podcast

When political commentator Ana Navarro recently arrived at Mercado Little Spain, the José Andrés-owned food hall downstairs from CNN’s New York studios, a seat was ready for her constant companion, a rust-colored miniature poodle named ChaCha.

“I am her service human because I’m servicing her all day,” Navarro said of the well-behaved pooch who has been by her side since the 2020 COVID-19 lockdown.

As Navarro and a reporter order tapas dishes for the next two hours, patrons at nearby tables raise their cellphone cameras. Andrés’ daughter Carlota stops by and gives an update on her father, a Navarro pal. Later, a Spanish-speaking young woman comes over and thanks Navarro, a political exile from Nicaragua, for defending immigrants amid the aggressive deportation efforts of the Trump administration.

In a fragmented media world where critical mass is becoming harder to attain, Navarro has become one of media’s most recognizable political talking heads thanks to her two high-profile TV roles.

She is a co-host of ABC’s “The View,” the No. 1-rated daytime talk show that has become a target in Federal Communications Commission Chairman Brendan Carr’s efforts to discipline President Trump’s broadcast media critics. She is also a regular panelist on CNN’s roundtable program “NewsNight with Abby Phillip,” which extends its reach far beyond its modest ratings through frequent viral clips on social media.

In February, Navarro, 54, joined the growing list of media personalities who have launched a digital platform to reach consumers no longer watching traditional TV with a weekly podcast for iHeart called “Bleep! With Ana Navarro.”

Navarro is her uncut self on “Bleep!” She interviews guests but can also go into a 30-plus minute monologue without a script when she records at iHeart’s midtown Manhattan studios, where ChaCha looks on from a cushy pillow.

Navarro delivers her arguments against the Trump administration as if she’s schmoozing with friends across a kitchen table. She always appears calm but as the podcast title suggests, she serves up a few four-letter words she doesn’t use on TV.

“Bleep!” gives Navarro her own platform at a time when the legacy media networks she works at are under pressure. Upheaval is expected at CNN if parent company Warner Bros. Discovery becomes a part of Paramount and its Trump-friendly owners David and Larry Ellison.

Carr recently called for an early review of ABC’s TV station licenses. He said its related to an investigation into parent company Disney’s diversity practices but it comes amid the administration’s criticism of the network’s Trump coverage, which has included “The View.”

Ana Navarro on the set of ABC’s “The View.”

(Lou Rocco (ABC))

Navarro was pulled into the fray last year when she was approached by Walt Disney Co. Chief Executive Bob Iger at ABC’s upfront advertiser presentation in New York. The huddle led to reports that they discussed the anti-Trump commentary on “The View.”

“We had an honest conversation but I’m not going to tell you what it was,” she said. “Nobody is muscling us. All I’ve got to do is show up and do the same thing that I’ve always done, which is be as truthful, and authentic and informed.”

(On Friday, ABC filed a petition with the FCC over the agency’s recent scrutiny of “The View,” and whether the program qualifies for an exemption from seldom enforced equal time rules for political candidates. The network accused the FCC of actions violating its 1st Amendment right to free speech.)

Navarro has been pounding at Trump for so long, it’s hard to remember that her rise as a TV pundit began 14 years ago when she was a loyal conservative Republican. Jeff Zucker, who ran CNN from 2012 to 2022, said her personal evolution sets her apart from other pundits.

“She’s funny, insightful, knows how to turn a phrase and she’s gone on a political journey,” Zucker said in a recent interview. “So she understands the entire political spectrum as well as anyone.”

Navarro was eight years old in 1980 when her family fled Nicaragua and sought political asylum in the U.S. after the socialist Sandinista National Liberation Front took power. Her father stayed behind to fight with the anti-communist rebel Contras in the country’s civil war.

“Reagan was taking on the Sandinistas when Bernie Sanders wasn’t,” she said.

She was granted amnesty and became a U.S. citizen under the immigration reform bill signed by President Reagan in 1986.

Growing up in Miami, Navarro was part of the enclave of Latinos whose political perspectives were shaped by having fled Fidel’s Castro’s Cuba and other communist regimes in Latin America. She became a political operative in Republican politics, starting in local Miami races and eventually served as national Hispanic chair for 2008 GOP presidential nominee John McCain. Her Cuban-born husband, Al Cardenas, was on Reagan’s transition team and once led the Republican Party in Florida.

Navarro watched in dismay in 2015 when Trump came down the escalator of the midtown Manhattan skyscraper that bears his name to announce he was seeking the Republican presidential nomination. “Calling Mexicans rapists and criminals — that just hurt my heart,” she said.

When Trump mocked a disabled journalist during a campaign rally, Navarro was reminded of family struggles with one of her older brothers, who has non-verbal autism and is self-injurious. “That brought back so much outrage and anger,” she said. “For me that was a line I could never forgive.”

But being an anti-Trump Republican has become a lonelier job in recent years as the party establishment’s support solidified behind Trump during the historically successful campaign in 2024 that returned him to the White House. For Navarro, it has meant the end of many long-standing relationships.

“I’ve lost some very close friends over Donald Trump,” she said. “And I’ve had to make peace with that. They feel that I’ve betrayed the Republican Party. Some of them think I’m an opportunist, doing this for today.”

One of those friends is Secretary of State Marco Rubio, who she’s known her entire adult life. Navarro still has his cell number in her contacts, but it’s been awhile since she’s called. She still respects Rubio‘s credentials in foreign policy but doesn’t see herself ever supporting him if he runs for president.

“Unless he was running against Satan incarnate, no, I would not go over to him,” she said.

Navarro keeps her cool on “NewsNight,” which occasionally erupts into bedlam when guests clash with Scott Jennings, the show’s resident MAGA Republican. But she misses the days of sparring with Democratic operative Donna Brazile when they were on opposing sides on CNN’s Washington set, and then went out for oysters and wine at Old Ebbitt Grill afterward.

“It’s a completely different world than it was,” Navarro said.

The highly self-confident Navarro has always spoken her mind, encouraged by her father and the Sacred Heart nuns who operated her private school in Miami where she still resides. “Those nuns could run Fortune 500 companies,” she said.

She is not afraid to draw on her own painful, personal experiences to deliver a point. Another older brother died of a heart attack at age 38. Her cousin’s son was a fatality at the 2016 Pulse night club shooting in Orlando, Fla.

“I refuse to live in hopelessness and trauma,” she said. “The things I’ve gone through have shaped me into who I am and made me resilient and empathetic. One of the reasons I abhor Donald Trump is because he completely lacks empathy.”

Where Navarro often separates herself from most Democrats is foreign policy. When Venezuela President Nicolás Maduro was ousted and arrested by U.S. forces, Navarro, on holiday in Madrid, joined exiles from the country as they celebrated in Puerta del Sol.

Navarro expects to have the same reaction if Trump makes good on his threats to end Cuba’s communist regime.

“I will go out there with my metal pan and my metal spoon and I will bang the drums in joy,” she said.

Britain’s Prime Minister Keir Starmer and his Labour Party suffered significant losses in local elections, despite his huge majority in parliament.

He’s rejecting calls to resign – but faces new challenges from both the left and right.

So, why is the local vote so important?

Presenter: Mohammed Jamjoom

Guests:

Peter Geoghegan – Editor of the investigative news site, Democracy for Sale

Lesley Riddoch – Podcaster, journalist and author of: ‘Blossom: What Scotland Needs to Flourish’

Tim Bale – Professor of politics, Queen Mary University of London

Skip Bayless is returning to ESPN’s “First Take” — but for a very limited time only.

Bayless will join Stephen A. Smith on Friday’s episode of the popular sports debate show in what the network describes as “a one-time reunion” between the two men who haven’t hosted the program together in nearly 10 years.

Bayless appeared on “First Take” from the show’s inception in 2007 until he left ESPN in 2016. Smith has remained on “First Take,” which he currently hosts with Shae Cornette.

It was Smith’s idea to bring back Bayless as a special guest, according to a person familiar with the situation but not authorized to discuss it publicly.

After leaving ESPN, Bayless joined Fox Sports, where he co-hosted similarly formatted show “Undisputed” — for much of the time with co-host Shannon Sharpe — from 2016- to 2024. He currently hosts a podcast, “The Skip Bayless Show,” and is a regular contributor on the digital sports show “The Arena: Gridiron,” starring Gilbert Arenas.

In 2024, Smith addressed rumors of Bayless possibly re-joining “First Take.”

“Skip Bayless and Stephen A. Smith, together as partners, working across from each other on a debate show, is over,” Smith said on his podcast. “It’s been over. And this is not the first time I’ve said it. There’s no negativity or shade being thrown on Skip Bayless. I have moved on.”

LOUISE Thompson is locked in a new feud with Alex Cooper after claiming the Call Her Daddy star stole her podcast name.

The former Made in Chelsea star, 36, posted a TikTok video as she began: “I don’t know how well this is going to land but I’m going to say it anyway because I’m feeling like a big, brave dog.

“I was just on Instagram, I shouldn’t be doom scrolling on my way home, and I saw a Bloomberg business post that is essentially a takedown of Unwell, which is the podcast production company set up by Call Her Daddy host Alex Cooper and her husband.

“So there have been claims they’ve been treating staff badly, they have been shouting, they’ve been disrespecting people and obviously there’s been this very public feud that Alex Cooper has had with Alix Earle.

“I’m just gonna say something, karma is a b***h. Here’s a little story that none of you guys know, so I had a meeting when I was peak unwellness shall I say, a couple of years ago with an exec that come from the US who worked with a big talent agency about doing a podcast with us.”

Louise admitted that she wasn’t mentally in the right frame of mind during the meeting but she did suggest the name ‘Unwell’.

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“I thought it would be a really clever play on what I’ve been through to call this new business and this new project or podcast venture, Unwell or Unwellness. I have it written in my list of notes that I wrote years ago when I was recovering early doors.

“Then I noticed four or five months later, she announces that her entire podcast thing is going to be called Unwellness and I think it’s just a little bit too suspicious that we both had exactly the same name idea, especially given that I had the conversation with people who a part of her overall management team.

“What are they saying? Copying is the highest form of flattery,” Louise concluded.

She wrote over the video: “Alex cooper nicked my brand name… and karma exists.”

The mum-of-one captioned it: “Never thought I’d share this, but in the interest of being honest… this happened and in the words of carrie Bradshaw…. I can’t help but wonder.

“Sometimes I hate how dog eat dog this industry is… but stealing names isn’t cool.”

Alex, 31, founded her Unwell network in 2023, which has extended into wellness with Unwell Hydration and the Unwell Creative Agency last year.

Louise has faced a number of health issues since the traumatic birth of her son Leo in 2021, which has culminated in her living with a stoma bag due to chronic ulcerative colitis.

She launched her own podcast, He Said, She Said, with her partner Ryan Libbey in late 2024, before joining Staying Relevant Productions this year, which is owned by her brother Sam Thompson and Pete Wicks.

The Sun have contacted Alex’s representatives for a comment.

Venezuela’s January 2026 hydrocarbons law reform marks a major shift in the country’s oil sector. It establishes a more flexible fiscal regime in the name of “international competitiveness,” while expanding the private sector role in extraction, operations, and dispute resolution mechanisms.

The reform follows years of US sanctions on Venezuela’s oil industry and coincides with new US licenses allowing Western conglomerates to move into Venezuela’s energy sector.

Join Blas Regnault, energy policy analyst and consultant focused on oil geopolitics, alongside Venezuelanalysis editors Ricardo Vaz and Lucas Koerner, as they break down the reform, its economic and political context, and what it means for control over strategic resources and national sovereignty.

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Former Fox News host and ex-Trump advocate Tucker Carlson is feeling remorse for the role he and others played in publicly promoting Donald Trump as a candidate and as the president.

“In very small ways, but in real ways, you and me and millions of people like us are the reason this is happening right now,” Carlson said Monday on his podcast, “The Tucker Carlson Show.” He was chatting with Buckley Carlson, his brother and a former Trump speechwriter, about the erosion of conservative values within the Republican Party under Trump.

“I do think it’s a moment to wrestle with our own consciences,” Carlson said. “You know, we’ll be tormented by it for a long time. I will be, and I want to say I’m sorry for misleading people. It was not intentional, and that’s all I’ll say.”

After nearly 10 years of yammering nightly about the greatness of Trump, Carlson picks now to cut the conversation short?

There’s a lot more to say, but this time, it’s about Carlson’s too-little, too-late mea culpa. His claim that he did not intentionally mislead the public is in itself misleading. While Carlson promoted Trump and the Big Lie ad nauseam on his prime-time Fox News show, “Tucker Carlson Tonight,” he was privately disparaging the president and discrediting Trump’s claims that the 2020 election was stolen.

His off-camera thoughts were revealed when internal communications between Fox staffers went public in 2023 due to Dominion Voting Systems’ defamation lawsuit against Fox News for knowingly broadcasting false claims that its machines rigged the 2020 election. Texts and emails from Carlson and other high-profile hosts suggested they knew Trump’s election fraud claims were unfounded, yet they still pushed the “rigged” narrative on air.

In one such example, Carlson texted that Trump needed to concede, and agreed that “there wasn’t enough fraud to change the outcome” of the election, according to the filing. Yet three nights later, he was on air claiming that there were “legitimate concerns” about election integrity. There were several more communications from Carlson where he expressed doubt about Trump’s claims. But in the public eye, he continued to assail the election results and the legitimacy of Biden’s win.

The Fox News host also privately scorned the first Trump presidency as a “disaster,” then turned around and stumped for Trump in 2024, praising him as a “national leader” at the Republican National Convention and campaigning with him in Arizona just days before the election.

If that’s not intentionally misleading the public, then what is?

Perhaps Carlson should have heeded his initial instincts about Trump. Before gaining notoriety with his Fox show, he posted on the website Slate about Trump in 1999, referring to him as “the single most repulsive person on the planet.”

Today the podcaster is among a growing number of right-wing influencers who have turned on their former leader. Former Rep. Marjorie Taylor Greene and conspiracy theorist Alex Jones want to push Trump out of office by invoking the 25th Amendment. Carrie Prejean Boller, who was a Trump-appointed member of the Religious Liberty Commission up until February, simply called him an “evil psychopath”.

Carlson has criticized the Trump administration’s decision to go to war in Iran, calling it “absolutely disgusting and evil” in March, and later said it was the “single biggest mistake” of Trump’s presidency. And when Trump demanded on Truth Social that Iran “open the F—– Strait, you crazy bastards,” Carlson said the post was “vile on every level” and “the most revealing thing the president has ever done. … Who do you think you are? You’re tweeting out the F word on Easter morning?” Carlson said in his podcast.

The president has responded to criticism from Carlson by telling the New York Post that his detractor is a “a low-IQ person” who has “absolutely no idea what’s going on.”

But Carlson is hardly the only American with buyer’s remorse. A recent NBC poll found that Trump is facing the lowest job approval rating of his second term, largely due to strong disapproval of how the president has handled inflation and the cost of living. Carlson, unlike the rest of the country, rode the MAGA wave to prosperity. His show kicked off in 2016, within weeks of the election, and he rose to prominence on the fervor of Trumpism. Supporting Trump was a family business. From his brother, a Republican operative who previously wrote speeches for Trump, to his son, who worked until recently in Vice President JD Vance’s press office.

Now Carlson is making his way back into the conversation by opposing the man he once claimed to revere.

He is asking for forgiveness for backing a faulty product, while also claiming to be a victim of its beguiling charms. “You and I and everyone else who supported him … you wrote speeches for him, I campaigned for him. We’re implicated in this for sure,” Carlson told his brother on the podcast. “It’s not enough to say, ‘Well, I changed my mind,’ or ‘Oh, this is bad. I’m out.’”

True, that’s not enough. Carlson should apologize for misleading the public, intentionally.

Brian Williams, the veteran former anchor for NBC News and MSNBC, is joining Netflix where he will host a weekly podcast.

Netflix announced Thursday that “We’re Back! With Brian Williams” will debut later this year. The format will feature Williams in extended interviews with pop culture figures and newsmakers in a casual setting.

“With scientists predicting that every American will have a podcast by 2030, I thought it was time to get in the game,” Williams said in a statement.

Williams – long a stalwart of traditional TV news – will be the biggest name from that arena to join a major video streaming platform.

Williams has been off TV since he departed MSNBC (now MS NOW) in 2021. He the anchor of the nightly program “The 11th Hour” and handled major breaking news coverage for the network.

Before joining MSNBC in 2015, Williams spent 10 years as anchor of “NBC Nightly News.” He left the broadcast after being suspended for making false statements about his experiences covering the Iraq war.

Williams tested the streaming waters when he anchored extended coverage of the presidential election in 2024 on Amazon Prime Video. While Amazon was said to be pleased with the program, which earned an Emmy, but the company has made no further commitment to live news programming.

“We’re Back!” will likely emphasize the playful side of Williams, who once hosted “Saturday Night Live” during his NBC years. He occasionally told colleagues he harbored a desire to become a late night talk show host or a forum where he could work in a more conversational style.

“After 40 years in the news business whee an in-depth interview gets four minutes of airtime at best, I just want to have interesting conversations with creative, funny, smart, talented and consequential people – like the shows we all grew up watching and listening to,” he said. “Netflix is the perfect home.”

jonathan Wald, a veteran TV news executive who worked with Williams at NBC and MSNBC, will be the executive producer for “We’re Back!”

Netflix has moved aggressively into the podcast business. Sports columnist Bill Simmons, who helped popularize the format, recently moved his podcasts to the platform in January as part of a deal with Spotify. Currently Netflix is carrying 51 video podcasts.

Alex Cooper just asked Alix Earle what many extremely online people are wondering: “What’s the beef?”

Rumors of a feud between Cooper, the 31-year-old host of the “Call Her Daddy” podcast, and Earle, the 25-year-old mega-famous influencer, have been circulating for some time, but this week Cooper addressed the conflict online in a video that invited Earle to finally air out the dirty laundry.

Cooper said in a TikTok video Monday that she was embarrassed responding to the internet-fueled drama, but after being inundated with tags, comments and direct messages, she decided making a statement was long overdue.

“Alix Earle, hey girl, the passive-aggressive reposts and the likes and the commenting on things. I gotta call you out here,” Cooper said. “You’re gonna need to get specific and just say what you gotta say about me. There’s no NDA, no one is stopping you. Stop hiding behind other people, and just say it yourself. What’s the beef?”

Cooper continued that she was tired of waking up and seeing Earle using “fake drama to distract” and that she’s not interested in participating. “I know what happened, and so do you,” she said. “So talk, unless the fake narrative that you’re creating happens to be way more interesting than the truth, I have nothing to hide when it comes to you and me.”

While the cryptic video confirmed the beef, Cooper still didn’t offer any explanation as to what initially caused the turmoil between them. But thanks to internet culture, there are theories, and receipts to back them. The ball is now in Earle’s court.

August 2023

Cooper launched the Unwell Network, a Gen-Z-focused media company spotlighting “unique voices that embrace social challenges and personal insecurities through honest conversation.” One of the first big names to sign with Unwell was Earle, who, according to Cooper at the time, has a unique presence that captivates audiences.

“I feel honored to be at a place in my career where I can pass along knowledge and advice for a new generation of creators to flourish,” Cooper said in a statement.

February 2025

Online speculation that there may be a feud between Cooper and Earle picked up when Earle didn’t attend Unwell’s Super Bowl party in New Orleans, even though she was reportedly in the Big Easy at the time with her friends and then-boyfriend, Miami Dolphins wide receiver Braxton Berrios.

February 2025

Weeks after Earle was MIA at Unwell’s Super Bowl shindig, Variety reported that the production company dropped Earle’s “Hot Mess” podcast. Sources told Variety that SiriusXM would no longer sell ads for Earle’s show and that the Unwell Network renounced all rights to “Hot Mess” so that Earle would be able to “freely explore future opportunities.”

A few days after news dropped that “Hot Mess” was nixed, Earle posted a TikTok update responding to the chatter online about her work saying she also had “no idea what’s going on.”

March 2025

Earle posted an update to TikTok regarding the future of “Hot Mess.”

“I have to put a pause on podcasting right now for the foreseeable future,” she said. “Don’t really want to get into the details of it all, and I kind of can’t get into the details of it all right now, but I’ve loved it so, so much, and I’m really proud of what I built with the podcast.” Earle added that she would be pivoting to vlogging for the foreseeable future.

May 2025

The Wall Street Journal published a feature on Earle, writing that the relationship between the influencer and her podcast network had unraveled. Earle told the outlet, “That was, behind the scenes, a little bit of a hot mess.”

“We have plans to bring things back, elevate things,” she said of the show. “It might look a little different, but I’m excited to see what we do with it.”

August 2025

Earle seems to be in the mood for revenge. “My Co–Star told me that I can start…today. I mean, is this my time that I’ve been waiting for to go? I have so much information. We could go,” she said, referring to her horoscope, in a TikTok video as she sipped an iced coffee. “I think I’m losing my mind … but I wake up every day, and I’m like, ‘What should I do, Co-Star?’ And today, it’s like, ‘Revenge. Let’s go get ’em.’”

In the comment section, one fan replied to egg on the content creator, “Yes, tell us what happened with Alex Cooper thank you.”

Earle quipped back, “How much time do you have?”

October 2025

Cooper returns the slight with an Instagram post promoting an Unwell event in Las Vegas that seemingly mocked Earle’s performance on “Dancing With the Stars” by using the same song — “Circus” by Britney Spears — and including a caption that began, “How much time do you have? Cause we could go all night … “

April 2026

Earle reposts a TikTok video that likens Cooper to the grim reaper. The post describes Cooper as an ambulance chaser who preys on people who have just gone through a horrific accident so she can get the exclusive.

April 2026

Cooper catches wind of Earle’s repost and finally addresses the beef in the aforementioned TikTok, telling Earle to “Just say it yourself. What’s the beef?” Earle responded by reposting Cooper’s video with the comment, “Okay on it!!”

Since Earle and Cooper took their fight to the internet streets this week, speculation has flooded social media. Dave Portnoy, the founder of Barstool Sports who first put “Call Her Daddy” on the map in 2018, also weighed in.

On Monday’s episode of the “Chicks in the Office” podcast, Portnoy, who knows the feuding women well, said that while there have been rumors of jealousy between the women, he thinks the feud stems from conflicting business interests and contract disputes.

“I think people know this about Alex Cooper at this point — she’s a savage,” he said. “She’s a businesswoman, boss lady, savage.”

But will prying eyes across the interwebs ever learn the whole story? It’s anyone’s guess.

NEW YORK — Health Secretary Robert F. Kennedy Jr. is launching a new podcast that he says will begin “a new era of radical transparency in government,” according to a teaser video first obtained by the Associated Press.

The show, titled “The Secretary Kennedy Podcast,” will launch next week and feature Kennedy in conversation with doctors, scientists and agency staff, U.S. Department of Health and Human Services officials told the AP ahead of the launch. In the teaser video, in a slick Health and Human Services-branded studio with ominous music playing in the background, Kennedy bills it as a new way to expose corruption and lies that have made Americans sick.

“We’re going to name the names of the forces that obstruct the paths to public health,” Kennedy says in the 90-second clip.

The new communication effort from the Department of Health comes as the department has faced a bevy of recent setbacks, including widespread criticism of its vaccine policy changes, a federal ruling last month blocking several of those moves, and resistance from key Republican senators that has kept President Trump’s surgeon general pick from taking office. In that way, it could be seen as part of a broader rebranding strategy as the agency redirects away from vaccine efforts and toward a less contentious agenda on healthy food ahead of November’s midterm elections.

But the show, which has been in the works since early in the second Trump administration, also reflects Kennedy returning to a format where he has long felt at ease. An antivaccine crusader and attorney before he entered office, he previously hosted his own podcast and has appeared on dozens to share his perspectives in longform interviews, as recently as this week.

Tyler Burger, Health and Human Services digital communications manager and the producer of the new podcast, said while Food and Drug Administration Commissioner Marty Makary has a podcast, officials believe Kennedy’s will be the first to be hosted by a sitting Cabinet secretary.

“We’re kind of bringing podcasting into the government as an official form and arm of our messaging,” Burger said. He said the set for the show was pieced together largely with items the agency already had, and has the capacity for a total of four people to sit in conversation together.

“This is part of our larger strategy to bring the Make America Healthy Again message to as wide an audience as we can,” said Liam Nahill, Health and Human Services digital director.

Because podcasts are now commonly made not only on audio but video, they are regularly clipped and shared across social media platforms, giving them “massive” reach, according to Melina Much, a postdoctoral fellow for NYU’s Center for Social Media and Politics.

Much said podcasts also tend to be more intimate, conversational and friendly than a traditional interview, allowing administration officials to promote themselves without facing as much pushback.

While Kennedy’s teaser focuses on uncovering lies, Health and Human Services spokesman Andrew Nixon said it will aim to cover affordability and other topics that polls show are salient for American voters ahead of the midterms.

“Americans are united on the need to urgently address chronic disease, improve nutrition, strengthen food quality, and lower health costs,” he said. “The Secretary Kennedy Podcast will cover all those issues.”

Swenson writes for the Associated Press.

The Venezuelanalysis Podcast is back. In our new season premiere, we tackle the fallout of the January 3rd military escalation against Caracas, an event that marks a volatile new chapter in the long history of US intervention in the region.

Join Venezuelanalysis Lead Editor Ricardo Vaz, Associate Editor Lucas Koerner, and VA Founder Greg Wilpert as they break down the geopolitical shift from “maximum pressure” to direct confrontation. This episode goes beyond the headlines to analyze the underlying causes and the global consequences of Washington’s renewed focus on “its” hemisphere.

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OLIVIA Attwood and Pete Wicks both love Las Vegas with Olivia even saying she’d like to get married there.

The podcast co-hosts and Towie alumni have been making headlines following their steamy kiss in London just weeks after Olivia revealed her marriage had ended.

TV star Olivia, 34, separated from Bradley Dack in January and since then she and Pete have seen their friendship “blossom into an unexpected romance”, pals have said.

They spoke about weddings and their ideal nuptials on their podcast the Sunday Roast with Olivia saying she would have her “next wedding” in the US casino city.

“We’re going to talk about stag dos because I’ve been invited on a stag do today in Vegas,” Pete began, with Olivia chiming in to add, “That’s an elite destination for a stag or anything.”

They both agreed they loved Las Vegas and Olivia declared, “I think that probably my next wedding will be in Vegas.”

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But when Pete asked if he could come on the hen’s do for her next wedding, Olivia revealed she would not do another one and ended up crying at the one she had before marrying Bradley.

“This is like my hot take. So having been there, done that [I] got the T-shirt and the trauma, [and] I wouldn’t do a hen’s do again,” she said.

“I think they’re lame. Sorry, that’s really controversial… It was the only girls’ holiday that I’ve not really enjoyed.”

Olivia added: “I cried on the second day and there’s a lot of pressure and it feels that girls are difficult.”

While the pair continued to discuss weddings and their associated celebrations, they avoided talking about their public kiss.

The pair had previously insisted they were just friends but the snog proved they were a couple.

Last week a pal of Pete and Olivia confirmed: “They have been spending a lot of time together and an unexpected romance has blossomed from friendship.”

Olivia has also been in the news recently after it was revealed her wedding to Bradley was a sham.

The Love Island alum, 34, who has gone on to have major success by fronting several shows on ITV, documented her marriage to her now-ex Bradley in her show Olivia Marries Her Match.

In an episode that aired in August 2023, Olivia can be seen walking down the aisle to marry Bradley before the pair say their vows and tie the knot.

ITV bosses are now reportedly “stunned” to learn of the alleged sham marriage after we exclusively revealed her nuptials have been called into question.

Olivia and Bradley held their £200,000 ceremony for 80 guests at the five-star Bulgari hotel in London’s Knightsbridge in June 2023, two months before the episode aired.

She had even changed her name to Olivia Attwood-Dack, using that in her frequent appearances on ITV1’s Loose Women.

Yet the wedding has now been revealed to not be a legal marriage, as the union has not been logged with the General Register Office, the archive of all marriages and civil partnerships for England and Wales.

Olivia’s camp has claimed that the couple had planned to complete paperwork at a register office near their home in Cheshire six weeks after the wedding.

But they failed to ever sign anything as “Olivia uncovered a number of mistruths” and that her inability to trust Bradley “forced her hand in not being able to legally bind their union”.

The Grammy-winning composer behind the signature opening chant in the song “Circle of Life” for “The Lion King” movies is taking a comedian to court for allegedly damaging his reputation by misrepresenting the song’s meaning on a viral podcast episode.

In a federal lawsuit filed this month seeking millions in damages, Lebohang Morake, known as Lebo M, accused Zimbabwean comedian Learnmore Jonasi of intentionally botching the translation of the lyrics, central to both the Disney films and the musical theater adaptations.

“I’m getting sued for $27 million and to make matters worse, I got served the lawsuit while I was performing,” Jonasi said in a post on social media Tuesday. The post included a clip of the comedian performing at the Laugh Factory when a manila envelope is tossed onstage.

“Right now, I’m looking for a lawyer. … I can’t believe I’m getting sued for telling a joke. What kind of stupid world do we live in?” he added.

It all started when Jonasi’s appearance on the “One54” podcast went viral late last month. In the episode of “One54” cited in the lawsuit, one of the podcast’s Nigerian hosts, Akbar Gbajabiamila, prompts the comedian with “I heard you had a problem with the ‘Lion King,’ why?” He then breaks into song, trying his hand at the chant and butchering the delivery.

“That’s not how you sing it, don’t mess up our language like that,” Jonasi says, before singing the correct lyrics in Zulu. When the hosts ask what it means, he says it translates to: “Look, there’s a lion. Oh, my God.”

The hosts erupt with laughter, saying that they’d always thought the chant was something more “beautiful and majestic.”

Jonasi often uses the same “Lion King” bit in his stand-up routines. He translates the song’s lyrics from Zulu and Xhosa, two of South Africa’s 12 national languages, and offers a broader critique on the film.

In Season 19 of “America’s Got Talent,” the comedian won over audiences by joking about how American movies about Africa often confuse Africans, asking, “Why do the lions have American accents?”

The civil lawsuit accuses Jonasi of intentionally mocking “the chant’s cultural significance with exaggerated imitations,” according to the complaint.

Disney’s official translation of the opening phrase “Nants’ingonyama bagithi Baba” is “All hail the king, we all bow in the presence of the king.”

“Hay! baba, sizongqoba,” the chant continues. It translates to “Through you we will emerge victoriously,” according to Lebo M.

Lebo M’s lawyers acknowledged in the complaint that “ingonyama” can literally translate to “lion,” but said it’s used in the song as a “royal metaphor” that invokes kingship, and that Jonasi intentionally misrepresented “an African vocal proclamation grounded in South African tradition.”

Jonasi “received a standing ovation” for a similar joke he made about the song during a March 12 stand-up performance in Los Angeles, according to the lawsuit. Such viral statements, it says, are interfering with Lebo M’s business relationships with Disney and his income from royalties, causing more than $20 million in actual damages. The lawsuit also seeks $7 million in punitive damages.

The complaint also argues that Jonasi presented his translation “as authoritative fact, not comedy,” so it shouldn’t get the 1st Amendment protections afforded to parody and satire.

Jonasi and reps for Lebo M didn’t respond to emails seeking comment, but the two have been busy on social media, making alternating statements and sub-posting each other for weeks.

Earlier this month, Jonasi revealed that he’d been receiving threats on social media for offending his fellow Africans. “It was never my intention to disrespect anybody,” he said in the video posted to Instagram. “When I went on that podcast, my intention was actually to talk about African identity. … I’d like to apologize to anybody that I hurt. But my comedy was a way to crack open a window for a conversation.”

“I had no idea the chant from ‘The Lion King’ was a royal welcoming song … I speak a little bit of Zulu, so I directly translated the words, and I even spoke to some of my South African friends, and most of them don’t even know what it means. And the rest of the world thought it was actually gibberish.”

A few days later, Lebo M posted his own Instagram video, saying he had attempted to speak with Jonasi privately, but claimed the comedian had disrespected him. “You are riding a huge wave of going viral on negativity,” he said in the video.

“I would like to encourage you to please slow down. You have a long way to go. I wish you success, but you cannot disrespect other people’s cultures that gave you the first opportunity to start with and claim it’s comedy. … You continue making a mockery of my work … the likes and the viral things won’t be there when it’s just you.”

After exchanging a few more public statements via Instagram, Jonasi was served with court papers.

He shared the news online and announced he’s selling merchandise and launching a GoFundMe to raise money for his defense. The shirts and hoodies for sale feature two different designs — one reads “Look it’s a lion,” and the other “Look it’s a lawsuit, Oh, my God.” As of Friday afternoon, Jonasi’s GoFundMe raised more than $17,000.

The tense situation seemed to be cooling on Friday morning, when Lebo M posted a lengthy statement to Instagram signaling a shift from an impending courtroom showdown to what his team is calling a “white flag moment.”

According to the post, Lebo M’s team has contacted Jonasi to “explore the possibility of a structured settlement.”

The Associated Press contributed to this report.

Everyone’s getting into podcasts — even demons.

“undertone,” a muted, personal and static microbudget horror debut by Ian Tuason, takes place in the writer-director’s actual childhood home where he tended to both of his parents before they died. Both hospice and inspiration, it’s a stifling place decorated with floral wallpaper and crucifixes. The pain and exhaustion and grief are so real and oppressive, the camera never dares set a foot outside.

Upstairs, Evy (Nina Kiri), watches over her own terminally ill mother (Michèle Duquet). Tuason funneled his emotional gloom into this movie; Evy co-hosts a horror podcast with her overseas best friend Justin (voiced by Adam DiMarco). “This is the only thing keeping me sane right now,” she says. They’re words she’ll regret within the week.

Kiri and DiMarco have the comfortable, convincing chemistry of two old pals who have done a show for a while. One snippet seems to be an episode on Elisa Lam, the real-life tourist found dead in the rooftop water tank of Los Angeles’ Cecil Hotel. There’s also a reference to a website with a red-faced ghoul who hypnotizes victims into cutting off their ears. The latter may be Tuason seeding his idea for a sequel.

Here the central story is that Justin, who lives in London, has received an email with 10 audio files recorded by a couple named Mike and Jessa (Jeff Yung and Keana Lyn Bastidas) who are trying to understand what she’s saying in her sleep. The sender is unknown. (Possibly an evil spirit hoping for the exposure of a mattress ad?) Justin, the believer, is instantly alarmed by how these eerie tapes escalate from cute banter to ghostly crying babies and backward incantations. Evy is the skeptic who dismisses the noises as either an online hoax or bad plumbing.

Due to the time zone differential, Evy and Justin record their show just before he heads out to work in the morning, which for her is 3 a.m. Most of the movie takes place in that witching-hour window, an airlessly silent time where an at-home podcaster doesn’t worry about being interrupted by a leaf blower, an ice cream truck or a dog. Sound-designed by David Gertsman, “undertone” is so quiet that a tea kettle sounds like a fire alarm. Story-wise, it’s equally inert. One of the biggest action shots in the first hour comes when — eek! — a sink turns on.

I’d love to understand why horror films that I find excruciatingly dull give others the heebie-jeebies. My working theory is that they tap into audiences with a preexisting suspicion that the world is wicked — they prove paranoia to be well-founded. My mental default is that the world is neutral-good, and that may be why I prefer movies with active villains scaring me out of my complacency. I spent “Paranormal Activity” and “Skinamarink” restlessly admiring the production design; here, my main thrill came from the soundscape, like when a vibrating cellphone made my chair rattle like it was a tractor, or a noise that can only be described as death-rattle ASMR.

When Evy slips her on headphones, she’s so focused making sense of the latest scary tape, playing it forward, reversed and slowed-down, that she’s oblivious to the bumps in the night in her own house, upstairs near her comatose mother’s bedroom. I suspect Tuason deeply relates to Evy, to the disassociation of living with death every day, and uses her resistance to explore denial. She refuses to admit that the supernatural is real, even as she repeatedly takes a break to steady herself and, as she puts it, “get back into character.” Her stifled panic makes it obvious that fear is taking over.

The screenplay also has a passing reference to Evy’s useless, off-screen boyfriend Darren (voiced by Ryan Turner). Their miserable dynamic is compelling but overall comes off like a plot point Tuason stuffed in his pocket and never got around to using. Our one peek into it comes when Darren phones Evy to pressure her to ditch her mom and come to a party. He claims he’s throwing a kegger to cheer her up. (A frozen lasagna on the doorstep would be better, dude.)

Evy does reluctantly leave the house — we don’t follow her there — and that one moment says as much about crossed-signals communication as anything else in the movie. It’s bullseye-accurate about how isolating it is to lose a parent earlier than your peers.

The film is so committed to its rigors — the two-person cast, the glacial camera pivots, the moody lighting — that it teeters on the line of becoming monotonous. When Tuason eases up a bit, say in a scene in which Evy pops on a sleep podcast that begins by describing a babbling brook and rapidly becomes a nightmare tale of bobbing corpses, he finally shows you that he has the potential for range.

But “undertone” is rooted in that slow-and-still horror discipline that holds its breath waiting for something to happen. It requires the audience to bring their own bad vibes to shots of religious icons on the wall and long takes of Evy clacking on her laptop, unaware of a flickering light behind her. (Rumor is Tuason has already signed on to shoot the next “Paranormal Activity” sequel.)

Mostly it puts the audience in the position of watching a protagonist so passive that chunks of the running time are watching her sit at a table waiting for Justin to look up things for her on Wikipedia. Like amateur detectives, we learn alongside them as they click around pages about Sumerian devils, Catholic saints and the origin of the nursery rhymes “London Bridge” and “Baa, Baa, Black Sheep.”

As visuals go, “undertone” is so far removed from anything resembling the cinematic experience that I left with a fresh appreciation for campfire storytelling. At least then the listener gets to use their own imagination. But production designer Mercedes Coyle does dig up two satisfyingly creepy props: one, an antique speaking doll, the other, a small white statue that appears to be the Virgin Mary until we get a better look at her mouth, deformed by a hungry scream.

Despite my quibbles with how her character reacts when things really go awry, Kiri’s Evy has a clarity of purpose that holds our attention despite not having that much to do. In her strongest sequence, she and Justin take a few live callers on their podcast, some of whom bear bad news about Mike and Jessa, and another who phones up in the middle of a crisis that’s too big for these self-positioned experts to handle. Real violence is coming and these armchair ghosthunters are totally out of their depth. Yes, everyone is into podcasts. Maybe they shouldn’t be.