The “Practical Magic 2” star discussed what it was like to care for Randall while honoring his request to keep his amyotrophic lateral sclerosis diagnosis a secret for years during her appearance on the “SmartLess” podcast.
“I wasn’t allowed to speak about it,” Bullock told hosts Jason Bateman, Will Arnett and Sean Hayes in a clip of the episode posted by TMZ. “That was the request, and I honored it. … He asked me not to share … and it isolated me in the process.”
She explained that Randall, who died in 2023 at age 57, had been ill for half of their relationship and that his diagnosis came amid the COVID-19 pandemic.
Bullock and Randall had also kept their relationship fairly private. The couple started dating in 2015 after they reportedly met at Bullock’s son Louis’ fifth birthday party. Randall, a photographer, had been hired to capture images of the celebration. Bullock also has a younger daughter, Laila, whom she adopted in 2015. The couple was also raising Randall’s older daughter, Skylar.
Over the years, Bullock and Randall debunked rumors about their engagement and marriage numerous times.
“I don’t need a paper to be a devoted partner and devoted mother,” Bullock said in 2021.
The “Ocean’s 8” star described Randall’s diagnosis as “traumatic” and that she had started grieving him four years before his death. Bullock’s sister, Gesine Bullock-Prado, had been the only person who had known about Randall’s diagnosis “for a while” although the actor eventually also confided in friends Jennifer Aniston and Bateman’s wife, Amanda Anka, according to People.
“My person left a lot earlier than the body left,” Bullock said in the podcast. “I don’t think I ever dealt with that until after he passed.”
Bullock’s episode of the “SmartLess” podcast will be released on Aug. 24 but is available now to SiriusXM early access subscribers.
Multiplatinum American rapper NBA YoungBoy has revealed that he has a heart condition — and likely “one or two” albums left in his artistic career.
While a guest on an “Open Thoughts” podcast episode uploaded on Tuesday, the 26-year-old singer-songwriter from Baton Rouge, La., was asked by host Funny Marco if he ever felt like pulling back after performing back-to-back shows. In response, the “Bandit” singer recalled the moment when a doctor told him the left side of his heart was swollen.
“I never told nobody, I just kept doing every show,” said YoungBoy, who also goes by YoungBoy Never Broke Again and whose given name is Kentrell DeSean Gaulden. “I finished my tour out like that.”
The rapper did not disclose the specifics of this health condition but shared that a side of his heart is “still enlarged.”
“That explains the music, though, right?” YoungBoy followed up, grabbing his chest. “She’s hurting.”
The rapper has released a total of nine studio albums in his career, gaining early co-signs from Louisiana legends including Boosie Badazz and Kevin Gates. His first four LPs — including “Until Death Call My Name” (2018), “Top” (2020), “Sincerely, Kentrell” (2021) and “The Last Slimeto” (2022) — went platinum.
But NBA YoungBoy fans should brace themselves for what is to come — or not. The singer revealed on the podcast that he only has one or two albums left in his career. “I’m going to tour one more time throughout my whole life,” the rapper said, “and that’s it.”
The podcast — which has more than 2 million views since Tuesday — was filmed in South Korea, where YoungBoy moved in an apparent attempt to start over with a clean slate after a series of run-ins with the law in the U.S.
In his youth, the hitmaker spent six months in juvenile detention after committing a robbery, an experience that inspired his 2015 debut mixtape “Life Before Fame.”
By 2016, the Louisiana native would be connected to a series of shootings in Baton Rouge. He served time for attempted second-degree murder, eventually pleading guilty to a lesser charge of aggravated assault with a firearm, for which he was sentenced to a suspended 10-year prison term and three years of active probation.
Following his release from prison in 2017, he released the Southern hip-hop track “Untouchable,” which marked his first entry on the Billboard Hot 100 and set the course for his popular-music career. By 2023, YoungBoy would become the youngest artist ever to reach 100 entries on the musical chart.
However, serious legal troubles have cast a shadow on the rap prodigy’s career, including in 2018 when he was charged with a kidnapping and assault involving his girlfriend. She later denied the allegations, despite surveillance footage that showed the artist throwing her to the ground.
In December 2024, a federal judge in Utah sentenced the rapper to a 23-month sentence on gun-related charges after he pleaded guilty to firearm possession as a convicted felon. The charges stemmed from a 2020 arrest during a music video shoot in Baton Rouge where police recovered multiple firearms and drugs on the scene. A month before his sentence, the rap star also pleaded guilty to his involvement in a years-long prescription drug fraud scheme in Utah, avoiding prison time in exchange for a $25,000 fine.
In May 2025, President Trump pardoned YoungBoy, clearing his sentence and other active probation restrictions and drug testing requirements. The artist reacted to the pardon on his Instagram story, saying that it “opens the door to a future I’ve worked hard for and I am fully prepared to step into this.”
When YoungBoy was asked by Marco if he would consider a move back to the United States, the singer replied, “Never in my life.”
Later on, the “Make No Sense” singer hinted at some other legal roadblocks ahead in his transition across the globe: “It can’t be my home until they give me my visa, right?”
Times staff writer Alexandra Del Rosario contributed to this report.
“Bachelorette” alum Joe Amabile is home following brain surgery.
“They got it all!” wrote Amabile, who uploaded an Instagram carousel with pictures of himself post-surgery on Aug. 6.
His wife Serena Pitt — whom he met in 2021 while filming Season 7 of “Bachelor in Paradise” — also updated fans on his recovery, uploading an Instagram carousel with pictures from NYU Langone Health, where the surgery took place.
“A few peaceful moments from the hospital,” Pitt wrote in the caption. “Joe is home recovering and we’re so grateful to have been in such good hands.”
In July, Amabile revealed on Instagram that MRI testing found a “blueberry-sized” brain tumor, which would need to be removed for further examination.
The couple would elaborate further on the health issue on their July 16 podcast “Not Married to This With Serena & Joe,” saying that they both underwent a preventative whole-body MRI scan with Prenuvo (the same private diagnostic company that showed “Extra” and “E!” host Maria Menounos had a full mass on her pancreas, which was later confirmed to be a cancerous Stage 2 pancreatic neuroendocrine tumor).
Pitt’s scan revealed two small, innocuous nodules. Amabile’s results indicated that he had a lesion in his brain the size of a marble, prompting him to get an additional MRI with and without contrast.
“We got the good news that it wasn’t enhancing and we got the concerning news that it still was something. It wasn’t nothing,” Pitt said on the podcast.
“There’s no other way around it. There’s something there and you don’t want anything in your brain,” added Amabile.
Before surgery, Amabile shared that he would undergo a craniotomy, a surgery in which a neurosurgeon temporarily removes a piece of the skull to reach the brain and remove the tumor. According to the medical professionals he consulted, the likelihood that the low-grade glioma would turn into something aggressive was high and he was encouraged to treat the lesion while in its early stages.
“We will actually have so much more information once the tumor is removed and they test it and then we can actually create a plan of next steps,” Pitt said on the podcast.
Amabile first came into the spotlight in 2018 after appearing on Season 14 of “The Bachelorette,” featuring Becca Kufrin. While he was eliminated on the first night, he was a beloved participant for his charming, down-to-earth personality as a grocery store owner from Chicago, earning him the nickname “Grocery Store Joe.”
Later that same year, Amabile would participate in Season 5 of “Bachelor in Paradise” and compete in Season 27 of “Dancing With the Stars,” making it to the semifinal round. In 2021, he returned for Season 7 of “Bachelor in Paradise,” proposing to Pitt in the finale.
Now it seems that Amabile is bringing people along on his healing journey, having documented his anxieties before surgery.
“This is my journey, I’m telling it. This is what it is. You can take what you want away from it,” Amabile said on the podcast.
Clippers star Kawhi Leonard had a second lucrative undisclosed sponsorship agreement with a company doing business with the team, Pablo Torre reported Thursday night on his podcast.
Scoreboard manufacturer Daktronics, which built the $100 million video board at the Clippers’ Intuit Dome, hired Leonard to a multi-million dollar endorsement deal, according to Torre. The podcast host found no evidence that the All-NBA forward did any work for the company.
The details are similar to the $28 million endorsement deal Leonard had with Aspiration, a now-defunct environmental banking company that had a 23-year, $300 million sponsorship deal with Clippers. Steve Ballmer, the team’s owner, invested $60 million into Aspiration, triggering allegations that the payment to Leonard circumvented the NBA salary cap.
That deal is at the center off an ongoing, almost year-long NBA investigation. Requests on Friday for comment from Leonard’s agent and the Clippers were not immediately answered.
The salary cap limits what teams can spend on player payroll to ensure parity and prevent the wealthiest teams from outspending smaller-market teams to acquire the best players. NBA Commissioner Adam Silver has called attempts to circumvent it a “cardinal sin.”
The topic was raised on Torre’s podcast by a person identified as an “anonymous high-level source under contract for Intuit Dome.” The person alleged in an interview that the sponsorship deal was “1,000% a way to circumvent the salary cap. It was funneling money from the Clippers through Daktronics back to Kawhi.”
The investigation into the Aspiration allegations has grown in scope, the Athletic reported three weeks ago. In addition to attempting to determine whether Aspiration’s payment to Leonard violated NBA salary-cap rules, the probe conducted by high-powered New York law firm Wachtell Lipton Rosen & Katz is examining Leonard’s deal with Daktronics.
If the NBA determines that a salary-cap violation occurred, the Clippers could be fined and stripped of first-round picks. Ballmer also could be penalized and Leonard’s contract could be voided. He has one year and $50.3 million left on a three-year, $149.5 million deal he signed before the 2024-25 season.
The endorsement deal with Daktronics raised suspicion because the company doesn’t do business with the general public and doesn’t need prominent athletes or celebrities to pitch its products.
“Daktronics was conservative to a fault for the 20+ years I was there,” a former employee told Torre. “I remember asking early on why we didn’t do more traditional advertising and promotion to increase brand recognition. I was told that since it’s B2B and not a consumer product, it didn’t make sense to advertise that way.”
Asked whether Leonard had an endorsement deal, Daktronics pointed Torre to a crisis management firm whose spokesman said, “My understanding is Daktronics doesn’t have a deal with Kawhi right now.” Asked for clarification, the spokesman said, “I don’t know what the company wants to say, or can say, given the Wachtell investigation and all that.”
Daktronics is a leader in designing, engineering and manufacturing digital LED display technology and audio systems. Nearly 600 clients are listed on the company website, including numerous NBA, MLB, NFL and NHL teams. Other clients include several airports, and Daktronics built the LAX Time Tower, a 72-foot, four-sided interactive digital media structure located in the Tom Bradley International Terminal.
The Clippers traded Leonard to the Toronto Raptors on June 30 for Brandon Ingram, Gradey Dick and a slew of draft picks, but the teams put deal was put on hold pending the outcome of the investigation.
Leonard would not talk about the allegations during the 2025-26 NBA season because the investigation was ongoing. He brushed it off during media day in September.
“None of us did … wrongdoing and, yeah, that’s it,” he said. “We invite the investigation.”
Almost a year later, the investigation continues. Silver has expressed a desire for a resolution, saying in June that it “needs to be wrapped up before next season.” The NBA regular season will begin in October.
Salary-cap circumvention first surfaced with Leonard during his free agency in 2019 after he led the Raptors to the NBA championship. Negotiations with the Lakers ceased when Leonard’s uncle, Dennis Robertson, requested a house, the use of private aircraft, guaranteed off-court earnings and an ownership stake in the team, according to Dan Woike of the Athletic. The Lakers informed Leonard’s representatives that those requests violated the NBA collective bargaining agreement and Leonard eventually signed with the Clippers, where he played the last seven seasons.
You can’t keep a beloved news team down, even after more than a decade since being yanked off the air in a move that stunned fans and local TV newsrooms.
For almost 20 years, KTTV Fox 11’s “Good Day L.A.” was hosted by Steve Edwards, Dorothy Lucey and Jillian Barberie, becoming a dominant fixture in the fiercely competitive morning show arena. The show’s popularity for a time outdistanced network morning shows and crosstown rivals “The KTLA Morning News.”
The trio’s freewheeling banter spiced with humorous mayhem and mischief enchanted legions of viewers while bringing freshness to the familiar formula of news, weather and sports. The distinct personalities meshed effortlessly — veteran newsman Edwards, relentlessly upbeat co-host Lucey and fiery weather reporter Barberie, who injected the proceedings with outrageous, at times crass comments along with declarations that “my breasts are real.”
An undercurrent of friction brought an edge to the breezy vibe, with Edwards often acting as the awkward buffer between Lucey and Barberie, who did little to disguise their dislike of each other. Barberie would go on to bash Lucey on Howard Stern’s radio show, calling her “very Christian and Bible-thumpy.” Lucey was frequently distraught by Barberie’s “mean.”
But that winning combination was broken up starting in May 2012, when Lucey was fired as part of a show revamp. Barberie was let go four months later after declining a demotion. And after continuing with other co-hosts, Edwards vanished from the show in December 2017 after allegations of sexual harassment, but there was never an official explanation from him or management about the reason for his departure. The exits sparked a wave of protests from viewers and celebrities, including Suzanne Somers, Piers Morgan and Simon Cowell of “American Idol.”
Dorothy Lucey, left, Steve Edwards and Jillian Barberie in 2001 on the set of Fox 11’s “Good Day L.A.”
(Genaro Molina / Los Angeles Times)
But good days have returned for the former “Good Day L.A.” hosts. More than a decade after being let go, Edwards, Lucey and Barberie are fired up about their new venture.
The trio has reunited for “So Unanchored,” a weekly podcast fueled by spontaneous riffs on their years together, pop culture and their deep friendship. As they did on “Good Day L.A.,” they consistently interrupt one another and the chatter careens from one topic to the next without a breath. Complete sentences are rare.
“We have not missed a beat,” Edwards said as he, Lucey and Barberie relaxed in an office lounge after a recent taping. “It’s the most effortless thing. It makes us very happy when we get together. There’s an endorphin thing going on.”
“And we like each other more,” added Lucey.
They will tape a special live episode Wednesday at 11 a.m.. New episodes usually appear on Fridays.
The shattering of the “Good Day L.A.” team was particularly traumatic for Barberie, the breakout star of the trio. In addition to getting divorced after the Fox 11 job, she was later sideswiped by financial woes and a devastating health scare.
“I lost my job, got divorced and got cancer all at the same time,” said Barberie, her voice cracking as she sat near Edwards and Lucey in the lounge. “The fact that these two were a constant in my life during those 12 years when I was going through all those things is everything. I’m so grateful.”
Of course, there are major differences from their previous collaboration. While “Good Day L.A.” was broadcast at Fox 11’s massive West Los Angeles studio, “So Unanchored” is a no-frills affair staged at a Canoga Park office park.
The hosts sit in a small office, backed by nondescript office furniture and a framed poster of the vintage “Please Stand By” image broadcast by stations when there were technical difficulties.
Lucey, left, Edwards and Barberie in the Canoga Park office where they tape their podcast, “So Unanchored.”
(Annie Noelker/For The Times)
On their initial podcast, Barberie made it clear that there is no love lost when it comes to her former employer.
“I don’t want anything associated with that show,” she said. “Let’s start fresh, man. They used us and they treated us like s— at the end. Who needs them? Goodbye!”
The other major shift is the relationship between Lucey and Barberie.
“Dorothy and I love each other now,” Barberie said on one episode.
Lucey: “We do. Because the last time you saw us, we really didn’t like each other.”
Barberie: “And Steve has never been happier.”
Edwards: “You two are like sisters. You used to be like brothers — Cain and Abel.”
Barberie: “And then something happened between the three of us that got her and I close, and then I got cancer. She took me to all of my surgeries and took care of me. I’m telling you, it’s a beautiful thing.”
Lucey: “We still hate Steve, though.”
Barberie: “We have that in common.”
The burying of the hatchet is a great relief for Edwards, who was troubled by the tension between his colleagues during their time on “Good Day L.A.”
Barberie pressed Edwards on their first podcast: “Be honest, Steve. Did you like it when we didn’t get along?”
Edwards: “Sometimes it would get ugly and my stomach would turn.”
On “So Unanchored,” Barberie has revived her loose cannon role in their dynamic, raw and unfiltered. She will tear up, and moments later throw her head back with an explosive laugh that bounces off the studio walls.
She detailed her wild lifestyle during her TV days: “From 34 to 40, I was single, had five TV jobs, partied like a rock star, dated anyone I wanted and made a s—load of money.”
Though she eventually landed a talk show on KABC-AM 790 after leaving Fox 11, hard times hit in 2019 as she tried to make ends meet while raising two children as a divorced mom battling cancer.
“When I lost everything, I literally collapsed on my money manager’s table. I was bald and I started crying,” she said.
She listed her ranch-style Tarzana home, which was featured in “MTV Cribs,” for $2.5 million in 2021. She currently rents “a beautiful little apartment way out in Thousand Oaks. I love it and my life is quieter.”
Barberie was more explicit on the podcast: “I haven’t dated in 10 years. I have no tinglies down there. I’m dead from the waist down. I don’t want to date. I don’t want a man, an ape beside me at night if I’m having a hot flash. I have no nipples. I have no desire to cook, sit and talk with you. I don’t care.”
Edwards: “So you’re saying there’s a chance.”
Since leaving “Good Day L.A.,” Barberie, left, and Lucey have developed a close friendship. Edwards, standing center, said, “You two are like sisters. You used to be like brothers — Cain and Abel.”
(Annie Noelker / For The Times)
Scott Sternberg, whose production company produces “So Unanchored,” said “Good Day L.A.” was a clear standout on the morning show spectrum.
“There was something different about ‘Good Day L.A.’ from the other shows,” Sternberg said in a phone interview. “Their personalities were all different, but they could finish each other’s sentences and were not afraid to say what they wanted to say. I felt if I could bring them back together, there would be a huge audience who remembered them fondly.”
Asked to define the magic of their chemistry, Edwards said it was not instantaneous.
“At the time, there were five morning shows, including the network,” he said. “It took years for our thing to happen, but when it did, it happened big. We could do no wrong for 10 years. The ratings were crazy good. There was a run for many years when we were No. 1. We made them a lot of money.”
He continued: “Success is based on the relationship between the people on the show and the audience. Once that is established, it doesn’t matter if the show is good or bad that day. I was going through a lot with these two [Lucey and Barberie], and the audience was doing it with us. But the suits don’t care about that.”
The first indication that the show was in trouble came in 2017, when a new management team initiated a revamp of the morning show.
Lucey wrote at the time in her blog “God and Gossip” that her new boss told her that her voice, which has a trace of raspiness, “made his eyes bleed. Not the crusty yucky pink eye. New guy was saying when I spoke I made his eyes bleed. I have read that can happen after you vomit. Now I could almost see my husband saying something like that to me … But from a new boss…”
But station executives did not express regrets about dismissing Lucey, saying in a statement after her ouster: “The revitalization of ‘Good Day L.A.’ has been refreshing.”
Months later, Barberie was approached about taking a reduced role as a field reporter. She turned it down. Edwards’ departure caused a bigger stir because it was so abrupt. KTTV would say only that he was no longer employed by the station.
“Fox never issued a statement, and I never issued a statement,” Edwards said. “Obviously there was not agreement on what happened.”
As they prepared to leave the lounge, the three hugged each other warmly and said they were looking forward to getting together the following week.
“There is one word for us being back together,” Barberie said. “Home.”
ESPN’s 30 for 30 will launch the first two of six podcast episodes July 28 examining the gambling scandal that resulted in Shohei Ohtani‘s interpreter Ippei Mizuhara going to prison for stealing nearly $17 million from the baseball superstar and gambling it away.
The podcast, titled “The Betrayal of Shohei Ohtani” is told by Tisha Thompson, the ESPN investigative reporter who led the outlet’s groundbreaking coverage in March 2024.
The podcast will recount Mizuhara’s life before he began working for Ohtani in 2013 when both were with the Hokkaido Nippon-Ham Fighters in Japan. When Ohtani moved to the United States to play for the Angels in 2018, Mizuhara came with him.
Thompson interviews childhood friends and colleagues of Mizuhara, but the interview that will generate the greatest interest is a 90-minute phone call she had with him 16 hours before she published the story. Thompson got permission from Mizuhara to tape the call and it remains the only interview he has given.
Mizuhara told her that Ohtani had helped him pay off his gambling debts, a story he recanted a day later. The Dodgers fired him the same day they opened the 2024 season with a game against the San Diego Padres in Seoul, South Korea.
IRS special agent Chris Seymour gave Thompson the first interview of his career, and what he and prosecutors say about Mizuhara’s motive goes beyond the narrative that he had a gambling addiction, according to ESPN.
Another interview by Thompson is with bookmaker Mathew Bowyer, who explains on tape that his relationship with Mizuhara began during a hotel poker game with Angels players. Bowyer pleaded guilty last year to running an illegal gambling business, money laundering and filing a false tax return. He was sentenced to 12 months and one day in prison and ordered to pay $1.6 million in restitution to the IRS.
Episodes one and two — “The Letter O” and “The Interview” — will debut July 28, followed by episodes dropping every Tuesday and Thursday through Aug. 11.
NEW YORK — If LeBron James knows where he will play this coming season, he’s still not saying.
The NBA’s career scoring king and current free agent spoke publicly for the first time in weeks Thursday afternoon, though stopped short of revealing which team he’ll choose to play for this fall — despite at least one cry from someone in a jampacked room shouting for him to “pick a team.”
“It’s going to be fun wherever I land,” James said.
The four-time NBA champion was recording an episode of his “Mind the Game” podcast alongside guest co-host Tyrese Haliburton of the Indiana Pacers in New York on the opening day of Fanatics Fest, a four-day event featuring dozens of athletes, celebrities and sports legends. Single-day general admission tickets were sold out, organizers said, and it’s likely that many of those patrons — there were at least several hundred there, phones out to capture the moment — were hoping to hear James’ next decision.
Not yet, he said.
“There’s no decision,” James said.
Thursday’s appearance has been planned for months; it was announced publicly in May. James playfully chided Haliburton for asking him about his future — “didn’t we talk about this in the back?” James asked, and Haliburton said he’d ”leave it alone.”
Of course, they didn’t leave it alone. James made reference to a slew of teams such as Cleveland, Miami, Philadelphia and Golden State, though didn’t appear to give much in the way of hints. He did sip from a bottle of red wine that he opened and shared with Haliburton, calling it one of his podcast traditions.
And when fans shouted out suggestions for James’ next team — one even asked him to play for the New York Yankees — no clues were forthcoming.
“We’ll see,” he said.
If former Lakers forward LeBron James knows where he plans to play next season, he wasn’t sharing that news with fans on Thursday.
(Robert Gauthier/Los Angeles Times)
James is the NBA’s oldest active player at 41 and the only player in league history to have a career spanning 23 seasons; this coming season will be his 24th. Speculation has been rampant for more than two months about his future, officially starting in May when the Lakers were eliminated from the NBA playoffs.
At that time, James said he didn’t know what he would be doing.
And the only developments that he’s revealed since came on June 30, when he said he would play this coming season and that he was leaving the Lakers after an eight-season run highlighted by the 2020 NBA title.
For more than two weeks, the NBA has been waiting to hear what comes next. James, as he did in a social media post at the time, lauded his time with the Lakers, who also offered him well wishes as he moves forward.
“I spent eight great years with the Los Angeles Lakers,” James said.
James’ resume is beyond compare in NBA history. He’s a 22-time All-Star, a 21-time All-NBA selection, a four-time Most Valuable Player, a four-time NBA Finals MVP, a three-time All-Star Game MVP, and was a member of the NBA’s 75th anniversary team.
He’s also coming off a season where he averaged 20.9 points, 6.1 rebounds, and 7.2 assists per game. For his career, he’s averaged 26.8 points, 7.5 rebounds, and 7.4 assists in more than 1,600 games.
The podcast was the first of two known speaking engagements for James in New York on Thursday.
He also has an appearance at the Game Plan Summit, an invitation-only event presented by CNBC and Boardroom. James is slated to have a conversation with Boardroom co-founder Rich Kleiman — Kevin Durant’s longtime business partner — about “how he’s built an empire beyond basketball, what’s ahead for him in business, and why the next generation of athletes is poised to wield more influence than ever before.”
James started his career in Cleveland in 2003 and spent seven seasons with the Cavaliers before heading to Miami for four seasons — where he won his first two titles. He then returned to Cleveland for four more seasons, leaving in 2018 to start an eight-season run with the Lakers.
Cleveland and Miami are believed to be on James’ radar again as he weighs this decision, as are several other teams including Philadelphia, Minnesota and Golden State.
“I’m looking forward to what comes next as I wind down my journey,” James said.
Whyno and Reynolds write for the Associated Press. Reynolds reported from Miami.
The comedy power couple are calling it quits after 18 years of marriage, according to TMZ. A source told the outlet that the pair separated a couple of months ago but remain amicable and plan to continue co-hosting their podcast, “Your Mom’s House.”
Reps for Segura and Pazsitzky did not immediately respond to The Times’ request for comment.
Segura, 47, and Pazsitzky, 50, tied the knot in November 2008. Segura told “TigerBelly” podcast in 2018 that he met Pazsitzky while they were both doing open mic nights around Los Angeles. She was in a relationship with someone else (whom she lived with), so Segura and Pazsitzky were just friends. According to Segura, there was no flirtation in the early days, and he treated her with the respect he did any other fellow comic.
“I always thought she was attractive, but she was taken,” he said. “And then I got the call from one of my spies. … They broke up. And I was like, ‘I’m gonna swing in there, see what’s up.’”
According to Segura, he tried to ask Pazsitzky on what he thought was an L.A.-appropriate date — a hike — and she said no. He thought that meant she wasn’t interested in him, when, really, she just wasn’t interested in hiking.
“I called her the next time, and she’s like, ‘Hey, I know this bar you can still smoke at. Do you want to go there?’ And I was like, ‘OK. This is why she doesn’t want to go on a hike.’ So then, yeah, we went on dates and it just continued.”
Both comedians have used their marriage as source material for their comedy routines over the years and discuss their relationship on various podcast appearances, but especially on their own podcast, “Your Mom’s House,” which debuted in 2012.
In 2024, Pazsitzky told The Times that when they launched the podcast “we lived in a crummy two-bedroom apartment, we were newlyweds and we had no money. We got a mixing board, two mics and a computer, and at that point, we slept in one room and used the other room as an office. It bordered this other house where this lady would cook the smelliest food and have aggressive sex.”
“Oh, yeah, she was newly divorced and very performative with orgasms too,” Segura added.
The couple, who have two children, also spoke about their relocation from Los Angeles to Austin, Texas, in search of a slower pace and easier travel while touring. “Our lives are very normal, and we’re grounded family people. At the end of the day, we come home, our kids fart on Tom’s head, and I make dinner.”
Huey Lewis shared just how much his relationship to music has changed in a recent podcast interview.
“I’m basically deaf,” the former lead singer of Huey Lewis and the News said in an episode of the “Inside of You” podcast released Tuesday. “My life has changed immeasurably. I can’t hear music. Music is not part of my life anymore, which is a hard pill to swallow.”
Lewis explained that he uses a cochlear implant to help him hear and understand speech, but he is unable to distinguish pitch because of the way the device operates.
“My cochlear implant, it breaks everything down into digital bits so I can understand,” he said. “Speech is easier to listen to than music. Music occurs in all frequencies, with overtones and harmonics and everything. It comes at you in a lot of different frequencies, so it distorts for me … It makes pitch impossible to hear.”
”The Power of Love” singer explained that because of this, he can no longer enjoy music.
“When I cook or I have people over for dinner, I always used to play them music,” he said. “I have a great collection of old big band stuff and old New Orleans jazz and I don’t play it at all anymore. … It’s weird. I can hear the beat, I know what’s going on. But I can’t enjoy it.”
“Music used to be so much fun,” he added. But “it just ends up being frustrating for me when I can’t enjoy it. I can’t feel the warmth.”
Lewis previously discussed his struggles with hearing loss with The Times. The “Hip to Be Square” singer said his Meniere’s disease diagnosis in early 2018 was “brutal.”
“When it first happened, I thought I might as well kill myself,” Lewis said in the 2020 interview, which described him as being “surprisingly upbeat” for someone whose life was so deeply affected by the diagnosis. Meniere’s disease is a disorder of the inner ear that can cause severe dizziness, ringing in the ears, hearing loss and ears feeling congested, according to the NIH. Not much is known about its causes and there is not yet a cure.
While it’s clear that Lewis misses aspects of his musician life, he also appears to appreciate having time for his other passions since his life doesn’t revolve around being on the road performing 75 to 100 shows a year.
“I fish a lot,” Lewis said in the “Inside of You” podcast. “I love to fly fish and I love Mother Nature. I get out there by myself in a stream and I’m conducting nature with my fly rod and it’s just a wonderful thing. I love to do it, and hearing not required.”
Taylor Swift and Travis Kelce’s love story will reach new heights this week with a totally low-key two-day wedding bash at New York’s Madison Square Garden.
The billionaire pop titan and the NFL star, both 36, kicked off their wedding festivities Thursday afternoon with a rehearsal dinner at the famed sports arena. They have all but confirmed that they will then exchange their vows Friday in a grand MSG celebration with around 1,000 guests (including Swift’s celebrity friends and Kelce’s fellow sports stars) in attendance, at least according to numerous reports. The celebrity wedding will also reportedly feature heightened security around Madison Square Garden, performances by Stevie Nicks and Tim McGraw, and a red carpet outside the arena.
Representatives for Madison Square Garden, Swift and Kelce have not responded to The Times’ requests for comment.
Swift and Kelce’s relationship began nearly three years ago during the singer’s blockbuster Eras tour with a simple request and a friendship bracelet. Read on to revisit the roots of Swift and Kelce’s whirlwind romance turned generational love story, from the Kelce brothers’ “New Heights” podcast to a romantic garden engagement.
July 2023: Travis Kelce shoots his shot
Swift and Kelce’s romance can be traced back to summer 2023, when the Kansas City Chiefs tight end attended an Eras tour concert at Arrowhead Stadium, the Chiefs’ house. Kelce — a self-proclaimed Swiftie — told brother Jason Kelce in an episode of their “New Heights” podcast that he had a friendship bracelet with his phone number on it but didn’t get it to the singer. “I was a little … hurt I didn’t get to hand her one of the bracelets I made for her,” he said at the time. Eventually, the two got in touch.
September 2023: Taylor Swift shows up for her guy
Taylor Swift watches the Chiefs take on the Chicago Bears at Arrowhead Stadium in Kansas City, Mo., on Sept. 24, 2023.
(David Eulitt / Getty Images)
The then-rumored romance quickly became commentary fodder for NFL broadcasts (sometimes to sports fans’ chagrin) but took a turn when Swift seemingly accepted Kelce’s personal invitation to a home game. She was seen cheering for him in a private box alongside his mother, Donna Kelce. Soon enough, Swift became a staple in the Chiefs audience. In the following months, Swift and Kelce further solidified their relationship, making it paparazzi-official during an after-party for “Saturday Night Live” and on her Eras tour in November when the singer changed her “Karma” lyrics to reference her budding romance.
February 2024: Super Bowl LVIII (Taylor’s Version)
Chiefs tight end Travis Kelce and Taylor Swift smooch after Kansas City Chiefs defeated the San Francisco 49ers at the Super Bowl in Las Vegas in February 2024.
(John Locher / Associated Press)
Swift and Kelce’s love notably played out at Super Bowl LVIII, where the Chiefs faced the San Francisco 49ers. When the Chiefs won, the Grammy winner joined Kelce on the field, kissing and hugging him. A week before the big game, Swift announced her album, “Tortured Poets Department,” at the Grammy Awards. The album seemingly refers to Kelce in songs “The Alchemy” and “So High School.”
The pair continued going strong throughout 2024. As Swift‘s tour continued, Kelce joined his superstar girlfriend on stage in London. She also returned regularly to Arrowhead Stadium for Chiefs home games during the 2024-25 NFL season. Swift ended her Eras tour in December 2024 and hosted a private wrap party to celebrate her musical marathon. Of course, beau Kelce was in attendance.
August 2025: Baby, just say ‘yes!’
The following year was a relatively quieter one for the couple. Kelce and his Chiefs failed to beat the Philadelphia Eagles at Super Bowl LIX and Swift was in the midst of recovering from her tour and preparing for her newest album. But just when there seemed to be a lull in all things Taylor-Travis, the couple hit some major milestones.
First, Swift finally appeared on the Kelce brothers’ “New Heights” podcast. Remember, that’s where all of this started. The couple, of course, spoke about their whirlwind romance, but the main headline was that Swift would release her album “The Life of a Showgirl” later that fall. With songs “Redwood” and “Wish List,” it was pretty clear Kelce inspired Swift during the songwriting process.
Second, and more importantly, “Love Story” singer Swift announced on Instagram that she and Kelce were engaged. She shared photos from their dreamy garden proposal with the caption: “Your English teacher and your gym teacher are getting married.” Kelce popped the question with an elongated old mine cut cushion set within an engraved gold band. Speculation on the details of their nuptials, including date and location, were almost immediately underway.
Since their engagement, Kelce and Swift have appeared together at a handful of high-profile events including the iHeartRadio Music Awards in March, courtside at Rocket Arena in Cleveland during the 2026 NBA playoffs and the Songwriters Hall of Fame induction ceremony in June, which honored Swift.
For now, welcome to New York, soon-to-be Mr. and Mrs.
She’s filling in for Joy Behar on ABC’s “The View.” Appearing alongside Meryl Streep in “The Devil Wears Prada 2.” Starring in a CNN documentary. Preparing a national tour. And churning out four podcasts most weeks featuring long-form interviews and commentary.
It’s a ubiquity born of more than three decades chronicling the technology industry with a professed indifference to power that vaulted her into a rare echelon of journalism celebrity.
She harnessed that reputation to persuade rivals Steve Jobs and Bill Gates to appear onstage together and make Mark Zuckerberg so uncomfortable under questioning that he broke out into a sweat. She had Elon Musk’s cellphone number — the two aren’t currently speaking — and often texts tech and business leaders.
She’s betting the influence that made her a Silicon Valley force will translate into politics as podcasts supplant traditional media as a destination for candidates seeking attention.
During President Donald Trump’s second Republican term, potential Democratic presidential candidates ranging from California Gov. Gavin Newsom and former Vice President Kamala Harris to onetime Transportation Secretary Pete Buttigieg and former White House chief of staff Rahm Emanuel have appeared on Swisher’s shows. She expects that roster to grow.
“We get called by all the presidential candidates,” the 63-year-old Swisher said in an interview at her home in a leafy corner of Washington, where her trademark high self-regard was on display. “We’re going to get to all of them.”
Swisher is hardly the only podcaster talking politics. Conservatives like Megyn Kelly and Tucker Carlson and some liberals like the former Barack Obama aides who host “Pod Save America” have larger audiences. They’re all dwarfed by Joe Rogan.
But Swisher, who has evolved from a traditional print journalist to business owner and podcast host, has few rivals who can match her technology expertise and connect those observations to the broader political debate.
“When I first went on her podcast when I just got into Congress in 2017, she was very well respected in tech circles,” said Rep. Ro Khanna, the California Democrat whose district includes Silicon Valley. “But now she’s emerged as a larger cultural force, especially at a time where there’s such anger at the tech billionaires and tech arrogance.”
Interviews that produce revealing moments
When she’s not on the road, Swisher typically records from a basement studio in the Washington home she shares with her wife and children and a cat named Lovely. The conversations on her interview podcast “On with Kara Swisher” are often referenced later on “Pivot,” which she co-hosts with entrepreneur Scott Galloway.
They frequently produce revealing moments, as when Newsom filled in for Galloway on “Pivot.” Swisher derided him for being too easy on Steve Bannon when the longtime Trump aide appeared on Newsom’s own podcast.
“You had an opportunity to engage,” Swisher pressed. “Why not engage?”
Swisher pushed Buttigieg on why he took so long to say President Joe Biden, a fellow Democrat, shouldn’t have sought reelection. Buttigieg said he wasn’t consulted.
“Sure, but you have eyes,” Swisher responded.
In an interview, Newsom said Swisher calls him out.
“She’ll send me missives unsolicited,” he said. “She’s usually right, and it drives me crazy.”
Even Sen. Thom Tillis of North Carolina, a rare Republican to go on her show, said it was a worthwhile experience despite being pressed on whether his willingness to speak out against the Trump White House emerged only after he opted against reelection.
“If you’re a politician, you should be able to walk up anywhere and hold your own,” Tillis said, adding, “You may end up having an opportunity, like in my experience, to give a completely different perspective.”
‘Pivot’ was initially focused on tech and business
Shaping the political conversation wasn’t the objective when “Pivot” launched in 2018. Galloway, who hosts his own “Prof G” and “Raging Moderates” podcasts, recalled the idea for “Pivot” was to focus on the intersection of technology and business.
“Show me a big business or tech story, and I’m going to show you a political overlay,” Galloway said.
The expansion converges with a sense of urgency among Democrats to be more aggressive on digital platforms, where audiences are increasingly concentrated.
“The single most important quality that every candidate needs to have is the ability to talk and the ability to talk anywhere,” said Teddy Goff, the co-founder of Precision Strategies and the digital director for Obama’s 2012 presidential campaign.
Democrats are still stung by Rogan’s nearly three-hour Trump interview in the final weeks of the 2024 campaign. Rogan who doesn’t consider himself a journalist, has said Harris’ campaign didn’t agree to his terms. Harris has described being spurned by Rogan.
The podcasts add up to influence and financial success.
Galloway said “Pivot,” which is effectively a joint venture between himself, Swisher and Vox Media, will be a $15 million to $20 million business this year, with a staff of just five.
“Podcasts are the NBA,” Galloway said. “There’s a small amount of people making a lot of money.”
A goal to be popular ‘among the entire populace’
While Swisher largely hosts Democrats, she hopes to soon bring on additional Republicans and said she texted Steve Hilton’s wife, a former Google executive, in hopes of booking him shortly after he advanced in California’s governor’s race.
“What we’re going for is to be popular among the entire populace,” she said. “So that people who don’t feel they want to be in a constant state of anger, whether it’s on the left or the right, can have a place to go.”
But her barbed comments about Trump and other Republicans could complicate that goal. Swisher describes her work as “reported analysis.”
“We don’t shy away from our faults,” Swisher said. “We don’t shy away from our biases. You know, we don’t shy away from things that most people try to.”
How has US imperialism targeted Venezuela and Iran? How have years of hybrid warfare shaped resistance? What role does China play in the emerging multipolar world?
In Episode 46 of the VA Podcast, Venezuelanalysis editor Ricardo Vaz is joined by VA co-editor Lucas Koerner and scholar Matteo Capasso to discuss sanctions, sovereignty, deterrence, and international anti-imperialist solidarity.
As 2026 reaches its halfway point, the editors of De Los are eager to talk about Latin artists to watch — and share their hottest music takes. Over the years, award-winning music journalist Suzy Exposito and Director of Latino Initiatives Fidel Martinez have documented the rise of genres like reggaeton and música Mexicana in mainstream culture.
In her work for Vogue, The Times and Rolling Stone, Exposito has interviewed influential artists like Shakira, Cardi B and Bad Bunny (the last of which made history as the first Rolling Stone cover story written by a Latina journalist).
Martinez has an impressive roster of his own, having interviewed many stars in the Mexican and Chicano music scenes, from Fuerza Regida to Natalia Lafourcade.
Reflecting on a landmark year for Latin music
On this week’s episode of “The De Los Podcast,” they weigh in on the explosive impact of 2025 on the genre: between Bad Bunny‘s Super Bowl halftime show and Karol G‘s Coachella headlining performance, last year was nothing short of a groundbreaking for Latin music.
“Being there, you could feel barriers coming down,” Martinez, who reported live from the Super Bowl in February, said. “It wasn’t Bad Bunny trying to validate us in front of others. It was him saying, ‘This is who we are, and we are proud of who we are.’”
According to the RIAA, 2025 was the first year that Latin music sales in the U.S. reached $1 billion, in its 10th consecutive year of growth. In 2016, American Latin music sales were at just below $150 million.
“It highlights how quickly and with what speed the genre has been taking off,” Martinez said.
However, as Exposito notes, at times, it came at the cost of originality.
A Latin music trend that De Los is leaving behind this year
“Our generation is too married to the past,” Exposito said. “How can we evolve musically if we keep trying to re-create our grandparents’ music?”
Nostalgia, De Los editors note, has driven the wide-ranging popularity of last year’s most successful Latin projects. As Exposito says, the artists “mine the past in their own ways.”
In Bad Bunny’s “DtMF” and Karol G’s “Tropicoqueta,” classic genres like salsa, plena and cumbia took center stage. “DtMF” samples El Gran Combo de Puerto Rico while in Fuerza Regida samples Mexican classics like Vicente Fernández.
While comforting and educational for younger generations, Martinez argues that artists relying on nostalgia could turn that effort into becoming more experimental with their sound.
Some artists, however, are resisting the nostalgia trend, making De Los’ best albums list of 2026 … so far.
De Los’ 2026 Latin albums you need to hear
Suzy’s picks:
Alvaro Díaz, “Omakase”
“He’s experimental … and taking bold swings, with producers like Tainy,” Exposito said.
“Omakase,” which the Puerto Rican star released in May, blends Latin trap elements with electronic, R&B and in one track, cumbia, for a diverse, thoughtful album that Diaz equates in his De Los story to the Japanese dish omakase, or a platter decided by the chef.
RaiNao, “Marcría”
With a worldplay title that blends the words “malcriada” (badly raised woman) and “cria por el mar” (born in the sea), RaiNao’s project promises earthly, intimate lyricism with experimental musicianship.
“The way she melds jazz with reggaeton and folkloric elements, I really enjoy,” Exposito said. “I really appreciate people (like RaiNao) who can remix but also introduce seemingly disparate elements, like saxophone and Caribbean music.”
Other picks include Ibeyi’s “Offering” and Diles Que No Me Maten’s “Escrito en Agua.”
Fidel’s picks:
Julieta Venegas, “Norteña”
Venegas, who De Los interviewed last month, wrote a memoir alongside this album, which delves into her Tijuana heritage with Mexican collaborators like Bronco, is what Martinez calls “a chef’s kiss.”
“She’s such a fascinating character because she started as an indie rocker,” Martinez said. “This album is a love letter to Tijuana. It’s just the perfect fusion of tradition and pop.”
Hermanos Espinoza, “Linaje”
Two brothers from the Rio Grande Valley, Hermanos Espinoza performed at De Los’ SXSW showcase and blew the audience away with their live energy and accordion work.
“Their project talks about lineage. This album certainly has a point of view,” Martinez said. “With this album, they said, música Mexicana can be like rock and roll.”
Also on the list are Tito Doble P’s “Acomodo” and Trio Asesino’s self-titled.
To hear more about 2026’s emerging artists and De Los’ music hot takes, check out “The De Los Podcast.”
Leicester City legend Jamie Vardy has won big with his new podcastCredit: PAHis new podcast, Jamie Vardy’s Having A Party, has seen the first episode listened to more than 8.4million times in a weekCredit: Getty
The pair are understood to have signed a seven-figure deal with media giant Banijay for the series, which launched on June 9.
It’s now been revealed that the first episode has clocked up over 8.4million streams across podcast platforms in the first seven days.
A source said: “Jamie and Becky could not be more happy with the success of their ITV show, and now the podcast figures have really given them a boost.
“It just serves to show they have a massive following.
“For the first week of a new podcast those numbers are fantastic. And, as for Banijay, they will be delighted with the initial return on their investment.”
The launch of the podcast, which will also feature regular guest appearances from Rebekah, 44, comes just a week after ITV aired three-part documentary The Vardys.
The show followed the family during his first year in Italy after he joined Serie A newcomers Cremonese.
That series – which consolidated at more than 1.1 million viewers – has proved to be an even bigger hit on the network’s streaming service ITVX – behind only entertainment juggernauts I’m A Celebrity, Britain’s Got Talent and Celebrity Sabotage in the ratings.
The next footballing destination for Leicester City legend Vardy – now 39 – is currently unknown.
However, the series and podcast illustrate his determination to build, with Rebekah, a powerful post-football brand – even whilst continuing to terrorise defences.
His wife Rebekah features in the podcast, which was released after their ITV series The Vardys delved into the aftermath of the Wagatha Christie High Court battleCredit: GettyVardy went head-to-head will Coleen Rooney in courtCredit: Alamy
Speaking of the podcast, Jamie said: “I am still an active player but having an opportunity to chat football and have a banter off the pitch is something that I am really looking forward to.”
The country music star filed for divorce from his wife in Tennessee’s Williamson County on May 18, according to court documents obtained by People — TMZ broke the news. The announcement may come as a shock for country fans who have followed the couple through their sappy podcast appearances and gushy acceptance speeches.
Bunnie XO, who hosts the “Dumb Blonde” podcast, met Jelly Roll at one of his Las Vegas Country Saloon concerts in 2015. Then, a year later on a Las Vegas stage, the “Save Me” hitmaker popped the question.
The pair said their “I do’s” at a local courthouse later than night in a secret ceremony.
Jelly Roll and Bunnie XO have been candid on the podcast circuit about the ups and downs of their relationship. In Bunnie’s 2026 memoir, “Stripped Down: Unfiltered and Unapologetic,” she wrote about Jelly Roll’s 10-month affair in 2018 and her subsequent emotional unraveling.
The couple also has been open about their struggle with IVF in recent years.
As recently as February, while accepting his win for contemporary country album for “Beautifully Broken,” Jelly Roll thanked Bunnie XO in his acceptance speech, saying that he wanted to thank his “beautiful wife” and that he’d be dead or in jail without her.
And during a 2023 appearance on “Bussin’ With the Boys” podcast, Jelly Roll was overcome with emotion recounting his early days with Bunnie XO. “When Bunnie comes into my life, I have to sit Bunnie down and go, ‘Look, I have a kid that you know about that I’m fixing to have to get full custody of.’”
According to the Grammy winner, Bunnie had his back from the beginning.
“I don’t have a house, I’m homeless. So she’s like, ‘Well, the first thing we have to do is get you somewhere to live in Nashville.’ I was like, ‘Well, I can’t put it in my name, I’m a felon, I don’t have enough proof of income to get the kind of place we need to get her in the right school district.’
“Bunnie’s like, ‘Let’s just go get a condo, so you have a bedroom for her.’ … So Bunnie comes down, and we’re getting a condo. I’ll never forget, Bunnie looked at me, and, man, it makes me emotional. She said, ‘No matter what happens with us. I’m gonna help you get this little girl.’
“And I was like, man, what character this woman has,” he continued.
Hours before news of the couple’s split broke, Bunnie XO posted a video on Instagram dancing to Nickelback’s “How You Remind Me,” and mouthing the lyrics “I said I love you and I swear I still do.”
It was the fall of 1993 at the Friars Club in Manhattan, and the occasion was a roast of the “Sister Act” star, who at the time called Danson her “best friend.” Danson, fresh off the heels of an 11-season run on “Cheers,” and Goldberg, who was at the height of her film career, had been tangled up in a not-so-secret love affair that sprang up while filming “Made in America.” Danson was freshly split from his second wife, producer Cassandra Coates, who served him divorce papers after the tabloids outed his fling with Goldberg earlier that year.
To make matters messier, Danson and Goldberg’s romance was cooling off and the two actually tried to get out of the Friars roast, but the club said the tickets had been sold and the show must go on.
According to The Times’ archives, Goldberg said she wrote the racial-slur-laden monologue that Danson delivered wearing black minstrel makeup with exaggerated lips in white. On the podcast, Danson said he’d been preparing for the skit for months, sure he was going to nail it. “Within 20 seconds I was like, I stuck my finger in a light socket,” Danson told W. Kamau Bell on the “Who’s With Me?” podcast.
At least two among the more than 2,000 guests at the roast protested. TV talk show host Montel Williams walked out, and New York City Mayor David Dinkins left the event early.
“My brain was going: Here is one of the most outrageous, funny Black women in the world, and I’m supposed to be roasting her, and I’m not a stand-up. I can’t run with the bulls. I’m an actor; if the material is funny, I can be funny,” Danson said.
“And then I thought, well, I can do performance theater. I looked at all these tapes, and it’s like, well if I were Black, I could say all these outrageous things, I’m not. Then my mind went, well, I will do it in blackface.”
Danson prefaced discussing the incident by saying that if he stammered throughout it was because it was uncomfortable talking about an affair he had when he was married, and that he’s been married to his third wife, Mary Steenburgen, for 32 years.
As for the blackface incident, “I have no problem talking about [it],” he said, adding that he wants to apologize for the rest of his life for the major flub. Although the incident happened more than three decades ago, internet fodder lasts forever, and Danson said he wanted to address it because somebody today can happen upon the incident online and think, “What the f—?”
Danson continued, “That this white guy could have something valuable to say about race and race relations was so stupid and entitled.”
He said he thought: “I know it’s bold, but I can pull this off, and that was so arrogant and stupid on my part. So off I go using all this horrendous language describing our love affair, while also in blackface. And I’d run it past Whoopi, and maybe she just didn’t want to squelch my creativity. … I worked for months, by the way, months.”
Earlier in the conversation, Bell told Danson that he wanted to give him his flowers for knowing how to apologize in public. “How to say ‘oops.’”
Joy Behar is trading her usual spot at “The View’s” roundtable for the spotlight in one of London’s West End theaters.
The comedian, who is one of the talk show’s longest-running hosts, is taking a temporary leave from the daytime program to take her play, “My First Ex-Husband,” overseas for the first time. The 83-year-old TV personality announced her break on Tuesday, on the podcast, “Behind the Table,” a companion program of “The View.”
“I fly to Paris this week, and then I go take the Chunnel to London after a week, and I’ll be in London a second week doing my play, ‘My First Ex-Husband,’ at the Boulevard Theatre in the West End,” Behar said on the podcast.
Behar confirmed she has already pre-taped several installments of “The Weekend View,” ahead of her absence. She will miss the next two weeks of tapings. Her last appearance on the weekday edition of the show is Thursday.
In Behar’s absence, several “View” regulars will step in. Brian Teta, the show’s producer, said on the podcast that Sheryl Underwood, Kara Swisher and Ana Navarro will make appearances in the coming weeks. Whoopi Goldberg, another one of the talk show’s staple personalities, will also be coming in on Fridays, which is her usual day off.
“I don’t think she knows yet, but I’ll let her know that she’s going to be here,” Teta joked of Goldberg’s new responsibility.
Behar’s play, “My First Ex-Husband,” first debuted off-Broadway in New York in 2025. The comedian wrote the show over the span of 12 years. The story follows a rotating cast who tell chaotic stories about past relationships. The play is set to debut in the coming weeks, according to Behar. She and Jackie Hoffman will be two American narrators for the show, while two British actresses perform the scenes.
Spotify Technology SA announced several new initiatives — from concert ticket perks to a major AI-generated music licensing deal — that the Swedish audio streaming company said will help fuel growth over the next four years.
At the first investor day led by new co-chief executives Gustav Söderström and Alex Norström, Spotify outlined a vision revolving around features that will allow people to personalize their listening experience, whether with music, podcasts, audiobooks or working out. Investors liked what they heard, pushing Spotify shares up as much as 18% over the course of the presentation.
Spotify addressed one of Wall Street’s biggest concerns about artificial intelligence by announcing a major new licensing deal with Universal Music Group NV. The agreement will let Spotify launch a tool to let fans create covers and remixes of their favorite songs from artists and songwriters who opt in. Powered by generative AI, the tool will be available as a paid add-on for Spotify Premium users. It will open up additional revenue streams for Spotify and create a new source of income for artists and songwriters on top of what they already earn on the platform, according to the companies.
Spotify has been working with the music industry on ways to harness the power and consumer interest in AI without violating artists’ rights. Last October, the company announced an agreement with the biggest record labels to use AI in a “responsible way,” but didn’t specify at the time what those tools would look like.
“This era of generation doesn’t need to threaten the future of music,” said Charlie Hellman, Spotify’s head of music. “Because we built the system legal, trusted and aligned, we can make sure that the value flows back to the people who created it.”
In another big announcement, the company laid out plans to work with Live Nation Entertainment Inc. to offer Spotify subscribers the option to purchase two tickets to their favorite star’s concert before they go on sale to the general public. The move could help resolve some of the issues fans have had in beating ticket resellers to face-value tickets, while encouraging customers to stay on as subscribers even as Spotify raises monthly fees.
Fans have long complained about the ticketing process for live performances, which often pit people against bots and scalpers, leading to high prices and sold-out shows.
“It’s frustrating for fans,” said Rene Volker, head of live events. “It’s frustrating for artists too, who look out at a crowd and wonder, are the fans who built my career actually here?” The new “Reserved” perk is designed to relieve some of that tension. “No racing bots, no chasing around online for presale codes. Just two tickets held for you,” she said.
The presentations Thursday were designed to comfort investors and prove that Spotify can still innovate. Wall Street has been skeptical that the company can rein in costs while staying ahead of competitors, particularly as it relates to AI. Those concerns have weighed on shares this year, sending them down 25% through Wednesday’s close. While the company makes most of its money through subscriptions, the executives sought to reinforce the idea that they have other levers to pull in order to generate sales beyond monthly fees and that people are willing to spend more for certain features.
The company outlined its growth targets through 2030, including a compound annual growth rate in the mid teens, a gross margin of 35% to 40% and an operating margin above 20%. Spotify remains committed to its long-term goal of 1 billion subscribers, $100 billion in revenue and over 40% in gross margin, the executives said.
Spotify sees its podcast and audiobook features as complementary to music and said the combination of the multiple verticals has helped broaden its community and convert users from free listeners to paid subscribers. Today, more than 500 million people have streamed a video podcast on Spotify, up nearly 50% from a year ago. And in just a few years, Spotify has captured about 20% of the audiobooks market in the US, executives said. People who use all three verticals — music, podcasts and audiobooks — are engaging with Spotify almost every day of the month, according to the company.
Giving people the tools to personalize their listening experience helps keep them in Spotify’s universe — creating what executives described as the “all day user.”
Personal Podcasts, for example, lets people write a prompt in the Spotify app and AI will create a unique podcast in response.
“We see this much more as a daily brief and a recommendation engine than something that would replace you listening to one of your favorite podcasts,” Söderström said in an interview. He noted that 60% of users in mature markets for Spotify don’t yet listen to podcasts, so features like Personal Podcasts could get them to dive into the medium.
The company said its podcast business has been profitable for two years.
Spotify’s Audiobook+ tier gives listeners more than their allotted 15 hours of audiobook listening per month for an additional fee. It has 1 million subscribers and is on track to generate $100 million in annualized revenue, the company said. To capitalize on the demand, Spotify will start selling even more audiobook hours to super users. Additionally, it will allow podcasters to offer memberships, so subscribers can access special episodes and other content. Spotify will take an undisclosed slice of revenue from the memberships.
Lindsie Chrisley, one of reality star Todd Chrisley’s two children with his first wife, was arrested Saturday night on suspicion of driving under the influence in Concord, Ga.
The podcaster was booked on charges including DUI less safe — a DUI charge for those whose blood alcohol is less than 0.08% — attempting to elude police, improper passing, reckless driving and speeding, according to a police report obtained by The Times. Her bail on the five counts totaled $5,961, according to the Cherokee County Sheriff’s Office.
“I got pulled over speeding past a car on a two-lane road because they almost hit an animal,” Chrisley told TMZ, which first reported the arrest. She said she was trying to miss that car and “whatever the animal was.” She said she planned to fight the charges.
Law enforcement had a different story to tell in its report, alleging that she was pulled over for traveling 86 mph on a surface street. After the deputy activated the lights on his car and initiated the traffic stop, Chrisley allegedly passed “multiple suitable stopping locations” before finally pulling over at a Chevron station, the report said.
The sheriff’s deputy who spoke with Chrisley said in his report that her stories weren’t making sense, her speech was slurred and her breath smelled of alcohol. After she was asked to step out of the Ford Bronco, she told the officer she didn’t know why she had been pulled over, then said it was because she had swerved around another vehicle that had “almost hit a deer,” the report said. The officer asked her if that was why she was speeding and she said “that is exactly why,” according to the report, then talked about the car in front of her brake-checking her as she drove home and said she hadn’t been traveling at nearly 90 mph.
The report said she refused to participate in field sobriety tests when the deputy asked her to and she also declined a blood test. No contraband was found in the car, according to the report.
Chrisley, 36, was released from custody around 4:15 a.m. Sunday morning.
Her encounter with law enforcement comes after her then-boyfriend, David Landsman, was arrested in Cherokee County in mid-April on a felony charge of aggravated assault/strangulation and a misdemeanor charge of battery after he allegedly placed his hand around a person’s neck and told them they were “not going anywhere,” People reported.
Lindsie Chrisley, the host of “The Southern Tea” podcast, appeared in 20 episodes of “Chrisley Knows Best” from 2014 into 2017. She and brother Kyle Chrisley are the children of Teresa Terry, Todd Chrisley’s first wife.
Todd and second wife Julie Chrisley were convicted of bank fraud and tax evasion in 2022 and imprisoned at separate facilities. Todd was serving a 12-year sentence in Florida and Julie was serving seven years at a facility in Kentucky when President Trump pardoned them in 2025, clearing the convictions from their records and ending their sentences.
Lindsie was estranged from her family for years over their suspicion that she had squealed to state and federal officials. Todd and Julie sued the state of Georgia in 2019, alleging that a tax official had targeted the couple’s estranged daughter and improperly shared confidential tax information to try to elicit compromising information on the family. As a result of the official’s efforts, the Chrisleys were forced to “incur substantial personal and financial hardship,” the suit said.
Sources who said they were close to Lindsie told TMZ in October 2019 that she spoke with the state official only to get updates about when her father might be arrested, so that she could shield her young son from any drama. In 2022, she said on her podcast that she and her father got back in touch after her second filing to divorce husband Will Campbell went public in summer 2021. The family members did crossover appearances on their various podcasts.
However, the reconciliation appeared to be short-lived, with Lindsie saying on her podcast in March 2025 that she hadn’t had any contact with her dad in a year.
