pitt

Something’s in the air this fall — and it’s not just the autumnal chill. For some reason, survival thrillers are all the rage; there are even two featuring a man and his dog. First, we had Ridley Scott’s “The Dog Stars” with Jacob Elordi and a Belgian Malinois traversing a postapocalyptic landscape.

The latest is “Heart of the Beast,” an Alaskan-set story about two combat veterans — one human, one canine — who set out for a post-retirement camping trip and find themselves in a perilous situation after the human, retired Special Forces officer James (Brad Pitt), suffers a heart attack while piloting his seaplane. James and his combat dog Odin survive the crash, just barely, but they’re stranded deep in the wilderness, miles from civilization.

The film is directed by David Ayer, a purveyor of wild action flicks and ballads of masculinity; the screenplay is the debut effort of Cameron Alexander. Their intent is to deliver something muscle-bound and emotional — if a man can’t cry about an Army dog, what can he cry about? But until the last two minutes of the film, “Heart of the Beast” is essentially “Homeward Bound” for adults. You know, the 1993 kids adventure film featuring a golden retriever, a bulldog and a cat named Sassy who have to make their way home through the wild. Marry the structure of that film with a Jack London-inspired milieu, add some blood, gore and rather cheesy Iraq war flashbacks, and you have “Heart of the Beast.”

We watch James as he’s rained on, chewed on, pulls trunks out of an icy lake, falls off a log, breaks his arm, faces down a bear, fights off wolves, sustains many head injuries and inexplicably keeps going, in hopes of saving if not himself his dog, the most important creature in his life.

And oh, is Odin worth it. Played by four different dogs named Uber, Seeka, Ryker and Hondo, the performance that these dogs collectively deliver is worthy company to an Oscar winner — the dogs may even eclipse Pitt for sheer screen presence. With every whimper, sigh, howl, bark and head tilt, these dogs create an empathetic portrayal of a highly intelligent creature that has been through battle and has the scars (and nightmares) to prove it. Odin is a bionic dog, with titanium teeth and a prosthetic foot from injuries sustained during wartime, but nothing slows him down, not even a plane crash. However, the film does have its limitations when it comes to the other wildlife, all digitally created and the CGI isn’t convincing in the slightest.

“Heart of the Beast” is an onslaught of danger and misery, alleviated only by the pleasure of watching James’ survival skills and ingenuity. This man makes a lot of mistakes on this journey (he’s constantly calling himself “stupid” and “dumb”), but he’s also kind of a MacGyver. He starts a fire with cotton balls and Neosporin. He carries an alarming number of knives. He splints his own arm. If anything, it’s an excellent lesson on carrying the right gear and always taking medical supplies on a camping trip — if you ever go camping again after this.

Pitt typically excels when there’s a little (or a lot) of levity for him to exercise his loose-limbed charms and there’s precisely none of that in “Heart of the Beast.” Ayer pushes the emotional and physical extremes and it feels like a dirge: a forced march through the muddy Alaskan wilderness with plenty of body horror on top. The one moment of camaraderie comes in the beginning, when James shares a beer with a mysterious stranger (J.K. Simmons) who happens upon his camp and might even be an apparition of an old miner. James does share moments of affection and victory with Odin but there’s nothing to relieve the constant danger, even though structurally, the film has already sapped its potential suspense.

“Heart of the Beast” has its highs and lows but cinematically, it’s a mixed bag — entirely predictable and just not great. Nevertheless, there’s no denying that the star of the movie is indeed Odin and he’s a very, very good boy.

Walsh is a Tribune News Service film critic.

AN 80s rock icon, who was once in a love triangle with Hollywood A-listers Brad Pitt and Christina Applegate, looked unrecognisable as he strolled through an airport.

This famous singer, now 58, passed by fellow travellers unnoticed – but can you guess who it is?

The rock star in question is none other than Sebastian Bach, known for the heavy metal band, Skid Row.

The group shot to fame almost four decades ago with hits like Youth Gone Wild and 18 and Life.

With his trademark long locks tied back in a ponytail, Sebastian strutted through LAX Airport with his haul of luggage in tow.

The rocker is currently on tour with Skid Row and fellow heavy metal band Twisted Sister, and was jetting into Los Angeles after playing in Oklahoma.

More on unrecognisable stars

ALL GROWN UP

Noughties pop star looks unrecognisable as she flashes toned tum – guess who?

NEW LOOK

80s movie icon unrecognisable at 66 on rare day out in LA – can you guess who?

Sebastian was dressed down for his flight and was wearing a black t-shirt and matching jogging bottoms.

The singer went unnoticed in the airport as he got ready to head home, before his next gig in Washington at the end of the month.

During his heyday, the rock legend was famously caught up in a love triangle with two of Hollywood’s now-elite stars.

The twice- married singer, who is currently wed to wife Suzanne Le, got in the middle of Brad Pitt and Christina Applegate‘s romance.

Known for his heartthrob status, back in 1989 Sebastian, who was 21 at the time, caught the eye of a 17-year-old Christina – who was dating rising star Brad Pitt, who was 25.

Things kicked off when the young couple attended the MTV Video Music Awards together that year.

However, despite having hunky Brad on her arm, Married With Children star Christina found her head had turned in the direction of Sebastian – and she ditched her date for the rocker.

Speaking in her memoir earlier this year, the actress told fans exactly what happened.

“I had spent all night staring at Bach, who was then a long-haired hunk fronting the band Skid Row,” she penned in her book, You With The Sad Eyes.

“I hate to put it like this, but Brad back then was still making his way as an actor, and he wasn’t yet THE Brad Pitt, the man of so many people’s dreams.”

Continuing, Christina wrote: “And it gets worse: Brad was left to sullenly drive my mom … home.

“Apparently, at a gas station on the way, Brad almost got into a fight with a bunch of gang members, and, not surprisingly, was subsequently very mad at me.”

The Dead To Me star also revealed that Brad didn’t speak to her after the incident for many years. – but added that they are “friends again” now.

“Eventually, we agreed that I’d been a kid, and though he deserved much better, it was time to forgive the child who dumped him for the lead singer of Skid Row,” Christina said.

“Of course, Brad is now THE Brad Pitt, and Sebastian Bach … well, he still has long hair, I guess.”

Sebastian also reflected on him stealing Christina, now 54, from Brad, now 63, and told Billboard earlier this year: “I was a single guy on tour, in a band, and I met a lot of girls and Iapologisee if I hurt her…If I hurt anybod,”.

“When you’re young you get thrown into the whirlwind of rock ‘n’ roll, meeting a lot of people and you’d better hold on tight.

“It’s like being on a roller coaster.

“It was a long time ago. If I hurt anybody, I apologise for it.”

Jean Smart earns fifth Emmy for “Hacks,” becoming the first to win lead comedy actress for every show season.

Emergency room drama “The Pitt” and comedy-horror “Widow’s Bay” have won television’s highest honours, the 78th Primetime Emmy Awards, presented in Los Angeles.

Set in a cursed New England town, “Widow’s Bay” won the best comedy series prize on Monday, overcoming last season’s winner, “Hacks”.

Matthew Rhys, starring in “Widow’s Bay”, made history by becoming the first person to win two lead acting honours at the same ceremony. Fellow actor in the TV series, Stephen Root, won best supporting actor in a comedy, beating favourite Harrison Ford of “Shrinking”.

“Thank you, sir, for all your many years of great, great, great acting,” Root told Ford during his acceptance speech.

“Hacks” actress Jean Smart won her fifth Emmy for portraying stand-up comic Deborah Vance, making her the first actress to win the award for best lead comedy actress for every season of a show’s run. Smart has won eight Emmys overall in her acting career.

“What a ride this has been,” Smart said after receiving a standing ovation.

Actress Julia Louis-Dreyfus is the only performer to come close to Smart’s comedy lead actress sweep, having won the award for six of the seven seasons of the political satire “Veep”.

Noah Wyle, who starred as Dr “Robby” Robinavitch on “The Pitt”, told the Emmy audience it felt overwhelming to win his second straight Emmy for best lead drama actor.

“The Pitt”, set in a Pittsburgh emergency department, won its second consecutive Emmy award for best drama series, beating fellow nominees including “Pluribus”, “Paradise” and “The Diplomat”.

“This is the only club I’ve ever wanted to join. Thank you for accepting me,” Wyle said while accepting the award.

Rhea Seehorn won best actress in a drama for playing the lone character on “Pluribus”, after being nominated twice without receiving any honours for her breakthrough role on “Better Call Saul”.

Vince Gilligan, who created “Breaking Bad” and its spin-off “Better Call Saul”, won best drama writing for “Pluribus”.

“The Late Show with Stephen Colbert” won for best variety series, concluding its farewell season with six total Emmys after CBS cancelled the programme, citing financial pressures.

Colbert rejected that explanation, accusing network executives of succumbing to pressure from President Donald Trump over his frequent mockery of the administration.

Los Angeles: The brightest stars in television are set to walk the red carpet Monday at the Emmy Awards, with horror-comedy series “Widow’s Bay” and gritty hospital drama “The Pitt” expected to win big.

Apple TV’s “Widow’s Bay,” which stars Matthew Rhys as the leader of an isolated New England island that appears to be haunted, has emerged as one of the most talked-about debut series of the year.

“People just love that show,” Christopher Rosen, deputy editor of Hollywood news outlet The Ankler, told AFP.

It scooped up eight awards in the pre-gala ceremonies, and is in position to become the most awarded comedy series in a single year, surpassing the 13 trophies won last year by Seth Rogen’s Hollywood satire “The Studio.”

Rosen said he believes that Rhys — a winner for best drama actor for “The Americans” in 2018 — could now earn his first comedy Emmy.

A strong night for “Widow’s Bay” does not bode well for “Hacks,” the tale of a stand-up comedian trying to revive her career and the dysfunctional millennial assistant who helps her.

Its one solid bet left in the running – and maybe its only statuette, says Rosen – is a best actress prize for Jean Smart.

“That’s a great way to honor the final season,” Rosen told AFP. “She’s never lost from playing this part. I don’t see why she would lose for the final season.”

Smart, who turned 75 on Sunday, has won four Emmys for the show so far.

A win on Monday would give her eight acting Emmys, tying her with Julia Louis-Dreyfus and Cloris Leachman for the most ever by a performer. Allison Janney is also vying for her eighth Emmy, for “The Diplomat.”

’The Pitt’ expected to repeat as best drama

“The Pitt,” last year’s winner for best drama, follows the stressed-out workers in a Pittsburgh emergency room, with each episode unfolding in real time.

Tackling everything from abortion rights to immigration crackdowns to mass shootings, the show is the odds-on favorite to sweep several drama prizes including best series.

“If ‘The Pitt’ doesn’t win, it would be a tremendous shock,” Rosen said.

It led all shows with 25 nominations, and already won four awards in the early ceremonies, including best casting for a drama series.

Star Noah Wyle, who has racked up awards over the past year including an Emmy, is expected to triumph again. Seven of his co-stars are hopefuls in the supporting acting categories.

For best drama actress, Rosen says it will be a race between “Pluribus” star Rhea Seehorn and Keri Russell for political soap opera “The Diplomat.”

In the limited series categories, HBO Max’s “DTF St Louis” – the tale of a middle-aged love triangle gone wrong – is a top contender.

The show has scooped up six prizes so far, including two for actors David Harbour and Linda Cardellini.

Dolly tribute

The 78th Emmy Awards gala will be hosted by “Law and Order: SVU” star Mariska Hargitay, who won two Emmys for her documentary “My Mom Jayne.”

It will feature a tribute to late country music icon Dolly Parton, who was also an Emmy winner, and a performance from Noah Kahan, who will sing “Bridge Over Troubled Water” during the broadcast’s In Memoriam segment.

The gala also will deliver some TV nostalgia, with “Buffy the Vampire Slayer” stars Sarah Michelle Gellar and David Boreanaz among the presenters, along with “Charlie’s Angels” stars Kate Jackson, Cheryl Ladd, and Jaclyn Smith.

Zendaya, a past winner and current nominee for best drama actress for “Euphoria,” is on the list of presenters, guaranteeing at least one bona fide red carpet moment.

The Emmys ceremony begins at 5:00 pm Monday (0000 GMT Tuesday).