Phil

The sight of the fit-again Ollie Rathbone – last year’s player of the season – in the matchday squad for the first time since early pre-season adds weight to those sentiments.

At the same time, Parkinson is unlikely to be swayed in ignoring the steady progress so far, even if many fans saw the Stoke display as a step backwards.

While the run of games will bring pressure, it also brings opportunity, with Kieffer Moore among those adamant that Wrexham are not far from clicking and that they will be a real threat when they do.

Before the next international break – and all inside the space of three weeks – Wrexham also have games against Portsmouth and Charlton Athletic, even if the Addicks have done eye-catchingly well since their own promotion.

And then there is the small matter of the chance to reach the quarter-finals of the EFL Cup when they welcome Welsh rivals Cardiff City.

Get it right and Wrexham will have people talking for all the right reasons. Something Parkinson will know full well.

“We need to just analyse the performance and not get too down about it,” Parkinson said.

“It says something about how far we’ve come that we come to Stoke in front of 25,000 and are disappointed not to get something from the game.

“But we have got to look at ourselves. I think it’s good to be frustrated, I think it’s good to be a bit annoyed and that we don’t have pats on the back and say ‘Oh, we’ve come to Stoke and done okay’.

“They are a good group of lads who are working really hard and I’m excited about what we’ve got in the building, I really am.

“We have taken a knock, but we’ll come back fighting on Wednesday.”

And with plenty looking hard at Wrexham – and maybe even looking for them to fail – a win would do much to wrestle back control of that narrative.

British vloggers Dan Howell and Phil Lester — known for their gaming and comedic slice-of-life style videos — are taking ownership of their long-rumored romance after more than a decade of incessant fan “shipping” online.

The longtime collaborators revealed Monday that they have been dating for more than a decade, pretty much since they gained popularity in the late aughts. The YouTubers confirmed they have been an item in a 46-minute video titled “Are Dan and Phil in a Relationship?”

“We fell into it hard and fast in 2009,” Howell, 34, said. “And here we are almost 16 years later.”

Before Howell and Lester, 38, spoke about the origins of their couple-dom, the YouTubers— who both came out as gay in 2019 — talked extensively about why they waited go public with their relationship. First, they tackled some fans’ obsessive behavior.

Howell and Lester began appearing in each other’s YouTube videos in the late aughts and eventually, in 2014, launched their shared gaming channel — that page currently boasts 2.95 million subscribers. The pair documented their lives together, opening the door for fans to speculate on their relationship and foster a parasocial connection, Howell explained in the video. Among the most prominent internet personalities at the time, Howell and Lester often became the subject of fan fiction and fan edits on Tumblr.

“Some think that shipping real-life people is problematic. I think that humans cannot stop this natural tendency,” Howell said, later adding that “a line gets crossed” when fan speculation turns into investigation.

The pair recalled fans combing through their old social media posts, reaching out to their loved ones and filming them out in the real world. “If all this digging, investigating was small it could’ve been ignored,” Lester said.

“The problem is this became so big we could not ignore it,” Howell continued.

Howell and Lester also recalled fans dissecting their on-camera interactions and spreading the romance rumors during live events. Ultimately, the rumors became “too loud to ignore,” Lester said.

Howell said he was wary about how going public with Lester would impact their professional dynamic and spoke candidly about how his struggles with his sexuality affected their relationship.

“I had an extremely homophobic childhood,” Howell said, adding that the constant fan pressure to address the rumors took a toll on his mental health. He said that when he and Lester gained popularity he felt he “had to hide the relationship because I was still hiding who I was to my friends, family, myself.”

Online chatter didn’t help and “hit a nerve,” he said. Howell said Lester was “like a literal ray of light in my life back then” and committed to protecting their relationship.

“So when other people tried to grab it and drag it into the light, I felt completely violated,” Howell continued. “Having all of these people trying to out us and being so hostile to me when I tried to hide it was so triggering. Honestly, it could’ve killed me.”

Lester added: “It’s sad because those should’ve been the happiest times of our life. It was so amazing and we were having so much fun personally.”

Invasive fan behavior hung over their success “like a curse” and that led to anxiety and panic attacks, Howell said. Lester also recalled a “breaking point” in their relationship where a personal video leaked on YouTube and spread online, with re-posters refusing to take it down.

As they acknowledged the negative impact of some fans’ invasive behavior, the YouTubers said they don’t hold a grudge. Howell said the skeptics “were just young people that had absolutely no idea what the effects of their actions were.”

“In the same way that we all want people in our lives to give us patience and grace and benefit of the doubt if we ever make a mistake, I have to extend that to the world in regards to this story,” he added. “So I understand and I forgive.”

Howell and Lester, whose work also includes BBC Radio programming and several live tours, ended their video announcing the launch of a new podcast.

Gustavo Dudamel has begun his tale of two cities.

As Dickens prophetically reminds us, ours is hardly the first age of wisdom and of foolishness, the first epoch of belief and of incredulity. Dudamel’s great challenge is to make his 17th and final season as music director of the Los Angeles Philharmonic — and his prelude season before taking over the New York Philharmonic (in September he officially became designate music and artistic director) — the best of musical times for both cities.

The opening concerts for the two orchestras were two weeks apart, the Big Apple having come first. The main works on the New York-centric program were by two great 20th century composers, Bartók and Charles Ives, who were treated as outsiders by the city’s musical establishments during their lifetimes.

The performances were impressive. An orchestra that has a reputation for being difficult was responsive. If I read the room right, there was a genuine, if somewhat guarded, sense of optimism from a welcoming crowd.

Following a tradition he started with his first season in L.A., Dudamel opened with a newly commissioned work, Leilehua Lanzilotti’s “of light and stone.” He struck instant sonic gold with this mystical evocation of Hawaii, wondrous in sound, Lanzilotti, a hopeful good start.

Dudamel has a different look these days when he walks out on stage for an L.A. Phil concert after he’s been away for a while. Thursday night at Walt Disney Concert Hall, he again seemed ever so slightly hesitant, as if not knowing what to expect now that his leaving has become manifest. But greeted by a full house’s demonstratively embracing thankful enthusiasm, he beamed, the hesitant posture turning into ownership.

The conductor opened his farewell season with Ellen Reid’s “Earth Between Oceans,” a joint commission bridging his two orchestral families.

(Timothy Norris / Los Angeles Philharmonic)

The new work this year is Ellen Reid’s “Earth Between Oceans,” and it is Dudamel’s first effort at bringing together what he calls his two families.

Reid, who is herself bicoastal between L.A. and New York, narrates, through astonishing orchestral properties and powers, an environmental tale of her two cities. The work is a joint commission with the New York Philharmonic; Dudamel will take it east in the spring.

Earth, air, water and fire are Reid’s subject matters, which she translates into four movements that cover a New York winter, an aerial approach to Manhattan’s noise and quiet, the Altadena and Pacific Palisades conflagrations, ending on a sort of surfboard ride over crashing blue waves. With the help of a wordless Los Angeles Master Chorale, Reid tells the story through ever-surprising instrumental evocation.

Nothing, however, sounds like you might expect in Reid’s massive orchestral soundscape capable of holding a listener in tight grip for 30 minutes. Is that percussive pounding in earth the ground moving under our feet and the cello solo snowy Central Park? I don’t know how she does it, but I immediately bought into weird sounds from the chorus indicating something words can’t express about what those New York skyscrapers are up to. The effect of what sounded like ticking clocks going astray felt like an inviting dip in the lake.

Dudamel ended the concert with Richard Strauss’ “Alpine Symphony,” 125 orchestral musicians schlepping up the mountain, finding spiritual ecstasy at the summit and getting drenched on the way down, a self-satisfied drinking in of nature with every step. It is an astonishing, so to speak, over-the-top score, which you either love or abhor for its instrumental vulgarity.

Love was in order Thursday. Dudamel first performed “Alpine Symphony” at Disney in 2008, a year before beginning as music director. He jogged up the mountain and back, full of beans, showing off but also sharing his enthusiasm and demonstrating a skill that gave confidence that this 20-something conductor had the chops.

Dudamel’s performance of Strauss’ “Alpine Symphony” demonstrated the L.A. Phil’s distinctive immediacy compared with his more formal European interpretations.

(Timothy Norris / Los Angeles Philharmonic)

Last summer, I heard Dudamel conduct the “Alpine” with the Vienna Philharmonic at the Salzburg Festival. The playing was sumptuous but formal and distant. These were the Alps as seen from a comfortable gondola taking in the view, and what a view, indeed.

The L.A. Phil sound, on the other hand, reveled in being-there, huffing-and-puffing immediacy. A rainstorm was a rainstorm: wet. The pastures replete with cowbells weren’t so much scenic as earthy, the real thing.

The orchestra sounded rapt and ready for ecstasy Thursday. There are two new first-chair players. A member of the orchestra’s second violin section, Melody Ye Yuan, has become her section’s principal. Ryan Roberts is the new principal oboe, and he had a luminous solo in the “Alpine.”

It was only after Roberts, who grew up in Santa Monica, won the L.A. Phil blind audition for principal oboe that Dudamel discovered he had just hired away a rising star in what is about to become his New York Philharmonic. But it’s all in the big new family.

Salt, dismissed for a golden duck in Cardiff on Wednesday, was quickly out of the blocks on home turf, hitting 18 runs off his first three balls to set the tone for England’s onslaught.

With Buttler also in fine form, England reached 100-0 after six overs, only two shy of South Africa’s 102-0 against West Indies in 2023 – a powerplay record for a match between Test nations.

“I want to put that stamp on [an innings],” Salt said. “In order to knock a man out of possession, you have to do something they can’t do.

“From early in my career, I looked at that and if I can be the most dangerous in the first 10, 15 balls of the game, that’s a unique tool. It’s something I’ve always worked on.”

While Salt’s innings stole the headlines, England captain Harry Brook and Jacob Bethell played valuable supporting knocks while Buttler was on course for a blistering century of his own before being caught for 83 from 30.

He was the early pace-setter in England’s innings, dominating the first-wicket partnership of 126 from 47, and bringing up his half-century off just 18 balls in the fifth over.

“I can’t turn into Jos Buttler overnight but the way he thinks around the game, that’s what I’ve tapped into the most,” Salt said.

“His consistent performances over the course of his career, that’s what I’ve aspired to be.”

Brook hailed Salt’s performance and said his side’s performance showcased their capability of being “the most dominant team in the world”.

“His ability to go out there and hit the first ball for four which is a risky shot and aerial after a golden duck the other night sums up the type of player he is,” Brook told Test Match Special.

“He is selfless and knows exactly what his role is – to go out and look to put their bowlers under pressure form the get go.

“That is an extreme but it is another little snippet of how dominant we can be. We can be the most dominant team in the world going forward. If we do everything we have done tonight, there is no reason we can’t beat any team.”

In “The Paper,” the much anticipated mockumentary spinoff to “The Office,” Alex Edelman plays intrepid accountant/reporter Adam Cooper, part of the team tasked with reviving local newspaper “The Toledo Truth-Teller.” Edelman was also a writer and consulting producer for the show, which premieres on Peacock on Sept. 4 with all 10 episodes, and says the project gave him “the thing that is rarest in Los Angeles”: routine.

“It was a really wonderful routine,” he adds.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Of course, routines must end and new routines must be created. Edelman, who won an Obie and a Special Tony for his stand-up show “Just For Us,” about attending a meeting of Nazis as an Orthodox Jew (it became the HBO original comedy special “Alex Edelman: Just For Us,” for which he won an Emmy), is back on the road and adding new dates for his current show, “What Are You Going to Do.” In his spare time, he’s working on a nonfiction book, “I Don’t Belong Here.”

The perfect Sunday, for Edelman, is always a little bit different, with currents of consistency woven through. (He calls himself a “recommendation machine,” which feels accurate.) There’s always a hike. There are always friends involved. There’s always food. There are plenty of laughs. But for all the tried-and-true recs, novelty is important too. “I guess my headline is, Sunday’s the day to try new things,” he says.

This interview has been lightly edited and condensed for length and clarity.

7 a.m.: Wake up and go on a coffee walk
On the weekends, I like to walk. The only thing left to do on planet Earth apparently is to get coffee. Do you know that our whole lives revolve around a series of silly little coffees? I only drink espresso drinks, which is a fact about me, which is very boring. I might walk between coffee stations, like a man journeying between oases. I’ll walk down and I’ll get to All Time and be like, do I want a coffee here or can I make it to Maru? And when I get to Maru, do I get a coffee here? Or can I make it to Camel? And then I’ll make it to Camel, which apparently is now called Handles? And I’m like, do I get a coffee here or do I go to Dinosaur? And then, do I do a coffee here or do I go to Tartine or LaLo in Silver Lake or Lamill, which is also in Silver Lake. It feels like a long time, but that’s only about an hour walk.

I might get some breakfast too. I like Telegrama or Friends and Family — a favorite there is the olive oil eggs. I spend a lot of my money at All Time. I like to get the thing they call “the B.O.A.T.” I don’t know exactly what it is, but it’s really good.

8 a.m.: Get in a bit of writing
I like to park myself at Telegrama or Maru; you can find a little corner and really groove.

10 a.m.: Hike and have an adventure
I’m a keen weekend hiker. And I have hiking buddies. My friend [TV writer] Jenji [Kohan] and I started to do a thing in the pandemic where every weekend we would go hike somewhere and eat somewhere. I’ll hike with Jenji or my friend Rebecca or my friend Morgan. We’ll get after it. You hike with someone, you complain. It’s a lot of fun.

There are some really, really gorgeous hikes around Los Angeles. I use AllTrails to keep track of them. If we’re doing a hike out of town, we’ll go up to Santa Barbara or down into Orange County for one of the heavy beach hikes. Or any hikes with the word “Punchbowl” in them. And we’ll go to Charlie Brown Farms right afterwards.

We hike and eat and there’s always an adventure in there. We use the Atlas Obscura and go check out things, like, I heard there’s this weird store where this guy who makes things out of pop tabs or whatever it is. One of my favorite things is just getting to look at a little midcentury modern house I’ll never be able to afford. If there’s a house by Lautner or Neutra or Frank Lloyd Wright, sometimes we’ll take a schlep just for the house, to even just see from the street. One of the hikes in Malibu, Solstice, has an old Paul Williams house. It’s like a ruin.

1 p.m.: Lunchtime
We like going into the San Gabriel Valley and eating at Chengdu Taste in Alhambra or Bistro Na’s. I can’t eat pork or shellfish, so whatever falls within the electric fence, my lapsing Judaism. Whenever we drive south for a hike, we like to go to Pho 79 in the Anaheim area, or Garden Grove maybe. And I get something vegetarian or chicken or something like that.

2:30 p.m.: Thrifting and a snack
The thrift stores in Pasadena, those places are so good. Downtown, we always stop at the old mochi spot, Fugetsu-Do. They’ve been around for 117 years, even longer. I think they opened in 1903. On Sundays, sometimes the line can be long, but it’s worth waiting in. I like the regular rainbow-colored, strawberry-stained stuff. A thousand percent fruity or candy and no gelatin because of my Judaism.

4 p.m.: Catching up on books
Since we’re downtown, I’ll stop by the Last Bookstore. I also really love Skylight. And I love a used bookstore. I love a browse.

I like reading and listening to music on a Sunday. For a while, I was rationing out my friend Taffy Akner’s last book, “Long Island Compromise.” I’d read a couple of chunks every Sunday until I ran out. I just bought a couple of plays by Kimberly Bellflower and Noah Haidle. And I am reading Carrie Courogen’s “Miss May Does Not Exist” about Elaine May, who I worship and actually met once at a friend’s house.

7 p.m.: Pizza and movie night at Phil’s
I have a friend, Phil, who sometimes makes Sunday his movie night. His house has a little pizza oven. Phil will have pizza made in the style of the pizza from Mozza, which he loves. And we’ll watch movies on a projector. I watched “A New Leaf” there and enjoyed it very much, speaking of Elaine May.

9:30 p.m.: A stand-up set
Late in the day, my favorite thing to do is stand-up comedy. There are a lot of good places to perform in Los Angeles. So I’d do a late spot at the Comedy Store, the Lyric Hyperion, Laugh Factory or Dynasty Typewriter.

11 p.m.: Late-night meal
I’m out late, especially for Los Angeles. And there’s nowhere to eat very late at night in Los Angeles, unless you’re going to venture into Koreatown, where there’s Dan Sung Sa. I love to eat late and hey, we’re four meals deep, but that’s fine. Or Canter’s is open until 11:30 on Sunday. And Same Same Thai on Sunset is open until 11. They do something called khao soi, which is really hard to find in a lot of places. So I’ll sometimes get a really late night khao soi.

12 a.m.: Scrolling, reading, maybe a phone call or two
I’m up for a bit. I watch, I’ll scroll. I’ll scroll until I drift off, which I shouldn’t. Or I’ll call friends in London who are just waking up, stand-up comics. My friend Josie Long was in Glasgow, and sometimes I’ll call her, or I’ll catch my friend Isobel, who’s a composer, who’s in Europe all the time. But in my ideal situation, I’m asleep by 1. I’ll read this book by Lizzy Goodman called “Meet Me in the Bathroom,” or I’ll listen to this podcast called “Search Engine” by PJ Vogt, and sort of drift off.

PHIL TAYLOR has broken down the blueprint that he believes is needed to topple Luke Littler.

The Nuke is one of the best at the oche at the moment and could become a legend of darts if he continues his current success.

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Littler, 18, is the current world champion and has won multiple major honours since his stunning breakthrough in 2023.

The Warrington thrower is seen as one of the most destructive players at the oche for his sky-high averages.

The world No2 is the youngest player to ever claim the triple crown as he won the Premier League, World Matchplay and World Darts Championship.

But legend Taylor, 65, reckons he knows the secret to disrupting Littler’s flow, which his rivals should take note of.

The Power has insisted that Littler’s rivals need to “slow down” matches with Littler.

Taylor claims that due to young stars practising by themselves are not used to a slower-paced match.

He revealed the blueprint during an interview with the MODUS Super Series of Darts.

He said: “Yeah, a lot of that [throwing the darts quickly] comes because youngsters practice on their own.

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“So, they don’t have that person slowing them down.

“I used to try and practice with somebody if I could to keep me in that rhythm of playing.

“So, that is why a lot when a player plays a younger player [like Littler], they start slowing them down to put them off because they are not used to it.

“Anybody who plays Luke Littler will slow their throw down.”

This year has been a success for Littler as he has already won the World Darts Championship, World Matchplay, Belgian Darts Open and UK Open among others.

Littler will be back in action at the Flanders Darts Trophy which begins TODAY.

He takes on Irish ace Dylan Slevin in round two on Sunday in the evening session.

Last season: Championship winners

Someone has got to buck the growing trend of ‘three up, three straight back down’ from the Championship’s promoted sides, so I am going to say Leeds United will break that glass ceiling.

A club of huge stature, Elland Road will be a bearpit this season and will be a difficult environment for any visiting side. This will hold the key to their survival hopes.

Daniel Farke has a new keeper in Lyon’s Lucas Perri – signed for £15.6m. It may finally be the time Illan Meslier pays the price for too many high-profile errors.

In Dominic Calvert-Lewin – close to signing on a free transfer after leaving Everton – Leeds are acquiring a striker who has proven Premier League pedigree but has been troubled by long injury absences in recent years.

If he can stay fit, Leeds will have a very valuable asset.

Sean Longstaff provides experience and a competitive edge after arriving from Newcastle United, while additions elsewhere have come in the shape of left-back Gabriel Gudmundsson from Lille, centre-back Jaka Bijol from Udinese, and centre-back Sebastiaan Bornauw and forward Lukas Nmecha from Wolfsburg.

It will be tough – but Elland Road may just sway it.

Tuesday night, Gustavo Dudamel was back at the Hollywood Bowl. This summer is the 20th anniversary of his U.S. debut — at 24 years old — conducting the Los Angeles Philharmonic, and becoming irrepressibly besotted with the amphitheater.

He walked on stage, now the proud paterfamilias with greying hair and a broad welcoming smile on his face as he surveyed the nearly full house. The weather was fine. The orchestra, as so very few orchestras ever do, looked happy.

For Dudamel, his single homecoming week this Bowl season began Monday evening conducting his beloved Youth Orchestra Los Angeles as part of the annual YOLA National Festival, which brings kids from around the country to the Beckmen YOLA Center in Inglewood. But it is also a bittersweet week. Travel issues (no one will say exactly what, but we can easily guess) have meant the cancellation of his Simón Bolívar Symphony Orchestra of Venezuela‘s trip to the Bowl next week. Dudamel will also be forced to remain behind with them in Caracas.

After 20 years, Dudamel clearly knows what works at the Bowl, but he also likes to push the envelope as with Tuesday’s savvy blend of Duke Ellington and jazzy Ravel. The soloist was Korean pianist Seong-Jin Cho, whose recent recording of Ravel’s complete solo piano works along with his two concertos, has been one of the most popular releases celebrating the Ravel year (March 7 was the 150^th anniversary of the French composer’s birth).

Ellington and Ravel were certainly aware of each other. When Ravel visited New York in 1928, he heard the 29-year-old Ellington’s band at the Cotton Club, although his attention on the trip was more drawn to Gershwin. Ellington knew and admired Ravel, and Billy Strayhorn, who was responsible for much of Ellington’s music, was strongly drawn to Ravel’s harmony and use of instrumental color.

On his return to Paris, Ravel wrote his two piano concertos, the first for the left hand alone, and jazz influences were strong. Cho played both concertos, which were framed by the symphonic tone poems “Harlem” and “Black, Brown and Beige, which Ellington called tone parallels.

There has been no shortage of Ravel concerto performance of late — or ever — but Ellington is another matter. Although the pianist, composer and band leader was very much on the radar of the classical world — “Harlem” was originally intended for Arturo Toscanini and the NBC Symphony; Leopold Stokowski attended the Carnegie Hall premiere of “Black, Brown and Beige,” as did Eleanor Roosevelt, Marian Anderson and Frank Sinatra — Ellington never played the crossover game. The NBC “Harlem” never panned out and became a big-band score. Ever practical, Ellington, who composed mostly in wee hours after gigs, always wrote for the occasion and the players. He tended to leave orchestration to others, more concerned with highlighting the fabulous improvising soloists in his band.

The scores, moreover, were gatherings, developments and riffs on various existing songs. “Harlem” is an acoustical enrapturement of the legendary Harlem Renaissance and one of the great symphonic portraits of a place in the repertory. “Black, Brown and Beige” is an ambitious acoustical unfolding of the American Black narrative, from African work songs to spiritual exaltation with “Come Sunday” (sung by Mahalia Jackson at the premiere) to aspects of Black life, in war and peace, up to the Harlem Renaissance.

Both works are best known today, if nonetheless seldom heard, in the conventional but effective orchestrations by Maurice Peress and are what Dudamel relies on. The version of “Black, Brown and Beige” reduces it from 45 to 18 too-short minutes.

The primary reason for these scores’ neglect is that orchestras can’t swing. The exception is the L.A. Phil. With Dudamel’s surprising success of taking the L.A. Phil to Coachella, there now seems nothing it can’t do.

The time has come to commission more experimental and more timely arrangements. But even these Peress arrangements, blasted through the Bowl‘s sound system and with the orchestra bolstered by a jazz saxophone section, jazz drummer and other jazz-inclined players, caught the essence of one of America’s greatest composers.

Ravel fared less well. The left-hand concerto has dark mysteries hard to transmit over so many acres and video close-ups of two-armed pianists trying to keep the right hand out of the way can be disconcerting. This summer, in fact, unmusical jumpy video is at all times disconcerting.

Ravel’s jazzier, sunnier G-Major concerto is a winner everywhere. But for all Cho’s acclaim in Ravel, he played with sturdy authority. Four years ago, joining Dudamel at an L.A. Phil gala in Walt Disney Concert Hall, Cho brought refined freshness to Tchaikovsky First Piano Concerto. In Ravel at the Bowl, amplification strongly accentuated his polished technique, gleaming tone and meticulous rhythms, leaving it up to Dudamel and a joyous, eager orchestra to exult in the Ravel that Ellington helped make swing.

What is it about brothers? So competitive, so determined to outshine the other, so very male. In popular music, there are numerous examples of passionate sibling partnerships that have burned bright only to flame out, leaving recriminatory anger and the occasional lawsuit in their wake.

The Everly brothers were no exception. Foundational pillars of 20th century popular music, they formed the first great harmony vocal duo to bridge country music and pop. Over a five year period from 1957 to 1962, the brothers recorded a series of singles — “Wake Up Little Susie,” “Bye Bye Love” and “All I Have to Do Is Dream,” among them — that imprinted themselves into the pop-music canon, their soaring, wistful, close-interval harmonies gliding straight into our souls.

You don’t have to look too hard to find Phil and Don Everly’s traces. The Beatles regarded them as the harmony group they longed to emulate; you can hear them sing a snatch of “Bye Bye Love” in Peter Jackson’s “Get Back” documentary, and Paul McCartney name-checked them in his 1976 song “Let ‘Em In.” Simon & Garfunkel wanted to be the Everlys and included “Bye Bye Love” on the “Bridge Over Troubled Water” album. In 2013, Billie Joe Armstrong and Norah Jones recorded “Foreverly,” an album of Everly Brothers songs.

And yet, biographies of them are scant. Barry Mazor’s “Blood Harmony” is long overdue, a rigorously researched narrative of the duo’s fascinatingly zig-zaggy 50-plus-year career, as well as a loving valentine to the pair’s enduring musical power.

In his book, Mazor is quick to refute many of the myths that have accreted around the pair, starting with the backstory that the brothers were reared in Kentucky, a cradle of bluegrass, and that their dad, an accomplished guitarist and singer, nurtured them up from rural poverty into spotlight stardom. In fact, Mazor’s book points out that the brothers, who were born two years apart, moved around a lot as kids — Iowa and Chicago, mostly — soaking in the musical folkways of those regions and absorbing it all into their musical bloodstream. Though they were apprenticed by their father to perform as adolescents, they were their own men, with a sophisticated grasp of various musical genres as teenagers.

“They were as much products of the Midwest as they were of Kentucky,” says Mazor from his Nashville home. “The music they learned and the culture they absorbed was in Chicago, where they lived with their parents for a time, and they picked up on the R&B there. All of this eventually adds up to what we now call Americana, which is music that has a sense of place.” The Everlys brought that country-meets-the-city vibe to pop music.

Another misconception that Mazor clears up in “Blood Harmony” is the notion that the Beatles were the first musical group to write and play its own songs. In fact, Phil and Don wrote a clutch of the Everlys’ greatest records, including Phil’s 1960 composition “When Will I Be Loved,” which became a mammoth hit when Linda Ronstadt covered it in 1975. It’s also true that Don is rock’s first great rhythm guitarist, his strident acoustic strum powering ”Wake Up Little Susie” and others. George Harrison was listening, as was Pete Townsend.

The Everlys produced hits, many of them written by one or both of the husband-and-wife team of Felice and Boudleaux Bryant: “Bird Dog,” “Love Hurts,” “Poor Jenny” and others. But the Beatles’ global success became a barricade that many of the first-generation rock stars couldn’t breach, including the Everlys. “Even though they were only a couple of years older than the Beatles, they were treated as old hat,” says Mazor.

Complicating matters further: A lawsuit brought by their publishing company Acuff-Rose in 1961 meant that the brothers could no longer tap the Bryants to write songs for them. The same year, they enlisted in the Marine Corps Reserve and found, just as Elvis had discovered a few years prior, that military service did little to help sell records. By the time the lawsuit was settled in 1964, both brothers had descended into amphetamine abuse.

The Everlys had to go back to move forward. Warner Bros. Records, their label since 1960, had become the greatest label for a new era of singer-songwriters taking country-rock to a more introspective place. Future label president Lenny Waronker, an Everlys fan, wanted to make an album that would place the brothers in their proper context, as pioneers who bridged musical worlds to create something entirely new.

Author Barry Mazor is quick to refute many of the myths surrounding the Everlys.

(Courtesy of the author)

The resulting project, called “Roots,” drew from the Everlys’ musical heritage but also featured covers of songs by contemporary writers Randy Newman and Ron Elliott. Released in 1968, the same year as the Byrds’ “Sweetheart of the Rodeo” and the Band’s “Music from Big Pink,” “Roots” sold meekly, but it remains a touchstone of the Everlys’ career, a key progenitor of the Americana genre. “‘The ‘Roots’ album was one last chance to show they mattered,” says Mazor. “And there was suddenly room for them again. It wasn’t a massive seller, but it opened the door.”

If anything, it was their own fraught relationship that tended to snag the Everlys’ progress. Their identities were as intertwined as their harmonies, and it grated on them. Mazor points out that they were in fact vastly different in temperament, Phil’s pragmatic careerism running counter to Don’s more free-spirited approach. This push and pull created tensions that weighed heavily on their friendship and their musical output.

“Phil was more conservative in some ways. He was content to play the supper club circuit well into ‘70s, while Don wanted to explore and was less willing to sell out, as it were,” says Mazor. “And this created a wedge between them.” Perhaps inevitably, from 1973 to roughly 1983, they branched out as solo artists, making records that left little imprint on the public consciousness. They had families and eventually both moved from their L.A. home base to different cities.

But there was time for one final triumph. Having briefly set their differences aside, the brothers played a reunion show at London’s Royal Albert Hall in September 1983, which led to a collaboration on an album with British guitarist Dave Edmunds producing. Edmunds, in turn, asked Paul McCartney whether he would be willing to write something for the “EB 84” album, and the result was “On the Wings of a Nightingale,” their last U.S. hit, albeit a modest one.

“The harmony singing that the Everlys pioneered is still with us,” says Mazor. “If you look back, the Kinks, the Beach Boys, all of these brother acts all loved the Everlys. But there’s also a contemporary act called Larkin Poe, who called one of their albums ‘Blood Harmony.’ They set an example for how two singers can maximize their voices to create something larger than themselves. This kind of harmony still lingers.”

It’s set to be a dramatic week for Kat Moon in next week’s EastEnders as she’s left worrying about how things are with Alfie, as well as being concerned for her ex, Phil

It’s been a huge week for Kat and Alfie in EastEnders this week, with the return of Kat’s daughter Zoe Slater. However, Kat is completely unaware that Zoe returned to London – and that her husband, Alfie, has gone to Barcelona to follow her after she fled.

Next week, she’s left worrying about her lack of communication, while also being left concerned about her ex, Phil.

It was a close call in scenes earlier this week, as Kat suspected something suspicious was going on in Stacey’s flat. She opened the bedroom door, where Zoe was, although she’d already escaped out the window. She later told Stacey she was going to Barcelona, and now Alfie’s gone to hopefully bring her back home.

However, he told a huge lie to his new wife Kat, telling her that he was off to Australia to visit his brother Spencer. Although she came round to the idea in the end, Kat told Alfie that their relationship would be over for good if she finds out he’s lying.

Spoilers for next week reveal even more turmoil for Kat and Alfie as she’s left is worrying about how things are with her husband Alfie Moon.

She tries to confide in Jean Slater, Jean about her hurt over Alfie being incommunicado, but Jean refuses to forgive Kat for going into business with Kathy and Harvey.

However, Alfie’s lack of communication isn’t the only thing concerning Kat, as she’s left worried about her ex-husband Phil. Phil’s worried about Nigel deteriorating amid his dementia diagnosis, and some of his actions next week leave Phil struggling.

During a heart to heart, Kat realises her ex-husband is exhausted and in over his head as she suggests he gets help to care for Nigel. Jean is later left questioning Kat why she’s spending so much time at Phil’s place, as she insists it’s nothing but platonic concern.

Last week, Phil was seen giving Alfie an unlikely pep talk after he and Kat called the wedding off. He told Alfie that he was the one Kat always wanted as the two made amends and tied the knot.

However, the couple’s third marriage to each other hasn’t got off on the best foot – starting off on a huge lie. Will Kat find out that Alfie’s lying about her whereabouts?

If so, how will she react? Will the pair really be over for good like she said?

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer.

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As Immigration and Customs Enforcement carries out raids across Los Angeles, former daytime talk show host Dr. Phil McGraw and his TV network MeritTV are covering the actions and protests in the city.

McGraw conducted an interview Friday with White House border advisor Tom Homan, who was leading the agency’s raids. A portion of the interview was posted on MeritTV’s website and the network plans to air a conversation between the men that was “taped the day before and the day after the L.A. operation” in two parts beginning Monday at 5 p.m. PT, according to a network spokesperson reached via email. MeritTV, which launched late last year, primarily features McGraw’s show “Dr. Phil Primetime,” where he comments on the news and interviews figures ranging from New York City Mayor Eric Adams to businessman and former L.A. mayoral candidate Rick Caruso.

The TV host has previously embedded with ICE officials during raids, including in Chicago earlier this year, where he and his crew taped arrests. However, that wasn’t the case this time around in L.A., but crews from his network did capture footage from the enforcement action over the weekend.

“MeritTV news crews were on the ground during the recent ICE operation in L.A. on Friday,” a MeritTV spokesperson said. “In order to not escalate any situation, Dr. Phil McGraw did not join and was not embedded, as he previously was in Chicago.”

The interview was taped at the Homeland Security Investigations’ downtown field office. ICE declined to comment on the interview and whether McGraw was given advance notice of the raids.

McGraw was previously the host of his eponymous talk show, which ended in 2023 after 21 seasons. At the time, CBS Media Ventures, which syndicated the talk show, and McGraw said he wanted to expand his audience in a new venture because of “grave concerns for the American family.” During the 2024 election, McGraw spoke at then-presidential candidate Trump’s rally at Madison Square Garden, though he claimed it wasn’t an endorsement. However, he has been a proponent of the administration’s positions on immigration and he was recently named to the president’s religious liberty commission.

Can someone explain to me what, exactly, Dr. Phil has to do with immigration policy or constitutional law in these United States?

Many outrageous and unsettling things happened in Los Angeles over the weekend. On Friday, multiple immigration raids, in downtown’s Fashion District and outside a Home Depot in Paramount, sparked a not unusual response that led to police involvement, during which many, including union official David Huerta, were arrested.

Ostensibly dissatisfied with the handling of the situation, President Trump, over objections from both L.A. Mayor Karen Bass and California Gov. Gavin Newsom, made the highly unusual — and potentially illegal — decision to send in the National Guard. Tensions escalated and by Sunday, portions of L.A. freeways were shut down as some protesters and/or outside agitators vandalized downtown stores, defaced buildings, hurled rocks from downtown overpasses onto law enforcement vehicles and set fire to a few Waymo cars. Trump’s border advisor, Tom Homan, threatened to arrest Newsom if citizens of this sanctuary state continued to interfere with immigration raids, and Newsom publicly dared him to do it, adding that California would be suing the Trump administration for making the situation worse by sending in the National Guard. On Monday, Homan appeared to backtrack on his threat while Trump said he would support it.

It was both a little — no one should have been surprised that ICE raids in L.A. would spark protests and these were, relatively speaking, small and nonviolent — and a lot. Sending in the National Guard was an obvious military flex, designed to to bait Angelenos while perhaps distracting Americans from Trump’s far greater troubles.

But nothing said “this is a made-for-TV event brought to you by the same reality-star-led administration that proposed making legal immigration into a television competition” as the presence of Phil McGraw. Who, after being embedded with ICE officials during raids in Chicago earlier this year, spent some of this weekend kicking it with Homan in L.A.’s Homeland Security headquarters.

As first reported by CNN’s Brian Stelter, Dr. Phil was there to get “a first-hand look” at the targeted operations and an “exclusive” interview with Homan for “Dr. Phil Primetime” on MeritTV, part of Merit Street Media, which McGraw owns.

Dr. Phil is, for the record, neither a journalist nor an immigration or domestic policy expert. He isn’t even a psychologist anymore, having let his license to practice (which he never held in California) lapse years ago.

He is instead a television personality and outspoken Trump supporter who was on hand to … I honestly don’t know what. Provide psychological support to Homan as he threatened to arrest elected officials for allowing citizens to exercise their constitutionally guaranteed right to free speech while using local law enforcement to prevent any violence or destruction of property that might occur? Offer Homan another platform on which he could explain why Trump is breaking his own vow to target only those undocumented immigrants who have committed violent crime?

Or maybe just provide a familiar face to help normalize rounding up people from their workplaces and off the street and sending in the National Guard when this doesn’t appear to be happening smoothly enough.

There is, of course, the chance that McGraw asked Homan some tough questions. In a clip from the interview posted on X, he appears to begin his interview by asking what exactly happened this “busy” weekend in L.A. Homan replies that multiple law enforcement agencies were “looking for at-large criminals” and serving search warrants as part of a larger money laundering investigation, including at one company where “we knew about half of their employees were illegally in the United States” and in “service of those warrants, we arrested 41 illegal aliens.”

Still, after years of claiming to be nonpolitical, McGraw gave the president a full-throated endorsement at Trump’s Madison Square Garden rally in 2024 while denouncing diversity initiatives. McGraw said the name of his media company pays homage to Americans who made it “on hard work … not on equal outcomes or DEI.”

McGraw’s presence during immigration raids, and his choice as the person who should interview Homan even as things escalated in L.A., would seem downright weird if it weren’t so politically perilous. Merit Street Media is one of a growing number of new news outlets claiming to offer “fresh perspective” on “American values” while hewing almost exclusively to Trump’s MAGA message and offering “safe spaces” to conservatives. Then-presidential candidate Trump told Dr. Phil in August — in reference to those involved in his felony conviction — “revenge can be justified” and that he would win California if Jesus were counting the ballots.

Using McGraw as a platform to explain Trump and Homan’s divisive immigration policy and incendiary decision in L.A. most certainly underlines the criticism that these raids, and the fallout they will inevitably cause particularly in sanctuary states and cities, are being conducted with maximum spectacle awareness. If McGraw isn’t a direct part of the policy, he appears to be a big part of its publicity.

Which is a bit alarming. Over the years, McGraw has been criticized about his treatment of guests (some of whom sued) and staff. In 2020, he issued an apology for comparing the mounting deaths from COVID-19 to the (far smaller) number of deaths due to drowning in swimming pools.

After his fellow Oprah alum, Dr. Mehmet Oz, ran for the Senate last year, McGraw shrugged off the notion that he would ever follow suit, saying he “doesn’t know enough about it.” “When you start talking to me about geopolitics and all the things that go into that — I’m a neophyte, I don’t think I would be competent to do that.”

Nor is there any indication that he is well-versed in immigration or constitutional law. If Trump and Homan honestly wanted a recognizable TV brand to help walk Americans through the legal complications of what happened in L.A. over the weekend, they should have asked Judge Judy.

England opener Phil Salt will miss the T20 series against West Indies on paternity leave.

In a dramatic week, Salt, 28, returned home from the Indian Premier League for the birth of his child and then returned to India to play a part in Royal Challengers Bengaluru’s win in Tuesday’s final.

He has now been granted permission to spend the week at home.

Salt has been replaced in the squad by fellow wicketkeeper Jamie Smith, who impressed in his new role opening the batting during England’s 3-0 win in the one-day international series.

Smith is unlikely to play in the first of three T20s at Chester-le-Street on Friday, leaving Somerset’s Tom Banton or Surrey’s Will Jacks as the most likely partner for Ben Duckett at the top of the order.

All-rounder Jacob Bethell is also in the squad and opened for RCB in the IPL.

Friday’s series opener is followed by matches in Bristol and Southampton on Sunday and Tuesday respectively.

Victory was also payback for Humphries after he lost last year’s final to Littler as their rivalry continues to grow.

Since first playing each other in the 2024 World Championship final, the pair have faced off a further 22 times with Littler claiming 13 wins to Humphries’ 10.

They are the two top-ranked players in the world and over the past 18 months, that has been abundantly clear.

When they are on top form, it feels as if the other is the only player who can live with them.

Add in the consistency with which they are able to reach that level and it is little wonder the Littler-Humphries rivalry is being talked about as one that could dominate darts for years to come.

“These two could have darts sewn up,” Sky Sports pundit Wayne Mardle said.

“They are going to be the mainstay of the darting world. Others are going to have to play really well to get the better of these two.

“If they have that hunger for four, five, six or even 10 years then someone is going to have to step up.”

Asked if he felt that he and Littler would be fighting it out at the top for the next 10 or 15 years, Humphries was less convinced.

“The problem is, there’s always another person who comes around the corner,” he said.

“In five years’ time there could be about 10 players who are as good as me and Luke and it could be a battle between us all.

“I’d love to say over the next 10 years we’ll battle it out in many finals – and we probably will – but they’ll probably be a lot of other names involved with us.”

For the time being, though, Humphries and Littler have put some distance between themselves and the chasing pack.

But even after 23 matches against each other in such a short space of time, there is no sign of familiarity breeding contempt just yet.

“I love him. I think he’s a good kid,” Humphries said of his teenage competitor.

“He’s a close friend of mine in darts. He’ll probably win much more than I’ll ever win in my career because he’s young and he’s a great talent.

“I’m just happy when I nab one here and there. I said to him on the stage, I’m really happy to win this but I’m sure he’ll get me back plenty of times in the future.

“It’s just another final in the Luke and Luke saga.”

The next stage in the saga will see the rivals become team-mates as they join forces for England at June’s World Cup of Darts in Frankfurt.

“I cannot wait,” Littler told Sky Sports. “He won it last year so hopefully he can lead me to victory.”

They should form a formidable duo but it is only a matter of time before they will be battling it out again on the oche in a major tournament.

And next time it is Littler, rather than Humphries, who might have a bit of revenge on his mind.

WEST MONROE, La. — Phil Robertson, who turned his small duck-calling interest in the sportsman’s paradise of northern Louisiana into a big business and conservative cultural phenomenon, died Sunday, according to his family. He was 79.

Robertson’s family announced in December on their “Unashamed With the Robertson Family” podcast that the patriarch of the clan had Alzheimer’s disease. The statement on social media from Robertson’s daughter-in-law didn’t mention how he died.

“Thank you for the love and prayers of so many whose lives have been impacted by his life saved by grace, his bold faith, and by his desire to tell everyone who would listen the Good News of Jesus. We are grateful for his life on earth and will continue the legacy of love for God and love for others until we see him again,” Korie Robertson wrote.

Phil Robertson skyrocketed to fame in the early 2010s when the A&E network created a reality show, presented like a sitcom. It followed the adventures of Robertson, his three sons — including Willie, who runs the family’s Duck Commander company, their wives and a host of other relatives and friends.

Phil Robertson and his boys were immediately recognizable by their long beards and their conservative, Christian and family-oriented beliefs.

That got Robertson into trouble, too. He told a magazine reporter in 2013 that gay people are sinners and African Americans were happy under Jim Crow laws.

A&E suspended him from Duck Dynasty but reversed course in a few weeks after a backlash that included Sarah Palin.

At the time, Robertson’s family called his comments coarse, but said his beliefs were grounded in the Bible and he “is a Godly man.” They also said that “as a family, we cannot imagine the show going forward without our patriarch at the helm.”

Robertson was born in north Louisiana and spent his life in the woods and lakes that make up the region called Sportsman’s Paradise.

Robertson played football at Louisiana Tech and taught school. He also loved to hunt and created a duck call in the early 1970s that he said replicated the exact sound of a duck.

The calls were the centerpiece of the Duck Commander business Robertson would grow into a multimillion-dollar enterprise before A&E came calling.

The family just didn’t sell outdoor and hunting gear, but a lifestyle.

“The Robertsons face everything from beavers to business deals in their own special way — with a twist of downhome practicality and a sharp sense of humor,” A&E wrote in its promotion for Duck Dynasty.

City have had a poor campaign, relinquishing hold of the Premier League trophy, exiting the Champions League in the last 16 and being stunned by Crystal Palace in the FA Cup final.

They end the season with a trip to Fulham on Sunday (kick-off 16:00 BST), knowing a point should clinch a Champions League place for next season.

But City have a quick turnaround this summer as they will be competing in the expanded Club World Cup, which starts in the US on 14 June.

“It’s obviously difficult because the lads are mentally drained from this season,” said Foden. “I believe everyone needs the right time to recover to go back to next season.

“Obviously there will be this competition that’s coming up. It’s going to be a funny one, some clubs will take it more seriously than others but I know City and the club we are, we’ll definitely take it seriously.”

Before that, manager Thomas Tuchel names his England squad on Friday for the World Cup qualifier in Andorra on 7 June and friendly against Senegal at Wembley three days later.

Asked if he needs to rest his ankle, Foden said: “Obviously it’s a difficult situation for me with the internationals right around the corner.

“It’s something we have to speak with the club and national team to see maybe if it’s better to rest and get my ankle fully 100% back how I want it.

“I just don’t know at the moment. It’s a conversation to be had and we’ll see what happens.”

AT the age of three, Phil Foden’s daughter might struggle to tell the time — but Daddy has already treated her to a £10,000 Rolex.

Little True was seen wearing the pricey watch in pictures posted on her Instagram page last week.

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England and Man City ace Phil, 24, and girlfriend Rebecca Cooke run the site, which has 22,400 followers.

True is also seen kitted out in a £160 Monnalisa designer dress, a £40 bag from Hookd and a Pandora charm bracelet.

Her Rolex is identical to one worn by Kylie Jenner’s daughter Stormi, six.

Phil’s own watch collection includes a Rolex Sky Dweller and a Day Date.

The midfielder, who came on as a sub in yesterday’s FA Cup final defeat to Crystal Palace, loves spending his £200,000-a-week wages on his kids — Ronnie, five, True, and baby boy Phil Junior.

True was given a pony, Angus, at Christmas and is having riding lessons.

A source said: “True loves anything girly, sparkly — she loves fancy things. She is the little girl that wants for nothing.”

Phil recently moved the family to a mansion with a lake in the Cheshire countryside.

He was brought up on a council estate in nearby Edgeley, Stockport.

His mum, Claire, has revealed how much her son had changed recently.

She said: “The shocking thing is I hear him ordering salmon a lot now and he never used to eat that.”

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ENGLAND’S Phil Foden says he shuns the nightlife to relax with board games and nature.

The Manchester City ace, 24, relishes home life at his country mansion and fishing lake.

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He said: “I love sitting in my garden and looking at all the wildlife.”

Winding down allows him to go fishing with son Ronnie, six.

He said: “I started with my dad, so it’s nice to pass it on.”

And Phil’s private chef cooks for fiancée Rebecca Cooke, mum to their three kids.

Friends join them some evenings.

The midfielder added: “We love to play Ludo and board games.

“I like to chill and relax really.”

He said the family enjoy zoo trips and hiring bouncy castles.

Instead of a footballer off-season trip to Marbella or Ibiza, Phil will be in France “where the fish are a little bigger”.

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