Paris

Summer has just begun, but there’s a certain magic in the air in Los Angeles right now. On the heels of Juneteenth and Pride Month, the city is fully immersed in World Cup, which continues through July 19, with some of the matches being played at Inglewood’s SoFi Stadium. There are plenty of places to eat and drink near the stadium if you’re heading there for a game and plenty of watch parties at local restaurants and bars for those looking to cheer alongside other soccer fans.

If you’re staying close to home this summer, keep your taste buds entertained with Food’s guide to the 50 essential dining experiences that define living here, from an East L.A. taco truck crawl to pastries in Chinatown and Iranian cafes in Westwood’s Persian Square. There are also plenty of new bars to explore, including rooftop destinations with sparkling views of the city.

And if your summer plans involve travel abroad, bookmark Food’s international dining guides. Far from exhaustive, these food and drink recommendations encompass memorable highlights from past off-the-clock visits to major food hubs like London, Paris, Tokyo, Melbourne, Mexico City, Hong Kong, Lima and little-known Colima, Mexico.

Keep reading for even more dining ideas to keep you busy this month:

THE two nepo-baby sons of an iconic American pop star have made their modelling debut at Paris Fashion Week – can you guess who their mum is?

Her debut single skyrocketed her to fame in the late 1990s and at the time she was just 16-years-old.

The hitmaker, from Louisiana, bagged herself nine Billboard Music Awards, one Grammy and one American Music Award throughout the years she was actively performing and making new music.

She is best known for her tunes Toxic, Baby, One More Time, Oops!… I did It Again and Gimme More.

The princess of pop thrilled her millions of fans with her high-energy performances, memorable outfits and complex dance moves.

Her most unforgettable moment was perhaps when she danced to I’m A Slave 4 You at the VMAs with a huge yellow python.

The legendary singer in question is of course Britney Spears.

Her two sons – Sean Preston and Jayden – made their official runway debut in Paris on Friday.

The 44-year-old shares her boys with her ex-husband Kevin Federline.

They married in 2004 but later divorced just three years later after Britney filed citing irreconcilable differences as the reason for their split.

Sean, 20, and Jayden, 19, looked unbelievably stylish as they walked for Vetements.

They donned the brands Y2K-leaning menswears Spring/Summer 2027 collection.

The Circus singers’ eldest son looked very chic wearing a pair of baggy blue jeans, an untucked black shirt, matching tie and a satin longline coat.

Meanwhile, Jayden’s outfit was much more rugged – he was dressed in a classic white vest top, a pair of light-wash denim jeans and some black boots.

He accessorised with a chunky brown belt, which had silver chains clipped to the side.

The nepo stars were seen strutting with confidence along the runway despite barely ever being seen publicly.

Britney was not present at the event but has been spending much more time with her boys recently after several years of public estrangement.

Sean and Jayden rallied around the music icon earlier this year after she was arrested for a DUI in California.

They flew straight to her side after finding out the news and just a month later they were spotted holidaying all together on a yacht.

Before her court date, Britney checked substance abuse and wellness treatment facility.

She successfully completed her stay and checked out right before her legal team finalised her plea deal.

Only competitions involving professional athletes will be held, with all other activities cancelled.

This weekend’s Diamond League track and field meeting in Paris will go ahead as planned despite the historic heatwave gripping the country and stretching emergency services, organisers said.

Hours after Paris police authorities said they wanted the event cancelled, the French Athletics Federation (FFA) confirmed on Friday that it would take place on Sunday at Charlety Stadium, in agreement with the police prefecture.

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Citing the exceptional heat that has affected Paris since June 21, the police prefecture had asked organisers of the meet, and other events scheduled this weekend, including a music festival and a Pride march, to cancel.

The prefecture said it would be forced to comply with the order if they didn’t agree voluntarily, as emergency services needed to concentrate their efforts on protecting the most vulnerable people.

Noah Lyles, Femke Bol and Mondo Duplantis are among the athletes expected to compete in Paris.

The FFA, which organises the meet, said it would be staged in “an adapted format designed to ensure the safety of all participants”.

Only competitions involving professional athletes will be held, with all other activities cancelled.

“Since the beginning of this extreme weather event, the French Athletics Federation has been closely monitoring the situation in constant coordination with government authorities. The safety of athletes, coaches, volunteers, officials, spectators and all staff involved remains our highest priority,” the FFA said.

Among the measures put in place to mitigate the effects of the heat, the FFA cited delaying the opening of the stadium gates to the public, reinforcing medical and emergency services, and providing additional drinking water stations and shaded areas.

The average temperature recorded at 30 weather stations by the Meteo France weather agency on Thursday reached 30 degrees Celsius (86 degrees Fahrenheit) again, matching the record for the hottest day nationwide set the previous day.

More than three-quarters of France has been placed under a red weather alert for the first time.

June 26 (UPI) — Authorities in Paris implemented restrictions on drinking in public and takeout alcohol sales on Friday for the second time in five days, amid one of the most severe June heat waves on record.

In an effort to reduce stress on the capital’s hospitals, public consumption of alcohol will be banned from noon through 7 a.m. Saturday, local time, and from noon on Saturday through 7 a.m. on Sunday, and can only be sold in bars and restaurants between 6 p.m. and 7 a.m on both days.

Prime Minister Sebastien Lecornu said the health alert level was being raised to its highest, to boost hospital staffing and protect the vulnerable while Paris police chief Patrice Faure said the the capacity of hospitals to cope was “reaching a saturation point.”

“As you know, drinking alcohol with the sun beating down can have a devastating effect,” said Faure.

The bans coincided with a France-Norway game at the FIFA World Cup in Boston, due to kick off in the early hours of Saturday, local time.

Paris Pride, which was due to run Thursday through Sunday, was moved to September, and the Solidays music festival, scheduled to be held over the same period, was canceled because police felt going ahead with either amid the searing temperatures posed a major public health risk.

On Thursday, a three-year-old child died in a hot car in Saint-Gratien in the northern Paris suburbs.

As Paris baked in record temperatures that peaked at 40.9 degrees Celsius earlier in the week, Health Minister Stephanie Rist warned the health impacts of the heat were not restricted to the elderly, infants and other vulnerable groups.

“Even if you are young and in good health with no underlying medical issues, this heat will affect you too. Young people are also suffering from cardiac arrests,” she said, explaining that the Paris ambulance responded to a four-fold jump in cardiac arrests, compared with normal, during a 24-hour period.

Paris mayor Emmanuel Gregoire said the mortality rate was on the increase and urged people, especially the young, to suspend normal physical activity such as jogging.

“We must not believe we are invulnerable. It’s fine to take a couple of days off from exercising,” he said.

ONE of the biggest rollercoasters at Disneyland Paris is set to close until next summer.

Visitors to the theme park won’t be able to ride the East Australian Current for almost a year.

Crush’s Coaster is found in Disney Adventure World, formerly known as Walt Disney Studios Park, and will close for renovations on September 7.

The ride first opened in 2007 and over time has become one of the most popular attractions with wait times often exceeding 60–120 minutes on busy days.

The good news is that Crush’s Coaster is closing for upgrades only and is expected to open next summer.

Over 10 months the rollercoaster will go through two phases of works.

The first is technical, which Disneyland Paris has said is “essential to the attraction’s operation”.

It includes the replacement of certain control systems, sensors, communication equipment and sections of track.

The second phase will involve testing what has been changed in phase one to make sure everything is working before it reopens to the public.

During the closure, the attraction will also get a makeover with a repaint and clean.

Crush’s Coaster previously closed in 2015 when it underwent a six month refurbishment.

But this closure will be the longest since it opened 19 years ago.

Earlier this year, the World of Frozen opened at Disneyland Paris, and there’s more on the way.

Next year, the world’s first ride based on the Disney film Up will open at the park.

The ride will be based on the much-loved 2009 family film that follows pensioner Carl and boy scout Russell on an adventure.

The ride, named Wilderness Explorers Sky Swings is a carousel ride that will have 48 swings.

It will have special ‘duo’ seats too, so a total of 64 people can go on the ride at one time

MADONNA oozed youthful glam in a see-through mini dress as she made a striking appearance at Paris Fashion Week.

The Vogue songstress, 67, looked half her age in the cobalt blue frock, opting to go braless in the sheer attire as she headed to an evening bash in the French capital.

She finished off her stylish look with thigh-high silver boots, nude fishnet tights and matching jewellery.

Madge pulled on a pair of sunglasses and threw a metallic jacket over her arm as she exited the French venue, with her blonde hair styled in heat curls flowing over her shoulders.

The American chart star – who recently showcased her huge video which launched her comeback – kept a serious expression as she walked out of The Ritz flanked by bodyguards.

Yet she did flash a pout as she took a brief glance over her shoulder.

Earlier this week, Madonna was seen smoking cigarettes at the same event with Charli XCX as they healed their feud.

They then confirmed they were back on track with a hug.

The pop stars were filmed posing for photos, and puffing on long, dark cigarettes at the Saint Laurent menswear show in Paris.

Madonna looked sensational in a red lace long-sleeved mini dress which she paired with pink and black toed heels and stylish shades. 

Charli rocked a red dress with lace detailing across her chest, black tights and long-toed heels.

Rumours sparked of a feud between the pair after Charli’s new single Rock Music featured the bold lyrics: “I think the dancefloor is dead, so now we’re making rock music.”

Madge’s dance-heavy new album, Confessions On A Dancefloor: Part II comes out on July 3, and she certainly didn’t agree.

Taking to Instagram she posted a snap with a very telling caption.

She wrote: “If your dance floor feels dead, maybe you’re playing the wrong music.”

At the time, the Like A Prayer hitmaker posed in a skin-tight pink dress, fishnet tights and knee-high leather boots.

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Hundreds of migrants in Paris are left exposed as a heatwave sweeps Europe. Some have taken to unsafe swimming to cope with the record-breaking temperatures.

EXPLAINER

Paris and other European cities are experiencing temperatures above 40C (104F), reaching levels normally seen across the Middle East.

A blistering heatwave has gripped much of Europe, prompting the highest-level red alerts in parts of the United Kingdom, France, Spain and Italy.

Authorities have warned of health risks, wildfires and travel disruptions as extreme temperatures persist.

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With temperatures approaching record highs, officials have taken emergency measures, including a localised alcohol ban in parts of France under red alert, nationwide heat warnings in Germany and the cancellation of a World Cup fan zone screening in Madrid, where temperatures hit 39C (102F).

Why is it so hot in Europe?

A persistent area of high pressure, known as a heat dome, has trapped hot air over Western Europe, bringing clear skies, weak winds and prolonged sunshine. Hot air moving north from North Africa has added to the extreme temperatures.

Unusually warm seas around the UK, Ireland, France and the western Mediterranean have also helped keep coastal areas hot, especially at night. Coastal waters around Spain have reached record warm levels, according to Spain’s port authority.

In the worst-affected areas – western France, England and Wales – daily average temperatures have soared more than 12C above the 1991-2020 baseline, according to Copernicus data.

Scientists say the early-season heatwave is part of a broader warming trend. Europe is the world’s fastest-warming continent, with temperatures rising by approximately 0.56C per decade since the mid-1990s, more than double the global average.

Climate change is making heatwaves more frequent, more intense and likely to occur earlier and later in the year.

How hot are European cities today?

To contextualise the temperatures Europe is dealing with, Al Jazeera looked at the maximum temperatures in five European capitals on June 24 and compared them with cities across the Middle East, North Africa and Asia, where high temperatures are more typically experienced.

Europe is particularly vulnerable – much of its housing and infrastructure was not built for prolonged extreme heat, and only about 20 percent of European homes have air conditioning.

The graphic below shows how European cities’ maximum temperatures today compare with some other cities around the world:

How is temperature measured?

The temperature you see on the news or the weather app on your phone relies on a network of weather stations positioned around the globe.

To ensure accurate readings, weather stations typically use specialist platinum resistance thermometers placed inside shaded instruments known as a Stevenson screen.

Measurements are taken at a standard height of 1.25-2 metres (4-6.5 feet) above the ground. This provides a reading that reflects the air temperature that people actually feel.

There are two well-known scales used to measure temperature: Celsius and Fahrenheit.

Only a few countries, including the United States, use Fahrenheit as their official scale. Most of the world uses the Celsius scale, named after Swedish astronomer Anders Celsius, who invented the 0-100 degree freezing and boiling point scale, although originally inverted, in 1742.

Why does the temperature feel hotter than the forecast says?

Air temperature alone often doesn’t match how hot it feels to your body. That is why forecasts report a “feels like” temperature, which adjusts air temperature based on factors like humidity, wind speed and sun exposure.

Humidity

Humidity measures how much water vapour is in the air. This moisture slows the evaporation of sweat, so your body can’t cool itself as effectively.

Wind speed

In hot weather, a light breeze can help evaporate sweat, making it feel cooler.

Sun exposure

Even if the thermometer reads the same, direct sunlight adds extra warmth, which is why shaded areas feel cooler.

The Latin Quarter’s cobblestone Rue Mouffetard is a walking street lined with fishmongers, bakeries, cheese shops, produce stands and cafes. Once you’ve talked triple-cream Brillat-Savarin with the cheese pros at Androuet and admired displays of glistening seafood along Mouffetard (Poissonnerie Quoniam sells fresh oysters that you eat standing with an inexpensive glass of wine), there is lunch or dinner to consider. A wonderful choice is Otto, a modern izakaya-style project with MOF chef Eric Trochon, who provided menu guidance to proprietors Stéphane Offner and Tony Alvarez-Parage plus occasional turns at the binchotan-fueled grill when he’s not running his Michelin one-star restaurant Solstice 700 meters away. Observe the action in the open kitchen from your bar seat or find an intimate corner to enjoy Otto’s small plates — maybe “fish no chips” with black curry mayonnaise, razor clams with garlic butter or celery root beignets. Oh, and at lunch you can choose three dishes for €22. A terrific deal.

5 Rue Mouffetard, 75005 Paris

PARIS — There’s a present-day answer to the question that was posed in verse by the French medieval poet and street brawler François Villon: “Where are the snows of yesteryear?”

They’re right here, in high summer, on Paris’ oldest bridge, the Pont Neuf, where an enormous art installation, a trompe l’oeil inflatable snow-clad mountain range, has arisen over the river Seine.

Using about 200,000 square feet of printed fabric, Paris-born street artist JR has created “La Caverne du Pont Neuf.” It’s his version of and homage to the innovative work of groundbreaking environmental artists Christo and Jeanne-Claude.

They’re the fabled duo who first wrapped the arches of this same bridge in straw-colored fabric in 1985. Over the years, they also surrounded 11 islands in Florida’s Biscayne Bay with flamingo-pink cloth, hung saffron-colored fabric “gates” in New York’s Central Park, installed a “running fence” of billowing white material across nearly 25 miles of Sonoma and Marin counties and, in 1991, planted 3,100 yellow umbrellas, blooming like 20-foot-tall poppies, through the Tejon Pass north of L.A.

I interviewed Christo in 2011, and he was eloquent about how his and his wife’s work alters perceptions of nature, and about the deliberately transient character of the art itself. JR, an acolyte of their work, told me in an email that “an ephemeral artwork forces you to come now, and usually to come with other people. The visit becomes a shared moment … and this moment becomes a memory.”

In a city celebrated for artworks that have survived for centuries, this installation was very nearly too transient. A kooky hailstorm in late May, a heat wave in June, followed by ruthlessly ripping winds, delayed the opening by days. At last, beginning one midnight, the air pumps began and the work arose like a limestone-colored soufflé. It will be open around the clock until June 28.

Plus ça change, plus c’est la même chose. Back in 1985, Christo’s engineer on the Pont Neuf project, Ted Dougherty, pointed out that above 25 mph, “wind is not our friend.”

The piece works from two vantage points: from afar — visible from a lot of central Paris — and also from inside it, in the “cave” part. Pedestrians crossing the bridge pass through a fabricated interior, a cavern-like space printed in 3D realism and enhanced with a specially designed scent to evoke the dank, earthy aroma of humankind’s early habitations.

JR intended it to be both. “From the start I designed two works in one. There is the silhouette — what you catch from the quais, from the bridges, from a boat on the Seine or simply walking past on your way somewhere else. That image belongs to everyone, including the people who never chose to look at art that day.”

And then, he said, “there is the inside, which is slower and more intimate, almost in the dark, hard to photograph.” That aspect is “a journey to cross the bridge, to go from darkness to light.”

When Christo and Jeanne-Claude wrapped the arches of the Pont Neuf more than 40 years ago, it took years of planning and permits to make it happen. “La Caverne du Pont Neuf” was a breeze by comparison.

JR, whose other vast outdoor works have delivered double-takes of humans’ scale and their architecture, told me that cities have come to understand “that public art brings people together and that the image travels around the world. Once Christo showed it could be done safely and beautifully, the conversation changed. It was much easier for me to have my project accepted, thanks to them. They also proved the economic positive impact to the cities they worked in. I believe there should be more large-scale, ambitious public art projects.”

It’s one thing to conceive of such a project and another altogether to make it happen — so much technology, compared to, say, mixing paints and choosing a paintbrush. But the science that “La Caverne” required “is the art, not an obstacle to it,” JR said.

All the canvas, the engineering, the meticulous assembly, the permits — “none of that is preparation for the work, it is the work. Christo taught me this. The process is visible, and even more after the storm we experienced a couple of days before opening to the public. Nature always reminds you who is in charge. When the wind tore the canvas before we opened, we took it down, re-sewed it, reinforced it,” all in full public view.

“Where I stay careful is in not letting the technology become the subject. The augmented reality by Snap’s AR Studio adds to the project, doesn’t take you away from it.”

That air should be JR’s vital collaborator — no complex and costly scaffolding for these magic mountains — is nothing new in Paris.

The first free flight of humans above the earth, on Nov. 21, 1783, sent aloft two men in a hot-air balloon crafted by the Montgolfier brothers from silk fancifully painted in blue and gold with figures of the zodiac. It wafted across Paris for about 25 minutes at about 3,000 feet. Ephemeral, yes — and unforgettable.

Artists and couturiers are fond of the whimsy of trompe l’oeil, the trick of the eye, the illusion of reality. I am a sucker for it, for fashion like that of clothing designer Elsa Schiaparelli. JR has used it often, as a massive-scale magical deception to make the Louvre Pyramid “disappear” into the old Louvre, and opening up an imaginary subterranean world below the Eiffel Tower.

“Trompe l’oeil turns adults back into children,” he told me. “You know it isn’t real, you know that ‘La Caverne du Pont-Neuf’ is not made of rock, that this is printed canvas. And yet your eye wants to believe it, and for a moment you let yourself. That gap between knowing and believing is where the play happens, and people love being inside that gap.”

There has been queues for hours, with some holidaymakers even missing flights

Many Brits are heading to Europe in the coming months for their summer holidays. However, there are major changes to entering European countries this year.

The new EU Entry/Exit System (ESS) was fully implemented on Friday 10, April, with significant travel disruptions happening as a result. Holidaymakers have found themselves in long queues lasting hours as they try to pass through the digital border system.

It has even left some missing their flights and having their holidays in tatters. The EES has replaced manual passport stamping and requires all Brits travelling to the Schengen area to “create a digital record” and register their biometric details, including fingerprints and a photograph.

As delays continue at European airports, there have been mounting worries about how it will affect travel during the summer holidays, which is famously one of the busiest periods to fly.

Travel expert Simon Calder says there has been “a litany” of people stuck in queues at Dover for hours or even missing their flights home due to delays.

He described the system as a “Euro shambles” before being pressed on where in Europe is the worst impacted by the new process. Simon named Milan Malpensa, Lisbon, Paris Charles de Gaulle, Frankfurt and Copenhagen as the airports with the “worst” delays.

Simon said on The Travel Expert podcast: “From what I have experienced, and certainly one of them is Milan Malpensa. The fingerprint stuff took an hour, and I was the first one off the EasyJet plane from Gatwick.

“Then, I went through the other terminal to check out and it took 45 minutes that time but they wanted those fingerprints again, which is absolutely not in the rules.”

He added: “I have heard terrible stories from Lisbon, other places frequently mentioned, Paris Charles de Gaulle and Frankfurt. Both of them are huge hubs where you have got a lot of people flying from various regional airports across the UK into Paris and Frankfurt to connect.

“That’s okay if you are going intercontinental but if you are trying to connect to somewhere in Europe it is awful.”

Simon explained he had a friend travel to Frankfurt last weekend, who experienced 90 minute queues.

A friend was there last weekend and it took 90 mins, connection could be toast. Simon went on to name Copenhagen as also experiencing bad delays.

Co-host Greg Dickinson said: “This was a rare instance where the Foreign Office said you may encounter long queues in or out of the airport.”

Despite the issues, Simon was optimistic about the future of travel this summer. When asked if he thinks there will be more delays this summer, he said: “I would hope we might see a bit less.”

‘Worst’ European airports for ESS delays

• Milan Malpensa
• Lisbon Airport, also known as Humberto Delgado Airport
• Paris Charles de Gaulle
• Frankfurt Airport
• Copenhagen Airport

This once charming village has been abandoned since a tragic accident decades ago.

Just a stone’s throw from one of the world’s most bustling capital cities lies a town that has been eerily silent for four decades, deserted by all those who once made it their home. Goussainville-Vieux Pays sits roughly half an hour’s drive north of Paris, and once upon a time, it was the picture of a quintessential French village.

Yet as the world moved on, a cruel twist of fate consigned Goussainville-Vieux Pays to history. The beginning of the end for this charming French settlement was the scene of a harrowing disaster

In 1973, a Russian aircraft had been performing aerobatic manoeuvres at the Paris Airshow when it stalled at low altitude and came crashing down.

The plane plummeted into the village, claiming 14 lives – including six crew members .

The wreckage obliterated 15 homes and the local school.

In the wake of the devastating incident, the village desperately tried to rebuild, but fate dealt another cruel blow.

The very next year, in 1974, Charles de Gaulle Airport opened its doors, placing Goussainville squarely beneath the flight path of one of Europe’s busiest airports.

The relentless roar of overhead aircraft proved not only an unbearable disruption for local residents, but served as a constant and harrowing reminder of the tragedy that had torn through their community just a year before, reports the Express.

Most villagers simply upped and left, many without even bothering to sell their properties.

The airport was subsequently compelled to purchase more than 100 of the deserted homes and pledged to maintain them.

Sadly, those houses have since been left to crumble.

Among the most arresting sights in this abandoned village are the crumbling remains of a sprawling old manor house, set within an overgrown and neglected garden.

Graffiti has spread across the settlement, and nowadays its only genuine signs of life are inquisitive tourists arriving to catch a glimpse of the village that time forgot.

Lucy’s friends and family have not heard from her for a week

A UK woman has vanished in Paris after travelling abroad for a festival, with no contact with her family for over a week. Lucy Stemp has been reported missing by her loved ones. The woman, from Tonbridge, Kent, has been described as “very vulnerable” by her family.

She had travelled over to France for a festival in the city of Brest but her last known location is believed to have been Paris. Lucy is believed to have gone missing on May 30. Her loved ones are pleading with locals and expats to report any information they have on to the police or themselves.

Her last known location was the Bercy neighbourhood in the French capital. Lucy’s stepdad Sean said: “Lucy is my stepdaughter and is very vulnerable, she has been missing for over a week now.”

It is believed that Lucy will have no access to sorting how to get herself back home. The British embassy and Interpol are reportedly working together on a cross-border operation to help track her down.

Paul Arnott, who helps find missing Brits, said: “Lucy Stemp, from Tonbridge, Kent, has been missing in France for approximately one week and her family are becoming increasingly concerned for her welfare. Lucy had travelled to France for a music festival in the city of Brest and is believed to have subsequently been in Paris.

“No one has heard from her for the past week. Lucy is considered vulnerable and efforts to locate her are ongoing. The British Embassy, police authorities and Interpol are involved in the search.

“If you know Lucy, have spoken to her, seen her, or have any information that could help establish her whereabouts, please come forward as soon as possible.”

Clay is not Sabalenka’s strongest surface even though she has won three times in Madrid, where the high altitude makes the conditions similar to a hard court.

Nor did she have a good build-up to Roland Garros. Six match points were squandered in a quarter-final defeat by Hailey Baptiste in Madrid in April, before she let a set and a break lead slip against Romanian veteran Sorana Cirstea in Rome.

But, given her quality and pedigree compared to the other Paris quarter-finalists, it is hard not to think another golden opportunity has slipped through Sabalenka’s fingers.

Sabalenka’s four Grand Slam singles titles – two Australian Open and two US Open triumphs, all on hard courts – are more than most people can dream of.

But she has also lost four finals and six major semi-finals, despite a consistency on the biggest stages that is unrivalled among her peers.

Sabalenka has the proud record of not losing before the quarter-finals of a Grand Slam since the start of the 2023 season.

However, she has not always dealt well with the pressure of the latter stages – particularly during the period where she has clearly been the best player in the world.

Sabalenka was the heavy favourite to beat underdog Madison Keys in the 2024 Australian Open final, but came unstuck. Twelve months later, she reached another Melbourne final – and a flurry of mistakes saw her squander a break lead in the deciding set against Elena Rybakina.

At last year’s French Open Sabalenka played what she described as the “worst final” of her life, hitting 70 unforced errors in windy conditions as she lost from a set up.

Against Shnaider, Sabalenka looked in control at 6-3 4-1 up before losing 12 of the final 13 games.

“I just think that there is something in specific moments during the match [where] I lose control,” said Sabalenka, whose 57 unforced errors outweighed her 46 winners.

The move will see passengers pay ’65 per cent’ less tax on a number of routes in a bid to make them more ‘affordable’

The prices of tickets for a number of flights in a holiday destination for British travellers will be lowered in a bid to make them more affordable. The move will see flights on 26 specific routes cut in price as tax is reduced on many flights in France, which gets around four million visits from UK travellers every year.

The move was introduced on June 1. Philippe Tabarot, minister at the French Ministry of Transport, confirmed the update this week, and it will affect some international flights as well as trips to some of France’s biggest cities.

Travellers in the UK heading for holidays to France from Heathrow and Gatwick could benefit. Air France, for instance, travels to Paris Charles de Gaulle, while Manchester airport and Birmingham airport also daily flights to both Paris and Lyon, and Newcastle, Edinburgh and Southampton airports also have regular Paris flights.

The move is due to a change in the so-called solidarity tax on airplane tickets (TSBA). French media website 20 Minutes reports that the TSBA had been raised in March 2025 for all flights departing from France.

Local media say the amount rose from €2.63 to €7.40 per passenger. Now passengers flying on certain routes will see the figure returne to the original rate of €2.63.

The Ministry of Transport says this represents a 65% reduction in the tax. That amounts to a saving of €4.77 per ticket.

The flights in France to be affected by the TSBA change

This discount applies to the following routes:

1. Calvi-Marseille
2. Ajaccio-Paris (Orly)
3. La Rochelle–Lyon
4. Ajaccio-Nice
5. Brive–Paris
6. Rodez–Paris
7. Strasbourg–Madrid
8. Strasbourg–Munich
9. Bastia-Nice
10. Figari-Paris (Orly)
11. Tarbes–Paris
12. Calvi-Paris (Orly)
13. Calvi-Nice
14. Brest–Ouessant
15. Bastia-Paris (Orly)
16. Limoges–Lyon
17. Figari-Nice
18. Poitiers–Lyon
19. Aurillac–Paris
20. Bastia-Marseille
21. Strasbourg-Copenhagen
22. Limoges–Paris
23. Figari-Marseille
24. Ajaccio-Marseille
25. Castres–Paris
26. Le Puy–Paris

The minister said: “By making these routes more affordable, this measure reflects the government’s commitment to supporting connectivity in the least well-served regions and to reducing the cost of air travel to and from these destinations.”

The move is designed to support routes officials believe are sometimes poorly served by other means of transport. While the flights are almost all domestic, Brits travelling around the country could benefit.

There are also international connections to Strasbourg that are included, as well as most of the links between the French island of Corsica and the mainland. These routes have a special status as ‘public service’ routes because they are in areas where other transport options are limited, or where flying represents the only fast connection, The Local reports.

The eco tax was originally added to plane tickets under Jacques Chirac’s government in 2005, French media reports say. It was doubled in 2024 in a move that Ryanair blamed for its withdrawal from some regional French airports.

The tax is added as an extra fee to each plane ticket bought. It is charged at a sliding rate based on the length of the flight and whether the ticket is standard class, business or first.

It’s the time of year where Brits flock to the continent to explore its cultural delights, but many will find that in addition to longer queues at passport control, they could paying more to visit top attractions

Exploring Europe has become a lot trickier, and more expensive, since Brexit. From 90-day restrictions to the new Entry/Exit System (EES) that non-EU residents need to go through, the days of carefree hopping across the continent are over.

In the latest blow to Brits, some of Europe’s top tourist attractions have also started two-tier pricing schemes for EU and non-EU residents, meaning not only are we relegated to the longer queues at airports, on arrival we’ll also pay more to experience the country when we arrive.

Here are some tourist spots where you’ll need to pay more if you don’t have an EU passport.

1. The Louvre

According to a report by Which?, visitors to the Louvre, one of the most popular tourist attractions in Paris, face a two-tier pricing system. The museum increased its prices last year, from €22 to €32 (around £19 to £27), for anyone from outside the European Economic Area (EEA). So, visitors from any of the 27 EU countries, or Iceland, Liechtenstein or Norway, will pay €10 (about £8.64) less than British tourists.

Other Paris attractions such as the Palace of Versailles and Sainte-Chapelle have also introduced dual pricing depending on nationality. British visitors to the historic château in Versailles will pay €3 more for their tickets (about £2.50).

2. Teide National Park

Tourists visiting Teide National Park, the largest of its kind in the Canary Islands, will need to pay for a permit to walk its most popular trails. This recently introduced fee runs from €10 to €25 (approx. £8.64 to £21.50) depending on where you go and whether you take a guide. Tenerife residents don’t pay this charge, and people who live on other Canary Islands get heavy discount.

It’s not the only Canary Islands attraction to offer deep discounts for those who live on the archipelago. For example, a visit to Siam Park, a sprawling waterpark in Tenerife is around €44 for a standard adult ticket, about £38, but half the price if you live on one of the local islands.

3. Acropolis of Athens

Hoping to take the kids to see the iconic Acropolis of Athens? if they’re British passport holders you’ll need to fork out more. While EU residents up to the age of 25 can visit the Acropolis for free, non-EU kids from the age of six to 25 will need to pay €10. Older adults also get fewer discounts if they’re from outside the EU. While seniors over 65 from the EU can pay a reduced €10 entry fee, Brits of the same age pay the full price of €20 (about £17.25).

4. The Royal Palace of Madrid

The Royal Palace of Madrid offers free hours between Monday to Thursday, from 4 pm to 6 pm from October to March, and from 5pm to 7pm from April to September, but these are only available to citizens of the European Union and Latin American citizens holding proof of nationality. Brits who want to visit the official residence of the Spanish royal family will need to pay nearly €25, although there are half-price tickets for younger people.

5. Pompeii and the Colosseum

Young people hoping to explore Italy’s state museums such as Pompeii and the Colosseum will pay more if they’re from non-EU countries. Many Italian attractions offer heavy discounts for young people up to the age of 25, bringing the cost of tickets down to under £2 in some cases. But these aren’t available to British passport holders.

Elsewhere in Italy, visitors to Rome will now need to pay for access the lower basin and steps of the iconic Trevi Fountain. As of February, visitors need to pay €2 to get close to the popular sightseeing spot, although locals can still enjoy it for free.

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Macron, who has acknowledged French ‘responsibility’ in the genocide, called the memorial a reconciliation ‘milestone’.

French President Emmanuel Macron has presented a memorial in Paris dedicated to the victims of the 1994 Rwandan genocide, as France pursues closer ties with the East African country and continues to grapple with its role in the historic atrocity.

Speaking at the inauguration event alongside his Rwandan counterpart Paul Kagame on Tuesday, Macron said the monument marked “the culmination of a long and patient quest for truth”.

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“An unprecedented reconciliation has emerged between Rwanda and France,” said Macron. “This monument, while it is an achievement, is not an end. It is a milestone on a path we have opened.”

Dubbed “L’Archive” (The Archive), the monument consists of two black brass steles, and it bears an engraved tribute to the estimated 800,000 men, women and children, mostly ethnic Tutsis, massacred between April and July 1994.

The memorial’s inauguration comes five years after Macron travelled to Kigali and first acknowledged France’s failure to heed warnings of impending massacres in Rwanda.

Macron has said Paris and its Western and African allies did not have the will to halt the genocide, though he has stopped short of issuing a formal apology.

‘Requires real courage’

Speaking at the ceremony, Kagame hailed France’s efforts to assume its share of responsibility, and praised Macron for his “courage and humanity”.

“France was not alone in falling short, far from it,” said Kagame, who had long accused France of “complicity”.

“Many other countries did so as well, but none has gone as far as France in setting the record straight and accepting its part in the tragedy.

“Confronting historical responsibilities requires real courage because it generates a fierce opposition by those with a case to answer,” Kagame said.

When the genocide against the Tutsis occurred in 1994, France had been a long-standing backer of Rwanda’s Hutu-dominated government, leading to decades of tensions between the two countries, including a break in diplomatic ties between 2006 and 2009.

A commission set up by Macron and led by historian Vincent Duclert concluded in 2021 that France had been ⁠blinded by its colonial attitude to events leading up to the genocide ⁠and bore a “serious and overwhelming” responsibility ⁠for failing to foresee the slaughter.

However, it said there was no evidence that Paris was complicit in the killings.

‘Part of France’s public history’

Duclert said the unveiling of the monument was a “powerful” step. “The genocide against the Tutsi is now fully part of France’s public history,” he said.

The French courts, acting on the principle of universal jurisdiction to try the most serious crimes committed worldwide, have convicted several Rwandans for their part in the massacre.

In May, France’s judiciary ordered the resumption of an almost two-decade investigation into accusations that the widow of late Rwandan President Juvenal Habyarimana, who has lived in France since 1998, was involved in the genocide.

One iconic Disney movie now has its own official area at Disneyland Paris, and we got to enjoy the incredible opening ceremony as well as enjoying the brand new ride that Disney fans have been long anticipating

It’s difficult to believe that 13 years have passed since Frozen first graced our cinema screens. The adventures of Elsa and Anna soon became one of the most commercially successful animated pictures ever made, with its follow-up arriving in 2019. This means virtually every parent with primary school-aged children will, at some stage, find themselves able to reel off every word to Let It Go.

My seven year old daughter has kept the Frozen films on constant repeat on Disney+ for years. There’s something about the heartwarming stories of the two sisters that proves utterly captivating for her generation, even though she wasn’t born when the films originally came out. So when the opportunity arose to visit Disneyland Paris for the launch of Disney Adventure World featuring the World of Frozen – previously known as Walt Disney Studios Park – I responded with an enthusiastic yes.

The attraction forms part of ambitious expansion schemes for Disneyland Paris, and features stunning landscaped gardens surrounding a lake, brand-new dining venues and retail outlets, and arguably most importantly, the opportunity to enter Arendelle itself and become immersed in the magic. Not only was this my maiden voyage to Arendelle, it was also a first Disney adventure for both myself and my daughter, which made it all the more exciting.

Before the official opening back in March, we were treated to an exclusive preview, allowing us to explore the town at leisure, and it’s genuinely breathtaking. While Frozen is set in an imaginary kingdom, it draws heavily on Norwegian influences, and the park has recreated this flawlessly.

Against the striking backdrop of an enormous artificial North Mountain — where you can spot Elsa’s frozen palace shimmering in the distance — charming wooden structures are dotted throughout, packed with little nods to the film that will thrill Frozen fans.

Following a stroll around the lake soaking up the scenery, we kicked off our day with a visit to get my daughter’s hair styled. There’s a rustic wooden cabin beside the lake where children can select from an array of Scandinavian-inspired hairstyles including plaits and updos, finished with Frozen-themed hair embellishments. Face painting and flower crowns are also available for that authentic Arendelle style.

We also had a look inside the new Nordic Crowns Tavern, a welcoming spot at the heart of the park offering fast-service dining choices. The menu featured meatballs, fish, and other foods that complement the overall Scandinavian atmosphere of Arendelle.

But the star attraction is undoubtedly the World of Frozen ride, and so climbing aboard a boat, we set off into the unknown. The experience perfectly retells the story from the first film, guiding you through various scenes where you’ll spot familiar faces from the trolls, or love experts, to Sven, before going up a steep incline towards Elsa’s frozen fortress.

As the melody of Let It Go echoes around you, your boat suddenly hurtles backwards at pace, before you’re hurled from the North Mountain by the fearsome Marshmallow down a dramatic plunge. One tip for riders – don’t leave anything you don’t want soaked on the floor. I ended up having to use a hairdryer on my passport after my backpack got drenched through.

You then enjoy a firework display accompanied by delightful Frozen songs. My seven year old absolutely adored the experience, and it proved to be a trip highlight. And yes, we took a second spin — it would have been rude not to.

Time your arrival well and you can catch a Celebration in Arendelle, where beloved characters perform a spectacular show on boats across the water, and naturally, you can arrange a meet and greet with Anna and Elsa – although advance booking is required for this.

For those wanting to enjoy more Disney princess encounters without the lengthy waits, the new Regal View Restaurant is essential. I must confess, it feels somewhat strange stepping into an upscale restaurant after a morning spent at a theme park, and I felt rather underdressed compared to the elegant interior adorned with oil paintings and Disney-inspired ceramics.

That said, the staff were nothing short of delightful. As we settled in and enjoyed a three-course French meal, complete with charming nods to Disney princesses — from edible rose petals to dainty crowns — the princesses strolled between the tables to meet guests.

We were lucky enough to meet four princesses from the comfort of our seats, including Jasmine and Mulan, and each one was brilliantly professional and wonderfully engaging. My little one can be on the shy side when meeting characters, but they soon had her chatting away and practising princess twirls, and we had ample time to snap plenty of photos.

It’s certainly not a budget option, at €100 for adults and €50 for children for the set menu (roughly £86 and £43), but it made for a thoroughly relaxed and enjoyable experience — one that’s truly worth saving for a special occasion.

Amid all the buzz surrounding the World of Frozen, the brand-new Tangled ride was somewhat overlooked, though it’s an absolute gem for younger children. On Raiponce Tangled Spin, you gently drift around on spinning boats beneath a canopy of lanterns, making it the ideal attraction for little ones.

That evening, we made our way to the opening ceremony, where in a spectacular burst of glitter and confetti, the gates were flung wide open. Much like the iconic moment in the original film when the gates of Arendelle parted, there was an electric rush of excitement as we followed a brass band belting out beloved Frozen tunes.

French singer Santa took to the stage to perform Let It Go, amongst other songs, officially marking the park’s opening, with visitors making a beeline for the new ride and the chance to meet the princesses.

Rounding off the experience at the World of Frozen is a brand-new night-time spectacular, Disney Cascade of Lights, set on the lake. Combining drones, fireworks and pyrotechnics, it’s a breathtaking achievement and the ideal way to close the day for any Disney fan.

All in all, World of Frozen made for a magical experience and stands as one of the crown jewels of Disneyland Paris. As a first-time visitor to Disney, expectations were high, and the extraordinary attention to detail and outstanding entertainment on offer in Arendelle more than delivered. But above all else, watching my daughter wander around wide-eyed with wonder throughout the entire visit made every moment of the journey absolutely worthwhile.

Find out more on disneylandparis.com.

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A study has named Europe’s most overrated tourist attractions, with a number of bucket-list destinations that visitors say aren’t worth the bother due to overcrowding and expensive tickets

As the summer season kicks in, queues at Europe’s most popular attractions are set to grow even longer – but landmark named as an ‘overrated’ hotspot may simply not be worth the wait.

A data analysis examining a range of Europe’s top attractions, assessing average review scores alongside factors such as overcrowding, cleanliness and entertainment value, has revealed the ten most overrated sights on the continent. Surprisingly, many of them are iconic landmarks that feature on countless tourists’ bucket lists.

Topping the list is the vast Palace of Versailles, the lavish château commissioned by King Louis XIV on the outskirts of Paris. Despite the estate’s undeniable grandeur, the study – carried out by price comparison site idealo found a significant number of reviews from disenchanted visitors, with nearly a third of reviewers flagging overcrowding as a major gripe.

Although the palace holds an impressive 4.7 rating on Google, a clear pattern of complaints emerges among its negative reviews. One frustrated visitor wrote: “It’s another tourist trap. This place is so crowded. Most art works are of replicas, the real ones are stored at the Louvre museum.

“There’s not enough toilet facilities for the number of visitors and every part of the palace requires another ticket: the king’s apartment, the queen’s apartment, the garden, the virtue, all cost extra.”, they added.

Another review from several months back stated: “It was impossible to enjoy the palace with the sheer number of people crammed into the spaces-it even felt unsafe in such a crowd.” However, a more enthusiastic review declared: “Beautiful place to visit. So much history! Fantastic architecture and amazing art.”

Coming in second was Park Güell in Barcelona, and while this collection of outdoor spaces designed by Antoni Gaudí boasts plenty of distinctive architectural elements, not every visitor was won over, reports the Express.

One critical review remarked: “My honest opinion is don’t bother. It’s €18 to walk around a kind of country park. There are 3 houses which you can see better on the website. How people are rating it 4 I do not know.

“Nothing but a money making tourist trap. The walk up to the entrance is about 20 minutes uphill and loads of steps too. Seriously, don’t waste your money.”

Yet a recent review offered: “It’s a very nice park with several great spots for taking photos. I recommend buying tickets in advance, but you can also get them on-site if you go early. I recommend going in the morning when the park opens.”

Claiming third place was the Sistine Chapel in Vatican City, celebrated for its world-renowned frescoes adorning the ceiling, painted by Michelangelo. But despite its stunning 16th century artwork and legendary reputation, not everyone enjoyed their experience.

Many reviewers grumbled that the visit felt hurried, excessively crowded, and that photography of the famous ceiling was prohibited. One tourist described being: “Forced through a maze like cattle. Took an hour to get to the Chapel once we entered. Only saving grace wax we bought tickets to miss the regular line. I think people were waiting over an hour just to get in.”

Another complained: “The artwork is of course amazing. However, the shoulder to shoulder crowding throughout the museum made it difficult to appreciate anything but oversold tickets.”

Europe’s most overrated tourist attractions in 2026 – full list

1. Palace of Versailles, Versailles
2. Park Güell, Barcelona
3. Sistine Chapel, Vatican City
4. Neuschwanstein Castle, Bavaria
5. Prague Castle, Prague
6. Leaning Tower of Pisa, Pisa
7. Brandenburg Gate, Berlin
8. Arc de Triomphe, Paris
9. Louvre Museum, Paris
10. Eiffel Tower, Paris

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May 31 (UPI) — Police in France arrested hundreds of people late Saturday after celebrations for the Paris Saint-Germain soccer team turned violent, local authorities said.

Interior Minister Laurent Nuñez said the riots injured 57 police officers in Paris and other cities across the country, The Guardian reported. Some of the soccer fans also set fires, vandalized businesses and attempted to storm a Paris police station.

Police arrested 780 people and deployed tear gas to break up the riots, Politico reported.

“Most of the celebrations took place peacefully, Nuñez said, adding that most of the violent clashes took place near the Parc des Princes stadium where fans had gathered to watch the match between Paris Saint-Germain and Arsenal for the Champions League title.

French leaders took to social media to criticize the rioters and call for peace.

“Only in France does a football club’s victory spark riots,” far-right leader Marine Le Pen wrote in a post on X. “Only in France does everyone feel compelled to lock themselves in their homes on the evening of a victory to avoid being confronted with violence.”

Valérie Pécresse, the head of the Île-de-France region, said those involved in the riots should be punished.

“The brainless thugs who think they can smash everything are tarnishing the image of Paris and France!” Pécresse said in a post on X. “We must be able to celebrate on victory nights peacefully in Paris and the Île-de-France Region!”

This article contains spoilers for the series finale of “Hacks.”

After five seasons and (thus far) 12 Emmys, “Hacks” has come to an end. The story of how Deborah Vance (Jean Smart), a 70-something comedian of the Joan Rivers type, and Ava Daniels (Hannah Einbinder), a prickly 20-something comedy writer, came together to resurrect both their careers was a roller coaster ride of intergenerational judgment, wins, setbacks, ruthless behavior, personal growth, power reclamation and much general hilarity.

Deborah sees Ava as entitled and self-righteous, Ava sees Deborah as washed-up and boring. Eventually, of course, they realize they are kindred spirits who do their best work together.

In Season 5, Deborah attempts yet another comeback. Having walked off her late-night show rather than fire Ava in Season 4, she is determined to rewrite her premature obituary by playing Madison Square Garden. When that too is snatched away, she pivots (with much difficulty and hilarity, including a show-stopping monologue by Laurie Metcalf’s tour manager Weed) to Central Park, where she is finally allowed a moment of glory, basking in the adulation of applauding thousands.

But that is not the end of “Hacks.” In the final episode, Deborah reveals she has cancer and rather than undergo treatment, she is choosing to “go out on top” with the aid of a Zurich clinic. She asks Ava to accompany her, after they take a girls trip to Paris. After an emotional meltdown, Ava agrees, hoping to persuade Deborah to change her mind. She does, but only after Deborah realizes that she cannot bear to walk away from the jokes she could write about dying. And so the show ends, with the two women walking arm in arm, first in Paris and then in Las Vegas, working on Deborah Vance’s final show.

Here, Times TV and culture critics Robert Lloyd and Mary McNamara discuss the ending, and legacy, of “Hacks.”

Mary McNamara: Hey there, Robert; are you as devastated as I am that we have no more “Hacks” to look forward to? The only solace I can find is the news that creators Lucia Aniello, Paul W. Downs and Jen Statsky are planning to release a DVD box set of the series. And the possibility that there could be a movie sequel — I for one want to see Deborah Vance’s death tour, especially since you know she’ll beat the odds and survive.

Seriously, though, sad as I am to contemplate life without “Hacks,” I am equally thrilled that the show so thoroughly stuck its landing. Finales are always a crap shoot and I appreciated how this season managed to show growth and cosmic justice while never tipping into treacle. I love that everyone ended on a win — including Marty! (Christopher McDonald) — and I didn’t even mind that suddenly Deborah had cancer (what?), was choosing assisted suicide (double what?) or that we were whisked to Paris (sure, I guess, why not?) because it made just enough narrative sense to set up Deborah’s decision to live because she just couldn’t leave good material on the table. “I may not have 30 years, but I do have one more hour,” may be the best line from a TV finale ever.

It is too easy to think of people like Deborah as clawing back their careers for fame, validation or money rather than a deep and essential love of their art. Having Deborah decide to prolong her life with chemo because she could not resist mining this final seam of comedic gold was a coup de grace.

What did you think?

Robert Lloyd: Hail, Mary. Reviewing the first-season finale, I wrote that the series was at heart a romantic comedy. And though many timely points were made along the way about artificial intelligence, the fate of late-night television and the awfulness of rich jerks who control media companies — Deborah’s Madison Square Garden show was undermined by the network head she named on national television in her resignation speech — the show asserted itself as a love story once again in the end. Where earlier seasons had depended on creating friction between Deborah and Ava, this one was mostly of concord, their only real clash being Deborah’s decision, introduced late in the season, to end her life (in a clean, posh way); her climactic change of heart spared us a medical tearjerker, but, believe me, I shed plenty of tears along the way. Unlike most seasons of “Hacks,” the fifth and final was orchestrated very much as a feel-good experience — “Ted Lasso” has nothing on it. A fairy tale, almost, as you point out, full of fairy-tale endings and plot points that were as good as magic. It could be contrived and improbable and old-fashioned in its triumphs snatched from the jaws of defeat, and I completely loved it.

McNamara: The series had a lot to say about a lot of things (including vengeful power brokers/network executives) that feel particularly pointed now. But I deeply appreciated that while underlining the real obstacles Deborah and Ava faced, the writers showcased and explored how the bad choices each women had made, and defended, also contributed to their situations. Obviously having the great Jean Smart in the driver’s seat helped a lot — she revealed the woman beneath the diva even in Deborah’s most outrageous actions. The writers did not shy away from calling attention to the blatant sexism female comedians faced (and continue to face) or how the “woke” women of Ava’s generation are often able to see that kind of injustice more clearly.

It was, as you say, more rom-com than morality play, and rom-coms are often based on discovering that the differences that initially divide are too often based on, well, to put it in its original form, pride and prejudice. So while there was some hilarious and spot-on commentary about intergenerational miscommunication, there was also a clear message of how important it is for people with vastly different experiences to listen to, and learn from each other, which also feels incredibly important at this moment in time, especially given the show’s essential, and deeply human, respect for creative work. What motivated Deborah and Ava, and virtually every character in “Hacks” — agent Jimmy (Downs), his assistant Kayla (Megan Stalter) and later Randi (Robby Hoffman); Deborah’s staff, including Marcus (Carl Clemons Hopkins), Damien (Mark Indelicato) and Josefina (Rose Abdoo) — was a belief in the importance, and difficulty, of the creative process. It’s something that is rarely, if ever, the work of a single individual — as Deborah finally acknowledges at the opening of the Diva casino. Or as Laurie Metcalf’s Weed makes clear in her hilarious monologue before the Central Park gig.

Lloyd: In a way Deborah’s speech summed up what we’d already been seeing through an especially generous season that served as “Hacks’” tribute to itself and its people. It was a party to which most every significant and many minor characters were invited, including Metcalf and McDonald; Luenell as comedian Miss Loretta; Poppy Liu as Deborah’s personal blackjack dealer, Kiki; Jane Adams as Ava’s mother, Nina; J. Smith-Cameron as Deborah’s estranged sister, Kathy; and Kaitlin Olson as Deborah’s daughter, DJ, who finally got her mom to partner with her on “The Amazing Race” and was allowed to sell her detachable earrings on QVC.

Gifts were distributed widely, including a previously unseen interview with Deborah’s late husband and co-star, Frank (Peter Strauss), giving her credit for their success — credit he had previously accepted for himself — and thus removing a giant thorn that drove the early plot. These kind-hearted acts of closure were performed both for the benefit of these very real, made-up people, and for We the Viewers, who have made them our family. Declarations, or at least demonstrations of love, were abundant, not merely between Deborah and Ava, with the characters acting as our proxies, feeling what we want them to feel, and what we feel for them ourselves. (There are moments this year when Einbinder — whose brilliance Smart could seem to outshine, but who was never less than an equal partner — absolutely killed me, just in the tender way she gazed upon Deborah.) That’s why it’s so hard to let go of a show like this, even when we know it’s time to say goodbye. You can only stretch an arc so far before it breaks.

McNamara: You’re right, of course. But I still want to see the “Hacks” movie.

BUDAPEST, Hungary — Winning the Champions League was so nice, Paris Saint-Germain had to do it twice.

PSG became back-to-back European champion by beating Arsenal 4-3 on penalties in a dramatic final in Budapest that ended 1-1 after extra time on Saturday.

“It’s incredible,” captain Marquinhos said. “From the very first day of this season, the coach said it’s hard to win, and winning twice is even more difficult. So we all had to get back to work. That was the mentality.”

Arsenal defender Gabriel Magalhaes fired the last of his team’s penalties over the bar to hand PSG the shootout win.

The French giant is only the second team to retain the trophy in the modern era after all-time king of Europe Real Madrid.

Luis Enrique became a three-time winner as a coach and has molded a team that is simply too good even for the best the continent has to offer. That includes an Arsenal team that won the Premier League last week and topped the first stage of the Champions League with a perfect winning record, finishing 10 points and 10 places ahead of PSG.

That mattered little in Puskas Arena as PSG reaffirmed its status as the dominant force in European soccer.

“It’s even more special because we knew before the match how difficult it would be,” Luis Enrique said. “I think it’s deserved over the course of the whole season, even if the final was very closely contested.”

After demolishing Inter Milan 5-0 in last year’s final, PSG endured a tougher foe as Arsenal sat deep and relied on the best defense in the competition.

PSG dominated possession but created little after going behind to a Kai Havertz goal in the sixth minute. It took an Ousmane Dembélé penalty in the 65th to level the score and take the final to extra time for the first time in 10 years.

PSG coach in elite company

By going back to back, Luis Enrique achieved what his good friend Pep Guardiola could not after winning Champions Leagues at Barcelona and Manchester City. Luis Enrique joined Carlo Ancelotti, Bob Paisley, Zinedine Zidane and Guardiola in an elite group of coaches with at least three European Cups.

The next target will be to emulate Madrid’s three in a row under Zidane from 2016-18. And with a starting lineup in Budapest with an average age of less than 24, Luis Enrique has built a team that has the potential to dominate for years.

“It’s crazy, it’s crazy. We’re going to enjoy it first, and after we’re going to work and work again because we want more. We are really hungry. We are a young team, and we know we are really ambitious. So next season we have to go again,” Désiré Doué told broadcaster TNT Sports.

Having waited 22 years to get its hands back on the Premier League trophy, Arsenal’s wait in Europe goes on.

This was its 226th game in the European Cup or Champions League without lifting the trophy. No other team has played so many without being champion.

“First of all you have to go through that pain, digest it and then turn it into fuel and improve and reach a different level because it will demand a different level with the quality that is around Europe,” manager Mikel Arteta said.

“I want to congratulate PSG because they are, in my opinion, the best team in the world. What they are able to do with the ball, individual actions, I haven’t seen it (before).”

Robson writes for the Associated Press.