pandemic

The books that created the César Chávez myth — and those that brought him down

Covered marquees. Downed statues. Painted-over murals. A canceled holiday.

California has effectively exorcised César Chávez from the public sphere just weeks after a New York Times investigation found two women who said the legendary labor leader sexually assaulted them when they were teenage girls in the 1970s. Just as explosive was the revelation by his longtime lieutenant, Dolores Huerta, that he raped her in the 1960s.

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My prediction for the next place we’ll see a Chávez purge: books about him, which number into the dozens and span from academic treatises to children’s tales. But before critics relegate those texts to the banned section, folks should read some of them to see how writers helped establish the Chávez myth and propagated it for decades.

The books that created the Chávez legend

The tendency to elevate him above other activists was there from the start. In 1967, John Gregory Dunne published “Delano: The Story of the California Grape Strike,” which saw the author (and husband to Joan Didion) capture the essence of el movimiento in its earliest days through on-the-ground reporting and interviews with Chávez, whom Dunne described in the introduction as “the right man at the right place at what was, sadly, both the right and the wrong time.”

Famed writer Peter Matthiessen cemented Chávez’s image as a humble hero fighting a lone, brave battle against philistine farmers with a two-part New Yorker profile that became the basis for 1969s “Sal Si Puedes: Cesar Chavez and the New American Revolution.” That narrative continued with Jacques Levy’s 1975 release “Cesar Chavez: Autobiography of La Causa.” Talk about getting too close to the subject: The author’s archived papers disclosed he served as Chávez’s literal notetaker during the 1970 negotiations that ended the grape strike and led to the UFW’s first union contracts.

Chávez came under strong scrutiny

Rose-tinted biographies tellingly stopped around the time Chávez created a commune in what’s now currently the César E. Chávez National Monument in Keene and began to target perceived enemies within the UFW. Critics instead appeared in the media — one of the first was a 1979 Reason article that alleged he was misusing federal funds and contained the prescient line, “Many people will be reluctant to believe anything that could cast a shadow over this man.”

Other critical dispatches included pieces in the L.A. Times, Village Voice and one in the Sacramento Bee so damning in its indictment of how Chávez had, on his own, sabotaged the movement so many associated with him that its author, Marcos Breton, recently wrote how Chávez was left “hostile and angry” by his simple questions.

In the wake of Chávez’s decline and eventual death in 1993, authors created a new genre: Saint César. Titles like “Cesar Chavez and the Common Sense of Nonviolence,” “Conquering Goliath: Cesar Chavez at the Beginning” (by his mentor, Fred Ross Sr., the most important California organizer you’ve never heard of) and “The Rhetorical Career of César Chávez” pushed forth the gospel of their subject as a plainspoken prophet out of the Good Book.

Chávez inspired millions — but those books will now forever read as hollow and sadly myopic.

Rethinking the Chávez myth

True reappraisals of Chávez and his work wouldn’t start until after former Times editor and reporter Miriam Pawel published a 2006 series for this paper that showed the ugly, domineering side of Chávez and the UFW’s decline. Six years later, longtime activist Frank Bardacke simultaneously praised and damned Chávez in his “Trampling Out the Vintage: Cesar Chavez and the Two Souls of the United Farm Workers.” Though a good read, it pales in importance and poignant lyricism to two double whammies that dropped in 2014: “From the Jaws of Victory The Triumph and Tragedy of Cesar Chavez and the Farm Worker Movement” by Dartmouth College professor (and my distant cousin!) Matthew Garcia and Pawel’s own “The Crusades of Cesar Chavez: A Biography.”

Garcia and Pawel are now making media appearances and writing essays to opine on where they think Chávez went wrong. Expect updates to all of these books and so many others in the months and years to come — if they’re ever published again.

Today’s top stories

An adult male red diamond rattlesnake is photographed at San Timoteo Canyon in Riverside

Red diamond rattlesnakes are among species in the Golden State. One reptile expert who relocates snakes says her phone has been “ringing off the hook.”

(Christina House/Los Angeles Times)

Weird rattlesnake season

  • Unseasonably warm March weather triggered an unusually active rattlesnake season in California, with experts fielding record calls about sightings statewide.
  • Two fatal bites in Southern California in March and 77 Poison Control calls in three months far exceed typical annual patterns.

Life after California

  • A new UC Berkeley study found that people who moved out of California dramatically improved their financial conditions.
  • Those former Californians said the move saved them almost $700 in monthly housing costs, and they became 48% more likely to own a home in their new state.

Minimal snow in California mountains

More big stories

Commentary and opinions

This morning’s must read

Other great reads

For your downtime

Collage of different food dishes set on a green background

(Stella Kalinina / For The Times; Bill Addison / Los Angeles Times; Stephanie Breijo / Los Angeles Times; Kayla Bartkowski / Los Angeles Times)

Going out

Staying in

A question for you: How are you celebrating Easter this year?

Email us at essentialcalifornia@latimes.com, and your response might appear in the newsletter this week.

And finally … the photo of the day

Dodgers pitcher Shohei Ohtani delivers during the second inning of a 4-1 win over the Cleveland Guardians.

Dodgers pitcher Shohei Ohtani delivers during the second inning of a 4-1 win over the Cleveland Guardians at Dodger Stadium on Tuesday night.

(Ronaldo Bolaños/Los Angeles Times)

Today’s great photo is from Times photographer Ronaldo Bolaños at Tuesday night’s Dodgers’ game. Shohei Ohtani battled through the rain to throw a one-hit gem in the Dodgers’ 4-1 win over the Cleveland Guardians.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend reporter
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com.

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How Luka Doncic stacks up against NBA’s other MVP contenders

Welcome back to this week’s Lakers newsletter, where the vibes are immaculate.

The Lakers have won 15 of their last 17 games. LeBron James continues to set NBA records, most recently tying the all-time mark for wins in the regular season and playoffs with Monday’s win over Washington. Jaxson Hayes hasn’t missed a three-point shot all year. The fans who chanted “We want Bronny!” have gotten their wish.

With seven games remaining in the regular season, we turn our focus to a different cheer.

MVP! MVP!

Lakers star Luka Doncic runs onto the court before a game against the Minnesota Timberwolves.

Lakers star Luka Doncic runs onto the court before a game against the Minnesota Timberwolves on March 10 at Crypto.com Arena.

(Allen J. Schaben / Los Angeles Times)

The familiar chant rang out in arenas from L.A. to Miami to Indianapolis. Luka Doncic’s campaign was powerful enough to sway even opposing crowds that showered him with shouts of “MVP.”

With Doncic on a historic season-ending heater, the most valuable player discussion suddenly got piping hot with two weeks left in the season. The NBA’s leading scorer surged back into the race with gaudy numbers over the month of March: 37.2 points, 8.2 rebounds and 7.1 assists per game; 12 straight 30-point games; a 24-hour stretch with 100 points; and the first 60-point performance by a Laker since Kobe Bryant in his final game.

The most important number from March: 14 wins. Approaching the playoffs, the Lakers (49-26) are one of the hottest teams in the league, powered by Doncic’s brilliance.

All things Lakers, all the time.

Get all the Lakers news you need in Thuc Nhi Nguyen’s weekly newsletter.

“If we continue to finish the season the way we’re playing right now, and he continues to play that way, to me, he is the MVP,” Lakers coach JJ Redick said.

Doncic leads the league in scoring (33.7) and is just a hair off from the career-high 33.9 points per game he averaged when he finished third in MVP voting in 2024. Compared to the other top three MVP candidates — Shai Gilgeous-Alexander, Nikola Jokic and Victor Wembanyama — Doncic’s traditional stats paint a competitive picture. He has the second-most assists of the quartet behind Jokic and the third-most rebounds.

Among guards who have played more than 11 games, Doncic ranks third in rebounds per game at 7.8, and his 7.2 defensive rebounds per game is the most of anyone at his position. Doncic’s defense gets picked apart, but he also has a career-best 102 steals. He’s the only player averaging 30 or more points this season with 100 or more steals.

“He’s the engine that’s driving all of our winning,” Redick said.

Advanced statistics have Doncic a tier below his rivals. Doncic’s net rating of plus-4 is a distant fourth among the top contenders and pales in comparison to Wembanyama’s plus-17.3.

Breaking down the MVP race

A look at the top players in the NBA most valuable player race.

Jokic appeared to be on his way to winning his fourth MVP before the Nuggets star missed a month with a knee injury. By leading the Oklahoma City Thunder to the best record in the league, Gilgeous-Alexander appeared to be in pole position to win his second consecutive MVP.

Doncic and Wembanyama are making a late charge. The Spurs see the Lakers’ 14-2 record in March and raise them a 25-2 mark since Feb. 1. They won their 10 consecutive game Monday. While Doncic was serving a suspension for technical foul accumulation, Wembanyama scored 41 points with 16 rebounds, four assists and three blocks against the Chicago Bulls.

The MVP chants in Frost Bank Arena are just as loud as anywhere in the league.

All fore one

Lakers guard Austin Reaves shoots a free throw during a win over the Washington Wizards on Monday at Crypto.com Arena.

Lakers guard Austin Reaves shoots a free throw during a win over the Washington Wizards on Monday at Crypto.com Arena.

(Robert Gauthier / Los Angeles Times)

Of all the NBA markets, L.A. presents unique challenges to team building. When Redick played for the Clippers, teammates scattered immediately after practice with hopes of beating traffic on the way home. Redick knew he wasn’t going to drive hours from his home in Manhattan Beach to visit Chris Paul in Calabasas.

But for the Lakers, a round of golf is worth a drive on the 405.

“Finding tee times, being with each other for four hours where you can shoot the proverbial S-H-I-whatever and not have to be in a high pressure moment or on a team bus and kind of be away from the facility,” Redick said, “I think it’s great.”

Golf is the Lakers’ latest bonding activity that’s helped keep the vibes high through the most successful stretch of the season. The Lakers have been intentional with team-building activities in Redick’s second year at the helm. All players and coaches made autobiographical powerpoint presentations to the team during the preseason. Jake LaRavia and assistant coach Beau Levesque won the team-wide pickleball tournament in November. Players and coaches arrange golf outings between games on long road trips. One day after hitting the winning shot in Orlando, newest teammate Luke Kennard got in on the golf action in a scramble match with players facing coaches.

“They had AR,” Redick said sheepishly, “so we can all guess the result of that one.”

Austin Reaves is the leader in the clubhouse. He remembered when teammates gave him grief about his love of golf, which he picked up at 17 and almost immediately excelled at. Seeing his teammates embrace the game “actually means a lot to me,” Reaves said.

“I’m glad that they are addicted,” he added with a satisfied smile.

After the COVID-19 bubble, Redick noticed an uptick in golf’s popularity around the league. Even the Lakers have a handful of players who suddenly decided to start during the last year. Doncic is the most recent convert. He bragged that he beat Reaves on one hole when they played in Indianapolis. Reaves, who got a double bogey compared to Doncic’s bogey, said he let his teammate win.

“It’s a confidence thing,” Reaves said. “We needed him to be at his best at 7 o’clock tonight.”

Doncic scored 43 points against Indianapolis the day after the golf outing.

On tap

Cleveland's Jarrett Allen shoots between Detroit's Cade Cunningham, left, and forward Tobias Harris on March 3.

Cleveland’s Jarrett Allen shoots between Detroit’s Cade Cunningham, left, and forward Tobias Harris on March 3.

(Sue Ogrocki / Associated Press)

Tuesday vs. Cleveland (47-28), 7:30 p.m. PDT

Center Jarrett Allen returned last week from a 10-game absence, but missed Cleveland’s game on Monday in Utah as he managed right knee tendinitis. Missing the first game of a back-to-back indicates that he’ll likely be available against the Lakers.

Thursday at Oklahoma City (60-16), 6:30 p.m. PDT

The Thunder have won 15 of their last 16 games with the only loss coming against Boston. This game and next week’s rematch at Crypto.com Arena could be critical in the MVP race between Gilgeous-Alexander and Doncic.

Sunday at Dallas (24-51), 4:30 p.m. PDT

Since the trade heard ‘round the league, Doncic has averaged 33 points, nine rebounds and 10 assists in four games against his former team. It’s his highest scoring average against any Western Conference opponent.

Status report

Marcus Smart (right ankle contusion)

Smart remains day-to-day with an ankle injury he sustained against Orlando. He has missed four games.

Adou Thiero (left knee soreness)

The rookie forward landed back on the injury report after playing two minutes in the Lakers’ loss to Detroit. Redick said Thiero was held out for precautionary reasons after his knee didn’t react well to playing in a G League game then playing in Detroit two days later. Thiero previously missed six weeks with a right medial collateral ligament sprain and underwent surgery on his left knee in college, which kept him sidelined at the beginning of the season.

Favorite thing I ate this week

The red king at Ramen Nagi.

(Thuc Nhi Nguyen / Los Angeles Times)

I have had Ramen Nagi on my list for literal years because former USC center Brett Neilon — who grew up in Tokyo — recommended it. I have changed beats three times since then but never forgot what he said was his favorite ramen place in L.A. The red king, which is a spicy version of their pork broth ramen, was worth the years of anticipation. Every bowl is customizable so I loved getting to add thick ramen noodles.

In case you missed it

No Luka Doncic, no problem for LeBron James and Lakers in blowout win

Lakers hope two-day ‘reset’ will refresh them for final stretch of the season

Luka Doncic will serve one-game suspension for techs on Monday

Swanson: Bronny James has proven he deserves to be a Laker — with or without LeBron

Lakers beat Nets, but Luka Doncic is facing suspension again after 16th technical

Luka Doncic scores 43 as road weary Lakers hold off late Pacers rally

Lakers fade in final seconds against Pistons as nine-game win streak ends

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

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Taix French restaurant demolition: Why L.A.’s creative scene is mourning a landmark

On March 29, Taix as we know it closes forever. The iconic French restaurant originally opened downtown in 1927 and relocated to its current chalet on Sunset Boulevard in 1962. It’s a grim reminder of L.A.’s insatiable appetite to destroy its own heritage and especially devastating to a certain milieu of writers and artists, myself very much included. Since it announced its closure, I’ve been visiting as often as I can to say farewell, not only to the charmingly shabby faux-1920s interiors, but to the many lives I’ve lived at its tables. First as a young guitarist when a bandmate worked the bar’s soundboard, next with the Chinatown artist scene, then with Semiotext(e)’s avant-garde lit circle, later through firecracker romances and heartbreaks during the art party Social Club, recently floating through the louche carnival of Gay Guy Night and now with the circus of beatniks from my reading series Casual Encountersz.

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It’s difficult to explain why this cavernous and windowless restaurant means so much, so I’ve tried to list everything I love about Taix.

I love that they don’t play music. I love the 1960s bathrooms. I love the bottomless tureens of soup. I love the complimentary crudité from the pre-pandemic era. I love the cold pats of butter. I love that you can always get a table, no matter how many people roll in. I love the free refills on Diet Cokes. I love the 80-year-old couples on dates. I love how the dim lighting makes everyone seem chic. I love the frayed carpeting. I love the fake votive candles. I love the icy martinis. I love the corner booth beside the fireplace. I love the smoked mirrors and tin-plate ceilings in the elegant back dining rooms. I love the small fortune I’ve spent there picking up the check for many strippers, poets and bohemians. I love its rundown glamour, which miraculously evokes Old Hollywood, Belle Époque and trashy Americana all at once. I unironically love the food, which isn’t spectacular, but is very comforting. I love how a waitress once ran off with a friend of mine and slept on my couch for a week. I love how my wife generally hates eating at restaurants but loves eating at Taix. I love how every L.A. artist I know has their own singular version of this list.

The only thing I don’t love about Taix is that its owners are tearing it down to erect soulless condos. I know the city needs housing, but not like this. I hope we’ll all find a new place to call home again soon.

Taix shaped me as a writer and artist, along with so many others, which is why before the new owners demolish this cultural institution, I asked other creatives what the Echo Park landmark means to them.

Chris Kraus.

Chris Kraus.

(Ariana Drehsler / For The Times)

Chris Kraus, writer, artist and co-editor of the independent press Semiotext(e): When I moved to L.A. in 1995, Taix was the go-to place, with its deep banquettes, cuisine bonne-femme and its nightly prix-fixe specials. Mostly it was police officers and their wives who went there. Sylvère Lotringer and I went often, for him it was a little reprieve from the non-Frenchness of L.A. He could order in French and exchange pleasantries with an elderly French waiter who seemed to live there. Years later, when Sylvère moved to Ensenada and was less active with Semiotext(e), Taix was the site of our “Annual General Meetings” — Hedi El Kholti, Sylvère and I would have dinner together and Hedi would catch Sylvère up on all the forthcoming publications and projects. Taix was a place to run into people unexpectedly. About a decade ago, when the bar was refreshed, it changed again and I kind of lost track of it.

Rachel Kushner, novelist: I dined at Taix probably once per week for 23 years. It hurts so much that it is closing. I simply stopped going, so that I could begin to grieve, and also to avoid every last random tourist standing by the host station, on their phone, and the glum possibility of being seated in the second dining room, a.k.a “the Morgue” as my friend Benjamin Weissman put it. I want to protect my memories of the special occasions I enjoyed in this perennial special occasion establishment … I want to remember Bernard, a cheerful Basque from Biarritz who worked there 60 years, got progressively trashed over the course of his shift, went to Bakersfield on Sundays to party with his sheep-herding countrymen, came back Wednesdays sunburned and happy. The old valets who were let go during the pandemic. I used to give them a Christmas bonus every year, as a thanks for letting me park my classic out front. Look, I was born in Taix. I mean, in a way. I nursed my newborn in Taix. He grew up there. People who criticize the food are losers, and will never understand. The steak frites are great. The panna cotta, discontinued after the pandemic, was my favorite. The Louis Martini Cabernet was reliable. (Bernard told me the wine cellar downstairs took up the entire footprint of the main restaurant. Don’t know if that’s true.) Meanwhile, I can’t put my arm around a memory. All the smart girls know why. It doesn’t mean I didn’t try.

Cord Jefferson, writer and director: When I started going to Taix, in 2004, you could still gamble at the bar. They sold keno slips and lottery tickets, and whenever Powerball got over $100 million, I’d buy a ticket with my pint. Where else can you do all that while simultaneously watching a game and eating a tourte de volaille? Taix was where I watched the heroic Zinedine Zidane headbutt the gutless Marco Materazzi in the saddest World Cup final ever. When France lost that afternoon, my favorite server, Phillipe, cried. Phillipe’s teeth were often as wine-stained as his customers’. He’d bum me cigarettes in the parking lot and speak abusively about the ways the neighborhood was changing. I’m happy Phillipe is not around to see the digital renderings of what they plan to erect once they demolish the Taix chateau: another condo building with all the charm of a college dorm. It’s a damn shame what’s happening to Taix. I wish I had more money so I could buy it and keep it around, but I never won the Powerball.

John Tottenham, novelist and poet: It’s a shame that Taix is closing, not only because other plans will now have to be made for my funeral reception, but because it was the last civilized watering hole in the neighborhood. There isn’t anywhere else that one can walk into and immediately satisfy the social instinct among a convivial and refreshingly diverse clientele in what is becoming an increasingly homogenized locality. It has been the nexus of my social life for over 20 years, and is simply irreplaceable.

Jade Chang.

Jade Chang.

(Ariana Drehsler / For The Times)

Jade Chang, novelist: I’d only known Taix as a raucous bardo of a French restaurant, then there was a memorial service for Alex Maslansky, my beloved friend Max’s brother, owner of Echo Park’s best bookstore, Stories. Alex was a beautiful and beleaguered soul, born worried, born romantic, difficult and hopeful and apparently a shockingly good poker player. The room was packed with music people and book people, sober friends and poker friends, packed with the gorgeous girls who’d always loved him, our collective sorrow potent and sweet enough to pull the walls in around us tight as we said goodbye and goodbye.

Alexis Okeowo, New Yorker staff writer: I was a late discoverer of Taix, stumbling upon it when I moved to a bungalow just above Sunset during the pandemic from New York. I seemed to only see writer friends there. I met up with a journalist for drinks and then ran into a new writer friend at the bar. I later had a big, spontaneous dinner with TV writer friends and then a birthday celebration in the dining rooms that ended in two friends escorting me home, sick and happy off a mostly-martini meal and the selfies I took in the bathroom with the iconic pink and gold wallpaper. Every time, there was talk about ideas and gossip and so, so much laughter.

Alberto Cuadros, writer/curator and co-founder of the Social Club: About 10 years ago, Max Martin and I started Social Club as a weekly social salon at Taix. We thought of it as a kind of Beuysian social sculpture, it was a weekly ritual, and over time it became something of an institution in the L.A. art world. Everyone knew where to go in L.A. on a Wednesday if they wanted to meet interesting people or find friends. I even met my wife there who was visiting from Montreal.

Siena Foster-Soltis, playwright: Taix felt like one of the few remnants of the L.A. I grew up in and love so dearly.

Ruby Zuckerman.

Ruby Zuckerman.

(Ariana Drehsler/For The Times)

Ruby Zuckerman, writer and co-founder of the reading series This Friday: Taix is the only restaurant in L.A. that doesn’t lose its mind if new friends drop in halfway through dinner or if you stay at your table for hours after you stopped ordering. That kind of flexibility leads to spontaneous nights where what started off as an intimate hang expands into an all-out party. As a writer, that flexibility has allowed me to meet editors, collaborators and readers, drawn together by pure fun rather than networking. One of my favorite nights involved getting in a physical altercation with novelist John Tottenham after he stole my phone to send prank texts to my boyfriend. I’ll miss taking selfies in the bathroom.

Blaine O’Neill, DJ and events organizer: I always say Taix is the “People’s Country Club.” It is exceptional because of the staff who understand the importance of hospitality, and the scale of the space is humane. You’re able to evade feeling pinched by the noose of transactional cosmopolitanism.

Tif Sigfrids, gallerist and publisher Umm…: Taix was a cultural nexus. A space with broad range. It went from being the dark bar I read books and day-drank at in my 20s to the place where I rented a private room to host my son’s first birthday party. It’s where I watched Barack Obama get elected twice, the Lakers win back-to-back championships, and where I indulged in countless night caps and an unreasonable amount of all-you-can-eat split pea soup. You never knew what kind of hot jock, wasted poet or other type of intrigue you might run into there. You can’t make a place like Taix up. It’s a place that just miraculously happens.

Kate Wolf, writer and editor: Though I have been going to Taix for nearly 20 years, embarrassingly, it was only in the last year that I realized the building wasn’t from the 1920s. Those smoke-stained mirrors, that tin ceiling, the drapery and light fixtures are in fact set-dressed — ersatz! Which of course only makes me love the place more. Taix’s history, and its spot in the city’s cultural firmament, cannot be denied. But what really makes it so special are the people who work there and the clientele, not its past. This point is perhaps my only hope in losing what is my favorite restaurant in Los Angeles. That by some divine grace, we will all find each other again in another spot, designed to a different decade than the horror-filled present, and fill it with the same warmth, the same bottomless soup bowl, the same cheer.

Hedi El Kholti, artist and co-editor Semiotext(e): Taix is where we would end up after every reading since 2004 when I started working at Semiotext(e). I have memories of being there with Kevin Killian, Dodie Bellamy, Gary Indiana, Michael Silverblatt, Colm Tóibín, Rachel Kushner and Constance Debré among others … Taix has that particular anachronistic vibe that made L.A. so charming when I moved here in 1992, one of these places that time forgot. It was odd when it became really hip in the last 10 years. It made me think of what Warhol wrote about Schrafft’s restaurant when it had been redesigned to keep up with the fashion of the moment and had consequently lost its appeal. “If they could have kept their same look and style, and held on through the lean years when they weren’t in style, today they’d be the best thing around.”

Loren is the founding editor of the art and literary conceptual “tabloid” On the Rag and curator of the reading series Casual Encountersz.



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What we learned about the Lakers during their nine-game winning streak

Welcome back to this week’s Lakers newsletter, where we are remembering that all good things must come to an end.

The Lakers’ longest winning streak since the 2019-20 season ended in Detroit on Monday much in the same fashion that it was built. The Lakers announced themselves as a legitimate playoff threat by piling up thrilling, clutch time wins. Another team’s clutch time win snapped the Lakers’ nine-game streak. Win or lose, the Lakers are finding new lessons in every one of the close games.

All things Lakers, all the time.

Get all the Lakers news you need in Thuc Nhi Nguyen’s weekly newsletter.

Bend but don’t break

Los Angeles Lakers guard Luke Kennard, second from right, celebrates.

Luke Kennard, second from right, celebrates after his winning basket.

(Phelan M. Ebenhack / Associated Press)

The missed shots. The missed calls. Every missed opportunity against the Orlando Magic could have been a moment for the Lakers to “let go of the rope,” Austin Reaves said.

But why didn’t they?

“I think it’s just …” Reaves said, pausing to find the right word after the Lakers rallied from down five points with 50 seconds left to win by one.

“Belief.”

We thought the Lakers’ early season clutch success might have been a mirage against bad teams. But through the most difficult stretch of the season — nine of 11 games against teams with winning records including seven against teams .600 or better — the late-game execution has remained largely on point.

The Lakers (46-26) still have a league-leading 22-7 record in games within five points in the last five minutes. The Lakers are 6-2 in clutch games in March. Before the loss to Detroit, their 82-point clutch time defensive rating this month is an astronomical improvement from their overall 115.7 points allowed per 100 possessions.

They have played the fewest number of clutch minutes this season, in part because they kept getting blown out earlier this season. Their first 12 losses were all by 10 or more points. Those losses tipped the team’s point differential into the red despite their overwhelming winning record. They were signs that the Lakers bent and immediately broke.

Just as much as the clutch wins, coach JJ Redick looks at recent close losses — the last four came by a combined 14 points against Orlando, Phoenix, Denver and Detroit — as signs of progress.

“Our resolve and resilience — you need to be connected to do that as a team, not just individually,” Redick said. “I think where we were earlier in the year, all of us, probably the coaching staff included, was like, ‘When things go bad, you revert back to your means of self preservation, whatever that may look like for each individual.’ … We’re bending multiple times in a game, and we’re staying the course and trusting each other.”

The Lakers have two of the best individual stars to trust in key situations.

Luka Doncic put on a clutch clinic in Houston: Within five consecutive offensive possessions, Doncic hit a pirouetting step-back three, split a double team with a behind-the-back dribble to throw a no-look lob to Rui Hachimura, spun through another trap for a second alley-oop to LeBron James and nailed the dagger three. The dazzling display elicited roars from his teammates.

Some of James’ recent clutch highlights haven’t been as loud but are just as significant: His Superman dive to save a loose ball against Denver, the forced turnover that gave the Lakers the last possession against the Magic and the hard cut to the basket that drew two defenders to leave Luke Kennard wide open for the game-winning shot. The Lakers never doubted.

“We got Hall of Fame players,” Reaves said, “guys with a lot of talent that compete at the highest level, and when you got that, no game’s ever over.”

LeBron James rewrites another narrative

LeBron James looks for a pass during a game against Sacramento earlier this month.

LeBron James looks for a pass during a game against Sacramento earlier this month.

(Ronaldo Bolanos/Los Angeles Times)

After 23 years of hearing every compliment and every criticism imaginable, James is still smiling through it all. Because through chatter that the Lakers are better without their 22-time All-Star who is making $52.6 million this season, James offered this interview equivalent of a one-handed dunk:

“It sells papers a lot easier and clippings and podcasts if you say ‘LeBron, that their team is better off without him,’ ” James said after he had a triple-double in the Lakers’ win over the Miami Heat during his NBA-record 1,612th regular-season game. “A lot of people will try to, like, view it, so I get it. But they’re absolutely wrong.”

James then scrunched his face into a sarcastic, close-eyed smile.

The Lakers started their winning streak without James, but they couldn’t have continued it if he hadn’t returned in this fashion.

Since missing three games with elbow and hip injuries, James has starred in his new role as possibly most dangerous third option ever. The NBA’s all-time leading scorer’s usage rate dropped from 28.2% in his first 44 games of the season to 21.3% across the six games before Detroit. Before this season, his usage rate has never been lower than 27.6% for an entire year.

But Redick said the team knows it’s at its best when James has the third-highest usage rate. More important, James is playing like he knows that too.

James was held scoreless in the first half against Detroit for just the third time in his career. Redick praised James for his “selfless” play against the Pistons. He finished a rebound short of a triple-double: 12 points, 10 assists and nine rebounds.

“It’s the role that I’m playing for the ball club,” James said. “In order for us to win ball games, it’s the role that I’m playing.”

James is taking three fewer shots a game in the last seven games compared to his season average and averaging a quiet 18 points and 6.1 assists per game. But he has been exceptionally efficient: 58% shooting from the field and he still leads the league with 5.7 fastbreak points per game. Reaves said he sometimes forgets that he’s throwing lobs to a 41-year-old.

“I’m going, I’m going to kill you one day on accident just throwing the ball like I forget that you’re 41,” Reaves said he told James. “I’m still throwing it to 35-[year-old] LeBron.”

On tap

Wednesday at Pacers (16-56), 4 p.m. PDT

The Lakers’ six-game trip ends in Indianapolis with the Pacers, who just snapped the NBA’s longest losing streak Monday. They had lost 16 consecutive games before knocking off the Magic, but still have the worst record in the league. Ivica Zubac is out for the rest of the season after the former Clippers big man fractured his rib.

Friday vs. Nets (17-55), 7:30 p.m. PDT

Michael Porter Jr. is averaging a career-best 24.2 points, 7.1 rebounds and three assists. That’s basically all there is to know about the Nets.

Monday at Wizards (16-55), 7 p.m. PDT

The Wizards’ 16-game losing streak is now the longest in the NBA after the Pacers’ recent win. Anthony Davis was traded to the Wizards from Dallas in February but remains sidelined because of a finger injury. Fellow midseason acquisition Trae Young (quad) is also expected to miss the game.

Status report

Rui Hachimura (right calf soreness)

Hachimura is day-to-day after he got hit in the calf against Miami. The injury bothered Hachimura enough that he went back to the locker room late against Orlando. He got imaging and “it was clean,” Redick said.

Marcus Smart (right ankle soreness)

Smart injured his ankle against Orlando when forward Goga Bitadze fell on the Lakers guard. Smart also has some lingering right hip soreness from another fall during that game, but is day-to-day, Redick said.

Maxi Kleber (lumbar back strain)

Kleber joined the team on the trip in Detroit after missing seven games. During his rehab process, Kleber participated in a practice with the South Bay Lakers last week.

Favorite thing I ate this week

The gumbo at Fixins in downtown Detroit.

The gumbo at Fixins in downtown Detroit.

(Thuc Nhi Nguyen / Los Angeles Times)

With the weather difference from Orlando to Detroit, I landed in the Midwest in desperate need of comfort food. I fed my soul at Fixins in downtown Detroit, filling up on their gumbo. The hearty stew had chicken and sausage (with an option to add shrimp) and was served over rice with a cornbread muffin. On a chilly Midwest day, it healed me. There’s a Fixins location in L.A. too, so expect to find me there the next time I need my Southern food fix.

In case you missed it

Lakers fade in final seconds against Pistons as nine-game win streak ends

Luka Doncic avoids suspension after NBA rescinds his 16th technical foul

Luka Doncic says vulgar comment from Orlando player led to his 16th technical

Luke Kennard’s last-second three-pointer lifts Lakers to ninth consecutive win

Luka Doncic’s 60-point game thrusts Lakers star into middle of MVP debate

Plaschke: ‘Yeaaaaaah!’ A child’s cheer inspires surging Lakers

Luka Doncic scores 60 and LeBron ties NBA games record in Lakers’ eighth straight win

Luka Doncic (40 points) and LeBron James (30) lead Lakers to win over Rockets

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

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Everything is expensive except these places to visit for less than $20

So much seems to cost too much nowadays.

The expensive nature of everything is a popular topic on Reddit and the subject of countless papers and think pieces.

Plus, every time you drive, you can see the escalating average cost for a gallon of gas throughout the state that ranges from $5.77 in Orange County, $5.78 in San Diego County, $5.80 in Los Angeles County and $5.86 in San Francisco County to the high of $6.57 in Mono County, according to AAA.

It can easily make anyone think having fun is unaffordable.

Fortunately, our Travel and Experiences team has put together a list of 75 fun things to do for under $20.

Here is a selection of those picks, while the entire list should be explored.

Visitors enjoy a sunny day and a ride on a Swan Boat in Echo Park on January 27, 2026.

(Genaro Molina / Los Angeles Times)

Paddle a swan boat in Echo Park Lake (Echo Park)

Cost: $13 per hour, $7.50 for those under age 18.

On warm days, it’s hard to beat a ride on the swan boats at Echo Park.

They’re powered by foot paddles, and the pedaling is easy because you’re in no hurry. Maybe you’ll want to do a circuit of the lake (really a man-made reservoir). Maybe you’ll sidle up to the towers of whitewater rising from the mid-lake fountain.

Maybe you’ll wait until after dark (because the swans light up).

Inside the library at the Philosophical Research Society in Los Feliz on May 16, 2024.

(Christina House / Los Angeles Times)

Experience L.A.’s esoteric history at the Philosophical Research Society (Los Feliz)

Cost: Free to visit, workshops and lectures from $10 and up.

Located at the intersection of Los Feliz and Griffith Park boulevards, the Philosophical Research Society has long been a place of mystery, intrigue and, for some, apprehension.

The Mayan Revival campus painted in Southwestern shades of clay, cream and sage was built in 1935 by the celebrated author and esoteric lecturer Manly P. Hall.

Today, it hosts a dizzying array of events each week including poetry readings, death cafes, sound baths, a weekly class on Buddhism, tarot and astrology salons and musical performances — some of which have a suggested donation of just $10.

If you visit, make sure to make time to browse the excellently curated metaphysical bookstore.

 Members of the public watch the Koi fish swim in the lake as the Golden Lotus Archway stands.

(Gina Ferazzi / Los Angeles Times)

Find the perfect meditation spot at the Self-Realization Fellowship Lake Shrine (Pacific Palisades)

Cost: Free.

Whether or not you’re familiar with the work of Paramahansa Yogananda, who founded the Self-Realization Fellowship in 1920, if you live in Los Angeles you owe him a debt of gratitude for the smattering of lush, meditative gardens in Southern California that are still open to the public today.

Among those is Lake Shrine, a beautifully landscaped 10-acre property in the Pacific Palisades surrounding a spring-fed lake that is dotted with quiet meditation spots.

It is free to visit, but you will need to make a reservation online before you go. (Reservations open each Saturday at 10 a.m. for the week ahead, and they can fill up quickly.)

Michael Ray, 11, watches a trailer before a movie at the Paramount Drive-In.

(Wally Skalij / Los Angeles Times)

Cozy up with a flick at the Paramount Drive-In Theater (Paramount)

Cost: $14 per adult, $7 per kid (ages 3-11).

For a night out that feels as cozy as a night in, head to the Paramount Drive-In Theater. In the comfort of your own car, you can spread out, munch popcorn and make all the commentary you want without getting looks from other moviegoers.

Tickets are purchased on arrival, and the parking lot is huge, so you’re bound to secure a good view of the big screen. There is a concession store on site with candy, chips and drinks, but you are free to bring all the snacks you want from home. Recline your seat all the way back, relax and enjoy the show.

Check out the entire list here.

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Are the Lakers the hottest team in the NBA?

Welcome back to this week’s Lakers newsletter, where we are fully scoreboard watching.

The Lakers have 14 games left and are surging up the Western Conference standings. With six consecutive wins and nine in their last 10, the Lakers (43-25) are third in the West and suddenly have a 1.5-game lead on fourth-place Houston.

The team that couldn’t beat anyone good suddenly has statement wins over four teams with .600 records. The turnaround from fighting to stay out of the play-in to now being in position for homecourt advantage left even JJ Redick struggling to find the right description.

“Is coalesce a word?” Redick said after the Lakers outlasted the Denver Nugget in overtime on Saturday. “Is that the right word? For coming together? Jelling? I think it feels like we’re coalescing right now in a really nice way.”

All things Lakers, all the time.

Lakers’ ‘Big Three’ finds its pecking order

The defining moment of LeBron James’ performance during the Lakers’ game of the season officially went down as a turnover.

His Superman dive to save a loose ball with 54.3 seconds left in regulation against Denver on Saturday turned into one of James’ five turnovers because the Lakers did not corral the jump ball. But the statistical and physical sacrifice of the play showed the type of role James will play on this team coming down the stretch of the season.

“It’s a great example of leadership,” Redick said. “Leadership is not just the voice who’s talking. Leadership is then what you do on the court, and if you want to be a winning team then you need guys who are willing to take the lead and make winning plays.”

With Luka Doncic and Austin Reaves starring, Redick acknowledged that “the best thing for our team is [James] being the third highest-used player.” Since returning from hip and elbow injuries that kept him out of three games, James has had the third-highest usage rate on the team in each of the last three games. All were wins.

Redick acknowledged that “finding the groove” between James, Doncic and Reaves has been “the challenge for all of them, not just LeBron, all season.” It was more difficult because alternating injuries limited the trio’s time together on the court.

The season-long advanced metrics have favored having just Doncic and Reaves on the court, who have a plus-eight net rating together, as opposed to all three (plus-3.2 net rating). But the modest rating of the Doncic, Reaves and James combination has taken dramatic leaps this week alone.

James, Doncic and Reaves outscored opponents by 32.7 points per 100 possessions in wins against the Bulls and Nuggets.

The Lakers have gotten their “best win of the season” four times in the last nine days. Two were without James when the Lakers blew out the Knicks and the Timberwolves. He returned and the wins got grittier: an overtime thriller against Denver and Monday’s tense victory in Houston.

Other teammates made the flashy, standout plays. Doncic nailed the game-winning basket in overtime against Denver, and Reaves forced extra time with a one-in-a-hundred intentionally missed free throw. Deandre Ayton had four consecutive points late in the fourth quarter against Houston that put the Rockets away.

The NBA’s all-time leading scorer, meanwhile, has been a relatively quiet seven-for-13 from the field in each of the last three games, scoring no more than 18 points. He doesn’t mind as long as it adds up to wins.

“If it benefits others, it benefits the team,” James said last week. “The team is most important.”

It won’t count in the stat sheet, but watching James fly across the floor at 41 years old against Denver was “one of the biggest plays of the game,” Reaves said Saturday. Redick joked that after 23 NBA seasons and three years of high school he had never seen James lay out for a loose ball like that.

Because he never had, James replied.

And after sharing a photo on social media of a bright red court burn the size of a nickel, James might never do it again.

“Might be it for diving for the year!” James wrote in an Instagram story showing the wound. “Ouch! Lol!”

Deandre Ayton arrives just in time

Deandre Ayton shoots against the Minnesota Timberwolves.

Deandre Ayton shoots against the Minnesota Timberwolves.

(Ethan Swope / Associated Press)

Nearly 10 years before teaming up for the Lakers, Rui Hachimura and Deandre Ayton were just teenaged prospects with big dreams. They first met at a Basketball without Borders camp in 2016. The roster that year also included future NBA champions Shai Gilgeous-Alexander and Isaiah Hartenstein. Hachimura recalled Ayton dominating everyone. Then the 7-foot center from the Bahamas inexplicably disappeared.

“That’s what I remember,” Hachimura said with a smile remembering his first impression of his future Lakers teammate. “I was like, ‘Where’s this guy going?’”

When Hachimura shared that anecdote in October, it was an unintentionally fitting description of Ayton’s career. Over the last eight years, the former No. 1 pick has dominated and disappeared in equal measure.

Just in time for the Lakers’ biggest games of the year, the enigmatic center returned to his “DominAyton” mode.

Ayton averaged 13 points and 9.8 rebounds per game in wins over the Knicks, Timberwolves, Bulls and Nuggets after coming back from a one-game injury absence. When Jaxson Hayes and Maxi Kleber were sidelined for games against Minnesota and Chicago, Ayton starred with back-to-back double-doubles.

“Felt like I picked up my energy and my focus,” Ayton said. “I finally caught up with the team.”

One of the surest signs of Ayton’s engagement is his activity on the boards. The Lakers are 29-7 when Ayton has eight or more rebounds and 8-14 when he has seven or fewer. Lately he has been especially clutch with three rebounds and four points in overtime against Denver and five rebounds with six points in the fourth quarter against Houston when the Lakers finished the game on a 13-4 run.

“He is an X factor for us, if not the X Factor,” Redick said after Ayton scored 23 points with 10 rebounds against the Bulls, “because him playing at a high level raises our ceiling. It changes the makeup of our team.”

Ayton had his son Deandre Ayton Jr. in the locker room after that performance against the Bulls. The five-year-old bounced a white rubber ball on the ground while waiting for his dad to finish showering then joined him at his locker for his media obligations. After the game when the Lakers celebrated “Girl Dad Night,” this proud boy dad left a lasting impression.

“Truly a blessing,” Ayton said of having his son join him at the game, “especially being a Laker. Just hope he [is] inspired.”

On tap

Wednesday at Rockets (41-26), 6:30 p.m.

This game will decide the head-to-head tiebreaker between Houston and L.A. In the tight conference race, the Lakers already own head-to-head tiebreakers against Denver and Minnesota, but not against Phoenix, which is lurking in the seventh spot with a 39-29 record, four games behind the Lakers.

Thursday at Heat (38-30), 5 p.m.

The Heat were one of the hottest teams in the East before losing to the Orlando Magic on Saturday in Norman Powell’s return from injury. Powell came off the bench after missing seven games because of a groin injury and scored 20 points. The Heat were 7-0 during the stretch without Powell, even playing without Tyler Herro for two games.

Saturday at Magic (38-29), 4 p.m.

The Magic’s seven-game winning streak came to an end Monday in Atlanta. Franz Wagner (ankle) has played in just four games since Dec. 7, and Paolo Banchero is averaging 24.8 points on 51.4% shooting, 9.3 rebounds and 4.7 assists during the month of March.

Monday at Detroit (48-19), 4 p.m.

The Pistons are cruising toward the top seed in the East. Cade Cunningham has continued his breakthrough year with 24.9 points and 10.1 assists per game.

Status report

Maxi Kleber (lumbar back strain)

The backup big man has missed four games because of a back injury that started earlier this season and recently flared up against. Kleber has good days and bad days, Redick said, and has been shut down for five days. He did not travel to Houston for the beginning of the six-game trip, but the Lakers hope he can join.

Favorite thing I ate this week

Korean short ribs (galbi) with rice and Vietnamese pickled carrots and daikon radish.

Korean short ribs (galbi) with rice and Vietnamese pickled carrots and daikon radish.

(Thuc Nhi Nguyen / Los Angeles Times)

Made possible only through teamwork with my favorite coworker Brad Turner, I did the impossible: I had two uninterrupted weeks at home during the NBA season. After coming home from a month overseas, I needed that time to settle back into my normal life, including my kitchen. I missed it. We kept it low-key for the homecoming with Korean short ribs (galbi) with rice and Vietnamese pickled carrots and daikon radish. Green onions for garnish because my mom would never let a dish touch the table if it wasn’t garnished.

In case you missed it

Lakers surge late and defeat Rockets for their sixth consecutive win

How Austin Reaves pulled off a perfect game-tying missed free throw in Lakers’ win

LeBron James’ adaptability a key in victory over the Bulls

The Lakers turn a big liability into an asset, using strong defense to beat Minnesota

Swanson: Booooo! Bam Adebayo was ‘cheating the game’ in surpassing Kobe Bryant’s 81-point effort

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

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Hollywood’s biggest night is full of intrigue, predictions

All the predictions, drama and pageantry of Hollywood’s biggest night will play out at the Dolby Theatre this afternoon as the 98th Academy Awards get underway.

How many awards will “Sinners,” directed by Ryan Coogler, win from its record-setting 16 nominations? And will Coogler win best director? Our critic says, “no.”

Tonight is also a big evening for our entertainment team, which has been producing features, previews, explainers, predictions and so much more.

Let’s jump into some of that work.

How and when to watch

My colleague Katie Simons provided some show basics, like it’s 4 p.m. Pacific start time.

The 2026 Oscars will air on ABC, and those with cable subscriptions can also watch by logging into the ABC app or abc.com.

The telecast will also stream live on Hulu, YouTubeTV, AT&T TV and FuboTV. Internationally, the ceremony will be broadcast in more than 200 territories. You can check your local listings here.

When the red carpet viewing gets underway

“Chicken Shop Date” host Amelia Dimoldenberg will return, for a third-straight year, as social media ambassador and correspondent for the official red carpet, which will kick off at 3:30 p.m. on ABC and Hulu.

For extended coverage, E! will begin its red carpet broadcast at 1 p.m. ABC’s coverage begins at 12:30 p.m., followed by “The Oscars Red Carpet Show,” hosted by Tamron Hall and Jesse Palmer.

“Sinners” is picking up steam heading into the show

My colleague Greg Braxton wrote about how award prognosticators believe Sinners gained positive press after its stars — Delroy Lindo and Michael B. Jordan — were called a racial slur at the BAFTAs.

Jordan’s and Lindo’s handling of the BAFTA incident, along with warmly received victories for the “Sinners” cast at the Actor Awards on March 1, has given the Warner Bros. release unexpected momentum leading up to Sunday’s Oscars ceremony.

Although it received a record-breaking 16 nominations, the film has been largely overshadowed through much of awards season by Paul Thomas Anderson’s political thriller “One Battle After Another.”

And Timothée Chalamet of “Marty Supreme” had been considered for months as an almost-certain lock for lead actor. But the events in past weeks have seemingly positioned “Sinners” for upset wins in the picture race and lead actor for Jordan.

Who’s going to win?

Our critic Amy Nicholson and our expert Glenn Whipp believe they know the winners and the snubs.

Nicholson believes “Sinners” should win for best picture.

Nicholson wrote that the Jim Crow-era murder musical is the best kind of smart filmmaking, a barn-burner about religion and art and race that ditches the speeches for scenes of action and romance.

Every character — from Miles Caton’s rebellious guitarist and Jack O’Connell’s lilting vampire to Wunmi Mosaku’s soulful witch and Michael B. Jordan’s bootlegging twins Smoke and Stack — has been scarred by life in 1930s Mississippi.

She also said the film “Eddington” should’ve been a contender (perhaps a nod to “On the Waterfront”). Ari Aster’s merciless black comedy drags us back to May 2020 when tempers, temperatures and misinformation were heating up across America.

Dueling civic leaders Sheriff Joe (Joaquin Phoenix) and Mayor Ted (Pedro Pascal) agree that COVID has yet to arrive in their New Mexican hamlet.

Whipp wrote that “One Battle After Another” vs. “Sinners” is very much a 1A/1B situation, with Anderson’s epic having the slight edge.

But with the Oscars, quality is often secondary to an awards narrative. Both movies have cultural relevance.

Both won critical acclaim and, to a degree, commercial success. (Though “One Battle” wasn’t the blockbuster “Sinners” was, it still grossed more than any other movie in Anderson’s career.) “Sinners” scored 16 Oscar nominations, the most in history; “One Battle” was close behind with 13.

There’s much more to read in the above links. Enjoy them and the Oscars.

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One group is helping musicians who lost their gear in the L.A. fires

When I think of the solidarity of musicians, I recall an iconic scene from the film “Titanic.”

It’s the one where a quartet plays “Nearer, My God, to Thee” as the great, “unsinkable” ship sinks into the North Atlantic Ocean.

They attempted to offer calm amid a sea of panic as passengers and crew feverishly boarded lifeboats. The events were based on a true story and historians note that the body of the Titanic band leader Wallace Hartley was found floating in the ocean “with his music case strapped to it.”

Even in tragedy, we seek music to bring us solace.

Much closer to home, musicians from Pacific Palisades, Altadena and other affected areas have been challenged to keep the music going after losing instruments, studio equipment and business along with their homes in the January 2025 fires that claimed the lives of 31 people.

One organization, Altadena Musicians, launched the app Instrumental Giving to connect donors who can spare an old piano or a gently used cello with those who lost similar instruments.

KC Mancebo, an Altadena Musicians advisor, spoke with The Times about the group’s mission and success.

The campaign’s genesis

It started with composers Brandon Jay and his wife, Gwendolyn Sanford, who saw their Altadena home, music studio and several instruments destroyed by the Eaton fire.

Shortly after the fire, Jay posted about the lost equipment and what each piece meant to his family.

He said the response from that post — hundreds of people offering their instruments and other types of aid — left him “overwhelmed and gobsmacked.”

He called friends and helpers from throughout the music industry, including Mancebo, chief executive of the event production and talent booking agency Clamorhouse, hoping to offer to others the same help he received.

Mancebo had been helping homeowners navigate fire insurance paperwork and processes.

“Brandon Jay asked, ‘Why don’t we start gathering instruments for our friends,” Mancebo said. “We had 25 friends in the Palisades and 15 friends in the Eaton fire that lost everything, so we and others got involved.”

How’s it going so far?

The organization has passed out around 3,500 instruments to 1,200 families since the first donations in late January 2025, Mancebo said.

The donations range from ukuleles to Steinway & Sons pianos.

“We’re providing instruments to anyone from children who lost their first instruments to people who lost their entire studio,” she said. “The need is great.”

The gifts have come from individual donors and corporate benefactors such as JBL, which has provided speakers and equipment, as well as guitar makers Fender and Gibson, among others.

Rebuilding from the ashes

Mancebo lost her Westside home eight years ago because of a defective dryer that caught fire, she said.

“I went through the whole process of insurance, permitting and rebuilding and we didn’t have FEMA or anyone to help,” she said. “I want to provide that help to those in a similar situation.”

Mancebo said it took eight years to recover and rebuild her home.

“No one is fine after the first year,” she said. “Everyone needs help.”

Brentwood resident Amy Engelhardt donated her Kawai Upright Piano to the Altadena Musicians organization on March 10, 2026.

Brentwood resident Amy Engelhardt, a singer/songwriter, composer, lyricist and playwright, donated her Kawai Upright Piano to the Altadena Musicians organization on March 10, 2026.

(Courtesy of Amy Engelhardt)

One person’s goodbye is another’s hello

Brentwood resident Amy Engelhardt, a singer/songwriter, composer, lyricist and playwright, loved her Kawai upright piano she purchased through a PennySaver ad in 2000.

“It was a deal for the starving artist,” she said. “I paid so little and I always considered it a gift.”

Since then, Engelhardt said she has written all of her music on that piano. She didn’t, however, play it while recording her Grammy-nominated vocal group, the Bobs.

Still, she donated her piano this week to a woman who lost her home. The instrument would not be making the permanent move with Engelhardt back to New York, where her playwriting services are in demand.

“I did get emotional about it, but it’s OK,” Engelhardt said. “It’s comforting knowing that someone else will love it and create their own memories.”

Those interested in donating can check out https://altadenamusicians.org.

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Universal to keep its movies in theaters for at least five weekends

Universal Pictures will now keep its new films in theaters for at least five weekends, a reversal from the studio’s previous policy of at least 17 days that was set during the pandemic.

The change takes place immediately, the studio said Thursday. That means it will apply to its newest film, the Colleen Hoover romance “Reminders of Him,” which is out in theaters this weekend. Other upcoming films include Christopher Nolan’s “The Odyssey,” which will be released in July.

“Our windowing strategy has always been designed to evolve with the marketplace, but we firmly believe in the primacy of theatrical exclusivity and working closely with our exhibition partners to support a healthy, sustainable theatrical ecosystem,” Donna Langley, chair of NBCUniversal Entertainment, said in an email to the New York Times, which first reported the news.

Focus Features, Universal Pictures’ specialty film arm, will keep its existing theatrical exclusivity policies, which vary on a case-by-case basis. Chloé Zhao’s “Hamnet,” for instance, was in theaters for 99 days, while 2024’s “Nosferatu” played for 58 days. The minimum is 17 days.

The amount of time films are available exclusively in theaters — known as “windowing” in industry jargon — has become a contentious topic of conversation in Hollywood.

That debate ramped up during the pandemic, when some studios shortened theatrical exclusivity periods in order to move films to release for video on demand or streaming.

Prior to the pandemic, those windows could be as long as 90 days. Now, the average is around 30 days.

Theater owners have argued that shorter windows cut into box office profits and train audiences to wait to watch a movie at home. Distributors have countered that a one-size-fits-all approach doesn’t necessarily work for smaller or mid-budget films, which may find a bigger audience via at-home viewing.

At last year’s CinemaCon trade conference, top theater lobbyist Michael O’Leary called on distributors to establish a minimum 45-day window, arguing there needed to be a “clear, consistent starting point” to set moviegoers’ expectations and affirm commitment to theatrical exclusivity.

The debate has become even more fierce as box office profits still have not recovered from the pandemic. Last year, theatrical revenue in the U.S. and Canada totaled about $8.87 billion, just 1.5% above 2024’s disappointing $8.74-billion tally.

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Paramount may have landed Warner Bros., now comes the baggage

It took months of effort, lobbying and mounds of cash for Paramount Skydance to finally clinch its prize of Warner Bros. Discovery.

Now, however, the David Ellison-led company faces a long and challenging road to merge these two media giants and set it up for a successful future.

Key to that will be striking a delicate balancing act between investment and paying down its debt load of $79 billion, which is massive even by Hollywood standards.

Notably, the figure is even greater than Warner’s nearly $55 billion of debt post-merger with Discovery, a burden that hamstrung the company for years and led to successive rounds of layoffs and relentless cost cutting.

Last week, my colleague Meg James wrote about the concerns Fitch Ratings and S&P Global Ratings have about Paramount’s credit, given the mountain of debt the company will now carry. Fitch downgraded its credit to BB+ — “junk” territory — from BBB-, and S&P Global Ratings placed the company’s ratings on “negative watch.”

Carrying that amount of debt comes with significant risks.

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For one, a company with a lot of debt that is “junk”-rated is going to be under pressure to cut costs. “Junk status” means a company’s debt is rated below the level that credit agencies consider investment grade. Such a rating means it can be more expensive to refinance or take out new loans, raising the cost of capital.

Paramount executives have already said they plan to find $6 billion in “synergies” within three years, though they’ve emphasized that the majority of their cost cutting will come from “non-labor sources,” including consolidating their streaming technology and cloud providers, combining IT systems across the company and “optimizing the combined real estate footprint and the broader corporate overhead,” among other ideas.

And as I wrote last week, most Hollywood observers and those familiar with Ellison’s plans predict that Paramount will be forced make steep layoffs to offset the cost of the deal and eliminate overlapping roles and functions between the two historic studios.

At the same time, in order to compete with well-funded rivals, Paramount-Warner Bros. will also need to invest in new programming — something that can be difficult for a heavily leveraged business .

Paramount executives have said their cost-cutting efforts won’t include a reduction in production capacity, and Ellison has reiterated that there will be continued spending on programming. Beyond content, he’ll also likely need to invest in improving the technology along with the look and feel of the streaming platforms.

“Whether or not they have the capital to do all of that and to try to get their leverage down is something I’m curious to hear about,” said Naveen Sarma of S&P Global Ratings.

It’s possible that Paramount may not be able to pursue a good opportunity in the future because it has used up all its debt capacity and can’t raise additional financing, said Kelly Shue, a professor of finance at Yale School of Management.

“It might cause them to underinvest in good projects in the future,” she said.

And the company needs to spend on good projects.

The economics of this deal hinge on the combined heft of Paramount and Warner’s two libraries and valuable intellectual property, which will unite Harry Potter, DC Studios, SpongeBob SquarePants and “Mission Impossible” all under one roof.

Building up its streaming platform, which will combine Paramount+ with HBO Max, is important for competing with the behemoth Netflix, which bowed out of the Warner Bros. auction.

And on the theatrical side, Ellison has said the combined company will release 30 films a year — 15 from each studio. That would be a substantial increase from 2025, when the two companies released 18 films — eight at Paramount and 10 from Warner Bros.

“While studios content budgets might not come under immediate focus for cost cutting, we have a hard time seeing no content costs savings considering opportunities to reallocate or pull back from at least the linear networks,” MoffettNathanson’s Robert Fishman wrote in a note to clients last week.

Of course, all of this would come only after the deal’s completion. On the immediate horizon, Paramount needs to secure international regulatory approval as well as at home. Although state attorneys general including Rob Bonta of California have said this is not a “done deal,” most analysts expect that any opposition there is only likely to slow — not stop — the transaction.

A very masculine year in film

A recent study from San Diego State University put a number on something we all suspected: The percentage of female protagonists in the top 100 films last year dropped. A lot.

Female protagonists made up just 29% of the top-grossing films in 2025, down from 42% in 2024, according to the university’s annual study of women’s representation in top films. A selection of film titles from the last year says it all: “The Running Man,” “A Working Man,” “Superman.”

That 29% figure has, unfortunately, been very consistent over the years — it was the same in 2016 and has largely hovered in the range of high 20s to low 30s for the last decade, with a few exceptions (40% in 2019 and 42% in 2024).

Focusing on just the protagonists in the top 100 films means that small fluctuations can change that percentage greatly.

But when the study looked at a broader sample size of the more than 1,900 characters in those films, the results weren’t much better.

The percentage of women in speaking roles was 38%, up just 1% from 2024. And the percentage of major female characters declined to 36% in 2025 from 39% the year before.

The fact that these figures have not moved much, in spite of the countless panels and think pieces about the issue, suggests there isn’t much will in Hollywood to change, said Martha Lauzen, author of the study and founder and executive director of San Diego State’s Center for the Study of Women in Television and Film.

“Representation is social relevancy and social capital,” she told me. “So when you see fewer women than men, that’s a message.”

Stuff We Wrote

Film shoots

Number of the week

forty-six million dollars

Walt Disney Co. and Pixar’s “Hoppers” came in big at the box office this weekend with a $46-million opening in the U.S. and Canada — the strongest domestic debut for an original animated movie since “Coco” in 2017. Globally, the film made $88 million.

The reception is an encouraging sign for original animated movies, which have largely struggled at the box office since the COVID-19 pandemic while their sequel counterparts have shined.

What I’m watching

Several months ago, some friends and I started a movie club, where we each nominate a film we want to watch and we rotate who gets to make the final selection. Last week, we watched the 1996 comedy “First Wives Club,” which I had never seen but loved for its goofy antics, unexpected song-and-dance number and the focus on the enduring power of female friendships.

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Luke Kennard’s prolific 3-point shooting is transforming Lakers

Benvenuti a The Times Lakers newsletter, where, after a month in Italy, we are so back.

The Lakers are largely in the same situation as when I left. They’re still safely in the playoff race with a 39-25 record, but flirting with the play-in. LeBron James, Luka Doncic and Austin Reaves are still searching for their three-man chemistry. Deandre Ayton hasn’t dyed his hair again.

But the tl;dr version of February does have one major change for the Lakers.

Hot hand Luke

Lakers guard Luke Kennard reacts after making a three-pointer against the Golden State Warriors.

Lakers guard Luke Kennard reacts after making a three-pointer against the Golden State Warriors at Crypto.com Arena on Feb. 7.

(Gina Ferazzi / Los Angeles Times)

JJ Redick always knew how good of a shooter Luke Kennard was. This former Duke sharpshooter wouldn’t expect anything less from another Blue Devils star. But Kennard’s influence since joining the Lakers in a February trade has gone beyond his league-leading three-point percentage.

The Lakers are 5-1 in the past six games with Kennard shooting a blazing 56.7% from three-point range. He jump-starts the Lakers’ offense with his constant motion and elite floor spacing, making the transition from midseason acquisition to integral bench piece look effortless.

“It all comes down to, like, the point-five decision making,” Redick said. “… That’s where we try to focus a lot of the development [on] being able to recognize when there has been an advantage created, and then playing off that and not giving up the advantage. And we have some guys that have to grow in that area.

All things Lakers, all the time.

“Luke,” Redick added, “that’s what he does.”

The Lakers were shooting 34.9% from three before the trade, 21st in the league. Since acquiring Kennard, the Lakers are shooting 39.2% from three-point range, ranking second in the NBA during that stretch.

Kennard, shooting 50% from the three-point line, is on track to become just the sixth NBA player to shoot 50% or better from three over an entire season. There are some players in the NBA who couldn’t hit 50 out of 100 three-pointers in an empty gym, Redick said.

Redick has known Kennard for more than a decade. Not only was he comfortable with the coaching staff, Kennard also has history with former Memphis teammates Jake LaRavia and Marcus Smart and being in L.A., playing with the Clippers from 2020 to 2023. Kennard said he “lit up inside,” when he heard he would be heading to the Lakers, who sent Gabe Vincent and a 2032 second-round pick to Atlanta in the deal.

The organization is “the biggest stage you can play on in basketball,” Kennard said. And he gets to share it with generational talents.

Playing with Doncic and James has created some of the most open three-point shots Kennard has had in his career, he said. When he gets one wide-open three early, that only helps his rhythm. Then teams start to help too much on his shooting and that opens the paint. It’s the type of chain reaction Kennard watched with envy from the opposite sideline when Doncic, then with Dallas, was slicing up the Clippers in the playoffs.

“It’s definitely something you think about like, ‘Man, I wish that was me there getting those open looks,’” Kennard said. “But now it’s a reality.”

Kennard marvels at his new reality sometimes. When Doncic was in his peak, “Luka Magic” form Friday, banking line-drive step-back threes off the backboard in the Lakers’ rout over the Indiana Pacers, Kennard said he caught himself just gawking at his teammate a few times.

But Doncic, who scored 44 points in the win, was quick to credit the team’s bench contributions. Kennard had 15 points on three-of-five three-point shooting, and Doncic said he has encouraged Kennard to shoot more.

A smile broke across Kennard’s face when he was told of the praise.

“Especially coming from a guy like that,” Kennard said, “one of the best scorers ever to play the game, it just builds confidence in you as a player to play off of him.”

Catching Kareem

Lakers star LeBron James shoots over Denver's Zeke Nnaji to set the all-time NBA record for most successful field goals.

Lakers star LeBron James shoots over Denver’s Zeke Nnaji to set the all-time NBA record for most successful field goals on Thursday.

(Chris Swann / Clarkson Creative / Getty Images)

He used it to break the NBA’s most iconic record. It seemed fitting that James used a midrange fadeaway shot to claim another record from Kareem Abdul-Jabbar.

Already the leader in NBA seasons played, minutes played and points scored, James added another record to his resume last week by passing Abdul-Jabbar for most made field goals in NBA history. His record-breaking 15,838th made shot came against Denver on Thursday, and, with a 180-degree pirouette added, looked similar to the shot he used to claim the scoring record from Abdul-Jabbar in 2023.

“At the end of the day, just to be able to link my name to being mentioned with some of the greatest to ever play this game has always been humbling and a pretty cool thing,” James said after the Lakers lost. “I grew up watching, reading [about], idolizing a lot of the greats and if I ever was able to be part of the NBA, I wanted to put myself in position that I can be named with some of the greats by doing something right.”

The record is a true testament to James’ staying power. He established the regular-season scoring record in the same 20 seasons as Abdul-Jabbar played, but the field-goal record would have been well out of reach had James not continued into his historic 23rd season. When comparing their NBA careers, Abdul-Jabbar, who averaged 10.15 made field goals per game across his career to James’ 9.86, made more shots than James in 16 of 20 seasons. Abdul-Jabbar had two 1,000 field goal seasons while James’ highest total was 875 in his third year. Michael Jordan, in 1989-90, was the last NBA player with more than 1,000 made field goals in a season (1,034).

Lakers LeBron vs. Kareem

(Thuc Nhi Nguyen / Los Angeles Times)

James’ longevity and productivity at the twilight of his career is so unmatched that even the idea that the James era could end soon barely even registers for some competitors.

“I think he can play forever,” Knicks coach Mike Brown said when asked if he thinks about how any game could be the last he coaches against James. “That’s just my personal opinion. I know he won’t, but the shape that he is in and how he takes care of his body is just amazing.”

James, who is ineligible for postseason awards for the first time in his career because he missed more than 17 games, is questionable for Tuesday’s game with a right hip contusion and left foot arthritis. He has missed the last two games with a left elbow contusion he sustained in the final minutes against Denver. He did not practice Monday.

The next personal milestone for James may be career games played, where he trails Robert Parish’s 1,611 by five.

On tap

Records and stats current before Monday’s games.

Tuesday vs. Timberwolves (40-24), 8 p.m.

With two October wins that feel like a lifetime ago, the Lakers already own the head-to-head season tiebreaker against the Timberwolves, meaning that a win Tuesday could vault the Lakers to third place in the West.

Thursday vs. Bulls (26-38), 7:30 p.m.

This is the only should-win game of the week against a team well outside of the playoff race. The Bulls added Collin Sexton at the trade deadline, but the former Charlotte guard left Sunday’s game against the Sacramento Kings with a leg injury.

Saturday vs. Nuggets (39-26), 5:30 p.m.

This game will decide the season series tiebreaker between the Lakers and Nuggets, who split their first two games.

Monday at Rockets (39-24), 6:30 p.m. PDT

The Lakers and Rockets have consecutive games in Houston on Monday and Wednesday. The Rockets are not the same team that dominated the Lakers on Christmas Day, though. Steven Adams has been out since Jan. 20 with a season-ending ankle injury, and a team that was on pace to be the best rebounding squad in a generation is seventh over the last 15 games with a 51.5% rebounding rate.

Favorite thing I ate this week

Gnocchi with spider crab and tomato sauce and black spaghetti with tuna tartare in Venice, Italy.

Gnocchi with spider crab and tomato sauce and black spaghetti with tuna tartare in Venice, Italy.

(Thuc Nhi Nguyen / Los Angeles Times)

I’ve been back from Italy for a week, but I didn’t share any meals from my post-Olympic vacation. We definitely saved the best for last in Italy.

Possibly my favorite of my entire month was in Venice at Oniga, a cozy restaurant we found away from the otherwise crowded narrow streets. Staying true to Venetian seafood tradition, we began with an appetizer of mussels and clams in a tomato sauce that had me wiping the bowl with our fresh baked bread. Our mains (pictured) were fresh gnocchi with local spider crab and tomato sauce and black spaghetti with tuna tartare and garlic oil. For dessert, we had salted caramel panna cotta and pistachio tiramisu. Squisito!

In case you missed it

Lakers prove against Knicks they can achieve gritty defensive wins

Luka Doncic and Austin Reaves carry LeBron-less Lakers to win over Knicks

Luka Doncic joins elite Lakers company with 44-point effort in win over Pacers

Luka Doncic is one technical foul away from an automatic suspension

LeBron James breaks another Kareem Abdul-Jabbar record, but hurts his elbow in loss

Swanson: The Lakers are the wrong kind of interesting amid relentless fan scrutiny

Lakers hope comeback win over Pelicans gives the team a timely boost

All five starters score in double figures as Lakers defeat the Pelicans

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

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These 18 Southern California music venues have opened since the pandemic

Ron Mesh was a tour manager for Guns N’ Roses and hard rock acts for decades — he knows how a well-appointed club can make or break a band. He just opened Dune Room, an independent venue in Indio that aims to keep the desert’s edgier music scenes thriving for the non-festival-saturated months of the year.

“I put in everything I would have wanted playing clubs — bus parking, a great green room and amazing sound system,” Mesh said. “In L.A., I wouldn’t have come close to getting this. But Indio’s very exciting — a lot of young metal bands are thriving, and now you don’t even have to go to the high desert to find them.”

Mesh is well known in the desert’s music scene (he also opened Studio B, a high-end mix studio). The venue — formerly the Little Street Music Hall — had a knotty opening after some early ownership disputes with former partners. But for salty desert rockers and hungry young punks who can’t afford Coachella tickets, it’s a welcome addition to the scene. “Pappy’s has a vibe where you go to the club just knowing there’ll be something cool there,” Mesh said, “Indio is getting that too.”

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