pivotal

Can the Lakers beat the Thunder?

From Broderick Turner: Lakers center Deandre Ayton bounced across the court after practice Monday wearing all black, his chains swaying, his mood jovial as he approached the media to talk about his role in the Western Conference semifinals.

His spirits were high for what lies ahead for the Lakers as they prepared to face the best team in the NBA, the defending champion Oklahoma City Thunder.

Lakers coach JJ Redick said the play of his center “changes our ceiling the most.”

Simply put, Ayton’s high-level of play will be paramount for the Lakers when they begin the best-of-seven series Tuesday night in Oklahoma City.

“Everything has been pretty solid, just staying in my role and just doing more in my role,” Ayton said. “This is the playoffs, so everybody can do more, everybody has another level. And this is the second round coming in, so I think we all deserve that little bit of increase of confidence from what we’ve done so far and the outcome from the adversity we’ve faced.

“I feel like that’s where we are right now and I think that’s what’s motivating me, as well, coming into these games. Just seeing, listening and being dialed in and seeing the results of it.”

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NBA playoffs schedule

Lakers poll

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Lakers playoff schedule

Second round
All times Pacific

Tuesday at Oklahoma City, 5:30 p.m., NBC/Peacock
Thursday at Oklahoma City, 6:30 p.m., Prime Video
Saturday at Lakers, 5:30 p.m., ABC
Monday at Lakers, 7:30 p.m., Prime Video
*Wed., May 13 at Oklahoma City, TBD
*Saturday, May 16 at Lakers, TBD
*Monday, May 18 at Oklahoma City, TBD

*-if necessary

Dodgers win, but Ohtani is slumping

From Maddie Lee: It was the perfect time for Shohei Ohtani to step up to the plate. The Dodgers’ offense was rolling again, ready to make a statement with a third-inning rally against the Astros. They loaded the bases and turned over the batting order.

Then Ohtani chased a sinker off the plate and chopped a slow bouncer to Astros third baseman Isaac Paredes, giving Paredes an easy play at second. A far departure from the eye-popping exit velocities that Ohtani’s swing usually produces, the run-scoring grounder was soft enough to avoid a double play.

In the Dodgers’ 8-3 win Monday against the Astros, Ohtani’s hitless streak stretched to five games, his longest such skid since 2022, when he also went five games without a hit (May 24-28).

Manager Dave Roberts had planned to have Ohtani pitch and hit Tuesday. But during Monday’s game, he decided to change course. Ohtani will just pitch Tuesday.

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How a former top Dodgers prospect became an advisor to four U.S. presidents

Dodgers box score

MLB standings

Angels lose again

Munetaka Murakami hit his 14th homer and Miguel Vargas also went deep as the Chicago White Sox beat the Angels 6-0 Monday night.

Murakami’s two-run blast in the fourth inning kept the Japanese rookie tied with New York Yankees slugger Aaron Judge for the major league lead in home runs. Murakami also hit his first double of the season in the sixth, singled and scored in the eighth, finishing three for four with two RBIs and three runs scored.

Davis Martin gave up five hits in seven shutout innings, with 10 strikeouts and no walks. He improved to 5-1 and lowered his ERA to 1.64. The right-hander escaped his only jam in the seventh, getting Josh Lowe to fly to deep center with runners on first and third.

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Angels box score

MLB standings

Ducks lose Game 1 to Vegas

From Kevin Baxter: T-Mobile Arena sits just off the Las Vegas Strip, not far from a faux Manhattan skyline, a pyramid and a casino made to look like a castle.

The line separating illusion from reality can be a thin one in Sin City, where the Ducks opened the second round of the playoffs Monday intent on proving their first-round victory over the Edmonton Oilers was more than a facade. It didn’t go well, with Brett Howden’s goal early in the second period and Ivan Barbashev’s tiebreaking tally late in the third period giving the Vegas Golden Knights a 3-1 victory in the best-of-seven series.

Mitch Marner added an empty-net goal with six seconds to play to end any hope of a Ducks comeback. Mikael Granlund scored for the Ducks with six minutes left in the game.

But the game turned on what the Ducks thought was a missed icing call just ahead of Barbashev’s goal, which came 65 seconds after Granlund tied the score.

“Clearly I disagreed with the call. Clearly it was icing,” Ducks coach Joel Quenneville said. “That was the play for me. We had just scored. It was a huge call. And an easy call.”

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Ducks summary

NHL playoffs schedule

Ducks playoffs schedule

Second round
All times Pacific

Monday at Vegas, 6:30 p.m, ESPN
Wednesday at Vegas, 6:30 p.m., TNT, truTV, HBO MAX
Friday at Ducks, 6:30 p.m., TNT, truTV, HBO MAX
Sunday at Ducks, 6:30 p.m., ESPN
*Tuesday, May 12 at Vegas, TBD, ESPN
*Thursday, May 14 at Ducks, TBD, TNT, truTV, HBO MAX
*Saturday, May 16 at Vegas, TBA, ABC or ESPN

*-if necessary

This day in sports history

1908 — 34th Kentucky Derby: Arthur Pickens aboard 66-1 chance Stone Street wins in muddy track conditions; 2:15.20 slowest Derby in history.

1934 — Cavalcade wins the Kentucky Derby by more than three lengths over Discovery. It’s his third victory in less than two weeks.

1951 — 77th Kentucky Derby: Conn McCreary aboard Count Turf wins in 2:02.6.

1966 — The Montreal Canadiens beat the Detroit Red Wings 3-2 to win the Stanley Cup in six games.

1969 — The Boston Celtics beat the Lakers 107-102 in the seventh game to win the NBA championship for the 10th time in 11 years. Player-coach Bill Russell and Sam Jones retire as players.

1969 — Milwaukee Bucks sign #1 NBA Draft pick, star UCLA center Lew Alcindor.

1973 — Secretariat, ridden by Ron Turcotte, wins the Kentucky Derby with a record time of 1:59.2. Secretariat beats Sham by 2½ lengths and goes on to win the Triple Crown.

1990 — 116th Kentucky Derby: Craig Perret aboard Unbridled wins in 2:02.

1993 — Canisius beats Niagara 11-1 in softball to set an NCAA Division I record with 34 straight wins.

2001 — Monarchos wins the Kentucky Derby carrying Jorge Chavez across the finish line in 1:59 4-5, only two-fifths of a second off the track record set by Secretariat en route to the Triple Crown in 1973. Monarchos finishes a dominating 4¾ lengths over Invisible Ink.

2007 — Street Sense, ridden by Calvin Borel, roars from next-to-last in a 20-horse field to win the Kentucky Derby by 2 1-2 lengths over Hard Spun.

2007 — Floyd Mayweather Jr. beats Oscar De La Hoya in one of the richest fights. Mayweather, with superb defensive skills and superior speed, wins a 12-round split decision and the WBC 154-pound title in his first fight at that weight. The sellout crowd of 16,200 at the MGM Grand Garden in Las Vegas sets a record $19 million gate.

2012 — I’ll Have Another catches Bodemeister down the stretch and pulls away in the final furlong to win the Kentucky Derby. Jockey Mario Gutierrez, riding in his first Derby, guides the 3-year-old colt to a 1½-length victory in front of a Derby-record crowd of 165,307.

2012 — English FA Cup Final, Wembley Stadium, London (89,102): Chelsea beats Liverpool, 2–1; Didier Drogba scores winner for Blues’ 7th title.

2013 — LeBron James is the overwhelming choice as the NBA’s Most Valuable Player. The Miami star gets 120 of 121 first-place votes, giving him the award for the fourth time.

2017 — Corey Perry scores 6:57 into the second overtime after the Ducks rally from a three-goal deficit in the final minutes of regulation, completing a spectacular 4-3 comeback win over the Edmonton Oilers. Rickard Rakell scores the tying goal with 15 seconds left in regulation to cap a stunning sequence of three goals in just over three minutes, all with goalie John Gibson pulled for an extra attacker.

2018 — Justify splashes through the slop to win the Kentucky Derby by 2½ lengths, becoming the first colt in 136 years to wear the roses after not racing as a 2-year-old. The colt that began his racing career in February improves to 4-0 and gives trainer Bob Baffert his fifth Derby victory. Jockey Mike Smith earns his second Derby victory as the 5-2 favorite in the field of 20.

Compiled by the Associated Press

This day in baseball history

1904 — Cy Young of the Red Sox pitched a perfect game against the Philadelphia Athletics, beating Rube Waddell 3-0. Having pitched nine hitless innings in two previous efforts, he ran his string of hitless innings to 18.

1917 — Ernie Koob of the St. Louis Browns pitched a no-hitter against the Chicago White Sox for a 1-0 win in St. Louis.

1925 — Manager Ty Cobb of the Detroit Tigers hit three homers, a double and two singles against the St. Louis Browns.

1925 — Shortstop Everett Scott of the New York Yankees was benched, ending his streak of 1,307 consecutive games played that started while playing for the Boston Red Sox. Scott, who gave way to Pee Wee Wanninger, had the longest playing streak before Lou Gehrig.

1933 — Pepper Martin of the St. Louis Cardinals hit for the cycle and scored four runs in a 5-3 win over the Philadelphia Phillies.

1939 — Sam Chapman of the Philadelphia Athletics hit for the cycle in a 10-5 win over the St. Louis Browns. Chapman completed the cycle with a single in the ninth.

1955 — Brooklyn Dodgers rookie Tom Lasorda makes his first major league start as he he throws three wild pitches in one inning, tying a major league record. After his pitching career, Lasorda will enjoy far more success as a Hall of Fame manager.

1962 — Bo Belinsky of the Los Angeles Angels beat the Baltimore Orioles 2-0 with a no-hitter at Dodger Stadium. Belinsky struck out nine and walked four.

1975 — The Oakland Athletics release pinch-runner Herb Washington, ending his unusual major league career. Curiously, Washington played in 105 major league games without batting, pitching, or fielding. He collected 31 stolen bases and scored 33 runs.

1978 — Pete Rose became the youngest and 14th player with 3,000 hits when he singled against Montreal’s Steve Rogers at Cincinnati’s Riverfront Stadium.

1980 — National League president Chub Feeney suspended Pittsburgh’s Bill Madlock for 15 days and fined him $5,000 for shoving his glove in the face of home plate umpire Gerry Crawford.

1999 — Colorado became the first team in 35 years and the third this century to score in every inning in a 13-6 win over the Chicago Cubs. The last time a team scored in all nine innings was also at Wrigley Field, when St. Louis beat the Cubs on Sept. 13, 1964.

2000 — St. Louis Cardinals first baseman Mark McGwire hits the longest home run in the 30-year history of Cinergy Field, but the 473-foot shot is not enough as Ken Griffey, Jr.’s home run leads the Cincinnati Reds past St. Louis, 3-2.

2003 — Matt Stairs of the Pittsburgh Pirates hits a home run off Houston Astros pitcher Wade Miller which is estimated at 461 feet, making it the longest in the history of Minute Maid Park.

2004 — Mike Piazza set a major league mark for homers as a catcher, hitting No. 352 in the New York Mets’ 8-2 victory over the San Francisco Giants.

2004 — Roger Clemens of the Houston Astros moves past Steve Carlton for second place on the strikeouts list with his 4,137th in Houston’s 6-2 win over the Pittsburgh Pirates.

2006 — At Citizens Bank Park, Omar Vizquel of the San Francisco Giants plays his 2,302nd game at shortstop, catching Cal Ripken, Jr. for third-most all time. Vizquel is now behind Hall of Famers Luis Aparicio (2,581) and Ozzie Smith (2,511). He will eventually pass both.

2015 — Bartolo Colon became the first pitcher in at least 100 years to beat the same opponent with seven different teams, stopping Baltimore once again and leading the New York Mets to a 3-2 win over the Orioles.

2018 — In pitching a perfect 9th inning in a 6-5 win against the Rangers, Craig Kimbrel of the Red Sox becomes the 29th man to record 300 saves. He is the youngest to reach the mark at 29 (Francisco Rodriguez was 31) and has needed the fewest games, 494 (Mariano Rivera had done so in 537 games) and save opportunities (330, compared to 335 for Joe Nathan) to do so.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

MORE than three decades after London helped launch her career, Tori Amos is back in the city, headlining the Royal Albert Hall for a tenth time. 

The US singer is chatty and upbeat despite staying up until 5am, still riding the high of her gig the night before. 

With her striking red hair falling in waves and her vivid green eye make-up, Maryland-raised Tori, who has called Cornwall home since the late Nineties, looks every inch the star. 

“London was the place that gave me my big exposure explosion,” she says.

“It really did shake my life up. And here we are again. 

“London broke Silent All These Years in the autumn of 1991, and then launched [debut album] Little Earthquakes, which rippled out to the States and the rest of the world.

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“America really discovered me through London, and then the UK did, too. From there, it just kept rippling outwards.” 

On her forthcoming 18th album, In Times Of Dragons, Amos turns political dread, female resistance and personal storytelling into something unique and mythic.  

She says: “I’m very reclusive at home and I’m not very sociable there so when I’m on tour I go from this insular life, where I do a lot of reading, music and writing, and step into this much more exposed life.” 

The contrast between Amos’s secluded home life and her role as a performer feeds directly into an album shaped by both personal reflection and political unease. 

The record is a response to the current political climate in America because, as a songwriter “a lot of my work is documenting time,” she tells me. 

“That’s what I did with Little Earthquakes, which followed my time of failure after [her synth band] Y Kant Tori Read when I had to go back to play piano bars.  

“I have a history of documenting things — my miscarriage in 1998 and that journey, then my 2002 album Scarlet’s Walk which documented 9/11 when I actually wrote some of it on the tour bus.” 

The idea for In Times Of Dragons came through the muses — otherworldly entities — that Amos believes bring her music.  

She has spoken widely about these guiding forces, which she says have inspired her songwriting since childhood.

And last year she published children’s book Tori And The Muses, all about them. 

She says: “This message came to me through the muses that I needed to document America at this pivotal time in history. 

“And I had to personalise this.

“It came to me a year ago that I needed to be me in the story and be closely connected to one of these people, and what that would look like, because they are personally affecting us. 

“I had to turn the volume on that to create this narrative, whatever turning into a dragon looks like.” 

The album follows the story of Tori trapped in a world run by billionaire tech moguls and lizard dragons, who threaten democracy through corporate greed and authoritarianism. 

Amos says: “Jane Mayer writes about the genesis of this in Dark Money, which is one of the most important books people need to read if they’re asking, ‘How did we get here?’. 

“This has been going on since the Seventies.

“As Mayer documents, figures like the Koch brothers — and I use that as an umbrella term for a wider movement — helped shape it, along with super PACs [organisations that spend millions supporting political candidates] and all the rest. 

“It seems there was an understanding that progressive teaching in universities had to be excavated, cut back and penetrated by a very tight right-wing philosophy that is now upon us. 

“And I’m not just talking about Republicans and Democrats. I’m talking about tyranny versus democracy.

“If you had asked me about this even around the Scarlet’s Walk era, I was already going after it through that record, and then through [2007 album] American Doll Posse during the Bush-Cheney administration with the wars, the manipulation, all of that. 

“Then there was a period of relief, when a different, more inclusive philosophy came in, whatever your politics are. 

“For me, it’s about the philosophy.

“As a songwriter, I’ve been tracking that through my career. 

“On this record, I had to take a personal journey and look at the effects of what this very small cabal of men is doing — and there are women involved too, we can’t get confused about that. 

“There’s Cambridge Analytica, the involvements of the Mercers, Rebekah Mercer [the right-wing US heiress and political donor] and all those interconnections.” 

The album’s story sees Amos’s character flee and reunite with her daughter.

This part is played by her real-life daughter Natashya, who co-wrote tracks Veins, Strawberry Moon and Stronger Together — the latter of which she also sings backing vocals on, and is one of the most emotional songs on the record. 

“She was in DC at the time, in law school, and she graduates in a few weeks,” says Amos proudly.  

“She’s going into criminal law and really had her finger on the pulse. 

“On a daily basis she’s seeing things that the wider public probably isn’t, unless you’re a political journalist. 

“We’re so inundated that the little freedoms being quietly taken away can be missed. 

“Criminal law is her calling.

“So, writing these songs with her, with her understanding of what’s happening in the field she’s chosen, and her exposure to the shock of what is being torn to pieces, was hugely important. 

“She says we are past constitutional crisis and what’s going on is absolutely shocking.” 

The final song, written last- minute for the album, is Ode To Minnesota — a response to the deaths caused by ICE agents there. 

She says: “Heinous, atrocious crimes are being committed and so this is the world of the record.”  

Amos, 62, has a long history of addressing America in song, and In Times Of Dragons continues that while exploring wider patterns of male power. 

It’s also a reminder of her role as a feminist icon and the influence she’s had on artists such as Lady Gaga, Florence Welch and St Vincent (real name Annie Clark).  

“Annie’s one of my dear friends,” she says of St Vincent.

“She’s fabulous. We have a giggle and I’m thrilled for her, for her art, and for the way she’s balancing motherhood so beautifully. 

“It’s lovely to see people who came to my shows when they were younger. 

“She’s talked to me about Choirgirl [Tori’s 1988 album From The Choirgirl Hotel] and what it meant to her when she first heard it, and we’ve had laughs about that. 

“And it’s the same with the guys too. 

“I’m off to an event later and the guy doing the Q&A used to stand by the stage door as a teenage gay kid.  

“To see these people grow up, and to still be able to bask in their creativity and development, is a beautiful thing to witness.” 

But while Amos is moved by the artists and fans who have grown up with her work, she is hesitant to define her own feminist legacy. 

She says: “It’s not for me to say, that’s more for other people to decide. 

“Believe it or not, I’m a bit introverted about that.

“What I think I’ve tried to do, and what I have done, is there for those who know it. 

“What’s important to remember is that there was no social media then.

“When people ask, ‘Was it easier back then?’, well, in some ways no, and in others yes. 

“We did have a music business with a few women in record companies, though only a few in executive positions.

“One or two could balls their way through, but you really had to.

“And if you didn’t have that tenacity in the Nineties — especially to get played on radio — it was tough. 

“At an alternative station in the States, they might add two women out of 64 slots, and the other 62 would be men.  

“I’ve spoken about that with some of my contemporaries over the years, Alanis [Morissette] being one of them, and it was not a good feeling — knowing that talented women with very good records were simply not being added to the station. 

“And touring took money. 

“That’s why I never had tour support.

“In the early days, I went out with just a piano, my tour manager and a sound guy. That was it. 

“We kept the costs down, and luckily the shows sold out, because the Press had really got behind me.” 

Today, Amos points to Dolly Parton as proof that women can keep evolving, performing and owning the stage on their own terms as they get older.

“She is fantastic and she’s aware we are a different generation that played this game and played it well,” says Amos.

“There are women who are still playing the game beautifully, and they still have the physicality and the health to do it.  

“I used to have a three-and-a-half octave range when I was doing those one-woman shows.

“But with the change of life — becoming a dragon, if that’s the menopause analogy — you adapt or you collapse.

“For me, it wasn’t a crisis in the way it has been for some women we’ve read about in the Press, and I have huge empathy for that.

“But vocally, I did have to make changes. 

“I didn’t want to alter the top lines of songs with those very high, wide-ranging melodies, so on the last tour I simply didn’t play them.  

“Then I thought, ‘No, that isn’t what I want.

“I want the whole catalogue available to me as a storyteller’. 

“So, I decided to bring in backing singers who could hit those notes.

“It was a strategic, compositional choice.

“I didn’t want to be in a position where I could only perform 40 per cent of my catalogue because of range. 

“And we’re having a blast. 

“They’re amazing singers. 

“I’ve gained four notes at the lower end and I feel like I’m down there rocking with Nick Cave, but that’s the trade-off. 

“I gained more on the lower end, while recognising that if I want to play those songs, you can only transpose them down so far before they lose their essence. 

“I have so much respect for Nick Cave.

“I used to run into him in the early Nineties.

“His work has always been a beacon of beauty and darkness — expansive work that makes you think.” 

Like Cave, Amos remains restlessly creative, and she is already thinking about where to go next.  

“After something as demanding as this, I’m doing a prequel to children’s book Tori And The Muses — that will be out next year,” she says.

“Her journey as a little girl with her muses.  

“It’s due next April — and there may be music to go with it too.” 

•  In Times Of Dragons is out on May 1. 

TORI AMOS 

In Times Of Dragons 

★★★★☆