presents

Francesca Albanese, the United Nations special rapporteur on Palestine, has taken aim at states complicit in Israel’s genocide in Gaza, calling for a new multilateralism that will prevent it from happening again in future.

Albanese presented her new report – “Gaza Genocide: a collective crime” – to the UN General Assembly on Tuesday, addressing delegates remotely from the Desmond and Leah Tutu Legacy Foundation in Cape Town, South Africa.

Israel had, she said, left Gaza “strangled, starved, shattered”. Her report, which examines the role of 63 states in Israel’s actions in both Gaza and the West Bank, calls out the multilateral system for “decades of moral and political failure” in a colonial world order sustained by a global system of complicity”.

“Through unlawful actions and deliberate omissions, too many states have harmed, founded and shielded Israel’s militarised apartheid, allowing its settler colonial enterprise to metastasise into genocide, the ultimate crime against the indigenous people of Palestine,” she said.

Genocide had been enabled, she said, through diplomatic protection in international “fora meant to preserve peace”, military ties ranging from weapons sales to joint trainings that “fed the genocidal machinery”, the unchallenged weaponisation of aid, and trade with entities like the European Union, which had sanctioned Russia over Ukraine yet continued doing business with Israel.

The 24-page report analyses how the “live-streamed atrocity” was facilitated by third states, zooming in on how the United States provided “diplomatic cover” for Israel, using its veto power at the UN Security Council seven times and controlling ceasefire negotiations. Other Western nations had collaborated, it said, with abstentions, delays and watered-down draft resolutions, reinforcing “a simplistic rhetoric of ‘balance’”.

Many states had, it said, continued supplying Israel with arms, “even as the evidence of genocide … mounted”. The report noted the hypocrisy of the US Congress passing a $26.4bn package for Israeli defence, just as Israel threatened the Rafah invasion – supposedly a “red line” for the administration of former US President Joe Biden.

The report also points a finger of blame at Germany, the second-largest arms exporter to Israel during the genocide, with supplies ranging from “frigates to torpedoes”, and the United Kingdom, which has allegedly flown more than 600 surveillance missions over Gaza since war broke out in October 2023.

While acknowledging the “complexity of regional geopolitics”, the report also highlighted the complicity of Arab and Muslim states through US-brokered normalisation deals with Israel.

It points out that mediator Egypt maintained “significant security and economic relations with Israel, including energy cooperation and the closing of the Rafah crossing” during the war.

Albanese said the UNGA should have confronted the “dangerous precedent” of sanctions imposed on her earlier this year by the United States over her criticism of Israel’s actions in Palestine, which had prevented her from travelling to New York in person.

“These measures constitute an assault on the UN itself, its independence, its integrity, its very soul. If left unchallenged, these sanctions will drive yet another nail into the coffin of the multilateral system,” she said.

The Gaza genocide “exposed an unprecedented chasm between peoples and their governments, betraying the trust on which global peace and security rest”, said the report.

Speaking at the UNGA, the special rapporteur called for a new form of multilateralism, “not a facade, but a living framework of rights and dignity, not for the few … but for the many”.

Action taken in the past against South Africa, Rhodesia (now Zimbabwe), Portugal and other rogue states had, she said, shown that “international law can be enforced to secure justice and self-determination”.

Snoopy is the superstar of the “Peanuts” world, but Ben Folds is loyal to Charlie Brown. “I’m going to have to go with Chuck because he’s so emotionally compressed,” the singer-songwriter said when asked for a favorite.

Folds didn’t grow up poring over the Charles M. Schulz comics or memorizing the TV specials — “I can’t think of anything I really was a fan of outside of music” — but he loved Vince Guaraldi’s music for the animated specials.

He started studying Charlie Brown and the gang when he was hired to write the title song for “It’s the Small Things, Charlie Brown,” sung by Charlie’s sister Sally in the 2022 Apple TV special. And he recently dove back into the world of these iconic characters when he returned to write the final three songs for “Snoopy Presents: A Summer Musical.”

“I think it’s good that I came to fully appreciate the world of ‘Peanuts’ as an adult,” says Folds, although he adds that he was still starstruck about writing for Charlie Brown. “It’s a lot of responsibility,” he says. “I was asking the Schulz family, ‘Can I say this?’ and they’d say, ‘Yes, it’s yours.’”

Ben Folds performs in concert during the “Paper Airplane Request Tour” at ACL Live at The Moody Theatre on December 11, 2024 in Austin, Tx.

(Rick Kern / Getty Images)

Folds’ best-known songs, such as “Brick,” “Song for the Dumped,” “Army,” “Rockin’ the Suburbs” and “Zak and Sara,” may seem too sardonic or dark for the sweet world of Snoopy and company. But he sees it differently.

“There’s a lot of deep stuff there. ‘Peanuts,’ like ‘Mister Rogers,’ presents an empathetic and nuanced, not dumbed-down view of the world, and that is rare for kids programming,” he says. “I was able to say stuff in my songs that kids will understand but that will go over the heads of many adults.”

He also knows how to approach the storytelling aspect of musical writing pragmatically.

Within the show’s parameters, Folds is grateful to the creators for giving him his artistic freedom. “They give me carte blanche and don’t push back” Folds says, adding that when he puts in poetic imagery — ”I’m not calling myself f—ing Keats or anything,” he adds as an aside — director Erik Wiese would weave those ideas into the animation. “That’s really cool to see.”

“My ambition is to have them tell me that my lyrics meant they could delete pages of script,” he adds. “That’s what these songs are for.”

Wiese says Folds was the ideal person to “take the mantle” from Guaraldi: “He brings a modern thing and his lyrics are so poetic; on his albums he always touches your heart.”

Writer and executive producer Craig Schulz, who is Charles’ son, was impressed by both Folds’ songwriting and the responsibility the musician felt to the “Peanuts” brand. “He has a unique ability to really get into what each of the gang is thinking and drive the audience in the direction we want to,” says Schulz, adding that there was one day where the writers got on the phone with Folds to explain the emotions they needed a scene to convey “and suddenly he says, ‘I got it, I’m super-excited’ and then he hangs up and runs to the piano and cranks it out.”

The first song Folds wrote for “A Summer Musical” was when Charlie Brown realizes that the camp he holds dear “is going to get mown over in the name of progress. I wanted him to have the wisdom of his 60-year-old self to go back to ‘when we were light as the clouds’ to let him understand the future,” he says. So it’s a poignant song even as he’s writing about Charlie Brown looking through “old pictures of people he met five days ago. That’s the way kids are — they’re taking in a whole world and learning a lot in five days.”

(He did not write the show’s first two songs, though you’ll hear plenty of Folds-esque piano and melody in them because, Wiese says, “We wanted it to sound cohesive.”)

In the final song, Folds’ lyrics celebrate the saving of the camp (yeah, spoiler alert, but it’s “Peanuts,” so you know the ending will be happy), but he laces in the idea that these children are inheriting a lot of bad things from older generations, including climate change. But it’s not cynical, instead adding an understanding that their parents did the best they could (with a “Hello Mother, Hello Father” reference thrown in for the old-timers) and that this new generation will do the best they can and make their own mistakes.

Franklin, Marcie, Peppermint Patty, Charlie Brown, Snoopy, Woodstock and Sally in “Snoopy Presents: A Summer Musical.”

(Apple TV+)

Folds says it’s important for people in the arts and on the left to bring a realistic view but not to become doomsayers.

“I see how bad it could get, but there are two stories you can always tell that might be true — one way to talk about climate change will leave people saying, ‘We’re screwed anyway so I’ll just drink out of plastic bottles and toss them in the garbage,’ but the other way is to motivate people, to tell a story that shows an aspiration towards the future.”

That does not mean, of course, that Folds is blind to the perils of the moment. He stepped down as the National Symphony Orchestra’s artistic advisor at the Kennedy Center to protest Donald Trump’s power play there.

“I couldn’t be a pawn in that,” he says. “Was I supposed to call my homies like Sara Bareilles and say, ‘Hey, do you want to come play here?’” But he’s focusing on the positive, noting that he’s now working with other symphony orchestras with that free time.

Folds has recently also tried countering the turmoil of our current era: Last year he released his first Christmas album, “Sleigher,” and his 2023 album “What Matters Most” opens with “But Wait, There’s More,” which offers political commentary but then talks about believing in the good of humankind, and closes with the uplifting “Moments.”

And obviously, Folds knows that a show that stars a beagle and a small yellow bird that defies classification is not the right place to get bogged down in the issues of the day. Even when the lyrics dip into melancholy waters, they find a positive place to land.

“In this era I don’t want the art that passes through my world to not have some semblance of hope,” he says.

These are salad days for the likes of Joseph Uscinski, who spends his time peering down rabbit holes and poking in the dark spaces where weird and woolly things grow.

There are loads of conspiracy theories out there, the granddaddy of them all being the conjecture surrounding John F. Kennedy’s assassination. But most tend to fade and be forgotten, said Uscinski, who teaches political science at the University of Miami, where he studies public opinion and mass media, with a focus on conspiracies.

“Only a select few will attract a large number of believers, have movies made… get talked about by politicians,” Uscinski said.

The Jeffrey Epstein saga has all the elements of one of those top-shelf intrigues, with an added Shakespearean twist — a president whose political rise has been fueled by outlandish conspiracy theories and now faces a backlash from some of his most faithful devotees, as he tries to wriggle free from a deceitful web of his own design.

Delicious, especially if you enjoy your schadenfreude served piping hot.

The known facts are these:

Epstein was an eye-poppingly wealthy financier, luxe man-about-Manhattan and convicted sex offender who sexually trafficked women and girls. In 2008, he agreed to an exceedingly lenient plea deal with federal prosecutors that resulted in a 13-month prison sentence, with freedom granted 12 hours a day, six days a week, under a work-release program.

A decade later, an investigative reporter at the Miami Herald identified scores of alleged survivors of sexual abuse by Epstein and some of his associates. In 2019, a new federal criminal case was brought against him. About a month after being arrested, Epstein was found dead in his cell at a jail in New York City. Investigators ruled Epstein’s death a suicide.

An A-list fixture of the upper-crust social scene, Epstein has been linked in court documents with a galaxy of celebrities from the worlds of Hollywood, business and politics. It’s an article of faith among some true believers — particularly within the MAGA movement — that a secret list of those serviced by Epstein’s sexual enterprise exists somewhere in the bowels of the federal government, hidden by agents of the hated, anti-Trump “deep state.”

In a Fox News interview in February, Atty. Gen. Pam Bondi said a list of Epstein’s clients was “sitting on my desk right now to review,” with its public release seemingly just a matter of time.

Then, like one of Trump’s threatened tariffs, the list — or “list” — abruptly vanished. There was no such thing, the Justice Department announced earlier this month, along with a finding that Epstein had, in fact, killed himself and was not, as some assert, murdered by forces wishing to silence him.

A piqued president urged everyone to move on and forget about Epstein. “Somebody that nobody cares about,” sniffed Trump, who moved in many of the same social circles as Epstein but now downplays their yearslong friendship.

All in all, conspiratorial catnip.

“Saying there are files and then saying there aren’t files… setting up some expectation for revelations and then insisting that actually there’s nothing there” has only deepened the well of suspicion, said Kathryn Olmsted, a UC Davis conspiracy expert who’s studied past instances of government deflection and deception involving the CIA and FBI, among others.

Unlike some of the crackpot stuff she’s heard — like Bill and Hillary Clinton murdering Joan Rivers to cover up Michelle Obama’s transgender identity — the conspiracy theories surrounding Epstein have at least some grounding in reality.

“He was very rich and powerful and he associated with some of the most powerful and richest people in the world, including members of both the Democratic and Republican parties,” Olmsted said. “And he was trafficking girls. There’s an actual crime at the heart of this. It’s not just something that people have made up out of thin air.”

That’s the thing that gives the Epstein conspiracy theories their distinctly frothy frisson: a blending of vital ingredients, one very old and the other comparatively new.

False allegations of child abuse date back to the blood libel of the Middle Ages and the assertion that Jews tortured and murdered Christian children as part of their ceremonial worship. From there, a through line can be traced all the way to the 2016 “Pizzagate” conspiracy, which claimed that Hillary Clinton and her top aides were running a child-trafficking ring out of a Washington pizza parlor.

Truly vile stuff.

Take that ancient trope and marry it to a modern lack of faith in the federal government and its institutions and you’re gifted with an endless source of lurid speculation.

“The number of threads that you can pull out of [the Epstein] fabric are many,” said retired University of Utah historian Robert Goldberg, another conspiracy expert. “And they’re going to be long.”

Democrats, for their part, are eagerly fanning the controversy, as a way to undermine Trump and drive a wedge in his granite-firm base.

“He said he was going to release [the complete Epstein files] and now he’s saying there’s nothing to see here and appears to be wanting to sweep the whole thing under the rug,” Maryland Rep. Jamie Raskin, who played a prominent role in the Jan. 6 congressional hearings, taunted on MSNBC. “There is overwhelming bipartisan, popular demand, congressional demand, to release all of this stuff.”

Indeed, Trump need only look in one of his gilded mirrors to see what’s driven years of fevered Epstein obsession.

“He built a coalition of people who have these beliefs,” said the University of Miami’s Uscinski. “And I think he’s learned that once you build a coalition of conspiracy theorists, you can’t get them to [stop believing]. They came to him because he was telling them what they want. He can’t turn around and do the opposite now.”

Oh, what a tangled web we weave…