pitt

What was the moment from the season finale of “The Pitt” that finally broke you?

Was it the shot of the day-shift staff watching the Fourth of July fireworks from the hospital roof, the sound of “America the Beautiful” playing in the distance? Maybe it was Dr. Al-Hashimi (Sepideh Moafi) crying in her car, realizing she can’t work around the seizure disorder that makes her a liability in the ER. Or perhaps it came when Noah Wyle’s Dr. Robinavitch (a.k.a. Dr. Robby) swaddled Baby Jane Doe, telling her that “everything’s gonna be just fine,” because she has “so many wonderful things to see and so many people to love.”

But what opened the floodgates for me, after the last half-hour of the episode left me completely dazed and dumbfounded, was Drs. Santos (Isa Briones) and King (Taylor Dearden) exorcising the day’s demons by belting out Alanis Morissette’s “You Oughta Know” at a karaoke bar and demonstrating that primal scream therapy is alive and well three decades into the 21st century.

Which is all to say: “The Pitt” is the only television show I’ve watched that gives me the same feeling I have when I read a great, immersive novel. When the end is near, I’m bereft. I’m Al-Hashimi in her car, wanting to pound the dashboard. I do not want to let these characters go. They’ve given me 15 hours and I still crave more. I would devour a series of short films about odd couple Santos and Whitaker (Gerran Howell) sharing an apartment or a summer spinoff showing Dr. Abbot (Shawn Hatosy) working off-hours as a SWAT medic. Anything to fill the long, “Pitt”-less weeks between seasons.

Instead, I’ll just have to content myself with scrolling through social media, watching fan-made videos of Dr. King self-soothing her way through the day, (this one, set to Vince Guaraldi’s score from “A Charlie Brown Christmas,” is the absolute best) and taking in the compilation of the show’s cast asking, “What’s the status on Baby Jane Doe?” in their best Katherine LaNasa Pittsburgh accent.

“The Pitt” won five Emmys from 13 nominations, including best drama series, for its celebrated first season, a 15-episode run that began with Dr. Robby up on the hospital roof talking down Dr. Abbot after an intense shift. The season ended with Dr. Abbot returning the favor after Robby and his staff ground their way through a day that included a mass shooting, a child drowning and a patient assaulting LaNasa’s no-nonsense charge nurse.

How do you follow that?

For a few episodes this new season, it looked like “The Pitt” wasn’t up to the task. We watched the ER staff dealing with a series of bloody, messy (the disimpaction!) medical maladies, an avert-your-eyes spectacle that felt like the writers were trying to one-up themselves and find the worst possible affliction to make viewers double over. Worse, the thrill of discovery that kept us invested throughout the first season, the slow drip of information about the characters, wasn’t quite there. Something was missing, and it wasn’t just Dr. Robby’s motorcycle helmet.

But the luxury of having 15 episodes is that the writers can take their time laying the groundwork for the story they want to tell.

And what a story it was.

Over the course of the season, we watched Dr. Robby disintegrate, his mental health more precarious than ever because he has done nothing to address his apparent PTSD. “You need help,” Dr. Langdon (Patrick Ball) tells Robby, confronting him in the finale. “Be honest with yourself.”

Robby isn’t the only one struggling, as Dr. Abbot puts it, to “dance through the darkness.” Langdon is back, managing his sobriety. Dr. Mohan (Supriya Ganesh) is having panic attacks. Santos is still dealing with self-harm. Dana remains haunted by that Season 1 patient assault and now carries a syringe containing a heavy sedative just in case somebody emerging from that overcrowded waiting room crosses the line again.

“I’ve seen so many people die that I feel like it’s leaching something from my soul,” Robby says. “I’m tired of feeling like I’m drowning every day.”

And there you have it, the subject of Season 2 of “The Pitt.” Medical professionals are gasping for air, and the American healthcare system, with its focus on profit above all else, is failing them and the patients they treat.

Remember Orlando, the patient with severe diabetic ketoacidosis who arrives at the ER after fainting? Orlando had to ration his insulin because he lacked insurance and felt he had to cut corners. He ends up leaving the hospital early, fearing the cost of treatment. Later he returns, having fallen (jumped) from a catwalk at his construction job, fracturing his skull. But good news: He now qualifies for Medicare and Medicaid due to long-term disability.

It’s a tragedy, one of many reasons the season finale shot of the ER staff holding back tears as they watched the Fourth of July fireworks felt like a body blow. “America the Beautiful”? How can that be true when the current administration is seeking $1.5 trillion for defense spending — nearly 50% more than this year — while cutting healthcare and social safety nets? How can that be true when an act known as the “Big, Beautiful Bill” removed funding from an already frayed healthcare system and exacerbated the shortage of care in rural areas of the country?

That one scene, the culmination of hours of careful, patient storytelling, said more about the disconnect between American ideals and America’s reality than anything else I’ve read or watched this year.

Give “The Pitt” all the Emmys. It has more than earned them.

Since launching at the start of 2025, “The Pitt” has emerged as more than just a hyperrealistic depiction of an embattled American emergency department. Using its hospital setting as a social microcosm, HBO Max’s Emmy-winning juggernaut has explored various systemic issues — including the misogyny that women of color face in the workplace.

“Some of the stories from real physicians and nurses that I’ve spoken to are so crazy. The system feels like it’s 15, 20 years behind other industries,” says Sepideh Moafi, who portrays attending Dr. Baran Al-Hashimi. “There is still this older culture of a boundaryless style of work where [there’s] a lack of understanding and compassion,” with respect to pregnancy and childcare, for working women.

“The Pitt’s” depiction of such subjects includes unflinching attention to microaggressions and unconscious biases. Isa Briones, who plays second-year resident Dr. Trinity Santos, recalls hearing from qualified on-set doctors that “a lot of female physicians will wear their lab coats, because it makes them look like more of an authority.”

“We have a female, half-Asian doctor on our set who consistently says that people talk to the nurse in the room if they’re a white man instead of her,” adds Supriya Ganesh, whose character, fourth-year resident Dr. Samira Mohan, is mistaken for a nurse in Season 2, despite having “DOCTOR” emblazoned on her name tag.

Supriya Ganesh.

(Justin Jun Lee / For The Times)

Nor is the series reluctant to show the other side of the dynamic, as doctors Robinavitch (Noah Wyle) and Langdon (Patrick Ball) lash out against their colleagues in lieu of acknowledging their own flaws. Although the women of “The Pitt” would never compare acting to saving lives, Briones believes that the experiences of women — especially from marginalized communities — share commonalities across many male-dominated industries.

“The entertainment business constantly feels like a boys’ club that you cannot penetrate no matter what you do, because it’s still always going to be these older white men who are making all the decisions,” she says. “That’s why seeing the storyline with Langdon and Robby informed my performance so much, because I know this feeling of being like, ‘Why the f— are these men fist-bumping each other? I’m also here! I’m doing my job too!’”

“As a woman in any field, if you express emotion, if you make your opinion or your voice heard, then it’s like, ‘You’re talking too much. You’re being hysterical,’” Moafi says.

Sepideh Moafi.

(Justin Jun Lee / For The Times)

In holding up a mirror to the healthcare system, showrunner R. Scott Gemmill also wanted to explore the linguistic diversity of its practitioners, allowing his actors of color to reconnect with their mother tongues.

“Language shapes who you are, how you see the world,” Moafi says. Al-Hashimi became a polyglot — speaking English, Farsi and Armenian — in part to curb the effects of a seizure disorder on her temporal lobe, which is crucial for language comprehension. “[Language] connects you to different registers in the body. The rhythms are different, and the emotional access is more immediate.”

During Season 1, Santos — who, like Briones, is half-Filipino — surprised nurses Princess (Kristin Villanueva) and Perlah (Amielynn Abellera) by chiming in on their gossip session in Tagalog. But wanting to show “a more vulnerable side of Santos” this season, Briones worked with her own actor father, Jon Jon, to find a Filipino lullaby that she could sing to baby Jane Doe.

To reflect the 100-plus languages spoken in the Philippines, they selected a Hiligaynon lullaby called “Ili Ili Tulog Anay.” Briones advocated for the scene not to have subtitles: “It should be just this quiet moment that you don’t have to understand [the language] to understand, but also it’s a great moment for people who do speak it to feel that little secret joy.”

For Briones, speaking Tagalog at work has opened up difficult conversations with her immigrant father, who feels shame about not passing down enough cultural knowledge to his children. “I’ve been starting with Rosetta Stone, so I can start conversing with my dad and then he can help me, because I want to be able to talk to my lola and she doesn’t have to work through English,” she says. “This show has reminded me of how important that is to me.”

Isa Briones.

(Justin Jun Lee / For The Times)

Ganesh, who grew up in New Delhi, felt strongly that Mohan should not be fluent in Hindi because of its similarities to Nepali, the language that doctors struggled to identify when treating a patient in the first season. Instead, the actor chose to infuse her own heritage into the character, who uses Tamil as a way to feel connected to her late father.

“She chooses to speak it with her mom, because maybe that’s the only other person she has in her life who she can speak it to,” explains Ganesh, who recalls consulting multiple generations of her own family — and even her on-set coach’s family — for the Tamil dialogue. “She wants to preserve that as much as she can, even though it’s already filtered through her being American and being born in this country.”

That part of Indian American culture will be lost next season, with Ganesh officially departing at the end of Season 2. The actor reiterates that the “creative decision” to write Mohan off was made by executive producers Gemmill, Wyle and John Wells: “They work with such intention on the show and make all the choices that they make for that reason, so I think it’s better to ask them for answers.”

“I’m going to treasure all the memories I had working with these two and everyone else,” Ganesh adds. “It’s been so great just getting all the love from the fans. I feel sad for them, too, that they won’t get to see this character.”

“The representation that you brought to the show is so beautiful,” Briones chimes in. “Seeing the fans ride for you so hard and be like, ‘This was the first time I felt represented on camera,’ it’s really gorgeous to see everyone coming out and celebrating that and celebrating you.”

For her part, Moafi believes that Dr. Mohan will be remembered for the way “she won’t compromise humanity in how she delivers care.” “The power of strength comes from vulnerability, and in order to go fast, you have to slow down,” she adds. “That’s something that is so ingrained in us, as women.”

BRAD PITT and Channing Tatum have halted work on their new Isle Of Man motorbike film after a serious crash at the TT Races over the weekend.

The pair are working on a new movie about the annual gathering, which is regarded as one of the world’s most ­dangerous motorsport events.

Filming had started on the Amazon MGM Studio production over the weekend but was stopped on Sunday following an accident on the opening practice day.

My on-set source said: “Channing was filming on loca­tion when the crash happened with one of the ­professional motorbike riders.

“It ended up being very serious, with eight people taken to hospital after one of the riders crashed into spectators.

“They were taken to hospital for treatment immediately.

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“The film is being made around the same areas so they have an authentic backdrop. As soon as the ­incident happened, filming was halted. Everyone on set was gravely worried about those involved in the incident.

“There is a reason the Isle of Man TT is known as the most dangerous motorbike race.

“The accident brought home to everyone the risks that are involved in this sport.”

Brad — who played racing driver Sonny Hayes in 2025 sports drama F1 — is a producer on the film, which is called Isle Of Man.

Channing has the starring role as one of the bikers.

Channing first started preparing for the film in 2023 when he was seen on the track meeting the riders and their teams.

A documentary series about the Isle of Man TT and called The Greatest Show on Earth, will be released in conjunction with the film.

Earlier this month, TT veteran John McGuinness said he had been helping Channing get ready for the role.

He said: “I speak to Channing a little bit and have a bit of a chat with him, and he just loves it — loves the bikes — I think it’s ­fantastic.

“It’s a big Hollywood thing. I know some of the guys who are involved in it and, you know, let’s hope it’s a success.”

Suki’s a belter

SUKI WATERHOUSE looks stunning in a new fashion campaign for Miu Miu.

The model-turned-singer posed in co-ords for the brand’s Upcycled collection as she gears up to release her third studio album, Loveland.

Suki, who signed a deal with Island Records last summer, will drop the record on July 10.

And it will be her first since she and actor boyfriend Robert Pattinson became parents.

She said: “I finished my last record right as I had my daughter, and this one has been everything since then. The process has been somewhat different because, I think, at the beginning of writing it, I was quite fragile.”

BRITNEY: I WISH FANS WOULD STOP RAKING UP MY PAST

BRITNEY SPEARS has called for an end to “embarrassing things” from her past being shown online – which doesn’t bode well for her big-budget biopic currently in the works.

The pop star made the plea to fans on Instagram weeks after being arrested for driving under the influence and subsequently checking herself into rehab.

In a post online, she wrote: “When you get that awkward, weird feeling you can start to feel that perhaps too much chatter is going on behind your back.

“It actually affects people. I still send them love but most importantly, I hope they feel my smile.

“The media has been a bit much in my opinion and I hope they can respect my unbelievable and miraculous spiritual journey.

“I’m so excited to embrace my journey and hope they stop showing embarrassing things from my past.”

Britney’s biopic was first announced in 2024, when Universal Pictures said it was working on an adaptation of her memoir, The Woman In Me, with Wicked filmmaker Jon M Chu as director.

I told last year how work on the much-publicised project was “not going at full speed” because of concerns that Britney was getting cold feet.

As it stands, the lead role has still not even been cast.

So perhaps Britney doesn’t need to worry about things being dredged up again quite yet.

Timothee Nicks kiss from Kylie

I THINK Kylie Jenner might be Timothee Chalamet’s lucky charm when it comes to his basketball team, the New York Knicks.

The couple were seen going bananas courtside – with Kylie giving Timothee a big kiss – after the Nicks beat the Cleveland Cavaliers to reach the NBA finals over the weekend.

It was the first time they have got there in 27 years, having last made an appearance when Timothee was four.

The joy wasn’t shared by everyone though, as across the court Taylor Swift was seen trying to cheer up her Cavaliers fan fiancé Travis Kelce.

As a Spurs supporter who almost chewed off every fingernail over the weekend, I feel his anguish.

SWIFTLY ON TO EMMYS

TAYLOR SWIFT was snubbed at the American Music Awards this week, but she’s not letting that stop her.

The chart-topper has already set her sights on September’s Emmys.

The Look What You Made Me Do singer has submitted her Eras Tour: The Final Show for Outstanding Variety Series and The End Of An Era show for Outstanding Docuseries.

Both were released on Disney+ last year and have become two of its most streamed shows.

Something tells me that Taylor could be getting at least one win in a few months’ time.

KYLIE MINOGUE has only just released her Netflix docuseries, but she is already giving fans more with Kylie: Tension Tour Live, out today on the streamer.

The behind-the-scenes look at her 2025 arena shows gives fans the chance to relive the concerts and her biggest tour in a decade.

PINK P’S BID WAS POINTLESS

PINKPANTHERESS has discovered that there really is such a thing as being too famous.

The Boy’s A Liar singer told fans during her Manchester show on Monday that she once tried to go on BBC quiz show Pointless, only to be rejected because producers thought viewers would recognise her.

She said with a laugh: “I applied for Pointless once and they said I was too famous.”

Given most contestants dream of being remembered for something on the show, that’s really quite a nice problem to have.

MAISIE PETERS is on course to score her second No1 with third album Florescence, two years after The Good Witch topped the charts.

She has competition though from Michael Jackson’s The Essential hits compilation, which is behind at No2 in the midweek figures from the Official Charts.

ARRDEE’S DRUG PAIN

ARRDEE has opened up about his secret battles with alcohol and ketamine addiction, admitting he blew the entire £300,000 from his first record deal on booze and designer clothes.

The Brighton rapper revealed he landed the huge payday aged 18 after bluffing rival labels into a bidding war.

But instead of saving the cash, he confessed: “I p**sed it up the wall.

“I didn’t save a penny even for the tax man. I didn’t even know what tax was.”

ArrDee admitted splashing thousands at Selfridges on Stone Island jumpers and Ralph Lauren polos before spiralling into years of heavy drinking and drug use.

He said: “I was super-numb. We was rock-star living.”

The rapper revealed he would drink heavily while filming videos and eventually developed addictions to alcohol and ketamine.

Asked if he believed he was addicted, he replied: “100 per cent.”

But speaking to Paul C Brunson on his We Need To Talk podcast, he said his older brother suffered a drug-induced psychosis, which changed his outlook on life.

He added: “If I could turn back time and not have fame and music, but have my brother be how he was before, I would.”

The rapper has since settled down with his partner Ocean and they now have a child together, which helped him re-evaluate life.

And he admitted: “I always thought I’d be a bad dad because I didn’t know what a good one looked like.”

It’s Baller or nothing for AJ

AJ TRACEY brought the heat to the Baller League final when he debuted his new track Quaresma live at London’s O2 Arena.

The song was inspired by Portuguese football great Ricardo Quaresma, and rapper AJ walked out with the man himself in front of a packed crowd

The football wasn’t bad either.

Prime FC, run by KSI, took the crown, beating YouTuber Niko Omilana’s NDL FC 5-2 in the final to become Baller League Season Three champions.

Prime FC knocked out Deportrio FC, managed by former Premier League stars Micah Richards and Daniel Sturridge, in a chaotic 5-3 semi-final.

Where else can you watch football legends, YouTubers and AJ Tracey all share the same pitch?

Only in the Baller League.