podcast

Spotify on Thursday said it renewed its deal with Joe Rogan, who leads the audio company’s most popular podcast “The Joe Rogan Experience.”

Rogan’s podcast, which has 18 million followers on Spotify, has been the company’s top podcast since 2020. The terms of the multiyear licensing deal were not disclosed. The Wall Street Journal, citing unnamed sources, reported the deal had an estimated earn out of $250 million.

“The partnership with Spotify has been an amazing fit, and they’re incredible to work with,” Rogan said in a statement. “I’m extremely happy and excited to continue with them for years to come.”

Rogan first entered into an exclusive multiyear podcast deal with Spotify in 2020 in a deal said to be worth $100 million. The partnership was key to driving podcast audiences to Spotify, which at the time was mostly known for as a streaming music service.

In 2024, the company extended its partnership for “The Joe Rogan Experience” to be distributed on other platforms, which has continued in its current deal. Rogan’s show was ranked as the top podcast last year on Spotify, YouTube and Apple Podcasts.

“Joe has built something incredibly enduring, and his show continues to resonate with a massive global audience because there’s simply nothing else like it,” said Jordan Newman, head of content partnerships at Spotify in a statement.

“The Joe Rogan Experience” has run into controversy, spurring a Spotify boycott in 2022 led by Neil Young over concerns that Rogan and his guests were spreading misinformation related to the COVID-19 vaccine. Rogan also received criticism over how he used the N-word on past episodes of his show, which he later apologized for.

After the backlash, Spotify posted its content moderation rules and said it would add content advisory labels on COVID-related podcasts. Rogan also said he would do a better job of balancing different perspectives.

Young later returned to Spotify in 2024.

Barbara Palvin and Dylan Sprouse have welcomed their first child together.

The new parents shared their happy life update in a joint Instagram post Monday featuring the public social media debut of their new bundle of joy.

“We took Labor Day literally this year,” Palvin wrote in the caption accompanying a photo of she and Sprouse holding their baby girl between them. The snapshot captured the family of three from the back as they watch a Dodgers game on TV while wearing matching jerseys.

The model debuted her baby bump in May at the Cannes Film Festival, where the couple posed together while walking a red carpet. They also announced that they were expecting on social media. Sprouse later shared in a July episode of his “Wildmen” podcast that they would be having a baby girl and that he was “excited to be a girl dad.”

On Tuesday, the actor once again took to his podcast to share some new tidbits about his daughter and life as a new parent.

“She’s very lovely, her name is Sylvie,” Sprouse said of his daughter. “Sylvie Sprouse. And she’s a very well-behaved baby.”

The former Disney Channel star also shared some details about Sylvie’s birth including some of the different options at Cedars-Sinai Medical Center.

“There’s moments when I look at Sylvie and I’m like, ‘This is the coolest thing ever,’” Sprouse said of being a new dad. “She’s looking at me and her eyes are opening … she’s looking at me and she smiles or something and it’s the cutest thing. My heart like jumps out of its chest.”

The “Suite Life of Zack & Cody” star and Victoria’s Secret model first met in 2017 and have been in a relationship since 2018. They were married in 2023.

JAKE Humphrey candidly revealed how fellow kids TV presenter Holly Willoughby robbed him of his “big moment” in a new interview with Davina McCall — only for the clip to mysteriously disappear.

During an emotional chat with Davina’s Begin Again podcast, Jake, 47, opened up about his childhood bullying trauma, his relationship with his grandfather and a brutal rejection from BBC Sport earlier in his career.

He also spoke about his friendship and working partnership on CBBC with Holly. The pair were popular with young viewers in the early 2000s and presented CBBC’s coverage of talent show Fame Academy.

Jake revealed the pair’s chemistry was so good that channel bosses proposed they have their own show which they would have complete creative control over.

A delighted Jake saw it as his “big moment” and couldn’t wait to get planning, but his dreams disappeared the following day when Holly tentatively called him and said she wanted to pursue a presenting career with ITV.

Jake said the blow taught him a valuable lesson about the industry and not relying on others to share your vision.

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The clip was published on the Begin Again TikTok and Instagram accounts before seemingly being pulled and edited out of the podcast.

The Sun has contacted a representative for Begin Again for comment.

BT Sport presenter Jake recently shared a series of Fame Academy throwback images referencing the pair’s time on-screen.

He previously revealed the pair were so close they even shared a bed together.

In an unearthed interview from 2012, Jake told The Mirror that while he and Holly were working on Celebrity Fame Academy, she would stay at his flat in London as she was based in Brighton.

Jake recalled: “Eventually, it got to the point where we couldn’t be bothered to get the blow-up bed out so for about six months we slept in the same bed.”

Jake stressed that “nothing ever happened” romantically between him and Holly, but joked that may have been a different story if he hadn’t been dating.

Jake teased: “I wouldn’t want to say I met my wife too early but I would just say Holly’s worst habit is she sleeps naked – joking, of course.

“Holly’s a good mate but I look back on my time with her and wonder what might have been but I was going out with Harriet at the time and she lived in Leeds.”

Holly’s career in the spotlight began when she was scouted by a model agency at the Clothes Show Live aged just 14.

She then broke into television presenting, hosting shows on CBBC, before landing a job with its telly rival CITV.

That springboarded her career towards This Morning, which she signed for in 2009, and she worked on the ITV daytime show up until last year.

Holly has now swapped terrestrial TV for her own YouTube show, Together, which is produced by husband Dan’s Hungry Bear Media and currently has over 26,000 subscribers.

“Crunch, crunch.”

If the above sounds familiar, then you might already be a Wholigan — someone who routinely listens to the long-running celebrity podcast “Who? Weekly.” Part of the fun of listening to the thrice-weekly show (one being for Patreon members), aside from its hosts contextualizing a dizzying array of tabloid headlines, is learning its lexicon. For example, “Crunch, Crunch” spoofs a bit of sponsored content the pop singer Bebe Rexha did for Lay’s Potato Chips in 2019. Other popular phrases unique to the Who-verse: “Good form, Bella Thorne.” “Scar-Jo Yummy Pop.”

Launched in 2016 by pop culture journalists Bobby Finger and Lindsey Weber, “Who? Weekly” eagerly mines the growing world of lower-tier celebrity, with the two hosts categorizing trending names under two main umbrellas: the fame-hungry “Whos” (influencers, reality stars, a pre-royal Meghan Markle) and the instantly recognizable, likely critically acclaimed “Thems” (Tom Cruise, Taylor Swift, Beyoncé). Rounding out the paradigm are the “Nahs,” or folks who aren’t well known enough to claim “Who” status.

“We came of age reading all the [gossip] bloggers, from Perez Hilton to Liz Smith,” Weber tells The Times of why she and Finger originally started “Who? Weekly,” which technically began as a newsletter before it morphed into a podcast.

Lindsey Weber and Bobby Finger have co-written the newly released book, “I Want to Be Famous: When Everybody and Nobody Is a Celebrity.”

(Justin Jun Lee / For The Times)

Finger also cites influence from “Oh No They Didn’t,” a 2000s-era LiveJournal page that aggregated celebrity headlines and invited users to comment (kind of like a proto-Subreddit). “You read the story just as you read the comments, which were integral to the story,” Finger says. “All of the inside jokes, the additional commentary. That’s what ‘Who? Weekly’ has become, especially in our Patreon Discord. [Listeners] are always chiming in and creating their own language and extensions of the ‘Who? Weekly’ universe.”

That universe is about to expand again: In conjunction with the pod turning 10 this year, Weber and Finger are releasing a new book, “I Want to Be Famous: When Everybody and Nobody Is a Celebrity,” which looks at fame and celebrity through a historical lens while also exploring how the line between Whos and Thems got that much blurrier in the social media age. “I feel like we were always barreling towards a book,” Weber says. “Both of us are trained journalists. We were always kind of like, ‘When are we going to put our money where our mouth is?’”

To demonstrate how the binary is evolving into a spectrum, Weber and Finger revisit juicy pop cultural anecdotes (remember when Courtney Love threw her compact at Madonna at the VMAs? Or when Ariana Grande dated Pete Davidson? Or when Katy Perry flew into space on the Blue Origin?) while blanketing every chapter with an elucidation of why, no matter what decade we’re in, society just can never get enough gossip.

Meanwhile, unlike the podcast, “I Want to Be Famous” gives the hosts ample room to go deeper into the cultural framework of modern celebrity than they normally have time for. Each week, Weber and Finger dedicate one episode to unpacking a prepared list of Who-y headlines, and a follow-up episode, titled “Who’s There?,” is dedicated to listener calls. Which is to say, Weber and Finger usually spend more time explaining and trading jokes about what each micro-celeb is known for rather than how celebrity itself has evolved.

Lindsey Weber and Bobby Finger are celebrating the 10th year of their podcast “Who? Weekly.”

(Justin Jun Lee / For The Times)

“The pod is on the surface funny, [but] if you are a real fan, you’re like, ‘Oh, there’s actually some interesting stuff beneath the funny,’” Finger says. “We wanted this book to be the opposite, where it’s actually outwardly interesting and smart, and then inwardly funny when it can be.”

The writers’ tone might lean more academic within “I Want To Be Famous,” but longtime fans of the pod will recognize dozens of niche names, stories and extremely online subjects that were at one point or another discussed on the show. The authors present their grand theory of Whos and Thems by opening with the story of how former Who Meghan Markle shot to Them-dom after marrying Prince Harry. Other chapters observe what happens when Thems date or marry Whos. There’s a history of how celebrities say sorry (where there were once press releases there are now Notes app apologies) and a conversation about how nepo babies fit into the framework. As the book moves across history and demonstrates how the internet has completely upended the binary, they also show what hasn’t changed about the way fans relate to their favorites. “What we want most in a celebrity is authenticity,” Weber theorizes.

For Weber and Finger, the chance to tie the disparate threads they discuss on “Who? Weekly” was a major incentive to work on their book. “I kept being like, ‘Is this the first time anyone’s ever written about this in a book?’” Weber says with a laugh. “Because some of it was so stupid — these references to fandoms and Club Chalamet and niche things that are newer … I’m like, ‘Oh my God, are we doing this thing where now people have to read about Club Chalamet in 100 years?’ Obviously that would be incredible.”

“There’s a temporality to our show that is not the case with this book, which is very exciting,” Finger adds. “Because our show kind of exists to go in one ear and out the other. And I say that because it goes in one of our ears and out the other too, as the creators.”

Woven into the conversations around Whos, Thems, Thems behaving like Whos (see: brand deals), and Whos aspiring to be Thems is the authors’ palpable anxiety about the decaying role of entertainment journalism in an age in which celebrities can simply promote themselves via social media — or host their own podcasts. The authors are also painfully aware that most audiences have less of an appetite for reading, period. A chapter titled “The 2010s Killed the Cover Star” looks back what is thought to be the greatest piece of celebrity journalism ever written (Gay Talese’s 1966 Esquire classic, “Frank Sinatra Has a Cold”) and contrasts it with today’s style of uncritical, PR-friendly celebrity Q&As that boast nothingburger headlines that don’t tell us much of anything.

Conversations about media and journalism itself run through the podcast too, and that’s by design. “Sometimes we go so niche that it’s like, ‘Are we just making a podcast for our friends that work in media?’ And sometimes the answer is yes,” Weber says. “We can only speak from our experience. … But the most shocking thing about ‘Who? Weekly’ is that [media discourse] is actually quite interesting for lots of people.”

Finger adds, “Our past in media and our abundance of friendships with people who are still in media is like a crucial part of our show. It’s an industry we respect so much, you know, and we’re obsessed with the way it evolves. If we didn’t have that background, I don’t think the show would exist the way it does at this current moment.”

Even with a massive archive of episodes and no plans to stop, Weber and Finger are thrilled to have cemented their legacy with a book that could (and really should) be taught in media and communications classes. “Bobby and I both obviously love celebrities,” Weber says. “But we love media more.”

Brodsky is an L.A. culture and music writer. Her biography of Stevie Nicks, “Lessons & Lace,” published by Penguin Random House, is out now.

Sept. 22, 2026 7:39 AM PT

Why has it been so hard for USC football to compete for a national title after setting the standard in college football during Pete Carroll’s tenure?

(Harrison Freeman / Los Angeles Times Studios )

Times USC beat reporter Ryan Kartje spent the past four years conducting more than 100 interviews, gaining new insight into the football program’s dramatic rise, fall and difficult push to return to national relevance.

Today, we begin sharing that story with you in “House of Troy,” a new narrative podcast from L.A. Times Studios available now on Spotify and Apple.

Check out Episode 1: “Win Now.”

In the late 1990s, USC football was in desperate need of a revival. The school turned to an unpopular choice: Pete Carroll, a former NFL coach. What happened next would transform USC into a college football powerhouse and Carroll into the face of a modern dynasty. In the first episode of “House of Troy,” Kartje takes us back to the beginning of the Carroll era and the drama that unfolded on and off the field.

Listen to “House of Troy” now on Spotify and Apple.