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WHEN we mourned the loss of Dolly Parton in August, it was an especially emotional time for Carly Pearce. 

The much-missed Queen of Country — and theme park owner — once referred to Carly as “The Little Dollywood Girl”. 

As I discover, their lives became inextricably linked for more than two decades. 

“I never thought there would be a day without Dolly Parton,” Carly tells me. “I always loved her, right from when I was a kid.” 

Aged just 15, she successfully auditioned for the Country Crossroads show at Dollywood, the sprawling park in Pigeon Forge, Tennessee, not far from the Great Smoky Mountains where Dolly was raised in a humble log cabin with her 11 siblings. 

“At 16, my parents let me quit high school,” says Carly, picking up her story, “and my mom and I moved to Pigeon Forge, about a four-hour drive from our hometown in Kentucky. 

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“I jumped into six shows a day, five days a week, at Dollywood.” 

“It was then that I first met Dolly, as one of her performers,” she adds, recalling the moment she couldn’t help staring at the singer who gave us Jolene and I Will Always Love You, hardly believing she was real. 

Today, Carly, 36, is forging a stellar career of her own and has just released a career-defining album, Honest Woman. 

She’s on her tour bus in Chicago, where it’s 9am, and I’m in London when we’re connected via video call. 

“For a day on the road, it’s too early for me to be ready yet,” she exclaims with her cloud of blonde curls framing a big smile. 

“Well, you look amazing to me,” I reply, before turning to talk about her life, her album and her beloved dogs, Johnny and June. 

But first let’s hear more about her connection to the incomparable Dolly Parton. 

By a twist of fate, it was up to Carly to lead the Grand Ole Opry’s tribute show for Dolly at The Ryman Auditorium in Nashville, the spiritual home of country music. 

It took place on August 29, just four days after Carly’s guiding light passed away. 

She opened her set with a moving rendition of Those Memories Of You, a song recorded by Dolly, Linda Ronstadt and Emmylou Harris for their 1987 album Trio. Carly says: “It was kind of odd because I was already scheduled to play the Opry to celebrate my album.  

“Then it just so happened that the show to honour Dolly fell on the same day — so I got to run the show. I was everywhere.  

“I think it was meant to be because she had been such a big part of my life and such a part of my origin story.  

“It was a heavy thing for me to be there and realise she’d gone but it was a big honour.” 

Years after her Dollywood stint, Carly and Dolly met again when both were appearing on TV promoting albums at the same time. 

“So I got to remind her of who I was,” says Carly. “After that, I’d see her during my time in Nashville.  

“But then I had the crazy, crazy surprise of my life. I thought I was doing a commercial for Dollywood, which I thought was a cool thing to do.” 

On June 17, 2021, Dolly suddenly appeared backstage at the shoot and told Carly, “You are now an official member of the Grand Ole Opry.”  

It was an invitation to the most exclusive and historic club in country music. Carly says: “There are three moments in my life which I think of as favourite career moments. And that is number one. 

“The other two are winning Female Vocalist Of The Year at the CMAs (2021) and a Grammy (2023, with Ashley McBryde for their duet, Never Wanted To Be That Girl).” 

Before we move on to more about her life story and her new album, I ask Carly what she admired about Dolly. 

“She had a way of telling a story that was unapologetic and honest,” she replies. 

“She was uniquely her own person in a way that freaked people out in the beginning. The way she looked and how she spoke. She was such a pioneer for women.” 

It’s clear that Dolly, along with the likes of Patsy Cline, Loretta Lynn and Tammy Wynette, paved the way for female country singers in what could be — and still is to some extent — a male-dominated world. 

Carly says: “Oh my God, I’m not trying to be mean, but there are so many songs on the radio that could be ten different dudes all sounding the same. 

“I have to say, as a female, you can distinctively tell who is who.  

“You have to have backbone and grit to break through — and I think you’re seeing that a lot right now with females in country music.” 

Listen to Carly’s new album, Honest Woman, a vibrant song cycle drawing on country pop, old school country and bluegrass, and you’ll detect some of that fierce determination. 

“I’ve always written from an honest and vulnerable place,” she says. “I don’t really know how to not be myself, which can be great and also a curse.” 

The rousing opener Dream Come True suggests that success doesn’t always bring happiness. 

Reflecting on being a single woman, unlucky in love, she sings: “Bought me a house at the end of a cul-de-sac. Four bedrooms but I only use one.” 

Later, she’s “sittin’ on the couch, cryin’ in the dark. Every plaque on the wall is a broken heart.” 

Carly says: “Dream Come True was the first song I wrote for the album. I was feeling a lot of pressure to write a hit.” 

She considered where her life had taken her, which, she confesses, made her cry — but she came up with a song straight from the heart. 

“I’ve chased this dream from the time I was a kid,” she says. “I think of the sacrifices I’ve made, that it comes with a price.  

“I saw young women my age with husbands and children and a more simple life that wasn’t as isolating as mine — and I wondered if I was missing out.” 

Carly’s dream of being a singer began, she says, “with my McDonald’s microphone when I was five-years-old”. 

“My parents loved music though not country music. But the only thing that would keep me from crying as a baby was (country star) Vince Gill. 

“My mom was so upset because she loved Fleetwood Mac, Heart and Black Sabbath. My dad loved the Grateful Dead and The Doobie Brothers.” 

However, Carly’s maternal grandparents, the Pearces, were into traditional country and bluegrass — artists such as Buck Owens and Ralph Stanley. 

She continues: “When I was six, my mom convinced a vocal coach to take me on. I don’t know why but she believed I had talent. 

“For the rest of my childhood, she supported that side of my dreams, whether it was making costumes for talent shows, driving me to recording studios, buying me karaoke CDs or getting me a guitar.” 

Carly’s move to Dollywood and into Dolly Parton’s orbit at 15 was her first big step into country music but another female pathfinder also inspired her.  

She was Loretta Lynn, the rags-to-riches singer whose turbulent story was told in Coal Miner’s Daughter with Oscar winner Sissy Spacek in the lead role. 

Carly says her new song You Can Have Him, with its trad country vibe, “is Loretta in spirit”. 

“I loved Loretta so much growing up,” she says. “I didn’t get to meet her, but there’s a song on my album 29: Written In Stone called Dear Miss Loretta. She sent me a voice text about it which I still have.” 

As for You Can Have Him, she adds: “Doing that was cool. I felt that traditional country was always such a big part of my story but I’d never honoured it on an album before.  

“So I went old school and wrote this tongue-in-cheek song about a guy with a wandering eye. 

“It takes me back in time. It’s as if I was Loretta Lynn singing at the Opry in the Sixties when she was 30-something.”  

Next, we talk about Carly’s “absolute favourite” song on Honest Woman, He Don’t Like My Dogs. 

It’s about an ex who got the boot because he didn’t take to the two loves of her life — shih tzus Johnny and June, named after the first couple of country music, Johnny Cash and June Carter Cash. 

“Here they are on the back of my phone case,” says Carly, holding up her phone to show me pictures of two fluffy white balls of hair. 

“I love my dogs so much and always wanted to write a song about them, but it felt a bit cheesy. 

“Then I had a situation when someone was not nice to Johnny. So Johnny and I talked and he said, ‘Mom, you know what to do’.  

“So I wrote this song that I think a lot of people can relate to. If you’re a dog person and somebody doesn’t like your dog, get out!” 

Expressing just what Johnny and June mean to her, Carly continues: “I don’t have children, but they fulfil that need for me so much. I mean, I just FaceTimed them before I got on this call. They’re with my dad while I’m on tour.” 

Moving on to other aspects of Carly’s album, I guess you can judge her by the company she keeps. 

There’s a guest appearance by breakthrough star Riley Green on stirring duet If I Don’t Leave I’m Gonna Stay. 

“I always target my duet partners,” says Carly. “Riley’s having a serious moment, especially in the States.  

“I’ve known him for a long time and knew I wanted to do this song with him.” 

Elsewhere, How Long is one of several songs to feature bluegrass powerhouse, guitarist and singer Dan Tyminski, known for his work with Alison Krauss & Union Station. 

Carly says: “I know he’s not in Union Station any more but they were my favourite band growing up. 

“I wore out their live CD from Louisville, Kentucky. My band jokes with me because I play every song on air guitar or air fiddle.  

“For years, I said Dan was my celebrity crush but nobody even knew who he was. I would just say, ‘You know, the guy who was George Clooney’s singing voice on O Brother Where Art Thou?’” 

How Long also features sublime harmony vocals by Morgane Stapleton, wife of big, bearded country superstar Chris and a formidable talent in her own right. 

Carly explains: “When I did my song with Chris, We Don’t Fight Anymore, first I had to figure out how to get the song to him.  

“I thought, ‘OK, I probably have a better chance if I DM his wife on Instagram. 

“That’s what I did. Morgane wrote back and asked me to call her. She was the reason that song got to Chris and we became friends.” 

When it came to the sessions for Honest Woman, Carly called her new pal. 

“No offence to Chris — I love Chris,” she says. “But I wanted his wife on this album so I sent her a message. She came to the studio and crushed it.” 

The record ends with Why God Why Me, a heartfelt acoustic ballad reflecting Carly’s abiding faith.  

“The song is my North Star for this entire project,” she affirms. “Faith has been the one constant in my life in this wild ride through the ever-changing music industry.” 

Why God Why Me is also an example of how this unflinchingly “honest woman” goes about her work. 

Carly says her songs “help me state the way I feel, just like Dolly did”. 

CARLY PEARCE 

Honest Woman 

★★★★★

NOTHING But Thieves have spent the past decade playing arenas and huge festivals around the world.

But it’s been coming home to play to smaller crowds that’s reminded them just how far they’ve come.

On Saturday, the Essex band played three gigs in three countries to celebrate the forthcoming release of their fifth studio album, Stray Dogs.

“Sweaty and close enough to see everybody’s faces,” is how frontman Conor Mason described the final gig of the day at Camden’s Underworld following earlier gigs in Netherlands and Belgium.

“In London, there was nowhere to hide. You can feel every flaw, every moment of tension.

“The whole day was about letting a little chaos back in and seeing what survives when we take it back to the bigger rooms.”

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The whirlwind day followed the band’s homecoming show at Chinnerys in Southend earlier in the month, which reminded the five-piece of the journey they have been on.

“When you see that in your home town, it’s quite bizarre,” says Mason. “It makes you appreciate how far we’ve come.”

For guitarist Joe Langridge-Brown, it led to a moment of reflection outside the venue, right on Southend’s seafront. “I was just looking out at the estuary at one point, thinking, ‘This is f***ing mental’,” he says.

I meet Mason and Langridge-Brown in their East London local where they are enjoying a quiet day at home before the new album is released.

Taking a sip from his pint, Langridge-Brown says that whenever they started working on previous albums, they always asked each each other what Nothing But Thieves actually sound like.

But on this new album, the band deliberately tried to capture their live sound rather than making a record and then figuring out how to play it live.

Guitarist/lyricist Langridge-Brown says: “Every record, we’ve always been trying to reinvent ourselves.

“But I feel like we’ve answered the question — I know what we are in 2026.

“I feel like now we’ve done it with this album. It’s like a foundational reset.

“In a way, it’s not going back to roots. It’s figuring out what they always were.”

That confidence extended to the studio, with guitarist and keyboardist Dom Craik taking the lead on production while the band retained creative control.

“Dom produced the record, but we controlled the record,” says Langridge-Brown.

“If you’ve written a record that is meant to sum up how you sound live, no one knows how we sound better than we do at this point.”

With Stray Dogs, Mason and Langridge-Brown said they also wanted to rebel against the short attention spans of their fans.

Mason says: “You’re told all the time by your label and just by the world that if you don’t make something within the first five seconds that someone’s going to love, they’ll move on to the next thing.

“We’ve made something specifically quite slow in moments and intentionally long-form.

“If people want to get it, they have to sit and really listen to it.

“That’s how you listen to albums. Like the first time you listen to [Pink Floyd’s] The Dark Side Of The Moon, it was from start to finish.”

“Not that it’s as good as that record,” interjects Langridge-Brown. “I just want to get that clear for everyone.

“I don’t want people to only listen to a song for five seconds — it’s our job to try and buck this trend.”

He continues: “This is definitely the best quality of work we’ve created. There’s a lot of attention to detail on this record.

“When you listen to it, it runs as a Nothing But Thieves show — the track list is a set list. We’ve taken crowd noise from our own shows and put it within the record.”

That attention to detail was also important for the album’s lyrics, with the band turning their focus closer to home rather than looking at the wider world.

“Moral Panic and Dead Club City were both very outward-looking,” Langridge-Brown says.

“With Moral Panic, I was basically studying Twitter and seeing this moral panic, this fear and anxiety spread.

“Then Dead Club City was almost the continuation of it, looking to the future.

“So this was, like, ‘OK, let’s not look outwards for now. Let’s look inwards and see what’s in our world and what we’ve created’ — on a bit more of a personal level.”

The first song written for the album was the intense, heavy-guitar title track.

“Stray Dogs was the first song and the lyrics were great,” he continues. “We were like, ‘This feels right. This feels like where we’re heading’.”

Elsewhere on the album, the band push that experimentation in different directions. On Baby Kool (Evelyn), they deliberately throw different sounds together.

“It’s got a glam verse and then it goes into this really grungy Sonic Youth chorus,” says Langridge-Brown.

“Those two worlds don’t naturally mix, but sometimes that’s where the magic is.”

Other standouts include the cinematic Death In The Backseat, the experimental #5 (Dehumanised) and the emotionally vulnerable If You Don’t Have Someone To Love.

AI.Jesus tackles their unease about artificial intelligence and what it could mean for humanity and creativity.

While Testosterone turns its attention to masculinity, with one of its lyrics inspired by a drunken comment Langridge-Brown overheard at a wedding.

Mason says: “I don’t think we are able to be fully macho, and I wouldn’t want to be.”

A Different Kind Of Happiness brings the record to a close, completing an album deliberately structured like a live show, with Stray Dogs opening the “set” and A Different Kind of Happiness as the finale.

The album was also the first to be written in one focused period rather than while on tour.

“We wrote the whole record in the building across the road and we’d have a drink in here after work,” says Mason. Langridge-Brown adds: “This record was very different in that we wrote it in a five-month period once all the touring was finished. We’d never done that before.

“It was always written on the road before — on the back of a tour bus or in between tours.

“But the touring got so huge and so extensive that we just couldn’t give it the time it needed.

“We’ve written about pack mentality in a negative way before, so I’d say this was probably more about community and the pack in a positive light.

“I think Stray Dogs really sums up what we do and who we are — our world, our crew and the fans. We have our own lives and when we meet up, we make a load of noise together.”

The band’s relationship with their fans comes with a huge sense of responsibility on stage.

“People pay a lot of good money to come and see us,” says Mason.

“If we’re not up to scratch, we make sure we are. It’s important.”

For the singer, this means taking care of his voice, which is central to the band’s sound.

He says: “Early on, I used to go out all the time with the boys and I just ruined my voice.

“A producer gave me a slap on the wrist so now, on tour, I treat myself like an athlete. I look after my body and get as much sleep as I can.

“I’m also classically trained so I look after my voice on stage for that hour-and-a-half.”

“He sounds amazing,” Langridge-Brown adds. “On that last tour, he sounded the best he has in years, which is great.

“The central thread running through all our music is Conor’s voice. As a writer, it’s amazing to have that to write for.”

Despite the success of their previous albums — Dead Club City gave them their first No1 in 2023 — chart positions have never dictated what Nothing But Thieves write.

“We never went out to chase a No1 record,” says Langridge-Brown. And Mason adds: “It wasn’t an intention and it wasn’t that commercial. We just write what we want to write.”

In February, Nothing But Thieves will head out on their biggest ever UK arena tour, returning to The O2 six years after their first headline show at the venue.

“The next day, we were, like, ‘What now?’,” says Mason. “I just want to wake up to my job every day in my life and be, like, ‘This is awesome’.

“There’s a lot of people that don’t get to do this so I feel very privileged.” And with five albums now behind them, the band have enough material to be more creative with their live set, building different moods throughout a show.

Stray Dogs also reflects a band increasingly secure in who they are.

That growing sense of self has been personal for Mason, who says that his thirties have changed his outlook on life.

“I had my 30th birthday and it was almost like the next day, I said to myself, ‘It’s time to grow up now’.

“I want to live my life with real gratitude for what I have and presence for what I have.

“I want to just be who I am as a man here and now and enjoy this.

“That was a really big shift for me.”

The band members all grew up together and while things have changed over the years, their friendship has remained a constant.

“We’re constantly evolving,” says Mason.

Langridge-Brown adds: “If you look at the lyrics throughout our career, change is mentioned a lot. It’s just something that we’re drawn to.

“There can be a bit of an identity crisis, but we are grounded as a band because we were mates first.

“And with success you don’t want to lose that.” Mason adds: “You hear a lot of horror stories about bands who break up almost every album, and it’s just, like, ‘How the hell do they function?’.

“The personal relationships and the working relationships were so, so integral to keep alive and to nurture, and that’s been a real foundation for us.”

That closeness continues away from the band. Four of the five still live within roughly a mile of each other and they still socialise regularly.

“You need to come off tour and have some time to yourself,” says Mason.

“But we still meet for gigs, trips to the pub, football and Wimbledon,” adds Langridge-Brown

“We went and watched Queens Of The Stone Age together the other day and our wives and partners are friends as well.

“It’s still quite tight-knit in that way.”

As our chat comes to an end, it’s clear that enduring friendship has kept the band together, but it hasn’t dulled their ambition.

“Stray Dogs is definitely the best album we’ve made, but I don’t think we’ve made our classic album yet,” says Langridge-Brown.

“That’s kind of the aim still — there’s more in the tank.” 

Mason agrees: “I’m really excited to further press this process. We’re not done yet.” 

Nothing But Thieves 

Stray Dogs 

★★★★☆

SHE has faced a tough few years, but standing centre stage in a pop-up stadium built and named in her honour, Shakira has well and truly nailed her big comeback. 

Nearly quarter of a century after her debut UK hit Whenever Wherever, she is about to embark on a sold-out residency in Madrid.

Over 21 nights, she will perform for more than 600,000 fans after pulling off one of the most impressive career revivals ever.

The concerts are the finale to her 127-date Las Mujeres Ya No Lloran World Tour — the highest-grossing Latin tour of all time, and the fifth most lucrative female tour in history.

And Shakira herself is enjoying it just as much as her rapidly- expanding fan base.

In an exclusive chat, the Colombian superstar — who, despite her age-defying looks, turns 50 in February — said: “I feel more secure and more confident than ever; so much more than when I was in my 20s, which is something I never would have believed or expected.”

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She added of her pop renaissance: “I’ve never been more in love with my career, so I’m grateful to still be able to do what I do and just know that people are connecting to that.”

This year has been a game-changer for Shakira. Her World Cup anthem with Burna Boy, Dai Dai, topped charts globally and became one of the biggest hits of 2026 so far.

The video has had more than 1billion views since May, contributing to her becoming the most-watched female artist on YouTube.

The same month, she performed to over 2million people in a single night on Copacabana Beach in Rio De Janeiro — one of the highest- attended concerts ever.

But in Dai Dai, she sings: “You’ve been this brave all along, what broke you once made you strong.”

It is a reflection of her last few years, when life was challenging.

Shakira’s 2017 album, El Dorado, was not received as well as expected, and five years later came her highly-publicised split from Spanish footballer Gerard Pique.

The couple, who never wed but have sons Milan, 13, and Sasha, 11, announced their separation after 11 years together in a public statement.

He was alleged to have moved on with another woman while they were together, although he has not spoken about the circumstances.

Things were made worse when Shakira was dragged into court by Spanish authorities over a tax dispute, in which she claimed she had not spent enough time in the country to pay the taxes they said she owed.

In 2023, she settled on one case of tax evasion, forking out €14.5million in unpaid taxes plus interest, a €7.3million fine and a €432,000 payment to waive a suspended three-year prison sentence.

At the time, things were looking bleak. But she started to turn it around, funnelling her anger into her music, which attracted a whole new generation of fans.

Then in May, a Spanish court ordered the country’s tax authority to refund €55million of taxes, ruling that the cash was improperly collected during the dispute.

Her epic, two-and-a-half hour concert tells the story of a wronged woman who comes out the other side.

At one point in the show, during song TQG,she is seen trying to reprogramme men’s behaviour.

Later, she is depicted as a lone wolf protecting her cubs, and then duets with her sons, who appear on screens for the track Acrostico.

The message is clear as she tells the crowd: “Love is beautiful. But self-love is more beautiful.”

The gig features a set of some 25 songs, more than a dozen extravagant costumes, fireworks, flamethrowers, twerking and Shakira on the drums and guitar.

It is a triumphant moment of celebration and, during her carnival-inspired, multi-coloured performance of Waka Waka (This Time For Africa), she beams from ear to ear.

Shakira hopes her concerts leave fans, especially women, optimistic about the world, as that’s certainly how she feels after the ordeal she has gone through in recent years.

She told me: “I hope women walk away feeling empowered and excited about what’s ahead of them, knowing that they are the ones who decide how to tell their story and what they want to take away from everything life throws at them.

“It’s been such a revelation to realise that the worst I ever imagined could happen . . . and that I can still find this level of happiness again.”

In Madrid, as well as the temporary stadium built in her honour, there is an entire 30-hectare village of attractions based on the Hips Don’t Lie singer.

And she’s bound to rake it in as there are high-profile sponsorships, including a museum about Shakira in partnership with Amazon.

A whole Disney area inspired by the star’s voice role in Zootropolis 2 is another key attraction, along with a library, in partnership with Penguin, promoting authors from South America.

During the residency, hotel bookings in Madrid are up 15 per cent from 2025, while Ryanair added 225,000 seats on flights to the hotspot ahead of the shows, which are generating hundreds of millions for the city’s economy.

Shakira, who has sold 100million records during her career, has now relocated from Spain to Miami with her sons to start afresh — and she is flying high.

She proved as much on the global stage when an estimated 1.5billion footie fans watched her perform at the inaugural World Cup halftime show in July.

And although she sang alongside acts including Madonna, BTS and Justin Bieber, it was Shakira who stole the spotlight.

Her success is a testament to her grit and temerity, with music insiders revealing she is hands-on with every detail of her career.

A source said: “Shakira has worked harder than anybody for this comeback — it’s taken blood, sweat and tears.

“There have been sleepless nights, relentless workouts and a back-breaking schedule, but she loves it and wants to prove to other women what is possible. She pulled an all-nighter with her band last Wednesday just to rehearse for the show in Madrid, not finishing until 8.30am.

“This is very serious to her. She wants to stay at the top for years to come.”

Shakira also teamed up with another in-demand pop star, Zara Larsson, earlier this summer for a remix of her song Eurosummer.

And last week, she released a collaboration called Agua with fellow Colombian star Maluma.

Now, all eyes are on what’s next for Shak, who has barely stopped in her quest to win back her superstardom.

As for a 13th studio album and future collaborations, she teased: “I’ve definitely chatted with a few people recently who would be really fun and unexpected, but I won’t ruin the surprises . . . ”

Although her tour is coming to an end, Shakira shows no signs of slowing down.

She has hinted that she wants to return to the UK, where she has not performed since 2018.

On the prospect of headlining Glastonbury, where she sang on the Pyramid Stage in 2010, she has said: “It’s such an iconic place to perform.

I’d love to go back to England and perform at Glastonbury.

“That would be like the cherry on top for this amazing year I’ve been having.”

As for a break? I wouldn’t count on it. She said: “I take days here and there to rest, but as long as I still have energy and inspiration, I love to stay working.”

TV host Jeff Brazier admits he has made too many mistakes bringing up sons Bobby and Freddy.

He became a single dad after his ex, Big Brother star Jade Goody, died from cervical cancer in 2009 aged just 27.

Jeff — who has since had years of therapy — believes that if model Bobby, 23, and Race Across The World star Freddy, 21, had been raised by the man he is today, they may have escaped some of the trauma, turmoil and family fallouts.

He told the Sun on Sunday: “You always look back with hindsight and feel like, ‘If only I was the version of myself I am today 20 years ago, how much of a better experience of me they would have had’.

“Maybe that might have eliminated some of the bumps in the road we’ve had . . .  you look at the things you could have done better.”

Those “bumps” have at times proved particularly painful for Freddy, with much of the family tension centred around his close bond with his maternal grandmother Jackiey Budden, 69.

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Jeff has always considered Jade’s mum to be a bad influence on the boys.

And Freddy, who has been to rehab, been sectioned and suffered manic episodes, has previously claimed Jackiey got him “hooked” on cannabis.

Things got so bad that last year, a concerned Jeff started legal proceedings in a bid to keep Jackiey away from his son.

Yet despite their clashes, Jeff and Freddy have always found their way back to each other — most recently in March following the arrival of Freddy’s daughter Isla with his on-off girlfriend Holly Swinburn.

Jeff, 47, says: “Thanks to all the mistakes and all the lessons and the learnings along the way, I get to love Isla with a sense of confidence.

“The strength of connection you can have with a grandchild is really special.

“With Isla, it just feels ­natural, effortless and easy, and there’s no ­complications around it.”

Jeff can often be seen on This Morning, has worked with The One Show and TNT Sports and now fronts the Let’s Save Water campaign, urging families to make small changes to help tackle Britain’s shortage after the hot summer.

But the TV star admits he has struggled since his sons moved out of the family home in Essex.

“When they left, I went through nine months of what felt like ­absolute grief,” he admits.

“It’s not just the absence of your children. It’s more the grieving of the role that you played, that you got really comfortable playing.

“It felt like a slow relinquishing of control and responsibility, to the point where you feel redundant.

“Life is a lot quieter right now — the peace can be deafening — but there’s also part of you that’s, like, ‘Shouldn’t I be doing something for someone somewhere?’ ”

Jeff’s home is also quieter following the end of his seven-year ­marriage to PR executive Kate Dwyer last year.

Yet Jeff, who first found fame on reality show Shipwrecked in 2001, is learning to embrace this new chapter and finally put himself first.

He is also discovering how to play again so that he can be the best grandfather possible.

It was Freddy, who suffers from ADHD, who first told him he needed to loosen up, while they filmed Celebrity Race Across The World in 2024.

Jeff, who spent much of his ­childhood in foster care, said: “He ­basically hit the nail on the head.

“As a child, I probably didn’t play that much, or feel safe to play. I’m trying to undo that.”

In a bid to become more playful, Jeff has even signed up to wrestle strangers after discovering the ­unusual kind of therapy at a ­spiritual festival.

“The more you do it, the more you free something up and heal something,” he says.

“Obviously, no one’s allowed to hurt anyone. But to go and enjoy retreats like that, you’re basically taking your inner child with you.

“That’s where I hope I will be in ten years — running a retreat on a renovated farm in the countryside.

“I would still be exercising and showing up for people, and I’d be looking after numerous grand- children and feel all the love.”

Could that future also include finding love again?

“I hope so,” he says. “Yeah, I believe that will happen to me.”

TOMORROW night in Philadelphia, Ed Sheeran is expected to return to the stage for the first time since the biggest crisis of his career began.

Venues and promoters removed rapper Macklemore as the opening act on his US tour for voicing pro-Palestinian views on stage — prompting a legion of musicians, many of whom were British megastar Ed’s friends, to publicly turn against him over the past week.

This evening at Lincoln Financial Field, Ed will perform to 60,000 fans alone, with just his guitar and his trusted loop pedal, after Irish singer Aaron Rowe and Danish group Lukas Graham pulled out as support acts.

Irish folk group Beoga have performed with Ed on every night of the Loop World Tour — but they have also withdrawn, along with Billie ­Eilish’s brother Finneas, who was due to open six of Ed’s south ­American dates later this year.

“The world feels like a very lonely place for Ed right now,” an insider tells me.

“He couldn’t have done more to change the situation. He genuinely tried everything. This pile-on has been awful.”

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I’m told dad-of-two Ed, 35, is ­planning on pushing ahead with the concert this evening before taking a view on the remaining ten dates across the US before his shows in South America.

My insider explained: “He wants the tour to continue for fans.

“They will have spent a lot of money on travel and hotels and will want to see him perform.

“The plan is to see how it goes tonight and then Ed and his team can take a view on whether they will carry on or not.”

Last night local action groups Philly Palestine Coalition and Shut Down D&Z confirmed they would be demonstrating at the train station closest to the venue.

Police said they would be increasing patrols in the area and were dispatching extra officers to the area around Lincoln Financial Field before the concert starts at 8pm.

Jasmine Reilly, a spokesman for the Philadelphia Police Department, said last night: “Our officers are talking to Ed’s team to make sure all appropriate measures are taken.”

A second source told me: “A nightmare scenario is if unrest begins inside before or during the show. It’s a possibility because of the heightened emotions with everything that is going on right now.

“Naturally Ed and his team’s concerns are for the safety of the people inside and outside the venue.”

Tonight’s gig will take place 15 days after Macklemore lit the touchpaper under Bad Habits hitmaker Ed.

The rapper — real name Benjamin Haggerty — played his pro-Palestinian protest song Hind’s Hall in New Jersey before telling the crowd: “A big part of the reason why I wanted to do this tour in the first place is so I could stand up in ­stadiums like this and say two words that are very near and dear to my heart: Free Palestine.”

The next day he stood on stage again at the MetLife Stadium and declared: “To all of my Jewish brothers and sisters: criticism of Israel, criticism of apartheid, being against genocide in no way is a criticism of you.”

Two days later, the Israeli-American Council published a ­petition calling for Macklemore to be removed from Ed’s shows.

On September 8, Jewish singer Pink ramped up emotions when she shared a statement on Instagram with her 11.7million followers.

She blasted Macklemore for going on stage “in front of a stadium full of music-loving families, with violent images from a war on the screens, dedicated a song to the movement of his choice, and then took the mic to tell all of the Jews in the stadium that it wasn’t about them.”

Three days later Macklemore was removed from Ed’s tour. US promoters Messina Touring Group said that it had been notified by venues on Ed’s US tour that they “will not allow a concert to take place with Macklemore on the line-up.”

In a statement calling Ed a “brother”, the rapper said: “Nothing I’m writing here is out of spite or because I want to tear down his character.

“But as I told Ed multiple times on the phone, our friendship can’t change my responsibility to tell the truth about what happened.”

Macklemore explained that Ed had told him billionaire Robert Kraft, the owner of the New England Patriots American football team and their Gillette Stadium in Massachusetts, would not allow him to play the two dates there on September 25 and 26.

Macklemore added: “Ed was in a f***ed-up position.

“His typical apolitical stance was being challenged in a way it never had been before.

“He told me that the words ‘Free Palestine’ and the image of the Palestinian flag were hurtful to a lot of people he spoke with. I told him that if those words were more ­offensive than tens of thousands of Palestinian children being killed by Israel, then there was a fundamental disconnect between where those ­people stood and where I stood.

“But he couldn’t get past his public-facing, ‘I don’t take sides.’ ”

The next day Ed addressed the ­situation in a statement to his 47million Instagram followers and revealed the lengths he had gone to in a bid to get everyone back on board.

He said he had spoken to “activists on both sides” as well as the owners of stadiums to find unity and that he was “appalled” by the conflict.

Ed added: “I am not complicit. I have my personal views on this devastating conflict. Just because I choose not to speak publicly, it doesn’t mean I don’t have them, and it doesn’t mean I don’t care.

“Macklemore coming off the tour was the promoter’s decision, it was not mine.

“I would never let down the fans who had made plans, nor would I abandon the touring crew and the other support acts and musicians who rely on me for work.”

Explaining his decision to remain apolitical, he said: “There is a ­reason I do not use my professional platform for politics.

“My audience includes young people, often children, of all backgrounds.

“Those who come to my shows do not expect a political forum. I respect Macklemore’s strength of purpose to stand up and shout for what he believes in.

“However there is room for multiple approaches to the same end: peace.”

He concluded: “I have spent this week trying to build bridges, to find a solution, and unfortunately I was unable to do so.

“I know who I am, both as a person and as an artist, and those who know my heart know my values too.”

Despite his attempts to make amends, Ed was left flattened the following day as the artists on his tour started to pull out.

In a statement, Irish group Beoga said: “To play in venues that silence anyone advocating for Free Palestine is simply not an option for us.”

Pro-Israeli billionaire Kraft then came out fighting in Ed’s corner.

Shortly after Macklemore announced he was donating his $1million fee for the tour to humanitarian organisations providing aid to Palestinians, Kraft said Ed had been in touch before asking to match a donation he had made.

Kraft said: “I have dedicated much of my life to building bridges between all people.

“I believe deeply that all lives are worth protecting.

“Earlier today, before Macklemore challenged me to match his donation, Ed called me and asked me to commit $2million to match his donation to aid in the region to fight this humanitarian crisis.

“Ed now plans to reach out to other venue owners and our goal is to continue to work together to build bridges.”

Kraft also pointedly recalled Macklemore’s stunt in 2014, where he performed on stage in a costume which featured anti-Semitic tropes.

Macklemore apologised and said he did not mean to offend anyone but conceded the outfit could have looked like a “Jewish caricature”.

In the days prior to tonight’s show, high-profile stars have waded into the row, including British singer Paloma Faith, Hacks actress Hannah Einbinder and Formula 1 champ Lewis Hamilton.

The controversy also spilled over into politics, with US senator ­Bernie Sanders blasting Kraft.

The Democrat wrote: “In the United States of America, billionaire stadium owners should not be able to silence artists because they speak out on political issues.

“Today it is the genocide in Gaza. What’s next? If they can silence one artist, they can silence anyone.”

Since his statement, Ed has not spoken and is, insiders tell me, “staying focused” on the hours ahead of the concert.

A source said: “Ed has never faced anything like this before.

“It’s been devastating. He is trying to do the right thing by everyone. Sadly that isn’t always possible.

“As he said in his statement he has his own views on the conflict.

“Just because he has not been public in speaking about them, it doesn’t mean he doesn’t care or hasn’t actively been helping in whatever way he can.”

SHE’S in her eighth decade but Chaka Khan has no intention of slowing down. 

In fact, the legendary singer, 73, is about to release her 13th studio album, a record she describes as “ageless music”. 

Called Chakzilla, she believes it can connect with “everybody, every age”. 

And after 50-plus years of making music, when asked about her proudest achievements, the Grammy-winning star says: “My legacy is that I stayed alive and that I’m still here. That’s a big deal.” 

She is chatting from her home in Georgia where she is resting on her 80-acre farm before she heads back to the UK.  

Tomorrow she headlines Radio 2 In The Park in Stirling, a week before the release of her new album, her first in seven years. 

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“I didn’t plan it, or anything like that,” she says. “It just happened. I was just working — you know, working hard with my band. 

“We were doing a lot of gigs, and that’s always fun. Everybody’s happy because they’re getting paid. And in that time, it just so happened that I met Sia.” 

Sia is the Australian singer-songwriter behind huge hits such as Titanium and Unstoppable, who Khan met through her sister and manager Tammy McCrary. McCrary is a huge fan of Sia, who became central to the album’s creation. 

“I didn’t have to work hard at all,” says Khan. “It was just easy for me and for her. She loves to write poetry and she’s a brilliant lyricist. 

“I haven’t met anyone like her ever. I’m just happy that she’s my goddaughter now.” 

The pair clicked so well creatively, they became family after Sia asked her to be her godmother and Khan agreed. 

“I’m just happy that we’re together and that we’re part of each other’s life,” says Khan. “I’m really, really blessed.” 

And it was this close relationship that started Chakzilla, with Sia bringing in celebrated producer Greg Kurstin to shape the album’s sound. 

Khan says: “Greg did some writing with Sia and when she played these songs to me, it was just the most beautiful thing. I mean, she gets me. She knows me. 

“And Tammy and I listened to the album a lot in the car. We keep playing it over and over again. We don’t get tired of it. 

“When I am not tired of listening to my own music, that says a great deal because I often get tired quickly. That’s deep. That’s a beautiful thing.  

“It’s fun for me to sing. All the songs are so good. My background singers and my band feel the same way. Everybody loves it. We’re feeling really special about this. 

“So, I think people are going to feel the same way and they’re going to discover songs they like. 

“They’re very sincere songs and very true about me. Heart Of Gold is the sweetest song and Dreamy Stuff is really true about me too. Curious Subject is another good one — because I am. That’s what my family is always saying about me.” 

That sense of fun also runs through the album’s title, Chakzilla, inspired by Khan’s lifelong love of monster movies.  

“I’ve loved horror and monster films my whole life,” she says. “I’ve been watching Godzilla and Mothra (the giant moth-like creature from the Japanese Godzilla films) since I was a little girl and I never got tired of them.  

“I loved the fact there were good monsters and bad ones — the ones that tore things up and the ones that fixed things. 

“So, I thought, ‘OK, I could be the Zilla that comes and fixes everything up. A positive monster, because I’m not a curlicue, I’m not a sweetie pie, so it works for me. 

“Chakzilla is something I really love.” 

The new record is packed with collaborations. The sultry Cool U Down sees Sia guest, while the joyous Boogie’s In My Soul has Snoop Dogg. The funky Bring The Party features Lenny Kravitz on guitars and vocals. 

“Sia told me she wanted to write a song called Boogie’s In My Soul and I thought, ‘Oh that sounds horrible’,” Khan says honestly.  

“Then I heard what she had in mind and thought, ‘This is brilliant’. She said, ‘All we need is a good rapper’. And I thought, ‘Oh yeah, I know just the guy’.  

“I really admire Snoop. He’s so smart and such a great guy, so it was perfect. And the words are brilliant. She says, ‘Show the world your light. Show the world of joy’. 

“I thought, ‘Yes, right on, sis’. It’s beautiful. It’s like old school.” 

Snoop opens the track with a playful nod to Khan’s 1984 Prince-penned hit I Feel For You, echoing Grandmaster Melle Mel’s famous “Chaka Khan” chant. 

Khan says: “Yeah, it sounds great, even though I’m so sick of that song. But it fits. It fits.  

“I’m just glad he’s not saying ‘Chaka, Chaka, Chaka, Chaka Khan, Chaka Khan’, like the start of that record.” 

Straight-talking with a larger-than-life personality, Khan is refreshingly honest when asked whether it was fun making the video with the rapper. 

“No, I worked my ass off. Let me tell you that thing went on until the night.” 

Working with old friend Lenny Kravitz on Bring The Party was long overdue, she says, as he is someone who shares much of her outlook on life.  

“I’ve known Lenny for many years,” says Khan. “I have friends, but I don’t really have friendships in the way I’d like to because of the life I lead. 

“He pulled up some songs from an album he did over 20 years ago. It was some old rock and it was brilliant, and I sang on some of that old stuff with him. I guess he’s going to bring some of it into the future now. 

“So, he then played guitar and sang with me on this cut. It was great to bring in some friends that I love and do good work. 

“And Lenny lives a lot like I do. If I wanted to go and hang out with him, it would be easy and vice versa. We live in similar ways. 

“He’s living on an island (Kravitz, lives part of the year on the Bahamian island of Eleuthera), growing beautiful plants and food, with a great studio in the middle of it all. 

“He’s moved, like I am, by being in the real world and loving what God has put here for us.” Around four years ago, Khan left California for Georgia, where her grandma was from and where she lives a very different life. 

She says: “I came back to Earth, to the trees and lakes and plants, to real living, with no sirens and craziness around me. It’s brilliant. 

“I can look at the sky every morning when I wake up. I look at my lake every day, my animals, and I’m eating right. 

“My sister and I are in the middle of opening a plant-based restaurant, and I’m growing my own food. I’ve got greenhouses and I’m learning how to live on the planet and from the planet, rather than having to go to stores and buy crap.” 

Georgia has given Khan space, peace and proper time with her family.  

“I really am enjoying it,” she tells me. “I’ve never felt so happy to come home off the road before. 

“Touring is hard work. It always has been. But now I come home, close the gate and it’s really nice. My family can come and stay for a week or two and we get proper quality time together. 

“I just spent a whole month with all my grandchildren and great-grands. They wore me the hell out but I had the best time ever.” 

Last year Khan joined soul legends Patti LaBelle, Gladys Knight and Stephanie Mills for the historic Queens tour, which had extra dates in May this year. 

“It was an amazing feat that we finished it,” says Khan. “I took it on because I thought, ‘This is a one-time thing — Gladys, Patti, Stephanie and myself. A one-off. 

“It was an amazing show. It was tough because we were working like back in the day.  

“Stevie Wonder came to the opening night and sang with me, which was lovely. 

“We were really cool. Nobody was tripping, there was no drama. It was beautiful. And between the four of us, you could imagine how diverse the audience was. I saw families, I saw men bringing their sons. It was really special.”  

Earlier this year, I’m Every Woman — The Chaka Khan Musical opened in London starring Alexandra Burke as Khan.  

Did Burke nail the role? 

“What could Alexandra do wrong? She’s amazing. She’s really something. I didn’t realise she was already such a big star. She’s no joke. 

“I was amazed by her staying power. She and the whole cast had stamina like you’ve never seen.  

“Nia Hill, who wrote the book for the show, is an old friend. She knows me inside out. We’ve had very deep conversations, and she’s been there for me through some really hard knocks.  

“She would ask me which songs we should use, and I suggested songs that people don’t often get to hear. 

“That’s what I’m trying to do now, bring back songs I did years and years ago that I still love. 

“I’m going to do a show with that old stuff. Young kids today are so savvy, they know a good song when they hear one.” 

Khan’s admiration for younger generations also connects back to her own political awakening. 

As a teenager in Chicago, she was involved with the Black Panther Party and says the battles facing young people today feel both familiar and far broader.  

She says: “It was crazy then too, but in a different way. With the Panthers, the focus was mostly on fundamental racism. Today, it’s that and so much more that these kids are dealing with. My heart goes out to them because they’re not afraid. They’re fearless, beautiful beings and they get it. They understand what’s right and what’s wrong.  

“I’m really happy about young people today. I love that they’re not afraid, because fear will tear it all down.” 

With our time up, Khan says how much she is ready to return to the UK this weekend. 

“I love Scotland and love the big shows, I can’t wait. I’m going to play the favourites. Absolutely.  

“It’s important to keep the music going. I’m still here. Yeah, in every way.  

“We lost Prince, and the big stars like Aretha and Whitney. 

“There are not a lot of those musicians and artists like that any more. So, I’m enjoying that I’m still making new music and playing shows. 

“I’m up for the challenge. Absolutely, that’s how I live. That’s me. 

“I love that line, ‘I may be small, but I’ve got this’. 

“It doesn’t matter what size you are, it’s what you’ve got.” 

•  Chaka Khan headlines Radio 2 In The Park on Saturday night and the set will be broadcast on BBC iPlayer and Radio 2, and at 10pm on BBC Two. The album Chakzilla is released on September 18. 

CHAKA KHAN 

Chakzilla 

★★★★☆