Will Wasserman resign from LACMA’s board?
Embattled Hollywood mogul Casey Wasserman, who is facing mounting pressure to resign from his position at the helm of the 2028 L.A. Olympics, also holds another important cultural appointment on the Los Angeles County Museum of Art’s board of trustees.
Wasserman, 51, joined LACMA’s board in 2004 when he was 30, two years after he founded his eponymous talent and marketing agency. Just last week, Wasserman announced he would sell his agency after racy emails between himself and convicted sex trafficker and Jeffrey Epstein associate, Ghislaine Maxwell, emerged at part of the Justice Department’s latest release of millions of documents related to the Epstein files.
Wasserman, the grandson of legendary studio exec Lew Wasserman, arrived at LACMA as part of a wave of relatively young additions to a notoriously older board. His addition also heralded the dawning of an era in which LACMA actively sought to strengthen its connections with the entertainment world. In 2011, LACMA launched its glitzy Art + Film Gala, an annual party co-chaired by Leonardo DiCaprio that serves as a melting pot for A-list celebrities and art world stars.
“There was an understanding — the message was there needed to be a change in the board,” museum director Michael Govan told The Times in a 2015 interview. “The board was in extreme need of refreshment.”
Now that Wasserman’s leadership in other roles is being questioned , will his relationship with LACMA follow? LACMA did not respond to a request for comment. Although the board generally meets a few times a year, it may not be an issue that has come to the fore as of yet.
Thus far, LA28 has stood by Wasserman, noting in a recent statement that his emails with Maxwell were sent years “before Mr. Wasserman or the public knew of Epstein and Maxwell’s deplorable crimes … This was his single interaction with Epstein.”
“The Executive Committee of the Board has determined that based on these facts, as well as the strong leadership he has exhibited over the past ten years, Mr. Wasserman should continue to lead LA28 and deliver a safe and successful Games,” LA28 wrote.
L.A. Mayor Karen Bass said in a recent CNN interview that she believed Wasserman should step down, and that it is “unfortunate” that Olympic organizers remained in support of him.
In a memo to staff at his talent agency, Wasserman wrote that he was “heartbroken that my brief contact with them 23 years ago has caused you, this company, and its clients so much hardship over the past days and weeks.”
I’m arts editor Jessica Gelt with this week’s arts and culture news.
The week ahead: A curated calendar
FRIDAY
The cast of “Cinderella: A Salsa Fairy Tale.”
(South Coast Repertory)
Cinderella: A Salsa Fairy Tale
The classic fairy tale moves to the basketball court in this hip-hop fueled musical adaptation for young audiences with a book and lyrics by Karen Zacarías and music by Deborah Wicks La Puma. Directed by Sara Guerrero.
Through March 8. South Coast Repertory, Julianne Argyros Stage, 655 Town Center Dr., Costa Mesa. scr.org
Dear Little Friend: Impressions of Galka Scheyer
The exhibition from the German-born art dealer’s collection includes portraits and ephemera, featuring such artists as Maynard Dixon, Peter Krasnow, Beatrice Wood and Edward Weston, as well as gifts from the Blue Four artsist, whose work Scheyer championed: Alexei Jawlensky, Lyonel Feininger, Paul Klee and Vassily Kandinsky.
Thursday-Monday, through July 20. Norton Simon Museum, 411 West Colorado Blvd., Pasadena. nortonsimon.org
The Industry LAB 2026
The innovative opera company partners with REDCAT for this series featuring new works: a shared program of Guillermo E. Brown’s “The Instrument, Romance, Bee Boy” and Carmina Escobar’s “Our Voice Is Not at the End of Anything” (8 p.m. Tuesday-Wednesday; 8 p.m. Friday and Saturday; 3 p.m. Saturday-Sunday); and Matana Roberts’ “spiral resonance: a study in the abstract,” an immersive sound and moving image installation exhibition (noon-6 p.m., daily through March 1) with solo activation performances in the space by Patrick Shiroishi (8 p.m. Tuesday); Ryan Sawyer (8 p.m. Wednesday); Roberts (8 p.m. Feb. 27); Kyp Malone (8 p.m. Feb. 28); and Judith Berkson (3 p.m. March 1).
Through March 1, 2026 REDCAT, 631 W. 2nd St., downtown L.A. redcat.org
Wallace Berman/Bruce Conner
A pair of solo exhibitions highlighting extraordinary mark-making: “It Don’t Mean a Thing (If It Ain’t Got That Swing)” salutes the centennial of post-war counter-culture artist Berman with a rare showing of his large-scale photographic collages; “Inkblots and Felt Tip Drawings” focuses on an often overlooked aspect of multimedia artist Conner’s work. A selection of Conner’s experimental films are being exhibited at Marciano Art Foundation (see below).
Tuesday-Saturday, through April 25. Michael Kohn Gallery, 1227 North Highland Ave. kohngallery.com
Missa Solemnis
Gustavo Dudamel and the Los Angeles Philharmonic are joined by more than 100 voices from the Cor de Cambra of the Palau de la Música Catalana and Orfeó Català of Barcelona for this Beethoven mass that is rarely performed due to its ambitious scale.
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Jon Serl: As One, As Many
Starting in vaudeville before moving to California and working as a Hollywood voice actor and gardener, Serl became a painter following World War II with a long, expressive career illustrated in this retrospective. Fittingly, the artist had his first museum exhibition in 1981 at the Newport Harbor Art Museum (now UC Irvine Langson Orange County Museum of Art).
Through June 7. UC Irvine Langson/Orange County Museum of Art, 3333 Avenue of the Arts, Costa Mesa. ocma.art
Marco Perego
“The Being” is a solo exhibition featuring video, installations and drawings by Italian-born artist.
Through April. Jeffrey Deitch, 7000 Santa Monica Blvd., Los Angeles. deitch.com
Christina Kirk and Norbert Leo Butz, seated, with the cast of “The Recipe.”
(Rich Soublet II/La Jolla Playhouse)
The Recipe
Christina Kirk and Norbert Leo Butz star as Julia and Paul Child in the world premiere of Claudia Shear’s play about the world-famous chef. Directed by Lisa Petersen.
Through March 22. La Jolla Playhouse, 2910 La Jolla Village Dr. lajollaplayhouse.org
Puppet Up! – Uncensored
Created by Brian Henson and directed by Patrick Bristow, this irreverent, ever-changing show features the Miskreant puppets plus classic Jim Henson sketches unseen by live audiences for decades.
7 p.m. Friday and Saturday; 5 p.m. Sunday; 7 p.m. Feb. 27-28; 5 p.m. March 1. The Montalbán, 1615 Vine St., Hollywood. puppetup.com
SATURDAY
Kyreeana Breelin Alexander
The interdisciplinary artist performs “We Cool,” a solo autobiographical coming-of-age story fueled by rhythm and movement.
8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Judith F. Baca
With “The Great Wall Of Los Angeles: The 1970’s — A Decade Of Defiance And Dreams,” the artist’s organization SPARC (Social and Public Art Resource Center) exhibits the latest complete segment in the monumental work’s expansion.
Opening reception, 6-8 p.m.; through April 4. Jeffrey Deitch, 925 N. Orange Dr. deitch.com
Bruce Conner, “Crossroads,” 1976. 35mm, black/white, sound, 37 min. Digitally Restored, 2013.
(The Conner Family Trust/Michael Kohn Gallery)
Bruce Conner
“Recording Angel” brings together seven of the artist’s experimental films, composed of found, scavenged and original footage, and re-cut using his influential rapid-fire editing techniques.
Through July 18. Marciano Art Foundation, 4357 Wilshire Blvd., Los Angeles. marcianoartfoundation.org
Patti LuPone
The Broadway star marks the 25th anniversary of her concert “Matters of the Heart,” which ran on Broadway and London’s West End and toured the globe.
7:30 p.m. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org
John Snow
The bassist and his band explore “The Poetry in Music” through works by John Coltrane, Joni Mitchell, Patti Smith, Langston Hughes, Hoagy Carmichael, Bob Dylan and others.
8 p.m. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com
Tap Fest: Listen to This!
Dancers Derick Grant, Sam Weber and Josette Wiggan join the Colburn’s tap faculty and students for a program exploring the concept of the Tap Artist as both a dancer and musician.
7 p.m. Colburn School, Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu
SUNDAY
Zhanna Kadyrova
A collaboration with Kyiv to LA, an ongoing project supporting Ukrainian artists through a Los Angeles-based residency, and the Thomas Mann House, the solo exhibition “Sliced Realities” explores the artist’s anti-war practice and coincides with the four-year anniversary of Russia’s full-scale invasion of Ukraine.
Sunday-Feb. 28. Thomas Mann House (1550 N San Remo Drive, Pacific Palisades. vatmh.org
Museums Free-For-All
An Southland tradition in which Southern California arts and cultural institutions open their doors for free general admission. Participants include the Academy Museum of Motion Pictures, the Autry Museum of the American West, The Broad, California African American Museum, the Getty Center and the Getty Villa, UCLA Hammer Museum, LACMA, MOCA, Skirball Cultural Center and many, many more. At some locations, tickets are limited and reservations may be required.
All-day Sunday. See complete list of participating institutions at socalmuseums.net/free
Queen Elisabeth Music Chapel
Colburn Conservatory of Music welcomes the Belgian conservatory and its master-in-residence, cellist Gary Hoffman, for a joint performance of Fauré’s “Piano Quintet No. 1” and Messiaen’s “Quartet for the End of Time.”
3 p.m. Colburn School, Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu
Sueño Perro
This film Installation by Alejandro G. Iñárritu both marks the 25th anniversary of his debut “Amores Perros” and serves as a “resurrection” using projections of never-before-seen fragments from that film’s production.
Through July 26. Los Angeles County Museum of Art, BCAM, Level 1, 5905 Wilshire Blvd. lacma.org
We Hold These Truths: A Celebration of Black History Month Over 100 Years
The contributions of Black Americans to the cause of democracy over the years are recognized in this collaboration of performers from across artistic mediums. Featured artists include actor Phil Morris, composer Tamar-kali, dancer Ishaun Jackson-Moaney, the West Angeles COGIC Victory Dance Company, opera baritone Derrick Lawrence and promising talent out of the USC Thornton School of Music, opera mezzo-soprano and producer Raehann Bryce-Davis, poet Alyesha Wise and arts scholar and activist Derrell Acon.
3 p.m. Nocturne Theatre, 324 N. Orange St., Glendale. eventbrite.com
TUESDAY
Flashback Fun
Six Disney classics return to the big screen: “Muppet Treasure Island” (Tuesday); “The Aristocats” (Wednesday); “Dumbo” (Thursday); “The Rescuers” (Feb. 27); “Bolt” (Feb. 28); and “Oliver and Company” (March 1).
The El Capitan Theatre, 6838 Hollywood Blvd. elcapitantheatre.com
Filmmaker Jafar Panahi at the Toronto International Film Festival last September.
(Kate Dockeray/For The Times)
It Was Just an Accident: Live Read
Film Independent presents writer-director Jafar Panahi’s “incisive drama,” winner of the Palme d’Or at Cannes in 2025 and nominated for international feature film and original screenplay at this year‘s Academy Awards, to the Wallis stage read by a new cast.
7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
Haegue Yang
“Star-Crossed Rendezvous” pairs two of the Korean-born, Berlin-based artist’s large-scale installations employing utilitarian objects. The first, “Sol LeWitt Upside Down — K123456, Expanded 1078 Times, Doubled and Mirrored” (2015) is a monochromatic installation inspired by the cube structures of the American conceptual artist. Across the gallery, “Star-Crossed Rendezvous after Yun” (2024) is an homage to composer and political dissident Isang Yun (1917–95). Synchronized to Yun’s “Double Concerto” (1977), an array of moving lights animate vibrant geometric structures to create an ever-changing, multisensory experience. The L.A. Philharmonic will perform Yun’s piece on March 10 at Walt Disney Concert Hall, with a pre-concert viewing of the installation at MOCA Grand.
Through Aug 2. Museum of Contemporary Art, 250 S. Grand Ave., downtown L.A. moca.org
WEDNESDAY
L.A. Art Week
It happens every February. Thousands of artists, collectors, curators and gallerists descend on the city, swelling an already vibrant local scene with a global reach into a week of discovery, creative adventure and fashion flamboyance. The Big Kahuna, of course, is Frieze Los Angeles (Thursday-March 1. frieze.com), a fair with a primarily contemporary focus, approximately 100 galleries, installations and pop-ups restaurants from around L.A.; Butter Fine Art Fair (Thursday-March 1. Hollywood Park, 1237 District Drive, Inglewood. butterartfair.com) features artists representing the African diaspora; Enzo (Wednesday-Saturday. 1634 W. Temple St. enzolosangeles.com) presents nine New York City galleries in an Echo Park warehouse; Felix Art Fair (Wednesday-March 1. Hollywood Roosevelt, 7000 Hollywood Blvd. felixfair.com) showcases exhibitors from around the world in a classic Hollywood setting; the cheekily-named The Other Art Fair Los Angeles (Thursday-March 1. 3Labs, 8461 Warner Dr., Culver City. theotherartfair.com) promises “the bizarre, unexpected, and never normal” with work from 160 independent artists; Post-Fair (Thursday-Feb. 28. 1248 5th St., Santa Monica. post-fair.com) is a dealer-led event in a historic Santa Monica Post Office building; and Start Up Art Fair (Friday-March 1. The Kinney Venice Beach, 737 Washington Blvd. startup-art.com) brings together 150 independent artists, collectors, curators and art professionals. It’s mostly next weekend but we wanted to give you a heads-up. Be sure to watch for Times reporter Malia Mendez’s upcoming preview. Happy art hunting and people watching.
THURSDAY
Beethoven and Ortiz with Dudamel
Gustavo Dudamel and the L.A. Phil are joined by Grupo Corpa and the L.A. Master Chorale for this charged program pairing Beethoven’s “Seventh Symphony” with Gabriela Ortiz’s ballet “Revolución diamantina (Glitter Revolution).”
8 p.m. Thursday and Feb. 27; 2 p.m. Feb. 28-March 1. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Norbert Leo Butz
The Broadway star and two-time Tony Award winner (currently performing in “The Recipe” at La Jolla Playhouse, above) will perform excerpts from his signature roles, original compositions from his four solo records and covers from Tom Waits, Elton John and Bruce Springsteen.
7 p.m. Thursday-Feb. 28. Segerstrom Center for the Arts, Samueli Theater, 300 Town Center Dr., Costa Mesa. scfta.org
Arts anywhere
Something to read, something to hear and something to watch wherever you are.
The Art Book: Mini Format
(Phaidon Press)
The Art Book
What’s it like to hold art history in the palm of your hand? Find out with the new Mini edition of this beloved text celebrated for bringing art appreciation to the masses. First introduced in 1994, the updated edition of this A-Z survey features more than 600 artists from medieval times to the present. It’s far from stuffy, including overlooked and contemporary figures including Berenice Abbott, Romare Bearden, Guerrilla Girls and more; plus Takashi Murakami and Wolfgang Tillmans, who The Times happened to interview recently and have L.A. shows (see below). Phaidon Press: 592 pp., $20. phaidon.com
Yunchan Lim
(IMG Artists)
Goldberg Variations Live at Carnegie Hall, New York, 2025
Recorded fewer than 30 blocks form where Glenn Gould laid down his own landmark recording of Johann Sebastian Bach’s masterpiece, pianist Yunchan Lim’s new album has been topping the classical charts since its release earlier this month. If you missed his performance of the Variations at Disney Hall last October (or if even if you didn’t), this is a must listen. Decca Records: $8-38. Available on vinyl, CD and digital download. deccarecordsus.com
An image from Frederick Wiseman’s ‘Titicut Follies.’
(courtesy of Zipporah Films)
Frederick Wiseman
The filmmaker, who died Monday at 96, was a master storyteller and craftsman who mainly inhabited the nonfiction realm of the documentary. His perceptive explorations of public and cultural institutions was unparalleled and he was honored with an honorary Academy Award in 2016. If you would like to revisit Wiseman’s work or want an exhaustive introduction, check out the Frederick Wiseman Essential Films Collection at kanopy.com. Virtually every film he ever made is available and all you need is a public library card (an apt requirement!). His final film, “Menus-Plaisirs Les Troisgros” from 2023, can be viewed via the PBS Passport membership portal.
— Kevin Crust
Culture news and the SoCal scene
A detail of miniature “sportraits” during a preview of award-winning animator and visual-effects artist Lyndon J. Barrois’ exhibit, “Futbol Is Life” at LACMA.
(Allen J. Schaben/Los Angeles Times)
The Los Angeles County Museum of Art is staging a new show in honor of the FIFA World Cup, coming to L.A. and other cities this summer. Created by artist Lyndon J. Barrois Sr., “Fútbol Is Life” “depicts some of the most iconic plays and political moments in the 95-year history” of the event with “‘humble’ gum wrappers,” writes The Times’ Jasmine Mendez.
Jefferson Mays in “Amadeus” at Pasadena Playhouse.
(Jeff Lorch)
A new take on Peter Shaffer’s “Amadeus” premiered at Pasadena Playhouse last week, and it may be the Tony Award-winning regional theater’s most lavish production to date. I got a behind-the-scenes tour of the theater’s amazing on-site scene shop to write about what it took to put the set, lighting and costumes together; and Times theater critic Charles McNulty attended opening night. Director Darko Tresnjak, writes McNulty in his review, “treats the play as though it were a tragedy wearing the mask of comedy. He doesn’t resist the melodrama that’s inherent in the material, but he refuses to overindulge it. This production hasn’t convinced me that ‘Amadeus’ is a world classic… But I doubt I’ll have the opportunity to see a better revival in my lifetime.”
McNulty also caught a performance of “Sylvia Sylvia Sylvia,” Beth Hyland‘s new play that recently had its world premiere at the Geffen Playhouse, and explores the lives of married writers living in the Boston apartment once occupied by the poet Sylvia Plath and her husband Ted Hughes. “World premieres are risky, and the writing for this one hasn’t yet settled. The play’s split focus, moving between 1958 and the present, is a sign of conceptual ambition. But Hyland struggles to find the pacing and rhythm of her complicated vision,” McNulty writes.
Meanwhile, “Here Lies Love,” David Byrne’s disco musical about the Ferdinand Marcos regime arrived at the Mark Taper Forum in a show directed by Center Theatre Group’s artistic director Snehal Desai. The Times’ Malia Mendez sat down with members of the all-Filipino cast to discuss the ways the show’s exploration of the perils of authoritarianism dovetail with the modern political moment.
Japanese artist Takashi Murakami sits in front of his painting at Perrotin Gallery on Feb. 13, 2026 in Mid City in Los Angeles, Calif.
(Ariana Drehsler/For The Times)
I had the opportunity for a one-on-one chat with artist Takashi Murakami about his solo show at Perrotin, Los Angeles, which features 24 new canvases that explore the connection between the ancient Japanese art of ukiyo-e and Impressionism. A trip to Monet’s gardens in Giverny, France, cemented Murakami’s idea for the paintings.
Contributor Steve Appleford wrote a thoughtful profile on German photographer Wolfgang Tillmans, who is currently staging his ninth Los Angeles exhibition at Regen Projects. “In 2000 Tillmans became the first photographer and first non-British artist to win the prestigious Turner Award. Tate Britain staged his mid-career retrospective in 2003 and the Hammer Museum in Westwood mounted his first major U.S. retrospective that same year, which traveled to Chicago’s Museum of Contemporary Art and the Hirshhorn Museum and Sculpture Garden in Washington, D.C.,” Appleford writes.
Enjoying this newsletter? Consider subscribing to the Los Angeles Times
Your support helps us deliver the news that matters most. Become a subscriber.
A sketch from architect Paul R. Williams’ archive at The Getty Center.
(Juliana Yamada/Los Angeles Times)
Paul Williams, the first Black architect licensed west of the Mississippi, is the focus of a series of upcoming shows to be staged from August through July 2027 at the Getty, LACMA and USC Fisher Museum of Art. Throughout the course of his six-decade career Williams designed more than 3,000 projects, including for clients such as Frank Sinatra, Lucille Ball and the Beverly Hills Hotel. The exhibitions will feature architectural drawings, photographs, plans and memorabilia, some of which have never been on view to the public before.
Los Angeles Master Chorale announced Artistic Director Grant Gershon’s 25th anniversary season featuring work by Brahms, Bruckner, Arvo Pärt, Bach, Morten Lauridsen and Orlando di Lasso. Guest artists will include the National Chorus of Korea, composer Eric Whitacre, violinist Anne Akiko Meyers, Baroque ensemble Le Concert d’Astrée and theater director Peter Sellars. Subscriptions are available now, and single tickets will go on sale June 1.
The nonprofit arts organization, Los Angeles Nomadic Division (LAND), announced the four artists chosen to receive its 2026 Mohn LAND Grants. They are Shana Hoehn, Angela Anh Nguyen, Harrison Kinnane Smith and Adam Thompson. Winners receive a $5,000 award as well as $5,000 in production funds to use towards a new work commission.
— Jessica Gelt
And last but not least
Washington National Opera is moving on from the beleaguered Kennedy Center, and has announced new venues and dates for its upcoming production of “West Side Story.” The show will be performed at the Lyric Baltimore on May 8, 9, 10; and at the Music Center at Strathmore, May 14, 15.
