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JENNIFER Lopez’s first husband squared up to Sean “Diddy” Combs in a blazing row after the rapper had an affair with his wife, The Sun on Sunday can reveal.

In a world-exclusive interview, Ojani Noa — the original Mr J-Lo — claims he confronted the disgraced star in a terrifying Hollywood bust-up.

A defiant Ojani reveals: “She cheated on me with Diddy.

“I confronted him and told him I wasn’t scared of him.”

Ojani also tells for the first time how Diddy threatened superstar Jennifer — now 57 — and verbally abused the singer at her own home, leaving her “in fear for her life”.

Cuban-born Ojani married J-Lo in 1997, a little over a year after a passionate whirlwind meeting but they split 11 months later as Jennifer’s hunger for global fame took over.

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Jennifer then started officially dating Diddy, now 56, in 1999 but the toxic couple finished their tumultuous relationship in 2001.

Now her relationship with Diddy has come into the spotlight again after he was accused of running a sex-trafficking ring and convicted last year of engaging in two counts of transportation of prostitution.

Ojani, a 52-year-old personal trainer living in Florida, today discloses for the first time the explosive moment he stepped in to protect his ex-wife from the Bad Boy Records founder.

He recalls: “It was the year she dumped him.

“We were still friends and we had decided to start over again.

“Everyone makes mistakes and deserves to be forgiven once.

“She had tried to dump Diddy before and he had threatened her and her family.

“He turned up to her assistant’s birthday party in Los Angeles — which Jennifer had thrown for her — and everyone was shocked.

“I went over to him and told him to leave and he told me to back off. He asked me who I was, to which I replied, ‘F*** you’. I told him he had slept with my wife.

“Jennifer got in between us. She said he would leave but he didn’t.

“I got upset with her and at the end of the night she got in his car and left.”

The dramatic showdown at the party was only the beginning of a terrifying campaign of intimidation.

Ojani says that a few weeks later Jennifer — who has always remained notoriously tight-lipped in public about her dark history with Diddy — called him, “terrified” after the rapper turned up at her Los Angeles home and began screaming her name.

He reveals: “She said she was scared and afraid so I instantly left work and came over.

“When I got there it was pitch black and I couldn’t see anyone, so he must have been hiding. As I drove in he started shouting and telling her he knew I was inside.

“That’s when I fronted him up. Jennifer was on the balcony and told me not to as she was worried.

“She told me he had guns but I told him that I would f* him up.

“She said she was going to call the cops but a neighbour must have called them as they turned up and Diddy ran away.

“She had said to me before that he could do bad things. But I told him to his face that he was a coward.

“That’s why he was always with bodyguards with guns because anyone could take him one on one.”

Ojani arrived in the US illegally aged 15, after making the perilous 90-mile trip from his home in Cuba to Florida with six friends on a homemade raft.

Washing dishes at Latin pop singer Gloria Estefan’s Miami restaurant, Larios On The Beach, the ambitious 22-year-old worked his way up to become head waiter.

It was there that he first locked eyes with Jennifer, then 27. The pair hit it off immediately and Ojani packed up his life to move to Los Angeles to be with her.

He famously asked her to marry him with a diamond ring during the crowded wrap party for her breakout film Selena.

Lucrative offers came flooding in from every corner of the entertainment industry, including a multi-million-dollar record deal from Sony music mogul Tommy Mottola.

But that meteoric rise to the top was the moment things started to unravel between the newlyweds.

Ojani says: “Everything was great and we were so in love.

“I was in charge of launching a nightclub in LA called The Conga Room which was part-owned by Jen, while she went off to make her debut album — On The 6 — in New York and Miami. That was when Diddy was drafted in to help produce several tracks.

“They knew each other way before the media reported they did.

“She started hanging out with Diddy more and more, and I started seeing her less and less.

“Then the rumours started. I still had a lot of friends working in Miami hotels who would call to say they had seen them hanging out and leaving together.

“She would tell me it was just work. But then a picture appeared in the US magazines of her sitting on Diddy’s lap at the pool of Miami Beach Hotel. We started to fight really badly as I knew she was cheating on me.”

Desperate for answers, Ojani took a six-hour flight from Los Angeles to Miami to sneak past security into Jennifer’s luxury hotel suite.

He waited for hours to challenge her face-to-face.

“She was on her own,” he said.

“But she was shocked I was there.

“I told her again she was cheating and we got into a massive fight.

“The next morning she went to the studio and I went back to Los Angeles. She rang me and said I couldn’t do that again.”

As the marriage crumbled, Jennifer’s public relations machine was working overtime to present a picture of domestic bliss to the world.

Ojani says an appearance on the Oprah Winfrey Show, where a beaming J-Lo told millions of viewers that she was “happily married”, was the final straw.

“We went to the Oscars and she was using me so she could pretend to everyone that everything was OK. It wasn’t. So we got divorced.”

It was the first of her four divorces. She went on to marry dancer Cris Judd, music icon Marc Anthony, and actor Ben Affleck.

• Tomorrow: Read the truth about her marriage to Ben Affleck.

Additional copy: Graeme Culliford.

The Broad’s “Yoko Ono: Music of the Mind” is more mind than music. She opens your mind; you make the music. Look into an empty “Box of Smile” and maybe you will. “Give Peace a Chance” — of course.

She breaks, and she mends, and not just your mind. Something tells me the Broad won’t go along with Ono’s “Collecting Piece II” from 1963, which has the following instructions: “Break a contemporary museum into pieces with the means you have chosen. Collect the pieces and put it together with glue.”

That’s a smile piece, too, although Ono looks all business holding a crystalline hammer on the catalog cover photo. I still smile when I recall how her piece for an orchestra that asks the players to bang their heads against a stage wall utterly delighted an audience and musicians at a performance in New York. Only Ono remained deadpan.

There were more smiles Saturday evening when The Broad, in collaboration with REDCAT across the street, presented a program of two Ono performance pieces. It began with six members of the Los Angeles Chamber Orchestra playing Boccherini’s First Sextet. This happens to be the first work ever written for pairs of violins, violas and cellos, as an expression of freedom that, in 1776, felt revolutionary.

Perhaps that is why LACO chose the Italian composer to represent a contemporary revolutionary artist in the wake of our 250th July 4. The actual piece being performed was Ono’s “Sky Piece for Jesus Christ,” in which she instructs an orchestra, whatever size (although she tended to like something larger than a sextet), to begin by playing a work, say, by Mozart.

It doesn’t much matter what is chosen, because at the premiere in a 1965 Fluxus concert at Carnegie Recital Hall, Ono and a couple of colleagues crept on stage and began wrapping the musicians in gauze. After a few minutes, they could no longer play.

Amusing, yes, but this is also an act of silencing, maybe even passive-aggressive violence. You smile (and a player or two at REDCAT couldn’t suppress a smile), but you don’t feel so hot doing so.

Members of the L.A. Chamber Orchestra covered in gauze while performing Yoko Ono’s “Sky Piece to Jesus Christ” at REDCAT.

(Gina Ferazzi / Los Angeles Times)

There is, in fact, more to this “Sky Piece” than meets the smile. Ono meant Jesus Christ to stand for John Cage. Cage was a key inspiration for Ono’s art. When the Beatles broke up and Ono and John Lennon moved to New York in the late 1960s, they first wanted to be as far from the limelight as possible, Ono having been demonized in the popular press over supposedly breaking up the Beatles (she didn’t!!!!). Cage found them a small two-bedroom apartment next door to him and his partner, Merce Cunningham, in their modest West Village building (a significant fact curiously ignored in the otherwise illuminating new documentary “One to One: John and Yoko” about the couple’s new New York life there).

Ono and Cage had a long, meaningful but not always easy relationship. Cage, who wrote music to suppress his ego, had a problem with Ono’s exhibitionism. In 1962, he dedicated a piece to Ono titled “0’00” (4’33” No. 2),” an Ono-like composition with a single sentence of instruction: “In a situation provided with maximum amplification (no feedback) perform a disciplined action.”

Cage later added other qualifications. One insistence is that the action should fulfill an obligation to others. However much Ono’s “Sky Piece” comes across as a playful Cage rejoinder, Ono did, the year before in Kyoto, create what could be called a version of “0’00”,” although an actual silent piece.

This is her famous “Cut Piece,” which the performance artist known as MPA performed at REDCAT following “Sky Piece.” It was clearly the draw that caused the program to be sold out months in advance.

There are many meanings that have been inscribed to “Cut Piece,” in which Ono invited the audience to come on stage and, with a pair scissors, cut off a small piece of her dress. Along with questioning social and sexual taboos, feminism and acts of aggression, Ono also confronts her own issues with ego from a Buddhist perspective, just as Cage had.

“Cut Piece” has a central place in Ono’s work as do film clips of her performing it in the Broad exhibition. Ono sits without a trace of emotion as she is stripped bare. Attention is directed away from her to the cutters. But the action is nullified by the fact that Ono assumes the stoic posture of the Buddhist monks seen in the news at the time setting themselves aflame in protest of the Vietnam War.

War had, indeed, inspired Ono in her shocking, exhibitionist (however ego-denying) disciplined action. It’s fulfillment of an obligation to others is, like so much in Ono, a two-edged sword forcing us — be we active cutters or passive observers — into contemplation of violence.

MPA’s performance was extraordinary. She introduced “Cut Piece” by noting that in Ono’s six performances over a half-century, the last in 2003 in response to the Gulf War, anger had turned into something more gracious. It was her way of saying to a new generation, give peace a chance.

To begin her own performance, MPA announced that she has retained Ono’s intent to perform “Cut Piece” in time of war. She said take the square of clothing and honor it, let it mean something to you.

At the few performances I’ve seen of “Cut Piece,” there has typically been audience hesitation at first. Not this time. What looked like almost half the full house immediately walked on stage and lined up. In the age of Instagram, everyone’s 15 minutes of fame has turned into an eternity. The cut piece of fabric — a custom garment designed by Victor Barragá — becomes proof of not missing out.

Most cutters approached MPA self-consciously as if walking to a casket at a funeral, although a few acted more like performers themselves wanting to be seen. Through it all, some 40 minutes, MPA didn’t move a muscle. It was as if she had abstracted herself from scissors and spectators, projecting not so much courage as strength. She inspired silence.

An evening that had begun as silencing a smiling sextet ended in a sublime effort to open the mind beyond body and music to give peace a chance.

WASHINGTON — Democrats are making a growing effort to adopt a pragmatic focus as they campaign on affordability in the midterms, as some within the party push for moving away from ideological arguments.

Across the country, Democratic candidates are trying to win over voters by talking about real-life scenarios, framing other platform issues in economic terms and, strategists say, aiming to shift a perception that Democrats deal in the abstract.

They see an opening created by voters’ focus on the economy and their ability as the party not in power to leverage affordability as the key midterms issue as Trump’s economic approval remains low. Trump has dismissed the issue, calling affordability a “hoax” by Democrats while also promising economic improvements.

“There has been a learning process in being able to take what Trump and the Republicans are doing and make sure that [candidates] are coming back to the real-world economic implications of whatever that might be,” Democratic strategist Alex Jacquez, who served in the Biden White House. “That’s where maybe [Democrats] haven’t always, in the recent past, made the full connection all the way through.”

Now, “the moment is ripe,” he suggested, for the party to shift its image.

The Democrats’ concentration on affordability and the economy has defined their midterm messaging, playing off elevated inflation, the effects of Trump’s tariffs and high gas prices caused by the war in Iran. The party is attempting to capture enough swing voters to win a House majority in November, and some believe the Senate could also be within reach.

Polling shows pessimism about the economy has increased among all Americans and most believe the country is in an affordability crisis. Americans most frequently mention government leadership and economic issues as the country’s most important problems in Gallup polling.

Voters also increasingly disapprove of Trump’s handling of the economy, including working-class white voters who make up a key part of his base. In an NPR/PBS News/Marist Poll last month, Americans gave the president his lowest-ever approval rating on the economy at 33%.

Speaking in Pennsylvania on Thursday, Trump said of affordability: “That’s a fake word that they use. They caused the affordability problem. It’s called high prices.”

Rep. Adam Gray, a Democrat who represents a purple Central Valley district and is a member of the center-left Blue Dog Coalition in Congress, said he believes voters have grown frustrated by the failure of Washington lawmakers to pay attention to what the people want out from government.

He pointed to Central Valley growers whose business has been affected, he said, by the rising price of fuel and fertilizer, the squeeze on the labor market caused by immigration enforcement and changes to federal programs.

“How regular people experience politics, it’s not the kind of ideological debates we have in Washington,” Gray said. “It’s the experience of doing something, whether that’s shopping for groceries or going to the lake to go boating with your family and realizing the price of gas is through the roof or the road to the lake is in disrepair.”

At a time when Democrats have debated how to embrace a party identity beyond opposing Trump and intra-party fights between progressive and moderate candidates have drawn attention, some believe the “practical” tactic may offer one key to the party’s path forward.

In Texas, Democratic candidates are pointing to the impact of data centers on water supply or the consequences of the state’s abortion ban, said Matt Angle, director of Lone Star Project, a political research organization that works to help get Democrats elected.

“The fact that Corpus Christi is running out of water … [or] you have women who have died because they were denied abortion services,” Angle said. “It’s very important that those things not be talked about in ideological terms but in practical terms. I think Democrats are doing a better job of that than ever before.”

“Real life is happening on the ground,” Angle added. “I think Democrats see that.”

Republicans pursued a similar strategy successfully in 2024, and their attacks on Democrats for focusing on cultural issues may have been successful in pushing Democrats away from that messaging, said Republican strategist Brittany Martinez.

“They have made it clear that’s the direction in which they’re trying to go,” she said of Democrats. “I also think you have outliers of the party that sometimes suck all the oxygen out of the room and maybe derail that message.”

National Republican Congressional Committee spokesperson Christian Martinez said Democrats’ economic record, including in California under Gov. Gavin Newsom, demonstrates a failure to prioritize working families.

“It’s laughable that Democrats are trying to make kitchen-table issues their brand,” he said. “It only proves their political brand is broken, while Californians continue living every day with the receipts from Democrats’ failed agenda.”

Republican National Committee Chair Joe Gruters said Thursday at a summit convened by the Washington-based news outlet the Hill that he was confident the party would retain the House and Senate and projected optimism about the economy.

“He’s going to bat for the American worker every single day,” Gruters said of Trump. “He’s going to continue to do everything he can to get the nose of the economy in this country up and to get prices down.”

But as Trump appears to prioritize other issues, Martinez said, Republicans are facing their own uphill battle to win over swing voters.

“When the president has mocked affordability, said it’s not a crisis, I don’t think that helps [Republicans],” Martinez said. “Democrats have an opportunity to capitalize on that right now.”

Both moderate and progressive Democrats see the moment as a chance to define what the party stands for beyond opposing Trump, and both have seized on real-life arguments, though the approaches differ.

Progressives have long framed a spectrum of issues in economic terms, said Usamah Andrabi, spokesperson for the progressive caucus Justice Democrats.

“That has always been the progressive economic playbook, and I think it’s about time that the other wings of the Democratic Party catch up to us,” Andrabi said.

That also means, he said, not backing away from other issues, such as abortion, foreign wars and healthcare.

“It has always been the right that has sought to divide our communities on these so-called culture war issues,” Andrabi said. “Our vision forward should be one that includes everyone… That does not mean simply ignoring some people’s most urgent crises to focus on something else, because these are interconnected.”

Climate advocates, for instance, are “effectively connecting” climate to top midterm issues, including including gas and utility costs, AI data centers and the Iran war, said Jamie Henn, executive director of nonprofit communications lab Fossil Fuel Media, and have encouraged Democratic candidates to do the same.

“Climate, like many issues, doesn’t win itself on its own merits. It’s in the ways that you talk about it and connect it to kitchen-table issues,” Henn said. “Do it in the right way – it’s not a science lecture on global warming, it’s a story about how clean energy can reduce your bills.”

Still, getting more candidates to pick up those messages can be a steep climb, he said. Advocates in some spaces, including climate, have worried about their issues being sidelined.

“There are Democrats that could be threading this needle who aren’t,” Henn said. “We know the issues that climate needs to be connected to, but [politicians] need… to do a better job to clearly articulate the messages.”

Kris Jenner’s mom, Mary Jo “MJ” Shannon, has died.

Jenner announced the news of Shannon’s death Thursday in an Instagram tribute. She was 91.

“Today, we said goodbye to my beautiful Mommy MJ. … There are no words that could ever capture what she has meant to me or the heartbreak of having to say goodbye. My mom was the heart of our family.”

Jenner wrote that her mother, the matriarch of the Jenner-Kardashian clan, taught her everything that “truly matters.”

“To love your family fiercely, to be kind, to show up for the people you love, and to never take a single moment together for granted,” she wrote alongside a glamour shot of Shannon. “She taught us that family is everything. She showed us how to love unconditionally and how to find joy in the little moments. She showed me how to face life’s challenges with resilience and faith.”

Jenner concluded the post with an open letter to MJ:

“Mom, thank you for every sacrifice you made, every piece of wisdom you shared, and every moment you loved us so completely. I will miss our daily talks, your smile, your laughter… Our hearts are broken, but we find comfort knowing that love like yours never truly leaves us. Your love will live on in our family, in our traditions, in every moment we are together, and in every life you touched. When I look at my kids and my grandkids, I will forever see pieces of you in all of us. There is not a part of me that isn’t shaped by you. And if I have done anything right in this world, it’s because I spent my life trying to live in a way that would make you proud. Every memory, every moment, every blessing, it was all because of you, and I will forever thank God every single day for making you my mommy. My heart is broken into a million pieces… thank you for giving me the greatest childhood and oh what a beautiful blessed life… I love you forever Mommy. Thank you for giving us everything.”

Born Mary Jo Campbell on July 26, 1934, MJ married her high school sweetheart, whom she divorced two months later. Then in 1954, she wed Jenner’s dad, Robert “Bob” True Houghton. She gave birth to Jenner the following year and Jenner’s late sister, Karen Houghton, in 1958. After seven years of marriage, MJ and Bob called it quits and she married Harry Shannon, a businessman who helped raise Jenner and her sister in San Diego, where MJ ran a children’s clothing store.

Harry Shannon died in 2003.

MJ was featured on the famous clan’s E! reality series “Keeping Up With the Kardashians” and the follow-up Hulu series “The Kardashians” numerous times over the years. In a clip from the show, granddaughter Kim Kardashian detailed that her grandmother had survived colon cancer and breast cancer and, in her sunset years, struggled with sickness resulting from the cancer treatments.

In one clip from the show, MJ said she didn’t have an appetite without taking her “medication” first. Then she persuaded her daughter, Jenner, to have marijuana gummies with her. Together they lit some incense and munched on muffins and chips and guacamole.

In another clip, Jenner interviews MJ about her life, and during the sit-down, Jenner asks MJ, “What’s your biggest fear?”

MJ replies, “I try not to fear,” and then follows up asking Jenner what her biggest fear is.

Jenner starts to cry and says, “I don’t want to say it. I can’t believe I’m crying. … Just, losing someone.”

On Thursday, Kim Kardashian caught flak online when a post featuring the Skims mogul and her sister Khloe Kardashian swigging tequila from a boat on a lake published shortly after Jenner announced the news of MJ’s death.

“This post was scheduled a few days ago before we lost MJ, so its timing came right alongside her passing,” Kim wrote in the comment section of the post. “I’ve been by my mom and grandma’s side this past week, and my heart is completely with my family right now. We love and miss her so deeply, and in the days ahead, we’ll be focusing on celebrating her beautiful life.”

Kim followed up with a post celebrating her grandmother, writing, “My sweet Grandma MJ, my best friend, my gossip buddy, my forever twin … You taught all of us the importance of family, and those values are something we’ll carry with us forever!!!!! You were the woman who showed me what it meant to be a hardworking businesswoman. You gave me my very first job at your store in San Diego and taught me lessons about work ethic, strength, and confidence that I’ve carried with me ever since.

“You always believed in me, championed me, and were my safe place. You truly were the matriarch of our family, and your love is woven into all of us. I know you’re at peace now. Give Papa Harry, Aunt Karen, and my dad a hug for me. You will always be a part of me, I love you soooooo much and I will miss you forever and ever. … YOU ARE THE BEST OF US!!!”

Two weeks ago, Jenner’s bodyguard, Mason Haynes, who also worked as a close protection guard for other members of the Kardashian-Jenner family, died in a traffic accident. He was 52.

WASHINGTON — Crews are again draining the Lincoln Memorial Reflecting Pool as President Trump’s problem-plagued efforts to revamp the waterway pushes well past his initial goal of having it ready by July 4 to mark the nation’s 250th birthday.

The president at first suggested his renovations would last a century. But within weeks of the project originally reaching completion last month, the water was beset by an algae bloom and pieces of the new coating appeared to be peeling off the bottom.

Trump has blamed the peeling on vandals, though critics allege it’s from shoddy repair work.

Interior Secretary Doug Burgum, whose agency oversees the National Park Service, told conservative podcaster Katie Miller in an interview released earlier this week that the new round of draining was planned. He also said that the water might still contain debris from an extensive Independence Day fireworks display over the National Mall.

“Drain the water, clean up the fireworks stuff,” Burgum told Miller, who is the wife of deputy White House chief of staff Stephen Miller. “Repair the vandalism that was done. Fill it back up again.”

The work on the Reflecting Pool is just one of a number of projects Trump has spearheaded across the nation’s capital. Most prominently, he demolished the White House’s East Wing to build a $400-million ballroom and plans to build a towering arch between the Lincoln Memorial and Arlington National Cemetery.

He initially announced his intentions to beautify the Reflecting Pool this spring, saying he wanted it completed before the nation’s 250th birthday celebrations.

Water was drained and Trump directed that the bottom be painted what he called “American flag blue.” In May, the president posted on his social media site of the pool: “The goal is to have it done, at this higher level, prior to July 4th — We are ahead of schedule!”

But problems began quickly after the initial work was finished. Trump blamed vandals, and court documents later showed that the National Park Service reported to the U.S. Park Police a June 9 incident in which a sharp knife or razor cut the pool’s new liner.

On Thursday, former Olympic canoe racer David Hearn pleaded not guilty in D.C. Superior Court to deliberately damaging the Reflecting Pool. Hearn has said he reached inside the pool to examine the peeled sealant and let go of a chunk when he was told to by a park worker.

His attorneys and other Trump administration critics have derided the case as an abuse of prosecutorial power and maintain he is being scapegoated for the poor job done fixing up the Reflecting Pool.

At least three other people have been charged in the same court with misdemeanors for allegedly removing pieces of paint from the Reflecting Pool, according to online court records. All three pleaded not guilty during their initial court appearances Wednesday.

The pool was closed for the Independence Day celebration, which featured what Trump said was the largest fireworks display in the world. The president had said that the pool would have to be drained anew as part of the new round of repairs.

Burgum has also said that the Trump administration won’t seek bids for the new rounds of repairs. He told CNN’s “State of the Union” last weekend: “We’ll use the same company because they did a fantastic job.”

Ohio-based Green Water Solutions, also known as Greenwater Services, was given a $1.7-million contract to install a water-purification system in the Reflecting Pool, while Virginia-based Atlantic Industrial Coatings was awarded $14.7 million to repaint and waterproof the pool’s concrete floor.

Democratic senators and House members are investigating the pool project, including seeking answers about how much taxpayer funding is involved.

Weissert writes for the Associated Press.

BROOKS Nader stunned as she showed off her enviable figure during a trip to Venice with friends after it was revealed she’s ‘totally single’ following her fling with Taron Egerton. 

The model, 29, took to social media to share snaps from the trip, posing up a storm in the stunning location. 

In one set of photos, Brooks was seen in a simple black dress and sunglasses with the view of a canal in the background. 

She made the most of her assets and pushed out her chest for the snaps before gazing out at the water. 

Brooks then slipped into a blue and white polka dot two piece and flashed her toned tummy for the camera. 

She added: “Obsessed with this vintage set from the 1950s.”

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It comes after friends insisted Brooks is not in a relationship despite her and actor Taron, 36, being spotted out for a romantic dinner earlier this year. 

Instead she is said to be focusing on her role in the upcoming Baywatch reboot.

A pal told TMZ: “Brooks is totally single right now. She’s been going out on dates and having fun, but her main focus is Baywatch.

“Brooks is currently filming both Baywatch and Love Thy Nader in LA right now. Her main focus is on work.”

And Brooks is determined to let people know she is still on the market, telling the outlet: “I’m just single, having fun, always.”

In March an insider said of Brooks and Taron’s romance: “She likes hanging out with him. She’s just enjoying it for what it is, but she’s definitely into him.”

They added that she found him “very charming with his British accent”.

In “Rheology,” Shayok Misha Chowdhury, an experimental theater artist, and his mother, Bulbul Chakraborty, a theoretical physicist, bridge the language of their different disciplines to explore a subject dear to both of them: loss.

Chowdhury, author of the play “Public Obscenities,” a 2024 finalist for the Pulitzer Prize, and the director of the sensational off-Broadway production of Jordan Tannahill’s “Prince Faggot,” is as tenderly devoted to his mother as the young Marcel was to his own in Proust’s “In Search of Lost Time.” The idea of his mother dying is insupportable to Chowdhury, but given that she’s in her 70s and he’s in his 40s, certain terrifying realities must be faced.

“Rheology,” which is receiving its West Coast premiere at REDCAT (in a brief run ending Saturday), is the piece they’ve created to prepare Chowdhury for that fateful day. This strikingly staged Bushwick Starr, HERE Arts Center and Ma-Yi Theater Company production is an interdisciplinary experiment that is as playful in its methodology as it is serious in its research aims.

Chakraborty, a professor at Brandeis University, starts off with a physics lesson. Her subject is sand, and she poses a simple question: Is the sand pouring through the hourglass sitting on the counter before her a liquid or a solid?

A charismatic teacher, she knows how to Socratically engage a room. Her welcoming manner draws out from the audience the different ways sand behaves both like a solid and like a liquid.

Shayok Misha Chowdhury, in rear, and Bulbul Chakraborty in “Rheology” at REDCAT.

(Roy and Edna Disney CalArts Theater [REDCAT])

Rheology, or the science of how a substance responds to external stress, is her chief interest. Her research, focused on soft condensed matter, has been seeking a comprehensive theory to explain the curious elasticity of such material. A photo of a sand dune, in which she’s seated alongside Chowdhury as a toddler, helps illustrate her point that sand can flow like a liquid yet retain its shape like a solid.

An onstage sandbox is more than just another visual accompaniment to her talk. It’s a source of both elemental mystery and childlike wonder. But elucidation is her motive. She enters the box with her bare feet, noting the way the sand flows around her toes yet supports her weight in observation of the rule that “every grain has to be in force balance.”

She writes equations on the board to explain these findings, equations that begin to glow as the production moves from the realm of pure science to the more slippery domain of art. The transition, like all aspects of this piece, is frolicsomely conducted.

While pouring sand from one container to another, Chakraborty appears to be overcome with dust. For a moment, it’s not clear if this is part of the show or a medical incident until Chowdhury, discreetly occupying a seat in the audience, asserts himself as the director. He asks his mother to run through the death scene with a different sequence of movements and introduces the accompaniment of George Crotty on cello to liberate her performance.

They are rehearsing not so much Chakraborty’s end but Chowdhury’s reaction. He assumes he will fall apart and vows to die himself out of heartbreak. Chakraborty wants him to carry on his work, just as she carried on her research as a mother with a young son who would wail uncontrollably when she would drop him off at daycare.

She recounts that his emotional outbursts were so extreme that it was painful leaving him behind. But she was assured that he was handling the separation. For proof, she was taken into a private teacher’s room, where through a one-way mirror she saw him compose himself shortly after her departure and start to play with the other children.

Mother and son enact a similar situation where, after a more permanent leave-taking, she can catch a glimpse of her son recovering himself sufficiently to survive her loss. Chowdhury, a queer artist who enjoys sampling performance modes, adopts the figure of the grieving Bollywood widow. The effect isn’t to lampoon but to confront his raw emotion and to test his capacity for resilience.

The experiment might sound sentimental, but Chakraborty, the production’s secret weapon, maintains a scientific restraint, albeit one suffused with maternal anguish. The way she listens to her son, takes in his feelings, gently suggests other possibilities of response and treats his experimental theater piece with the same dignity as her own research is incredibly moving to witness. Her performance won an Obie Award, and though she insists that she’s not an actor she demonstrates a sincerity and collaborative grace that many veteran performers would envy.

As it unfolds, “Rheology” can seem piecemeal, even haphazard. There’s an informality built into the production, but it’s somewhat deceptive because the mercurial staging is extremely precise. Chowdhury’s direction has visual panache. Kameron Neal’s video design transforms Krit Robinson’s part lab, part lecture hall set into something kaleidoscopic.

When mother and son sing songs from the famous cycle by Bengali writer-composer and Nobel laureate Rabindranath Tagore or hold a deathbed conversation in Bangla, the piece spins further across time and space. Empiricism gives way to surrealism. But the world, as any scientist probing into the atomic level can attest, contains more secrets than meets the eye.

Fragile matter is Chakraborty’s specialty, and her expertise is put to novel use in shoring up her son’s tender heart.

As soccer fans await the FIFA World Cup kickoff Thursday — and as criticism of the organization’s ticketing practices and social impact on local communities circulates across North America, where the games will be held — longtime aficionados want to remind the sports community of the real beauty beneath the game.

Last Friday at Espacio 1839 in Boyle Heights, visitors were greeted by the thumping bass of cumbia sonideras, earthy scent of leather trinkets and clothing racks featuring silky screen-printed soccer jerseys. The Latino-centric gift shop reached maximum capacity with a new pop-up art exhibit titled “El Fútbol Es del Pueblo,” featuring over 30 artworks that provide commentary on the global sport.

“It’s reclaiming the sport again, reminding folks that the essence of the game belongs to the people,” said Nico Aviña, owner of Espacio 1839. “With everything that’s going on with the World Cup, everybody’s giving FIFA credit, but I think that we need to reclaim that power. This is a people’s sport and it belongs to us.”

Nico Avina gets ready to start a soccer match at Mariachi Plaza at “El Futbol es del Pueblo,” a community soccer event hosted by Espacio 1839.

(Jill Connelly/For De Los)

Every four years, soccer fans around the globe go berserk over the World Cup, but in host cities like Los Angeles, the worldwide spectacle feels bittersweet and financially out of reach. Fans have paid thousands of dollars for non-premium seating at SoFi Stadium; this does not include parking, which is estimated to be about $250 near the venue.

“ I’m not interested in going into those games or paying these ridiculous amounts,” said Aviña. “It’s more about greed. It’s more about wealth extraction than anything else.”

That sentiment resonated with 42-year-old Antonio Rivera, a Bay Area local who recalled the excitement he felt as a child in Jalisco watching the 1986 World Cup, which Mexico hosted. He remembers his little toy bank shaped like Pique, the anthropomorphic jalapeño pepper that was Mexico’s tournament mascot.

“You hear stories of people going to the World Cup with their whole family.  Now you can’t even get a ticket,” he said. “ It’s an important opportunity for people to talk about some of the discomforts that they may have with  an organization like FIFA.”

Rivera was at Espacio 1839 on Friday accompanying his son, Marc Rivera, one of the youngest exhibitors, alongside his classmate Miguel Yanez. The tweens came down from Napa, Calif., to showcase their acrylic comic-strip painting featuring Mexican soccer player Alexis Vega, who channels his Mesoamerican ancestors when scoring the victory goal.

Marc Rivera explains the meaning behind his painting on display at “El Futbol es del Pueblo.”

(Jill Connelly/For De Los)

“It’s important to expose our next generation and give them an opportunity to express themselves a little bit,” Antonio Rivera said.

Tijuana artist Vianney Harelly’s piece was hard to miss on the wall. It featured a bloody cross with the Spanish words for “soccer comes with blood and tears.” It also included headlines from articles regarding the Naupan artisans who were allegedly underpaid by Adidas and social-impact brand Someone Somewhere, during its work on the latest embroidered Mexican soccer kit.

“I wanted it to be a piece showing kind of the dark side of the World Cup, because there’s so many things that are buried underneath the whole spectacle,” Harelly said.

The 30-year-old said they are not interested in tuning into the World Cup activities because of the close relationship between FIFA President Gianni Infantino and President Trump. Human rights organizations have called on the FIFA leader to request that the Trump administration declare a moratorium on ICE raids during the soccer tournament; SoFi stadium workers threatened to strike if agents aren’t kept out of the venue.

Artwork on display at “El Futbol es del Pueblo.”

(Jill Connelly/For De Los)

“I know people want to be seen and celebrated and they wanna feel love,” Harelly said. “But I don’t want them to settle and think that the only option for them to feel love and be seen is through corporations that hate us.”

Gerardo Gómez looked mesmerized as he glanced at the wall. Some of his favorite pieces included a scarf that read “Siempre Antifascista” and a banner that featured a masked Indigenous soccer player with the words “Futbol Libertad.”

“I think a lot of us here love the sport, but we are against FIFA,” Gómez said. “What you’re seeing here is a representation of the people’s struggle that comes with the sport.”

The 46-year-old said the soccer organization, as well as the Olympic Games, have a history of displacing marginalized communities; for example, ahead of the 2014 World Cup and 2016 Olympic Games in Brazil, at least 19,000 families were displaced to make way for sporting infrastructure.

That’s why he’d rather put his focus on the Homeless World Cup, an annual international street football tournament that advocates an end to homelessness globally. Players are individuals who have experienced some form of homelessness or social exclusion in their life.

“People that came together [for the Homeless World Cup] recognized that soccer brings people together,” said Gómez. “And it’s the most beautiful thing I have experienced.”

A soccer match at Mariachi Plaza on June 5, 2026.

(Jill Connelly/For De Los)

As the sun went down, the crowd shifted over a block to Mariachi Plaza where a 3-vs.-3 cascarita, or scrimmage, began on the pavement. Onlookers gathered around the makeshift field, which had no clear outer bounds, as the pulsating drumming and anti-ICE chants led by Lxs Tigres del NorthEnd (an independent LAFC supporter group) filled the air.

“It’s very bittersweet,” said 30-year-old Claudia Llontop. “With families being deported.”

Llontop, who grew up watching the World Cup, arrived at the pick-up match with her two children — and even documented her journey getting there on TikTok to her more than 50,000 followers. She had been trying to find ways to kick a ball around when she heard about “El Fútbol Es del Pueblo,” which allowed her to put on a red mesh jersey and run like the wind.

“This is for single moms, this is for kids, this is for high schoolers,” said Llontop. “ I think this alone is a lot more powerful than FIFA, because this is us.”

Travis Kelce has become the latest athlete to buy into a professional sports team, purchasing a minority stake in the Cleveland Guardians, the MLB franchise he rooted for growing up in Cleveland Heights, a vibrant suburb 15 minutes from downtown.

Ballplayers buying into professional sports franchises has become almost routine. And why not? They are wealthy, love sports and often want an ownership stake of a team in a city full of fans who love them back.

Kelce is the latest to do so. The only question is, what took him so long?

“I have so much love for this city,” Kelce told ESPN. “I say it all the time: I’m just a kid from the Heights living the dream. I credit every good thing in my life to Cleveland and being raised here with the values and the people and the work ethic.

“Cleveland Heights is such a diverse and dynamic place. Every friend, neighbor, teacher and teammate — they all made me the man I am today.”

And that man is very wealthy. The Kansas City Chiefs tight end and burgeoning business titan has earned $111 million playing in the NFL. He and his brother Jason have a $100-million deal with Amazon Wondery for their popular New Heights podcast.

Kelce, 36, also makes an estimated $35 million a year from endorsement deals with Nike, Pfizer, State Farm and other major brands.

Oh, and let’s not forget that his fiancee, Taylor Swift, is the wealthiest female musician in the world with an estimated net worth of $1.6 billion.

Although Swift has never publicly mentioned owning a sports franchise, NFL Commissioner Roger Goodell did comment on the possibility at a Super Bowl news conference two years ago.

Tom Brady had been approved as part owner of the Raiders, boosting season-ticket sales, leading to this question posed to Goodell.

“With that, has anyone approached Taylor Swift about being a minority partner in the Chiefs?”

Goodell grinned and replied, “I really don’t know the answer to that one. If she’s interested, she has the ability to do it, let’s put it that way.”

The list of athletes who own a piece of sports franchises is long. Begin with Magic Johnson and Billie Jean King, part of the group that owns the Dodgers and Sparks. Kelce’s Chiefs passing partner Patrick Mahomes has been a minority owner of the Kansas City Royals since 2020.

Tennis superstar sisters Venus and Serena Williams became the first black women to hold a stake in an NFL team when they became minority owners of the Miami Dolphins in 2009.

Giannis Antetokounmpo expressed his love for Milwaukee by purchasing a stake in the Brewers baseball team. The Lakers are rumored to possibly trade for the Milwaukee Bucks superstar this offseason. Would that make Antetokounmpo a candidate to take the Angels off the hands of Arte Moreno, who at games has been blistered by a large group of shirtless fans chanting “sell the team?”

Because he is an investor in the Fenway Sports Group, Lakers star LeBron James owns a piece of the Boston Red Sox, Liverpool FC, the Pittsburgh Penguins and RFK Racing. The 41-year-old veteran of 23 NBA seasons makes no secret that he someday wants to own an NBA team.

“I got so much to give to the game. I know what it takes to win at this level. I know talent,” James said in 2021. “I also know how to run a business as well. And so, that is my goal. My goal is to own an NBA franchise.”

James is the first active NBA player to achieve billionaire status, and his estimated net worth of $1.3 billion to $1.5 billion puts him in Swift territory. He might not need to preface his ownership stake with the word minority.

Kelce, meanwhile, is happy for now to own just a piece of the Guardians, whose value has risen from $1 billion four years ago to $1.7 billion today.
“I’ve been lucky enough to have a front-row seat to good ownership in my career, and I know the best teams prioritize culture,” Kelce said. “Everyone is there to play their role, and right now, I’m here to observe and learn and really to support the team and the city when and where I can.”

SITTING between two eastern European countries is a place nicknamed the ‘Galapagos of Europe’.

Despite being thousands of miles from the Galapagos Islands, Lake Ohrid is often compared to the region famous for its wildlife.

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It has incredible deep blue waters and can be accessed from both parts of both North Macedonia and Albania.

The lake is considered one of the oldest in Europe with historians tracing its roots back to as far as five million years ago.

As for what you’ll find lurking in its waters, the lake is considered the ‘Galapagos of Europe’ due to the high number of species – some of which are unique to the lake.

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Lake Ohrid has even been described by scientists as “a museum of living fossils.”

One of the rare creatures that you’ll only find in the lake is the Ohrid trout, otherwise known as ‘koran’.

Fishermen are often up early to catch the trout which is a delicacy in the surrounding cities, towns and villages.

Other rare animals living in and around the lake include the Balkan whip snake.

There are also eels, various endemic snails, and birds like Dalmatian pelicans.

Despite the wildlife, Lake Ohrid is safe for swimming and is very popular during the summer months.

The water can be chilly though, ranging from between 14C to 24C depending on the season.

There’s plenty of room to explore as the lake is around 19 miles long and nine miles wide, with a shoreline that stretches on for around 54 miles.

It’s also one of the deepest lakes on the continent with a maximum depth of nearly 300 metres.

Visitors can explore the lake by hiking or biking along the shoreline, or get on the water on a boat cruise.

On Tripadvisor, one visitor described Lake Ohrid as a “piece of paradise”.

Another added: “This is a beautiful part of the world that once seen, is never forgotten.”

Back on shore, Lake Ohrid is surrounded by three main towns – Ohrid and Struga in North Macedonia, and Pogradec in Albania.

Other must-visit spots around the lake include some of the pretty villages.

In North Macedonia, Trpejca is considered one of the most charming and traditional villages.

It’s even been referred to as the ‘Saint-Tropez‘ of the lake thanks to its white shingle shoreline and beautiful waterfront houses.

Other top spots include the Albanian fishing village of Lin which has stone houses, narrow cobbled streets, and incredible views across the lake.

One convenient route for Brits to explore the lake is by flying into Tirana which can be done in under 30-minutes and as little as £13 with Wizz Air.

From there, Lake Ohrid is a 90-minute drive away.