyes in Iran warily turning skyward for signs of an attack.
The prospects of a showdown between the U.S. and Iran loom ever higher, as massive American naval and air power lies in wait off Iran’s shores and land borders.
Yet little of that urgency is felt in Iran’s government. Rather than quickly acquiescing to President Trump’s demands, Iranian diplomats persist in the kind of torturously slow diplomatic dance that marked previous discussions with the U.S., a pace that prompted Trump to declare on Friday that the Iranians were not negotiating in “good faith.”
But For Iran’s leadership, Iranian experts say, concessions of the sort Trump are asking for about nuclear power and the country’s role in the Middle East undermine the very ethos of the Islamic Republic and the decades-old project it has created.
“As an Islamic theocracy, Iran serves as a role model for the Islamic world. And as a role model, we cannot capitulate,” said Hamid Reza Taraghi, who heads international affairs for Iran’s Islamic Coalition Party, or Hezb-e Motalefeh Eslami.
Besides, he added, “militarily we are strong enough to fight back and make any enemy regret attacking us.”
Even as another round of negotiations ended with no resolution this week, the U.S. has completed a buildup involving more than 150 aircraft into the region, along with roughly a third of all active U.S. ships.
Observers say those forces remain insufficient for anything beyond a short campaign of a few weeks or a high-intensity kinetic strike.
Iran would be sure to retaliate, perhaps against an aircraft carrier or the many U.S. military bases arrayed in the region. Though such an attack is unlikely to destroy its target, it could damage or at least disrupt operations, demonstrating that “American power is not untouchable,” said Hooshang Talé, a former Iranian parliamentarian.
Tehran could also mobilize paramilitary groups it cultivated in the region, including Iraqi militias and Yemen’s Houthis, Talé added. Other U.S. rivals, such as Russia and China, may seize the opportunity to launch their own campaigns elsewhere in the world while the U.S. remains preoccupied in the Middle East, he said.
“From this perspective, Iran would not be acting entirely alone,” Tale said. “Indirect alignment among U.S. adversaries — even without a formal alliance — would create a cascading effect.”
We’re not exactly happy with the way they’re negotiating and, again, they cannot have nuclear weapons
— President Trump
The U.S. demands Iran give up all nuclear enrichment and relinquish existing stockpiles of enriched uranium so as to stop any path to developing a bomb. Iran has repeatedly stated it does not want to build a nuclear weapon and that nuclear enrichment would be for exclusively peaceful purposes.
The Trump administration has also talked about curtailing Iran’s ballistic missile program and its support to proxy groups, such as Hezbollah, in the region, though those have not been consistent demands. Tehran insists the talks should be limited to the nuclear issue.
After indirect negotiations on Thursday, Oman’s Foreign Minister Badr al-Busaidi — the mediator for the talks in Geneva — lauded what he said was “significant progress.” Iranian Foreign Ministry spokesman Esmail Baghaei said there had been “constructive proposals.”
Trump, however, struck a frustrated tone when speaking to reporters on Friday.
“We’re not exactly happy with the way they’re negotiating and, again, they cannot have nuclear weapons,” he said.
Trump also downplayed concerns that an attack could escalate into a longer conflict.
This frame grab from footage circulating on social media shows protesters dancing and cheering around a bonfire during an anti-government protest in Tehran, Iran, on Jan. 9.
(Uncredited / Associated Press)
“I guess you could say there’s always a risk. You know, when there’s war, there’s a risk in anything, both good and bad,” Trump said.
Three days earlier, in his State of the Union address Tuesday, said, “My preference is to solve this problem through diplomacy. But one thing is certain, I will never allow the world’s number one sponsor of terror, which they are by far, to have a nuclear weapon — can’t let that happen.”
There are other signs an attack could be imminent.
On Friday, the U.S. Embassy in Israel allowed staff to leave the country if they wished. That followed an earlier move this week to evacuate dependents in the embassy in Lebanon. Other countries have followed suit, including the U.K, which pulled its embassy staff in Tehran. Meanwhile, several airlines have suspended service to Israel and Iran.
A U.S. military campaign would come at a sensitive time for Iran’s leadership.
The country’s armed forces are still recovering from the June war with Israel and the U.S, which left more than 1,200 people dead and more than 6,000 injured in Iran. In Israel, 28 people were killed and dozens injured.
Unrest in January — when security forces killed anywhere from 3,000 to 30,000 protesters (estimates range wildly) — means the government has no shortage of domestic enemies. Meanwhile, long-term sanctions have hobbled Iran’s economy and left most Iranians desperately poor.
Despite those vulnerabilities, observers say the U.S. buildup is likely to make Iran dig in its heels, especially because it would not want to set the precedent of giving up positions at the barrel of a U.S. gun.
Other U.S. demands would constitute red lines. Its missile arsenal, for example, counts as its main counter to the U.S. and Israel, said Rose Kelanic, Director of the Middle East Program at the Defense Priorities think tank.
“Iran’s deterrence policy is defense by attrition. They act like a porcupine so the bear will drop them… The missiles are the quills,” she said, adding that the strategy means Iran cannot fully defend against the U.S., but could inflict pain.
At the same time, although mechanisms to monitor nuclear enrichment exist, reining in Tehran’s support for proxy groups would be a much harder matter to verify.
But the larger issue is that Iran doesn’t trust Trump to follow through on whatever the negotiations reach.
After all, it was Trump who withdrew from an Obama-era deal designed to curb Iran’s nuclear ambitions, despite widespread consensus Iran was in compliance.
Trump and numerous other critics complained Iran was not constrained in its other “malign activities,” such as support for militant groups in the Middle East and development of ballistic missiles. The Trump administration embarked on a policy of “maximum pressure” hoping to bring Iran to its knees, but it was met with what Iran watchers called maximum resistance.
In June, he joined Israel in attacking Iran’s nuclear facilities, a move that didn’t result in the Islamic Republic returning to negotiations and accepting Trump’s terms. And he has waxed wistfully about regime change.
“Trump has worked very hard to make U.S. threats credible by amassing this huge military force offshore, and they’re extremely credible at this point,” Kelanic said.
“But he also has to make his assurances credible that if Iran agrees to U.S. demands, that the U.S. won’t attack Iran anyway.”
Talé, the former parliamentarian, put it differently.
“If Iranian diplomats demonstrate flexibility, Trump will be more emboldened,” he said. “That’s why Iran, as a sovereign nation, must not capitulate to any foreign power, including America.”
“If I love you, I have to make you conscious of the things you don’t see.”
James Baldwin’s quote about the artist’s role in society is emblazoned on billboards across Los Angeles this winter. Created by artist Patrick Martinez, the purpose of the signage is two-fold: to promote Frieze Los Angeles and, in the case of neon signs at the art fair’s entrance, to stand as a discrete work of art on its own.
Martinez, an East Los Angeles-based artist, has long translated protest language into storefront-style neon, a strategy he now extends into a broader campaign tied to Frieze, which runs Feb. 26 through March 1 at the Santa Monica Airport and features more than 100 galleries.
This year, however, some of the fair’s most compelling work may be happening outside the tent. Frieze Projects’ “Body & Soul” features eight installations staged across Santa Monica’s Airport Park and beyond. The initiative is intended, organizers say, to broaden the fair’s reach beyond its art world audience — positioning Frieze as a civic platform rather than a purely commercial event.
In addition to Martinez’s creations, “Body & Soul” brings together site-specific works including Amanda Ross-Ho’s durational performance rolling a 16-foot inflatable Earth around the perimeter of a nearby soccer field; Cosmas & Damian Brown’s interactive fountain installation incorporating ceramic heads, incense and water; and Shana Hoehn’s first large-scale public sculpture, fabricated from a fallen tree sourced through Santa Monica’s Urban Forest program. Off campus, Kelly Wall extends the program to a former Westwood Village newsstand, where glass “magazines” will be displayed — 136 in all, priced at $300, with 15 given away.
Martinez’s billboards bearing 2024’s “If I Love You (James Baldwin)” serve as the most highly visible part of the fair’s public outreach. His neon installations respond to ICE raids and immigrant rights, placing protest at the literal threshold of one of Los Angeles’ most visible art events.
L.A. artist Patrick Martinez’s work is featured on billboards around the city, as well as at the entrance to Frieze Los Angeles.
(David Butow / For The Times)
The public art program acts as “a way that we can bring in people who may not be just the ticket goers or the VIP,” said Christine Messineo, Frieze’s director of Americas.
It also serves to amplify the city’s cultural temperature.
“Our job is to represent what’s happening in our community,” Messineo said, adding that immigration and social impact are not anomalies at the fair but part of its foundation.
Some of Martinez’s neon entrance signs — including “Abolish ICE” (2018), “No Body Is Illegal” (2021) and “Then They Came for Me 2” (2025) — predate the current political moment. Instead, they emerge from years of observation and protest.
The artist credits Messineo with approaching him last summer to utilize what he calls his “urgent warning signs” as the face of the fair. Demonstrators also carried signs bearing Martinez’s imagery last June during protests against ongoing federal immigration crackdowns in downtown Los Angeles.
Those events, Martinez says, are not experienced evenly across the city — particularly by the well-heeled audience that attends Frieze and spends $85 to $106 for weekend general admission tickets.
Patrick Martinez, “If I Love You (James Baldwin),” 2024.
(artwork Patrick Martinez / photo Paul Salveson)
Martinez wants his signs to unsettle viewers who are insulated from the city’s unrest.
“The Westside people aren’t even going to see any of that, right? So it’s bringing that kind of mindfulness to that space.”
“It felt prescient then,” Messineo said of engaging Martinez last year, “and I think even more so now.”
Frieze has integrated public art into its Los Angeles fair since its 2019 debut. But the works in “Body & Soul,” produced with the nonprofit Art Production Fund, lean into the particular conditions of public space.
The exhibition brings together Los Angeles artists exploring ideas of memory, community and collective experience — often in quieter ways than Martinez’s overt messaging.
Additional participants include Dan John Anderson, Polly Borland and Kohshin Finley.
Casey Fremont, Art Production Fund’s executive director, said most of the works are newly commissioned.
The program is designed to prioritize innovation over sales. “It isn’t transactional. It’s really just about experimenting and giving the public the opportunity to experience art like they’ve never experienced before.”
Artists scale up — and slow down
“Body & Soul” marks several participants’ first ventures into public work, including Hollywood artist Finley, whose “The Piano Player” will be installed near the corner of Airport Avenue and Donald Douglas Loop. Finley’s piece arranges ceramic vessels inside shadow-box shelving that the artist describes as containers for memory — some “you love to take out and peek into,” others that “should just stay shut forever.”
Kohshin Finley’s “The Piano Player” arranges ceramic vessels inside shadow-box shelving that the artist describes as containers for memory.
(Micaiah Carter)
The title references the film “Casablanca,” and its piano player, Sam, whose music stirs up memories of the central love story.
Finley said the public setting creates an unusually direct encounter as he, like many of his fellow artists, will be standing with his work.
“A lot of people have never seen a living artist,” he said.
Ross-Ho takes visibility even further with her inflatable soccer ball Earth, which weighs 78 pounds. The familiar “blue marble” image will no doubt draw spectators at the Airport Park Soccer Field outside the Frieze tent.
Amanda Ross-Ho is creating a durational performance on a soccer field by Frieze Los Angeles.
(Jennelle Fong for ILY2)
Ross-Ho’s performance, “Untitled Orbit (MANUAL MODE),” functions as an endurance test that is a response to what she calls “the temporal container of the art fair” — and to the pressures of contemporary life.
“Gesture and duration are the ways that I could achieve scale rather than something that was materially constrained like a giant sculpture,” she said.
Designing for gathering
Brown’s installation, “Fountain: Sources of Light,” invites guests to congregate. Positioned between the Airport Park playground and dog park, it combines running water, ceramic vessels, incense and sound.
“I really wanted to make a fountain because I thought that [it’s] something that … people tend to gravitate to,” he said.
The work will incorporate metal plates and bowls created by participants in the youth workshop Art Sundae, taking place Feb. 28 at Airport Park.
Near Brown’s fountain, Echo Park artist Hoehn will present “Deadfall,” a massive fallen fig tree embedded with carved cheerleader legs and skirts — imagery drawn from her Texas upbringing.
Shana Hoehn with one of her carved wooden sculptures.
(Josh Cohen)
“I’ve been working with cheerleading iconography for the past few years,” she said, linking the imagery to what she calls an omnipresent football culture layered with “American patriotism and militaristic qualities.”
Hoehn acknowledged that the fair’s four-day window and limited nearby parking may keep the audience closer to fair-goers than the broader public the program aims to reach.
Beyond the airport fence
A few miles away in Westwood Village, Mar Vista artist Wall will extend the program beyond the airport campus with “Everything Must Go,” installed at a defunct newsstand and on view from 5:48 p.m. (sunset) to 8 p.m. during the fair.
Where magazines and newspapers once were, glass stand-ins bearing skyline imagery will occupy illuminated lightbox shelves. As the glass “magazines” are removed, glowing silhouettes mark their absence.
Kelly Wall, ‘Everything Must Go’.
(Kelly Wall)
Wall’s related project will appear on the Frieze campus with found newspaper boxes transformed into lightbox displays for her glass publication.
“In things coming to an end, there is no real end … there’s transformation,” she said. “How you might see [the piece] may differ depending on different times — or where you’re personally at in your life.”
WASHINGTON — New whistleblower documents detail substantial cuts by the Trump administration to the training requirements for new immigration officers.
Among the cuts are the elimination of practical exams, use of force and legal training courses, and an overall reduction in training time, contrary to an official’s testimony to Congress earlier this month.
The documents, provided to Sen. Richard Blumenthal (D-Conn.) by whistleblowers from the Department of Homeland Security, were publicly revealed ahead of a forum Monday afternoon with congressional Democrats — the third in recent weeks probing what the members view as abusive and illegal tactics used by federal agents.
Lauren Bis, deputy assistant public affairs secretary at DHS, said no training hours have been cut.
“Our officers receive extensive firearm training, are taught de-escalation tactics, and receive 4th and 5th Amendment comprehensive instruction,” she said. “The training does not stop after graduation from the academy. Recruits are put on a rigorous on-the-job training program that is tracked and monitored.”
Blumenthal’s office also disclosed the identity of one whistleblower: Ryan Schwank, an attorney who most recently served as an instructor for new Immigration and Customs Enforcement recruits at the ICE Academy within the Federal Law Enforcement Training Center in Georgia. Schwank, who resigned Feb. 13, is scheduled to testify at the forum.
Schwank is one of two whistleblowers who made a confidential disclosure to Blumenthal’s office last month regarding an ICE policy allowing agents to enter people’s homes without a judicial warrant.
In excerpted quotes from Schwank’s prepared testimony shared with The Times, he calls the training program “deficient, defective and broken.”
“Deficient training can and will get people killed,” he wrote. “It can and will lead to unlawful arrests, violations of constitutional rights, and a fundamental loss of public trust in law enforcement. ICE is lying to Congress and the American people about the steps it is taking to ensure its 10,000 new officers faithfully uphold the Constitution and can perform their jobs.”
Blumenthal’s office did not confirm whether Schwank or the other, still anonymous whistleblower provided the documents released Monday in a 90-page memorandum from minority staff of the Senate Permanent Subcommittee on Investigations.
The documents show ICE has eliminated more than a dozen practical exams that ICE officers previously needed to graduate. In July 2021, a cadet needed to pass 25 practical exams to graduate. Now, nine are required.
Eliminated exams include “Judgment pistol shooting,” “Criminal encounters,” and “Determine removability.”
“All of these are now instead evaluated, if at all, mainly by open-book, multiple-choice written exams and without any graded practical examinations,” the memo states.
Comparisons between the program’s syllabus table of contents and general information sections from July 2025 — before the surge in hiring — and this month show that ICE appears to have cut whole courses, such as use of force simulation training, U.S. government structure, criminal vs. removal proceedings, and use of force.
Earlier this month, acting ICE Director Todd Lyons testified to Congress that while the agency had reduced the number of training days to 42 from 75, “We went from five days a week to six days a week. Five days a week was five eight-hour days. We’ve gone to six 12-hour days.”
But the documents appear to contradict Lyons’ testimony.
“The schedules reflected on these documents indicate that current ICE recruits receive nearly 250 fewer hours of training than previous cohorts of recruits,” the memo states.
The training reductions come as ICE plans to bring up more than 4,000 new Enforcement and Removal Operations officers this fiscal year, which ends in September. One of the documents notes that ICE had graduated 803 new officers in 2026 as of Jan. 29 and projected 3,204 more graduates by the end of the fiscal year.
In a written statement, Blumenthal encouraged more whistleblowers to come forward.
“We know about the Trump Administration’s decimation of training for immigration officers and its secret policy to shred your Constitutional rights because of the brave Americans who are speaking out today,” he wrote. “They are coming to Congress because we have the responsibility to not only bear witness to these crimes, but to do something to make sure they don’t happen again.”
