Print Features

PLUCKED from obscurity and then dropped when fans lose interest, men in reality TV shows often fare worse than their female counterparts.

While women regularly earn a fortune from brand endorsements, the guys can find themselves struggling after they are no longer on our TV screens.

Now the untimely deaths of The Only Way Is Essex cast members Jake Hall and Jordan Wright within a few months of each other has raised fears that ITV is failing in its duty of care for former reality TV stars.

Jake, 35, died last week in a Spanish villa following a night of partying while Jordan, 33 was found dead in a ditch in Thailand in March.

A TV insider told The Sun: “The tragic deaths of Jake and Jordan have raised some serious red flags.

“No one is blaming ITV but there is definitely a pattern which emerges time and time again on all reality shows.

“Measures were put in place a number of years ago but it doesn’t seem to be enough.”

Artist and designer Jake, who joined Towie in 2015, had been living in Spain.

He was found dead in a pool of blood in a villa in Majorca last Wednesday morning after he seemingly crashed through a window.

A police source said witnesses described Jake as “agitated”, possibly from “alcohol and other substances he may have consumed”.

He had a number of struggles in recent years, from losing his fashion brand Prevu to being hit with a restraining order by ex-girlfriend Misse Beqiri, a model and the mother of his eight-year-old daughter River.

Yet right from the start of his telly career, Jake was open about being uncomfortable with fame.

Shortly after his debut on Towie, Jake said on This Morning: “The privacy part has been quite difficult because everyone knows your life within days of being on the show.”

Jordan, from Basildon, Essex, also admitted he struggled with life in the spotlight.

The former firefighter said: “I had an enjoyable career for six years before I resigned to pursue a life in the limelight of reality TV — a choice that left me hugely unfulfilled, stagnant and lost.

“People think it’s glitz and glamour but the truth is very far from public perception.

“I really struggled.

“When I left I lost a huge part of myself and my sense of purpose.”

Jordan returned to firefighting in 2023 but he struggled to settle and in December moved to Thailand where he was looking forward to a “very exciting year ahead”.

He shared his new life with his 21,500 Instagram followers, but in March was found dead face down in a drainage canal on the island of Phuket.

CCTV footage appeared to show Jordan pacing erratically outside a hotel before bolting out of the complex shortly before his body was found.

Unfortunately, the two deaths were not Towie’s first.

In January 2021, Mick Norcross took his own life, aged 57.

The Sugar Hut owner and businessman had joined the show with his son Kirk, who now runs a waste removal business.

Addiction has also taken hold of a number of cast members, including James Argent, who suffered two near-fatal overdoses at home.

Arg’s drug binges cost him his relationship with co-star Lydia Bright, his job on Towie and other high- profile TV work.

Last year he was in trouble after pushing his former Miss Sweden partner Nicoline Artursson down some steps on holiday in Spain.

He admitted an offence of gender violence and was given a six-month prison sentence, suspended for two years.

Jake and Jordan’s deaths sent shockwaves through fans of Towie and its stars.

Charlie King, who was on the show in 2012 and 2013, has faced his own demons since he left the programme but believes his fellow cast members must “take responsibility”.

He told The Sun: “Reality stars in general are seeking something — whether it’s fame, attention or validation.

“It’s a two-way street — stars want to appear on the shows for that lifestyle and experience, and shows need the participants.

“I can’t say Towie gave me the best support when I finished on the show.

“I remember feeling lost and redundant, trying to navigate a life post the show and still having eyes on me.

“It was hard.

“I missed the show deeply and all that came with it.

“I think access to a counsellor or therapy in those first months or years after appearing is always a good idea.

“But I also don’t think it’s fair to point the finger at these shows for how individuals live their lives after — we have to take responsibility.”

Charlie added that producers offer much better support for their on-screen talent these days and that ITV “isn’t afraid to pull out cast members if they think it’s getting too much or they need a breather, which is great to see”.

Following his stint on Towie, Charlie was diagnosed with body dysmorphia and had a botched nose job.

Other lads from the show have also gone under the knife in a quest for perfection.

Bobby Norris is now almost unrecognisable after having a full deep plane facelift, neck lift and lower eyelid surgery.

James Lock has also battled body dysmorphia and says he has spent around £100,000 on getting work done.

On rival ITV show Love Island, telly bosses brought in a revised set of welfare measures in 2021, including “comprehensive” psychological support, after former stars Sophie Gradon and Mike Thalassitis took their own lives.

Their relatives blamed a lack of support from the show for contributing to their mental anguish.

Love Islanders are offered a minimum of eight therapy sessions when they return home.

They also get advice on coping with their finances.

But unlike Love Island, Towie cast members often appear on the show for years at a time.

A number of its former stars, including Yazmin Oukhellou and Tommy Mallet, have praised the support they have received while on the show — but what happens when the cameras stop rolling?

A telly insider revealed: “When women finish on a reality show, brand deals, an influencing career and other avenues are open to them — but it’s very different for men.

“They can get club PAs but that involves late nights and lots of booze.

“Some people like Jake or Tommy launch a career in fashion, but many struggle to achieve the dizzy heights they once enjoyed.”

Women, meanwhile, have made millions off the back of Towie, thanks to very successful business models.

Former glamour model Sam Faiers owns global collagen brand Revive and is worth £9million, and Gemma Collins is now a huge TV star with £7million in the bank.

Lucy Mecklenburgh — famed for throwing drinks on cheating Mario Falcone — now owns a thriving fitness brand and shows off her happy life on social media.

But there have also been a number of male Towie successes too.

Mark Wright landed I’m A Celebrity and Strictly at a time when Z-listers were reportedly banned, as well as enjoying a stint on US TV.

Now a radio DJ, he is married to actress Michelle Keegan, and the couple live in a £3.5million Essex mansion with one-year-old daughter Palma.

Joey Essex also became a huge breakout star.

These days he is worth at least £10millon thanks to a lucrative reality TV career, savvy personal branding and business ventures.

Another success story is Tommy Mallet, who launched luxury footwear and apparel brand Mallet London and more recently Ctrne trainers.

Tommy, Joey and Mark are living up to Towie’s theme tune The Only Way Is Up — and fans will hope there will be more men from the show who enjoy similar success.

ITV was approached for comment but declined.

AS Maura Higgins’ career has soared since making the final of Love Island in 2019, her romantic life has gone the other way.

The Irish beauty has been linked with famous hunks including Pete Wicks, Curtis Pritchard, Giovanni Pernice and Joey Essex. 

But Maura, 35, reveals that some high-profile stars actually struggle to cope with her popularity and success.

She said: “My friends tell me that I need someone quieter than me.

“Some of my ex-partners didn’t like me overshadowing them — it was probably an ego thing.

“My friends keep saying that my next partner needs to let me shine and be who I am.”

The former hairdresser and grid girl showed she was not afraid to speak her mind on Love Island seven years ago. 

Fans loved her and TV companies could not wait to snap her up.

She was soon signed for Dancing On Ice, and by 2024 she was starring on I’m A Celebrity.

Now she has cracked America, too. 

She has just been announced as a competitor on Dancing With The Stars, the US version of Strictly, which follows on from her presenting Love Island USA and ­finishing runner-up on the American version of The Traitors in February. 

It has led to her walking some of the biggest red carpets Stateside, including at the Oscars. 

And her work there has seen her gain American friends, including ­fellow Traitors star and Melrose Place actress Lisa Rinna. 

Maura recently went to Lisa’s home for an event and was blown over by the relationship she has with husband of 29 years, Clash Of The Titans and L.A. Law star Harry Hamlin. 

Maura told Cosmopolitan: “Harry gave a speech, and I sat there thinking, ‘That’s exactly what I want’. He spoke about her with so much respect, and he adores her. 

“I genuinely thought, ‘That’s the type of relationship I want. I want a man to let me be me and not try to dim my light’.” 

It was during her stint on the fifth series of ITV2 reality series Love Island that she began her first high-profile romance, with Curtis Pritchard. 

After leaving the villa, they dated for eight months but Maura says: “I feel like starting on Love Island is why everyone is so invested in my love life and wants to know whether I’m single or dating.” 

It is probably also because there have been so many relationships with fellow celebrities.

Next came another ex-Love Islander, Chris Taylor, in 2020, followed by Strictly pro Giovanni Pernice in 2021. 

At the time, friends said he had “never felt like this about anyone before”. But four months later it ended, leaving Maura reportedly “blindsided”.

In October 2022 she was photographed kissing Towie star Joey Essex at an awards bash. 

A ten-month relationship with American stuntman Bobby Holland Hanton followed. 

Next came Towie lothario Pete Wicks. The pair split in February last year after a series of rows. 

And on Valentine’s Day she was overheard telling a friend who asked where he was: “I don’t know, probably cheating”. 

But the following month, she was caught in a cheating drama of her own — kissing married I’m A Celeb campmate Danny Jones, the McFly guitarist, at a Brit Awards after-party. He later apologised to his wife.

Maura then started to spend more time in America.

Now, the announcement that she will star in the new series of the US dance show cements her place as ­America’s Irish sweetheart.

But many people are now ­commenting on her accent, with American fans on social media ­joking about her saying, “tink”, instead of “think”. 

Maura told Cosmo mag: “Everyone’s spelling it T-I-N-K! Even I’m doing it now.

“My Irish fans — they’re all DM-ing and making videos. I’ve seen a few Irish people get defensive and say, ‘You shouldn’t be doing this’.

“But look, if I’m OK with ­people making fun, then I tink it’s fine.” 

After she landed the job on Dancing With The Stars she told fans: “I tink I’m very excited.” And she told American TV show ABC News how she “manifested” her appearance on the dance show.

She said: “I was asked to do ­Dancing With The Stars Ireland when I first came off Love Island. But around that time there was a lot going on. 

“And then when Strictly came about I was very tempted because I always wanted to do a dance show. 

“I dunno, like my sights were always set on Dancing With The Stars America and I didn’t want to do anything that would jeopardise that position. 

“It’s something I’ve been manifesting. I’ve had it on my vision board for the past couple of years. 

“And now it’s actually happening. I cannot believe it.”

Maura revealed that although she rarely cries, she was overcome with emotion when she landed the gig. 

She said: “I don’t get like that about anything. I don’t think I’ve ever had a moment like that, but because I really wanted it . . . 

“If I could get to the finale I’d be over the moon. Obviously I’d love to win. I’ve never won a show in my life.” 

It does mean, though, that she will be spending more time in America — and less in the £1.25million home she bought last year in a gated community in Essex. 

Maura was so excited when she got the keys that she set up her own Casa A’Maura Instagram — a nod to the Casa Amor villa on Love Island.

But since then she has barely been at the house and only posted twice — one picture of her bean bags in an empty lounge and a second of her cooking pasta, with Sex And The City playing on a TV in the background. 

She previously revealed she has not had time to furnish it as she has not been home due to her hectic schedule.

As well as her TV career, Maura has also landed lucrative tie-ins with brands including Primark, L’Oreal Paris, Mac, Ann Summers, Victoria’s Secret and Uber.

Her face may be everywhere, but it has also come under scrutiny on social media, with some asking if she has had tweakments.

Others have commented about her weight loss since her days on Love Island.

Maura told Allure mag: “I have never in my life had cheek filler. If they’re talking about Botox, however, yes, I do get Botox.

“But the only filler I’ve ever had was lip filler, and I’ve not had it in years.

“I’ve had my teeth done. I had Invisalign when I came out of Love Island, and then I had bonding over my teeth, which obviously is going to change my face a lot.”

But one thing she is never without is a spray tan — something that will hold her in good stead as she ­competes for the glitterball as ­Ireland’s current hottest export. 

She said: “When I’m tanned I feel good, and I’m ready to take on the world”. 

HARRY STYLES’ love life is heading in just One Direction after The Sun told this week how he and Zoe Kravitz have confirmed he popped the question – and she said YES.

While he is engaged for the first time, she hopes it will be third time lucky for her — after wedding plans with two previous fiancés crashed and burned.

But some cheeky pals are joking US actress Zoe could turn out to be the proverbial runaway bride.

A source tells us: “There is a bit of an in-joke in Hollywood about how Zoe has been trading ‘internet boyfriends’ — a term used by Gen Z for celebrities of the moment — and how she’s becoming like Julia Roberts’ character in the hit Nineties film, who leaves all her fiancés.

“While Harry and Zoe have an impressive roster of very attractive and famous exes, neither has the best track record with long-term romances. Of course, people are asking if this will last and questioning if they will even marry.”

One Direction star turned solo ­hitmaker Harry, 32, is not new to wooing American beauties — he dated Taylor Swift between 2012 and 2013, then actress Olivia Wilde from 2021 until 2022.

‘Deeply in love’

Batman actress Zoe, 37, daughter of rocker Lenny Kravitz, was wed to US actor Karl Glusman from 2019 to 2021. She then dated Hollywood A-lister Channing Tatum, who proposed in 2023 only for the pair to split the following year.

But what people at first assumed was no more than a summer romance for Harry and Zoe, after they began dating last August, now seems far more serious.

They shared news of their engagement just days after we revealed shots of Zoe with a huge diamond ring on her wedding finger, while out in London with Harry.

She looked chic in a beige trench coat and baseball cap emblazoned with the word Kiss — merchandise from Harry’s new collection for his latest No1 album Kiss All The Time. Disco, Occasionally.

Earlier last month, the pair had been pictured strolling hand-in-hand near to Harry’s home in Hampstead, North West London, as she stepped out in her trusty trench coat and he kept a low profile in navy slacks, coat and cap.

Harry is said to have popped the question with a ring worth up to £500,000 and it is thought Zoe could make her first official appearance with the bling, and her fiancé, at the star-studded Met Gala ball in New York on Monday. 

We previously told how Harry first sparked engagement rumours when he and Zoe flew to the Bahamas just after Christmas to stay in her dad’s home there.

A source said at the time: “If it wasn’t an engagement, then it was something that shows they are very much committed to each other.”

Speculation mounted when Zoe was spotted wearing a ring on her left hand from jewellery designer Jessica McCormack — but it turned out she was an ambassador for the brand. Then Zoe later revealed her bling from Harry.

It might seem like a whirlwind romance but pals report the lovebirds are already seriously thinking about the wedding day — and even starting a family.

Zoe certainly has history with finding The One, or hoping she has.

She was engaged to Channing Tatum the year before she met Harry and fans have not been able to resist pointing out how similar her ring from Harry is to the one given to her by Channing.

Before her romantic misfire with the actor, Zoe had been wed to Karl Glusman after they said “I do” at her dad’s home in Paris in June 2019 — but she filed for divorce just 18 months later.

Now, we are sure that what she has with Harry is very different and that Zoe is determined not only to make it down the aisle, but also make the relationship last.

A source close to Zoe says: “She is incredibly excited about Harry asking her to marry him.

“She had a strong feeling for weeks that something was coming and now that it’s happened she truly believes he is the love of her life — her soulmate.

“Over the past few weeks, she’s been the happiest she’s been in a long time. She feels deeply in love and grateful to be with someone she sees as the perfect partner — the best companion in every sense.

‘Wedding outfits’

“There’s a real sense of relief for her, too. In past relationships, especially engagements that didn’t work out, she ­carried doubts and fears.

“But Harry has reassured her. He’s made it clear he wants to build a life with her and make her his wife as soon as possible.

“After past heartbreaks, and relationships that didn’t meet her expectations, she now feels like everything has fallen into place

“She’s always believed in love, partnership and building a life with someone, but she never fully felt that connection until Harry.

“To her, their relationship feels like destiny — the beginning of the rest of their lives together.”

Indeed, Zoe has never been shy of commitment. After her first marriage ended, she told GQ mag in 2022: “You meet someone who’s amazing and wants to marry you, and there’s nothing wrong with that. I

“If there’s nothing wrong, then why wouldn’t you do it? You love them and that’s what you do.”

Harry, meanwhile, has always been quite open to the idea of ­marriage — and in 2020, when asked in conversation with US broadcaster Howard Stern if he could ever picture being “married and devoted to one person”, he reckoned he would welcome that.

Harry said: “It’s definitely what I would like to do. I’d like to think I would want that at some point.” In 2018, asked about starting a ­family, he said: “I can’t wait for a time when that’s a thing for me. I look forward to that in my life.”

Becoming a mother might not have been on Zoe’s agenda in the past, but an insider tell us: “She has even begun thinking about having children — something she wasn’t particularly excited about in the past.

“Now, Zoe feels ready for the next steps — marriage, building a peaceful home together and starting a family.”

Meanwhile, Harry has not attended the annual haute-couture Met Gala since 2019, but Zoe is part of the host committee this year, so for them to make a grand display of their love seems very possible.

We are told a wedding may take place in the South of France — or Italy, as it is special for Harry and Zoe after they spent time together in Rome last summer.

Our source says: “Zoe is already thinking about the wedding. She wants something unique and has started discussing ideas for outfits, themes and designs.

“She’s torn between a very intimate ceremony — possibly even eloping — and a larger celebration with all their loved ones, though a bigger wedding may ultimately win out. She’s particularly drawn to the idea of a summer wedding in Europe — possibly France.

“She talks about it all the time — beautiful locations like Paris or the French Riviera, lots of flowers, stunning outfits, and a ­celebration that lasts all day and night, surrounded by love.”

Zoe grew up in the limelight thanks to her rocker dad, now 61, and US actress mum Lisa Bonet, 58, who starred in US sitcom The Cosby Show. She was born in LA and, after her parents split when she was 11, moved to Miami to live with Lenny.

Harry’s start in life was very different — he was a ­regular kid growing up in the Cheshire village of Holmes ­Chapel before he tried out for The X Factor at 16 and his life changed overnight.

Our source close to Zoe adds: “Harry feels like a dream come true for her, and marrying him would be the perfect culmination of everything she’s wanted.

“She envisions walking down the aisle and sharing the most meaningful day of her life with him. She often says her heart belongs entirely to Harry.”

TV star Simon Cowell’s fiancée Lauren strongly believes social media MUST be made safe for our children. 

The US socialite, 48, is a determined campaigner for tougher curbs.  

Her passion for change is driven by her sons – Adam, 20, from a previous relationship and 12-year-old Eric with music mogul Simon – plus the anguish of parents who blame online content for their child’s death.  

This week, the Government finally agreed to bring in stronger, age-based restrictions for under-16s following pressure from grieving mums and dads. 

Here, Lauren – who does not allow Eric to use social media – explains why more needs to be done . . .  

WHEN I heard what had happened to 14-year-old Jools Sweeney, it broke my heart. 

SICKO SNARED

Moment smirking ex-Spandau Ballet singer arrested for raping & abusing 6 women

home truths

Katie Price says she’s never had one-night stand but sister calls her a ‘liar’

After he had been playing ­happily with his friends one afternoon, his mother Ellen Roome came home to find his lifeless body in his bedroom. 

Jools was one of several British children who died in 2022 having seemingly copied a deadly challenge shown on TikTok. 

I thought, “God forbid, this could have been my child”. 

My youngest son Eric, 12, isn’t much younger than Jools was, and my eldest Adam, 20, is close to the age Jools would be now. 

Since then, myself and Simon have met Ellen, who is a remarkable woman taking on the big tech giants. 

Ellen is one of the parents behind a campaign called Raise The Age, which wants the restriction on access to social media to be raised from 13 to 16. 

The policy was opposed by the UK Government, but they finally saw sense this week and agreed to introduce stronger controls on what young people can and cannot do online.  

There is no issue more important to parents right now. It’s what everyone cares about.

Making social media safe is the topic that dominates all my parent group chats.  

In our family we have already made up our minds. 

Me and Simon won’t allow our son Eric to access social media. 

We recently gave him a brick phone so he can communicate with his friends by text and WhatsApp. 

A lot of his friends use Snapchat, but I said no to that platform because I believe it is one of the least safe products. 

Eric is fine with that decision because we have had so many ­discussions about the dangers. 

But a lot of parents are not aware of the risks, particularly on seemingly innocuous sites such as Discord, Pinterest and CapCut. 

It is unreasonable to expect ­parents to monitor everything their children do online. 

Instead, it should be the government which keeps them safe. 

The evidence we hear is sick.

The tech companies knew their ­platforms were addictive and yet they kept going, inventing new ways to keep our children hooked.  

Some told our politicians that their products were safe, even though their own internal research showed they did not believe it.  

In my opinion, these firms put profits ahead of children’s safety, and that is absolutely unacceptable.  

We have seen groundbreaking court cases in the US which ruled that these platforms were intentionally designed to be addictive and were endangering children.  

Our children could not wait any longer because they were dying as a result of what they saw and experienced online. 

This movement isn’t about a total ban on the internet.

It is about a restriction on unsafe and harmful social media.  

We want an end to infinite scrolling where children are sent ­material they did not ask for, and an end to strangers being able to message them.  

Those firms that make their products safe will be available — those that don’t must restrict access by law or face massive fines. 

I met with Lord Nash, who has been calling in the House of Lords for tougher controls on social media. 

It was his pressure which forced the Education Secretary Bridget Phillipson to commit to implementing social media restrictions for under-16s. I hear people saying that restrictions won’t work because children will find workarounds.  

However, we haven’t given up on age restrictions for alcohol just because some children still get their hands on booze.  

When seatbelt laws were first passed, many people ignored them. 

But eventually, the message got through that they save lives.

Now, it is natural to strap in safely. 

The Government U-turn doesn’t mean the fight is over.  

Far from it. 

We need to keep the pressure on them to act quickly. 

Our children cannot wait years, because they are dying every month as a result of what they see online. 

I made a vow to Ellen, who I consider to be a close friend, to not give up until social media is safe for our children. 

I have huge respect for the families that are campaigning for this change.

They know it won’t bring their children back. 

But they want to do everything in their power to stop anyone else experiencing these horrors. 

IN The Devil Wears Prada, ambitions and egos are trampled over by stiletto-heeled rivals desperate to claw their way to the top of the fashion world.

But behind the scenes of the original 2006 film, British star Emily Blunt was playing matchmaker to the cast.

The actress reveals she was partly responsible for connecting co-star Anne Hathaway with her now- husband Adam Shulman.

Speaking ahead of the release of The Devil Wears Prada 2, which is in cinemas today, she also talks about her close ties with cast member Stanley Tucci, who went on to marry Emily’s sister Felicity.

Emily, who has two children with her actor husband John Krasinski, says: “Stanley is my brother-in- law now. I have a little nephew and niece from it.

“And Annie met her husband Adam through me and John. There are so many tendrils that run out from this experience 20 years ago. It’s amazing.”

It certainly is remarkable how much has changed for the cast since the first film.

Before the hit movie was released, Londoner Emily was a relative unknown.

Being cast as Emily Charlton, the put-upon senior assistant to Meryl Streep’s nightmarish fashion magazine editor Miranda Priestly, was her big break.

‘So kind to me’

Emily recalls: “It really was my first big role. I mean, I had done some stuff in England that no one knew about. I felt very green but thrilled to be there.

“The first film — I have these lasting, very prominent memories of it. Such an informative time in my life. I really didn’t know anything.”

The actress hit it off straight away with Anne, who she affectionately refers to as Annie.

She continues: “Annie and Meryl and Stan. They were all so kind to me.”

The Devil Wears Prada was a worldwide success, making more than £250million at the box office — ten times its modest budget.

Anne, 43, who played naive aspiring journalist Andy Sachs, and Emily found their lives intertwined again two years later.

Emily met A Quiet Place actor John, 46, in a Los Angeles restaurant in 2008 and, later that year, he helped introduce Anne to his actor and jewellery designer friend Adam, 45.

This was a fortuitous event for Anne because that year her relationship with businessman Raffaello Follieri had ended after he was charged with fraud.

The Devil Wears Prada played an even bigger part in bringing Stanley and wife Felicity together.

We do love talking some s*** about family. It’s great. Bit of goss

Emily Blunt, on working with her brother-in-law Stanley Tucci

Oscar-nominated star Stanley, 65, first met Emily’s sister at the movie’s premiere. At that time, though, he was happily married to Kathryn Spath with whom he has three children.

Tragically, social worker Kathryn died from breast cancer in 2009, aged 47, leaving Stanley heartbroken.

A year later, he reconnected with literary agent Felicity at Emily and John’s star-studded wedding in Lake Como, Italy.

And the love links do not stop there.

In a strange twist, Anne and Adam held their California wedding on the same weekend in September 2012 as Stanley and Felicity celebrated their nuptials in London.

Meryl, 76, who had also remained good pals with Tucci, was one of his guests.

Working with her brother-in-law on the Devil Wears Prada sequel was fun for Emily.

She says: “We do love talking some s*** about family. It’s great. Bit of goss.”

Stanley, who plays Miranda’s right- hand man Nigel Kipling in the movies, has become a well-known foodie thanks to his BBC travel show Searching For Italy.

On their eating habits, Emily adds: “Stanley and I have never had a no-carbs rule. All we eat is beige. We eat only beige food. And John loves to eat.”

Emily’s daughters Hazel, 12, and Violet, nine, enjoyed playing with Stanley and Felicity’s children ­Matteo, 11, and eight-year-old ­Emilia when they stayed together in Italy to film scenes for The Devil Wears Prada 2.

Anne and Emily have also remained good friends since making the original, which meant the cast of the sequel were unusually close.

She says: “I do get nostalgic. I was very moved when we got back together and we did the table read 20 years later. Going into the second film, 20 years felt like a blink and also a lifetime. It’s a really wild thing.”

That continued during filming in New York last summer.

Going into the second film, 20 years felt like a blink and also a lifetime. It’s a really wild thing

Emily Blunt

Emily continues: “When we got back together, I loved working with Annie because she’s a great dance partner in scenes. You know, she’s very spontaneous. She’ll sort of go with whatever you want to do.”

Emily also lapped up the attention of three-time Oscar winner Meryl.

The actress wore a glamorous tulle and feathered Schiaparelli gown at the New York premiere, which Streep clearly appreciated.

Emily laughs: “Meryl said she almost grabbed my boob on the red carpet just to feel it . . . the furry feathers. I would have loved it — it’s Meryl Streep.”

While her Devil Wears Prada character is famously particular about what she wears, that isn’t the case for Emily in real life.

The actress is far more casual when she is at home in London and New York.

She comments: “I feel like I still dress like a teenage boy. I think most of my life is dressed for comfort, you know, with the kids and everything, and going to set.

“But what I love about a press tour or a red carpet is that it can be a spectacle.”

The cast’s cosy love-in couldn’t be more different to the plot of The Devil Wears Prada 2.

Catty in catwalk

In the sequel, Miranda is still the ruthless editor of Runway, but the magazine is in financial trouble.

Andy, who made it as a writer, suddenly loses her job and finds herself back at Runway.

Meanwhile, Emily’s namesake character — Miranda’s former mistreated assistant, whose witty quotes include “I’m just one stomach flu away from my goal weight” — is now in charge of global brand Dior, which gives her all the power she needs for revenge.

Emily has more money and power now, and access to the archives. So that was thrilling

Emily Blunt, on her character

Emily says: “It’s quite a switch-up in dynamics. She’s a major executive at Dior. And Miranda is ultimately rather beholden to her for the advertising space.

“Emily has more money and power now, and access to the archives. So that was thrilling.”

While Miranda has to tone down her harsh comments due to our woke work culture, Emily can still deliver a biting one-liner.

By keeping the catty in catwalk, it is Emily’s performance that has once again caught the eye of critics.

The Sun’s movie reviewer Dulcie Pearce commented yesterday that “it’s Blunt who steals every scene.”

That will come as no surprise to fans, who have followed the star’s glittering movie career over the past two decades. She has received Bafta nominations for The Devil Wears Prada, psychological thriller The Girl On The Train and ­biopic drama Oppenheimer in 2024.

The actress also enjoyed box office hits with Mary Poppins Returns in 2018 and, in the same year, post-apocalyptic horror film A Quiet Place, which was directed by her husband John.

The Devil Wears Prada 2 is expected to earn even more than the first film, with fans desperate to see the gang back together.

That is something Emily fully appreciates.

She concludes: “It feels like ­people really want to unite for something joyful. I love it.”

• The Devil Wears Prada 2 (12A) is in ­cinemas tomorrow.

“I WAS a bit of a Duracell bunny,” confesses Iron Maiden’s irrepressible Bruce Dickinson. 

“To some extent, I still am — much to the dismay of people around me! They’re like, ‘Don’t you EVER stop?’” 

Dickinson is reflecting on the manic energy he brought to the heavy metal titans after replacing original singer Paul Di’Anno. 

In 1981, he was a 22-year-old member of hard-rocking fellow travellers Samson when Maiden’s manager Rod Smallwood came calling.

Unlike many of his peers, including his predecessor, Dickinson didn’t have to rely on drugs and booze to fuel his high-octane performances. 

He continues: “I discovered that having these amazing, ecstatic, endorphin-filled moments — being in front of people and singing with a group in total sync — was way more uplifting than any drugs on offer.” 

savage end

Megan Thee Stallion QUITS Broadway show after split and on-stage breakdown

SAD GOODBYE

Rock band member QUITS group after 10 years as band mates confirm departure

One of the great spectacles in rock is a sweat-soaked Dickinson running and jumping around on stage with audiences in the palms of his outstretched hands. 

Match his physical presence to a rich operatic tenor and an iconic catchphrase, “Scream for me!”, and you have a powerful combination.  

The songs that stretch his vocal cords aren’t too shabby either — many filled with intriguing historical references.

Run To The Hills deals with European colonisation of Native American territory, The Trooper visits the Crimean War’s Charge Of The Light Brigade and Aces High is a pilot’s eye-view of the Battle Of Britain — not your average metalhead subject matter.  

What about the 14-minute Rime Of The Ancient Mariner, based on Samuel Taylor Coleridge’s poem and written by Maiden founder and leader Steve Harris? 

“It’s just epic,” says Dickinson of the closing track on the band’s fifth album Powerslave, released in 1984.  

“It’s one of my favourites to perform.

“I love the storytelling aspect and we’ve got huge screens now to tell the whole story.” 

Let’s also not forget the enduring core band which today comprises bassist and chief lyricist Harris, three virtuoso guitarists in Dave Murray, Adrian Smith and Jannick Gers, mighty drummer Nicko McBrain (now retired from touring after a stroke in 2023) — and, of course, Dickinson.

The singer remembers Maiden’s gruelling, breathless climb to metal’s summit in the Eighties, when he was “run ragged but young enough to handle it”. 

Now 67, he accepts that his unfettered antics have taken their toll on his body, but insists: “Damaging it and knackering it by doing things on stage is a relatively easy fix — drugs take away your soul.” 

I’m speaking to Dickinson to mark the arrival in cinemas next Thursday of Iron Maiden: Burning Ambition, a riveting film documenting their 50-year rollercoaster ride with insightful interviews, live footage and unguarded offstage moments. 

Through the prism of band members past and present, and superfans including Metallica’s Lars Ulrich, Public Enemy rapper Chuck D and actor Javier Bardem, it is 106 minutes of pedal to the metal. 

The movie is the first milestone in a momentous year for the band formed in Leyton, East London, by Harris in 1975. 

In late May, Maiden continue the Run For Your Lives world tour, including a monster outdoor event, Eddfest (named after their shape-shifting undead mascot Eddie), at Knebworth on July 10 and 11. 

Then, in November, they join Oasis, Phil Collins and Billy Idol, among others, in being inducted into the Rock & Roll Hall Of Fame in the US. 

Dickinson says: “We’re about to do the biggest tour of our lives, playing to 2.5million people in six months. 

“People might say, ‘How the hell did that happen?’ to which I answer, ‘Have a look at the film — that is how’. 

“We’ve had lots of tidal waves and earthquakes in our career.”

Crucial to the upward trajectory has been the sense of community around Maiden and their fans, which Dickinson believes is only rivalled by “a very different kind of band, the Grateful Dead and their Deadheads”. 

He says: “We’ve never compromised and have grown on our own terms, creating our own universe. 

“You reach those millions one person at a time,” he adds. “Look them in the eyes — although that is a lot easier in a pub than in a 50,000-seat arena!” 

Though the upcoming tour will send Maiden through Europe, then on to North, Central and South America, Australia and Japan, Dickinson spares a thought for the places they can’t visit “because of the chaos in the world”. 

“There are huge pockets of fans in Iran,” he affirms.

“And in Israel, Ukraine and Russia — all these wonderful people who just want to love everybody else who loves Iron Maiden. It’s tragic.” 

This is cue for him to trawl through the mists of time to the early days again and it’s clear that, above all, it is Steve Harris’s band. 

Referred to as “the boss”, he formed Maiden just before punk upended the music scene. 

Dickinson says: “Steve felt very strongly about punk because many in the media decided it was the ‘acceptable face of heavy metal’ — and that enraged him. 

“Frankly, the first LP wasn’t that well produced so it actually sounded like a crap punk album.

“Steve has always said, ‘My God, I wish I could have remade it with Martin Birch [who produced their next eight records].” 

In the Burning Ambition film, we see the struggles of original singer, the late Paul Di’Anno, who embraced rock and roll excesses to the full, prompting Harris and Smallwood to search for a replacement. 

“Paul was very charismatic with a characterful voice,” says his successor. “He was a bit of a pirate . . . like Adam Ant or a member of band I loved, Johnny Kidd & The Pirates.  

“His look was different to the rest of the metal world — and that was cool.” 

With a rueful expression, Dickinson remembers being described as a “human air-raid siren” after his first gig with Maiden. 

He says: “They were obviously big fans of Paul who came to see me at the [now defunct] Rainbow and one of them sent a letter to a music magazine, Melody Maker maybe. 

“It said what a terrible disaster the show was, like ‘hearing my favourite songs being sung from inside a cement mixer by an air-raid siren’. 

“Even though someone was trying to be insulting, Rod Smallwood took the attitude, ‘When life throws lemons, make lemonade’. 

“He nicked the idea and turned the whole thing on its head, which actually made me laugh.” 

ON EDDIE: ‘EASTWOOD OF ZOMBIES’

MENACING mascot Eddie is an Iron Maiden icon.

Illustrated in numerous guises by Derek Riggs, the shape-shifting creature has appeared on every album cover and in every outlandish stage set. 

He inspired the name of the band’s outdoor shindig Eddfest at Knebworth in July and features in new animated sequences for the Burning Ambition movie. 

Bruce Dickinson calls Eddie the “Clint Eastwood of zombies” and says: “He has a Dirty Harry type of morality about him. 

“You think he’s evil but he’s ambivalent, so you don’t know exactly where you stand with him,” he explains. 

“If you’re basically a good person, you’re probably going to be OK – but he’ll blow you away if you’re not!” 

Dickinson believes Eddie has a future beyond Maiden. “One day, inevitably, we’ll stop playing live. 

“The great thing about Eddie is that he’s eternal. He can have a whole career on his own. We could even write albums for him.  

“In fact, there’s so much you could do with him, whether it’s movies, animation, or an Eddie avatar show. All these things are up for grabs.” 

To Dickinson, sharing the stage with Eddie is a rite of passage. 

“He’s an extension of our world but you just can’t pin him down.” 

A fascinating aspect of Maiden has been Dickinson’s relationship with Harris, not always plain sailing but one that created undeniable chemistry. 

And surely Harris accepts that the flamboyant singer helped propel his band to stadium-slaying proportions. 

“When I was in Samson, people were calling Steve ‘the Ayatollah’,” says Dickinson. “He had a reputation for being uncompromising and rigid. 

“But, as we’ve got older, he’s been much more amenable to ideas that might broaden the vision.” 

However, Dickinson had to set one thing straight from the start.  

“When I first did shows with Maiden, I was thinking, ‘Why am I standing on one side of the stage? I’m the singer’. 

“The answer was because Steve would go running down front and centre playing the bass. Suddenly I would have this big old lump of wood thrust in my ear. I nearly lost a couple of teeth because of it!” 

Dickinson insisted that, as lead singer, he was going to “stand at the front, in the middle — and I wasn’t going to back down”. 

Iron Maiden’s third album, The Number Of The Beast (1982), was Dickinson’s first and its songs including the title track, Run To The Hills and Hallowed Be Thy Name took the band to the next level. 

For the new recruit, making the album was the calm before the storm.  

He says: “It was like 1939 when Britain was at war but everybody was still out sunbathing and reading the papers because nothing bad had happened.  

“Then we hit the road and, wow, we had a No1 album, the single was going crazy and we were doing seven, eight, nine shows in a row. Even our day off was travelling.” 

Despite the overwhelming demands, Maiden enjoyed a rocket-fuelled rise to the crest of the New Wave Of British Heavy Metal (NWOBHM), a movement that included Def Leppard, Saxon and Motörhead. 

Dickinson says: “The albums we were producing in the Eighties were phenomenal. We created a style with The Number Of The Beast and it continued with Piece Of Mind and Powerslave. The trajectory was fantastic.” 

As the Burning Ambition movie attests, the band began building a devoted following in all corners of the globe. 

In August 1984, Iron Maiden ventured behind the Iron Curtain to play five shows in Poland, much to delight of fans starved of music from the West. 

In January the following year, the band went nuclear in South America by playing Rock In Rio to a 300,000-plus crowd.  

ON FLYING: ‘I HAD ROAD TO DAMASCUS MOMENT’

ANYONE who follows the life less ordinary of Bruce Dickinson will know there’s a lot more to him than just being the singer in Iron Maiden.

At school, he took up boxing but he “wasn’t very big” and people “would beat the crap out of me”.

So he took up fencing instead, inspired by a metalwork teacher who brought in a “full-on, two-handed sword like Excalibur”.

Not one to do things by halves, he became a champion – so good that he reached the UK top ten, trained with the Olympic squad and is still a member of fencing clubs in London, Paris and LA.

Dickinson harboured other dreams, too. “I was really into aviation and wanted to be an astronaut or a pilot,” he says.

This helps explain how he qualified as an airline pilot and ended up flying Iron Maiden on three world tours, firstly in a Boeing 757 dubbed Ed Force One and then, in 2016 for the Book Of Souls tour, a jumbo jet.

He says: “My love of flying came from my great uncle who was in No. 200 Squadron RAF in the Second World War. When I was five, he’d tell me all these stories.

“But I was rubbish at maths in school and you need to be a rocket scientist to be a pilot so I became a rock star instead.

“Then, in the Nineties, I took a trial flying lesson in Florida for 30 bucks, just to see. It was a road to Damascus moment.”

The next step for Dickinson was training with British Airways, flying a 757. Picking up the story, he says: “From 2000 to 2011, I was a pilot for UK company Astraeus, flying people around the world on holiday. I had to take unpaid leave to go on tour with Iron Maiden.

“You would probably have had no idea I was your captain because no one listens to captain’s announcements!”

During this time, Dickinson hatched the idea to extend his flying exploits to his other job as a member of Iron Maiden.

“I thought, ‘Wouldn’t it be cool if we put all the equipment, the band and the crew on one airplane?’ To my surprise, our manager Rod thought it was a great idea. Normally, I get told to p*** off!

“So we did three world tours. It was brilliant calling it Ed Force One – I think that was an invention by the fans.”

Dickinson remembers his initial horror when American secret servicemen boarded the plane in Chicago. “I went, ‘Oh s**t! What have we done wrong?’ Turned out Obama was coming in the next day on Air Force One and the men just wanted to have a look at Ed Force One.

“I’ve still got Air Force One-branded M&Ms, matches and a bottle opener somewhere.

“So, I’m thinking, ‘What’s going on in the President’s plane?’ They’re cracking open beer bottles, smoking themselves to death and taking all the red Smarties.”

As the Eighties progressed and the Nineties dawned, the pace rarely slackened and, as we witness in unvarnished detail in Burning Ambition, “the wheels eventually fell off”.  

Guitarist Smith quit in 1990 over “creative differences” and an exhausted Dickinson dropped a second bombshell by leaving in 1993 to pursue his solo career, much to the consternation of his bandmates, notably McBrain. 

“It was a sudden burst of artistic integrity of my own invention,” confesses Dickinson. 

“I knew Maiden were great, but they didn’t allow me to do anything a bit out there.  

“I was still in my thirties and the thought of leaving momentarily terrified me. But then I read Henry Miller’s quote, ‘All growth is a leap in the dark, a spontaneous unpremeditated act without the benefit of experience’. 

“It hit me like a ton of bricks. I thought to myself, ‘If you don’t jump, you’ll never find out’.” 

As for the reaction to his departure in the Maiden camp, Dickinson says: “The only person I told was the manager, Rod. I don’t know what got said between him and the guys but Nicko got upset about it. And fair enough.” 

He sees what became a five-year absence as part of “a real story of real people”.  

He adds: “We’re a bunch of bizarre brothers who got stuck together. In the end, we had to make it work.” 

So it was in 1999, after Wolfsbane singer Blaze Bayley had gamely attempted to hold the fort, that guitarist Smith and singer Dickinson returned to the fold — for good. 

“To use a football analogy, Blaze had been passed a ball which was a ticking timebomb,” says Dickinson, before recalling his bizarre meeting with Harris and Smallwood to discuss his return. 

They convened in secret at a yacht club in Brighton, entered by a special code — an occasion Dickinson likens to a scene from a John Le Carré novel. 

“Part of me was thinking, ‘This is ridiculous’. It felt like going through Checkpoint Charlie in The Spy Who Came In From The Cold,” he says. 

“But I looked at Steve and realised he’d been through the ringer with all kinds of things. I decided that if he’s up for it, then we should get on with it. 

“I told him, ‘I am the one guy on the planet you can trust. When I say we’ll make a great new album together, we will’. And we did [Brave New World]. 

“Steve and I are very different individuals — but that’s our strength. 

“I’ve certainly grown to respect him. Has he grown to respect me? I don’t want to put words into his mouth.” 

Dickinson signs off with a heartfelt statement: “The music is the thread that holds us in Maiden together. Whatever we started, we started well — and when eventually we finish, we will finish well.” 

CHRISTINE McGUINNESS has revealed she is closer than ever to Paddy – even though their marriage ended four years ago.

In fact, the former model claims Paddy has even checked out the women she is dating, branding herself a “five star lesbian” in her most revealing interview to date.

Mum-of-three Christine, 38, who finalised her divorce from ex-Top Gear host Paddy, 52, in 2024, spoke of her decision to date men and women last year.

And, with the pair still living under the same roof as their three children in leafy Cheshire while they wait for it to sell, she says Paddy is fully supportive of her choice,

But now she is looking to the future — and plans to have a woman by her side as a life partner.

“I would love to have a wife one day,” Christine explains on new podcast It Started With A Kiss out today.

NO KIDDING

How celeb mums including MIC star cash in on their kids BEFORE they’re born

DOUBLE LIFE

Love Island star’s abusive ex ‘on run for attempted MURDER’ before his death

“Not like a legalised marriage, but like a blessing, a celebration of love.

“I’ve been there, done it, spent an absolute fortune and probably aged about ten years throughout it all.

“I don’t want to do that again.

“I would love to just be saying, ‘This is my wife.’”

Christine’s unusual set-up with Paddy means the pair juggle dating outside of the home.

“I love a double life,” Christine added.

“It’s ideal for me because I don’t want to bring somebody into my personal life too quick.

“I like the separate life.

“My family, my kids, my home is up there, then I come to London, step off that train and I can work, have fun, sleep in and I don’t need to worry about everything.”

It is the freedom of Christine’s new lifestyle, and the support of Paddy, which she says has allowed her to start again.

Although her openness with Paddy may shock some.

On the podcast Christine is asked: “Are you showing him pictures like, ‘Oh look at her, she’s fit. What do you think of her?’

And Christine tells the hosts Amy Spalding and Gareth Valentino: “There’s times where we have, yeah.”

For now Christine insists she is still dipping her toes into the dating pond and has yet to properly settle down.

“I’m just seeing how things go, just figuring it out.

“I’m trying to not plan too far ahead,” she explains.

“I’ve dabbled in people who are in the industry.

“I’ve been trying to think what really works better.

“I quite like that people that aren’t in it are usually a bit more . . .  they’re happy to just take it slow and they understand that I don’t want to just put you on Instagram the next day because of my work and everything.

“So that’s usually quite nice.

“But I tend to just meet people out and about, at events and stuff.

“I’m quite lucky that I mix in circles with a lot of gay, bi, pansexuals.

“I’ve never gone too serious with anybody in the industry, it’s always been more of a fun fling type thing.

“I’ve spent time with a lot of women in sport.

“I’ve spent time with women in music.

“I’ve spent time with actresses.

“With me, I can panic and I can pause if I think of the future too much.

“So I’m just trying to enjoy the now.

“Enjoy the moment.”

Christine chose to speak about wanting to date men and women after signing up to E4 TV series Celebs Go Dating in April last year.

It came after Christine and Paddy announced their separation in 2022.

At the time, the pair released the news in a joint statement and said: “A while ago we took the difficult decision to separate but our main focus as always is to continue loving and supporting our children.

“This was not an easy decision to make but we’re moving forward as the best parents we can be for our three beautiful children.

“We’ll always be a loving family, we still have a great relationship and still live happily in our family home together.”

The couple first crossed paths in 2007 at the Liverpool International Tennis Tournament when Christine was working as a model for boutique shop Cricket.

Months later they started dating and in June 2011 they married at Thornton Manor in Cheshire.

After being married for just over a decade, Christine said it was her late diagnosis with autism that gave her the courage to admit their marriage was not working.

She documented her diagnosis in a BBC documentary, Unmasking My Autism, in 2023 and said at the time: “Starting life on my own is scary, I struggle making decisions.

“I was only 19 when I met Patrick and for the last 15 years my role has been wife and mum.

“When I was diagnosed, I set out on a journey to find out who I was.

“I have separated from my husband in the process, I’m shedding my old identity and finding out who I am.

“I’ve only ever had this one man in my life, I don’t know what it is like to date.

“I can’t imagine being single or with another man.

“But I’m going into a new chapter on my own which is petrifying for someone who doesn’t like change.”

Two years later, she started to date both men and women and now says she has found her type.

“I’m a sucker for a stud and a masc,” Christine explained, suggesting she prefers more masculine women.

“I swear they come for me.

“This one date, well, it wasn’t a date, it was when I did the whole hotel thing and not the whole date thing.

“Because I didn’t want to ever just meet someone and it just be sex, but then kind of did find myself in a place in life where I was like, ‘Do you know what? I actually do just want to do that.’

“I’ve been married, I’ve had situationships, I was single, I was celibate for six months, and with all of that, I just had a moment of, ‘Do you know what, I wouldn’t mind just meeting up with someone and just seeing how it goes.’

“So I got to this hotel and I’m thinking, ‘This is just sex, it’s fine.’

“She was very, very beautiful, like that perfect, pretty, handsome, like masc stud type woman, really gorgeous, dark skin, like she had everything.”

Christine adds: “We’re just chatting away and she said that she was a Gold Star Lesbian.

“So I’m like, love that, love a Gold Star Lesbian.

“I went, ‘Stop . . .  because you might be a Gold Star Lesbian, but I’m a Five Star Lesbian.’”

Of her first kiss, Christine is just as open, saying: “The first time I kissed a woman, again after my husband and no disrespect to him, it had been a while.

“I remember that first kiss just being so soft and so nice and so feminine.

“I knew I always felt it and it wasn’t something that I was worried about never doing again because when I married, I married for life, genuinely.

“But I was really happy that I was doing it again.

“And I’m really happy that now I am dating women again and that I am having fun.

“I’ve got some of the best stories, some of the wildest memories, like the craziest experiences that only I and one other person would ever know.”

During the episode of It Started With A Kiss, Christine said she has drawn the line at introducing a partner to her children early.

Joking that women in same sex relationships move forward quicker when it comes to love, Christine says: “It’s two weeks and you’re moving in, you’ve got a cat and a flat . . .

“For us two, if we ever end up in something where it progresses and it turns into a relationship and then they want to live with you or whatever.

“I don’t want any more children because a lot of the women that I meet usually don’t have children and they want children, whereas I’ve had them.

“So that’s something that I try to be honest about at the beginning to anybody that I’m even talking to.”

Of settling down for good, Christine says neither she or Paddy are in a rush.

She adds: “We know it’s going to take a while because we’ve got children.

“Going back home, we both kind of get that reality check of we can’t just go and move in with somebody just yet.

“But we’ll talk, we’ll have a laugh, we don’t go into too much detail about anything.”

• Christine’s full interview on It Started With A Kiss is available on YouTube and all podcast platforms now

SHE became the youngest ever Bond girl at 21 – and Gemma Arterton thinks one reason she landed the role as MI6 agent Strawberry Fields is because she teased 5ft 10in Daniel Craig about his height at the audition.

Now 40, the actress recalls how she had been relaxed about applying for the part in Quantum Of Solace because she did not realise quite how huge the 007 films were — and just tried out for “fun”.

Talking about Daniel, 58, who played Bond for 15 years, she says: “He’s got his sense of humour, so that was good.

“I used to poke him a bit, like, I think that’s why I got the job.

“I did a screen test with him and I came on set and said, ‘Hi’, and he said, ‘Hi’. I said, ‘You’re not as tall as I thought you would be in real life’.

“He said, ‘That’s really nice of you to say so’. I was joking with him. I didn’t think I’d get it.”

TV CREW

Princess Andre & Ella Rae Wise lead the glam at star-studded ITV Showcase

‘MORTIFIED’

Gemma Arterton’s brave response to director demanding last-minute sex scene

After she landed the part, Gemma — who is 5ft 7in — says Daniel had to use height-boosting shoes for a few scenes when she was ­wearing stilettos.

Gemma, whose parents split when she was young, grew up on a Kent council estate with her mum Sally-Anne, a cleaner, and younger sister Hannah.

She said at the 2024 Marrakech International Film Festival: “I knew nothing about the Bond legacy because I grew up in an all-female household where we didn’t really watch movies.

“I literally didn’t know how big James Bond was, which sounds ridiculous because everyone else does. The ­surprise of how big it was — I couldn’t believe it.

“I auditioned for it because my agent told me to, not expecting to get it, and got it and just did it because it was fun.

“But I had an amazing time making it and it was huge. I had no idea what I was letting myself in for.

“We went on all these amazing locations. I had just left drama school, it was one of my first jobs, and it was the first time I was on a big film set.”

Now, Gemma is about to appear in another spy thriller — but this time she will take on the lead role in new ITV crime drama Secret Service, which starts tomorrow night.

She plays Kate Henderson, who balances being a suburban married mother of two teenagers with secretly being a senior MI6 operative and heading the Russian desk at the intelligence service.

It is based on the book of the same name by ITV newsreader Tom Bradby.

Gemma says: “She trains spies and finds out some very important information, which is that there is a Russian spy within the British government.

“Her mission is to find out, by hook or by crook, who that is. It’s really gripping. It’s edge-of-your-seat stuff.”

For this role, Gemma did plenty of research and, with writer Tom’s help, she even met a real-life spy to perfect the part.

She told ITV’s This Morning: “I was lucky enough to meet someone who could advise me on how they negotiate their lives and live day to day — you know, their family and their kids.

“There’s a scene where I tell my kids what I do and they don’t believe me, they laugh it off. And that came from this ­previous spy and what happened when he told his daughter and she thought, ‘You’re joking’.

“But it was invaluable to me because it’s not just the high-stakes lives they live, it’s about the attributes they have to be a spy, which are very specific — very risk averse, good at problem solving.”

Gemma has been acting since she was a teenager and was 16 when she first considered it as a career.

She says: “I come from a humble family. My father was a metal worker, my mother is a cleaner, and not involved in the arts in any way.

“I always liked performing and showing off. I didn’t know that acting was a profession really until I was about 16 and I was doing a lot of amateur dramatics as a hobby.

“There was a lady there who said, ‘You should go to college to study acting’.

“I thought, ‘OK let’s see what happens’. Then I saw Breaking Away and Dancing In The Dark and I was inspired.

“That’s when I realised I would like to give it a go.”

She first broke through with comedy film St Trinian’s in 2007, followed by Quantum Of Solace a year later.

Since then, she has made more than 30 films, including 2018’s Vita & Virginia, in which she played author Vita Sackville-West, who had a romantic ­relationship with fellow writer Virginia Woolf.

Talking about why she left Hollywood films behind to make more independent movies, Gemma says: “I think at the time it was very different in the industry to how it is now for women.

“In those films — not the Bond film. I had a really good time making that film, but the other ones — I didn’t feel very empowered.

“I didn’t feel like I had a voice and I didn’t feel comfortable. I always felt good doing independent films.

“My taste is that as well. I like independent film, it’s my passion. Usually, the stories are better and the characters are stronger and I felt like I had a voice on set.”

Films such as Byzantium, The Voices, Their Finest and The Disappearance Of Alice Creed followed, alongside performing with the Royal Shakespeare Company and starring in stage productions such as Nell Gwynn, which won her an Olivier Award in 2016.

On the Dish podcast, Gemma told how, when she starred in The Little Dog Laughed at London’s Garrick Theatre in 2010 with Tamsin Greig, Rupert Friend and Harry Lloyd, they had a novel way to try to dispel their nerves.
Laughing, she said: “We used to play this game called bum slap.

“We’d be on stage before the audience came in, obviously, and you have to run around and smack each other’s bum.

“Basically, you have to smack as many bums as you can. And it was the best warm-up ever because you were all loosey goosey.

“I think I’d rather do bum slap than any of the old acting rituals.”

Gemma loves working in Britain because she gets to perform different accents.

She said: “I do enjoy a Liverpool, that melting pot of accents that is Lancashire, Manchester and Blackburn, it’s insane.”

Gemma herself had a Cockney accent before gaining her scholarship to the Royal Academy Of Dramatic Art, where it “softened up a bit”.
London is now her home, but her mum still lives in Gravesend — and now does watch films, thanks to her famous daughter.

Gemma says: “She’s grand, she’s living the life. She’s down in Kent where I grew up, the same home — I paid off the mortgage.

“I think she does eventually watch my shows. She takes her time and needs to watch them with the subtitles on, maybe to absorb them.

“She’s very honest. She’ll say, ‘Why did you do that? You sold out there’.”

Gemma has her own family now, too — son Theo, three, and a baby boy whose name she has not revealed — with her husband, Peaky Blinders actor Rory Keenan, who she married in 2019.

They do not live a showbiz life, but he is supportive of her work.

Gemma says: “My family life is my world now, whereas before it was work.

“It’s made me hyper-focused on what I do want to do.

“Before, it was like, ‘I will do that with that director or that actor I like’, even though it wasn’t the best thing for me.

“But now it’s made me really specific about what I want to do, because if I’m going to be away from them, which I inevitably will, it’s hard.

“But if I’m in it and enjoy the work, then it’s OK.”

Timeline of James Bond actors

Over the years there have been seven actors who have played 007.

The first ever James Bond film was in 1962, and this is who has played the lead role over the years:

• Sean Connery – The late star was the first ever actor to play Bond, and reprised the role for seven movies.
• George Lazenby – The star only played Bond once, but was the youngest actor to ever play the spy.
• Roger Moore – The late movie star spent 12 years making seven films in the famous franchise.
• Timothy Dalton – The smooth actor took over from Roger Moore and appeared in The Living Daylights and Licence to Kill.
• Pierce Brosnan – The handsome star played Bond for four movies from 1995 to 2002.
• Daniel Craig – The British star was the first blonde James Bond and the sixth actor to win the role in 2005.

STRUTTING the red carpet at The Devil Wears Prada 2 premiere, dazzling Anne Hathaway was like a different woman.

Gone was the so-called “in-authentic” air that critics once claimed she exuded, leading to her being branded “Hollywood’s most hated woman”.

Instead, more than a decade after the trolling began, 43-year-old Anne appeared determined to shake off her difficult reputation once and for all.

Not so long ago, it could be argued she was best known for snapping at interviewers, snubbing fans and even, it is claimed, rubbing some co-stars up the wrong way.

A campaign known as “Hathahate” had kicked off in 2011, when Anne was panned for her Oscars hosting performance with James Franco.

Two years later, as she picked up awards for playing Fantine in the 2012 film adaptation of Les Miserables, her acceptance speeches were widely dubbed overly dramatic and insincere.

The hate spiralled from there. But Anne, who wore a sexy, cutaway Versace gown to The Devil Wears Prada 2 premiere, appeared to be launching a charm offensive as she flashed her Hollywood smile at the paparazzi in Leicester Square on Wednesday night.

Her shiny, orchestrated comeback was almost derailed this week when she was accused of “playing Muslim” by casually dropping “Inshallah” — the Arabic phrase for God Willing — into an interview.

The online hatemongers immediately went into overdrive.

In the viral interview with People magazine, Anne — who has been married to jewellery designer Adam Shulman since 2012 and has two sons with him — was asked about her plans for the future.

Without hesitation, she responded: “I want to have a long, healthy life. Inshallah, I hope so.”

While the phrase is widely used, Anne’s decision to say it has sparked debate.

One person questioned: “Is she playing Muslim now?”, while another moaned: “Anne Hathaway and her Inshallah clickbait make me not want to see Devil Wears Prada 2 and I had been looking forward to it.

“It’s not a religious thing. It’s the obvious clickbait as a marketing tactic. It’s insulting.”

As she signed autographs at the premiere in London this week, Anne was gifted a copy of the Qur’an, an Islamic religious text.

She replied: “Thank you so much. That’s very kind,” before moving on.

But insiders tell us that drama over her use of the word “Inshallah” is the last thing she would have wanted.

A source revealed: “Anne, like many people, uses that expression all the time and meant no offence.

“She has spent years stepping on eggshells and she just wants this press run to be smooth sailing without everyone hating her again.”

Anne’s every move has not always been so heavily scrutinised.

She has spent years stepping on eggshells and she just wants this press run to be smooth sailing without everyone hating her again

Source

Her breakthrough role as Mia Thermopolis in the 2001 Disney hit The Princess Diaries is still a fans’ favourite and later, she was revered by her peers following roles in the likes of Brokeback Mountain and The Devil Wears Prada.

But then the tide turned. In an interview with Vanity Fair in 2024, she revealed that she once Googled herself and the top article was titled, “Why does everyone hate Anne Hathaway?”.

She claimed the backlash affected her work, telling the magazine: “A lot of people wouldn’t give me roles because they were so concerned about how toxic my identity had become online.”

According to an LA-based source who has worked with Anne in the past, interactions with her can be tricky, and her mood depends on whether people are in or out of her favour.

They said: “The thing with Annie is, if she likes you, you’re golden.

“If she doesn’t, you’ll know about it fast. A lot of people complain about her attitude. She often comes across as frosty because she is so focused on work and she can’t stand time-wasters.

“After all, there are not many Hollywood actresses who take their work so seriously they would shave all their hair off just a couple of months before their wedding, like she did for Les Miserables.

“When Annie is in that mode, the advice is usually to steer well clear.”

Anne was born in Brooklyn, New York, to stage actress mum Kate and lawyer father Gerald.

She says she knew she wanted to be a star aged three after watching Kate play Eva Peron in Evita.

By eight, Anne was obsessed with becoming an actress, further inspired by her mother playing Fantine in a US tour of Les Miserables — a role Anne later portrayed on the big screen.

She has previously told how she got an agent at 11 and landed her first major TV role at 16 in comedy drama Get Real.

Anne had starred in a string of movies before her 2011 Oscars debacle, which followed a plan to team her with co-host James Franco in a bid to pull in younger viewers.

‘Needed a break’

It backfired spectacularly and their lack of chemistry was widely mocked, as was Anne for having eight outfit changes.

Afterwards, Anne admitted she was “slightly manic and hyper-cheerleadery on-screen”.

Meanwhile, Franco, who stepped away from the spotlight after settling a $2.2million class action sexual misconduct lawsuit in 2021, said: “I think the Tasmanian Devil would look stoned standing next to Anne Hathaway.”

From then on, Anne’s reputation for being difficult grew.

Much of the criticism was ridiculous and unfounded.

Comic book fans even moaned when she was cast as Catwoman in Christopher Nolan’s The Dark Knight Rises because they did not think she was sexy enough.

But other complaints seemed to hold more weight. In a 2012 interview, which resurfaced and went viral in 2024, journalist Kjersti Flaa called her “dismissive” for providing short, unenthusiastic answers during a Les Mis press day.

When asked, “Do you believe people loved more passionately back then?” and, “Do you remember your first crush?”, the star bluntly replied, “No”.

Anne followed up with an apology to Kjersti for being so curt, attributing her behaviour to personal circumstances.

The actress went on to win a slew of awards for her performance in Les Mis, including an Oscar, a Bafta and a Golden Globe. But her acceptance speeches were criticised for being too rehearsed or self-absorbed.

Following her Golden Globes victory, Anne said: “Thank you for this lovely blunt object that I will forevermore use as a weapon against self-doubt.”

Later, she was accused by many on Twitter of putting on “The Anne Show”. Amid the fierce backlash, she stepped away from the public eye, and said in 2014: “My impression is that people needed a break from me.”

Curt answers

By 2022 the actress was back, in movie Armageddon Time, but was yet again called out online over a video of her refusing to pose for photos with fans as she left a Valentino fashion show.

Other clips included a red carpet chat in which Anne was asked what Vogue editor Anna Wintour — the inspiration for The Devil Wears Prada’s fictional magazine editor Miranda Priestly — had said about the movie.

The actress first appeared frosty as she retorted, “Why would I tell you?”, before laughing raucously.

When the interviewer pressed, “Because I’m a fan and I need to know”, Anne said, “I know, but you weren’t there”, followed by another cackle — leading to claims she was trying to pass her curt answers off as banter.

The original Devil Wears Prada was an overnight success when it was released in 2006, and saw fans obsessed with Meryl Streep’s character Miranda Priestly — the editor of fictional magazine Runway.

The sequel centres on Miranda navigating the decline of traditional print media as she finds herself at odds with former assistant Emily Charlton, played by Emily Blunt, now a powerful executive at a luxury group controlling crucial advertising revenue.

I think the Tasmanian Devil would look stoned standing next to Anne Hathaway

James Franco

Andy Sachs, played by Anne, is a features editor who reunites with Miranda in an attempt to save Runway.

As the stars hit the red carpet on Wednesday night, Anne exuded a glow that bore no resemblance to her frosty past demeanour.

She smiled for fans and appeared gracious when stopping to chat to press on the red carpet — desperate to prove she was more darling than devil.

But as mixed reviews of the trailer for The Devil Wears Prada 2 flood in before the full movie even hits cinemas, has Anne done enough to silence the Hathahaters?

Maybe it’s better the devil you know

By Dulcie Pearce, The Sun’s film critic

IT’S been 20 years since they bitched, backstabbed and brought the house down in feisty fashion film The Devil Wears Prada.

During that time, the much-loved comedy has become a cultural reference, with the characters becoming household names.

But after two decades, has The Devil Wears Prada 2 lost its bite?

Well, one thing is for sure, the cast of Anne Hathaway, Meryl Streep, Emily Blunt and Stanley Tucci have clearly found the formula for time travel, as they all look younger than they did in 2006.

Taking to the very red carpet at the European premiere in Leicester Square on Wednesday night, the foursome eradicated wrinkles and turned up their smile wattage to ultra.

They also, clearly, had to get on board with the film’s “partners” Diet Coke, with three-time Oscar-winner Streep’s outfit – red, white and black with a metallic sheen – looking like it was inspired by a can of the sugar-free pop.

Those attending were all given their own DC to sip on, too, and I don’t think it’s a spoiler to say that it’s the beverage of choice for characters throughout the film.

Audiences seeing early showings of the much-anticipated sequel also signed paperwork ensuring the film cannot be reviewed until a day and a half before it hits cinemas on Friday, May 1.

So no one is giving much away, with red carpet responses being, “It was so much fun” from Hathaway, and Streep saying: “This is a fun fashion movie. There’s a lot of music; there’s a lot of laughs.”

It hasn’t gone unnoticed that, as part of the excessive publicity campaign, Streep has joined forces with Vogue editor-in-chief Anna Wintour, who her character, Miranda Priestly, is based on.

The pair cosied up together on the cover of this month’s Vogue magazine, which is a huge contrast to the first film, which Wintour had nothing to do with.

So much so, designers and fashion figures were scared to be linked with the movie in case they offended her.

Streep recalls in the Vogue interview: “Everybody was afraid of Anna on the first one, so we couldn’t find any clothes.”

Fans fear the film has hung up its devil horns and slipped on some heavily branded wings.

AFTER literally breaking the scales, Alison Hammond has spent recent years vehemently denying fat jabs helped her to shed 13st. 

And we can reveal her astonishing weight loss is actually the result of an adventurous gym routine, a toyboy boyfriend and a £2.85 supermarket secret.  

A close pal said: “Alison was mortified when she stepped on the scales in 2020 and her weight was so high the sensor broke. 

“It stopped at anything over 29st, so she has no idea exactly how much she weighed back then. 

“It was a real wake-up call and she began a strict diet that day. 

“People are constantly accusing her of cheating and saying that she’s on fat jabs, but she’s not.

“They weren’t even around then.”  

Instead, the Great British Bake Off host, 51, has been munching on Itsu crispy seaweed thins — with just 24 calories in a pack.  

Her mate added: “When shoppers see her in Tesco the trolley is usually packed high with boxes of Itsu seaweed snacks.

“She eats about four packs a day.

“Instead of toffees she’s addicted to seaweed.” 

It is a far cry from the terrifying moment a few years ago that kickstarted her bid to get healthy. 

The scale shock prompted her to visit the doctor, who confirmed she was prediabetic and needed to slim down or face an early death. 

Being prediabetic — the point where your blood sugar is higher than normal but not high enough yet to be diabetic — genuinely terrified her as it can bring serious health problems.  

Following her doctor’s grave warning in November 2020, and in a desperate bid to reverse her diagnosis, the popular This Morning host made a plea to viewers live on air.  

Begging for help 

“I need some help,” she said bravely.

“I’ve really got to change my ways, if you guys see me out there buying sweets or chocolates, please I’m begging you, I’m not allowed to have it. 

“It’s serious now.”  

Viewers were quick to react, messaging the show in their droves with supportive comments and sharing their own struggles too.  

I thought, ‘I have to be an adult about this’. The sweets had to stop and the fatty foods.

Alison of changing her life

“Ali knew she was morbidly obese and was genuinely concerned that she was going to die,” says her pal.

“But the encouragement from viewers really touched her.

“It inspired her to make changes.” 

She previously said that her mother Maria, who died in January 2020 from lung and liver cancer, influenced her decision to overhaul her lifestyle. 

“My mum had type 2 diabetes,” she said.

“She was worried for me, so when I then found out I was prediabetic, that was frightening.  

“I thought, ‘I have to be an adult about this’. 

“The sweets had to stop and the fatty foods.”  

It was not the first time Alison had tried to lose weight.  

She had a gastric band fitted after a chair broke underneath her while she was interviewing actor Matt Damon in 2007.  

However, following the op, Alison experienced complications and “couldn’t keep anything down”. 

After two years, she decided to have the procedure reversed.  

Then, ten years later, she appeared on TV show Sugar Free Farm, which followed celebs as they embraced a sugar-free diet and farm work. 

While she managed to lose two stone on the show, the side effects from the sugar withdrawal left her feeling dizzy and sick.  

Now Alison, who is mum to Aidan, 21, works out three to five times a week with her personal trainers Lui Mancini and Ellis Gatfield.  

She combines strength training, boxing and Pilates rather than cardio and when she is busy working she enjoys walking.

A video posted by Lui displayed her hard at work with kettlebells, medicine balls and a punching bag. 

But no doubt also helping Alison’s confidence — and her weight loss — is her lover.  

She met David Putman, 29, a former Russian model, when she booked in for a massage in 2023.

The couple kept their relationship secret for about a year but now it is very much out in the open and despite the 22-year-age gap they are desperately in love.  

“It was pretty much love at first sight,” said her pal.

“She fell totally head over heels with David and he’s besotted with her.

“When you see them together it’s so sweet.

“He gets on really well with her son too.” 

But a change in her diet has had the most dramatic effect on her.

In a bid to reverse her prediabetes she has cut back on sweets and fatty foods — which has not been easy, especially as the host of C4’s Great British Bake Off, where she is surrounded by temptation.  

“Ali was completely addicted to toffees,’ says her pal.

“She would eat bags of them.” 

For people who need to use them, weight-loss jabs are a good thing. But for me, as soon as I hear any scare story, I get frightened.

Alison on using fat jabs

But these days she relies on seaweed.

The salty snack, combined with a rigorous exercise regime, has seen her weight drop to under 17st.  

She now drinks two litres of water a day and has a high-protein diet with lots of chicken and turkey mince bolognese.  

“She eats half of what she used to eat,” revealed her friend. 

Alison, who also hosts Your Song on Channel 4, previously told how weight loss jabs were not for her because she was “frightened” by “scary” stories surrounding them. 

She said: “For people who need to use them, weight-loss jabs are a good thing.

“But for me, as soon as I hear any scare story, I get frightened. 

“So I haven’t wanted to use them, but that’s not to say I wouldn’t in the future, and I certainly wouldn’t look down on anyone who did.” 

But industry insiders have warned there could be an issue if her slimdown becomes too extreme, especially as she vies for the presenting gig on Strictly.  

“There’s a fear that if she gets too skinny she might not be as popular with her fans,” said another source.  

Pals insist Alison has no intention of losing her curves or trademark sparkle.

Her journey has never been about fitting into a certain dress size but building a healthy life.  

During an interview on Loose Women last year, she summed up her attitude perfectly: “You know what, all I can do is be me.

“I can’t do anything else. 

“I’m a black, big, bubbly woman, who is slowly deflating a little bit.” 

Only time will tell if Alison’s next steps will be into the ballroom. 

But one thing is for certain, it will be seaweed, and not Ozempic, in her handbag. 

MORE than three decades after London helped launch her career, Tori Amos is back in the city, headlining the Royal Albert Hall for a tenth time. 

The US singer is chatty and upbeat despite staying up until 5am, still riding the high of her gig the night before. 

With her striking red hair falling in waves and her vivid green eye make-up, Maryland-raised Tori, who has called Cornwall home since the late Nineties, looks every inch the star. 

“London was the place that gave me my big exposure explosion,” she says.

“It really did shake my life up. And here we are again. 

“London broke Silent All These Years in the autumn of 1991, and then launched [debut album] Little Earthquakes, which rippled out to the States and the rest of the world.

plug pulled

Brit band cancel gig at final hour after ‘unexpected medical situation’

singing sensations

Where the Osmonds are now: About 70s group as Alan Osmond dies at 76

“America really discovered me through London, and then the UK did, too. From there, it just kept rippling outwards.” 

On her forthcoming 18th album, In Times Of Dragons, Amos turns political dread, female resistance and personal storytelling into something unique and mythic.  

She says: “I’m very reclusive at home and I’m not very sociable there so when I’m on tour I go from this insular life, where I do a lot of reading, music and writing, and step into this much more exposed life.” 

The contrast between Amos’s secluded home life and her role as a performer feeds directly into an album shaped by both personal reflection and political unease. 

The record is a response to the current political climate in America because, as a songwriter “a lot of my work is documenting time,” she tells me. 

“That’s what I did with Little Earthquakes, which followed my time of failure after [her synth band] Y Kant Tori Read when I had to go back to play piano bars.  

“I have a history of documenting things — my miscarriage in 1998 and that journey, then my 2002 album Scarlet’s Walk which documented 9/11 when I actually wrote some of it on the tour bus.” 

The idea for In Times Of Dragons came through the muses — otherworldly entities — that Amos believes bring her music.  

She has spoken widely about these guiding forces, which she says have inspired her songwriting since childhood.

And last year she published children’s book Tori And The Muses, all about them. 

She says: “This message came to me through the muses that I needed to document America at this pivotal time in history. 

“And I had to personalise this.

“It came to me a year ago that I needed to be me in the story and be closely connected to one of these people, and what that would look like, because they are personally affecting us. 

“I had to turn the volume on that to create this narrative, whatever turning into a dragon looks like.” 

The album follows the story of Tori trapped in a world run by billionaire tech moguls and lizard dragons, who threaten democracy through corporate greed and authoritarianism. 

Amos says: “Jane Mayer writes about the genesis of this in Dark Money, which is one of the most important books people need to read if they’re asking, ‘How did we get here?’. 

“This has been going on since the Seventies.

“As Mayer documents, figures like the Koch brothers — and I use that as an umbrella term for a wider movement — helped shape it, along with super PACs [organisations that spend millions supporting political candidates] and all the rest. 

“It seems there was an understanding that progressive teaching in universities had to be excavated, cut back and penetrated by a very tight right-wing philosophy that is now upon us. 

“And I’m not just talking about Republicans and Democrats. I’m talking about tyranny versus democracy.

“If you had asked me about this even around the Scarlet’s Walk era, I was already going after it through that record, and then through [2007 album] American Doll Posse during the Bush-Cheney administration with the wars, the manipulation, all of that. 

“Then there was a period of relief, when a different, more inclusive philosophy came in, whatever your politics are. 

“For me, it’s about the philosophy.

“As a songwriter, I’ve been tracking that through my career. 

“On this record, I had to take a personal journey and look at the effects of what this very small cabal of men is doing — and there are women involved too, we can’t get confused about that. 

“There’s Cambridge Analytica, the involvements of the Mercers, Rebekah Mercer [the right-wing US heiress and political donor] and all those interconnections.” 

The album’s story sees Amos’s character flee and reunite with her daughter.

This part is played by her real-life daughter Natashya, who co-wrote tracks Veins, Strawberry Moon and Stronger Together — the latter of which she also sings backing vocals on, and is one of the most emotional songs on the record. 

“She was in DC at the time, in law school, and she graduates in a few weeks,” says Amos proudly.  

“She’s going into criminal law and really had her finger on the pulse. 

“On a daily basis she’s seeing things that the wider public probably isn’t, unless you’re a political journalist. 

“We’re so inundated that the little freedoms being quietly taken away can be missed. 

“Criminal law is her calling.

“So, writing these songs with her, with her understanding of what’s happening in the field she’s chosen, and her exposure to the shock of what is being torn to pieces, was hugely important. 

“She says we are past constitutional crisis and what’s going on is absolutely shocking.” 

The final song, written last- minute for the album, is Ode To Minnesota — a response to the deaths caused by ICE agents there. 

She says: “Heinous, atrocious crimes are being committed and so this is the world of the record.”  

Amos, 62, has a long history of addressing America in song, and In Times Of Dragons continues that while exploring wider patterns of male power. 

It’s also a reminder of her role as a feminist icon and the influence she’s had on artists such as Lady Gaga, Florence Welch and St Vincent (real name Annie Clark).  

“Annie’s one of my dear friends,” she says of St Vincent.

“She’s fabulous. We have a giggle and I’m thrilled for her, for her art, and for the way she’s balancing motherhood so beautifully. 

“It’s lovely to see people who came to my shows when they were younger. 

“She’s talked to me about Choirgirl [Tori’s 1988 album From The Choirgirl Hotel] and what it meant to her when she first heard it, and we’ve had laughs about that. 

“And it’s the same with the guys too. 

“I’m off to an event later and the guy doing the Q&A used to stand by the stage door as a teenage gay kid.  

“To see these people grow up, and to still be able to bask in their creativity and development, is a beautiful thing to witness.” 

But while Amos is moved by the artists and fans who have grown up with her work, she is hesitant to define her own feminist legacy. 

She says: “It’s not for me to say, that’s more for other people to decide. 

“Believe it or not, I’m a bit introverted about that.

“What I think I’ve tried to do, and what I have done, is there for those who know it. 

“What’s important to remember is that there was no social media then.

“When people ask, ‘Was it easier back then?’, well, in some ways no, and in others yes. 

“We did have a music business with a few women in record companies, though only a few in executive positions.

“One or two could balls their way through, but you really had to.

“And if you didn’t have that tenacity in the Nineties — especially to get played on radio — it was tough. 

“At an alternative station in the States, they might add two women out of 64 slots, and the other 62 would be men.  

“I’ve spoken about that with some of my contemporaries over the years, Alanis [Morissette] being one of them, and it was not a good feeling — knowing that talented women with very good records were simply not being added to the station. 

“And touring took money. 

“That’s why I never had tour support.

“In the early days, I went out with just a piano, my tour manager and a sound guy. That was it. 

“We kept the costs down, and luckily the shows sold out, because the Press had really got behind me.” 

Today, Amos points to Dolly Parton as proof that women can keep evolving, performing and owning the stage on their own terms as they get older.

“She is fantastic and she’s aware we are a different generation that played this game and played it well,” says Amos.

“There are women who are still playing the game beautifully, and they still have the physicality and the health to do it.  

“I used to have a three-and-a-half octave range when I was doing those one-woman shows.

“But with the change of life — becoming a dragon, if that’s the menopause analogy — you adapt or you collapse.

“For me, it wasn’t a crisis in the way it has been for some women we’ve read about in the Press, and I have huge empathy for that.

“But vocally, I did have to make changes. 

“I didn’t want to alter the top lines of songs with those very high, wide-ranging melodies, so on the last tour I simply didn’t play them.  

“Then I thought, ‘No, that isn’t what I want.

“I want the whole catalogue available to me as a storyteller’. 

“So, I decided to bring in backing singers who could hit those notes.

“It was a strategic, compositional choice.

“I didn’t want to be in a position where I could only perform 40 per cent of my catalogue because of range. 

“And we’re having a blast. 

“They’re amazing singers. 

“I’ve gained four notes at the lower end and I feel like I’m down there rocking with Nick Cave, but that’s the trade-off. 

“I gained more on the lower end, while recognising that if I want to play those songs, you can only transpose them down so far before they lose their essence. 

“I have so much respect for Nick Cave.

“I used to run into him in the early Nineties.

“His work has always been a beacon of beauty and darkness — expansive work that makes you think.” 

Like Cave, Amos remains restlessly creative, and she is already thinking about where to go next.  

“After something as demanding as this, I’m doing a prequel to children’s book Tori And The Muses — that will be out next year,” she says.

“Her journey as a little girl with her muses.  

“It’s due next April — and there may be music to go with it too.” 

•  In Times Of Dragons is out on May 1. 

TORI AMOS 

In Times Of Dragons 

★★★★☆

WHEN Jack Whitehall decided to leave Sky’s A League of Their Own in 2018 to try and crack America, he feared it would leave his friendship with his co-stars James Corden and Freddie Flintoff in tatters.

Fast forward eight years, and it appears Jack’s prophecy may have come true. Both Flintoff and Corden skipped his £250k nuptials on Saturday –  with Flintoff posting photos of himself on the golf course in Slough instead.

And neither Corden 47, who attended the stag do in London on March 30th, nor Flintoff, 48, – who was involved in a horrific and life-changing crash while filming the BBC’s Top Gear – have congratulated Jack and his new wife Roxy Horner online. 

Their absence at the bash raised eyebrows – and sparked rumours of a feud between the former best mates.

One guest tells us: “Of course, people noticed that Freddie and James weren’t there. They were huge parts of Jack’s life for so long.

“But Freddie has been through so much over the last few years, and people suspected he just didn’t want to be at such a public event. 

“All the guests were photographed for Vogue, and it was actually quite a big spectacle, so it wouldn’t be surprising if Freddie didn’t want to be part of the circus.

“Why James missed it is another matter and very bizarre considering he was at the stag do.”

‘Very bizarre’

Other guests, including Jamie Redknapp, who also worked on the Sky show, shared gushing posts about the nuptials on Instagram. Corden however, is no longer following Whitehall. 

Meanwhile, Redknapp certainly made his presence known; he posted his Vogue snaps from the big day and gushed: “Congratulations to Jack and Roxy on your big day. I honestly couldn’t be happier for you both. I think the world of you guys, and I’m so proud to be there to see it all

“Jack, you’re like a little brother to me, although somehow still my favourite man baby. And Roxy, fair play… you’ve taken on a lifelong project there.

“Wishing you both a lifetime of laughs, love, and just enough chaos to keep things interesting. Have the best day, and an even better life together.”

Roxy sent a pointed response, saying: “Thank you so much for being there on our special day x”

Whitehall, known for Fresh Meat, tied the knot with Roxy at Euridge Manor in Wiltshire over the weekend, with their daughter Elsie by their side.

His stag do took place at the end of March in London and saw him joined by fellow celebs Jamie Redknapp and James Corden as well as ex-rugby star, Lawrence Dallaglio.

The boozy day out, which Whitehall says started at 11am with a Guinness, ended up getting so rowdy that the comedian can barely remember what happened.

The lads sank pints at The Devonshire pub, before visiting the infamous and very sexy nightclub The Box, which is believed to have put on a private show just for Whitehall and his rowdy group of mates.

They then moved on to mini-golf hotspot, Swingers and ended the night with drinks at the Soho Hotel bar.

Images from the night showed Whitehall staggering down the street with Corden and Redknapp,  but Flintoff was absent.

The four mates started working together in 2012, at the time Whitehall was a relative unknown, while Flintoff and Redknapp were sporting legends, and Corden had made his name in comedy Gavin & Stacey.

‘Breaking up the friends’

Whitehall’s career started to take off, and despite League of Their Own being a huge hit, he decided to quit in 2018 to pursue a career in America like Corden.

He admitted at the time he was worried about leaving his mates behind and said: “It was very sad ­sitting down with Jamie and ­Freddie and telling James on the phone. Jamie wept.

“I’m the b*****d breaking up the friends. But I think they still like me.

“I think we’re all still pals, it will probably help going forward with our friendship as we won’t see each other all the time.”

His career skyrocketed from there, and a few years later, Corden quit A League of Their Own and then Flintoff left a year later. 

Former cricket star Flintoff landed a place on Top Gear in 2019 but in December 2022, he was involved in a terrifying accident while filming the BBC show.

He was airlifted to hospital after his three-wheeled Morgan flipped, leaving him with devastating facial injuries, which meant he needed reconstructive surgery, as well as suffering some broken ribs.

He became a social recluse, not leaving the house for over six months, and struggled with his mental health, including suffering from PTSD, flashbacks, and anxiety.

Whitehall appeared in Flintoff’s 2025 Disney+ documentary about his accident and recalled their first meeting, he said: “I remember being quite intimidated. I was meeting Freddie Flintoff, who I looked up to a lot as a kid, for the first time.

“So many people think of him as so strong and so alpha, but he’s definitely fragile.”

Asked if he had a message for Flintoff, whose friendship with Top Gear co-host Paddy McGuinness also struggled post-crash, Whitehall replied straight-faced: “Answer my texts.”

AFTER the whirlwind success of No1 hit Stick Season, Noah Kahan didn’t rush back into the studio.

In fact, he stopped completely. Facing writer’s block and still processing everything that had happened, he stepped away for six months, forced to rethink not just the music, but what success meant.

His 2022 album Stick Season — rooted in Vermont and exploring mental health, identity and small-town life — transformed the singer from a cult folk artist into a global name.

Topping the charts in the UK, the record was also certified multi-platinum in the US, where it sold over four million copies and had billions of global streams.

Kahan was nominated for a Grammy for Best New Artist and the emotionally raw, nostalgic and deeply personal record was widely seen as one of the defining albums of the decade.

“I just couldn’t write for a while,” he confesses. “When I first got off the road, I didn’t make any music in a long time.

speaking out

Victoria Beckham breaks silence on Brooklyn feud for first time

BAY BEAUTY

Iconic Baywatch star signs up to reboot alongside Brooks Nader and Livvy Dunne

“I spent months not doing anything and it was painful because I like to be busy.

“It took so much strength for me to push that feeling away.

“I’m aware of how rare the moment was, how big the moment was and how lucky and fortunate I was, but my whole life I was trying to prove to people that I had a place here. So when the huge moment was happening, instead of being like, ‘Yeah, I made it’, I was like, ‘Oh my god, how am I going to stay here?’.”

That pressure quickly took its toll. Kahan said: “Writer’s block is such a lonely feeling — it makes you feel like your value’s been taken away. I felt completely unable to open up about it, but I ended up reaching out to friends.

“Marcus Mumford really helped. He understood what it’s like to be under a lot of pressure and afraid of failing and gave me great advice.”

Kahan also had to redefine success. It was not chasing numbers — just being able to make music was enough.

He says: “I learned the hard way about burnout. Success is a double-edged sword. I’ve always said if I had any, or if my tour sells out, I’d be happy. But the second it sells out, you’re looking at the next thing to achieve.

“Starting off this new album was really scary. I had to realise I didn’t need to be the biggest artist in the world or where Stick Season took me. I didn’t need to be successful to be loved.”

Kahan is in London for a few days to promote The Great Divide, his fourth studio album, which is out next Friday.

Taking time off to reset both mentally and emotionally was essential to writing again.

“I’ve struggled with my mental health,” he says candidly.

“But I was struggling more than anybody knew. I’ve struggled with anxiety, depression and body dysmorphia, but it was the OCD that I hadn’t figured out.

“I was diagnosed with OCD last year. It’s not about washing my hands a thousand times — it’s obsessive thinking. I was struggling with a lot of self-esteem and confidence issues, but I’d never dealt with anything so acutely like OCD. I’m supposed to be the singer who’s open about his mental health, but I felt so much shame.

“I needed medical intervention and therapy, and I didn’t want to be open about that because I was afraid. It was frightening as I’d been stripped of

this thing I loved.

“I couldn’t express myself through music any more, and so I didn’t tell anybody and it came to a breaking point.”
Through help and time, Kahan started to recognise his disorder in ways he hadn’t before.

“Now I wake up knowing my day is not going to be decided by what I see on my phone,” he says when discussing how therapy has helped him.

“Before, I’d have 700 brilliant words of praise, but it would be the one negative word that would shatter me. For a long time, I thought I was crazy.”

In August 2025, Kahan married his longtime partner Brenna Nolan, bringing a new sense of stability to his life.

The singer has also made a Netflix documentary — Noah Kahan: Out Of Body. It captures this difficult period, which he sees as part of his healing.

He says: “Making the film was a strange but amazing process. Having people follow you around took time to get used to, but they captured a really honest moment for me. Watching it back with my family was emotional. It showed how we really are.

“It was hard seeing how unhappy I was then, but in the end, it told a beautiful story.”

He adds: “My family are on the new record. I love the song American Cars. It’s about my sister.

“Whenever things were tough at home, she’d drive up from New York in a rental car, sunglasses on, just a total badass.

“She’s a surgeon, she just gets things done. She’d come back and help us through it, and the song came from that. Like, you need to come home and help fix this.”

The Great Divide is an album about friendship, miscommunication, regret and personal growth, and the title track became the guiding, emotional “north star” of the record.

He says: “Yeah, The Great Divide is really about a friendship that didn’t work out — one where I wasn’t able to express myself.

“And then there’s a song, Dan, which is about the opposite — being open, telling each other how much you care, facing hard truths. It ends in a way that really encapsulates the whole record. It’s probably my favourite song we made.

“There are a lot of stories,” he adds.

“It’s very emblematic of my childhood and a lot of people’s, young men in particular. Talking about feelings or asking difficult questions can feel like more discomfort than it’s worth, but the consequence is you don’t really know someone as well as you think you do.”

It’s an expansive album with 17 tracks, including the gorgeous We Go Way Back, Willing And Able, Haircut and Porch Light.

He adds: “I can’t wait to see crowds singing back Willing And Able, and Haircut started from that idea of someone coming back to town changed — like they’ve outgrown it. I felt like I’d become that person, only going home for inspiration instead of really being there.

“The song is almost someone singing to me, saying, I’m glad you’ve figured things out, but at least I’m still here and still real. You’ll leave again, and we’ll still be here. That’s what it’s about.

“Then, Porch Light is really about my biggest fear — how I’ve changed.

“I worry about going home and feeling like people see me differently, like I’ve become this ‘Hollywood’ version of myself, too big for where I’m from. That my relationship with Vermont has been changed by success and leaving Vermont for Nashville.

“But my family has always kept me grounded. They’re so happy for me. I wanted to write about that fear you have in your head before you even pick up the phone.

“You’re always anticipating what people might think. But there’s a silver lining in Porch Light. It’s about people saying, ‘We still care about you, we’ll still be here — but you need to figure things out first’.”

And that sense of place runs throughout the album.

“Yeah, the first and last songs really frame the album — I wanted them to feel like an intro and an outro,” Kahan says.

“The first track, End Of August, is this big, building track about that time of year in Vermont . . . It’s that moment when the tourists leave and the people who live there can finally come out of hibernation — like, ‘They’re gone’.”

He’s been working with Stick Season collaborator Gabe Simon, The National’s Aaron Dessner — best known for his work with Taylor Swift, Bon Iver and, more recently, Gracie Abrams — plus Ed Sheeran and Mumford & Sons.

Kahan says: “Gabe and I are really close — we went through a lot making Stick Season, so on this album we leaned on each other. He’s like a brother and the perfect person to go through this with.”

Aaron Dessner brought calm, structure and creative balance to the process.

“Aaron came in early on, but I was intimidated at first,” admits Kahan. “I looked him up on Wikipedia and was terrified of his success. This guy’s a legend.

“This was where Taylor Swift writes and Justin Vernon (Bon Iver), who works with Aaron, is my hero. Aaron has a magic to his music — a real understanding of what an artist is trying to say. But he’s a sweet, calm man who lives a very humble life in upstate New York on a farm.

“I needed him to stabilise me creatively. He is regimented in how he makes music and I need a routine. He is an amazing producer and this album sounds so f*****g cool because of what Aaron did.”

The sound on the new album is more expansive than Kahan’s earlier music and includes horns, guitar and richer production.

He says: “Honing on a sound and a theme started the process. Aaron’s place had dirt bikes, fishing rods and skeet shooting — all the things that I grew up doing.

“We couldn’t make the music in Vermont this time and the setting was really important, feeling connected to nature and beauty.

“It’s hard for me to make music in a city. Whenever I’m in a city, all I write is, ‘Get me out of the city’ songs.”

He adds: “We were also still in the middle of touring and I was over the Stick Season songs.

“There’s a lot of electric guitar on the new record, and bouzouki and mandocello, instruments we haven’t really used before. It’s a new confidence, but having spent three years on the road, I just want to make music that’s exciting to play live.”

It’s the connection with his audience that remains key.

He says: “I love it when I see fans singing back my songs as it means they’re feeling it.

“I’m always honoured when someone says my music has helped them to reach out for help. Though it can be overwhelming when people tell me they’re struggling with difficult thoughts.

“I don’t always feel equipped to handle that and I worry I’m not helping in the way they need. It’s hard when you feel you’re letting someone down.”

Now, his attention is focused on bringing the album to the stage.

He says: “I’m looking forward to playing these new songs. This record tells a story, so we’re working on the stage design, setlist and lighting to tell that story. We’re playing stadiums now, but I want fans to still have an intimate experience.”

Kahan returns to historic Boston baseball stadium Fenway Park, the home of the Boston Red Sox, for four nights this July.

He will also be back in the UK, including three nights at London’s O2 in November.

He says: “I’m excited about those dates, but my dream is to play Stamford Bridge.

“It’s my favourite sport and I love Chelsea FC. But I was told you can’t play there. I’ve achieved so much already, but that is my ultimate dream.”

• The Great Divide album is out next Friday, April 24.

NOAH KAHAN – The Great Divide

★★★★★

SHE was 35 and in her prime when Smash Hits magazine published images of her parading the stage in a skimpy bra – and scoffed: “Calm down, grandma!”

But the cutting headline, which accompanied a review of her Girlie Show tour in 1993, did nothing to deter the uniquely stylish Madonna.

In a career spanning more than 40 years, she became the hottest female singer in the world, selling over 400million records.

But through it all, the Queen of Pop faced intense backlash over her appearance.

Critics have judged everything from her cone bra in 1990 to her Met Gala “bondage”-style outfit in 2016, when she was 57.

But now, as Madge prepares to return to the spotlight with her 15th studio album, she has done what many thought would never be possible.

speaking out

Victoria Beckham breaks silence on Brooklyn feud for first time

BAY BEAUTY

Iconic Baywatch star signs up to reboot alongside Brooks Nader and Livvy Dunne

Aged 67, she is finally cool again.

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

Now, Confessions On A Dance Floor: Part II is promising to be a continuation of the project.

And Madonna is still not letting her age define her fashion, posing in a blue leotard, fishnets, a silver jacket and shades in a defiant photo to promote the record.

A music insider said: “Madonna has locked in for this project and it’s not at all what you’d expect from any other woman who is nearly 70.

“It has roots in New York house music and rave culture and her record label believes it will usher in a whole new generation of fans.

“Confessions 1 showed Madonna at her coolest and, after straying into other genres on her last few albums, this feels wonderfully authentic.”

Madge is yet to release the album’s first single, but she has been steadily building a Gen Z fanbase, who have been discovering her back catalogue.

Last month, her 1985 chart-topper Into The Groove returned to the Top 20 after going viral on TikTok.

Cruz Beckham, KSI, Aitch and Sam Thompson were among those who shared videos of themselves dancing to the song 41 years after it was a No1 hit.

And she is heavily tipped to make a live return tonight at the buzziest festival of the year alongside one of the world’s hottest young pop stars, Sabrina Carpenter, 26.

The Espresso singer will headline the second weekend of Coachella in California and has extended her set by ten minutes, further fuelling industry whispers that Madge may join her on stage.

It would be the veteran pop star’s first performance there in 20 years. She delivered a memorable set in 2006 following the release of her first Confessions album.

Sabrina idolises Madonna as a blueprint for pop music — and there are suggestions they may have collaborated on a song.

In 2024, she paid tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and so exactly how you expect her to be — just, like, so magnetic.”

Many of the current crop of pop starlets have named Madonna as their top inspiration.

Dua Lipa has said her 2020 No1 album Future Nostalgia was heavily influenced by Madge, and she worked with her on a remix of her song Levitating.

Jade Thirlwall said last year: “She is one of the best pop stars we will ever get.”

In fact, Madge has such pulling power, supermodel Kate Moss, plus film stars Benedict Cumberbatch and Gwendoline Christie, are set to have cameos in her comeback music video.

It is a sea-change from previous generations who used Madge as a verbal punching bag.

When asked to name the most overrated person in pop, Lily Allen once said: “Madonna. She might have meant something once, but I don’t know many people my age who care.”

And Lady Gaga insisted she could not be compared to the megastar, explaining: “I play a lot of instruments. I write all my own music . . .  I’m a producer. I’m a writer. What I do is different.”

On Wednesday, Madonna released a snippet of upcoming track I Feel So Free, which heavily samples the 1989 house tune French Kiss by Lil Louis.

The original features more than two minutes of sex noises — something which seems fitting for pop’s most notorious provocateur.

For Confessions II, Madonna has teamed up again with British producer Stuart Price, who was musical director on her 81-date Celebration Tour in 2023 and 2024.

Meanwhile, her boyfriend, former footballer Akeem Morris, 29, is regularly seen dancing and larking around with her in videos on TikTok, where her clips have been liked over 45million times.

Last month, Madonna was in Venice shooting for the second series of the Apple TV show The Studio, in which she will appear opposite Julia Garner.

But now it is full steam ahead with her music, after re-signing with Warner Records — her label for the first 24 years of her career.

Madonna said of her new album: “When Stuart Price and I first started working on this record, this was our manifesto: We must dance, celebrate and pray with our bodies . . .  To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people.”

Gen Z will not know what has hit them . . . 

AFTER becoming the first Love Island star to make Forbes’ 30 Under 30 list, savvy Molly-Mae Hague has a nifty plan to ‘Fury-proof’ her finances.

With a staggering £22million in the bank and a second baby with boxer fiancé Tommy on the way, there are whispers that a watertight pre-nup featuring a “loyalty clause” is in the works.

Molly, 26, took the shamed boxer back a year ago after cheating allegations against him led to their shock split in 2024.

And while her £600,000 engagement ring is back on and she is pregnant with a sibling for three-year-old Bambi, there is no sign of a wedding on the horizon.

Now sources close to the business-minded beauty say she is determined to make sure Tommy, 26, is 100 per cent dedicated to her before tying the knot.

An insider explained: “Molly has more than proved she knows a thing or two about making money and she knows full well what marriage could mean for her wealth.

“There’s been talk that she would want him to sign a contract before they commit any further, which would have a cheating clause and allow her the access to her money she feels she might need to move on.”

Molly was already a popular influencer when she appeared on Love Island in 2019 and met Tommy but her rise to super stardom and extreme wealth after the show is unprecedented.

‘Old home is back up’

She did not just land a fast fashion deal like other Islanders. She became Pretty Little Thing’s creative director, earning a reported £400,000 per month.

She also secured deals with huge companies such as L’Oreal and Fairy.

And recently she is said to have been paid more than £2million to collaborate with Adidas.

Molly would not be the first woman to demand a cheating clause.

Catherine Zeta Jones is said to have included a similar one in the pre-nup prior to her 2000 wedding to fellow actor Michael Douglas.

It was reported that if he ever cheated he would have to pay ­Catherine £1million for every year they were married.

Justin Timberlake and Jessica Biel also allegedly have a clause in their prenup that would entitle Jess to £400,000 if he cheated.

It was late in the summer of 2024 that Molly dumped Tommy, telling her followers: “Never in a million years did I think I’d ever have to write this.

“After five years of being together I never imagined our story would end, especially not this way.”

The couple had been planning to move into a £5million mansion but after Tommy was accused of kissing a blonde beauty on a lads’ holiday to Macedonia, Molly stayed put in her £4million Cheshire home and booted Tommy out.

There’s been talk that she would want him to sign a contract before they commit any further, which would have a cheating clause

Insider

But the couple were seen sharing a kiss at a New Year’s Eve party and officially reunited in May 2025.

And while they now live in their new family home, we can reveal Molly has kept hold of her first mansion, which is solely in her use.

Our insider said: “Molly has been very reluctant to sell the Cheshire home and knows it’s probably wise to keep hold of it as a back up.”

At the start of the year fans were shocked when Molly quietly announced she was expecting another baby with Tommy, and was already six months pregnant.

Pals say the star opted to have another child with Tommy because she was keen that her children all have the same father.

Another source adds: “Molly is very traditional in lots of ways and Tommy is, of course, also very old school, so they wanted to have more children together.”

A blended family was not an option for Molly, the source said.

Molly’s dream

“She wants her kids to have ­consistency like she had growing up. It’s one of the main reasons she got back with him.”

Casting doubt over their relationship, Tommy’s dad John Fury said in the family’s Netflix show, At Home With The Furys: “Molly is a lovely person, but she can’t help the life she’s been brought up in, it’s contrasting to ours.

“But she’s put up with some s*** hasn’t she, so fair play to her – she’s not a bad girl.

“I’m also going to be there to support them. Let’s see what happens.”

Tommy’s half brother and former world heavyweight boxing champion Tyson has also been critical of Molly’s career.

She wants her kids to have consistency like she had growing up. It’s one of the main reasons she got back with him.

Source

In the new series of his show he appears mocking of influencers, warning his daughter Venezuela: “If you are an influencer your private life is non-existent. Look at Tommy and Molly. If you want to make money out of doing nothing, ­basically privacy doesn’t exist.

“I’ve done a million-thousand achievements. I can write a table full of them. We’re just in an era where you can get famous for what? Getting our tits out on telly.”

But Molly, a dropout from the London College of Fashion, has come a long way since Love Island.

Forbes might have put Tyson at No3 in its ranking of the highest-paid athletes in the world, with his earnings being estimated at £120 million, but Molly is hot on his heels (wearing her sold-out Adidas shoe collection).