powerful

Paapa Essiedu is set to appear in a ‘tender yet urgent love story’ starting on BBC One next week

The Capture favourite Paapa Essiedu is set to star opposite Siobhán Cullen, known for The Dry and Obituary, in a powerful new drama.

Babies, starting on BBC One next week, is the actor’s first role since his unexpected exit from The Capture. It comes after his character, Home Secretary Isaac Turner, was killed off just minutes into season 3, despite being a main figure on the show since 2022.

Written and directed by multi-award-winning Stefan Golaszewski (Mum, Marriage, Him & Her), Babies is a gripping, warm and urgent love story about a couple struggling through the experience of pregnancy loss.

A synopsis for the new series reads: “At the heart of the series are Lisa (Cullen) and Stephen (Essiedu), a couple in their 30s whose dream of becoming parents is tested as they endure multiple miscarriages. While confronting unimaginable grief, their bond shines through with humour, warmth, and unwavering commitment.

“Charlotte Riley (The Peripheral, Press) and Jack Bannon (Pennyworth, Pulse) also star as Amanda and Dave – a new couple navigating their own challenges and testing their compatibility. Their complex relationship, set against Lisa and Stephen’s ongoing pregnancy journey, begins to expose cracks in Stephen and Dave’s long-standing friendship.”

Describing the series, and what drew him to the scripts, Paapa said: “It’s a six-part drama about two couples who are navigating all the complications and nuances of their relationships and the process of trying for children. The characters are all in their mid to late 30s and at this new stage of life. I’ve always been a huge fan of Stefan’s work. I loved Him & Her, as well as Mum and Marriage.

“He writes with such compassion, detail, specificity, humanity and humour. Scripts with that level of complexity, depth and dimension rarely arrive in your inbox. I never thought twice about it.”

Outlining the premise of the show, writer Stefan Golaszewski, said: “It’s a love story about a couple going through the process of trying to have their first baby. Although it is not autobiographical, I have some personal experience of these issues, and I thought it was a good idea to create a show that talks about a subject that feels quite taboo, but that so many people go through in a painful secrecy. “

Describing the characters at the centre of the show, Stefan said: “Stephen is a kind, gentle soul who has some complications with his notions of masculinity. He loves Lisa very much, and has had a well-oiled problem-free life up until this point. This is his first time experiencing tragedy.

“Lisa is a funny, clever, outgoing, confident person, who again, hasn’t really had to deal with much in her life. She’s had smooth sailing throughout her youth and is now experiencing the first emotional hurdle.

“Dave is a complicated soul. He’s gotten by so far in life by not letting anything deeper than banter in but depth is starting to happen around and to him. He’s finding it hard to navigate that with his old tricks.

“Amanda has suffered great loss in her life. Her fiancé died a few years ago, and she’s now with Dave. She’s starting to step out into the world again, and she’s trying to find a new future for herself.”

Lindsay Salt, Director of BBC Drama, said: “Babies has everything we love about Stefan Golaszewski’s work – a tender, authentic, emotional and human look at couples navigating a time in their lives that is rarely covered on television.

“It’s no surprise that this very special series has attracted such an outstanding cast, and it’s been an honour to see them bring Stefan’s scripts to life.”

All episodes of Babies are on BBC iPlayer from 6am on Monday, March 30, with the series airing on BBC One from 9pm that night.

K-POP Demon Hunters fans shared their reactions to watching HUNTR/X’s history-making Oscars performance and win.

The trio of voices behind the band from the popular Netflix film – Ejae, Audrey Nuna, and Rei Ami – took the stage at the 98th annual Academy Awards on Sunday, moving audiences worldwide with tears of joy.

They performed their iconic track, Golden, celebrating the folklore and cultural inspiration brought from the 2025 animated film.

Shortly after hitting the stage, K-Pop Demon Hunters, which became Netflix’s most-watched film ever, won the award for Best Original Song for Golden, after dominating awards season.

HUNTR/X, who nabbed two awards – Best Song Written for Visual Media for the famed track and Best Original Song – at the Golden Globes in January, incorporated instrumentals and dance into their performance at the Dolby Theatre at Ovation Hollywood in Los Angeles.

“Let’s go K-POP Demon Hunters!” one fan wrote on X.

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“I love me some K-pop demon hunters! Those girls were singing down in that movie lol,” said another.

“K-Pop Demon Hunters made HISTORY,” reacted a third.

“The only thing I care about at the Oscars is K Pop Demon Hunters. If it were up to me, I’d give them all the possible awards,” added a fourth.

However, many were disappointed upon seeing that their acceptance speech was abruptly cut short, as were many others throughout the night, despite them pleading for more time.

“Absolutely disrespectful of the #oscars for cutting off kpop demon hunters in their acceptance speech. They were given less time than every other winner and the Oscar’s owes them an apology,” one fan raged.

“I don’t like how they cut off the Kpop Demon Hunters Cast. That was nasty #Oscars,” someone else complained.

“Congrats to Michael B Jordan, but why did he get 3x the amount of time for his speech than the KPop Demon Hunters crew?” said another, referencing Sinners star Michael B. Jordan’s Best Actor win afterwards.

According to The Independent, HUNTR/X is the first all-Asian musical act to take the Oscars stage, following Blackpink K-pop band member Lisa, who was the first K-pop artist to perform at the show last year.

In August 2025, Netflix revealed that K-Pop Demon Hunters was the platform’s most popular movie of all time, overtaking the previous record-holder, Red Notice, starring Dwayne Johnson, Ryan Reynolds, and Gal Gadot.

“KPop Demon Hunters has gone up, up, up, and it’s their Golden moment,” the streaming service said in a statement.

Biggest Oscar Nominees of 2026 Academy Awards

Everyone in Hollywood hopes to snag a nod on the industry’s biggest night but only few get that honor. Here are the nominees and winners from the major categories of the 2026 Academy Awards:

Best Picture

• Bugonia
• F1
• Frankenstein
• Hamnet
• Marty Supreme
• One Battle After Another *WINNER*
• The Secret Agent
• Sentimental Value
• Sinners
• Train Dreams

Best Director

• Chloé Zhao — Hamnet
• Josh Safdie — Marty Supreme
• Paul Thomas Anderson — One Battle After Another *WINNER*
• Joachim Trier — Sentimental Value
• Ryan Coogler — Sinners

Best Actor (Leading Role)

• Timothée Chalamet — Marty Supreme
• Leonardo DiCaprio — One Battle After Another
• Ethan Hawke — Blue Moon
• Michael B. Jordan — Sinners *WINNER*
• Wagner Moura — The Secret Agent

Best Actress (Leading Role)

• Jessie Buckley — Hamnet *WINNER*
• Rose Byrne — If I Had Legs I’d Kick You
• Renate Reinsve — Sentimental Value
• Emma Stone — Bugonia
• Kate Hudson — Song Sung Blue

Best Supporting Actor

• Benicio Del Toro — One Battle After Another
• Jacob Elordi — Frankenstein
• Delroy Lindo — Sinners
• Sean Penn — One Battle After Another *WINNER*
• Stellan Skarsgård — Sentimental Value

Best Supporting Actress

• Teyana Taylor — One Battle After Another
• Wunmi Mosaku — Sinners
• Amy Madigan — Weapons *WINNER*
• Elle Fanning — Sentimental Value
• Inga Ibsdotter Lilleaas — Sentimental Value

Best Original Screenplay

• Marty Supreme — Josh Safdie & Ronald Bronstein
• Blue Moon — Richard Linklater & Glen Powell
• Sentimental Value — Joachim Trier & Eskil Vogt
• Sinners — Ryan Coogler *WINNER*
• It Was Just an Accident — Jafar Panahi

Best Adapted Screenplay

• One Battle After Another — Paul Thomas Anderson *WINNER*
• Bugonia — Yorgos Lanthimos & Will Tracy
• Frankenstein — Guillermo del Toro
• Hamnet — Chloé Zhao
• Train Dreams — Clint Bentley & Greg Kwedar

Best Animated Feature

• Arco
• KPop Demon Hunters *WINNER*
• Little Amélie or the Character of Rain
• Zootopia 2
• Elio

Best International Feature Film

• The Secret Agent — Brazil
• Sentimental Value — Norway *WINNER*
• It Was Just an Accident — Iran
• Sirāt — Spain
• The Voice of Hind Rajab — Tunisia

Best Documentary Feature

• The Alabama Solution
• Come See Me in the Good Light
• Cutting Through Rocks
• Mr. Nobody Against Putin *WINNER*
• The Perfect Neighbor

“The animated musical officially became Netflix’s most popular film of all time on the Most Popular English Films list with 236 million total views.“

In response to the film’s massive success, Netflix released a sing-along “party at home” version, K-Pop Hunters Sing-Along, that’s currently streaming on the app.

The movie was produced by Sony Pictures Animation and helmed by Maggie Kang, a Canadian film director born in Seoul, South Korea.

Maggie described the film as a “love letter to K-pop,” also known as “Korean pop music.”

On March 12, Netflix announced that the beloved animation will be getting a sequel, with directors Maggie and Chris Appelhans returning behind the scenes.

A release date has yet to be revealed, but fans can expect it may be a while, given the first film went into production in 2021 and wasn’t released until 2025.

“I feel immense pride as a Korean filmmaker that the audience wants more from this Korean story and our Korean characters,” Maggie said in a statement about the sequel.

“There’s so much more to this world we have built, and I’m excited to show you. This is only the beginning.”

The pet did a neat trick: Before a room filled with heads of state from across Latin America, Little Marco spoke Spanish.

His owner — well, his soul’s owner at least— grinned and joked, “I think he’s better in Spanish” than in English. Following President Trump, it was Pentagon Pete’s turn to tease Little Marco.

“I only speak American,” Secretary of Defense Hegseth cracked. The auditorium stayed quiet save for Secretary of State Marco Rubio, who meekly protested, “I only speak Cuban.”

Trump gave him a pat on the back. Good boy, Marco.

The exchange, which happened over a weekend dominated by the war with Iran, was brief yet said so much about the times Latinos live in. Rubio, the most powerful Latino politician in U.S. history, might as well have been to Trump and Hegseth the Chihuahua that says “Yo quiero Taco Bell.” The man who has played an oversized role in pushing a president who campaigned against costly foreign wars and chaotic regime changes to do both was brought back down to an undignified size.

Little Marco indeed.

Here’s a reminder that no matter how high and mighty you get in Trump’s White House, a Latino is still an exotic “other.”

Tokenizing someone is always an ugly thing — yet Rubio deserves no tears. He has made a career out of wearing his latinidad like a shiny guayabera when convenient, long casting himself as the boy-faced exception to the corrupt, ineffectual Latino politician archetype. That stance has fueled a 27-year career — Florida speaker of the House, U.S. senator, former presidential candidate, secretary of State and national security advisor. That has made many conservatives and more than a few Latinos feel he’s not just capable of a strong White House run but that he could even win were he to do so.

All it cost Rubio was his morals and backbone. All he had to do was roll over.

We Latinos deserve better — and yet we kind of don’t.

The story liberals and conservatives have always told about America’s largest minority is that we would irrevocably change the United States — the former group maintained it would be for the better, the latter insisted we would cause this country’s downfall. Rubio proves that at our worst, Latinos show that in our rush to assimilate and be embraced, we often become the worst kind of Americans.

Secretary of State Marco Rubio speaks as President Trump during a NATO summit in June in the Hague.

(Brendan Smialowski / Pool Photo)

We’re the ones whom the American psyche sees as perpetual invaders, yet we sign up by the thousands for the Border Patrol, Immigration and Customs Enforcement and other agencies in Trump’s deportation Leviathan. Even as Trump slimed Latinos during his first term and his years out of office, an increasing number of us warmed up to him — surely, he was referring to other Latinos — until Trump captured more of our votes in 2024 than any Republican presidential candidate ever.

It takes a certain type of person to go from child of Cuban immigrants — the favorite son of an exile community that transformed Miami from a retiree haven into one of the capitals of Latin America — to tell European leaders last month that they and the United States “opened our doors to an unprecedented wave of mass migration that threatens the cohesion of our societies, the continuity of our culture, and the future of our people.”

It takes the worst kind of Latino.

I called Rubio a vendido in a previous columna after he cheered on the extrajudicial capture of Venezuelan despot Nicolás Maduro. He’s definitely still a sellout — what else to call someone who once fiercely opposed Trump but now sidles up to him like a cockapoo? But the most pathetic part about Rubio’s rise is that his followers see him as the culmination of the long-held dreams of Latinos that things would become better for our ancestral Latin American countries and ourselves once one of us was charge.

Alas, no. He’s living up to a realpolitik maxim attributed to various Latin American caudillos: For my friends, everything; for my enemies, the law.

Strongmen like El Salvador and Argentina presidents Nayib Bukele and Javier Milei get coddled and receive foreign aid; college students on study visas who criticize the Trump administration get nabbed by la migra. Rubio is overseeing a foreign policy that currently has the U.S. dictating how Venezuela will be governed, is bombing Iran like the country was a game of Pachinko and is slowly choking Cuba into collapse. He’s the unholy child of Bush-era neoconservativism and MAGA — and Rubio is just getting started.

That’s how he set himself up to be used as Latino punch line by Trump and Hegseth. The setting: the inaugural meeting at a Trump golf course near Miami of the Shield of the Americas, a coalition of Western Hemisphere countries ostensibly assembled to fight drug cartels. It resembled one of those lesser super-groups in the Marvel Cinematic Universe — you got Costa Rica instead of Mexico, Bolivia instead of Brazil. The group even has a crappy logo. You know how unserious the confab was when Trump’s point person for this is Kristi Noem, whom he literally had just fired as Homeland Security secretary.

After Trump rambled through a short speech, it was Rubio’s time to offer remarks. Here was a chance for the secretary of State, the man the Atlantic recently called “bright and well spoken,” to channel his inner Simón Bolivar or José Martí. The secretary of State thanked everyone present in English, but not before praising Trump for his “bold leadership” and bragging that the president is “one of the most historic figures in American history.”

Then Rubio looked back at his beaming master.

President Trump signs a proclamation committing to countering cartel criminal activity at the Shield of the Americas Summit on Saturday at Trump National Doral Miami in Doral, Fla.

(Rebecca Blackwell / Associated Press)

“You all right if I — “ he began before Trump cut him off with a magnanimous, “Sure. Please.”

That’s when Little Marco spoke in flawless Spanish. Rubio’s comments weren’t much different from what he said in English, save his remark that what they all planned to do by following Trump “will make future generations grateful for the work we are doing today.”

That last statement sums up Rubio. For centuries, Latin America has yearned for prosperity and peace free from American interference. This hope has fueled revolutions, music, film, culture and all the best things the region has produced only to have U.S.-backed tyrants crush those movements.

That’s the torch Rubio now proudly carries.

“All my life I’ve been in a hurry to get to my future,” he wrote in his 2013 memoir, “American Son.” Rubio’s future is now. And our present — not just Latinos, but all Americans — is worse because of it.

Dios mío.