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AS the Osbournes face their first Christmas without Ozzy, his daughter Kelly has a sure-fire way to put a smile on the family’s faces – a new puppy.

The Black Sabbath legend, who died on July 22, age 76, famously hated the festive season.

But that hasn’t stopped Kelly ploughing ahead with plans to try and boost the grieving clan — as 14 of them gather at Sharon and Ozzy’s Buckinghamshire pad for the big day.

And it sounds like Sharon especially will be showered with love.

Kelly said: “I got my mom so many gifts. It’s crazy.

“I did everything bespoke this year.

“I got her all the things that I know that she really needs but with her name on.

“We have a problem with moths in our house so I had these special moth bags made that say, ‘F**k off moths’.

“I got her some new gardening equipment with her name on because she’s been doing a lot of gardening, and a stocking with her name on it.

“She loves chocolate so I bought her a huge new chocolate jar that says ‘Sharon’s Chocolate’.

“I’m also getting her a new puppy because this year we lost Elvis (Sharon’s beloved Siberian Husky, who died in October age 14), which is really hard.

“It’s a Pomapoo (a cross between a Pomeranian and a miniature poodle).

‘I’ll be sous chef – I just point with wooden spoon’

“I don’t even want to go into it all because I keep accidentally telling her what I got her — I get too excited so I tell everyone everything.

“But she knows she’s getting the dog so it’s not going to ruin the surprise.”

There’s no doubt the first Christmas without the Prince of Darkness will be a painful one.

But Kelly is still doing all she can to bring the festive spirit for her mum, as well as her DJ partner Sid Wilson and their three-year-old son Sidney at the mansion where Ozzy is buried underneath an apple tree.

Kelly revealed: “We are going to have a proper English Christmas.

“I always love that.

“They don’t even have crackers in LA.

“You’ve got to go to the (specialty shop) World Market to get them, and they’re not even the best ones.

“So we will have crackers and all watch the King’s speech.

“On the day, there’s going to be 14 of us and I ordered everyone that’s with us a pair of matching pyjamas to wear.

“We are going to be sitting in front of the telly.

We are going to have a proper English Christmas. I always love that

Kelly Osbourne

“My brother Louis (Ozzy’s eldest son who he had with ex-wife Thelma Riley) will cook dinner.

“I’m going to be the sous chef, which means I just point with a wooden spoon. And we’re going to eat tons of chocolates.”

Fresh from his stint on I’m A Celebrity . . . Get Me Out Of Here!, Jack Osbourne, 40, will stay in LA with his wife and children.

“But he’ll be on FaceTime,” Kelly added.

“Then Mom is leaving two days after Christmas to be with him.

“My son is so excited for Christmas.

“Space NK brought Santa Claus to visit us and he couldn’t believe it.

“He kept sneaking into Santa’s sack.

“It was so cute and such a magical moment.

“Me and Mom were sat there going ‘aww’.”

Speaking at Juliet Sear’s Silverwood baking range launch at Fortnum & Mason, Kelly joked that she might even attempt to make her This Morning pal’s gingerbread cookies, saying: “She does make it look easy.

“I’ve been doing a lot of charity work before Christmas to keep me busy because I find it really fulfilling.

“I’m working with Centrepoint as well the King’s Trust, and all the charities from Birmingham that we work with, like the Children’s Hospital, Acorn, and the Parkinson’s charity.”

In a low moment, though, Kelly is ready to admit all her efforts to stay busy don’t mask her grief at losing her dad.

She said: “I just want to get through Christmas without crying.”

Kelly has lost a lot of weight since he died — which cruel trolls have pointed out online.

She previously said in a video on social media: “To the people who keep thinking they’re being funny and mean by writing comments like ‘are you ill?’ or ‘get off Ozempic, you don’t look right’.

“My dad just died, and I’m doing the best that I can, and the only thing I have to live for right now is my family.

“And I choose to share my content with you and share the happy side of my life not the miserable side of my life.

“So to all those people, f**k off.”

‘Being an aunt is the best job in the world’

Now she has hit out at the criticism of how she and Jack, who both shot to fame on MTV’s The Osbournes, have been handling Ozzy’s death.

Kelly said: “I think that people forget that he and I are not the teenagers from that reality show.

“You know what people do now is they’re like, ‘Oh my God, she’s had so much plastic surgery’.

“But you’re looking at a picture of me from when I was 16 years old.

I’m 41 years old now. It’s insane.”

It’s the family that keeps Kelly and the rest of the Osbournes going — and they are all thrilled that Jack is now expecting his fifth child.

Jack has three children from his previous marriage, and little daughter Maple with interior designer wife Aree Gearhart.

Kelly added: “Jack and I have this weird dynamic.

“Even though I am the older sister, he’s the older brother.

We will have crackers and watch the King’s speech. On the day, there’s going to be 14 of us and I’ve ordered everyone a pair
of matching pyjamas to wear. We’ll be sitting in front of the telly

Kelly Osbourne

“I go to him more than he comes to me.

“Unless I have to be protective of him, then I’m the older sister.

“I speak to him every day.

“I’ve already rang him twice this morning.

“Doing the jungle, the hardest thing for me was not being able to speak to him.

“And he is having another baby.

“I try not to make it about me, but I get so excited that I get to be an aunt again because being an aunt is the best job in the world.

“I’ve now got five nieces and nephews now and it’s so good.

“And now that some of Jack’s daughters are getting older, we have a different relationship, where they come to me for things that they don’t go to their dad for.

“It’s really special.”

And with 2026 around the corner, Kelly is not planning to make any resolutions this year.

She said: “No. I’m working on having a farm here.

“I’m setting up barns as we speak, then we’ll get animals.

“The plan is to stay in England now. I wouldn’t leave my dad.

“It’s just one day at a time.

“Grief is a hard thing. It really is.

“You never know when it’s going to take you out.

“It’s the hardest thing you’ll ever go through in your life.

“I’ll never ever be the girl I was before.”

IT was the year when those noisy Mancunian brothers brought the Britpop Nineties back to packed stadiums everywhere.

It was the year when Pulp made a charming first album in 24 years, with Jarvis Cocker singing about getting older with a wry smile on his face.

But I contest that one band from the era has been the most forward-facing, the most creative and the most kick-ass – Suede.

Which is why their vibrant, visceral, unflinching and wildly adventurous Antidepressants is our Album Of The Year.

Back in September to mark its release, frontman Brett Anderson told me: “We’ve fallen in love with being a rock band again.” And this week I caught up with him again to impart some good news . . . 

Congratulations! Antidepressants is the SFTW Album Of The Year. Does that make you happy?

Thank you. Very!

In all the years of Suede, where does 2025 rank?

Right up there. Somewhere between 2024 and 2026.

What have been the highlights of the year for you?

The South Bank takeover gigs in September were great – playing those new songs live for the first time was special.

I particularly enjoyed the Clore Ballroom show where we just did post-reformation stuff.

I thought that was an exciting and fairly unique thing to do for a band of our generation.

Also, I just love the South Bank. Walking over the footbridge from Embankment tube and looking at the skyline always gives me a sense of awe, a feeling of London being this big, beautiful, living thing.

Which of the new songs have you enjoyed singing live the most?

June Rain has a nice dynamic and slow sense of build which works great live. Plus the first half is spoken-word so I get to sit down a bit.

I personally think the album’s opening song Disintegrate should be the Christmas No.1 . . . do you agree?

Ha! Yes, love it. A kind of resolutely unseasonal Christmas song full of dread and fear.

Which album, aside from Suede’s, has been your favourite this year and why?

I liked Sprints’ All That Is Over. It was sharp and shouty and brainy and brash. (Sprints are an Irish garage punk band).

You told me that Suede are “the anti-nostalgia band”. What keeps you facing forwards rather than reflecting on the past (unlike some of your peers)?

Hmmm, huge question. I’ve always thought the point of any artist was to create rather than to repeat and consolidate.

That search for the next great song, the next great album, the next great moment has always been the carrot I’ve chased.

I come from a fiscally poor but culturally rich family background. My mum was an artist and a dressmaker and my dad was a classical music-obsessed taxi driver who made our furniture.

When I was a kid, we didn’t have any money, so if you wanted something you made it yourself.

I’m much less interested in what I wrote 30 years ago than in what I’m going to write next.

Have you started work on the third album of Suede’s “black and white” trilogy, following Autofiction and Antidepressants?

Yes, we’ve written a handful of songs already. I want it to be harder and more extreme than Antidepressants, a relentless onslaught, incessant and uncompromising and very rhythmic.

I already have a title which I’m keeping secret.

You also spoke to me of the importance of family relationships. Does that mean Christmas is a special time for you?

My family and my band are of course so, so important to me and in many ways they feed into each other. It’s hard to write about family without coming across as schmaltzy but luckily I can find the cloud in any silver lining.

Among my favourite songs I’ve ever written are Life Is Golden and She Still Leads Me On which have both been inspired by fatherhood and family.

And yes, Christmas is especially great when you have kids.

Happily though, now my son is older, there’s less pressure for me to dress up in a Santa suit.

What are your hopes for 2026 – for you, your family, the band, and for humankind?

For the band to write a great follow-up to Antidepressants and for humankind to stop scrolling. My hope for myself is always the same – to be a good husband and father.

2. ROSALIA

Lux

THE Spanish star known for her reinvention of ­folk and flamenco turned her attention to more bombastic, classical genres on this fourth album.

Backed by the London Symphony Orchestra it was a lavish production sung in a variety of languages. Bonkers but brilliant. JS 

People Watching

WITH its widescreen ambition, driving intensity and visceral lyrics, songs about “the human experience” couldn’t fail to draw comparisons with Fender’s “biggest hero”, Bruce Springsteen.

But it also marked the Geordie’s coming of age as a major artist in his own right. SC 

4. ROBERT PLANT with SUZI DIAN

Saving Grace

FOR six years, Led Zeppelin legend Plant has surrounded himself with acoustic musicians who live near his Worcestershire home, singer Dian among them.

Together, they gave us a ravishing mix of trad and contemporary covers. Rarely has he sounded so sublime. SC 

5. BIFFY CLYRO 

Futique 

A REFLECTIVE album shaped by friendship, family and loss, it captured Biffy Clyro at their most emotionally open.

Goodbye explored mental health, while A Thousand And One and Two People In Love delivered some of the most moving moments. JS 

6. MARGO PRICE 

Hard Headed Woman

FURTHER proof that Price tells it like it is. This was a stirring return to her country roots, following the trippy rock textures of Strays.

It drew comparisons with her beloved debut, Midwest Farmer’s Daughter, but was inspired by another decade of life experience. SC 

7. TURNSTILE

Never Enough

THIS fourth album from the hardcore punks from Baltimore, known for their energetic live shows, crossed into the mainstream.

The title track had a catchy chorus and melodic guitar breaks while at its heart there was still an uncompromising mandate to rock out. JS 

8. THE DIVINE COMEDY

Rainy Sunday Afternoon

WE’VE long been intrigued by Neil Hannon – not just because he once wrote a song called Something For The Weekend.

These 11 tracks assumed a reflective tone, with love and loss prominent themes, and featured some of Hannon’s most sumptuous tunes. SC 

9. YUNGBLUD

Idols

THIS album sees Yungblud questioning hero worship and identity after a life-changing encounter with a fan.

Inspired by Britpop, it’s his most confident work yet, opening with a nine-minute rock opera and driven by limitless self-belief and ambition. JS 

10. LADY GAGA

Mayhem 

GAGA proved why we loved her in the first place, returning to her dance-pop roots.

She recalled the vibe of her 2008 debut The Fame yet delivered an album for the here and now.

It was marked out by strong singles Abracadabra and Disease. SC 

11. GEESE

Getting Killed

THIS was a case of do believe the hype. With mesmerising singer Cameron Winter at the helm, Brooklyn’s indie rock saviours might channel The Strokes, The Stones, or even Nirvana, but they’re too weird and original to be slaves to their influences.

On the brink of greatness. SC 

12. JACOB ALON

In Limerence

FEW debuts arrived so perfectly formed as this one featuring the tender storytelling of Scottish singer Alon.

With an impossibly pure voice which sat somewhere between Bon Iver and Thom Yorke, it was full of fragile hope.

Vulnerable and haunting ambient soundscapes. JS 

13. PULP

More

JARVIS and Co’s first album in 24 years was dedicated to dear departed bassist Steve Mackey – and it summoned the old mischief. “I am not ageing.

No, I’m just ripening,” cried the singer on Grown Ups, a song filled with lyrical twists and turns. SC 

14. CMAT

Euro-Country

WITH songs about Teslas and Jamie Oliver, there was a quirky, kitsch element to Ciara Mary-Alice Thompson’s third album.

It also plumbed deeper depths of emotional pain but was allied to soft pop melodies.

Issues tackled included social media and objectification. JS 

15. MATT BERNINGER

Get Sunk

TALL, elegant, blessed with a sumptuous baritone, The National’s frontman and lyricist is an, er, National treasure.

But he managed to save wonderfully evocative songs for his second solo outing, including the intoxicating ebb and flow of opener Inland Ocean. SC 

16. DAVE

The Boy Who Played The Harp

HIS first album in four years found Dave drawing on the power of his biblical namesake King David to explore vulnerability and masculinity.

With James Blake’s ghostly production on Selfish and Chapter 16 (ft. Kano), it struck a reflective mood. JS 

17. JASON ISBELL

Foxes In The Snow

THE Alabama-born artist recorded his latest offering without his ace band, the 400 Unit, but with an old acoustic guitar for company.

“This is the first time I’ve done an album with just me and a guitar,” he told SFTW of the exquisite, stripped-back song cycle. SC  

18. BILLY NOMATES 

Metalhorse 

METALHORSE emerged from a personal, tumultuous period for Tor Maries.

A loose concept album set in a dilapidated funfair it featured radio hit The Test, while Strange Gift offered hope.

Closing song Moon Explodes was especially moving, written after Maries’ MS diagnosis. JS 

19. BIG THIEF

Double Infinity

FEW vocalists could handle the word “incomprehensible” like Adrianne Lenker on this LP’s fuzzy joy of an opening track.

Though the indie darlings have contracted to a three piece, there was nothing shrinking about their fearless, exilharating sonic adventure .SC  

20. OLIVIA DEAN

The Art Of Loving

MELLOW and sumptuous, the second album from the stylish Londoner was smooth soul to relax into.

Tracks such as Nice To Each Other and Lady Lady were warm and all-enveloping, exploring affairs of the heart with a particular emphasis on self-care. JS 

21. LILY ALLEN

West End Girl

LILY’S fifth album, the first in seven years, was also her most vulnerable and intensely personal.

It came after her split from actor husband David Harbour and the songs laid it all out in heartbreakingly painful detail.

Infidelity and betrayal were constant themes. JS 

22. BON IVER

Sable, Fable

DIVIDED into two distinct halves, the first was an understated return to the folky stylings of Justin Vernon’s wintery debut album, For Emma, Forever Ago.

The second blossomed into more upbeat territory, primed for glorious spring sunshine. SC  

23. THE WATERBOYS

Life, Death And Dennis Hopper

MIKE Scott took us on a wild ride with this 25-track album celebrating “one of the great American lives”, actor and hellraiser Dennis Hopper.

He summoned a blizzard of musical styles and included cameos from Bruce Springsteen, Steve Earle and Fiona Apple. SC  

24. AFRICA EXPRESS 

Bahidora 

EVEN before Blur completed their reunion gigs, Damon Albarn headed to the Mexican jungle with a dizzying array of 70-plus artists from four continents.

The result? A thrilling mash-up of African rhythms, electronic textures, Latin soul, rock, hip hop – everything! SC  

25. MAVIS STAPLES

Sad And Beautiful World

SHE bears one of the greatest living voices . . .  and it remained in towering form.

Well into her Eighties, Staples tackled our uncertain world with unerring compassion.

Guests included Buddy Guy, Bonnie Raitt, Wilco’s Jeff Tweedy and Bon Iver’s Justin Vernon. SC  

26. BRANDI CARLILE

Returning To Myself 

THIS record found Brandi in an introspective, stripped-back mood after a landmark year.

Working with Aaron Dessner, Andrew Watt and Justin Vernon, the album reconnected her with loneliness, self-belief and politics, from the reflective title track to the powerful Church & State. JS  

27. WOLF ALICE

The Clearing

THE fourth album from the Brit award winners was a grandiose affair, a bold and confident leap forward.

Tracks like Bloom Baby Bloom incorporated all their strengths with bombastic choruses and lush melodies, showcasing Ellie Rowsell’s exceptional rock vocal range. JS 

28. STEREOLAB

Instant Holograms On Metal Film

A STRONG return after 15 years from the much-loved Anglo-French combo.

Led, as ever, by Tim Gane and Laetitia Sadier, the album revisited their distinctive blend of art-pop and motorik beats, really hitting the mark on the effervescent Electrified Teenybop! SC  

29. RICHARD ASHCROFT

Lovin’ You

ASHCROFT’S first album of new music since 2018 arrived after he supported Oasis on tour.

From the Joan Armatrading-sampled Lover to the title track, which sampled Mason Williams’ 1968 Classical Gas, it was a vocally focused, emotionally wide record. JS 

30. WET LEG

Moisturizer

MORPHING from duo to fully-fledged band, the follow-up to their debut album was still as oddball as ever, but it came with a tighter focus.

Tracks like Davina McCall and Jennifer’s Body were heartfelt, kooky love songs backed by ragged, punky basslines. JS  

31. SOMBR

I Barely Know Her

A SPECIAL debut full of heartbreak from the bedroom pop star who quit school to make music.

His melancholy voice accompanied by his own guitar, bass and keyboards and drums, made this magical, with Dime and disco-tinged 12 To 12 emerging as standouts. JS 

32. MOLLY TUTTLE

So Long Little Miss Sunshine

THE Grammy-winning singer forged her reputation at the forefront of the bluegrass revival.

Now she has spread her wings with this ravishing work of myriad styles. It also provided her with the confidence to be open about her alopecia. SC  

33. TOM GRENNAN

Everywhere I Went, Led Me To Where I Didn’t Want To Be

THE down-to-earth singer from Bedford laid his feelings bare on this reflective fourth album shaped by growth, friendship and vulnerability.

It balanced anthemic pop with emotional depth, from Shadowboxing to Boys Don’t Cry. JS 

34. TAYLOR SWIFT

The Life Of A Showgirl

RECORDED in stolen moments during the record-shattering Eras tour, it found Swift reflecting on love and life in the spotlight after falling for NFL star Travis Kelce.

Working with Max Martin and Shellback, it was polished, theatrical pop with self-aware glamour and emotional insight. JS 

35. JOHN FOGERTY

Legacy: The Creedence Clearwater Revival Years

FOGERTY celebrated the recent end of his decades-long fight to get his publishing rights back.

It meant he could belt out timeless hits Proud Mary, Born On The Bayou, Bad Moon Rising and Up Around The Bend with unbridled joy rather than lingering bitterness. SC  

36. MIDLAKE

A Bridge To Far

BEST remembered for their second record, 2006’s The Trials Of Van Occupanther, these enduring Texans rekindled their love of melody-rich folk rock. Two decades on, A Bridge To Far might just have been their best since that hallowed album. SC 

37. TATE MCRAE

So Close To What

THE Canadian singer’s third album was slick and polished futuristic pop and highlighted her journey from teenage dancer to arena-selling pop princess.

Tracks like Purple Lace Bra were multilayered with beats, synths and strings, and created a sultry, sizzling mood. JS 

38. BEIRUT

A Study Of Losses

FOLLOWING Zach Condon’s sortie to the Arctic Circle for 2023’s exquisite Hadsel came this work of unerring beauty.

The 11 songs and seven instrumentals, spanning nearly an hour, struck a melancholy tone but they left a lasting and profound impression. SC 

39. ALISON KRAUSS & UNION STATION

Arcadia

TO Robert Plant’s duet pal Krauss, her latest project was “like stepping into an old pair of shoes”.

Her first album with her virtuoso bluegrass band since 2011 evoked bygone times, while still connecting with 21st Century listeners. SC

40. TOM SMITH

There Is Nothing In The Dark That Isn’t There In The Light

AFTER 20 years fronting Editors and two records with Andy Burrows, Tom Smith stepped out on his own.

His first solo album stripped everything back to the core of his songwriting, capturing the honesty, anxiety and hope that shaped this new chapter. JS 

41. FKA TWIGS 

Eusexua 

THE album title was a made-up word taken from euphoria and sexual to describe “a feeling so intense it transcended the human form”. 

And it lived up to its name.

On the arty, left field side of electronica, this third record was her most complete and satisfying. JS 

42. THE DELINES

Mr Luck & Ms Doom

WHEN ex-Richmond Fontaine frontman Willy Vlautin (lyricist/guitarist in this band) is involved, you tend to get songs with disturbing narratives about people from the wrong side of the tracks.

This firmly ticked that box – and then there was Amy Boone’s enriching, expressive vocals. SC 

43. DAVID BYRNE

Who Is The Sky?

THE world may be going to hell in a handcart, but at least Talking Heads legend Byrne kept a smile on his face.

That was the vibe you get from his latest effort, most notably on rousing opening track Everybody Laughs, which came with a cameo from longtime collaborator St Vincent. SC 

44. BLOOD ORANGE

Essex Honey

ECLECTIC and imbued with an aching sense of loss and nostalgia, Dev Hynes’ fifth album as Blood Orange was an exploration of his upbringing in London.

A collection of memories recalled through spindly indie, jazz, chunky beats and evocative soundscapes. JS 

45. DAMIANO DAVID

Funny Little Fears

FOR Maneskin’s Damiano David, this felt the right moment for a solo album, revealing a more personal, previously hidden side.

It was less rocky than Maneskin, confronting fear and identity through piano-led pop inspired by Keane, The Killers, and Elton John. JS 

46. RON SEXSMITH

Hangover Terrace

THE Canadian has assembled a fine body of work, marked out by sumptuous melodies and perceptive lyrics.

He returned with one of his strongest collections.

Recorded in London, the album visited his childhood, his current concerns and much more in between. SC 

47. MY MORNING JACKET

Is

SINGER Jim James hoped the band’s genre-hopping tenth album would help people “navigate the chaos in the world”. 

If the overall vibe was psychedelic rock with plenty of reverb, MMJ employed elements of pop, country, soul, reggae, you name it. SC 

48. ETHEL CAIN

Willoughby Tucker, I’ll Always Love You

FEW artists have been able to express the intimate, sometimes painful, feelings about first love as well as the singer from Florida.

Evoking a haunting, Southern gothic atmosphere, her ambient rock sound-scapes framed a raw, heartfelt song cycle. SC 

49. CAR SEAT HEADREST

The Scholars

THE career trajectory of Will Toledo is nothing short of breathtaking.

He started out making lo-fi DIY albums in his parents’ car and now, as frontman of a fully fledged band, he made this crazily ambitious rock opera in the vein of Tommy or Ziggy Stardust. SC 

50. ADDISON RAE

Addison

THE debut album from the former TikTok star, who rose to popularity with her dance videos, broke the code.

Stepping confidently beyond influencer fame, she moved into sleek, self-aware pop.

Playful hooks and glossy production balanced vulnerability and attitude. JS 

IF the Beckhams expected a heartwarming reunion with their oldest son for Christmas, they could be disappointed.

Recent efforts to reach out to estranged Brooklyn — who has been missing from all the family’s milestones this year — appear to have been met with a frosty reception.

It is fast approaching 12 months since the rift began, but David and Victoria remain optimistic that their icy relationship might still thaw.

The couple had plenty to celebrate in 2025, including David’s long-awaited knighthood and 50th birthday, and Victoria’s Netflix documentary and booming fashion and beauty brand.

However, 26-year-old Brooklyn was absent from them all. In fact, he has not been pictured with his family since Christmas last year.

This week, his brother Cruz, 20, tried to bridge the divide by sharing throwback snaps on Instagram. One showed Brooklyn with an arm around his youngest sibling on a beach in Brazil when they were little.

And last month, their grandmother Jackie left a sweet comment with a heart emoji under one of Brooklyn’s social media posts.

Overnight, David also shared an old snap of him winning the MLS Cup when he played for LA Galaxy.

But so far, Brooklyn has failed to respond. And his most recent online post made no mention of the rest of the Beckham clan.

He was the only member of the family not celebrating last week when David lifted the MLS Cup again — this time as co-owner of Inter Miami.

If the chance to hang out with the squad’s superstar striker Lionel Messi did not tempt him to turn up, few things will.

David and Victoria are not giving up on reconciling with Brooklyn and his wife Nicola Peltz, 30.

Speaking exclusively to The Sun, a Beckham insider tells us Victoria, who is also mum to Harper, 14, and Romeo, 23, is still struggling to make sense of the fallout.

But ever the showwoman, she is focusing on keeping things merry and bright for the rest of the clan.

We are told: “Victoria is determined not to let the argument with Brooklyn ruin Christmas, even though she is absolutely heartbroken by it.

“It’s been a year since they last all saw each other and it’s something she will never come to terms with.

“But she won’t let it get her down over the festive period as she needs to be strong, especially for Harper, as well as her parents and David’s parents.

“They have done nothing in all of this, but it seems like they’re the ones being punished the most.”

Last month, Victoria shared a photo of her mum Jackie’s fireplace adorned with stockings. Each bore the name of one of her grandchildren — including Brooklyn, who has reportedly cut his grandparents out of his life, too.

Victoria is determined not to let the argument with Brooklyn ruin Christmas, even though she is absolutely heartbroken by it

Insider

Days later, David’s mum Sandra left a comment under a festive social media post Brooklyn had shared. In it, he was seen wrapping up a bottle of his own hot sauce brand, Cloud23, to which Sandra replied, “That for me” alongside a heart emoji.

Her question went unanswered, but followers flocked to the comment section begging Brooklyn to reach out to his family before it’s too late.

One raged: “Go and see your parents . . . you only get one set and that’s it,” while another simply said, “Ring your mother!”

Victoria may be famous for not smiling, but now, in a bid to keep the family’s spirits up, she’s plastering on a big one.

Our source said: “Brooklyn spent so much time with her parents Jackie and Tony for the first few years of his life and they had such a special bond, while Sandra looked after him so much growing up. It’s awful they no longer have that close relationship.

“Harper really misses her big brother and Nicola. Victoria is hoping that Brooklyn at least calls his grandparents over Christmas. She’s given up on him calling her.”

We are told that, as usual, the family will spend Christmas Day surrounded by loved ones at their £12million Cotswolds pile.

“They feel it’s a case of the more, the merrier, as it’s then less obvious that Brooklyn isn’t there,” our source revealed.

It’s safe to say that no one could have predicted how bitter things would get this time last year. Granted, there had been simmering tensions between Brooklyn and Nicola and his family since their wedding in 2022.

At the time, there was confusion over Nicola’s decision to wear a Valentino gown instead of one designed by her mother-in-law. It was later claimed Victoria offered to dress her son’s bride, then backed out.

Deafeningly silent

Nicola was also apparently devastated at the reception when the Beckhams’ pal, singer Marc Anthony, referred to Victoria as “the beautiful woman in the room”.

Despite the rumoured tension that followed, Nicola and Brooklyn continued to represent the family brand for a while. But that support is gone.

In May, Brooklyn and Nicola — who live in a $16million Los Angeles mansion — failed to attend David’s birthday celebrations or even acknowledge his 50th online.

She won’t let it get her down over the festive period as she needs to be strong, especially for Harper, as well as her parents and David’s parents

Insider

Brooklyn also did not wish his mum a happy birthday a month earlier, but posted gushing tributes to Nicola, including the pointed comment: “I always choose you, baby.”

Likewise, he stayed deafeningly silent when David was finally awarded his knighthood in June, and snubbed November’s investiture.

Brooklyn also failed to give a nod to Victoria’s Netflix documentary, Victoria Beckham, which came out in October. That month, she debuted her spring 2026 collection at Paris Fashion Week, again without her eldest son’s backing.

But by all accounts, Brooklyn’s biggest two-fingered salute to his parents had to be his very lavish, very loud, vows renewal in August.

According to insiders, he did not even tell them about the event, which was held at his in-laws’ mega-mansion in New York.

Nicola’s billionaire father Nelson Peltz presided over it, and the bride wore her mother Claudia’s wedding dress. The message was clear: They’ve officially jumped off the Beckham bandwagon.

To that end, there have even been whispers in recent weeks that Brooklyn and Nicola — who both go by double-barrelled Peltz-Beckham — are planning to drop the Beckham from their surname.

Nepo baby Brooklyn has long capitalised from his famous family name — and Nicola, who was not that well known before marrying him, has benefitted from it, too.

They don’t need the Beckham name any more and they would like any future babies to be Peltzes

Insider

Her family’s wealth, estimated at $1.7billion, may eclipse the Beckhams’ £500million fortune, but her in-laws’ social cache in showbiz circles has opened myriad doors to the aspiring actress and model.

But now it is feared they are determined to cut ties for good.

‘Ultimate insult’

An insider told Heat magazine: “They both feel their double-barrelled name is associated with the feud and they want to move on.

“They don’t need the Beckham name any more and they would like any future babies to be Peltzes.

“Obviously, it would be the ultimate insult to David and Victoria — they’ve spent nearly 30 years building up Brand Beckham and, if Brooklyn dropped the family name, there would be no going back.

“It feels like he’d be making their current estrangement permanent.”

Ironically, despite the documentary, plus TV and podcast chats, showing Victoria’s more authentic side, she is having to stay tight-lipped about her personal anguish.

However, amid the turmoil, she has been wowing the US, popping up on late-night talk show Watch What Happens Live and featuring on podcast Call Her Daddy.

The Beckhams famously lived in LA when David played football there but, while well received by the celebrity jet-set, they never fully found their footing, with Victoria still carrying the mantle of a WAG.

Now, though, the US is taking her seriously as a fashion designer, beauty impresario and a pop icon with a wicked sense of humour, which she would no doubt love to celebrate with her whole family.

After Christmas, we are told the Beckhams will head to Bath for Holly Ramsay and Adam Peaty’s wedding on the 27th.

They are long-time pals with the bride’s family — Gordon Ramsay, and his wife Tana, plus their six children. But while the Ramsays were all there to see Brooklyn and Nicola say “I do”, it’s unlikely they’ll return the favour.

The fact Olympian Adam’s mum Caroline is banned from the nuptials amid a fallout will no doubt resonate with David and Victoria.

Still, some Beckham fans reckon there is still hope of a reconciliation. Firstly, Brooklyn’s stocking on his grandma’s fireplace proves that he will always have a place in the family.

Then, Cruz’s memories of the siblings as kids may hint he is mellowing after backing his parents and, along with brother Romeo, unfollowing Brooklyn on Instagram.

He has also lashed out at whispers the row erupted as Romeo was dating Brooklyn’s ex, Kim Turnbull — rumours she strongly denied.

Still, the question remains: Will Brooklyn take his cue and bury the hatchet for good? All signs so far point to a stubbornness that’s set to continue into the new year.

Brooklyn has made it clear that Nicola is his priority and, with her also showing little interest in a reconciliation, Victoria knows rooting for a reunion could be futile.

Then again, there’s always hope of a Christmas miracle.

WHEN Helen Flanagan and Scott Sinclair split after 13 years, they vowed to keep things amicable for the sake of their young kids.

But it was not long before the dynamic of the celebrity couple’s co-parenting soon began to show signs of strain.

The former Corrie actress blamed petty squabbles and communication issues, yet still remained tight-lipped about her ex.

But overnight, tensions between the pair appear to have hit DEFCON 1.

Helen, 35, flipped her lid when she spotted photos of Scott, 36, living the high life at the Grand Prix in Abu Dhabi, skipping their four-year-old son’s Christmas nativity play.

Lashing out online at the retired Bristol Rovers footballer, she raged: “You really are a piece of s**t,” ­sharing Scott’s Instagram post.

“How dare you not turn up to ­Charlie’s nativity,” she added.

Scott had posted snaps from his VIP weekend in the United Arab Emirates where he watched Lando Norris secure his maiden Drivers’ Championship title.

Standing in front of a huge F1 sign, he posed gleefully, tagging the post “What a weekend — Abu Dhabi F1.” He added: “Happy Days, blurry nights.”

Meanwhile, Helen shared a sweet snap of her cuddling their young son, captioning it: “Loved Charlie’s nativity. My star, my heartbeat.”

But when she spotted Scott’s jet- setting post, her blood boiled.

Now sources have told The Sun that Helen’s ex’s decision to skip ­Charlie’s school performance was just the tip of the iceberg — a culmination of bad behaviour that has left the telly star fuming.

The former couple share daughters Matilda, ten, Delilah, seven, and four-year-old son Charlie.

Yesterday Helen was spotted looking stony-faced while heading to her latest panto performance in Liverpool, where she is starring as The Wicked Queen in a production of Snow White.

A pal told The Sun: “Helen’s livid with Scott’s behaviour. He’s thinking about himself, not his children.

“She said, ‘I’m done letting him treat his family like this’. At the end of the day Helen is the mother of his kids. He needs to show more respect.”

Another pal said: “Helen is working full-time at the moment in panto so was expecting Scott to cover the nativity and go for her, as she has a lot on her plate and he is retired.

“When he didn’t bother, she wasn’t happy and took to her social media to vent her frustration and make a point.

“Their relationship is difficult at times — co-parenting is hard.”

Boys’ trips

Meanwhile another source close to the couple blames newly single Scott for embracing his “Hot Boy Winter” moment, leaving his family to ­suffer.

“Ever since Scott became single again things started to go downhill,” the source said.

“It’s been an incredibly testing few months for Helen, who feels like she is busting a gut and Scott doesn’t seem to get it.

“To make matters worse he is having the children for Christmas this year, which is another blow.”

Last year The Sun told how Scott was dating family friend Lauren Davies, 32, who is from his home city of Bath.

Things were going well up until the start of this year, when they are said to have decided they were better off as friends.

The source said: “Helen really liked Lauren and thought she was really good for Scotty.

You really are a piece of s***. How dare you not turn up to ­Charlie’s nativity

Helen on Instagram

“She has great values and felt it was important that Scott sees his kids and she wanted everyone to get along.

“But since their split, Scott hasn’t been present. He is constantly showing off his wealth online — with his extravagant boys’ trips. It’s a bit of a kick in the teeth.”

According to pals, tensions between Helen and Scott are so bad that the pair have blocked each other on WhatsApp, only communicating through family members.

The Sun also understands Scott wants to sell the £1.5million family home near Bolton and move Helen and the kids into a smaller property.

The eight-bedroom house went on the market in June, but Helen is standing firm. One pal said: “Scott is trying to sell the family home, but Helen has moved six times since Matilda was born.

“And because she is refusing to uproot the children, he’s stopped some of the money he was giving her for the kids. She’s fuming.

“The house is right next to her mum and dad, who take care of the kids while Helen works.

“Scott’s retired so he could have them, but he’s swanning around in Dubai and London and flashing it all over Instagram.

“At the same time he is claiming he can’t afford to give her the money, but he goes and blows £20,000 on the F1.”

Helen’s livid with Scott’s behaviour. He’s thinking about himself, not his children

A pal

The pal said Christmas will be particularly hard for Helen without her kids.

They said: “She is working full-time at the panto and dealing with the kids, with no help from Scott.

“Then he’ll have them at Christmas and post it all over Instagram, claiming to be dad of the year. He’s picking and choosing when he wants to help, but parenting doesn’t work like that.

“Helen has supported him for his whole football career and moved all over the country, but she’s adamant that she doesn’t want to uproot the kids and cause more disruption in their lives.”

This comes after Helen signed up to star in reality TV show Celebrity Ex On The Beach, in which she intends to “cause fireworks”.

Last month we revealed she was abroad filming scenes — and will not be holding back when it comes to getting what she wants.

Number blocked

It is not the first time the couple’s co-parenting relation- ship has been tested, with Helen previously saying Scott had her number blocked on his phone.

In October 2024 she told a podcast: “I’m on block at the moment on Scott’s phone. I really am. I’m on block.” However, she later said that the couple were on speaking terms so that they could co-parent their brood.

To make matters worse he is having the children for Christmas this year, which is another blow

Source

But in recent months things appear to have taken a turn again, as Helen hinted at trouble.

Earlier this month she told The Sun: “He lives in Somerset and I live in Lancashire. So we live so far away from each other, which is really difficult when you’ve got three young children.

“I hate calling it co-parenting because I don’t really feel like a co-parent, to be honest with you.”

Reflecting on their split in 2024, Helen told The Sun: “It was a mutual decision and personally, I felt as a mum that this was the best thing for my children.

“I want them to see healthy relationships and to be in healthy environments. I think if you’re unhappy then that projects on to them.”

She added: “I love Scott and I know that he loves me, but I suppose we just don’t like each other very much at the moment.

“We don’t really speak and there’s no point in pretending that we’re the best of friends when we’re not.”

Both Helen and Scott were approached for comment.

IN one of my encounters with Pink Floyd’s Nick Mason, he cast his mind back to his first dealings with the “crazy diamond”.

This would have been late 1964, early ’65, when the band still called themselves The Tea Set because they rehearsed in a basement tearoom at Regent Street Polytechnic in London.

The drummer recalled with great affection the addition to their ranks of Syd Barrett with his mop of dark curls and pop star good looks.

Mason, Roger Waters and Richard Wright had found themselves not just a singer and a guitarist but a charismatic frontman, all set to “shine on”.

“Syd was the most delightful man, absolutely charming,” Mason told me. “He wrote wonderful, whimsical, pastoral English music.”

Barrett, a childhood friend of Waters in Cambridge, came up with Floyd’s first single, the eyebrow-raising Arnold Layne, about a pervert whose hobby was stealing women’s underwear from washing lines.

He composed the top ten follow-up, See Emily Play, a classic slice of Sixties psychedelia, and most of the debut album The Piper At The Gates Of Dawn.

But then, fuelled by psychoactive drugs, most notably LSD, Barrett’s world fell apart.

Before the second album, A Saucerful Of Secrets, was even completed, the troubled star had no choice but to leave and guitarist David Gilmour was already in place.

“It’s still not entirely clear what happened with Syd,” Mason continued. “There is a belief that maybe he didn’t want to be a pop star. You have to know that, in 1967, the rest of us DID want to be on Top Of The Pops.

“Maybe Syd realised it wasn’t what he wanted, but didn’t know how to get out of it.”

As students of Pink Floyd know, the band crossed paths with Barrett several years later in haunting, uncomfortable circumstances.

On June 5, 1975, a shambling figure — shaven-headed, overweight, largely incoherent and clutching a plastic shopping bag — pitched up at EMI Studios (Abbey Road), stomping ground not just of The Beatles but also Floyd.

Years later, keyboard player Wright described the scene: “I remember going in and Roger was already in the studio working.

“I came in and sat next to Roger. After ten minutes, Roger said to me, ‘Do you know who that guy is?’

“I said: ‘I have no idea. I assumed it was a friend of yours.’ Suddenly I realised it was Syd!”

Art director Storm Thorgerson, responsible with Aubrey “Po” Powell for the band’s iconic album covers, also witnessed the scene.

“Two or three people cried,” he said. “Syd sat around and talked for a bit, but he wasn’t really there.”

On that very day, the band were mixing their nine-part, 26-minute homage to Barrett, Shine On You Crazy Diamond.

To many, it ranks as the band’s greatest single composition, matching Gilmour’s elegant, fluid guitar, Wright’s serene keyboards and Mason’s perfectly weighted drumming to some of Waters’ most touching lyrics.

“You were caught in the crossfire of childhood and stardom. Blown on the steel breeze.”

The song would be split into two sections, Parts 1-5 and Parts 6-9, to bookend Wish You Were Here, the follow-up to a cultural phenomenon, The Dark Side Of The Moon.

Now, to mark its 50th anniversary, the album is appearing in expanded formats, adding alternate takes to the original release.

Poet Laureate and Floyd superfan Simon Armitage has written a stream-of-consciousness love letter to the band and, in particular, Wish You Were Here.

I’m very sad about Syd. I wasn’t for years. For years, I suppose he was a threat because of all that was written about him and us

Roger Waters

It has no capital letters or punctuation, but these lines give you the drift: “it’s the forty four minute five second guide to eternity — it’s infinity measured in five songs.”

And for the first time, Shine On You Crazy Diamond is also presented as one continuous piece thanks to a new remix by James Guthrie.

It stands as an emotional remembrance of Barrett, who died a recluse in 2006, aged 60, at his home in Cambridge.

Poignantly, as the track fades to nothing, you hear strains of the See Emily Play keyboard melody.

Waters once reflected: “I’m very sad about Syd. I wasn’t for years. For years, I suppose he was a threat because of all that was written about him and us.

“Of course, he was very important and the band would never have started without him but, on the other hand, it couldn’t go on with him.”

As for Shine On, he added: “It is not really about Syd. He’s just a symbol for the extremes of absence some people have to indulge in because the only way they can cope with how sad it is — modern life — is to withdraw completely.”

On the song’s scale in musical terms, Mason likened it to another lengthy set piece, Echoes, from 1971’s Meddle album. “Echoes,” he said, “was Shine On’s grandfather.”

Now let’s rewind to 1974 when Pink Floyd set about devising an album in the wake of the juggernaut that The Dark Side Of The Moon had already become.

Their initial attempt, using everyday objects as instruments, was not very encouraging, to say the least.

When I reminded Mason of it, he replied: “Some things I’ve been trying to obliterate from my brain — and I’m afraid you just brought that one up!

“The problem was that we ended up spending an awful lot of time grinding away, developing the sounds.

“We hadn’t even got any real music. Things like plucking rubber bands slowed down to quarter-speed.”

He added: “It was a fantastically fruitless exercise, really a way of putting off the ghastly business of what the hell were we going to do next.”

So, did the whole band buy into the daft idea? I ventured.

“We did,” Mason sighed. “If only two people at least had had the gumption to go, ‘F*** this! Let’s work on a record’.”

One of the extra Wish You Were Here tracks, Wine Glasses, offers listeners a taste of the project that became known as Household Objects.

And, as Mason reported, “The wine glasses did make it on to the beginning of Shine On.” (Listen carefully and you’ll hear the tinkling sound.)

So what about the three tracks, further exploring themes of absence and alienation, which were sandwiched between Shine On’s lengthy sections?

Synthesiser-heavy Welcome To The Machine was a product of Floyd’s infatuation with latest technology, and the others came with fascinating back stories.

If Barrett had been a surprise visitor to the Abbey Road sessions, so were two virtuoso violinists just as Floyd were recording the album’s title track, Wish You Were Here.

Mason picked up the story: “If someone was down the hall recording at Abbey Road, it was OK to pop in and say, ‘Hello’.

“Suddenly the door opened and Yehudi Menuhin and Stephane Grappelli were standing there, going, ‘Hello boys’.”

Menuhin, an American-born Brit, was widely regarded as one of the greatest 20th Century classical violinists. Grappelli, a French jazz violinist, was noted for an intuitive, more improvisational approach.

Mason added with English understatement: “By ’75, we were reasonably well known and Grappelli being French would have heard about us because we always had a standing in France.

“I think we invited them both to play with us. Menuhin wanted to but wasn’t comfortable improvising, whereas Grappelli could do it like stepping off a log.”

So the Frenchman went up to one of Pink Floyd’s mics and added gorgeous violin flourishes to a take of the acoustic guitar-led Wish You Were Here.

Ultimately, his contribution didn’t make the finished album, but it can be heard on the expanded editions.

Mason said: “I’m really astonished by it. We thought it had been recorded over, that we’d lost it for ever. I don’t know why we didn’t use it — it would have enhanced the record, but maybe it sounded too folky.

“Or maybe, in a pre-Euro world, we thought, ‘It’s a bloody Frenchman and he shouldn’t have anything to do with it!’”

Grappelli was paid £300 (a princely sum in those days), but went to his death in 1997 oblivious to this unlikely footnote to the Wish You Were Here story.

People did say to us: ‘Which one’s Pink?’ They thought Pink Floyd was the lead singer!

David Gilmour

Another outsider at the sessions — Floyd’s friend, folk-rock troubadour Roy Harper — felt “hard done by” when it came to payment for his lead vocals on Have A Cigar.

After numerous failed attempts by Waters to nail his withering put-down of music industry executives “on the gravy train”, he turned to a singer who loaded his delivery with the perfect sneering tone.

“Roy was recording in the studio anyway,” remembered Waters, “and was in and out all the time. I can’t remember who suggested it, maybe I did, probably hoping everybody would go, ‘Oh no Rog, you do it’, but they didn’t!

“They all went, ‘Oh yeah that’s a good idea’. And he did it and everybody went, ‘Oh, terrific!’ So that was that.”

We know how single-minded Waters can be and he still gave it one final go — but to no avail.

Tape engineer John Leckie recalled Waters saying to Harper that they should reward him for his efforts.

“And Roy said: ‘Just get me a season ticket for life at Lord’s.’ He kept prompting Roger, but it never came.”

Many years later in 2013, when Harper released his comeback album Man & Myth, I met him for coffee near Lord’s, just before the avid cricket fan watched England play Australia for The Ashes.

Best known for When An Old Cricketer Leaves The Crease, he bemoaned his lack of payment for Have A Cigar but talked about his close ties to three of Britain’s biggest rock bands.

“I was an interloper really,” he said. “I was the one who didn’t have a band. I drifted between Led Zeppelin, Pink Floyd and The Who basically.

“At the time, they were big and here was this strange interloper moving between all three.

“One thing I never did, for which I deserve credit, was to transfer what one said about the other. Keep it discreet!”

On the recording Have A Cigar, he said: “I listened to the song at home for a night. I came back the following day and didn’t quite nail it. But then, on the day after that, I did — and they had a song.”

The track’s most memorable line is, “Oh by the way, which one’s Pink?”

Gilmour once admitted: “People did say to us: ‘Which one’s Pink?’ They thought Pink Floyd was the lead singer!”

As you may have gathered, Wish You Were Here comes with a rich history and timeless, captivating music.

Emerging as it did from the mighty shadow cast by The Dark Side Of The Moon, it still shines on 50 years later.

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PINK FLOYD
Wish You Were Here
50th Anniversary

★★★★☆