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Former USC receiver Makai Lemon was in Pittsburgh on Thursday night — and it appeared he would be staying there long term.

Until it very suddenly didn’t.

About two hours into the first round of the NFL draft, Lemon was sitting in the green room — the backstage area for players waiting to be picked — when he received a call from the host city’s home team. A celebration erupted around the former Los Alamitos High star as he was informed that the Steelers were about to select him with the 21st overall pick.

Lemon had one question:

“Why is Philly calling me?”

It turns out that Pittsburgh general manager Omar Khan was a bit premature with the call. The Dallas Cowboys were still on the clock at No. 20 but were expected to draft a defensive player. And that’s what they did with UCF edge rusher Malachi Lawrence — but only after trading down with an NFC East rival at No. 23.

The Philadelphia Eagles pulled off the last-second deal to move ahead of the Steelers and snatch away Lemon in real time. Footage from the green room shows a confused Lemon still on the phone with Pittsburgh but being told by someone in the room with him: “Philly just traded for you! … Philly’s taking you right now!”

“I answered the phone and it was the Steelers,” Lemon told reporters afterward. “My phone kept ringing. I look and it was the Eagles. They traded up, and they were going to pick me. I feel like everything happened for a reason. They traded up, so it means a lot that they really wanted me. So I’m all-in, and they’re going to get everything that I’ve got.”

Eagles general manager Howie Roseman acknowledged in a news conference that “it took us a couple minutes to contact the player” after they had moved into position to pick him.

“The clock got down a little bit lower than we would have liked,” Roseman said, “but we were able to get in touch with him and obviously select him.”

Roseman was asked if the Eagles made the move because they thought the Steelers were about to draft Lemon at No. 21.

“We just felt like this was a player that we wanted to go up and get, just based on where our board was at that time, where we were picking,” Roseman said. “Just felt like it made a lot of sense based on our board. And obviously, when you have a player that you like that’s ranked higher on your board than where you’re picking, you think at every pick that he’s going to be selected.

“That’s just the way the draft is, you think everyone’s thinking the way that you are. And so certainly for us, we didn’t want to sit on our hands. We wanted to go get him. And so that’s why I made a trade.”

The Steelers pivoted quickly, choosing Arizona State offensive tackle Max Iheanachor moments later.

Last season at USC, Lemon was a consensus All-American and won the Biletnikoff Award for outstanding receiver after making 79 catches for 1,156 yards and 11 touchdowns. In his three seasons with the Trojans, Lemon had 137 catches for 2,008 yards and 14 touchdowns.

Lemon’s arrival in Philadelphia would seem to indicate that the Eagles are ready to move on from star receiver A.J. Brown, who has been rumored to be on the trading block. If they wait until June 1 to trade Brown, the Eagles would be able to split his $40-million salary cap hit over two seasons.

Roseman didn’t have any light to shed on the matter Thursday night.

“A.J. is a member of the Eagles,” Roseman said. “We don’t have any trades that have been made or that are done. We’re taking this one day at a time. We’re going to look to improve the team tomorrow. We’ll continue to address anything we have to with our roster, not only through this draft weekend, but we’ll continue to look for ways to improve the team throughout the offseason and into training camp.”

Samit Patel, who has announced his retirement from domestic cricket, says he “probably wouldn’t have played” in a disapproved T20 league earlier this year had he known it would result in a ban.

Former England all-rounder Patel, 41, and Australian bowler Peter Siddle are both unable to play in the T20 Blast this summer after competing in the World Legends Pro T20 League in Goa.

The England and Wales Cricket Board (ECB) says players cannot play domestic cricket for 12 months if they have participated in a “disapproved” league such as this.

As a result, Patel has retired from domestic cricket in England but says he will still be playing franchise cricket elsewhere in the world.

“I probably wouldn’t have played it [the World Legends League],” Patel told BBC Sport’s Strategic Timeout programme.

“There was a lot of uncertainty about whether we could play or not but we can’t get past that now. It just brought this stuff forward for me.”

Patel played 60 times for England between 2008 and 2015 and made 629 appearances for Nottinghamshire over 22 years.

He then joined Derbyshire on a two-year white-ball deal in 2024 and was out of contract when he left the club at the end of last year’s T20 Blast, but said he would have liked “one more year” of domestic cricket if he had not been dealt the ban.

“I would have played this summer,” he said. “I had some chats with some counties, we weren’t quite at a contract signing but we were in talks, so probably would’ve got a last-minute deal somewhere.”

Patel and Ravi Bopara, who also retired earlier this year, are the only two players to have featured in every year of the Blast since it began in 2003.

James Gadson, a prolific drummer who worked closely with Bill Withers and as a member of the widely sampled Watts 103rd Street Rhythm Band — and whose playing motored hits like Diana Ross’ “Love Hangover,” Marvin Gaye’s “I Want You” and Gloria Gaynor’s “I Will Survive” — died Thursday, according to Rolling Stone. He was 86.

Rolling Stone didn’t say where Gadson died or specify a cause but said the drummer’s wife, Barbara, had confirmed the news; she told the magazine that Gadson had experienced a fall recently and undergone surgery.

Described by the Roots’ Questlove as “breakbeats defined,” Gadson was known for a funky, laid-back style best exemplified perhaps by his playing in Withers’ 1972 “Use Me,” in which he seems somehow to keep finding space for an extra beat. Forty years later, Kendrick Lamar borrowed Gadson’s intricate rhythm pattern for “Sing About Me, I’m Dying of Thirst,” from the rapper’s 2012 breakthrough album, “Good Kid, M.A.A.D City.”

In “Love Hangover,” which topped Billboard’s Hot 100 in 1976, Gadson’s drumming anchors a production that moves from lush soul balladry to a frisky disco groove; Gaye and his producer Leon Ware got a similar thump out of the drummer for “I Want You,” which reached No. 1 on the R&B chart in 1976 and was later interpolated by Lamar for his Grammy-winning “The Heart Part 5.”

Among the many other songs from the ‘70s featuring Gadson’s playing are the Jackson 5’s “Dancing Machine,” Cheryl Lynn’s “Got to Be Real,” Smokey Robinson’s “Cruisin,’” Yvonne Elliman’s “If I Can’t Have You,” Tavares’ “Heaven Must Be Missing an Angel,” Peaches & Herb’s “Shake Your Groove Thing” and Thelma Houston’s “Don’t Leave Me This Way.” In later years he worked with the likes of Beck, D’Angelo, Paul McCartney, Justin Timberlake, Harry Styles and Sturgill Simpson.

Gadson was born June 17, 1939, and grew up in Kansas City. His father was a drummer, and when Gadson and his brother were teenagers they played in a doo-wop group called the Carpets. Gadson moved to Los Angeles in the mid-’60s following a stint in the Air Force and joined the Watts 103rd Street Rhythm Band, led by the singer and guitarist Charles Wright; the group scored hits such as “Do Your Thing” and “Express Yourself,” the latter of which N.W.A would eventually sample for its song of the same name from 1989’s “Straight Outta Compton.”

In the early ’70s, Gadson and several other Watts band members left the group and took up with Withers (who’d already broken out with “Ain’t No Sunshine”) to make his album “Still Bill.” In addition to “Use Me,” the LP spun off the hit single “Lean on Me,” which went to No. 1 and was later inducted into the Grammy Hall of Fame. Gadson backed Withers in 1972 for a concert at Carnegie Hall that was recorded for a classic live album; the record opens with a version of “Use Me” that stretches past the eight-minute mark.

Though Gadson’s crack at a solo career around the same time didn’t pan out, he quickly became an in-demand session drummer, particularly for acts signed to the Motown label, which had just moved to L.A. from its original home of Detroit. He played on Motown records by the Temptations, the Miracles, the 5th Dimension and the Supremes’ Mary Wilson; over the decades that followed, he also worked with Philip Bailey, Anita Baker, Ray Charles, Leonard Cohen, Norah Jones and Lana Del Rey.

On Friday, the jazz guitarist Jeff Parker wrote on Instagram about his experiences playing with Gadson.

“The last time we convened, he noticed me glaring at his drum kit in wonder — I knew that there had to be a LOT of history there,” Parker recalled. “He looked at me and said, ‘Jeff, that’s my disco kit.’ I said, ‘Are those the drums on “Love Hangover”?’ He nodded and said, ‘They’re the drums on a whooooole lot of records.’”

ORLANDO — Appearing in his 1,612th NBA regular-season game Saturday, LeBron James claimed the league’s all-time record for games played, passing Hall of Famer Robert Parish.

The 41-year-old James started for the Lakers against the Orlando Magic on Thursday with the Lakers currently on a season-best eight-game winning streak. James is averaging 21.3 points and 6.9 assists per game this season.

With the Lakers (45-25) surging up the Western Conference standings to third place during this winning streak, James has averaged 20.4 points, 7.6 rebounds and 5.8 assists on 64.6% shooting from the field during the last five games.

Already playing his record 23rd NBA season, the NBA’s all-time leading scorer has also moved up to first in all-time field goals made, passing Kareem Abdul-Jabbar this month.

“He’s got to be insane,” Lakers guard Austin Reaves said when James tied Parish’s record Thursday against the Miami Heat. “Can’t be normal. Things going on in his brain to do it so well at such a high level, there’s nothing left to prove, but he finds something to continue to motivate him.

“It’s a beautiful thing, and it’s a beautiful thing to have him as one of the leaders of this team, because if there’s anybody in the world that could take games off, mentally not be there in a film session, practice, whatever it might be, it couldn’t be him, and that’s not how he’s wired.”