Pop Music

SHE’S one of the biggest stars in the world, but Kylie Minogue is dreaming of the simple life this Christmas.

Sitting down with Bizarre as she counts down to the big day, the I Should Be So Lucky singer reveals there are no diamonds on her festive wishlist.

Instead, the singer dreams of being invited to a good old-fashioned office Christmas party.

Her new festive album, Kylie Christmas (Fully Wrapped) — out on Friday — even has a track dedicated to the often messy annual do.

On the innuendo-filled song, Office Party, a sultry Kylie can be heard saying: “You know, I’ve never really been to one, but I hear they are lots of fun. So tell me, can we go to one?”

When Bizarre’s Jack questions if Kylie has really never been to an office do via her record label, or if it’s simply artistic licence to make a good song, the chart-topper laughs: “I’ve not! It’s coming from my perspective as I wrote it.

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“We’ve had office parties but it’s backstage somewhere. I’ve never worked in an office so it’s kind of like a fantasy for me.”

After we joke that she’s really glamourising the mundane nine-to-five that most people endure, Kylie giggles: “I appreciate it’s the day-to-day but it’s kind of, like, everything changes at the office party.

“One of the countries we went to on the Tension Tour, the work visa magically puts everyone in a suit. It was hilarious to us but that planted a seed in my mind that for our party, we need to all rock up in grey suits.”

Fair enough, we hear you loud and clear, Kylie.

Seeing a once-in-a-lifetime opportunity and way to win some serious brownie points at work, Jack quickly invited Kylie to our own bash.

Sadly she had to politely decline as she will be back home in Australia by the time The Sun kicks off the celebrations.

But Jack promised to do a rendition of Can’t Get You Out Of My Head on the karaoke in her honour.

It might be just as well she’ll miss the do if previous years’ excesses are anything to go by.

This time, Jack has been put on a four-drink rule, while Amir from the newsdesk has never truly recovered from 2023’s party.

Also on Kylie’s new album is XMAS — the record’s lead single, which is a collaboration with Amazon Music.

Kylie tells us the track, inspired by the Village People’s 1978 hit YMCA, has been a decade in the making.

She explains: “The song comes from 2015. I was at Soho House in Berlin, it was summer on the terrace and we’d just done the first Christmas album. We’d had a couple of glasses of wine — it wasn’t Kylie Wines back then — and it came to us like YMCA but XMAS. I’ve been sitting on the chorus for ten years.”

The song comes from 2015. I was at Soho House in Berlin, it was summer on the terrace and we’d just done the first Christmas album

Kylie Minogue

The video for the single will be out later this month and sees Kylie perform the famous flying dance move from 1987 film, Dirty Dancing.

Despite being a dancing pro, Kylie feared she would never be able to pull off the move.

She admits: “I was a bit scared as I’ve never done it before. It was a fantasy moment. I was told not to overthink it.

“We did a couple of practices before we did the main one. The thing is, you just need to trust the other person.

“The first one I got up, but I overshot it. The second was fine. The third one was good. The bruises were worth it the next day,” she laughs.

As for her own Christmas plans, Kylie will see in the big day back home in Australia.

Worked relentlessly

She says: “I will probably be tucked away, planning a BBQ. I love a cold Christmas, though. You will see on Fully Wrapped, I am very influenced by a British Christmas.

“I think it can be too hot and we are doing other things in Australia. We celebrate, but it’s different here. Any Aussie will tell you that.”

Next year will see Kylie step back from the spotlight, having worked relentlessly for two years, racking up two UK No1 albums and a 66-date world tour.

But that doesn’t mean she’s putting her feet up.

I will probably be tucked away, planning a BBQ. I love a cold Christmas, though. You will see on Fully Wrapped, I am very influenced by a British Christmas

Kylie Minogue

Kylie says: “It feels like I haven’t stopped. It’s been a gigantic year but I imagine I will be making music just for the love of it and maybe banking some things.

“I could happily be in the studio most of my time. I love it. I find it just gets richer and more satisfying.

“Doing the Christmas album in my breaks of the Tension Tour was maybe not so wise, but I love it.”

Keen not to get fans’ hopes up for a new Kylie record in 2026, she adds: “I don’t know about releasing. I think I should just do the background work . . .  maybe.”

Honestly Kylie, we adore your work ethic and the amount of music you’ve given us recently, but if you want to put your feet up when you’re back in Oz, we totally understand.

XMAS ON HIGH IN No1 RACE

KYLIE will be Spinning Around in excitement now her festive single XMAS, above, has officially entered the race for Christmas No 1.

Last night, the Official Charts revealed the track has jumped 55 places in the midweek charts – leaping from 64 to nine.

Insisting she’s playing down any idea she could nab the top spot, Kylie said: “I’m not counting on it.

“It would be crazy but that’s definitely parked to one side for me.

“I am just happy that ten years have passed since my last Christmas album and we are all here still going.”

KYLIE fans looking for early Christmas presents are in luck.

A Kylie pop-up shop is coming to London’s Battersea Power Station this Friday.

Open all weekend, it will offer gifts such as signed test pressings and limited-edition vinyl.

I SHOULD BE SO PLUCKY  

KYLIE has done things in her career the rest of us can only dream of.
But she’s never cooked a turkey.

The singer admits she leaves the cooking to sister Dannii and brother Brendan.

She said: “I’ve never cooked a turkey, though I have roasted other things. But I’m not a natural. It’s not my natural habitat, no.”

She adds: “My brother and sister are very present in the kitchen.

“I’m there, I’m sous chef and I’m available for anything that needs doing.

“But everyone’s families are like that, aren’t they? You know your place, don’t rock the system, don’t rock the boat. We all just want to get through Christmas.”

POP princess Sabrina Carpenter has the making of a great queen, says a butler who taught her how to behave like a royal.

Grant Harrold gave the US star etiquette lessons before an awards bash.

He said the Espresso singer “rolled her eyes” at the start but was “very natural”.

Footage unearthed by The Sun shows Sabrina, then 18, learning to serve afternoon tea.

She also balanced books on her head to improve posture.

Grant, who worked for the then-Prince Charles from 2007 to 2011, said the stunt ahead of the 2017 MTV Awards was more “Downton Abbey than Mean Girls”.

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He added: “She’s very chilled, laid-back and didn’t act like a superstar.

“If we could’ve got her into a tiara, she’d have been up for it. She began eye-rolling at the start. She wasn’t too sure.

“Her curtsy was a bit too theatrical. Perfect for one of her shows, not for meeting the King. But she was very natural. I didn’t have to confiscate anything. She was very good about her phone.

“She could pass at the Palace quite easily.

“I can see her getting along with William and Kate, and the King.

“She’s charming, confident, assertive. She’d make a future great queen. A few etiquette lessons and she’d be there.”

Sabrina was joined by US comedians the Dolan twins at a London hotel — perfecting the skills of pauper-turned-socialite Eliza Doolittle — Audrey Hepburn in 1964 film My Fair Lady.

Now 26, Anglophile Sabrina recorded much of new album Man’s Best Friend in the Cotswolds.

And she posed with a sparkly Union Jack on her tour in March.

Do you have a similar story? Email [email protected]

ROBBIE Williams looks specs-tacular in glasses weeks after saying he fears fat jabs are ruining his eyesight. 

The Rock DJ singer, 51, wore chunky white frames at a London club on Thursday.  

Robbie, whose debut solo album was called Life Thru A Lens, was out with wife Ayda Field, 46, and daughter Teddy, 13.

She is the eldest of their four kids, and they were out in town after the premiere of festive film Tinsel Town in Leicester Square.  

Teddy — full name Theodora — makes her acting debut in the Sky Original film with Rebel Wilson, Kiefer Sutherland and Danny Dyer.  

Speaking on the red carpet, Robbie said he was “super proud” of her. 

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Earlier this month, the star, who has been using Mounjaro, said: “I was quite an early adopter of the jabs but what I’m also noticing is that my eyesight’s not very good. 

“It’s been blurry for a while now, and it’s only getting worse.

“I don’t believe it’s age; I believe it’s the jabs.” 

His comments come after a study revealed a link between Semaglutide, the active ingredient in some fat jabs, and an eye condition which causes blindness.

“I went to an American football game the other night and the players were just blobs on a green field in front of me.

“And I was like, ‘What the f*** is happening?’.

ROBBIE WILLIAMS is set to make a return to touring the UK next year as he will perform ‘Life Thru A Lens’ and ‘BRITPOP’ in full.

The former ‘Take That’ star announced on October 10 that he would be touring the UK to celebrate the release of his future album ‘BRITPOP’.

On the tour, he will be performing his first solo debut Number One album ‘Life Thru A Lens’, which contains songs like ‘Angels’ and ‘Let Me Entertain You’.

Along with his old album, Robbie will also be performing his next project ‘BRITPOP’ in full. 

That album was scheduled to be released on October 10, the same day he announced the tour, but was delayed due to supposed scheduling issues.

However during his gig at the Camden’s Dingwalls last month, Robbie said: “We’re all pretending it’s not about Taylor Swift, but it f***ing is.”

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The humorous statement was said to the crowd in reference to the release of her album, ‘The Life Of A Showgirl’ that dropped on the same day Robbie’s was supposed to. 

The 51-year-old pop icon holds several records for live performances, including the Guinness World Record for his 2006 world tour- where he sold more than 1.6 million tickets in a single day.

But the question is, how do you find tickets for his next UK tour?

When are the Robbie Williams’ 2026 tour dates?

Robbie Williams has four dates set for his UK tour.

The venues are spread across Glasgow, Liverpool, London and Wolverhampton and are scheduled for early February next year.

Here is the full schedule for his UK tour:

• 4th February 2026, Barrowlands Ballroom, Glasgow
• 6th February 2026, Liverpool Olympia, Liverpool
• 8th February 2026, O2 Academy Brixton, London
• 9th February 2026, Civic Hall, Wolverhampton

How to buy tickets for Robbie Williams 2026 shows?

Tickets for Robbie Williams’ ‘Long 90s’ tour went on sale on Friday, November 28.

You can find tickets on:

THE race to crown the Christmas No1 will get under way in two weeks.

And a dark horse, or should that be lovable bear, has entered the fray.

Paddington has become a major contender with song One Of Us, which is actually sung by McFly’s Tom Fletcher, who wrote it for the new Paddington The Musical in London’s West End.

He has stiff competition in what is looking set to be the most closely fought contest in years.

Martin Talbot, chief executive of The Official Charts Company, said: “The vision of Paddington taking on this year’s diverse gaggle of new festive chart contenders, alongside seasonal classics from The Pogues, Mariah Carey and Wham!, will be something to savour.”

The winning song will be revealed on The Radio 1 Chart Show just after 5.30pm on December 19.

Lee Phelps, from bookies William Hill, said: “Wham! are our odds-on favourites to be Christmas No1 for the third year running.

“They’ve been popular in the betting and are now as short as 1/2

“Kylie Minogue is the only other single-figure price at 11/2, while Together For Palestine take third spot in our market at 12/1.

“At 14/1, Taylor Swift joins Alison Limerick and Mariah Carey to top the charts on Christmas Day for the first time in the UK.”

Associate Bizarre Editor Howell Davies casts his eye over the contenders . . .

• Odds provided by William Hill. See the full market at sports.williamhill.com.

Paddington and Tom Fletcher — One of Us

6/1

AS one of the nation’s favourite characters, Paddington has topped the box office multiple times.

Meanwhile McFly’s Tom Fletcher has scored seven No1 singles. Now they are joining forces with One Of Us, written by Tom for Paddington The Musical.

The video, which is out today along with the song, sees them appear together at Paddington train station in London and had to be filmed under the cover of ­darkness to keep the secret.

The full soundtrack to the musical will be released in March ­following rave reviews for the stage show.

Wham! — Last Christmas

1/2

WHAM!’s hit about a seasonal break-up, set against jingle bells, has reached No1 for the last two Christmases.

When it was first released in 1984, it was pipped to the top spot by Band Aid’s Do They Know It’s Christmas?.

It’s the third best-selling single in UK history and was already the highest ­charting Christmas song on last Friday’s rundown, when it was at No19.

The profits originally contributed to famine aid in Ethiopia, but in recent years George Michael’s estate has been dividing the proceeds between a series of other charity groups.

Roland Gift — Everybody Knows It’s Christmas

66/1

THIS number from Fine Young Cannibals frontman Roland Gift started off as a bet but has since racked up more than 86,000 views online.

It fuses glam rock with a festive, jingle bell ball and is being released on CD and 7in single, as well as streaming and download services, in a bid to boost sales.

Roland told The Sun: “It started out as a bet with my mate, who’s a big Slade fan.

“He said if I could write a Christmas song that was a hit, he’d give my car a free service and new tyres. I hope this song brings a bit of warmth, a smile and maybe a bit of that Christmas magic your way.”

Kylie Minogue — Xmas

11/2

SHE released her album Kylie Christmas in 2015 and now the Aussie star is back to spread joy with a savvy link-up.

Her new song Xmas is ­exclusive to Amazon Music, meaning it can only be downloaded there or played through its streaming service.

But it’s a clever move, because it is among the first tracks to be played when people ask their Alexa devices to play Christmas music.

The last two years have seen Tom Grennan’s It Can’t Be Christmas and Sam Ryder’s You’re Christmas To Me finish in second place in the festive chart because of the power of Amazon.

Alison Limerick — Where Love Lives

14/1

THIS track has swelled in popularity since a cover by Labrinth featured in this year’s John Lewis Christmas advert.

Alison Limerick’s pulsating house tune was originally released in 1990. It peaked at No9 in 1996 but recently re-entered the charts at No44.

Now it is being tipped to rise far higher as the TV ad gets more plays.

Alison said: “Music has always had the power to bring all kinds of peeps together, but I hope this year’s John Lewis Christmas advert will give those who see it a new, emotional connection with the song.”

Denise Welch — Slayyy Bells

100/1

THE firm festive outsider this year is actress Denise Welch with her borderline-unlistenable offering.

The track has been released as a tie-in with choc brand Celebrations – 30 years after she hit No23 with a cover of You Don’t Have To Say You Love Me.

Denise, whose son Matty Healy is lead singer for The 1975, said: “I love Christmas, but sometimes I want to shake things up a bit. We don’t always have to have turkey or play charades. We can celebrate this special holiday our way.

“This remix, apart from being cool, catchy and a sure- fire hit, is all about ­having fun.”

Mariah Carey — All I Want For Christmas Is You

14/1

AS the Queen of Christmas, Mariah is never far from the charts at this time of year.

All I Want For Christmas Is You was first released in 1994 and has returned to the Top 40 every year since 2007.

It is an unabashedly joyful belter, complete with bell chimes and lyrics about ditching a desire for materialistic gifts.

It topped the charts in 2021 and remains a strong contender for Christmas No1, finishing last year at No3.

In the US, it is even more ­popular and has been the ­festive No1 for the past six years.

Taylor Swift — Opalite

14/1

SHE already has five No1s to her name and has spent the same number of weeks at the top with The Fate Of Ophelia. But Opalite, another track from her The Life Of A Showgirl album, is poised to become a competitor after The Sun on Sunday revealed she had flown to London to shoot a festive video.

She hired out a shopping centre in ­Croydon to film the scenes, with the video believed to include cameos from singer Lewis Capaldi among others.

An updated version of Opalite is expected to be launched alongside the video, just in time for Christmas.

Together For Palestine — Lullaby

12/1

THERE have been plenty of Christmas songs for good causes. Now Together For Palestine are hoping to raise funds with their ­charity single Lullaby.

Musicians including Neneh Cherry, Leigh-Anne Pinnock, Brian Eno, Bastille frontman Dan Smith and Celeste have joined forces with Palestinian musicians to appear on the track, which is a reimagining of a ­traditional Palestinian lullaby.

Speaking about the song, out on December 12, Eno said: “We have a real shot at landing Christmas No1 – and turning that moment into vital life-saving support for Gaza’s families.”

“LADIES and gentlemen, the Rolling Stones!”

For decades, those six simple words have heralded the arrival on stage of the world’s greatest rock and roll band.

The announcement most likely paves the way for the raw, staccato thrill of Start Me Up, followed by at least two more hours of music mayhem.

It is the moment when all the work put in by the band’s creative director and lighting designer, Patrick Woodroffe, comes to fruition.

Since the 1982 tour supporting the Tattoo You album, Woodroffe and his team have been tasked with shining the spotlight on the Stones — literally.

It has been their job to showcase the swagger of Mick Jagger, the laid-back riffing of Keith Richards, the playful interaction of Ronnie Wood and the effortlessly cool drumming of the late Charlie Watts.

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Things always go wrong on some level!

Woodroffe

We know ever-energetic Jagger struts across cavernous stages in front of vast crowds, but Woodroffe says: “Keith once told me that Mick could perform on a coffee table, and it would still be great. Our job is simply to provide a setting in which he can work.”

Although the Stones’ age-defying shows continue to this day, fans and casual observers alike are being invited to step back in time to 1990 for what the band calls “a bigger, louder and more immersive” experience.

From December 10, the fabled film, Rolling Stones — At The Max, returns to select IMAX and Cineworld venues across the UK.

‘Visual narrative’

First released in 1991 and now remastered, it captures the previous year’s Steel Wheels/Urban Jungle tour in all its raging glory and is also notable for the final performances with the band of bassist Bill Wyman.

The film was shot in three European cities, London (Wembley Stadium), Turin and, less than two months before the reunification of Germany, East Berlin.

Using eight IMAX cameras, it was the first full concert movie to be shown on the giant screens and featured a typically storming set.

Rocking live staples were present and correct — Honky Tonk Women, Sympathy For The Devil, Street Fighting Man, Brown Sugar and the Stones’ favourite finale (I Can’t Get No) Satisfaction.

Jagger gives a vocal masterclass on mid-Sixties classics, Ruby Tuesday and Paint It Black, while Richards takes his customary turn at the mic for a rousing Happy.

There’s room for live rarity 2000 Light Years From Home, which first appeared on the Stones’ psychedelic 1967 outing, Their Satanic Majesties Request.

And for several tracks on newly minted Steel Wheels — Sad Sad Sad, Rock

And A Hard Place, and a wild, experimental sonic adventure called Continental Drift.

So, which songs in the live repertoire make for particularly dramatic visuals?

“Certain numbers are considered production numbers,” says Woodroffe.

“Sympathy For The Devil is a good example as is Gimme Shelter.

I met Mick for the first time that night in a tiny dressing room under the stage just before the show

Woodroffe

“These are powerful songs, typically longer than most, which allow time to build a visual narrative. For Sympathy, we set the stage on fire! Not literally of course, but smoke machines, flame effects and pulsing red lights give a pretty good impression of it.”

To celebrate the 2025 At The Max refresh, I’m speaking to Woodroffe about his association with the Stones, which stretches back to the early Eighties.

He recalls his initial dealings with Jagger and Co: “The first show I ever made for the Rolling Stones was at the Capitol Theatre in Aberdeen in the summer of 1982.

“It was also the first show for our musical director, Chuck Leavell. So he and I share the distinction of being the longest- serving Stones employees, something we are both very proud of.”

Woodroffe remembers a fateful encounter in that north-eastern corner of Scotland: “I met Mick for the first time that night in a tiny dressing room under the stage just before the show.

“His only direction to me then was, ‘Bright for the first numbers and darker for the ballads’. Not bad advice and something I have followed for the last 45 years.”

So, I venture, how involved have the band members been in the process of designing, lighting and staging a show?

He replies: “Mick and Charlie have been the most involved with helping our set designer Mark Fisher to develop designs for tours. But Ronnie and Keith have also been very aware of the stages on which they perform.

“Keith always refers to the stage as ‘The Office’.”

I always watch a Stones show in two very distinct ways

Woodroffe

Next, Woodroffe talks of the strong rapport he has built up over the years: “Much of the success of the relationship I have with the band is simply based on longevity.

“There is a real shorthand and understanding of what we’re all doing to create these shows, so communication is easy.

“But I’m also genuinely enthusiastic about my work and I think that probably has some resonance with the band.

“I’ve always loved their music — and having a job that allows me to be a part of their world is hugely gratifying.”

Over the years, Woodroffe has learned how to highlight the band in different settings.

“I always watch a Stones show in two very distinct ways,” he says.

“The first is to make sure that our part of it is right in terms of the lighting, the staging and the video content.

“The second is to understand the audience who come to watch the band — and that changes every night.

“An audience of 60,000 in a giant stadium in Tokyo is a very different beast from a club show in Paris or a run of shows at Madison Square Garden.

“It is how an audience acts, how they respond to the band emotionally and, more to the point, how the band responds to them.

“That is something that’s unique from show to show.”

This brings us to the challenges of staging the 1990 Steel Wheels/Urban Jungle tours with At The Max in mind.

Woodroffe says: “Stones shows are often filmed for either live broadcast or simply as a record of a tour.

“Each time, lighting and the staging is adjusted to capture the show on film but, for the IMAX project, we were in unknown territory.

“No one had done anything like this before and everything was different, particularly the cameras themselves, which were enormous and took three people to run them.

“The film cartridges also only lasted 12 minutes, at which point another three people had to reload the film canisters.

‘Huge spectacle’

“Unlike a normal video shoot where a TV monitor can show us instant results and can therefore be adjusted on the fly, the IMAX system had no facility for this.

“Instead, we would shoot something one night, the film would then be flown to the States to be processed, then flown back again to Europe where we would have to find an IMAX cinema near wherever we were touring.

A Stones performance is an interesting mix of huge spectacle — sound, light, video and pyrotechnics — with intimate performance where the heart and soul of this extraordinary band is there for all to see

Woodroffe

“Then we’d go to watch the rushes at one o’clock in the morning when the theatre was empty!”

Next, I ask Woodroffe how he and his team went about achieving the right atmosphere for such big screens?

He answers: “A Stones performance is an interesting mix of huge spectacle — sound, light, video and pyrotechnics — with intimate performance where the heart and soul of this extraordinary band is there for all to see.

“Getting that balance right is key to a successful concert and, on the IMAX film, we achieved that with real success.

“With all the talk of immersive experiences, At The Max is as immersive as it gets.

“You really do feel as if you were there and the Rolling Stones are performing just for you!”

Like the rest of us, the Stones and their production team are only human, so I’m keen to find out if things ever go wrong.

“Things always go wrong on some level!” says Woodroffe. “But it’s usually quite easy to hide them. Even something as obvious as a microphone going down can easily just be considered part of the energy of a live performance.

“But, in the 45 years I’ve worked with the band, we’ve never lost a show because of a technical issue.

“After all, that famous mantra ‘the show must go on’ applies to us as much as anyone.”

Woodroffe’s career goes back to 1973 and he has lit and directed shows for many artists who sit at rock and pop’s top table.

Among them are AC/DC, The Police, Bob Dylan, Simon & Garfunkel, Rod Stewart, Elton John, and Lady Gaga — but who are his favourite artists to work with, aside from the Stones, of course?

‘My soundtrack’

Woodroffe tells me: “All an audience ever wants to see from an artist or a performer is authenticity.

“However staged or considered or planned a concert might be, it is that connection between the artist and audience that matters — more than any special effect or fancy costume. And the Stones are nothing but authentic.

“I think Stevie Wonder is probably the one other artist that I felt the most connected to other than the Stones, which is of course ironic as Stevie has never seen my work.

“But his music was the soundtrack of my life and growing up. So, to be a part of interpreting that with light and colour, helping him to share it with an audience, was a privilege.”

Woodroffe reserves his final comment for the Rolling Stones, giving a clue to his strong and enduring relationship with them.

“I consider myself a fan and a friend.”

Like the rest of us, the Stones and their production team are only human, so I’m keen to find out if things ever go wrong.

I consider myself a fan and a friend

Woodroffe

“Things always go wrong on some level!” says Woodroffe. “But it’s usually quite easy to hide them. Even something as obvious as a microphone going down can easily just be considered part of the energy of a live performance.

“But, in the 45 years I’ve worked with the band, we’ve never lost a show because of a technical issue.

“After all, that famous mantra ‘the show must go on’ applies to us as much as anyone.”

Woodroffe’s career goes back to 1973 and he has lit and directed shows for many artists who sit at rock and pop’s top table.

Among them are AC/DC, The Police, Bob Dylan, Simon & Garfunkel, Rod Stewart, Elton John, and Lady Gaga — but who are his favourite artists to work with, aside from the Stones, of course?

‘My soundtrack’

Woodroffe tells me: “All an audience ever wants to see from an artist or a performer is authenticity.

“However staged or considered or planned a concert might be, it is that connection between the artist and audience that matters — more than any special effect or fancy costume. And the Stones are nothing but authentic.

“I think Stevie Wonder is probably the one other artist that I felt the most connected to other than the Stones, which is of course ironic as Stevie has never seen my work.

“But his music was the soundtrack of my life and growing up. So, to be a part of interpreting that with light and colour, helping him to share it with an audience, was a privilege.”

Woodroffe reserves his final comment for the Rolling Stones, giving a clue to his strong and enduring relationship with them.

“I consider myself a fan and a friend.”

JESSIE J has taken a leaf out of Jennifer Lopez’s book and taken aim at her Hollywood ex on her new music.

Earlier this year, J-Lo slammed Ben Affleck on track Wreckage of You after her marriage to the actor broke down.

Now Jessie has let rip at Channing Tatum, who she dated from 2018 to 2020, on her album Don’t Tease Me With A Good Time, which is out on Friday.

On the not-so-subtle track Threw It Away, Jessie brands a former flame a “beast”.

She sings: “I put my heart out on the table, that’s when it got uncomfortable. But oh that karma is gonna come one day, ’cause I gave you my love and you threw it away.”

She later adds: “Don’t you dare rewrite the story. I’m the beauty, you’re the beast.”

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‘I’m better person’

Taking to the stage at an exclusive listening party for the album in West London, Jessie did not mention the Magic Mike star by name.

But she left little doubt among fans who the track is about.

She said: “This next song I wrote in 2020 with Ryan Tedder, and you can figure out who I was dating.”

After taking time out over the summer to undergo treatment for breast cancer, Jessie is working at full pace.

Opening up about her health battle, Jessie said: “I’m grateful for the lessons and grateful for the connectivity it’s given me with so many people having cancer.

“And I’ve been a better parent, I’ve been a better person.”

A MAJOR music legend just opened up about a life-changing health battle that left him unable to speak.

He couldn’t believe at one point he had to accept there was a chance of losing his voice forever, so he would never be able to sing again.

The 68-year-old from Essex found fame in 1983, after the huge success of his single ‘Mama Used To Say’.

From then on his career only continued to thrive on a global scale, making him into a household name.

Junior Giscombe was rushed over to St George’s Hospital in Tooting after he began struggling with speech in 2023.

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He noticed his voice had changed after a performance, realising that by the end of his set he had no voice.

Upon being examined at the hospital, Junior learned that his left vocal cord had suddenly collapsed.

Without speech therapy and vocal rest, there wouldn’t have been a chance for the singer to take to the stage again.

Speaking about his recovery, Junior expressed unending thanks to the staff at St George’s who he fully credits for being the reason he’s still able to do what he loves.

“I’m extremely grateful to the team at George’s – without them, I would have no voice and would have to give up the job I’ve loved for almost 50 years.

“They have been amazing, and all the care I’ve had every step of the way has been second to none.

“I can’t stop singing their praises.”

Junior continued to urge fans – singers and non-singers out there – to make sure they look after their voices and to never take them for granted like he did in the past.

“Not being able to use my voice was incredibly frightening.

“Over the years, I would do shows and didn’t warm up my voice beforehand.

“As I never had any issues with my voice, I took for granted that it would always be there.

“Please don’t take your voice for granted like I did.

“Look after it.”

There are many factors aside from the strain of frequent singing that can lead to vocal cord damage, such as ageing or certain health conditions.

If you notice a change to your speech or a consistent soreness when speaking, it’s recommended to see a doctor.

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POP star Lizzo has claimed plus-size women are being “erased” as society grapples with the impact of the “Ozempic boom.”

The Truth Hurts singer, 37, has lost a lot of weight in recent years but said she is “still a proud big girl” after years of championing the body positivity movement.

In an essay shared on Substack, she wrote: “So here we are halfway through the decade, where extended sizes are being magically erased from websites.

“Plus sized models are no longer getting booked for modeling gigs. And all of our big girls are not-so big anymore.”

But Lizzo, who said she still weighs more than 14 stone, hit out at people who have criticised her for losing weight.

She said: “We’re in an era where the bigger girls are getting smaller because they’re tired of being judged.

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“And now those bigger girls are being judged for getting smaller by the very community they used to empower.

“There’s nothing wrong with living in a bigger body.

“There’s nothing wrong with being fat.

“But if a woman wants to change, she should be allowed to change.”

She said she started exercising in 2023 following a lawsuit in which she was alleged to have sexually harassed former dancers, which she denies, and which she said left her suicidal.

Lizzo previously revealed she had also used weight loss medication, as well as overhauling her diet.

Other stars including Meghan Trainor, Rebel Wilson and Amy Schumer have been criticised for slimming down, having previously championed larger bodies.

But Lizzo said she felt compelled to do so because of how she was viewed by society.

The American musician explained: “I was sick and tired of my identity being overshadowed by my fatness.

“People could not see my talent as a musician because they were too busy accusing me of making ‘being fat’ my whole personality.

“I had to actively work against ‘mammy’ tropes by being hypersexual and vulgar because being a mammy by definition is being desexualized.”

She added: “We have a lot of work to do, to undo the effects of the ozempic boom.

“I want us to allow the body positive movement to expand and grow far away from the commercial slop it’s become. Because movements move.”

A POP superstar left fans doing a double take after an unrecognizable throwback snap resurfaced online.

The songstress, now 26, cut a completely different look as she posed with singer pal Zara Larsson, 27, at a swanky event in Italy.

Gone were her signature sexy stage outfits and platform heels in favour of a more demure black suit and point-toe heels.

And Sabrina Carpenter fans simply couldn’t believe the Espresso songstress’ appearance in the seven-year-old image.

The American’s blonde locks were much longer and in a darker shade, tied up in a high ponytail.

She added a flick of black eyeliner and struck a perfect pose for her snaps at Milan Fashion Week in 2018.

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One fan on Reddit was quick remark on her “wild” rebranding, which has seen her switch up her look with mid-length platinum blonde hair and sexy outfits.

She’s become more daring with her fashion choices, stripping off for magazine shoots and was even forced to defend herself against backlash on her latest album cover which saw her on all fours.

A pop fan has now posted on the forum afte the old image resurfaced: “Sabrina’s rebranding is wild! And it’s not a critique, before someone comes for me. She found her aesthetic.”

Another posted: “Pre-Short N Sweet (aka pre-bangs + glam) Sabrina is wild to look back on.”

A third wrote: “She looks way different but I think this is one of the rare cases where it’s really just aging (not aging as in “old” but as in “aging into adulthood”) and the bangs.”

Another said of the pair: “Yes styling is EVERYTHING! Went from cute high school girls to SUPERSTARS.”

One surmised: “Sabrina looks so pretty this way, I love her stage persona too, but this fits her so well.”

Sabrina first found fame in the acting world, on the Disney TV show Boy Meets World reboot, Girl Meets World.

She played Maya Hart on the series for three years, from 2014 to 2017.

Sabrina Carpenter and Barry Keoghan relationship timeline

Barry and Sabrina first sparked dating rumors in December 2023

They were first spotted having a dinner date at a restaurant in Los Angeles in December 2023.

Since then, Sabrina and Barry have been repeatedly documented going on dates and nights together.

In March 2024, Barry was seen cheering on Sabrina during her set when she opened for Taylor Swift’s Eras Tour in Singapore.

After her set, Sabrina was seen running off stage and into Barry’s arms in the crowd.

The two were also seen standing shoulder-to-shoulder when Taylor took to the stage.

A month later, Barry was spotted supporting Sabrina once more during her Coachella set.

Her last major film roles were in 2022, where she starred in Amazon Prime‘s Emergency and Tall Girl 2 for Netflix.

Espresso was released in 2024, and she has focussed on pop stardom since.

ON SCREEN

Yet the Manchild singer will soon return to her screen roots in the new Alice In Wonderland musical movie.

She is also co-producing the film alongside Oscar-nominated producer Marc Platt, who has worked on music-driven projects such as Wicked and La La Land. 

Sabrina will star in the titular role for an upcoming Alice in Wonderland movie that has been greenly by Universal Pictures, the studio confirmed to The Hollywood Reporter. 

While the project remains untitled, it will be based on the literary classic, Alice in Wonderland, by Lewis Carroll.

Lorene Scafaria, who wrote and directed the critically acclaimed film Hustlers, will also direct and write this feature.

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The beloved story of Alice in Wonderland follows the main character, Alice, who falls down a rabbit hole and finds herself in a world of nonsense and mischief.

The adventures that follow lead her to meet characters who have become pop culture icons, such as the Mad Hatter, the White Rabbit, and the Queen of Hearts.

TO the deafening screams of 60,000 fans in Sao Paulo, Brazil, Noel and Liam Gallagher took their final bow on the last night of their epic, 41-date Oasis reunion tour last night.

And now all us fans are talking about is what will come next for the brothers — with rumblings about possible shows at the Etihad Stadium, Manchester and Knebworth, Herts, along with ­whispers about a new greatest hits album.

Noel had previously put a record together featuring Oasis classics and B-sides from the band’s four albums released between 2000 and 2009.

But Liam put paid to his plans for the release, with Noel later admitting in 2023: “He wouldn’t have it in the end — I don’t know why.

“I gave up f***ing arguing.”

Insiders said reprising this project is among plans being floated behind the scenes.

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“This tour has gone better than anyone could have imagined,” my source tells me.

“Noel and Liam will both be taking a long break to compute the magnitude of this tour.

“Being back together on stage has been incredible for both of them, and to have guitarist ­Bonehead back with them for the last shows has been nothing short of phenomenal.

“They’re aware of what their fans want and know the demand would be there if they did decide to put out a new greatest hits album — or to play more shows.”

So far, five separate music insiders have told me about the proposed Etihad residency next summer, along with a slew of shows at Knebworth.

Offers have also been made to Oasis to play Coachella in the US and Benicassim in Spain.

My insider added: “Steven Knight’s film from behind the scenes of the tour will give fans something to look forward to while they wait for Noel and Liam to decide what is coming up next.

“The offers are theirs for the taking.”

Those close to the pair insist there are no plans on the table right now.

But given how quickly the ­initial reunion came to pass, I’d put nothing past Noel and Liam.

The latter is definitely keen to keep the momentum, posting on X last week: “We need to sit down and discuss these things.

“If it was all up to me then you know we’d be touring till the day we die as it’s the best thing in the world but unfortunately it’s not.”

Noel, you know what you have to do.

SZA AND SHABS’ SWEET MUSIC

HER two studio albums have been packed with songs about love, loss and everything in between, so I’m sure SZA will have plenty to write about on her next record, as she is dating again.

The Kill Bill singer, who headlined Glastonbury last year, is believed to be secretly seeing Shaboozey, who is best known for his No3 hit A Bar Song (Tipsy) which soared up the charts last summer.

While she previously dated rapper Drake, Shaboozey was linked to model Emily Ratajkowski last year.

And now they have grown close and are constantly liking each other’s posts on social media.

They attended a GQ Men of the Year party together in Los Angeles earlier this month, but made sure to maintain their distance, in a bid to keep their romance quiet.

However, they’ve both got eager fanbases who are over the moon about the prospect of these two becoming an item.

One thing’s for sure: if they make a song together, it will be fantastic.

KATY’S LIMB AND A STAIR

KATY PERRY prompted a few stairs from people as she fooled about on an escalator.

The singer did practically everything but stand politely to one side as she performed the splits both the right way up and upside down.

She then appeared to take a snooze on the handrail in snaps taken on the set of the video to her latest single Bandaids.

Katy, whose shoelace is seen getting stuck in the moving staircase in the promo, wrote on Instagram: “Doing all the things your mom said not to do on the escalator but also: myth-busting a childhood fear. You’re welcome.”

Myths busted or not, I think I’ll stick to using them as intended.

DENISE: I’LL SLAYYY TOP TEN

DESPITE five No1 albums, THE 1975 have never topped the singles chart.

Now frontman Matty Healy’s mum, actress Denise Welch, is aiming to rub their noses in it by trying for the Christmas No1.

Yes, you did read that right. Today she has surprised the nation with an unexpected festive hyperpop single titled Slayyy Bells.

Described as “part carol, part club classic”, the song is being released in collaboration with choccy brand Celebrations.

Loose Women star Denise, above, said: “I love Christmas, but sometimes I want to shake things up a bit.

“We don’t always have to have turkey, or do charades.

“We can celebrate this special holiday our way. This remix, apart from being cool, catchy and a sure-fire hit, is all about having fun.

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“So stay in your PJs, have your dinner at night if you like, and dance around the tree with a Celebrations box on your head.

“Once you’ve eaten them, that is.”

AFTER their split in 2010 and cancelled reunion tour in 2020, I can reveal that The Pussycat Dolls are talking about getting back together.

I’ve heard that Kimberly Wyatt has been telling pals the girls have ironed out their issues and are reforming.

The band also featured Nicole Scherzinger, Ashley Roberts, Jessica Sutta, Carmit Bachar and Melody Thornton.

Members began leaving in in 2008, but the girls continued to make music before splitting in 2010.

A source said: “Kimberly has been open about the fact the girls have sorted out their issues.

“She also told pals they’ve been discussing a tour.

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“The Pussycat Dolls certainly had their differences over the years, but a comeback would send fans wild.”

Ashley, Kimberly, Jessica, Carmit and Nicole were set to go on tour in 2020 – but after the pandemic scuppered their plan, the idea was later cancelled.

Let’s hope nothing comes in the way of this reunion.

The Dolls started off as a burlesque troupe but in 2003 Nicole Scherzinger, Melody Thornton and Kaya Jones joined Carmit Bachar, Ashley Roberts, Jessica Sutta and Kimberly Wyatt to form the group.

Kaya went solo in 2004 and Carmit left in 2008.

They split for good in 2010 but got back together in 2020.

LIAM PAYNE’S family is set for more heartbreak as his ex-fiancée Maya Henry is making a documentary about their relationship and break-up.

It comes just over a year after the One Direction singer tragically died.

American model Maya, who was in a relationship with Liam from 2018 to 2022, is working with HBO and an independent production company to make a film about her time with him.

I am told that contributors are being invited to film in Texas, where Maya was born and raised, with those from overseas being flown over.

A source said: “This documentary is going to be hugely upsetting for Liam’s family, who are struggling with unimaginable loss.

“There is also concern within the industry that it is going to be one-sided.

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“Of course, Liam is not here to give his side of the story or his version of events. It all just feels terribly sad.”

It comes after disgruntled Maya has already penned a fictional book, Looking Forward, rumoured to be based on her tumultuous romance with the star.

Meanwhile, another mole revealed that Maya will also touch upon trolling she received from 1D fans.

An insider said: “The social media comments were vicious and Maya wants to open up about what she went through and the dark side of dating a world-famous pop star.

“‘It wasn’t just the strain of the relationship itself. She also faced relentless trolling from the band’s fanbase, receiving hateful messages almost daily, which made moving on even harder.

“She hopes the documentary will finally give her the chance to share her experiences and tell her side of the story.”

Last month details of Liam’s emotional second album — which he had finished before he died and features a poignant track called Safe In Heaven — were released.

One industry insider explained that the follow-up to his 2019 debut LP1 was the most self-reflective piece of work he had ever done.

On the few occasions I met Liam he was genuinely a lovely bloke, I think his legacy should be treated with respect . . . 

LOOK ON THE BRIGHT SIDE, ZARA

ZARA LARSSON lit up Norway in this bright yellow skirt on Friday night.

The Swedish pop star flaunted her incredible figure on stage as part of her Midnight Sun Tour.

Aside from the tracks on her new album, Zara played her hits Lush Life and Never Forget You.

Next week sees her head to Finland for a couple of gigs before a homecoming night in Sweden.

RONNIE ’N’ ZACH LOVING IT

LOVE Island: All Stars is upon us and I hear two former lotharios are busy pressing their trunks for a villa comeback.

Semi-professional footballer Ronnie Vint is hoping it’s third time lucky as he finds himself single again.

The hunk, who originally appeared in the 2024 summer series and then in this year’s All Stars show, is single again after splitting from Harriett Blackmore.

I’m also told that 2023 contestant Zach Noble is giving love another chance after his relationship with Molly Marsh broke down earlier this year.

A source said: “Love Island: All Stars 2026 is shaping up to be a sizzling cast and bosses have scouted these two rebound hunks keen to find love.

“Both lads were fan favourites, with bags of personality and a decent following on social media.”

Female contestants rumoured to be taking part include Millie Court and Andrada Pop.

I can’t wait to watch the chemistry crackle . . . 

PARTY of the WEEK

THE ZYN Rolling Stone UK Awards at The Roundhouse, North London, on Thursday.

Who was there: Sir Bob Geldof, Danny Dyer, FKA Twigs, Lewis Capaldi and Louise Redknapp.

What we ate: Smoked salmon, lamb and chocolate pears.

What we drank: M&S beer and Rockferne English sparkling wine.

Goodie bag: Percy Pigs.

PIPING HOT, BILLIE

BILLIE PIPER looked a sheer delight as she belatedly celebrated her 43rd birthday in this lacy black dress.

The actress, who turned 43 in September, was partying with pals including Dominic Cooper and Richard Madden at Upstairs At Langan’s in central London.

Billie recently starred as music teacher Isadora Capri in season two of Netflix show Wednesday.

She said: “I’ve always wanted to play a sort of floaty, liberal musician or art teacher.”

IT’S TIME FOR 007 AARON

THREE years ago, I revealed that Aaron Taylor-Johnson was the frontrunner to be the next James Bond.

And now the British actor has given the biggest clue yet that he will be taking over the reins from actor Daniel Craig to be the next 007.

Aaron has been announced as an ambassador for Swiss luxury watchmaker Omega, which is Bond’s favourite timepiece.

Since 1995, the secret agent has worn an Omega Seamaster in every film – with special tribute watches made to honour the character.

Aaron said: “My interest in watches first began with my dad, who introduced me to Omega, if you can believe it.

“He was working class and saved his earnings to purchase an Omega watch.”

In 2022 I revealed that Aaron had completed a top-secret screen test at Pinewood Studios, the home of James Bond movies.

Aaron is currently filming in Dartmoor alongside Lily-Rose Depp for upcoming horror film Werwulf, which is scheduled for release next year.

Sounds like the time is ticking for the next Bond to be formally announced.

OLLY: I WOULD GIVE A BOXING BOUT A SHOT

HIS new album Knees Up is about having a good time with your mates – but Olly Murs has revealed that instead of sinking pints down the pub, he prefers throwing punches in the boxing ring.

Olly has struck up a friendship with super-welterweight champ Sam Gilley and now has a “burning desire” to get fighting fit.

Chatting to Bizarre’s Emily at his album launch in East London on Friday, left, Olly said: “I train twice a week without fail. I love it.

“I wanted to learn how to punch properly and move, and I wanted to learn the fundamentals of boxing. Am I open to a fight? Yes. Whether or not my wife lets me is another question. I just know there is definitely a burning desire for me to get into the ring and give it a shot.”

Olly added: “I think it is something in my blood. I did Who Do You Think You Are? on the BBC and I learned so much about my grandad.

“He was Latvian and came here in the Second World War. He was an amateur boxing champion.”

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Olly, whose eighth album has been inspired by British ska, said it had “reignited my love for music again­”.

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FROM Three Lions to Vindaloo, England have their fair share of rousing football anthems.

But now that Scotland have qualified for their first World Cup since 1998, proud Tartan Army faithfuls Biffy Clyro are planning their own tune to cheer on their lads next summer.

The trio scooped the Live Act gong at the Rolling Stone UK Awards at London’s Roundhouse on Thursday night and told me they are already putting plans in motion.

Asked whether anyone from the Scottish team had been in touch, frontman Simon Neil said: “Well, we’ve been in touch with them.

“We want to do Scottish Band Aid or Live Aid. This is a historic moment for Scotland.”

But on the team’s chances in the tournament, he said with a laugh: “Ninety minutes after the first game, with all of our heads in our hands, it won’t matter. But see, this next six months is truly magical.

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“In this day and age, we all find so many reasons to fall out and disagree that it’s surprising it’s football that’s bringing people together. Lionesses last year, all of England would celebrate.

“I’ve got the lyric for the chorus: ‘The party’s starting because the tartan’s marching’. There you go. That’ll be in your head for now. I want that to stimulate the song.”

Sounds like a belter to me.

Meanwhile, the third annual ceremony was packed with celebs and saw FKA Twigs win the Album award for Eusexua, and Lewis Capaldi the Artist award.

Comedian Mo Gilligan was brought in to present Lewis with the prize, this time pronouncing his name correctly — after accidentally calling him Sam Capaldi on stage at the Brit Awards in 2023.

A host of glamorous guests also turned out for a knees-up, including ex-Eternal singer Louise and former Pussycat Dolls band member Ashley Roberts, who both wore sheer black outfits.

Jessie J was on top form as she gears up to drop her first album in seven years, Don’t Tease Me With A Good Time, this Friday.

She said: “It has been a long time. I finished writing it in 2022.

“I have a lot of music in my phone. So if someone wants to steal my phone, and put it out for me, it would save me a lot of agg. No, but I’m excited for people to hear it, you know?

“I just want to make people feel something.”

And now that Jessie’s back in the spotlight, she has found that her two-year-old son Sky has a taste for fame.

She added: “Oh, my God, he’s so funny. He’s like, ‘Can I come to work? I love when the people say, yay’.

“It’s so cute. I can’t tell him I’m going to work because he wants to come with me.”

Danny Dyer did a cracking job on hosting duties — and raised a glass to The Stone Roses bassist Gary “Mani” Mounfield — so ITV would be mad if they didn’t hit him up to host the Brit Awards.

It was typically chaotic, with Danny at one point vaping on stage and later dropping his cigarettes on the floor as he made his way home, despite the fact the whole thing was sponsored by nicotine pouch company Zyn.

He is in the middle of shooting series two of Eighties TV comedy drama Rivals, but promised to get “off his nut” and later celebrated at the after-party until 1am.

IN his opening monologue on the night, Danny said: “It’s been an amazing 12 months because I won a f***ing Bafta.

“There was only one thing that could top that, and that’s the fact that my first-born child married the captain of West Ham United.”

Welcoming Mo Gilligan on stage: “It’s the 11th funniest comedian in the country. He’s funnier than Joel Dommett, I can tell you that.”

Before handing out the Film award: “Here’s a fact for you, I’ve been in 50 films, 47 of them are s**t.”

Introducing the Television award: “They didn’t nominate me for this one, can you f***ing believe it? I’ll come down there and put a nut on ya.”

And while presenting the Festival award: “Deep down, we are all dreaming of being in a field somewhere, warm lager in our hand and off our t**s on mushrooms.”

WICKED A GOOD CHOICE, BEN

WEST END star Ben Forster is going head to head with Ariana Grande and Cynthia Erivo with his new album.

Musicals Greatest Hits was released yesterday and it features a cover of Wicked’s For Good, just as the second film’s soundtrack, also featuring that song, came out.

But his record features the BBC Scottish Symphony Orchestra and Britain’s Got Talent winner Sydnie Christman.

Ben whose roles include playing the Phantom in The Phantom Of The Opera, told Bizarre: “I’m so excited that everyone can finally hear my album. Creating it has truly been a dream come true.”

Ben embarks on a huge tour next year.

He will play theatres up and down the UK from September.

NEIL YOUNG AND THE CHROME HEARTS are performing in the star-studded line-up for the new Blenheim Palace Festival on July 3.

They are joining acts including Katy Perry and Teddy Swims at the series of gigs in Oxfordshire.

ALBUM PERFECT FOR DOJA TAT

DOJA CAT was so impressed with tattoo artist Claudio Traina’s work that she decided to use his design on her latest album Vie.

Claudio, of Sixty Ink in London, told me: “I met her in a house in LA.

“We were doing tattoos for everyone there, and she got so excited, she decided to get her first tattoo. Two days later she called me for more.”

Claudio, whose clients also include Yungblud and Demi Lovato, added: “Now, every time she’s in London, she comes to the studio for fresh ink.

“She liked the word Vie, meaning ‘life’ in French, and decided to get it tattooed. A few months after, I got a message saying they had used that tattoo I designed for the album cover.”

CHRISTMAS will be arriving early for fans of Jade.

I can reveal that the former Little Mix singer is to announce a bumper deluxe edition of her debut album, That’s Showbiz Baby, which came out in September.

The new album, with fresh songs added, is expected to be available on December 5.

FOREIGN LINGO KEY FOR ALICIA

ALICIA KEYS has teamed up with Italian music great Eros Ramazzotti for his latest album.

But rather than sing in English, the 17-time Grammy-winning Empire State Of Mind singer learned the track in both Italian and Spanish.

Alicia told Bizarre: “We had such a fun time. We’re doing this beautiful song, L’aurora, and I was learning it in Spanish as well as Italian.

“And so, it’s really exciting to be able to sing in a whole different language and poetry and the beauty of how it goes and how it feels coming out is incredible.”

She added: “It felt very easy. It felt natural, it felt fun.”

Proving you may grow older but don’t have to grow up, she added of the 62-year-old Italian singer : “He’s a prankster, a jokester.

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“He’s trying to scare me the whole time, but I’m tough. So, you can’t scare me. But it was beautiful. I love it and I’m so excited about this project.”

The record, Una Storia Importante, also features opera singer Andrea Bocelli, and Eros will kick off a tour in Paris on Valentine’s Day.

RUFUS WAINWRIGHT has never been an artist to repeat himself.

With a diverse back catalogue, the Canadian singer’s latest project sees him dive into the world of Kurt Weill with the Pacific Jazz Orchestra, releasing an album following a string of concerts.

I’m A Stranger Here Myself: Wainwright Does Weill is a richly dramatic and stylish collection that breathes new life into the German composer’s timeless songs from the 1920s-40s.

Rufus tells Jacqui Swift about finding new meaning in the music and why now felt like the right moment to record it . . . 

WHEN did you first hear Kurt Weill songs, and which means the most?
I first heard his songs after buying an album I saw in a record store when I was about 13 that looked super cool.

It was a funky lady, smoking a cigarette with a big smile. That was Kurt Weill’s wife Lotte Lenya [the album was called Lotte Lenya Sings American Theatre Songs Of Kurt Weill].

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So it was really Lotte’s picture that got me going first.

Surabaya Johnny is my favourite Kurt Weill song. It’s a song I wish I’d written.

How did his songs influence your own writing and performance?
He was a fan of drama and atmosphere – two elements which I definitely incorporate in my own work.

And I love how he’s willing to tackle the troubling subjects of the day, something I’ve never shied away from.

How do you approach a song like Mack The Knife and make it your own?
My strategy was to combine the German version and the Bobby Darin version to have a kind of mid-Atlantic version.

I don’t usually have trouble with that, because my voice is so bizarre that everything I sing always ends up sounding like a Rufus Wainwright song.

Did any song surprise you once you started working on its arrangement?
It Never Was You was a song I always overlooked and felt it just didn’t touch me.

But certainly, after my mother passed away I looked at it in a whole new light.

How are you balancing staying true to Weill while bringing your own personality and style?
The thing about this whole project is that it’s great, but it’s also incredibly tragic.

Kurt Weill died at 50. I started doing these songs and performing them professionally when I was 50.

In a lot of ways, I feel like I’m transferring a lot of his spirit into his latter days, an age that he wasn’t able to really experience.

So I feel responsible for giving him a little bit more time on the earth.

When did you realise your live performance of these songs should be an album?
Really, when we got there, after we heard the recordings.

None of this was ever intended to be a record.

We all just did it off the cuff and decided to record it last minute.

But once we listened to the tracks, we realised that there was something really special there, especially considering that the songs were written during a very troubling time politically.

This is a good moment to put that type of material out, since we are also in deep water at the moment.

How did the Pacific Jazz Orchestra come on board?
They made the initial offer. I had sung some Kurt Weill songs at the Carlyle Hotel in New York for a small residency.

Then they came to me and said, ‘You know, we’d love to do something with you. Anything’.

And I put two and two together.

Your back catalogue is diverse and varied. Where does this work fit in?
I consider my catalogue, my career and my life, in many ways, to be a tree that has many, many branches.

I would say this is connected to it.

Let’s say this is a sprouting flower from a twig.

Was this one of your most challenging projects?
It was, but mainly because I was doing so much around it.

I was producing a musical in the West End called Opening Night and also putting the finishing touches on my Dream Requiem, which was to be premiered in Paris after this concert.

So yeah, I was spread super, super thin, and it was incredibly challenging, but that adds a manic energy to the performance, which works well with his material.

You can’t be too rested when you sing Kurt Weill.

What’s next?
I’m shutting down the shop. I’m 100 per cent working on a new pop record.

I need to go back to my bread and butter and see what the kids are up to and take one more swipe at it.

You played Want One and Want Two for BBC Proms, was that night as special for you as it was for the audience?
Yeah, it’s always special doing those records.

They represent such a pivotal moment in my life and they really made me who I am today.

Any more special performances of these albums in the future?
I’ll do one periodically, here and there, for sure.

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I’m doing the Judy Garland record in June at the Royal Albert Hall so, yeah, I’m still pretty schizophrenic musically.

RUFUS WAINWRIGHT WITH THE PACIFIC JAZZ ORCHESTRA

I’m A Stranger Here Myself: Wainwright Does Weill

★★★★☆

“PAUL will say to me, ‘There’s only four of us – now sadly two of us – who know what it’s like to be in The Beatles’.” 

So says Giles Martin, producer son of late producer, Sir George Martin, who some call “The Fifth Beatle”. 

For the past 20 years, Giles has been one of the chief keepers of The Beatles flame, involved in myriad releases from the band’s archive. 

For these, he maintains regular contact with those “two” — Paul McCartney and Ringo Starr. 

The latest project to summon his skills is the one which, arguably, gets to the beating heart of The Fab Four more than any other — The Beatles Anthology. 

We’ll hear much more from Giles later but, to set the scene, let’s wind back to 1995 and catch what drummer Ringo has to say with his usual cheery charm. 

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“Now you can hear it from us,” he affirms. “Paul, George and myself — and old footage of John, of course — telling what it felt like to be a Beatle.” 

In 1995, it is 25 years after The Beatles split and 15 since the shocking assassination of John Lennon, and it is time for the world’s most famous band to tell their story. 

Over the previous four years, Macca, Ringo and George Harrison have been busy masterminding Anthology, a wildly ambitious, groundbreaking (you wouldn’t expect anything less) multimedia project. 

By using their own words, film and, of course, their immortal songs, they are in a unique position to reveal all — from the horse’s mouth. 

Here’s their chance to revisit their humble origins in Liverpool, cutting their teeth at the city’s Cavern Club and in the music dives of Hamburg.

They can relive having a first hit single, Love Me Do, Beatlemania, leading the British Invasion of the US, making madcap films like Help! and their eventual retreat from the live arena. 

They can share views on creating their psychedelic masterpiece, Sgt Pepper’s Lonely Hearts Club Band, the spiritual quest which leads them to India, their final studio hurrah, Abbey Road, and the various reasons behind them going their separate ways in 1970. 

This all results in an eight-episode documentary series filled with archive footage and candid interviews, three double albums of demos, alternate takes and snatches of spoken word and, later, an illuminating book. 

Now, in 2025 to mark the project’s 30th anniversary, we are being treated to an additional ninth episode of the series and a fourth volume of music. 

For his part, Giles Martin has created new audio mixes for most of the music featured on film, remastered the original LPs and curated the new album of 36 songs (13 previously unreleased). 

Episode 9 presents unseen glimpses of Paul, George and Ringo coming together in 1994 and ’95 to reflect on life as members of the Fab Four.  

Time, they say, is a great healer and the atmosphere is relaxed and friendly, the three clearly enjoying each other’s company with some of the old banter returning.

We’ve heard from Ringo but what does Macca have to say about it?  

“We decided we might try to do the definitive story of The Beatles, seeing as other people had had a go at it. 

“We thought it might be good from the inside out rather than from the outside in.” 

Harrison, who died aged 58 six years later, gives this telling perspective: “I’m glad it didn’t get made until now.  

The good thing about Anthology is that it’s four of us, even though John’s not here, he is here. He’s represented, he talks — it’s old interviews and stuff.

Paul McCartney

“I think it’s been nice for us and the public just to forget about The Beatles for a while, let the dust settle, and now come back to it with a fresh point of view.” 

And it’s up to the “quiet” Beatle, not so quiet in this setting, to sum up the band’s immortality. 

“We’ll go on and on,” continues Harrison, “on those records and films and videos and books and in people’s memories and minds.  

“The Beatles have just become their own thing now. The Beatles, I think, exist without us.” 

Of course it was all done with a gaping Lennon-shaped hole but Paul, George and Ringo are hugely mindful of their fallen comrade who they clearly miss very much. 

“The good thing about Anthology is that it’s four of us,” says McCartney. “Even though John’s not here, he is here. He’s represented, he talks — it’s old interviews and stuff.” 

Harrison adds: “I feel sorry for John because the Beatles went through a lot of good times but also went through some turbulent times.  

“And, as everybody knows, when we split up, everybody was a bit fed up with each other.  

“But for Ringo, Paul and I, we’ve had the opportunity to have all that go down the river and under the bridge and to get together again in a new light. I feel sorry that John wasn’t able to do that.” 

‘Unfinished business’ 

One of the key elements of Episode 9 is how the three Beatles make new music together under the watchful eye of the Electric Light Orchestra’s Jeff Lynne, a fellow member of the Traveling Wilburys supergroup with Harrison. 

Using Lennon demos from the 1970s, given to them by his partner Yoko Ono, they finish Free As A Bird and Real Love, employing John’s vocals backed by their vibrant new arrangements. 

Quite simply, it’s the nearest thing we’ll ever get to a full Beatles reunion. 

Another song, Now And Then, gets mentioned as “unfinished business” but, as you may remember, it finally saw the light of day in 2023 thanks to technological wizardry. 

Watching Paul, George and Ringo playing and singing along to John’s vocals is captivating, some of the old spark clearly etched on their faces. 

The affable Giles Martin, who I meet in Leicester Square this week and not at his usual stomping ground, Abbey Road Studios, has this take on the Anthology footage. 

“From talking to Paul and knowing him as much as I do, and from talking to Ringo, I know that the other Beatles were the favourite musicians that they ever played with.  

“Forget personalities, it was purely about being in a band — the best band they’d ever been in. 

“After they broke up, and I include my dad in this, they were looking for each other the whole time.  

“That’s the truth of the matter. I know that Paul misses my dad, and I know that Paul misses John.” 

So, in approaching Anthology, he clearly wanted to show how songs evolved. A bit of studio banter, all that kind of stuff

Giles Martin on his father George

This brings Giles to a significant moment during the completion of Now And Then, The Beatles’ final single. 

“I remember doing the string parts, and being with Paul,” he recalls. “He said, ‘That’s George playing the guitar again. Let’s listen to that because I want to respect what he’s doing, because he’s got great ideas’.”  

The original Anthology project wasn’t just a reunion for three Beatles but also for George Martin who came back into the fold to curate the double albums released on three separate dates between late ’95 and late ’96. 

Giles says: “My dad loved The Beatles — and he loved spending more time with them. 

“What I find interesting is the vulnerability on display, my dad included. Because no one else talked to them like that.” 

Being a Beatle or even The Beatles’ revered producer means that, out of respect, us mere mortals are not given to taking the p*ss. Seeing Harrison’s quip to McCartney, “Hello mate, vegetarian leather jacket?”, is a laugh-out-loud moment. 

Paul, with his famously meat-free diet, replies: “Yes it is. And my boots are vegetarian leather boots!” 

There’s a great scene where the band describe putting “uppers” in a teapot to get George Martin and engineer Geoff Emerick to keep going and stay late into the evening for a session at Abbey Road. 

“My dad always denied it but he wouldn’t have known,” says Giles. “It was probably some sort of amphetamine or caffeine. 

“He used to say that, with each passing year, The Beatles started work an hour later.” 

You might imagine that the producer, with his schoolmasterly image and close attention to detail, was a perfectionist. 

But Giles says: “I don’t think he was a perfectionist — although he was upset at me once for not measuring out Pimm’s properly!  

“The music wouldn’t have sounded like it did, fresh and alive, if he had been one. 

“So, in approaching Anthology, he clearly wanted to show how songs evolved. A bit of studio banter, all that kind of stuff.”  

Giles adds that The Beatles were on board with this, seeing it rather like “a trawl through the photographs that don’t make it into the family album”. 

‘Close to John’ 

“A good example is [the early version of] Yellow Submarine with John originally coming up with the idea and singing, ‘In the town where I was born, no one cared, no one cared’. 

“Obviously, that was not right for Ringo to sing so Paul got involved and they changed it, developing it into the Yellow Submarine that children sang in schoolyards.” 

I ask Giles to describe his father’s relationship with each of the four Beatles and he begins with Lennon. 

“He was very close to John to begin with, because John was perceived as leader of the band. 

My dad and Ringo always loved each other. Ringo was an ardent fan and he was also the glue which kept things together.

Giles on his father’s relationship with Ringo Starr

“He was the older one out of Lennon and McCartney and they were like the two favourite children which George felt rather bitter about.”  

On Anthology Vol. 4, you hear the producer calmly encouraging Lennon to sing rehearsals of the White Album song Julia, about his mother who died when he was just 17. Both agree that it’s a “very hard” song to sing. 

Giles maintains that, as The Beatles’ journey progressed, his dad’s dealings with Lennon changed. 

“John wanted things to be immediate, to be rock and roll, but my dad’s process was different. Then it annoyed him when John went with Phil Spector [for Let It Be] and all that multi-layered stuff.” 

If Lennon made wayward comments after the band split up, an encounter just before he died helped heal the wounds.  

Giles says: “In 1980, John contacted my dad, who went to see him at the Dakota Building in New York.  

“Yoko went out, and John admitted he’d said loose-tongued things in the past, when he ‘was high’. 

“John told my dad, ‘I wish we could record everything again, properly this time’. Dad goes, ‘How about Strawberry Fields?’. And he replies, ‘Especially Strawberry Fields!’.  

But they talked about working together again. Then my dad flew back to England and John was shot, yet there was a weird kind of redemption to the whole thing.” 

As for McCartney and George Martin, Giles says: “Paul always maintained a very close relationship with my dad. 

“Towards the end of The Beatles, Paul was the one trying to keep the band going, but with his vision. Then, as we know, he went off to Scotland and decided to make it on his own. 

“But he got back with my dad for Live And Let Die [in 1973] and they had an ongoing friendship.” 

And what about Starr? “My dad and Ringo always loved each other. Ringo was an ardent fan and he was also the glue which kept things together.” 

There’s a wonderful scene in Anthology’s Episode 9 when McCartney and Harrison joke about doing a stadium “mud-wrestling” contest and Ringo interjects with, “I’ll be the ref!”.  

And finally, we arrive at George Martin’s association with George Harrison. 

Giles says: “My dad always felt guilty that he didn’t give George the attention he deserved — but he couldn’t do it all.  

“So George would go off and do his own thing, like Savoy Truffle. He could be quite stubborn and driven, like they all were.” 

But Giles remembers the abiding affection Harrison had for his father, first encountering him at a Simon & Garfunkel concert in 1982 at Wembley Stadium “when I was very young”. 

“I went to the loo and this man said, ‘Are you all right?’. I was a bit embarrassed but I said, ‘Yeah’. 

“When I went back out, he was standing with my parents. It was George. 

“My dad said, ‘This is my son, Giles’. And he said, ‘We just met having a p*ss’. I remember thinking that he was really nice.  

“When my father became ill the first time around, with prostate cancer, George was the one who went to see him and sat by his bed.” 

As we prepare to go our separate ways on this cold November day, I can’t help thinking how Giles Martin has inherited a deep affection for The Beatles from his illustrious father. 

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He’s currently working on the FOUR Sam Mendes-directed biopics, each one presented from a different band member’s point of view. 

Following in the footsteps of Dad, it’s a long and winding road that won’t end any day soon. 

THE BEATLES
Anthology Collection

★★★★★

MANY celebs these days are pretty boring and spend their nights drinking matcha tea with LED masks strapped to their faces rather than falling out of clubs after a booze- filled night.

But Leonardo DiCaprio is bucking the clean-living trend and is busy proving he is still one of Hollywood’s most hardcore partiers.

One of my Mayfair moles told me the Titanic actor headed to posh members-only club Annabel’s in London on Tuesday night, after appearing at the BFI Southbank to talk about his new action ­comedy film, One Battle After Another.

Leo partied with his best pal Tobey Maguire until the early hours.

“Leo came in to Annabel’s and ­settled in for a big night with his mate,” my insider said.

“ He’d been at the BFI on the Southbank and came for a private dinner.

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“It coincided with their Christmas light switch on which was really special.

“Alexandra Burke performed and it was an amazing evening.

“Leo and Tobey got food as well and, as you’d expect, there were plenty of female fans hanging around to enjoy a drink with them.

“They absolutely love Leo at Annabel’s because he’s a big spender and a nice guy — there’s never any trouble and he’s really low-key.

“He stayed until around 12;30am ­yesterday before leaving with Tobey.”

After One Battle After Another came out in September, Leo is now waiting on the green light for his next big movie role.

He is being lined up to star in Michael Mann’s sequel to 1995 cult classic Heat.

Leo is said to be in the frame to take the role of Chris Shiherlis, who was played by Val Kilmer in the original.

Christian Bale is now in talks to come on board too, with the final cast yet to be ­confirmed.

Heat is one of my all-time favourite films but to this day I still scream in frustration about why Robert De Niro‘s master criminal Neil McCauley chose to scupper his own escape by ­stopping off to kill the evil Waingro.

You should have gone straight to the plane, Neil. You fool.

ROSIE’S LAID BACK STYLE

IT’S little wonder Rosalia needed a lie-down on The Tonight Show with Jimmy Fallon – because she had to try to teach him how to sing.

The Spanish star, whose new album Lux reached No4 in the charts last Friday, warned US host Jimmy that “some songs are harder than others” before she got him to have a bash at singing her hit La Perla.

To put it kindly, Rosalia had her work cut out with Jimmy’s vocals, but luckily for her fans she then got up on stage to give her own rather more tuneful performance of the song.

Fans will next see Rosalia on screen in the third season of teen drama Euphoria.

She kept schtum about which part she will be taking on but opened up about juggling the recording of Lux with filming the hit HBO series.

Rosalia said: “I had to divide my mind between both, and it was the first time, also, that I was doing something like this – preparing a character and studying lines.

“These are new things for me. It’s very different from making an album and making music.”

POSH’S SPICY CRUZ TRACK

I THOUGHT hell would freeze over before I saw Victoria Beckham singing a Spice Girls song again, but it seems her son Cruz’s passion for music is ­rubbing off on her.

The fledgling musician posted a video on Instagram yesterday playing the guitar and singing the girl group’s 1998 No1 Viva Forever – duetting with his make-up-free mum, Posh.

And props to Victoria, she sounded pretty good during the jam session in their living room, although I wasn’t quite as keen when husband DAVID joined in with some falsetto backing vocals.

He commented on the video: “Sorry, I ruined it.”

I can’t help but feel like this is a clue, after months of discussions that the Spice Girls will do something together to mark their 30th ­anniversary in 2026.

Last month, Victoria even said the idea of a residency at Las Vegas venue Sphere was “tempting”.

The vocal cords are warmed up, so shout when you’re ready to Spice Up Your Life, Posh.

ACE MYLES BASTILLES THE SHOW

BASTILLE brought their From All Sides tour to an end with a massive show at London’s O2 Arena, where they were joined on stage by one of my ­favourite stars of 2025, Luton-born Myles Smith.

The band, celebrating 15 years together, played their 2012 hit Flaws with Myles amid a mighty set which saw them play tracks covering their entire career.

Emotional frontman Dan Smith told the crowd: “It’s f***ing mental that we’re allowed to play here.

“We’ve been away for a ­couple of years and it’s very surreal being back up on this stage.”

Bastille played ten dates across the country and debuted their new single Save My Soul, ahead of its release tomorrow.

It’s been a while since their last proper album, so I’m ­hoping they’ll get back in the studio soon to get the next one done.

ZAYN: I’M JUST LIKE EMINEM

ZAYN MALIK has revealed he practised singing Mario’s Let Me Love You for a whole year before auditioning for The X Factor.

The former One Direction star spoke to BBC Radio 1 in a special interview last night, which you can listen back to now on BBC Sounds.

During the chat, Zayn said: “I listened to this a lot around the time when I was first starting to sing. Probably around 15 or 16, I started taking it more seriously.

“I practised that song for about a year before I went on X Factor and sang that as my first audition song.

“It has a near and dear place in my heart. It is the song that changed my life.”

Bradford-born Zayn also said he felt a synergy with Eminem and compared his life growing up in the north to the US rapper’s tough upbringing in Detroit.

Zayn added: “I remember watching Eight Mile for the first time when I was growing up in Bradford and that movie inspired me.

“It felt like he was growing up in a similar environment to me. The things he overcame and did were incredibly inspiring.

“Eminem will always be one of the top rappers in my book.”

YUNGBLUD IS BOY FOR ME

YUNGBLUD has been forced by ­doctors to pull the plug on touring until the end of the year, after concerns were raised about voice issues and blood test results.

But that means the star has plenty of time to read the script for a new biopic about Boy George‘s life.

George’s manager, Paul Kemsley, has told us that Doncaster-born Yungblud is the Culture Club singer’s first choice to play him.

Speaking at the launch of reality star Mauricio Umansky’s new ­collaboration with clothing brand Ari, Paul said: “Yungblud is the man that we want to play George, and George wants him too. We have told the film company that is our plan.

“We hope to have cameras filming at some point next year.

“Yungblud can really capture the essence of George, ­especially as a young man, and show the world what a trailblazer he was.”

Yungblud has previously said he’s keen to take on the role, so if their schedules can align, he could soon be on set.

He’s had a stellar year, with a No1 album and Grammy nominations, so it’s little wonder Boy George is keen to sign him.

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The Shape Of You singer’s hot sauce brand Tingly Ted’s has teamed up with Hungry Horse to offer 5,000 free meals.

The chain is hosting a “Bear Hunt”, with beer mats featuring the Tingly Ted bear logo and a special QR code.

MUSIC legend Gary Numan has sparked concern after breaking down in tears on stage.

The 67-year-old is reported to have started weeping while performing  Please Push No More at the O2 Academy Birmingham on Saturday evening.

According to The Mirror, his wife Gemma O’Neil rushed onto the stage to comfort him. 

He is reported to have told the crowd he’d received the “worst news ever” that morning and would share it with fans once he had time to process it.

Gary is expected to appear on stage in Bristol tonight, but did cancel his meet and greet beforehand.

His fans rushed to comment on his wellbeing, with one person writing: Rough to see him so upset during PPNM – not looking forward to hearing the reason in the coming days. Can’t be good. Absolute pro to battle on.”

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Someone else remarked: “He broke down – he had some bad news yesterday. Gemma came onstage and hugged him. Crowd were amazing, so supportive.  Hope he’s ok.”

After it was revealed he would be playing again this evening, another person speculated: “I just hope he’s not overstretching by carrying on with the concert.”

Gary started his tour earlier this week, which celebrates the 45th anniversary of his seminal album Telekon. He is still due to play in Bournemouth, Brighton, London and various other venues.

The Cars singer and his wife, 55, married in 1997 and re-located to LA with their three children in 2012.

The move was the backdrop to documentary Android In La La Land, where cameras followed them and saw him open up about his Asperger’s and depression.

Gemma was originally a member of Gary’s fan club before they found love.

Gary previously said of their relationship: “This is going to sound corny, given that it’s 30 years and four days since our first date, but I miss her even when she’s in a different part of the house.

“She’s everything I am not – which is most things, really.”

SHE sang about the Hollywood icon on her new album – and now it seems Taylor Swift could pay homage to Elizabeth Taylor’s British roots by filming the music video here.

Hitmaker Tay is flying to the UK next week for a top-secret shoot.

And I have heard whispers that it is for her track Elizabeth Taylor, which features on her chart-topping record The Life Of A Showgirl.

Sixties acting legend Elizabeth — famous for her roles in Cleopatra and Who’s Afraid of Virginia Woolf? — was born in 1932 in Hampstead, North London, where there is a plaque, right, on her childhood home. She moved to LA with her family when she was seven.

A source said: “Taylor is super excited to be back in London filming for her new music video.

‘Luxurious and feminine’

“Elizabeth Taylor is a British icon and Taylor wants to pay homage by shooting scenes in the capital.

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“Taylor has always written about her love for London, and the video will capture different locations around the city.”

Actress Elizabeth, who died aged 79 in 2011, was married eight times, including twice to British acting legend Richard Burton, and was often portrayed as searching for lasting love.

Speaking about the track for the official release party of her latest album, Taylor said: “It has got to do with fame, attention, love, notoriety, anxiety that this isn’t going to be forever — and how heartbroken would you be then?

“I wanted to tell a story that referenced some of the cool things about her life, but that are also parallel to mine.

“I used details from her life, but the feelings of what it kind of conveys are things I’ve absolutely experienced time and time again.

“The production of this is something that I’m so proud of because it’s luxurious and feminine and then goes really hard and tough in the chorus.

“It’s just one of my favourite songs.”

The track has gone viral on TikTok thanks to a remix with Backstreet Boys’ 1997  banger Everybody (Backstreet’s (Back).

Sounds like Taylor’s fans will be in for a treat.

RED-HOT MILLIE’S IN GOOD NICK

MILLIE BOBBY BROWN gave fans her Christmas presence by draping herself across a fireplace.

The Stranger Things star dazzled in tiny hot pants, a crop top, fur-trimmed boots and an oversized Santa hat in the shoot for fashion and beauty label Florence By Mills.

Sharing a snap of Millie on Instagram, the brand wrote: “Elf on the shelf? Try Mill on the sill.”

It will be Millie’s first Christmas as a mum after she and hubby Jake Bongiovi adopted a daughter this year. Looks like she’ll sleigh it.

IS IT GET BECK, MACCA?

CRUZ BECKHAM has hinted that he is hoping to work with Beatles legend Sir Paul McCartney.

The wannabe pop star and son of David and Victoria Beckham said he would love to collab with Macca, who he was introduced to when he was a kid.

Chatting to me at London’s Winter Wonderland, Cruz revealed: “There are so many people I would love to collaborate with.

“Paul McCartney – he’s such a legend. I’ve always been a huge fan – I met Paul when I was little.

“John Lennon is also a hero of mine.”

He added: “There’s more music coming out next year. Hopefully an album when the record label will let me.”

Cruz officially launched his music career last month by releasing singles Lick The Toad and Optics – the latter an explicit pop track about drugs and sex.

It includes the lyrics: “Take a thousand selfies in your bed while I trip in mine. I love me some mushrooms and good head.”

Cruz has also teamed up with The Kooks frontman Luke Pritchard to work on some songs.

Earlier this year, Luke said: “He’s naturally going to come under criticism because of who his parents are. He’s aware of that.

“It was great when he said, ‘Jesus was a nepo baby too’. I thought that was quite a funny response.”

Meanwhile, Cruz was spotted kissing his girlfriend, songwriter Jackie Apostel at Winter Wonderland on Thursday.

They went Instagram official last year after they were first seen hanging out at Glastonbury in Somerset.

Cruz is clearly going to be a busy boy in the coming months, but hopefully baby Becks and Macca can Come Together at some point.

TELLY etiquette guru William Hanson said he declined to appear on BBC’s Celebrity Traitors after show bosses approached him earlier this year.

The final was watched by 12 million fans earlier this month, with comic ALAN CARR crowned the winner.

At Richmond Theatre, William told me: “They didn’t sell it brilliantly to me.

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“They were, like, ‘There is no hair and make-up, if you are in it, you have to film for 12 days, you need 406 different outfits, you are in the Travelodge by Inverness Airport and it is a 40-minute drive and the fee is rubbish.

“I thought, I don’t know if I really want to do this.”
William was a bit of a traitor after all.

ONCE voted the greatest rock song of all time, Bohemian Rhapsody entered the charts 50 years ago this month – and became a huge No1. 

The six-minute track — which has sold more than 6million ­copies worldwide — climbed to top spot in the charts and stayed there for nine weeks while Queen were on the road touring. 

That meant its first Top Of The Pops airing in November 1975 was accompanied by a rushed video which had taken the band just four hours to make on a budget of £4,000. 

In fact, singer Freddie Mercury was terrified of performing the fan favourite live, and almost caused a riot by once leaving it off their setlist. 

The song even divided opinion over whether it was about his sexuality. 

The incredible tale of one of the most famous singles in UK history is now told for the first time in an interview with Peter Freestone — one of Freddie’s closest friends.

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Peter was also his housemate and personal assistant of 12 years. 

‘Genius move’ 

Today, he gives an intimate insight into Freddie’s life and the song that will forever be linked to him.

He tells The Sun: “For most people, if you mention Queen, the first thing they say is Bohemian Rhapsody. 

“But the reality was that Bohemian Rhapsody was the one song that he hated playing on the piano.

“He was scared every single time. 

“He didn’t enjoy it live because there is a section when it is just the piano, which you couldn’t hide among banging drums and thrashing guitars.

“Even some years after its release, he dreaded playing the piano solo in it.  

“He was petrified of playing the wrong notes, and that everybody would laugh at him.” 

Peter, 70 — who lived with Freddie at his Garden Lodge home in ­Kensington, West London — went on: “Just as iconic as the song is the video, but the truth is that it was filmed in a rush at Elstree Studios just so it could be given to Top Of The Pops while the band were away on tour. 

“Freddie was very much a man of today and tomorrow.  

“He likened his music to tissues — you pick them up, use them and throw them away.

“But I know he’d be proud of Bohemian Rhapsody’s relevance, 50 years on.” 

The song topped the charts in November and December 1975 and had sold more than a million copies by the end of January the next year. 

It peaked for another five weeks after Freddie’s death in 1991 and became the UK’s third best- selling single ever, also topping Greatest Hits Radio’s Top 500 songs of the 70s, 80s and 90s in 2020.  

It was basically three songs in one going around in ­Freddie’s head, but he couldn’t finish anything off. In the end, they sort of pitched it all together. It was a genius move from the band.

Peter Freestone on how the iconic song came to be

Queen guitarist Sir Brian May and drummer Roger Taylor performed Bohemian Rhapsody with a full orchestra and chorus at the Last Night Of The Proms in September. 

Brian — who stumbled over his ­guitar solo at the end — once said: “I think Bohemian Rhapsody is something you can never get bored with.” 

But Peter reveals the mega-hit is actually a mash-up of tunes the band struggled to make work individually, so they were merged into a rock- opera epic.  

He says: “It was basically three songs in one going around in ­Freddie’s head, but he couldn’t finish anything off.

“In the end, they sort of pitched it all together.

“It was a genius move from the band.” 

The true meaning of the song has long remained a mystery.

In 2015, ­lyricist Sir Tim Rice suggested it was about Freddie’s battle with his sexuality.

He said: “It’s fairly obvious to me this was Freddie’s ‘coming out’ song. 

“I’ve spoken to Roger Taylor about it.

“There is a very clear message in it. 

“This is Freddie admitting that he is gay.

“In the line ‘Mama, just killed a man’, he’s killed the old Freddie — his former image.”  

‘Crowd went mad’ 

But Peter revealed he has his doubts that Freddie would have ­written a song being so frank about his sexuality amid fears over what his parents would think.

He said: “Being gay was illegal until the Sixties, so he was fighting against his background.

“His parents were very religious and I don’t think he would have thrown it in their face like that.  

“Bohemian Rhapsody was about love, though.

“All his songs are either about finding it or losing it.”

Peter says Queen’s performance of the song for Live Aid in 1985 was one of his favourite live memories of the band.

He also revealed that the only time they left it out of a live show — on a 1980s tour date in Canada — it left the crowd fuming. 

Peter says: “It was the start of the tour, and the only time in the 12 years I knew them that they left it out — and the crowd went mad.  

“When the encore finished, the crowd started chanting for it.

“But the show had finished.

“It was back in the setlist the next night.” 

Yet for many, it is the ground-breaking video — showing the band performing, featuring close-up shots of their faces and portraying them in silhouette — that made the song so memorable.

It was first aired on BBC One’s Top Of The Pops on November 20, 1975 — ten days after it was filmed.

Peter said: “It was pioneering for its time.

“It was a product of its time.

“It was ­influenced by Doctor Who, which at the time had used silhouettes ­moving like in the video. 

“It was put together very quickly.

“The band were on tour at the time and needed to record a video for Top Of The Pops as they couldn’t be there in person.” 

It was through a ballet performance to Bohemian Rhapsody that Peter, who was working in costume for the Royal Ballet at the time, became Freddie’s personal assistant.  

He would watch Countdown every day, religiously. He loved playing Scrabble, too

Peter on Freddie

The pair met when the Queen frontman was performing a charity gala in 1979.

Peter said: “I never had a contract because they could never create a job description.  

“My job was basically living ­Freddie’s life alongside him.

“I did normal, day-to-day things like answer the telephone, answer the door, go shopping, do some cooking, do cleaning, so that he could concentrate on creating the music.”  

Peter also got to know the off-stage Freddie through sharing his home.

He recalled: “He loved laughing.

“He always enjoyed himself.

“He would wake at 9am every morning, even if he’d got into bed at 2am.  

‘I’m white trash’ 

“He’d have a cup of tea and loved to go to the garden at look at the koi carp.

“The Sotheby’s and Christie’s catalogue and the Architectural Digest were always in the house. 

“He would watch Countdown every day, religiously.

“He loved playing Scrabble, too. 

But Peter revealed there were also fun nights out — including one when Freddie flung model Samantha Fox around on stage.

Peter said: “I will never forget it, and I don’t think she will either. 

“It was at a party after the ­Wembley shows in 1986, on a roof garden in Kensington High Street.

“Freddie grabbed Samantha and was swinging her around.  

“And they were singing, and howling with laughter.

“I was thinking, ‘Oh God, don’t drop her’.” 

On another occasion, Peter had to pluck Freddie out of a bin following a 1980s booze session in a US bar with pop act The Village People after his drink was spiked. 

He said: “They were having a great time in this big American bar.

“Freddie was enjoying himself.  

“I went to the toilet then one of our friends came to get me and said, ‘You better come quick’.  

“I headed back in and I could hear raucous laughter.

“There was Freddie in white singlet, jeans and trainers, jumping up and down in this big, netted bin, full of beer cans and plastic cups . . . jumping up and down, and shouting, ‘I’m white trash. I’m white trash’.  

“We later found out his drink had been spiked, but he was okay.” 

Peter told how he misses Freddie “every day” and feels proud whenever he talks to others about him.  

He now does tours and shares memories of the singer’s life. 

Peter lives in the Czech Republic and runs an Aids foundation there.

He has talked to more than 70,000 people across the country about the illness, which Freddie had before his death from pneumonia in 1991. 

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Peter said: I feel proud that one of his great pieces of work, ­Bohemian Rhapsody, carries his legacy half a century on.” 

• To find out about Peter’s work, see peterfreestone.com.