pandemic

Welcome back to the Lakers newsletter, where we got plenty of rest while the team played pickleball.

A rare four-day stretch without a game may have done wonders for the Lakers’ small nagging injuries, but it interrupted the team’s rhythm going into Sunday’s game against the Utah Jazz. It showed in the clunky win in which the Lakers missed 28 three-point tries and let an 11-point fourth-quarter lead dwindle to one.

Despite being quite literally one of the worst shooting teams in the league, the Lakers are still 12-4. Players credited the team’s resiliency and chemistry as reasons the Lakers are still winning, but how long can this team survive on pure vibes?

Don’t stop believing

Luka Doncic’s shot trickled over the front of the rim, bounced high above the basket and swished through the net. When the three-pointer finally fell, Doncic raised both arms in equal parts disbelief and relief.

He’s the NBA’s leading scorer, but Doncic is shooting a career-worst 31.1% from three on a career-high 11 three-point attempts per game. Austin Reaves, also enjoying a career season offensively, is shooting the same poor percentage from three-point range.

Almost every Lakers rotation player is shooting below his career average from three-point range through 16 games this season. Shooting 33.3% from three, the Lakers are 26th out of 30 teams. Their 10.9 makes a game are the fewest in the league.

“We’ve got to shoot the ball better,” coach JJ Redick said after the Lakers survived a comeback attempt against the Jazz on Sunday. “But it’s got to be a belief in each other and a belief in ourselves to knock down shots.”

Nearing the 20-game mark of the season, the Lakers are not fretting about their frigid outside shooting. Redick recalled how the Lakers shot 34.8% from three in the first two months of last season. Then after shooting 46.7% in a two-point loss to the Detroit Pistons on Dec. 23, the Lakers made 37.7% of their threes for the rest of the regular season.

Part of the shift came after the trade that brought Doncic. He shot 37.9% from three while with the Lakers last season, and the team’s overall three-point attempts increased from 33.8 per game to 40.4 in the final two months of the season.

The Lakers are taking 32.4 three-pointers per game this season. Redick anticipated that the number would rise, but with the current shooting struggles, he wanted to focus more on simply maximizing what his players do well.

“We’re going to do the things that put our guys in a position to create advantages and generate good offense,” Redick said before Sunday’s game. “However that looks as it morphs and evolves throughout the year, that’s just going to be what it is, the philosophy behind it. And if it ends up being we shoot 40 threes a game, great.”

Redick celebrated the team’s otherwise effective offense that is second in true shooting percentage (61.5%) and first in points per shot (1.42). The other glaring issue is turnover percentage, where the Lakers rank 28th.

“If we were out there not creating great looks or we were not playing [the right way] and we were playing selfish basketball [it would be different],” said LeBron James, who has made two of seven shots from three in his two games since returning from sciatica. “That’s not our M.O. So you look at over half of the threes that we missed tonight, a lot of them were wide open, but a lot of them were just finding the right player. The ball has so much energy in it that we’re not worried about that.”

Of their 38 three-point attempts against the Jazz, 25 came with the closest defender six or more feet away. The Lakers made just six of those open shots, with Doncic, Reaves and Marcus Smart going four for 17.

“We’re definitely gonna shoot better,” Smart said. “We work too hard not to.”

What’s up with the NBA Cup?

Even Deandre Ayton didn’t know what was going on with the NBA Cup. The Lakers center absorbed a turnover late in a blowout against the New Orleans Pelicans on Nov. 14 instead of taking an easy shot. When he heard his teammates screaming at him to shoot, he admitted later he didn’t realize the potential importance of those two points.

Ayton instead intertwined his middle and ring fingers and held his right hand up toward the bench. The ‘W’ is all that mattered.

Entering the final week of NBA Cup group play, the Lakers need just one more W to clinch their spot in the quarterfinals. The winner of Tuesday’s game between the Lakers and Clippers at Crypto.com Arena officially claims West Group B.

The Lakers and Clippers are 2-0 in group play with two games remaining. The group also includes the Memphis Grizzlies, the Dallas Mavericks and the already eliminated New Orleans Pelicans. The Lakers finish group play with the Dallas Mavericks on Friday in a game that, even if the Lakers clinch the top spot Tuesday, could still matter.

The three group winners advance to the quarterfinals, and the top second-place team from each conference earns a wild card. The two teams with the best group play record in each conference will host the quarterfinal games. The No. 1 seed goes to the team with the best overall record, and if the records are even, then point differential will be the first tiebreaker for seeding.

Oklahoma City is also 2-0 halfway through group play and has a league-best plus-63 point differential, putting the Thunder in position to earn the No. 1 seed in the West quarterfinals.

The Lakers have a plus-19 point differential in group games and are in position to be the second-seeded team in the West, possibly playing against the West Group C winner.

The third group in the West is one of the most competitive in the league as Portland and Denver entered this week tied with 2-1 records. Portland has the first-priority head-to-head tiebreaker against the Nuggets, but Denver has a plus-26 point differential that positions it well as a potential wild-card team.

Top-seeded teams will host the quarterfinal games on Dec. 9 and 10. The losing teams in each conference’s quarterfinals will play each other in a regular season game on one of four dates: Dec. 11, 12, 14 or 15. The semifinals are in Las Vegas on Dec. 13, and the final will be on Dec. 16.

On tap

Records and stats updated entering Monday’s games

Nov. 25 vs. Clippers (5-12), 8 p.m., NBA Cup group play

Kawhi Leonard returned to the lineup on Sunday against the Cleveland Cavaliers, scoring 20 points, but he couldn’t rescue the Clippers, who have just two wins in November,

Nov. 28 vs. Mavericks (5-13), 7 p.m., NBA Cup group play

Stop me if you’ve heard this before: Anthony Davis is injured. After missing his return to L.A. last year because of an abdominal strain, the former Lakers’ star has been sidelined for almost a month with a calf injury, potentially delaying his much-anticipated first game in L.A. since the infamous trade.

Nov. 30 vs. Pelicans (2-15), 6:30 p.m.

The Pelicans took a big swing to draft Derik Queen in the first round last April and the former Maryland star is starting to show some signs of promise. Queen averaged 23.3 points and 8.3 rebounds in three games against Atlanta, Dallas and Denver. He added 11 assists in a 118-115 loss to the Mavericks that eliminated New Orleans from NBA Cup contention.

Dec. 1 vs. Suns (11-6), 7 p.m.

Losing Kevin Durant to free agency made it seem like Devin Booker and Phoenix would be in rebuild mode, but they’re in the thick of the West. Booker leads the team with 26.9 points and 7.1 assists per game.

Best thing I ate this week

Thit nuong

(Thuc Nhi Nguyen / Los Angeles Times)

While the Lakers played pickleball, I was soaking up my extended home time with loved ones. One of my easy crowd pleasers is thit nuong, which is Vietnamese grilled pork. Slices of pork shoulder are marinated with garlic, shallots, lemongrass, soy sauce, fish sauce, sugar and oyster sauce, threaded onto skewers and grilled. (I, however, don’t have a grill so I bake mine on a rack in the oven.) They’re a great finger food eaten off the skewer or as a meal with rice or, in this case, rice noodles. And it’s not Vietnamese if there aren’t pickled carrots and daikon.

My dad once told me my thit nuong was better than my mom’s. It is my greatest culinary accomplishment.

In case you missed it

‘Legend’: Claire Rothman, Forum president during Lakers’ ‘Showtime’ dynasty, dies at 97

Luka Doncic helps Lakers hold off Jazz for fourth win in a row

LeBron James’ return has Marcus Smart becoming Lakers’ ‘Swiss Army knife’

Dodgers boss Andrew Friedman part of team to advise Lakers in ownership transition

Lakers fire executives Joey and Jesse Buss and members of scouting staff

Hernández: LeBron James’ ‘very unselfish’ play shows he can fit in. Will it continue?

‘The dude’s a machine’: Three takeaways from LeBron James’ return to the Lakers

Until next time…

As always, pass along your thoughts to me at [email protected], and please consider subscribing if you like our work!

Last year, I was fortunate enough to travel to Naples, Italy for the first time.

One of the many reasons to visit this historical and culinary diamond is to experience the famed Margherita pizza, invented there in the late 19th century.

My wife, a group of travelers and I caught a break when a table opened at 50 Kalò, a pizzeria lauded in Italy’s Michelin guide and known for its amazing doughs.

We ordered a variety of Neapolitan pizzas, including a pair of the tomato, mozzarella and basil-based Margheritas. How fortunate we were.

One person at our table, however, refused to try them. Her name is Jan and she’s from New Jersey.

“It’s not better than New York style,” she told a stunned table. “I’m sure it’s fine, but my guy is better.”

We all know a Jan in our lives — or sometimes, it’s us. We all have our favorites, whether it’s pizza, tacos, draft beers or wines. But that shouldn’t stop us from trying something different.

And you don’t have to travel to Italy for a great slice. My colleague, Food columnist Jenn Harris, compiled a list of seven new favorite pizzas to try in Los Angeles.

Harris takes readers from Hermosa Beach to Eagle Rock, and from Santa Monica to Los Feliz in search of a lovely pie.

Let’s jump into a few selections from Harris’ list — and remember, don’t be a Jan.

A pepperoni pizza from Sonny’s in Hollywood.

(Jenn Harris / Los Angeles Times)

Sonny’s (Hollywood)

I have seen all the social media influencers proclaiming Sonny’s to be the best new pizza in Los Angeles. It’s a giant pizza, with a diameter that seems like the size of a semi-truck tire. The crust is so crisp, the crackles are audible in every video of people munching on it.

A layer of bronze oil sits atop the pizza and settles in the many cups of pepperoni. It creates a sheen over the cheese. My fingers were shiny. The oil dripped down my chin. The cheese, sauce and crust coalesce into a slender slice that’s sturdy enough, but flops at the tip.

Some of the crust was cracker-like and golden. Some of it was burnt. It’s not a perfect pizza, but I appreciated the thin crust and the flavor of the grease-streaked mottled cheese. And if someone else is offering to go through the trouble of ordering the pizza, I’ll happily eat it.

The D-Fresh pizza from Redwood Pie in Hermosa Beach. The pizza is topped with pickled serrano chiles and spicy sausage.

(Jenn Harris / Los Angeles Times)

Redwood Pie (Hermosa Beach)

I first encountered Erik Vose’s pizza when he was operating Vivace Pizzeria, a food truck that housed a 5,500-pound Acunto Mario oven. He made some of the best bubble-flecked Neapolitan pies in the city. Now he’s creating his own category of pizza at Redwood Pie in Hermosa Beach.

He’s making a sourdough crust with a blend of five flours from Central Milling. It’s bready and wonderfully chewy, a sheath of amber orbs and tight, tiny bubbles that create the ideal crunch.

The slice of pepperoni is textbook perfect from Redwood Pie, with a well-balanced sauce, a blanket of cheese and pepperoni cups that transform into blistered meat candy in the oven. For the white pie fans, there’s the “D-Fresh.” A rugged landscape of hot Italian sausage crumbles, frizzled basil and pickled Serrano chiles tops the mozzarella base — and leaves your lips humming with heat.

Pork-and-beef bolognese pizza at Bub and Grandma’s Pizza in Highland Park.

(Stephanie Breijo / Los Angeles Times)

Bub and Grandma’s Pizza (Highland Park)

If you’ve been following Andy Kadin’s career, you know that his breads can be found at restaurants around the city. So it should come as no surprise that his sourdough pizzas possess a wonderful tang and a durable crust that cracks with each fold and bite.

Kadin developed his pizza dough alongside chef Jeff Whittaker, who previously cooked at Hippo and Bar Monette. For the Bolognese pizza at Bub and Grandma’s Pizza, they slather the crust in a robust, meaty pork and beef ragu, with big boulders of meat protruding from the melted mozzarella.

The porchetta pie is painted with a decadent garlic cream and cloaked in ribbons of porchetta, charred broccolini and plenty of pepperoncini. It’s finished with a drizzle of garlic oil and a sprinkle of fennel salt. Imagine all the makings of a stellar porchetta sandwich in pizza form.

For more pizza wonderment, check out this link for the entire list.

The week’s biggest stories

(Allen J. Schaben/Los Angeles Times)

Blazes and large-scale fires

Trump policies and reactions

Unpredictable, bizarre deaths

Rain, snow and wet weather

What else is going on

Must reads

Other meaty reads

For your downtime

(Andrew Rae / For The Times)

Going out

Staying in

L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

I was a bit skeptical when an emailer suggested touring Torrance as a way to appreciate this South Bay hidden gem. As a San Gabriel Valley product, I’ve enjoyed excursions to the iconic Rose Bowl or the historic San Gabriel Mission.

But Torrance? Really?

I’m a fan of the divine paradise cakes baked at two King’s Hawaiian locations in Torrance and am aware that Compton-based hip hop group N.W.A recorded “F— tha Police” in a city music studio.

Yes, that’s all fine and notable, but is this city of 140,000 actually tour worthy?

Debbie Hays, a resident and Torrance Historical Society docent, was up to the challenge of proving it certainly was when we met for a tour this week.

History meets Hollywood

We started at the Torrance Historical Society. Inside, visitors receive a quick lesson about the city’s creation, from a Spanish land grant to its founding by financial broker Jared Sidney Torrance in 1912.

A good portion of the talk centers on one of the city’s heroes, Louis Zamperini, known as the “Torrance Tornado.”

The Olympic and USC star, who competed in the famed 1936 Games, was a larger-than-life pillar captured in book and film, the latter the 2014 movie “Unbroken.”

“Louis was a bit of a misfit in his early days and his story is one of redemption and finding his purpose,” Hays said. “It started with track and of course he’s most known about his role in the war.”

“No other place in the world has more information and pieces of history tied to Louis than we do,” Hays says.

(Allen J. Schaben / Los Angeles Times)

Zamperini was a U.S. Army Air Force bombardier in 1943 when his B-24 Liberator went down in the Pacific on May 27 with 10 additional crew members.

Zamperini floated on a life raft for 47 days, battling sharks and hunger before being picked up by a Japanese patrol boat.

He was tortured for two years before he was finally freed.

Hays showed off heirlooms, trophies and files donated by the Zamperini family, including more than 60 pounds of notes and awards, used in production of the movie.

“No other place in the world has more information and pieces of history tied to Louis than we do,” Hays said.

The ‘Ramen Capital of Southern California’

One of the more surprising details about Hays’ tour was the number of excursions the city offers.

You can take one of several self-guided tours of the city’s dozen or so microbreweries and craft beer tasting sites that highlight a burgeoning craft industry.

The most delectable tour, however, may be shown on the city’s Ramen Trail map, which declares Torrance the “Ramen Capital of Southern California.”

The town boasts a population of roughly 15,000 people of Japanese descent, so I’m sure they know something about good ramen.

As for locales, the film and television map tour denotes more than 200 locations where movies like “Scarface,” “Boogie Nights” and “Horrible Bosses” and television sitcoms like “Beverly Hills 90210” and “Barry” were filmed.

“We aren’t Hollywood, but we have many spots worth visiting,” Hays said. “All they’re all relatively close together.”

The Buffy home

One of her most popular excursions is the Fall Tour of Old Torrance, held annually in October.

Hays offers architectural and historic showings of Tudor, Mission and Spanish Colonial revival homes often butting up against each other. Most homes are over 100 years old.

“It’s a very eclectic tour that you don’t see every day in every town,” Hays said. “We’re not a cookie-cutter neighborhood.”

Yet, it’s the No. 4 spot on that tour, a 1914 Craftsman-style home at 1313 Cota Ave., that draws a pilgrimage year round.

The 2,296-square-foot home is forever known as “the Buffy home,” where the popular television show “Buffy the Vampire Slayer” was filmed.

The four bedroom, two bathroom home served as the home of main character Buffy Summers, played by actress Sarah Michelle Gellar.

“I’ve led private tours to the home, with sometimes as many as 80 people,” Hays said. “Fans come to the house, they cry, they take pictures, they hug the tree. They love it.”

Paradise cakes, ramen noodles, craft beer and Zamperini memorabilia. You don’t have to love Buffy to appreciate Torrance.

The week’s biggest stories

A pedestrian braves the rain in Venice Beach.

(Allen J. Schaben / Los Angeles Times)

SoCal’s stormy weather

Olympic updates

Crime in L.A. County

UCLA vs. the Rose Bowl

Homeless services in L.A.

What else is going on

Must reads

Other meaty reads

For your downtime

Cynthia Erivo, left, and Ariana Grande in the movie “Wicked: For Good.”

(Giles Keyte / Universal Pictures)

Going out

Staying in

L.A. Timeless

A selection of the very best reads from The Times’ 143-year archive.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor
Kevinisha Walker, multiplatform editor
June Hsu, editorial fellow
Andrew Campa, weekend reporter
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

The “toxic and chaotic” culture at the centre of the United Kingdom’s government led to a delayed response to the COVID-19 pandemic that resulted in about 23,000 more deaths across the nation, a damning report from an inquiry into the government’s handling of the pandemic has found.

The inquiry, which former Prime Minister Boris Johnson ordered in May 2021, delivered a blistering assessment (PDF) on Thursday of his government’s response to COVID-19, criticising his indecisive leadership, lambasting his Downing Street office for breaking their own rules and castigating his top adviser Dominic Cummings. The inquiry was chaired by former judge Heather Hallett.

“The failure to appreciate the scale of the threat, or the urgency of response it demanded, meant that by the time the possibility of a mandatory lockdown was first considered it was already too late and a lockdown had become unavoidable,” the inquiry found. “At the centre of the UK government there was a toxic and chaotic culture.”

The global pandemic, which began in 2020, killed millions of people worldwide, with countries enforcing lockdowns in an attempt to stop the spread of the virus.

The UK went into lockdown on March 23, 2020, at which time it was “too little, too late,” the inquiry found, revealing that if the nation had gone into lockdown just a week earlier, on March 16, the number of deaths in the first wave of the pandemic up to July would have been reduced by about 23,000, or 48 percent.

“Had the UK been better prepared, lives would have been saved, suffering reduced and the economic cost of the pandemic far lower,” the inquiry found.

A failure to act sooner again, as cases rose later in the year, also led to further national lockdowns, Hallett’s inquiry found.

A campaign group for bereaved families said “it is devastating to think of the lives that could have been saved under a different Prime Minister”.

There was no immediate comment from Johnson on the inquiry’s findings.

The UK recorded more than 230,000 deaths from COVID, a similar death rate to the United States and Italy, but higher than elsewhere in western Europe, and it is still recovering from the economic consequences.

“Mr. Johnson should have appreciated sooner that this was an emergency that required prime ministerial leadership to inject urgency into the response,” the inquiry found.

Following the release of the inquiry’s findings, Sir Ed Davey called on Kemi Badenoch, the leader of the Conservative Party, to apologise on behalf of the Conservatives.

“As this report is published, my thoughts and prayers are with all those who lost loved ones during the pandemic, and everyone who suffered,” Davey said. “This report confirms the abject failure of the last Conservative government.”

Ellie Chowns, a Green Party MP for North Herefordshire, said the British people were “let down” by their government.

“Families and communities – especially children – are still living with the consequences. It’s vital to learn from this report, and invest far more seriously in pandemic preparedness, so that Britain can be secure and resilient if – or when – we are again faced with such a challenge.”

The first cases of COVID-19 were detected in Wuhan, China, in late 2019, and information from the country is seen as key to preventing future pandemics. As late as June 2025, the World Health Organization (WHO) said it was working to uncover the origin of the pandemic, with its work still incomplete, as critical information has “not been provided”.

“We continue to appeal to China and any other country that has information about the origins of COVID-19 to share that information openly, in the interests of protecting the world from future pandemics,” WHO chief Tedros Adhanom Ghebreyesus said in June.

In 2021, Tedros launched the WHO Scientific Advisory Group for the Origins of Novel Pathogens (SAGO), a panel of 27 independent international experts.

Marietjie Venter, the group’s chair, said earlier this year that most scientific data supports the hypothesis that the new coronavirus jumped to humans from animals.

But she added that after more than three years of work, SAGO was unable to get the necessary data to evaluate whether or not COVID was the result of a lab accident, despite repeated requests for detailed information made to the Chinese government.

After 14 days, two “College GameDays,” two “Monday Night Footballs” and one election night, the protracted contract dispute between YouTube TV and Walt Disney Co. is finally over.

As my colleague Meg James reported last week, the two sides settled Friday after agreeing on a multi-year distribution deal for YouTube to carry Disney-owned programming.

Financial terms of the deal were not disclosed.

Both sides touted the agreement as a win for consumers. Disney Entertainment Co-Chairs Alan Bergman and Dana Walden and ESPN chief Jimmy Pitaro said in a joint statement that the deal “recognizes the tremendous value of Disney’s programming and provides YouTube TV subscribers with more flexibility and choice.”

For its part, YouTube also noted that the settlement “preserves the value of our service for our subscribers” and “future flexibility in our offers.” The Google-owned platform also apologized to consumers for the “disruption,” saying it appreciated people’s patience during the dispute.

Of course, reaching an agreement is good for customers who had lost access to ESPN, ABC News election coverage and other programming during the two-week blackout.

But this is far from the last impasse that sports fans and other viewers will see — if history is any guide.

In fact, the number of blackouts related to carriage and contract disputes has been increasing over the last decade, particularly as the health of the television business has declined, raising the economic stakes for all sides.

Back in the day, contracts between content providers and distributors would last for five years or more because the industry was more stable and little would change over the course of an agreement.

That’s obviously all different now, with most deals today lasting about two to three years, reflecting rapid changes in a TV business that has been upended by streaming platforms.

In today’s TV landscape — with cable cord-cutters aplenty and many more options to watch your favorite shows and sports teams — negotiations are more fraught.

Traditional pay TV providers like DirecTV and Charter Communications are scrambling to retain their subscribers, while legacy media companies like Disney are trying to support their networks — particularly channels such as ESPN that have invested huge sums for those all-important sports rights that keep viewers engaged.

And in the midst of it all is the growing power of live TV streaming distributors, especially YouTube TV, which has become a much bigger force in the TV business.

The platform’s subscriber base has been quickly growing.

YouTube is approaching 10 million subscribers, making it the third-largest pay-TV distributor, behind Charter Communications and Comcast. Back in February, when it reached a deal with Paramount Global to avert a CBS blackout, that number was reported at 8 million.

Such growth is giving YouTube TV — with the financial backing of tech giant Google — more clout in contract negotiations, making them more willing to push back against fee increases demanded by legacy Hollywood media companies.

Disney sought rates similar to those paid by major distributors, including around $10 a subscriber per month for ESPN, CNBC reported.

“They realize their power,” said Brent Penter, associate analyst at Raymond James. “And they’re trying to use it.”

But Disney is no wilting flower, either. Last week, Disney’s Chief Financial Officer Hugh Johnston struck a tough tone on CNBC when talking about the negotiations, saying, “We’re ready to go as long as they want to.”

The Burbank entertainment giant has some of the most popular programming around, meaning it can command the biggest fees from providers. It also owns a competitor to YouTube TV in Hulu + Live TV and its new ESPN Unlimited direct-to-customer streaming service.

But in this dispute, Disney temporarily lost the distribution fees and potentially advertising dollars for any of its programs that a YouTube TV subscriber didn’t watch, making it a costly standoff.

No one wins in a blackout situation. But if you had to pick a winner, analysts say it might be the alternatives to YouTube TV — services like Fubo, Sling TV, DirecTV Stream and Hulu + Live TV.

If you’re a diehard Eagles fan who also happens to be a YouTube TV subscriber, and you refused to miss the game against the Packers last Monday, you might have signed up for temporary passes through one of these services. And if you liked it, well, you might choose to keep that subscription instead.

That also goes back to the complicated web of options consumers must wade through to find their favorite teams and shows.

“There is friction out there,” said Ric Prentiss, managing director at Raymond James. “Blackouts raise it to a head, where people say, ‘Wait, I don’t know how to navigate this,’ and they start looking at other alternatives.”

Stuff We Wrote

Film shoots

Number of the week

TV station owner Sinclair Inc. has an eye toward dominating the TV market. The Baltimore-based company, which is known for its conservative bent, has acquired about 8% of rival broadcaster E.W. Scripps, according to a recent filing with the U.S. Securities and Exchange Commission.

Sinclair also said in the filing that it has had “constructive discussions” with Scripps about potentially combining, though no deal has been reached. Scripps, however, has suggested that it is not interested in a merger.

Finally …

It might be a sign of the economy. My colleague, Suhauna Hussain, wrote about how McDonald’s is seeing lower traffic from one of its core customer bases, low-income households.

Welcome back to the Lakers newsletter, where I need a recovery ice bath after all that travel.

The Lakers went 3-2 during an uneven trip that ended on a high note with back-to-back wins in New Orleans and Milwaukee. But after getting thrashed by Oklahoma City in Game 3 of the five-game trip, Marcus Smart said the team was starting to show its fatigue on the road. After packing, repacking and already reaching the next level of hotel loyalty status less than a month into the season, I can relate.

But, similiar to my favorite colleague Brad Turner picking up the travel slack, the Lakers also have reinforcements.

LeBron James is back. Now what?

Austin Reaves and Luka Doncic established themselves as one of the league’s most dynamic duos while powering the shorthanded Lakers to a 10-4 record. With LeBron James officially back on the Lakers’ practice court, he could make this three a real party.

“I’m a ball player,” James said Monday after his first full practice with the team this year. “… There’s not one team, not one club in the world that I cannot fit in and play for. I can do everything on the floor. So whatever this team needs me to do, I can do it when I’m back to myself.”

Despite the encouraging start that has the team fourth in the West, the Lakers are not modern basketball’s statistical darling. They play slowly (19th in pace), take the fourth-fewest three-pointers in the league while making the second-worst percentage and have the third-most turnovers per game. James, who still stopped short of saying he is pain-free from right sciatica, is unlikely to be an immediate solution to any of those problems.

But he is still the NBA’s all-time leading scorer.

“It’s LeBron,” Reaves said. “Just his presence and his ability is going to lift the team.”

The team joked during the film session that it got a new player Monday. James introduced himself to his teammates. Reaves and Doncic have become the favorite “bromance” of some niche NBA social media circles, and the Lakers’ chemistry was one of the key talking points from its early season success. Players joke on the bench, trash talk each other in Instagram comments and Doncic’s post-practice half-court shooting competition has expanded to include at least three other teammates.

James observed all the good vibes from afar. He sent congratulatory texts after wins and encouraging texts after losses, but returning Monday felt like “a kid going to a new school again.” He knows fitting with the team will have to come organically.

“He has the ability to lift everybody’s day,” Reaves said. “All these guys grew up loving him. So it’s good to get his voice back in the room and obviously the IQ speaks for itself, as well.”

When asked of what he saw from the team while sidelined, James rattled off a long list of observations. He loved the ball movement. He noted Deandre Ayton’s ability to anchor the back line and commended the 7-foot center as “one of the best screen setters” in the league. James shouted out the 25 critical minutes from Maxi Kleber in the win over Milwaukee, the contributions of Jake LaRavia, Rui Hachimura and Marcus Smart and the way younger players such as Nick Smith Jr. and Bronny James chipped in when the team was shorthanded against Portland on the second night of a back-to-back.

And he loved the dominance from Doncic and Reaves.

Doncic is leading the league in scoring with 34.4 points per game. He’s getting blitzed almost every time he crosses midcourt and still orchestrating an offense that is second in field-goal percentage (50.4).

Reaves is having a career year: 28.3 points, 8.2 assists, 4.5 rebounds and 1.4 steals are all career-bests. Of course with James out, Reaves’ usage rate is also at an all-time high.

When asked how he expects coverages to change for him with James back, Reaves shrugged. It’ll at least make his life easier, he said, to have who he calls “the greatest player to ever touch a basketball” back on the court.

“I don’t expect it to be perfect,” coach JJ Redick said. “But I also don’t expect it to be like, ‘Oh, these guys have never seen each other and met each other and don’t know each other’s name.’ They know what each of them bring.”

Last year, the Doncic-James-Reaves trio had an offensive rating of 117.8 points per 100 possessions. This year, the Lakers have a 121.6 offensive rating when Doncic and Reaves are on the floor together, the team’s highest mark for any two-man combination of starters.

Redick expects James’ presence will shake things up. He will command roughly 35 minutes when he is healthy, which will naturally disrupt the rotation and rhythm of his teammates. This will take some trial and error.

“There are some little formula of things you got to add,” Redick said. “If you put too much cinnamon in there, cookie’s not that good.”

Just let the Lakers cook.

The rookie will remember his first

Adou Thiero dunks over Milwaukee’s Andre Jackson Jr.

(Morry Gash / Associated Press)

Adou Thiero fought to get back on the court and make his NBA debut. It was only right that his teammates would fight for him to commemorate the moment.

After the second-round pick scored four points in his first NBA action Saturday, including an emphatic two-handed dunk in the final minute of the win, Jarred Vanderbilt made sure to grab the game ball. He clutched it tightly as referee Pat Fraher tried to take it back. LaRavia and Doncic soon joined for backup, explaining they wanted to keep it for Thiero.

Eventually, it was Giannis Antetokounmpo who took the ball back from a Bucks staffer and handed it to Doncic, who wanted to deliver the meaningful memento to the Lakers’ rookie.

“I think he can be a great player,” Doncic told reporters. “He’s physical. He can jump out of the gym. And, you know, he’s a fighter.”

Redick and the coaching staff were mindful that the situation could have been difficult for Thiero. He didn’t get a preseason or a training camp. The rookie was coming off an injury and playing in the first half while making his NBA debut.

But Thiero made a good first impression.

He scrambled for an offensive rebound that led to a three-pointer from Kleber in the first quarter. He played a quick two-minute stint in the first half then returned in mop-up duty during the fourth quarter, scoring his first points on two made free throws that had the Lakers on their feet celebrating.

Then his two-handed dunk in transition sent the Lakers’ bench into pandemonium.

“Coming down and seeing everybody flexing all over the bench,” Thiero said, “it was just a good feeling for everybody to be happy for me.”

When Thiero returned to the locker room, it felt like a release. He told teammates he had waited seven months for that.

He suffered a hyperextended knee while playing for Arkansas on Feb. 22 and missed eight games. The Razorbacks’ leading scorer and rebounder returned in the NCAA regional semifinal but played just six minutes off the bench as Arkansas lost to Texas Tech. He got surgery after the college season and said at Lakers media day he was still working through some swelling in his knee.

“You could tell how hard he works,” Reaves said. “The time that he’s in the gym. He’s had some unfortunate injuries here and there, but really good kid, wants to do the right things, always on time. Just good character.”

On tap

By reader request, we’ll include a brief lookahead section previewing the upcoming week’s games. This one is easy: The Lakers host Utah on Tuesday at 7:30 p.m. in their only game this week.

The Jazz (5-8) lost center Walker Kessler to a season-ending shoulder surgery, but are led by forward Lauri Markkanen’s 30.6 points and 6.2 rebounds. The Finnish forward scored 47 points in the Jazz’s double-overtime win over the Chicago Bulls on Sunday in which guard Keyonte George hit the game-winning three with two seconds left. The third-year guard is averaging career-highs in points (22.2) and assists (seven).

Favorite thing I ate this week

The Cuban burrito from Cafe Kacao in Oklahoma City.

(Thuc Nhi Nguyen / Los Angeles Times)

I have beef with Oklahoma City. Out of loyalty to my hometown, I will carry this vendetta until at least the NBA expands back to Seattle. But I allow myself to praise precisely one thing in that city and it’s the Cuban burrito at Cafe Kacao. It’s packed with vaca frita (shredded beef with sauteed onions), plantains, black beans and rice. The sweet and savory drizzle of plantain sauce and garlic sauce is the perfect topping.

In case you missed it

LeBron James knows there will be a ‘feel-out’ process when he returns to Lakers

Lakers takeaways: What we learned from the team’s five-game road trip

Luka Doncic scores 41 as Lakers rout Milwaukee Bucks to cap 3-2 trip

With LeBron nearing a return, Austin Reaves and Luka Doncic lead Lakers past Pelicans

Lakers can’t keep up with Oklahoma City and are routed

Until next time…

As always, pass along your thoughts to me at [email protected], and please consider subscribing if you like our work!

When I broke into journalism years ago as a fledgling Whittier-based high school sports reporter, one of my favorite side hobbies was asking locals what made their city famous.

Downey was always an interesting test case.

Some said Downey’s claim to fame is the oldest standing McDonald’s, or the Stonewood Mall, with some students boasting the rivalry between Downey and Warren high schools. Some have also cited the title of the “Mexican Beverly Hills,” which I and colleague Gustavo Arellano have always considered more appropriate for Whittier.

What wasn’t mentioned enough about Downey, particularly among the high school-aged students I spoke with, was the city’s ties to the Space Shuttle program. It was somewhat remarkable given the city’s “Home of the Apollo” nickname.

Downey’s reputation, especially among its younger residents, may reset soon thanks to a groundbreaking this Monday to announce the latest upgrade to the Columbia Memorial Space Center, a space museum that opened in 2008.

Benjamin Dickow, the center‘s president and executive director, spoke with The Times about what to expect Monday and beyond.

What’s happening Monday?

Astronaut Garrett Reisman, former Rockwell International and Boeing employees and area dignitaries will take part in a groundbreaking for an about 40,000-square-foot expansion to the existing museum.

The museum’s centerpiece will be a 122-foot-long, 35-foot-tall Downey-made space shuttle mock-up named the “Inspiration,” which is not available yet for public display.

The event begins at 10 a.m., rain or shine, and is located at 12400 Columbia Way in Downey.

For more information, check out https://www.columbiaspacescience.org/

A rendering of the completed front entrance of the museum.

(Nadia Gonzalez, on behalf of the Columbia Memorial Space Center)

Space Center changes and expansion

Dickow said the center was in the middle of completing the first of three phases, to be finished before the L.A. Olympics.

“Once the major construction really gets going, it’s about an 18-month process,” he said, “but if something happens with the shuttle, it’s going to add some time.”

Part of the first phase began in October 2024, when the partially-covered wood and plastic model was paraded down Bellflower Boulevard from a city maintenance yard to a temporary housing unit.

The expansion, known as the Downey Space Shuttle Exhibit and Education Building, would include a new two-story, 29,000-square-foot space shuttle museum, event courtyard, STEM building and courtyard, children’s outdoor classroom, pavilion, lawn and other amenities.

The space shuttle mock-up is also undergoing a “process of rehab and refurbishment,” according to Dickow, but is in “generally great shape.”

“The main work is getting it ready for the public, where visitors will be able to enter and get a sense of what it’s like inside a space shuttle,” Dickow said.

Astronauts would typically access the flight deck, mid-deck and crew compartment through a hatch, according to Dickow.

According to renderings, guests will instead enter through a much more accessible stairwell that puts visitors inside a cargo bay.

A rendering of the space shuttle mock-up, dubbed “Inspiration,” at its place in the center of the museum expansion.

(Nadia Gonzalez, on behalf of the Columbia Memorial Space Center)

What is the mock-up and what’s its tie to Downey?

The shuttle mock-up’s history with Downey spans decades.

North American Rockwell International, now part of Boeing, built the prototype in 1972 at its Downey facility. The space shuttle became the world’s first reusable winged orbiting spaceship.

In total, 12,000 workers developed and manufactured the shuttle at the program’s peak on a sprawling 120-acre campus.

From April 12, 1981, through July 21, 2011, NASA fleets of shuttles flew 135 missions and helped build the International Space Station.

One of those shuttles — Endeavour — was hauled into the middle of its future home, the Samuel Oschin Air and Space Center at Exposition Park, in January 2024.

That museum is also expected to be open before the Olympics.

“This is going to be something that the L.A. area will be able to show off to people from around the world and I want to make sure we’re a part of that,” Dickow said. “Downey and Southeast L.A. sometimes don’t get a lot of the spotlight and this is something that we’ll be able to put out there.”

The week’s biggest stories

Pedestrians cross the street in downtown Los Angeles under light rain on Friday.

(Eric Thayer / Los Angeles Times)

SoCal treads through stormy weather

Rebuilding after January fires

Opposition to immigration forces in California

A Sacramento corruption bombshell

• The federal fraud case against Gov. Gavin Newsom’s former chief of staff and other well-connected aides is entangled with one of California’s — and the country’s — most powerful political circles.
• Dana Williamson, who joined the governor’s office in early 2023 and departed late last year, was arrested Wednesday and faces charges of bank and tax fraud.

Explosive Epstein emails about Trump

• Donald Trump “knew about the girls” and “spent hours at my house,” Jeffrey Epstein wrote in emails.
• See what’s in the emails released by House Democrats on Wednesday.

More big stories

This week’s must-read

More great reads

For your weekend

(Robert Gauthier/Los Angeles Times)

Going out

Staying in

L.A. Timeless

A selection of the very best reads from The Times’ 143-year archive.

Have a great weekend, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
June Hsu, editorial fellow
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

In September, Donald Trump posted an AI-generated image of himself on the shores of Lake Michigan in Chicago, depicted as Lt. Col. Kilgore, the gung-ho warmonger memorably played by Robert Duvall in Francis Ford Coppola’s messy masterpiece, “Apocalypse Now” — except the graphic bore the title “Chipocalypse Now.”

Trump sent out the message as his scorched-earth immigration enforcement campaign descended on the Windy City after doing its cruelty calisthenics in Southern California over the summer. Two months later, the campaign — nicknamed “Operation Midway Blitz” — shows no sign of slowing down.

La migra has been so out of control that a federal judge issued an injunction against their use of force, saying what they’ve done “shocks the conscience.” Among other outrages, agents shot and killed an immigrant trying to drive away from them, ran into a daycare facility and dragged out a teacher and tear-gassed a street that was about to host a Halloween kiddie parade.

I had a chance to witness the mayhem it has caused last week — and how Chicagoans have fought back.

The University of Chicago brought me to do talks with students and the community for a couple of days, including with members of the Maroon, the school’s newspaper. Earlier in the week, Fox News put them on blast because they had created a database of places around campus where la migra had been spotted.

Good job, young scribes!

In Little Village, pocket Patton meets his match

After my speech at the University of Chicago’s Divinity School, I noticed someone had hung whistles around the neck of a bronze bust. Whistles have become the unlikely tool of resistance in the city, I wrote in a columna — something that I argued Latinos nationwide had also employed metaphorically with their election night clapback at Republicans.

When I woke up Thursday morning at my tony hotel, the Chicago Tribune’s front page screamed “Use of Force Under Fire” and focused on the actions of commander-at-large Gregory Bovino. You remember him, Angelenos: he’s the pocket Patton who oversaw the pointless invasion of MacArthur Park in July and seemed to spend as much time in front of cameras as doing his actual job.

Bovino has continued the buffoonery in Chicago, where he admitted under oath to lying about why he had tossed a tear gas canister at residents in Little Village, the city’s most famous Mexican American neighborhood, in October (Bovino originally said someone hit him with a rock).

I Ubered to Little Village to meet with community activist Baltazar Enriquez so we could eat at one of his neighborhood’s famous Mexican restaurants and talk about what has happened.

I instead walked right into a cacophony of whistles, honks and screams: Bovino and his goons were cruising around Little Village and surrounding neighborhoods that morning just for the hell of it.

From L.A. to the rest of the country, and back

“Every time Trump or la migra lose in something, they pull something like this,” a business owner told me as she looked out on 26th Street, Little Village’s main thoroughfare. Customers were hiding inside her store. Over four hours, I followed Enriquez as he and other activists drove through Little Village’s streets to warn their neighbors what was happening.

The scene played out again in Little Village on Saturday shortly after I filed my columna, with Bovino holding a tear gas canister in his hand and threatening to toss it at residents, openly mocking the federal judge’s injunction prohibiting him from such reckless terrorizing (Monday, the Department of Homeland Security claimed agents had weathered gun shots, bricks, paint cans and rammed vehicles). And to top it off, he had his officers pose in front of Chicago’s infamous stainless steel bean for a photo, just like they did in front of the Hollywood sign (Block Club Chicago reported the funboys shouted “Little Village” for giggles).

Given ICE just received billions of dollars in funds to hire more agents and construct detention camps across the country, expect more scenes like this to continue in Chicago, boomerang back to Southern California and cut through the heart of Latino USA in the weeks, months and years to come. But I nevertheless left Chicagoland with hope — and a whistle.

Time for us to start wearing them, Los Angeles.

Today’s top stories

Senate Minority Leader Chuck Schumer (D-N.Y.) currently faces the lowest approval ratings of any national leader in Washington.

(Jacquelyn Martin / Associated Press)

The government shutdown

• Senators approved a deal that could end the shutdown on a 60-40 vote, a day after Senate Republicans reached a deal with eight senators who caucus with Democrats.
• Democrats in the House vowed to keep fighting for insurance subsidies.
• Sen. Chuck Schumer (D-N.Y.) is facing pressure to step down as Senate Democratic leader after failing to prevent members of his caucus from breaking ranks.
• States are caught in Trump’s legal battle to revoke SNAP benefits after a federal judge ordered full funding.

A brief bout of summer weather

Courts protect LGBTQ+ rights

More big stories

Commentary and opinions

• California columnist Anita Chabria argues that Democrats crumbled like cookies in the shutdown fight.
• Gov. Gavin Newsom is still writing his path to the presidency. Columnist George Skelton points to Zohran Mamdani for inspiration.
• President Trump’s effort to rename Veterans Day flopped — and for good reason, argues guest contributor Joanna Davidson.

This morning’s must reads

Other great reads

For your downtime

(Andrew Rae / For The Times)

Going out

Staying in

Question of the day: What’s one special dish your family makes for Thanksgiving?

Judi Farkas said: “An old Russian recipe that has descended through 5 generations of our family, Carrot Tzimmis was traditionally served as part of the Passover meal. It’s perfect with a Thanksgiving turkey. Tzimmis is sweet, as are so many of the Thanksgiving dishes, so I pair it with a Jalapeño Cornbread dressing and a robust salad vinaigrette so that no one gets overwhelmed. It connects me to my family’s heritage, but repurposed for the holidays we celebrate now.”

Email us at [email protected], and your response might appear in the newsletter this week.

And finally … the photo of the day

A person surfs at Salt Creek Beach on Sunday in Dana Point.

(Juliana Yamada/Los Angeles Times)

Today’s great photo is from Juliana Yamada of a surfer at Salt Creek Beach in Dana Point.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martin, assistant editor
Kevinisha Walker, multiplatform editor
June Hsu, editorial fellow
Andrew Campa, weekend reporter
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected].

This week, Lionsgate is betting that the odds will be in their favor when “The Hunger Games: On Stage” opens at London’s Troubadour Canary Wharf Theatre.

The play, which is based on the young adult novel by Suzanne Collins and 2012 film that catapulted actor Jennifer Lawrence into the mainstream, is just the latest film-to-stage adaptation from Hollywood.

This isn’t a new playbook. After all, Disney revolutionized the space by adapting its animated films like “The Lion King,” “Beauty and the Beast” and “Aladdin” into Broadway musical hits. But it is one that studios are turning to again, particularly as they look to connect more deeply with audiences and expand the fan base of their franchises.

Last year, Universal Theatrical Group debuted a musical stage adaptation of the 1992 film “Death Becomes Her” on Broadway.

In addition to “The Hunger Games,” Lionsgate has several other theatrical shows in the works, including a stage adaptation of the 2017 film “Wonder” opening in Boston in December, as well as “Now You See Me Live” opening that same month at the Sydney Opera House.

Next year, there will be a stage version of “La La Land,” as well as a new production of the iconic classic “Dirty Dancing.” (Of course, the opposite is also happening, with “Wicked” as the most recent example of a book-to-stage-to-film pipeline.)

“When you look at the way that fans are engaging with entertainment, there are so many different mediums that are important now, and experiential is a big one,” Jenefer Brown, Lionsgate’s president of global products and experiences, said an interview. “With all of us spending so much time online and in digital mediums, the idea of that shared live experience in a theater is something that’s highly appealing.”

But getting “The Hunger Games” to the stage wasn’t easy — the process took almost seven years from the inception of the idea to first previews. As part of the show’s development, the producers also built a custom theater in London. Brown spoke with The Times about why the dystopian franchise was a good candidate for live theater and why communal experiences are so important.

This interview has been edited for clarity and length.

What made “The Hunger Games” ripe for the stage?

It’s an enduring story that has so much relevance to occurrences that happen in the world today. I think that there’s just a ton of cultural significance.

And what we know about “The Hunger Games” is that there’s always a new wave of fans that discover it. Now we’re seeing Gen Alpha reading the books and watching the movies, and of course, we have Gen Z fans and millennial fans, and parents from other generations who have been on the journey with their children. It’s a way to bring aspects of the book to life, maybe in a different interpretation, or to let fans be able to explore certain things in a greater depth than we were able to do on a movie screen.

What does a stage play do for audiences that, say, a series or ride does not?

When you’re seeing something live, we don’t have the tricks that we have behind a camera in a movie.

You have to really find ways to bring the audience on a journey, and you can’t hide anything. That’s part of the magic of the experience, and for fans to be there and be mesmerized by some of the things that we’re executing in real time on a stage with special effects and illusions and real people doing the stunt choreography and the stunt work right in front of you, I think that there’s a lot of value in that type of experience.

Does this allow you to reach different audiences than those who already saw the films?

Obviously, a lot of fans are interested, but I think theatergoers in general, who maybe haven’t been as exposed to “The Hunger Games” or aren’t super fans, are going to be interested from the theater side of it. There’s been a lot of buzz and excitement in London, in the theater world, knowing that we had a new theater being built.

In general, lots of of people want to engage with experiences. We’re seeing just a huge sort of upward trend in interest, particularly amongst Gen Z and Gen Alpha audiences. Someone who maybe has read the books but hasn’t seen the movie yet will come see the stage show and then watch the movie. And I think this idea of all of it feeding each other, depending on which entry point you choose, is a really interesting thing for us as a studio to think about.

Did the pandemic turbocharge interest in live entertainment?

It’s an interest in live stage and live entertainment, and the idea of getting out again, supporting the arts and supporting shared experiences. We’ve definitely seen, thankfully, a recovery and an upswing in that area.

How big of a business is the stage aspect of Lionsgate global products and experiences?

We have three shows opening before the end of this year, and about that number slated for next year. So it really is a very busy and active space for us, and I think more in the pipeline. We probably are spending about a third of our time in this space, and I don’t see that changing.

Stuff We Wrote

Film shoots

Number of the week

$80 million

After a sleepy October, Walt Disney Co. and 20th Century Studios’ “Predator: Badlands” conquered the box office this past weekend, grossing $40 million in the U.S. and Canada for a total of nearly $80 million worldwide.

The haul is the highest global opening for any film in “Predator” franchise history, surpassing 2018’s “The Predator,” which notched $73.5 million.

The strong start for the Elle Fanning-led “Predator: Badlands” provides a hopeful start for November’s theatrical fortunes. So far this year, domestic box office revenue is about $7.2 billion, up 3.1% compared with the previous year, according to Comscore. But when compared with pre-pandemic 2019, that number is still down 24.7%.

Finally …

My colleague, Malia Mendez, wrote about a TV writer who found a second career in ceramics after the slowdown in Hollywood left him out of work. His most popular workshop — Tattoo a Mug.

Welcome back to this week’s Lakers newsletter, where we are bundling up during the Southeast’s deep freeze.

Snow flurries dusted the ground outside Spectrum Center in Charlotte, N.C., on Monday, but the Lakers were heating up. They knocked off the Charlotte Hornets for their sixth win over the last seven games and, after a clunker in Atlanta, vibes are, once again, high.

Austin Reaves returned in the game against the Hornets to help the Lakers inch closer to full health, but after weeks of an ever-changing rotation, we’re going to start on a player known for his consistency.

Prime Rui Hachimura

No one had this comparison on their bingo card this year. Rui Hachimura and M.J. himself? In one key area, at least, it holds for JJ Redick.

“[I] feel like he’s not going to miss a midrange shot right now,” Redick said before the Atlanta game. “It’s like prime Michael Jordan, prime Kawhi Leonard.”

Redick may have jinxed Hachimura, who went three-for-nine against the Hawks when everyone struggled, but the Japanese forward is quietly putting together a career year. He’s averaging 16.3 points per game on 58.6% shooting. His field-goal percentage is the team’s highest for any non-center. With the biggest stars in and out of the lineup because of injuries, Hachimura is one of just three Lakers players to appear in each of the first 11 games.

“One thing we know about Rui is he’s gonna be consistent,” guard Marcus Smart said. “He’s gonna get to his spots. He’s gonna make plays for us, and he’s gonna come in clutch for us.”

Despite the successful start, Hachimura was caught off guard when told of his accomplishments. He had no idea that he had shot better than 50% from the field in every game before the Atlanta dud. The Lakers forward’s eyebrows shot up when he heard that Redick put him and his midrange shots in the same sentence as His Airness.

Because to Hachimura, what he’s doing is just second nature to him.

“Those kinds of shots,” Hachimura said, “that’s why I got here at this point.”

Shooting 52.4% from three, Hachimura has also developed into a certified laser from distance, Redick said. He was shooting 40.2% from three during his Lakers career prior to this season.

Hachimura, who is in the final year of his contract, credited assistant coach Beau Levesque for helping him improve his offensive game, focusing on quicker decision making and smarter shot selection.

While his offensive prowess has been on display all season, he also backed it up Monday with some of the best defense Redick has watched him play. The Lakers held Charlotte — which scored 40 points in the first quarter — to 15 points in the third thanks in large part to Hachimura’s activity. The defensive stats aren’t impressive: one defensive rebound, one steal, no blocks.

But his teammates know Hachimura’s value.

“Nobody talks about him, but he deserves a lot of credit in our wins,” guard Luka Doncic said. “He’s been amazing for us, and the way he plays like every game just helps us a lot, especially to win games.”

10-game statistical check-in

The Lakers led the league in shooting percentage through their first 10 games and, until Sunday’s clunker in Atlanta, were a top-five ranked offense. The source of their offensive power is an unexpected shot.

(Thuc Nhi Nguyen / Los Angeles Times)

Entering Sunday’s games, the Lakers led the league with 11.3 attempts from 10-to-14 feet per game. The midrange shot has become the modern NBA’s statistically inefficient black sheep, but it’s been the key to keeping the Lakers afloat during the early season injuries.

The Lakers shot 55.8% from 10-to-14 feet, the league leaders from that distance entering Sunday’s games. When expanded to shooting zones, the Lakers take the second-highest percentage of non-layup two-pointers in the league, trailing only the Sacramento Kings. They also converted them at a scorching 55.9% clip. On two-point shots outside of the restricted area, no other team even cracked 50%.

Of course, this is all small-sample-size theater. Redick doesn’t think this will be the Lakers’ longterm shot profile because the team won’t look like this for long. The Lakers have been without Doncic, Reaves and LeBron James for part of or (in the case of James) all of the season.

Once the Lakers are “whole,” Redick suspects that the team will return to something closer to last year’s final version that ranked ninth in three-point attempts in games after the Doncic trade. Whether the higher quality shots will actually fall would be the next important step: The corner three is the only area from which the Lakers are shooting worse than league average.

Best thing I ate this week

The Swahili Plate with grilled lamb bites from Serengeti Kitchen in Charlotte, N.C. is served with coconut rice and pinto beans, collards and cabbage and sweet fried plantains.

(Thuc Nhi Nguyen / Los Angeles Times)

I can find Tanzania on the map, but that’s the extent of my knowledge about the East African country. I was wholly unfamiliar with Tanzania’s game, and if my first taste from Serengeti Kitchen in Charlotte is any indication, they definitely got food game in that country.

The Swahili plate comes with coconut rice under coconut pinto beans with collard and cabbage and sweet fried plantains. I got the grilled lamb bites and proceeded to text all my friends about my favorite discovery Downtown Charlotte.

In case you missed it

Luka Doncic underlines his 38-point night with monster dunk in Lakers’ win

Lenny Wilkens, Hall of Famer who coached the most games in NBA history, dies at 88

Injuries finally catch up to Lakers as win streak ends in blowout loss to open trip

Bronny James shows his improvement for shorthanded Lakers

How the Lakers use Japanese slideshow presentations to build chemistry

Ex-NBA player accused of selling LeBron James injury secrets pleads not guilty

Lakers takeaways: Luka Doncic’s defense (yes, defense) helps hold off Spurs

Until next time…

As always, pass along your thoughts to me at [email protected], and please consider subscribing if you like our work!

Out of sheer darkness, the Batman logo was emblazoned across the 86-foot-wide screen and dazzled my young eyes.

From Hollywood, I was instantly whisked away to Gotham City. The iconic DC comic book came to life and the booming thuds of the Caped Crusader smashing a pair of common thieves was real.

These were my first vivid memories of watching a movie in the larger-than-life Cinerama Dome on Sunset Boulevard, and being amazed by the screen’s size and the sense of being transported into another galaxy.

But the dome is magical on the outside, as well as the inside. The concrete geodesic dome is made up of 316 individual hexagonal and pentagonal shapes in 16 sizes. Like Grauman’s Chinese Theatre, it’s a structure that has become a Hollywood landmark.

The Dome represented a special place for me, until it became just another of the dozens of businesses in L.A. that never returned after pandemic closures in 2020.

Ever since, there have been rumblings that the Dome would eventually reopen. Although nothing is definitive, my colleague Tracy Brown offered a bit of hope in a recent article.

What’s the latest

Dome Center LLC, the company that owns the property along Sunset Boulevard near Vine Street, filed an application Oct. 28 for a conditional-use permit to sell alcohol for on-site consumption at the Cinerama Dome Theater and adjoining multiplex. The application doesn’t mention an reopening date or any details about movie screenings returning to the dome but suggests that a reopening may be in the works.

Elizabeth Peterson-Gower of Place Weavers Inc., said Dome Center is seeking a new permit that would “allow for the continued sale and dispensing of a full line of alcoholic beverages for on-site consumption in conjunction with the existing Cinerama Dome Theater, 14 auditoriums within the Arclight Cinemas Theater Complex, and restaurant/cafe with two outdoor dining terraces from 7:00 am – 4:00 am, daily,” according to the application filed by the company’s representative.

This would would be a renewal of the current 10-year permit, which expires Nov. 5.

The findings document filed with the City Planning Department also mentions that “when the theater reopens, it will bring additional jobs to Hollywood and reactivate the adjacent streets, increasing safety and once again bringing vibrancy to the surrounding area.”

A representative for Dome Center LLC did not respond immediately Friday to a request for comment.

What happened to the Dome?

The Cinerama Dome opened in 1963 and had been closed since the start of the COVID-19 pandemic in 2020.

Since the closing, the news about the future of the theater has been ambiguous.

In April, 2021, the owner of Pacific Theatres and ArcLight Cinemas announced they would not reopen the beloved theater even after the pandemic ended. But then, in December, sources told The Times that plans were in the works to reopen the Cinerama Dome and the attached theater complex.

In 2022, news that the property owners obtained a liquor license for the renamed “Cinerama Hollywood” fueled hope among the L.A. film-loving community’s that the venue was still on track to return.

But the Cinerama Dome’s doors have remained closed.

Signs of life

At a public hearing regarding the adjacent Blue Note Jazz Club in June, Peterson-Gower reportedly indicated that although there were not yet any definitive plans, the property owners had reached out to her to next discuss the future of the Cinerama Dome.

Perhaps this new permit application is a sign plans are finally coming together.

After the kind of year Los Angeles has endured — with devastating fires and demoralizing immigration raids — it would certainly bolster the spirits of all Angelenos to have another local landmark reopen its doors to welcome movie-loving patrons like me.

Today’s top stories

California Gov. Gavin Newsom speaks as he stands with First Partner Jennifer Siebel Newsom during an election night news conference at a Democratic Party office in Sacramento on Nov. 4, 2025.

(Godofredo A. Vásquez / Associated Press)

Voters approve Prop. 50

After World Series celebration, ICE and Border Patrol gather at Dodger Stadium once again

• Dozens of federal immigration agents were seen staging in a Dodger Stadium parking lot Tuesday morning, a day after the team returned home to celebrate its back-to-back championships with thousands of Angelenos.
• Videos shared with The Times and on TikTok show agents in unmarked vehicles, donning green vests and equipped with white zip ties in parking lot 13.
• Five months ago, protests erupted outside the stadium gates when federal immigration used the parking lot as a processing site for people who had been arrested in a nearby immigration raid.

Sen. Alex Padilla says he won’t run for California governor

• “It is with a full heart and even more commitment than ever that I am choosing to not run for governor of California next year,” Padilla told reporters outside his Senate office in Washington.
• Padilla instead said he will focus on countering President Trump’s agenda in Congress, where Democrats are currently in the minority in both the House and Senate, but hope to regain some political clout after the 2026 midterm elections.

What else is going on

Commentary and opinions

This morning’s must-read

For your downtime

A view of landscaping at the home of Susan Gottleib and her Gottleib Native Garden in Beverly Hills.

(Allen J. Schaben / Los Angeles Times)

Going out

Staying in

A question for you: What’s the best hiking trail in SoCal?

Alexandra writes: “Sullivan Canyon, for sure.”

Rochelle writes: “Can’t ever go wrong in Griffith Park, but for overall exercise, killer views, artifacts, and entertainment without wearing yourself out, my hiking partner and I like the Solstice Canyon Loop in Malibu, 3.4 miles. The most popular hike in the canyon, for good reason!”

Email us at [email protected], and your response might appear in the newsletter this week.

And finally … your photo of the day

Joe Rinaudo hopes to host tours and educational opportunities at his home theater and museum through a nonprofit group dedicated to preserving photoplayers.

(Jason Armond / Los Angeles Times)

Today’s great photo is from Times photographer Jason Armond at the home of Joe Rinaudo, the foremost expert on photoplayers, who is preserving the soundtrack to a bygone movie era.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, Sunday writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

The cuts in Hollywood just keep coming, following a sadly familiar script.

Last week it was Paramount, which laid off about 1,000 workers in the first wave of a deep staff reduction planned since tech scion David Ellison’s Skydance Media took over the storied media and entertainment company.

The cuts affected a wide swath of the company, from CBS and CBS News to Comedy Central, MTV and the historic Melrose Avenue film studio, my colleague Meg James and I reported. Another 1,000 layoffs are expected in the coming weeks.

But Paramount isn’t the only one in the media business that’s shedding jobs and payrolls.

Earlier, cable giant Charter Communications said it would lay off 1,200 people nationwide, as the company faces increased competition for its broadband internet packages. NBC News, too, laid off 150 employees last month amid declining TV ratings and lessening ad revenue.

Other recent media-adjacent layoffs included 100 cuts to Disneyland Resort’s Anaheim-based workforce and the massive 14,000 worker reduction at Amazon, including at the company’s gaming and film and TV studios.

And that doesn’t even include widespread job losses that happened earlier this year at companies such as Walt Disney Co., Warner Bros. Discovery, NBCUniversal and Six Flags Entertainment Corp.

It all adds up to a grim picture for Hollywood’s workers, who have faced a near endless marathon of economic hurdles for the last five years.

First it was the pandemic, followed by the dual writers’ and actors’ strikes in 2023, cutbacks in spending after studios splurged on streaming productions, and the outflow of production to the U.K. and other countries with lower costs than California.

Then, in January, nature struck a blow, with the fires in Altadena and the Pacific Palisades destroying many industry workers’ homes.

Topping it off, Saturday marked the first day that millions of low-income Americans lost federal food assistance due to the government shutdown that began Oct. 1. That has affected some 5.5 million Californians and probably some who work in the entertainment industry.

“It’s been one crisis after another, without enough time in between,” said Keith McNutt, western regional executive director of the Entertainment Community Fund, which provides social services for arts and entertainment professionals. “People are concerned and very worried and really trying very hard to figure out where they go from here.”

McNutt reports that the nonprofit group has already heard from some people who were recently laid off, and has experienced a sharp increase in demand for its services, particularly from those in the film and TV industry. The fund offers healthcare and financial counseling and operates a career center. It also provides emergency grants for those who qualify.

Clients include not only low-income people who are always hit hardest in downturns, but also veteran entertainment industry professionals who’ve worked in the business for 20 to 30 years.

Those who were lucky enough to have savings saw those wiped out by the pandemic, and then were unable to replenish their rainy-day funds after the strikes and industry contraction, said David Rambo, chair of the fund’s western council.

“It has been snowballing very slowly for about five years,” Rambo said.

Many in the industry are hopeful that California’s newly expanded film and television tax credit program will bring some production — and jobs — back to the Golden State. That’s what backers campaigned on when they lobbied Sacramento legislators to bolster the program. Dozens of TV shows and films have received credits so far under the revamped program, but it’ll take some time to see the results in filming data and employment numbers.

And that doesn’t help the workers who were just laid off last month. For those folks, McNutt suggests calling the fund’s health insurance team to make sure they understand their options and also to spend some time with career counselors to understand how Hollywood skills can be transferable to other employers, whether that’s on a short- or long-term basis. Most importantly, don’t isolate yourself.

“You’re not alone,” he said. “Nobody’s alone in this situation that the industry is finding itself in right now, and so reach out to your friends, reach out to your colleagues. If you’re not comfortable with that, reach out to the Entertainment Community Fund.”

Stuff We Wrote

Film shoots

Number of the week

The Los Angeles Dodgers’ wild 11-inning win on Saturday over the Toronto Blue Jays notched nearly 26 million viewers, making it the most-watched World Series game since 2017, according to Nielsen data.

The 2017 Game 7 win by the Houston Astros over the Dodgers had an audience of 28.3 million.

The Dodgers are now the first Major League Baseball team to win back-to-back championships in 25 years. On Monday, thousands of Dodgers faithful turned out for the team’s victory parade through downtown L.A.

Finally …

You’ve no doubt heard of L.A.’s famous star tours. But what about a tour of a historic cemetery?

My colleague, Cerys Davies, wrote about local historian and guide Shmuel Gonzales — or as he calls himself, “Barrio Boychik” — and his walking tour of Boyle Heights’ Evergreen Cemetery.

The cemetery is the final resting place for many of L.A.’s early movers and shakers, including the Lankershims and the Hollenbecks, and it’s also a prime example of L.A.’s multicultural history.

Welcome back to the Lakers newsletter, where we’re likely standing at an airport as you read this.

The NBA schedule is in full swing. The chaos JJ Redick mentioned at the beginning of the season has arrived. The Lakers played a game with seven standard contract players. Austin Reaves went on a heater for the ages, scoring 51 points in a game, 41 in the next, then hitting the game-winner in the one after that. Nick Smith Jr. threw up in the hallway at Moda Center then dropped 25 on the Portland Trail Blazers.

But through it all, the Lakers are crediting their 6-2 start to something that can’t be measured in the box score.

‘Play Laker basketball’

There seems to be an advanced statistic for everything now. As a math person, I wholeheartedly embrace the nerdification of sports. But the thing Redick preaches most to his team is something that can’t be quantified.

Just “playing hard.”

It sounds simple, but, in fact, there is a way to do it wrong.

“That’s what we call ‘fake hustle,’” guard Marcus Smart said. “It’s all for the cameras. It’s all just to look good so you don’t get in trouble in the film room. But when you’re playing hard, you can feel it. You can feel the way you’re playing, you can feel the way the energy. Your body can feel it. Your mind can feel it. And you’d be surprised how the game turns out because of that.”

The Lakers’ early season commitment to simply playing hard has helped them weather injury storms and roster uncertainty. They’ve gone 3-1 in games without Luka Doncic. One of those victories was without Doncic and Austin Reaves, and all have been on the road. LeBron James hasn’t even played a minute this season.

“There’s certain things that we are doing right now that we did not do until mid-to-late January of last year,” Redick said before the Lakers’ game against Memphis.

Naturally, only hours after praising his team’s consistent competitiveness, Redick was frustrated with the effort in the second quarter against the Grizzlies. He called his players “zombies” as they let Memphis score 19 unanswered points in the second quarter.

So, no, things aren’t perfect yet.

But in a long season, with pieces that are still finding their way together, any early glimpse at some of those intangible, championship team qualities are meaningful. Redick lauded his team’s confidence, belief and connectivity in the win over Portland without Doncic or Reaves. Getting any or all of their stars back will change the complexion of what this team will ultimately achieve in April, May or — they hope — June, but the Lakers don’t want to it to affect what they do any given night.

“I think it all started in training camp, really just going as hard as we can, JJ not giving the crap who’s out there,” center Deandre Ayton said. “He wants to play Laker basketball.”

After the Lakers beat the Grizzlies, Smart gave the team a B+ in how hard it’s playing. But after Monday’s win in Portland in which Smith scored 25 points off the bench, Smart upgraded the rating to a B++.

So there’s still room to grow on this report card.

A new boss in town

New Lakers majority owner Mark Walter.

(Michael Reaves / Getty Images)

The Lakers officially have a new majority owner.

Mark Walter’s acquisition of the Lakers was unanimously approved by the NBA board of governors last Thursday. It was a monumental week for the billionaire. One day after the sale went final, Walter hoisted the Commissioner’s Trophy for the second time in as many years with the Dodgers, who won the World Series in epic Game 7 fashion. Then on Sunday, Walter was sitting courtside at Crypto.com Arena in a royal blue Dodgers jacket to watch the Lakers defeat the Heat. An arena employee shook Walter’s hand, presumably thanking him for bringing L.A. another championship and already dreaming about the next one that could come for the purple and gold.

Redick said he spoke briefly with Walter after the news and came away impressed with Walter’s enthusiasm to learn about a new league.

“Baseball is an individual sport masquerading as a team sport. It’s a different thing,” Redick said. “Daryl Morey said it best on a podcast a couple years ago. He said the NBA now is the equivalent of the Giants when Barry Bonds was in his prime, basically getting to bat every single time and not only that, getting to pick who pitches to him every single time. That’s what the NBA is. … The impact of star players, a guy like Luka, a guy like LeBron, a guy like AR, it’s just different than any other sport.”

Favorite thing I ate this week

Miso pork katsu sando from Tokyo Sando food cart in Portland.

(Thuc Nhi Nguyen / Los Angeles Times)

As my Uber driver dropped me off at my hotel in Portland, we drove by a collection of food trucks around the corner. He recommended that I make a stop for lunch. Little did he know, I had already scoped out the entire area, and I had my target locked.

The miso pork katsu sando from Tokyo Sando felt like culinary perfection after a chaotic back-to-back turnaround.

In case you missed it

No Big 3, no problem: Nick Smith Jr. helps lead Lakers to fourth consecutive win

Jake LaRavia won’t be unknown to Lakers fans much longer with games like this

Luka Doncic drops triple-double to power Lakers to victory over Heat

Luka Doncic returns and Lakers get a road win at Memphis

NBA approves Buss family sale of Lakers to Dodgers majority owner Mark Walter

Austin Reaves hits game-winner as Lakers hang on to defeat Timberwolves

Until next time…

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