Oscars

KYLIE Jenner has stunned in a body-hugging sparkly red gown ahead of the Oscars to support her boyfriend and nominee, Timothee Chalamet.

The beauty mogul will join Timothee, who is up for Best Actor for his performance in the sports drama Marty Supreme, at the 98th Academy Awards on Sunday.

Kylie, 28, teased her outfit in an Instagram video, in which she donned a low-cut Schiaparelli dress that showcased her cleavage and curvy figure.

The ensemble featured a cut-out of a lock beneath her breasts, and she paired it with a diamond necklace and earrings.

She wore her brunette hair in loose waves and a full face of makeup for the A-list event.

Kylie hinted in her caption that her look channeled the sexy cartoon character, Jessica Rabbit.

Read More on Kylie Jenner

MY FAIR LADY

Kylie Jenner goes nearly naked in just a Chanel cape for Vanity Fair shoot

BUTTER THAN EVER

Kylie Jenner busts out of a tiny yellow bra as she licks icing for new ad

Several celebrities in the Kardashian-Jenner inner circle gushed over Kylie’s appearance in the comments.

“My heart skipped a beat,” Kylie’s sister, Khloe Kardashian, wrote.

“OMG YES,” the reality star’s BFF Stassi Karanikolaou said.

“Everything,” Lauren Sanchez Bezos added alongside a red heart emoji.

Kylie has been by Timothee’s side – amid fierce backlash over his claims that no one cares about the ballet or opera – throughout the 2026 awards season, as he was a heavy favorite following his Golden Globes win against standouts Michael B. Jordan, Leonardo DiCaprio, and Ethan Hawke.

He even gave a shoutout to the Kylie Cosmetics founder in his acceptance speech for Best Actor at the January 11 ceremony, saying, “For my parents, for my partner, I love you. Thank you so much.”

Days earlier, Timothee, 30, again called out The Kardashians star, who shares daughter Stormi, 8, and son Aire, 4, with her ex, Travis Scott, while accepting the Critics’ Choice Award for Best Actor at the January 4 show.

“Lastly, I would like to say thank you to my partner of three years,” the Call Me by Your Name star said onstage.

“Thank you for our foundation. I love you. I couldn’t do this without you. Thank you from the bottom of my heart,” he concluded.

Kylie looked visibly touched by the sentiment, smiling and mouthing “I love you” back to him.

Biggest Oscar Nominees of 2026 Academy Awards

Everyone in Hollywood hopes to snag a nod on the industry’s biggest night but only few get that honor. Here are the nominees from the major categories of the 2026 Academy Awards:

Best Picture

• Bugonia
• F1
• Frankenstein
• Hamnet
• Marty Supreme
• One Battle After Another
• The Secret Agent
• Sentimental Value
• Sinners
• Train Dreams

Best Director

• Chloé Zhao — Hamnet
• Josh Safdie — Marty Supreme
• Paul Thomas Anderson — One Battle After Another
• Joachim Trier — Sentimental Value
• Ryan Coogler — Sinners

Best Actor (Leading Role)

• Timothée Chalamet — Marty Supreme
• Leonardo DiCaprio — One Battle After Another
• Ethan Hawke — Blue Moon
• Michael B. Jordan — Sinners
• Wagner Moura — The Secret Agent

Best Actress (Leading Role)

• Jessie Buckley — Hamnet
• Rose Byrne — If I Had Legs I’d Kick You
• Renate Reinsve — Sentimental Value
• Emma Stone — Bugonia
• Kate Hudson — Song Sung Blue

Best Supporting Actor

• Benicio Del Toro — One Battle After Another
• Jacob Elordi — Frankenstein
• Delroy Lindo — Sinners
• Sean Penn — One Battle After Another
• Stellan Skarsgård — Sentimental Value

Best Supporting Actress

• Teyana Taylor — One Battle After Another
• Wunmi Mosaku — Sinners
• Amy Madigan — Weapons
• Elle Fanning — Sentimental Value
• Inga Ibsdotter Lilleaas — Sentimental Value

Best Original Screenplay

• Bugonia — Yorgos Lanthimos & Will Tracy
• Marty Supreme — Josh Safdie & Ronald Bronstein
• One Battle After Another — Paul Thomas Anderson
• Sentimental Value — Joachim Trier & Eskil Vogt
• Sinners — Ryan Coogler

Best Adapted Screenplay

• Blue Moon — Richard Linklater & Glen Powell
• Frankenstein — Guillermo del Toro
• Hamnet — Chloé Zhao
• The Secret Agent — Kleber Mendonça Filho
• Train Dreams — Clint Bentley & Greg Kwedar

Best Animated Feature

• Arco
• KPop Demon Hunters
• The Magnificent Life of Marcel Pagnol
• Zootopia 2
• The Night Gardener

Best International Feature Film

• The Secret Agent — Brazil
• Sentimental Value — Norway
• It Was Just an Accident — Iran
• Universal Language — Canada
• Sujo — Mexico

Best Documentary Feature

• The Alabama Solution
• Come See Me in the Good Light
• Four Daughters
• No Other Land
• The Perfect Neighbor

In December, Kylie showed support for Timothee on the red carpet of the film’s LA premiere, where they sported matching orange ensembles.

The mom of two rocked a dangerously low-cut, skintight dress with cut-outs along the midsection.

She paired the look with high heels, a chunky gold necklace, orange nails, and her long black hair flowing straight down.

Timothee wore pants, a button-down shirt, a jacket, and boots, accessorized with a black cross-body bag shaped like a ping pong paddle, as a nod to the film.

It was their first major public appearance together since rumors began that their relationship was on the rocks.

In October, fans believed there was trouble in paradise after they appeared to show a lack of affection toward one another while watching a New York Yankees game, with many accusing Kylie of “looking bored.”

Weeks earlier, Timothee was a no-show at Kylie’s mom, Kris Jenner’s, elaborate 70th birthday bash, fueling chatter that they were ready to call it quits.

In November, a source exclusively revealed to The U.S. Sun that the couple were at odds over Timothee’s desire to keep their romance private, while Kylie wanted to share their love with the world.

The insider also claimed that Kylie had been “pressuring” Timothee about “cementing their relationship,” but the Wonka star wanted to focus on “fixing their issues.”

Kylie and Timothee first began dating in April 2023, although they didn’t make their public debut until they were spotted at a Beyoncé concert later that September.

They managed to keep their romance out of the public eye until they made their red carpet debut as a couple in May 2025 at the 70th David Di Donatello Awards in Rome.

Kylie had parted ways with her baby daddy, Travis, shortly before getting together with Timothee, and had previously been in a years-long relationship with rapper Tyga.

Timothee dated Johnny Depp’s daughter, Lily-Rose Depp, whom he met on the set of the Netflix film The King, from 2018 to 2020.

Hollywood’s biggest night is here, along with the biggest red carpet of awards season.

Not only is it massive in size — it takes about 2,400 hours and more than 400 workers to assemble the 25,000-square-foot red carpet, measuring 900 feet long and 60 feet wide — but enormous in influence. It boasts the most memorable, stylish and extravagant fashion in entertainment history. In fact, stars have been taking cues from Hollywood history at precursor awards shows. Old Hollywood glamour dominated January’s Golden Globes. And the Actor Awards, held two weeks ago, were themed “Reimagining Hollywood Glamour from the ‘20s and ‘30s.” So the Oscars red carpet may also pay homage to La La Land.

Lead and supporting actress nominees Jessie Buckley, Kate Hudson, Emma Stone, Elle Fanning, Wunmi Mosaku and Teyana Taylor have already won in the style department and are sure to impress yet again. All eyes will also be on dapper actors Michael B. Jordan, Timothee Chalamet, Delroy Lindo and Jacob Elordi.

Here’s the best fashion from the 2026 Oscars, captured from every angle by The Times’ photo team. After the carpet wraps, the 98th Academy Awards will air live from the Dolby Theatre on ABC starting at 4 p.m.

READ MORE: Winners list | Full coverage

Ji-young Yoo

Ji-young Yoo, who voices Zoey in “K-Pop Demon Hunters,” is pretty in purple.

(Christina House / Los Angeles Times)

Kevin Grandalski and Marlee Matlin

Marlee Matlin and husband Kevin Grandalski, a retired Burbank police officer, arrive on the red carpet. Matlin won the lead actress Oscar in 1987 for her debut film, “Children of a Lesser God.”

(Myung J. Chun / Los Angeles Times)

Mario Lopez

Mario Lopez arrives on the red carpet. The actor’s talk show “Access Hollywood” was abruptly canceled on Friday after nearly 30 years.

(Myung J. Chun / Los Angeles Times)

Nadim Cheikhrouha

French Tunisian film producer Nadim Cheikhrouha wears an Artists4Ceasefire pin, designed by Shepard Fairey. The collective of actors and filmmakers is advocating for a ceasefire in Gaza.

(Myung J. Chun / Los Angeles Times)

Ken Jeong

“The Masked Singer” host Ken Jeong is all smiles.

(Christina House / Los Angeles Times)

“The Voice of Hind Rajab,” a heartbreaking retelling of the efforts to save a 6-year-old Palestinian girl amid Israel’s attacks on Gaza, will be honored at the 98th Academy Awards on Sunday — without one of its star players.

Actor Motaz Malhees, who stars in the film as Red Crescent dispatcher Omar, confirmed Thursday that he will be absent from the festivities because of President Trump’s travel ban against Palestinians. “I had the honor of playing one of the lead roles in a story the world needed to hear,” Malhees said on Instagram, “but I will not be there.”

“I am not allowed to enter the United States because of my Palestinian citizenship,” he added.

Trump announced his widened travel ban in December, noting his decision to “fully restrict and limit the entry of individuals using travel documents issued or endorsed by the Palestinian Authority,” along with people from countries including South Sudan and Syria. The president issued the order months after he presented his 20-point peace plan for the Gaza strip — efforts that some Palestinians feel have been now brushed aside amid U.S. and Israeli attacks against Iran.

Malhees said in his post that the restriction “hurts” but offered his followers and supporters a kernel of truth: “You can block a passport. You cannot block a voice.”

“The Voice of Hind Rajab,” directed by Tunisian filmmaker Kaouther Ben Hania, is nominated in the international feature category. The film is set in a Red Crescent call center in Ramallah and centers the 70-minute phone recording of Hind’s pleas for help as she waits with her family in a trapped car for emergency responders. She and two medics dispatched to her location were killed in February 2024 in Israeli attacks in Gaza.

The film earned the grand jury prize at the Venice Film Festival.

Though unable to celebrate the film at the Oscars on Sunday, Malhees said he stands “with pride and dignity” and that his “spirit will be with the Voice of Hind Rajab that night.”

“Our story is bigger than any barrier, and it will be heard,” he said.

A representative for the Academy of Motion Picture Arts and Sciences did not immediately respond to a request for comment.

As Malhees publicized his absence, fellow stars including Oscar winner Riz Ahmed and Emmy-nominated “Succession” star Arian Moayed rallied in support.

“Your work in the film and the film itself are both incredible and will live on forever,” Ahmed commented.

“You are brilliant, azizam,” Moayed replied to Malhees. “And this is heartbreaking and unjust.”

If April is the cruelest month, per T.S. Eliot, the Oscars surely must be the cruelest (and longest) season. Other awards shows push their way into the queue for moments of borrowed red carpet glory, but the Academy Awards are what the buildup is all about and the one people remember.

Thankfully, the countdown can now be measured in hours and minutes rather than months, with the 98th Academy Awards slated to start Sunday at 4 p.m. at the Dolby Theatre at Ovation Hollywood. Conan O’Brien is back to host the awards for the second straight year.

Best picture is expected to come down to “Sinners,” which broke the record for most nominations with 16, and “One Battle After Another,” with 13. Paul Thomas Anderson and “One Battle” have dominated the precursor awards, but Ryan Coogler and “Sinners” have gained momentum in recent weeks. The films also expect to vie in the newly added and long-anticipated casting category.

Last year’s acting winners, Adrien Brody (“The Brutalist”), Kieran Culkin (“A Real Pain”), Mikey Madison (“Anora”) and Zoe Saldaña (“Emilia Pérez”), will return to the Oscars stage to present.

Other announced presenters include Javier Bardem, Chris Evans, Chase Infiniti, Demi Moore, Kumail Nanjiani, Maya Rudolph, Will Arnett, Priyanka Chopra Jonas, Robert Downey Jr., Anne Hathaway, Paul Mescal, Gwyneth Paltrow, Rose Byrne, Nicole Kidman, Jimmy Kimmel, Delroy Lindo, Ewan McGregor, Wagner Moura, Pedro Pascal, Bill Pullman, Lewis Pullman, Channing Tatum and Sigourney Weaver.

The 2026 Oscars will air on ABC, and those with cable subscriptions can also watch the show by logging in to the ABC app or abc.com. The telecast will stream live on Hulu, YouTube TV, AT&T TV and FuboTV. Internationally, the ceremony will be broadcast in more than 200 territories.

Beginning in 2029, the show will stream exclusively on YouTube.

Follow along live as we wait to hear the words “And the Oscar goes to … ”

Best picture
“Bugonia”
“F1”
“Frankenstein”
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“The Secret Agent”
“Sentimental Value”
“Sinners”
“Train Dreams”

Actress in a leading role
Jessie Buckley, “Hamnet”
Rose Byrne, “If I Had Legs I’d Kick You”
Kate Hudson, “Song Sung Blue”
Renate Reinsve, “Sentimental Value”
Emma Stone, “Bugonia”

Actor in a leading role
Timothée Chalamet, “Marty Supreme”
Leonardo DiCaprio, “One Battle After Another”
Ethan Hawke, “Blue Moon”
Michael B. Jordan, “Sinners”
Wagner Moura, “The Secret Agent”

Actress in a supporting role
Elle Fanning, “Sentimental Value”
Inga Ibsdotter Lilleaas, “Sentimental Value”
Amy Madigan, “Weapons”
Wunmi Mosaku, “Sinners”
Teyana Taylor, “One Battle After Another”

Actor in a supporting role
Benicio del Toro, “One Battle After Another”
Jacob Elordi, “Frankenstein”
Delroy Lindo, “Sinners”
Sean Penn, “One Battle After Another”
Stellan Skarsgård, “Sentimental Value”

Directing
Chloé Zhao, “Hamnet”
Josh Safdie, “Marty Supreme”
Paul Thomas Anderson, “One Battle After Another”
Joachim Trier, “Sentimental Value”
Ryan Coogler, “Sinners”

Adapted screenplay
“Bugonia,” Will Tracy
“Frankenstein,” Guillermo del Toro
“Hamnet,” Chloé Zhao and Maggie O’Farrell
“One Battle After Another,” Paul Thomas Anderson
“Train Dreams,” Clint Bentley and Greg Kwedar

Original screenplay
“Blue Moon,” Robert Kaplow
“It Was Just an Accident,” Jafar Panahi
“Marty Supreme,” Josh Safdie and Ronald Bronstein
“Sentimental Value,” Joachim Trier and Eskil Vogt
“Sinners,” Ryan Coogler

Documentary feature
“The Alabama Solution”
“Come See Me in the Good Light”
“Cutting Through Rocks”
“Mr. Nobody Against Putin”
“The Perfect Neighbor”

Documentary short
“All the Empty Rooms”
“Armed Only with a Camera: The Life and Death of Brent Renaud”
“Children No More: ‘Were and Are Gone’”
“The Devil Is Busy”
“Perfectly a Strangeness”

Animated feature
“Arco”
“Elio”
“KPop Demon Hunters”
“Little Amélie or the Character of Rain”
“Zootopia 2”

Animated short
“Butterfly”
“Forevergreen”
“The Girl Who Cried Pearls”
“Retirement Plan”
“The Three Sisters”

Cinematography
“Frankenstein,” Dan Laustsen
“Marty Supreme,” Darius Khondji
“One Battle After Another,” Michael Bauman
“Sinners,” Autumn Durald Arkapaw
“Train Dreams,” Adolpho Veloso

Costume design
“Avatar: Fire and Ash,” Deborah L. Scott
“Frankenstein,” Kate Hawley
“Hamnet,” Malgosia Turzanska
“Marty Supreme,” Miyako Bellizzi
“Sinners,” Ruth E. Carter

Film editing
“F1,” Stephen Mirrione
“Marty Supreme,” Ronald Bronstein and Josh Safdie
“One Battle After Another,” Andy Jurgensen
“Sentimental Value,” Olivier Bugge Coutté
“Sinners,” Michael P. Shawver

International feature
“It Was Just an Accident” (France)
“The Secret Agent” (Brazil)
“Sentimental Value” (Norway)
“Sirāt” (Spain)
“The Voice of Hind Rajab” (Tunisia)

Live-action short
“Butcher’s Stain”
“A Friend of Dorothy”
“Jane Austen’s Period Drama”
“The Singers”
“Two People Exchanging Saliva”

Makeup and hairstyling
“Frankenstein,” Mike Hill, Jordan Samuel and Cliona Furey
“Kokuho,” Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu
“Sinners,” Ken Diaz, Mike Fontaine and Shunika Terry
“The Smashing Machine,” Kazu Hiro, Glen Griffin and Bjoern Rehbein
“The Ugly Stepsister,” Thomas Foldberg and Anne Cathrine Sauerberg

Original score
“Bugonia,” Jerskin Fendrix
“Frankenstein,” Alexandre Desplat
“Hamnet,” Max Richter
“One Battle After Another,” Jonny Greenwood
“Sinners,” Ludwig Göransson

Original song
“Dear Me” from “Diane Warren: Relentless”
“Golden” from “KPop Demon Hunters”
“I Lied to You” from “Sinners”
“Sweet Dreams of Joy” from “Viva Verdi!”
“Train Dreams” from “Train Dreams”

Production design
“Frankenstein”
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“Sinners”

Sound
“F1”
“Frankenstein”
“One Battle After Another”
“Sinners”
“Sirāt”

Visual Effects
“Avatar: Fire and Ash”
“F1”
“Jurassic World Rebirth”
“The Lost Bus”
“Sinners”

Casting
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“The Secret Agent”
“Sinners”

The 98th Academy Awards, known as the Oscars, will celebrate some of the top films released in 2025 on Sunday.

The ceremony will take place in Los Angeles with actors, directors and filmmakers from around the world competing for Hollywood’s most prestigious prizes.

But this year’s ceremony comes at a time of global tension, with the ongoing war in Iran serving as a sombre backdrop to Hollywood’s annual celebration.

“My job is always to try to walk a very thin line between entertaining people and also acknowledging some of the realities,” host Conan O’Brien said during a Wednesday news conference with the Oscars creative team.

Here is what we know about the upcoming ceremony:

Where will the Oscars be held?

The 98th Academy Awards will take place at the Dolby Theatre at Ovation Hollywood in Los Angeles on March 15.

The ceremony will start at 4pm West Coast time in the United States (23:00 GMT), with official red carpet coverage beginning at 3:30pm (22:30 GMT).

Where can I watch the ceremony?

The 2026 Oscars will be broadcast in the US on the TV channel ABC. Viewers with a cable subscription can also watch online by signing in through the ABC app or ABC.com.

The ceremony will also be streamed live on the video platform Hulu.

Those without traditional cable can access the broadcast through live TV streaming services that carry ABC, including Hulu + Live TV, YouTube TV, AT&T TV and FuboTV.

But the Oscars’ ties with ABC may soon be at an end. Last year, the Academy announced that, beginning in 2029, the Oscars will sever its decades-long relationship with ABC and stream exclusively on YouTube.

The shift to an online-only platform is a big shake-up for the Academy Awards, ending a tradition more than half a century old.

ABC began broadcasting the Oscars in 1976, and before that, it aired on a rival channel, NBC, starting in 1953.

Who is hosting the Academy Awards?

O’Brien is hosting the 98th Academy Awards, marking his second consecutive year emceeing the ceremony.

“This year, I know where the doughnuts are. I know my way around a little bit, and so, I think that’s going to be fun,” Conan said.

In remarks this week, the comedian explained he believes the key to success on the Oscar stage is having a good time and staying in the moment.

He added that he and his writing team are still refining the material ahead of the show, to keep it as current as possible.

“What’s happening in the world will be reflected in the show,” he said.

How can I watch the red carpet?

The Oscars red carpet is broadcast several hours before the ceremony, as filmmakers and other celebrities arrive for the ceremony.

The red carpet has long served as a stage for Hollywood’s best fashions, and actors often pause for interviews with social media and television hosts to discuss the awards and what they’re wearing.

Several shows will broadcast from the red carpet:

• The official Oscars red carpet (“On the Red Carpet at the Oscars”): 20:30 GMT, hosted by Tamron Hall and Jesse Palmer
  • Streaming services: Viewers without cable can watch through platforms that carry ABC, including Hulu + Live TV, YouTube TV, fuboTV and Sling TV.
• E! Live from the Red Carpet: 21:00 GMT
  • Streaming services: The E! network will carry the live coverage, as will the streaming platform Peacock and live TV service providers like Roku, Hulu + Live TV, YouTube TV and more.

British comedian Amelia Dimoldenberg also returns for the third year as the official Oscars social media correspondent.

Who is presenting?

As is tradition, last year’s acting winners will return to present awards at the ceremony. They include Adrien Brody (The Brutalist), Kieran Culkin (A Real Pain), Mikey Madison (Anora) and Zoe Saldana (Emilia Perez).

They will be joined by a wide range of actors and filmmakers presenting throughout the night, including Javier Bardem, Chris Evans, Chase Infiniti, Demi Moore, Kumail Nanjiani, Maya Rudolph, Will Arnett, Priyanka Chopra Jonas, Robert Downey Jr, Anne Hathaway, Paul Mescal, Gwyneth Paltrow, Rose Byrne, Nicole Kidman, Jimmy Kimmel, Delroy Lindo, Ewan McGregor, Wagner Moura, Pedro Pascal, Bill Pullman, Lewis Pullman, Channing Tatum and Sigourney Weaver.

Who is performing at the Oscars?

This year’s show will feature two musical performances tied to the Best Original Song nominees.

Rei Ami, EJAE and Audrey Nuna are set to perform the hit single Golden from the animated film KPop Demon Hunters, and actor Miles Caton will reprise the song he sang in the movie Sinners, called I Lied to You, alongside songwriter Raphael Saadiq.

Like the film itself, the Sinners musical performance at the Oscars will serve as a tribute to Black artistry across generations and genres.

As such, it will include an array of artists, from ballerina Misty Copeland to rocker Brittany Howard to blues and jazz musicians like Eric Gales, Bobby Rush and Alice Smith, among others.

What movies have the most nominations?

Sinners is the most-nominated film in Academy Award history with 16 nominations.

That tally broke the previous record of 14 nominations, which was held by three films: All About Eve (1950), Titanic (1997) and La La Land (2016).

Ryan Coogler’s feature mixes supernatural horror, romance and blues culture. Set in 1932 Clarksdale, Mississippi, the story centres on a community opening a juke joint that soon finds itself under siege by vampires.

“I wrote this script for my uncle who passed away 11 years ago,” Ryan Coogler said in an interview with The Associated Press. “I got to imagine that he’s listening to some blues music right now to celebrate.”

One Battle After Another follows with 13 nods at this year’s Oscars, while Frankenstein, Marty Supreme and Sentimental Value each secured nine nominations.

The Academy also continued its tilt towards international films with this year’s lineup of nominees. Every major acting category, for instance, included at least one international nominee.

Is there any Arab representation at this year’s Oscars?

Arab cinema had a strong presence during the awards season. Several films from the region were shortlisted for Best International Feature Film, including:

• The Voice of Hind Rajab (Tunisia)
• Palestine 36 (Palestine)
• All That’s Left of You (Jordan)
• The President’s Cake (Iraq)

One of them, The Voice of Hind Rajab, ultimately secured an Oscar nomination, marking a significant moment for Arab cinema.

What is the Voice of Hind Rajab?

The Voice of Hind Rajab is a 2025 docudrama directed by Kaouther Ben Hania.

It dramatises the final hours in the life of five-year-old Palestinian girl Hind Rajab, who was killed by Israeli forces in Gaza in 2024. But the film weaves in real-life recordings of Rajab’s desperate phone calls to emergency personnel from the Red Crescent group.

“The arrival of Hind Rajab’s voice to these platforms — and its ability to break through the indifference that exists there — is in itself something extremely valuable,” Gaza-based filmmaker Mohammed al-Sawwaf told Al Jazeera’s journalist Maram Humaid.

To al-Sawwaf, the film’s Oscar nomination means that Rajab’s death is no longer a passing news item or a single tally in a growing death toll. It is a cultural event, a memorial that forces viewers to confront the horrors facing Gaza’s young children.

“A story of a human being from Gaza has been presented as the story of a person with a life and meaning, rather than the image of a Palestinian appearing as a number on news screens,” he said.

“Palestinians have tried for many years to tell their stories and to be visible, but they were often met with rejection, doubt, or barriers placed in front of them.”

Al-Sawwaf believes Hind Rajab’s story can help illuminate the humanitarian crisis facing thousands of other Palestinians suffering in Gaza.

“A story like Hind Rajab’s represents a symbol of thousands of other stories,” he said. “There are thousands of women and men who had full lives, details, and dreams that are no less human than hers.”

Why was an Iranian film submitted by France?

It Was Just an Accident, directed by Iranian filmmaker Jafar Panahi, is also among the nominees on Sunday night, competing in two categories: Best International Film and Best Original Screenplay.

Though It Was Just an Accident was a co-production from several countries, France ultimately submitted the film as its entry in the Best International Feature competition.

Panahi’s work is often critical of the Iranian government, and in the past, he faced prison time and a ban on his filmmaking as a result. It was not considered as Iran’s entry.

France instead has championed the film as evidence that the country is a safe haven for “singular and courageous cinema”.

But Panahi said his thoughts remain focused on those back home in Iran.

“I am constantly thinking about them,” he told Bloomberg from New York, four days after the US and Israel launched their offensive against Iran.

Panahi shot the film clandestinely in Iran without government approval.

What are the best picture nominees?

Ten films are in competition in the Best Picture category:

• • Bugonia: A science-fiction story about two men who kidnap a powerful executive, believing she is an alien threatening Earth.
  • F1: A sports drama starring Brad Pitt as a veteran Formula One driver who returns to racing to mentor a promising young teammate.
  • Frankenstein: Guillermo del Toro’s adaptation of Mary Shelley’s novel, following scientist Victor Frankenstein and the tragic creature he brings to life.
  • Hamnet: A historical drama focusing on the grief of Agnes and William Shakespeare following the death of their 11-year-old son, Hamnet.
  • Marty Supreme: A sports drama starring Timothee Chalamet as an ambitious table tennis player determined to prove he is the greatest at his sport.
  • One Battle After Another: A dark action-comedy directed by Paul Thomas Anderson, following a father and daughter on the run from a racist military leader intent on tracking them down.
  • The Secret Agent: A political thriller about a widowed college professor on the run from a vengeful government minister during Brazil’s dictatorship in the 1970s.
  • Sentimental Value: A drama exploring grief, memory and complicated relationships in a family of artists in modern-day Oslo.
  • Sinners: A supernatural thriller about twin brothers who return to their hometown to found a juke joint, only to be confronted by past relationships, racism and a gang of vampires.

Who are the nominees for the Best Director category?

• Chloe Zhao for Hamnet
• Josh Safdie for Marty Supreme
• Paul Thomas Anderson for One Battle After Another
• Joachim Trier for Sentimental Value
• Ryan Coogler for Sinners

Who are the nominees for best actor?

• Timothee Chalamet for Marty Supreme
• Leonardo DiCaprio for One Battle After Another
• Ethan Hawke for Blue Moon
• Michael B Jordan for Sinners
• Wagner Moura for The Secret Agent

Who are the nominees for Best Actress?

• Jessie Buckley for Hamnet
• Rose Byrne for If I Had Legs I’d Kick You
• Kate Hudson for Song Sung Blue
• Renate Reinsve for Sentimental Value
• Emma Stone for Bugonia

What are the biggest surprises and snubs?

This year’s nominations included several unexpected picks and notable omissions.

Among the biggest surprises was Delroy Lindo’s first-ever Oscar nomination for his supporting role in Sinners, a recognition many felt was long overdue.

“The best part of this process has been that people are so genuinely happy for me,” Lindo, 73, told The New York Times.

“It’s not an ego thing. It’s nothing to do with that. It has everything to do with affirmation.”

Another unexpected nod came in the Best Picture category for the racing drama F1, an action-packed summer blockbuster.

In an interview with the racing tournament Formula 1, director Joseph Kosinski explained that the team created an entirely new filming system to capture the kind of visuals he had imagined.

“We had to develop a new camera system, taking everything we learned on Top Gun: Maverick and pushing it much further,” Kosinski said.

Actress Kate Hudson was also a surprise in the highly competitive Best Actress category, earning her first Oscar nod in 25 years for the musical drama Song Sung Blue.

She said the film offered a rare opportunity to portray a mature female character with depth and ambition. Her role is based on the real-life story of Claire Sardina, who performed as part of a Neil Diamond cover band.

“I got to play the comedy, some sense of humour. I got to play the love story, the desire. I got to play being a mother, and then I got to go into a place of where my life force is taken out of me,” Hudson said in an interview with NPR’s Fresh Air with Terry Gross.

Among the most notable snubs was the sequel Wicked: For Good, which received no nominations amid mixed reviews. The first Wicked film earned a whopping 10 nominations last year, winning two Oscars, for Best Costumes and Best Production Design.

Actor Paul Mescal also missed out on a nomination for his performance as William Shakespeare in Hamnet, while director Guillermo del Toro was overlooked in the Best Director category for Frankenstein.

Other notable omissions included Chase Infiniti (One Battle After Another) and Jesse Plemons (Bugonia).

What are the predictions for the winners?

For months, One Battle After Another was considered the clear favourite for Best Picture and Best Director. But in the final stretch of the awards season, the competition has tightened, with Sinners gaining momentum.

Jessie Buckley is widely expected to win Best Actress for Hamnet. Michael B Jordan, meanwhile, is predicted to win Best Actor for Sinners, overtaking stiff competition from Timothee Chalamet, star of the film Marty Supreme.

In the supporting actor categories, Teyana Taylor (One Battle After Another) is considered a strong contender for Best Supporting Actress, and Sean Penn (One Battle After Another) is favoured for Best Supporting Actor.

THE OSCARS is back for another year, and will see the crème de la crème of Hollywood clamouring to snatch one of those famous golden statues.

But despite the prestigious nature of the Academy Awards, they don’t always guarantee an A-list life forever in Tinseltown – as these past winners have found out…

Mo’Nique

Let’s kick off our look at forgotten Oscar winners with Mo’Nique, who claimed she was “blacklisted” after her win at the Academy Awards.

When she won the Oscar for Best Supporting Actress in 2010 for her performance in Precious it was her acceptance speech that got people talking, which began: “First, I would like to thank the Academy for showing that it can be about the performance and not the politics.”

Mo’Nique was referring to a fallout which started long before the Oscars.

It came when she refused to travel the world to promote the film – against the advisement of director Lee Daniels and producers Tyler Perry and Oprah Winfrey – despite the movie having “Oscar buzz”.

STATUE SCOOP

Oscars 2026 nominations live stream FREE: Start time and how to watch ceremony

WORLDS COLLIDE

Watch moment A-list actress apologises as she steps on CBBC icon’s dress

Following this fallout, Mo’Nique declined to thank filmmaker Lee during her acceptance speech, leading to a HUGE Hollywood feud – during which the actress alleged that he had “blackballed” her from the industry.

And shortly after winning the coveted statue she practically vanished from Tinseltown.

The star has since reflected on being a victim of so-called “Oscarscurse” – where stars suffer bad luck in their career after winning an Academy Award.

Speaking to CNN in 2020, Mo’Nique said: “I believe winning that Oscar award, just as Hattie McDaniel, she said, ‘I felt like I was cursed instead of winning something that should be congratulated’.

“That award was something that I did not ask for, but because I didn’t respond the way people thought that I should have responded, as Lee Daniels said, I was blackballed.”

Mercedes Ruehl

At the 1992 Oscars, Mercedes Ruehl was having the time of her life after scooping the Best Supporting Actress gong.

Despite her movie The Fisher King being led by Hollywood heavyweights Robin Williams and Jeff Bridges, Mercedes was the one who took home that coveted gold statue.

But even though she won such a huge award, the movie roles failed to pour in after her night of glory and the actress “vanished” from Hollywood.

Reflecting on the “curse” of winning such a top prize, she told the HuffPost: “It’s hard to get a job after that.

“People think you want more money.”

Instead, Mercedes returned to the stage and went on to win a Tony award the same year as her Oscar – she has remained a fixture of Broadway ever since.

Harold Russell

Harold Russell’s Oscars tale is very different to the others.

The late star lost both his hands in World War II and had them replaced by hooks.

Harold had never acted before when he played the role of Homer Parrish in The Best Years of Our Lives in 1946.

He was cast after the director of the film saw him in Diary of a Sergeant, an Army film about rehabilitating war veterans.

Despite his lack of acting experience, Harold proved to be a huge hit in The Best of Our Lives, and he won not one, but TWO Oscars for his role.

At the 1947 Academy Awards he was awarded the Best Supporting Actor and a special Honorary Academy Award for bringing hope and courage to fellow veterans.

Harold was also the first non-professional actor to ever win an Oscar.

But despite all this glory, he took a step back from acting and didn’t appear in another film until 1980.

Instead, he decided to get a business degree and devoted his life to charity.

Speaking about why he didn’t continue his Hollywood career, he told the Los Angeles Times in 1996: “Wyler (the director) told me I should go back to college because there wasn’t much call for a guy with no hands in the motion picture industry.

“I figured he was right. [In the handful of roles I’ve taken since then,] I always play a disabled veteran.

“And this is what Wyler said, ‘After a while they’re going to run out of ideas’—and he was absolutely right. How many times can you play the same role?”

Harold died in 2002 at the age of 88.

Roberto Benigni

Next up we have Italian actor Roberto Benigni, whose double Oscar win in 1999 caused quite a reaction.

The star won two gongs for the foreign film La Vita è Bella (Life is Beautiful), taking home the statues for Best Actor and Best International Feature Film – as he directed the movie too.

The film was the first non-English speaking picture to win the Best Actor award.

But Roberto, who was up against Tom Hanks, Ian McKellen, Nick Nolte and Ed Norton for the award, faced a huge backlash for his “over the top” reaction to winning the coveted gong.

He was seen climbing over audience seats to accept the award, which was slammed as being “chaotic”.

Roberto was also criticised for his “disingenuous” acceptance speech, where he appeared to make light of winning such a huge award.

“This is a terrible mistake. I used up all my English!” he joked, upon being handed the award.

Despite his big win, the actor retreated back to his native-Italy to make films instead of in Hollywood.

Speaking about life as a two-time Oscar winner, Roberto once told The Guardian: “The most important thing is to continue to be yourself.

“The day after the Oscars, you have to get on with your life. To be honest and true to yourself. I could have made a small film and kept all the money from Life is Beautiful. Instead, I spent more money than I had on Pinocchio, a very risky film.”

The actor is referring to his 2002 movie Pinocchio, which was only released in Italy and received mixed reviews from critics, with one calling it “the worst movie ever made”.

Marcia Gay Harden

Marcia Gay Harden beat the odds to scoop the Best Supporting Actress award for Pollack in 2000.

The actress was up against massive stars including Judi Dench, Kate Hudson, Frances McDormand and Julie Walters, so her win was the HUGE surprise of the night that everyone was talking about.

Critics were also shocked that Marcia won the Oscar as she hadn’t been nominated for any other major award in the run-up to the ceremony.

Despite the actress’s huge win, her movie career stalled and she headed back to the small screen.

Reflecting on being a victim of the “Oscar curse”, Marcia once told the LA Times: “It’s disastrous on a professional level.

“Suddenly the parts you’re offered and the money become smaller. There’s no logic to it.”

Mira Sorvino

Mira Sorvino

Fans of the quirky movie Romy and Michele’s High School Reunion may be surprised to know that the film’s co-leading actress, Mira Sorvino, actually won an Oscar before starring in the cult classic movie.

A few years before, the actress won a huge amount of praise when she played a prostitute in Woody Allen’s Mighty Aphrodite.

She wowed so much, she scooped the Academy Award for Best Supporting Actress in 1996 for the role.

Despite going on to star in Romy and Michele’s High School Reunion the following year, the movie roles after that failed to pour in and she has switched her focus to TV.

Marisa Tomei

Last but not least, we have Marisa Tomei.

It may come as a surprise to film fans to find out that the actress won an Oscar in 1993 – but that is nothing compared to what happened on the actual night.

Shockwaves went through the prestigious ceremony when the relatively-unknown actress at the time scooped the gong for Best Supporting Actress, beating veteran stars like Joan Plowright and Vanessa Redgrave.

But it didn’t stop there, as poor Marisa, who won the award for her role in My Cousin Vinny, faced rumours that she had been given the Oscar “by mistake”.

Vicious gossip began to circulate that suggested that presenter Jack Palance had misread the envelope and mistakenly given the Oscar to Marisa instead of “its rightful owner”, Vanessa.

However, the Academy addressed the conspiracy theory and denied that she had been given it by “mistake.”

Speaking about the cruel rumour, Marisa once said: “That was really hurtful at first.”

Despite the fall out from her Oscar three decades ago, she has been nominated for two more since.

These days Marisa is best known for playing Spider-Man‘s mum in the famous franchise.

SHE is an Oscar-winner married to a former James Bond, but Rachel Weisz says Hollywood made her feel so ugly she considered having plastic surgery.

When the British beauty first went there in the Nineties, she contemplated a nose job, boob job or liposuction to get noticed and boost her career.

Rachel, now 56 and one of the world’s most sought-after stars, said: “I went into quite a major depression.

“I was watching so many daytime TV shows. And then I would get in my car and drive to these auditions while listening to the radio.

“I feel sick now when I listen to the radio, all these commercials for different car dealers.

“I just felt like the world was so desperate and lonely and sad and people were trying to sell cars and no one wanted to buy them.

Read more on Rachel Weisz

RACH’S ROMPS

New Netflix show is Rachel Weisz’s sexiest role ever as she romps with co-star

saucy thriller

First look at Rachel Weisz’s erotic Netflix drama with sofa sex & orgasms

“People are very focused on their own thing. In LA unless you’ve just won an Oscar or you’re ‘Mr Studio Head’, no one talks to you. Even at parties. I was at this big Hollywood party, and no one looked.

“Everyone is blinkered and they just kind of scan the room for ­anyone important. LA makes you feel ugly. Because if you’re an actress, no one pays you any attention.

“And you immediately start thinking, ‘God, I must have a nose job. Or, I must get that boob job, or I must get that lipo’, whatever it is.”

For Rachel, who started her career with bit-parts on Inspector Morse and whose new thriller Vladimir was released on Netflix on March 5, real success and happiness came when she turned her back on the glitz and glamour of Los Angeles.

She decided to split her time between London, where she grew up, and New York with her then-partner, director Darren Aronofsky, and their son Henry, now 19.

Rachel, who has been married to 007 actor Daniel Craig since 2011, told Index mag: “There’s not much room for eccentricity in Hollywood, and eccentricity is what’s sexy in people.

“I think London’s sexy because it’s so full of eccentrics.”

The actress’s breakthrough came in 1999 when she landed the role of feisty librarian Evelyn Carnahan in blockbuster The Mummy.

By 2006 her A-list status was cemented when she won the Best Supporting Actress Oscar for The Constant Gardener.

She went on to star in 2009’s The Lovely Bones and 2015’s Youth, as well as 2021 Marvel film Black Widow.

Now Vladimir sees her as ­married college professor M, whose life spirals into a steamy, all-consuming obsession with her younger colleague, played by One Day and White Lotus star Leo Woodall.

The series is based on the book of the same name by Julia May Jonas, which Rachel describes as a ­brilliant piece of writing.

She added of the character she plays: “I deeply empathise with her and understand her. But I left her when I got home.

“She’s like a projection of what a viewer might want to live out.”

Rachel and Daniel, who ­officially ended his 15-year stint as James Bond with No Time To Die in 2021, were friends for years before falling for each other in 2010 while filming thriller Dream House.

Within months they secretly wed in New York and went on to have daughter Grace, now seven. They split their time between Brooklyn in New York and ­Primrose Hill in North London.

But the couple deliberately choose not to do films together.

Rachel said: “I think we really love our private life as a life, as a family, and then we go to work separately.

“It means we can alternate, so I can stay home with the family while he works. We can swap out. If we’re both doing ­something at the same time, it’s probably less ideal.”

Rachel grew up in ­Hampstead, North London, with dad George, a Hungarian-Jewish mechanical engineer, and mum Edith, who originated from ­Austria and was a teacher-turned-psychotherapist.

The star started modelling at 14 and studied English at ­Cambridge University, with her parents hoping she would choose a more traditional career.

Rachel told the Sunday Sitdown With Willie Geist podcast: “They were just the kind of ­parents who were like, ‘You’ve got to get a degree, like you have to go to ­college’, which in the end I did.

“They wanted me to have a fall-back, so I could be a teacher . . . that would be a really good job.

“My parents would be really happy if I was a teacher. My dad was very sceptical about my career choice. I think he wasn’t very impressed by what I was doing.

“He was my harshest critic for a very long time. I think he only, after a good 15 years, was like, ‘OK, yeah’.

“He was tough — yeah, he was tough, in a good way. He was always honest, he didn’t make it nice. He’d take things apart and say, ‘I didn’t understand what you were doing,’ or, ‘That was a bit wooden’.”

But winning her Oscar changed everything.

Rachel said: “That definitely changed my life. Maybe my dad was like, ‘OK, all right, you were OK’.

“He would never be more over the top than that.”

And that Oscar meant she had the freedom to choose the roles she truly wanted, just like the one in Vladimir.

She said: “In the beginning of my career, I just did whatever job I got so I could pay the rent. I wasn’t picky.

“Now I’m in this luxurious position where I can choose things. It’s really about the character and writing, if it appeals to me or if it seems it would be interesting to ­pretend that story.

“I was never the kind of kid that got on the table and did a tap dance and a song. I wasn’t the star of the school plays or ­anything. I was ­actually really shy.

“I think a lot of actors, when I meet them as grown-ups, they go, ‘I was really shy too’.

“I think I’m just a daydreamer. I think storytelling is, in a way, daydreaming, but ­putting your daydreams into ­writing and getting people to embody them.

“I think my daydreaming skills have just come into it, I get paid for it.”

Despite now being praised for her stylish looks, ranging from velvet trouser suits to Valentino haute ­couture, walking the red carpet still makes Rachel nervous even today.

She said: “I don’t think any actress would say doing the red ­carpet is not terrifying. The way to get through it is to pretend.

“It’s a fantasy, like walking into a fantasy world. These people, they transform you, and that is fun.

“What you see on the red ­carpet is not a character that has anything to say.

“I used to be very shy, and in a way that was what was so great about the idea of ­acting. You can hide the real you behind that character.”

But after years of ­struggling with fame, Rachel says she has finally learned to be ­content with exactly where she is in life.

She said: “Someone once said to me when I was younger, ‘Never think the best party is somewhere else’. You know that feeling of being somewhere and thinking you should go somewhere better?

“You can’t do that. ­Wherever you are is the right place to be.”

Catherine Zeta-Jones arrives on the red carpet at the 85th Academy Awards in 2013.

(Wally Skalij / Los Angeles Times)

The red carpet at the Oscars is the epitome of Hollywood glitz and glamour. We combed through our archives for photos of the Academy Awards since 2000 — from arrivals of the biggest stars to backstage candids to winners clutching their awards — to compile this trip down the Oscars’ memory lane.

So what do winners wear? Take a look at our collection below and you’ll see some of the best dressed stars through the years, including Lupita Nyong’o’s custom pale blue Prada gown in 2014 and Emma Stone’s gold Givenchy flapper-style dress in 2017. Around the dawn of the millennium, Halle Berry made a statement with an Elie Saab dress that had a sheer top with embroidered flowers when she won in 2002 while Reese Witherspoon went vintage with a beaded dress from Dior in 2006.

As we wait to see what the stars are wearing Sunday on the 98th Oscars red carpet, take a look at how Oscar fashion has evolved in the 21st century with photos of those who took home trophies for lead actress, lead actor, supporting actress and supporting actor.

2025

Mikey Madison shows off her leading actress Oscar for her role in “Anora” at the 97th Academy Awards.

(Jason Armond / Los Angeles Times)

Adrien Brody walks the red carpet at the 97th Academy Awards. He won the leading actor Oscar for “The Brutalist.”

(Allen J. Schaben / Los Angeles Times)

Zoe Saldaña accepts the supporting actress Oscar at the 2025 Academy Awards for “Emilia Perez.”

(Myung J. Chun / Los Angeles Times)

Kieran Culkin poses with his Oscar for “A Real Pain” at the 97th Academy Awards.

(Jason Armond / Los Angeles Times)

2024

Emma Stone won her second leading actress Oscar, for “Poor Things,” at the 96th Academy Awards.

(Myung J. Chun / Los Angeles Times)

Cillian Murphy accepts the leading actor Oscar for “Oppenheimer” at the 96th Academy Awards.

(Myung J. Chun / Los Angeles Times)

Da’Vine Joy Randolph won the supporting actress Oscar at the 96th Academy Awards.

(Myung J. Chun / Los Angeles Times)

Robert Downey Jr. poses on the red carpet at the 96th Academy Awards before winning the supporting actor Oscar for “Oppenheimer.”

(Christina House / Los Angeles Times)

2023

Michelle Yeoh, who won the leading actress Oscar for “Everything Everywhere All at Once,” arrives at the Governors Ball following the 95th Academy Awards.

(Jay L. Clendenin / Los Angeles Times)

Brendan Fraser clutches his Oscar backstage at the 95th Academy Awards at the Dolby Theatre.

(Robert Gauthier / Los Angeles Times)

Jamie Lee Curtis, the supporting actress winner for “Everything Everywhere All at Once,” cries as she holds her Oscar backstage.

(Robert Gauthier / Los Angeles Times)

Ke Huy Quan stands atop the engraving station after getting his Oscar for supporting actor engraved.

(Jay L. Clendenin / Los Angeles Times)

2022

Jessica Chastain arrives at the 94th Academy Awards before winning the Oscar for lead actress.

(Jay L. Clendenin / Los Angeles Times)

Will Smith and Jada Pinkett Smith pose on the red carpet at the 2022 Oscars. Smith won the leading actor award later that night after slapping Chris Rock during the show.

(Jay L. Clendenin / Los Angeles Times)

Ariana DeBose holds her Oscar for supporting actress backstage.

(Robert Gauthier/Los Angeles Times)

Troy Kotsur accepts the supporting actor award for “CODA” from Youn Yuh-jung.

(Myung Chun / Los Angeles Times)

2021

The 2021 Oscars had a modified format without a red carpet due to the COVID-19 pandemic.

2020

Renée Zellweger shows off her Oscar for lead actress for “Judy.”

(Allen J. Schaben / Los Angeles Times)

Joaquin Phoenix arrives at the 92nd Academy Awards. He won for lead actor for his role in “Joker.”

(Jay L. Clendenin / Los Angeles Times)

Laura Dern, winner of the supporting actress Oscar for “Marriage Story,” shows off her hardware.

(Allen J. Schaben / Los Angeles Times)

Brad Pitt wins the supporting actor Oscar for his role as Cliff Booth in “Once Upon a Time … in Hollywood.”

(Allen J. Schaben / Los Angeles Times)

2019

Olivia Colman wins the lead actress Oscar for “The Favourite.”

(Robert Gauthier / Los Angeles Times)

Rami Malek, winner for lead actor for “Bohemian Rhapsody,” poses in the photo room at the 91st Academy Awards.

(Allen J. Schaben / Los Angeles Times)

Regina King arrives at the Academy Awards, where she won for supporting actress in “If Beale Street Could Talk.”

(Jay L. Clendenin / Los Angeles Times)

Amatus Sami-Karim and Mahershala Ali pose at the 91st Academy Awards, where Ali won the supporting actor Oscar for “Green Book.”

(Jay L. Clendenin / Los Angeles Times)

2018

Frances McDormand was victorious for her role in “Three Billboards Outside Ebbing, Missouri.”

( Allen J. Schaben / Los Angeles Times)

Gary Oldman tightly grips his Oscar for lead actor.

(Allen J. Schaben / Los Angeles Times)

Allison Janney, winner of the supporting actress Oscar for “I, Tonya,” poses for photos.

(Allen J. Schaben / Los Angeles Times)

Sam Rockwell and Leslie Bibb pose on the red carpet at the 90th Academy Awards. Rockwell won for his role as troubled police officer Jason Dixon in “Three Billboards Outside Ebbing, Missouri.”

(Jay L. Clendenin / Los Angeles Times)

2017

Emma Stone delivers a touching acceptance speech after winning lead actress for her role in “La La Land.”

(Al Seib / Los Angeles Times)

Casey Affleck holds up his Oscar for lead actor for “Manchester by the Sea.”

(Marcus Yam / Los Angeles Times)

Viola Davis smiles backstage after winning the Oscar for supporting actress for “Fences.”

(Al Seib / Los Angeles Times)

Mahershala Ali arrives at the Oscars, where he won for his performance in “Moonlight.”

(Allen J. Schaben / Los Angeles Times)

2016

Brie Larson won the lead actress Oscar for her role in the drama “Room.”

(Jay L. Clendenin / Los Angeles Times)

Leonardo DiCaprio wins his first Oscar ever for “The Revenant.”

(Robert Gauthier / Los Angeles Times)

Alicia Vikander is Belle of the ball at the Oscars, where she won for supporting actress in “The Danish Girl.”

(Jay L. Clendenin / Los Angeles Times)

Mark Rylance walks backstage after picking up the supporting actor Oscar for “Bridge of Spies.”

(Al Seib / Los Angeles Times)

2015

Julianne Moore shows off her lead actress trophy.

(Allen J. Schaben / Los Angeles Times)

Eddie Redmayne arrives at the 87th Academy Awards, where he won gold for “The Theory of Everything.”

(Jay L. Clendenin / Los Angeles Times)

Patricia Arquette poses on the red carpet. The actress won an Oscar for her role in “Boyhood.”

(Jay L. Clendenin / Los Angeles Times)

J.K. Simmons holds his supporting actor Oscar for the movie “Whiplash.”

(Allen J. Schaben / Los Angeles Times)

2014

Matthew McConaughey accepts the lead actor award for “Dallas Buyers Club.”

(Robert Gauthier / Los Angeles Times)

Cate Blanchett stuns on the red carpet before picking up the lead actress Oscar for “Blue Jasmine.”

(Wally Skalij / Los Angeles Times)

Jared Leto arrives at the 86th Academy Awards, where he won for his role in “Dallas Buyers Club.”

(Jay L. Clendenin / Los Angeles Times)

Lupita Nyong’o twirls her dress on the red carpet at the Oscars, where she won for her feature film debut in “12 Years a Slave.”

(Wally Skalij / Los Angeles Times)

2013

Daniel Day-Lewis and Meryl Streep walk offstage at the 85th Academy Awards after Day-Lewis’ lead actor win.

(Al Seib / Los Angeles Times)

Jennifer Lawrence holds up her Oscar after her win for “Silver Linings Playbook.”

(Lawrence K. Ho / Los Angeles Times)

Christoph Waltz gives an acceptance speech after winning for supporting actor.

(Robert Gauthier / Los Angeles Times)

Anne Hathaway wins for supporting actress at the 85th Academy Awards.

(Robert Gauthier / Los Angeles Times)

2012

Jean Dujardin cheers after his Oscar win for lead actor at the 84th Academy Awards.

(Robert Gauthier / Los Angeles Times)

Meryl Streep holds up her Oscar for lead actress for “The Iron Lady.”

(Allen J. Schaben / Los Angeles Times)

Christopher Plummer examines his Oscar for supporting actor.

(Al Seib / Los Angeles Times)

Octavia Spencer cries as she accepts her Oscar for supporting actress.

(Robert Gauthier / Los Angeles Times)

2011

Colin Firth is photographed with his Oscar at the Governors Ball following his win for “The King’s Speech.”

(Gary Friedman / Los Angeles Times)

Natalie Portman arrives in style to the Oscars, where she won for her role in “Black Swan.”

(Liz O. Baylen / Los Angeles Times)

Christian Bale accepts his award for supporting actor during the 83rd Academy Awards.

(Robert Gauthier / Los Angeles Times)

Melissa Leo poses on the red carpet before her win for supporting actress.

(Kirk McKoy / Los Angeles Times)

2010

Jeff Bridges cheers after receiving the lead actor Oscar.

(Robert Gauthier / Los Angeles Times)

Sandra Bullock arrives at the 82nd Annual Academy Awards before winning an Oscar for her role in “The Blind Side.”

(Kirk McKoy / Los Angeles Times)

Mo’Nique receives an Oscar for her role in “Precious” during the 82nd Annual Academy Awards.

(Robert Gauthier / Los Angeles Times)

Christoph Waltz accepts his award for supporting actor during the 82nd Academy Awards.

(Robert Gauthier / Los Angeles Times)

2009

Sean Penn accepts the lead actor Oscar for his role in “Milk” during the 81st Academy Awards.

(Mark Boster / Los Angeles Times)

Kate Winslet stands backstage after her win for lead actress at the 81st Academy Awards.

(Al Seib / Los Angeles Times)

Sally Bell, Kim and Kate Ledger accept the Oscar for supporting actor awarded to Heath Ledger at the 81st Academy Awards.

(Mark Boster/Los Angeles Times)

Penelope Cruz receives her Oscar at the 81st Academy Awards for her role in “Vicky Cristina Barcelona.”

(Mark Boster / Los Angeles Times)

2008

Forest Whitaker escorts Marion Cotillard off stage after presenting her with the Oscar for lead actress at the 80th Academy Awards.

(Al Seib / Los Angeles Times)

Presenter Helen Mirren joins Daniel Day–Lewis backstage after his win for lead actor at the 80th Academy Awards.

(Lawrence K. Ho / Los Angeles Times)

Tilda Swinton accepts the supporting actress Oscar for her role in “Michael Clayton” at the 80th Academy Awards.

(Al Seib / Los Angeles Times)

Javier Bardem celebrates with the cast of “No Country for Old Men” after the film’s win for best picture and his victory for lead actor.

(Wally Skalij / Los Angeles Times)

2007

Helen Mirren accepts the Oscar for lead actress for her role in “The Queen.”

(Al Seib / Los Angeles Times)

Forest Whitaker accepts the leading actor Oscar for his role in “The Last King of Scotland.”

(Al Seib / Los Angeles Times)

Jennifer Hudson exits the stage with her Oscar after winning for supporting actress during the 79th Academy Awards.

(Al Seib / Los Angeles Times)

Rachel Weisz wipes lipstick off of supporting actor winner Alan Arkin’s cheek while walking offstage.

(Al Seib / Los Angeles Times)

2006

Reese Witherspoon arrives at the 78th Academy Awards, where she took home an Oscar for lead actress in “Walk the Line.”

(Al Seib / Los Angeles Times)

Philip Seymour Hoffman accepts the Oscar for lead actor for his role in “Capote” at the 78th Academy Awards.

(Mark Boster / Los Angeles Times)

Rachel Weisz accepts the supporting actress Oscar for her role in “The Constant Gardener.”

(Mark Boster / Los Angeles Times)

George Clooney greets fans at the 78th Academy Awards, where he took home the supporting actor Oscar.

(Al Seib / Los Angeles Times)

2005

Morgan Freeman, Cate Blanchett, Hilary Swank and Jamie Foxx pose with Oscar statuettes at the 77th Academy Awards.

(Ken Hively / Los Angeles Times)

Jamie Foxx and daughter Corinne arrive at the 77th Academy Awards.

(Béatrice de Géa / Los Angeles Times)

Hilary Swank arrives at the 77th Academy Awards, where she would win an Oscar for lead actress in “Million Dollar Baby.”

(Robert Gauthier / Los Angeles Times)

Morgan Freeman arrives at the 77th Academy Awards with his daughter, Morgana.

(Robert Gauthier / Los Angeles Times)

Cate Blanchett arrives at the Academy Awards, where she won an Oscar for her role in “The Aviator.”

(Béatrice de Géa / Los Angeles Times)

2004

Charlize Theron, Sean Penn, Rénee Zellweger and Tim Robbins pose with their Oscars at the 76th Academy Awards.

(Francine Orr / Los Angeles Times)

Charlize Theron, wearing Tom Ford for Gucci, arrives at the 76th Academy Awards.

(Myung J. Chun / Los Angeles Times)

Sean Penn accepts the leading actor Oscar for his role in “Mystic River.”

(Brian van der Brug / Los Angeles Times)

Actress Renée Zellweger poses with her Oscar for supporting actress for her role in “Cold Mountain” at the 76th Academy Awards.

(Francine Orr / Los Angeles Times)

Tim Robbins, his then-partner Susan Sarandon and their son flash peace signs as they arrive at the 75th Academy Awards.

(Robert Gauthier / Los Angeles Times)

2003

Adrien Brody, Nicole Kidman, Catherine Zeta-Jones and Chris Cooper prepare to pose with their Oscars at the 75th Academy Awards.

(Richard Hartog / Los Angeles Times)

Adrien Brody reacts to his Oscar win for “The Pianist.”

(Brian van der Brug / Los Angeles Times)

Nicole Kidman accepts the leading actress Oscar at the 75th Academy Awards.

(Brian van der Brug / Los Angeles Times)

Chris Cooper points to the camera after winning an Oscar for supporting actor for “Adaptation.”

(Anacleto Rapping / Los Angeles Times)

Catherine Zeta–Jones accepts the leading actress award at the 75th Academy Awards.

(Brian van der Brug / Los Angeles Times)

2002

Denzel Washington wins the leading actor Oscar for his role in “Training Day.”

(Ken Hively / Los Angeles Times)

Halle Berry arrives at the 74th Academy Awards, where she won an Oscar for her role in “Monster’s Ball.”

(Kevin P. Casey / Los Angeles Times)

Supporting actress Jennifer Connelly and supporting actor Jim Broadbent smile at the 74th Academy Awards.

(Don Kelsen / Los Angeles Times)

Jennifer Connelly accepts her Oscar for her role in “A Beautiful Mind.”

(Ken Hively / Los Angeles Times)

2001

Benicio del Toro, Marcia Gay Harden, Julia Roberts and Russell Crowe pose with their Oscars during the 73rd Academy Awards.

(Ken Hively / Los Angeles Times)

Russell Crowe wins an Oscar for his work on the film “Gladiator” during the 73rd annual Academy Awards.

(Al Seib / Los Angeles Times)

Julia Roberts celebrates after winning the leading actress Oscar at the 73rd Academy Awards.

(Al Seib / Los Angeles Times)

Benicio Del Toro clinches his fist after accepting the supporting actor Oscar for his role in “Traffic.”

(Al Seib / Los Angeles Times)

Marcia Gay Harden accepts her supporting actress Oscar at the 73rd Academy Awards.

(Al Seib / Los Angeles Times)

2000

Michael Caine, Angelina Jolie, Hilary Swank and Kevin Spacey smile backstage at the 72nd Academy Awards.

(Ken Hively / Los Angeles Times)

Kevin Spacey poses with his leading actor award for his role in “American Beauty.”

(Ken Hively / Los Angeles Times)

Hilary Swank accepts her Oscar for her role in “Boys Don’t Cry.”

(Robert Gauthier / Los Angeles Times)

Michael Caine accepts the Oscar for supporting actor during the 72nd Academy Awards.

(Robert Gauthier/ Los Angeles Times)

Angelina Jolie kisses her Oscar for supporting actress during the 72nd Academy Awards.

(Ken Hively / Los Angeles Times)

MICHAEL B. Jordan has been dreaming of landing Oscars glory since he was 15-years-old, but there were fears his career was over before it began.

In-demand Jordan heads to the Academy Awards on Sunday in line to land the coveted Best Actor award for supernatural horror movie Sinners, which has been nominated for a record-breaking 16 gongs.

But in an exclusive interview with The U.S. Sun, childhood pal JD Williams — who starred alongside a teenage Jordan in HBO’s iconic cop drama The Wire — says his bloody exit in the show had the young actor doubting his future.

Williams played local dealer and gang member Bodie, taking Jordan’s unassuming, drug-running character of Wallace under his wing.

Yet when the bosses, led by Hollywood star Idris Elba as the notorious Stringer Bell, suspected Jordan was speaking to cops, Williams was told to execute him.

With the actors only given their scripts days before a shoot, the Creed star had no idea his breakout role was soon to be over.

It was a heartbreaking end to the first season, and left a young Jordan worried about his career ending abruptly.

“None of us knew where the story was going,” Williams told The U.S. Sun. “You only get your scripts week to week. When he saw that he was getting killed off, he literally thought he wasn’t going to work again.

“I told him, ‘Look, everybody loves you already. When this happens, people are going to look up Wallace’s real name. When they find out it’s Michael B. Jordan, they’re going to look for you in everything.’”

Williams, 48, and Jordan, 39, grew up in Newark, New Jersey, and both attended Arts High School.

While many of the actors in The Wire were cleverly drawn from the gritty streets of Baltimore, trained actors such as Elba, the late Michael K. Williams, who played hustler Omar, as well as Jordan and his pal Williams, helped elevate the five-series masterpiece to the next level.

Jordan came into the show off the back of the 2001 sports drama Hardball, starring Keanu Reeves.

He was very much learning his trade when he met Williams and his fellow co-stars for the first time.

Yet going up against the A-listers Timothee Chalamet and Leonardo DiCaprio for an Oscar illustrates just how far Jordan has come since those early, nervy days.

“I had already heard about him because he had done Hardball, and I was proud of him for that,” Williams recalled. “Then to find out he was on the same series I was doing, I was like, ‘Wow — a kid from exactly where I’m from and we’re doing this together.’”

The two actors quickly formed a bond on set.

They hung out together, playing PlayStation and traveling to Las Vegas and Miami when not filming.

Their friendship has remained strong ever since.

“I would say he’s probably the most organic actor — star actor — out there,” Williams, a prominent and memorable character in The Wire who was eventually killed off himself after 34 episodes, said. “There’s minimal fakeness in him, minimal shade.”

If Jordan wins the best actor award, he will become the first character from writer David Simon’s critically acclaimed show to be crowned by the Academy.

“Someone from our class had to get it, if Michael K. Williams were still alive, I think he would have been in this position too, but I’m so proud it’s Mike,” said his old friend. “There’s no scandal with him. It’s deserved.”

Williams went on to star in prison drama Oz, is working on numerous independent projects, has also appeared in Starz drama BMF, and now relishes helping guide the next generation of actors.

Jordan, meanwhile, has steadily built one of the most successful careers of his generation, starring in films like Creed and portraying villain Killmonger in Marvel’s Black Panther.

Crucially, his longtime creative partnership with director Ryan Coogler, who was also behind Creed in 2015, has become one of the most influential collaborations in modern Hollywood.

No film has ever received more nominations than Sinners, in which Jordan masterfully plays a dual role as twin brothers Elijah and Elias.

The movie stormed this year’s Academy Awards with a record-breaking 16 nominations, surpassing the previous record of 14 shared by All About Eve, Titanic and La La Land.

Its dominance spans the biggest categories, including Best Picture, Best Director and Best Original Screenplay for Coogler — along with a Best Actor nomination for Jordan, his first at the Oscars.

The apocalyptic drama also earned acting nods for Delroy Lindo and Wunmi Mosaku, while racking up recognition across major craft categories including cinematography, editing, costume design and visual effects.

The record-setting 16th nomination came in the Academy’s brand-new Best Casting category, recognizing Francine Maisler’s work assembling the film’s ensemble.

Williams says he worked on a series of scripts and ideas with Jordan over the years, but admits the partnership with Coogler has helped his friend evolve as an actor and is why he now stands on the brink of greatness.

“Him and Ryan getting together is the perfect combination,” he said. “Having a director that is great to collaborate with is exactly what was needed.

“If you have a vision and you’re part of a class of actors coming up together, that’s what happens. They are the perfect combination.”

Jordan’s ability to deliver the performances his directors want is also key.

“If you give Mike direction, he gets it straight away,” Williams said. “He can go exactly where you need him to go and be what you need him to be in that moment.

“That’s the essence of acting — delivering the message to the audience.

“And he’s not just there to be handsome and pretty. Mike is writing, producing, directing. He understands the whole business.”

Biggest Oscar Nominees of 2026 Academy Awards

Everyone in Hollywood hopes to snag a nod on the industry’s biggest night but only few get that honor. Here are the nominees from the major categories of the 2026 Academy Awards:

Best Picture

• Bugonia
• F1
• Frankenstein
• Hamnet
• Marty Supreme
• One Battle After Another
• The Secret Agent
• Sentimental Value
• Sinners
• Train Dreams

Best Director

• Chloé Zhao — Hamnet
• Josh Safdie — Marty Supreme
• Paul Thomas Anderson — One Battle After Another
• Joachim Trier — Sentimental Value
• Ryan Coogler — Sinners

Best Actor (Leading Role)

• Timothée Chalamet — Marty Supreme
• Leonardo DiCaprio — One Battle After Another
• Ethan Hawke — Blue Moon
• Michael B. Jordan — Sinners
• Wagner Moura — The Secret Agent

Best Actress (Leading Role)

• Jessie Buckley — Hamnet
• Rose Byrne — If I Had Legs I’d Kick You
• Renate Reinsve — Sentimental Value
• Emma Stone — Bugonia
• Kate Hudson — Song Sung Blue

Best Supporting Actor

• Benicio Del Toro — One Battle After Another
• Jacob Elordi — Frankenstein
• Delroy Lindo — Sinners
• Sean Penn — One Battle After Another
• Stellan Skarsgård — Sentimental Value

Best Supporting Actress

• Teyana Taylor — One Battle After Another
• Wunmi Mosaku — Sinners
• Amy Madigan — Weapons
• Elle Fanning — Sentimental Value
• Inga Ibsdotter Lilleaas — Sentimental Value

Best Original Screenplay

• Bugonia — Yorgos Lanthimos & Will Tracy
• Marty Supreme — Josh Safdie & Ronald Bronstein
• One Battle After Another — Paul Thomas Anderson
• Sentimental Value — Joachim Trier & Eskil Vogt
• Sinners — Ryan Coogler

Best Adapted Screenplay

• Blue Moon — Richard Linklater & Glen Powell
• Frankenstein — Guillermo del Toro
• Hamnet — Chloé Zhao
• The Secret Agent — Kleber Mendonça Filho
• Train Dreams — Clint Bentley & Greg Kwedar

Best Animated Feature

• Arco
• KPop Demon Hunters
• The Magnificent Life of Marcel Pagnol
• Zootopia 2
• The Night Gardener

Best International Feature Film

• The Secret Agent — Brazil
• Sentimental Value — Norway
• It Was Just an Accident — Iran
• Universal Language — Canada
• Sujo — Mexico

Best Documentary Feature

• The Alabama Solution
• Come See Me in the Good Light
• Four Daughters
• No Other Land
• The Perfect Neighbor

More than two decades after their time on The Wire, Williams says watching Jordan’s continued rise is deeply personal.

Their families remain close.

“I’m proud of my brother,” he said. “He’s been growing as an actor his entire life. But he’s deeper than that — he writes, he produces, he directs. He’s built himself into this system.

“I can’t explain how proud I am. Thinking back to us just sitting on my parents’ steps at my little sister’s birthday party — and now seeing where he is. The vision is unfolding exactly the way it was supposed to.”

But will he watch his old friend’s moment of destiny on Sunday night?

“When I don’t watch my team, they win. When I watch my team, it’s 50-50. And I don’t — I just don’t know, man,” he said with a huge smile.

“If it’s not this time, it’s going to be the next time. But of course I am behind my brother. I always will be.

“Chalamet is a great actor, but this is Mike’s year. If he wins, I’m going straight to his house. I don’t know if I’ll hug him or punch him in the stomach, but it’ll be a great feeling. He’s a great dude and I love him to death.

“We talked about this stuff while playing PlayStation years ago. Seeing it unfold meticulously — not as a fluke, but as a plan — is beautiful.”

AN unexpected Brit name has been thrown into the ring to play the next James Bond.

Bookmaker Coral has announced the surprising news about who is currently in the lead to scoop the iconic role.

It has been revealed that Jack O’Connell’s name is flying high after seeing support rise over the last 48 hours.

The SAS: Rogue Heroes star is a big contender to jump into James Bond‘s boots with odds to 8-1 (from 33-1).

“Jack O’Connell’s next James Bond odds have collapsed over the last couple of days, with the British actor now just single figures in our betting for the iconic role,” said Coral’s John Hill.

The new movie will be written by Oscar-nominated filmmaker Steven Knight – who was behind iconic TV show Peaky Blinders.

NO, MR BOND

Hunky British actor tipped to play James Bond rules himself out of 007 role

FRONT RUNNER

New James Bond favourite in the running to land 007 role as he’s ‘set for job’

Steven also wrote SAS: Rogue Heroes and worked with Jack on the feature.

The 28 Years Later actor has come a long way since his days in the Skins cast.

O’Connell has played a variety of roles since he starred in the TV teen drama as James Cook from 2009 to 2010 – and for the show’s final season in 2013.

Ever since Daniel Craig said goodbye to the role in 2021 release No Time To Die, the role of super spy 007 has been up for grabs, with speculation rife over who should take over. 

Coral stated the odds: 4-5 Callum Turner, 3-1 Aaron Taylor-Johnson, 3-1 Theo James, 6-1 Henry Cavill, 8-1 Jack O’Connell, 10-1 Anthony Boyle, 12-1 Harris Dickinson, 16-1 Jack Lowden, 16-1 James Norton.

Actors thought to be in the running to play Bond include Spider-Man star Tom Holland, 28, Bridget Jones hunk Leo Woodall, 28, SAS Rogue Heroes leading man Connor Swindells, 28, plus Hero Fiennes Tiffin, 27, and Kit Connor, 21. 

Irishman Paul Mescal, 29, is also said to be in the frame along with Wuthering Heights heart-throb Jacob Elordi, 27.

Among the other names rumoured to be in the frame included Aaron Taylor-Johnson, Callum Turner and Henry Cavill.

The Sun recently revealed the latest 007 adventure — spearheaded by new owners Amazon Prime Video — will start filming before the end of the year.

Work has already begun on assembling the crew with a view to starting filming late autumn into early winter.

Amazon has yet to confirm anything about the new Bond movie and there’s no hint as to what it will be called.

But if the cameras start to roll this year it means it could wrap in 2027 and be on our screens by 2028.

The franchise was snapped up by the streaming giants after 2021’s No Time To Die featured the death of the super-spy, played by Daniel Craig.

Twenty-three years ago, the Oscars were in turmoil. President George W. Bush had just begun an invasion of Iraq after the Sept. 11 attacks, and as the nation’s TV screens filled with the “shock and awe” campaign, many did not know quite how to proceed with Hollywood’s biggest night.

ABC wanted to postpone, presenters begged off, Jack Nicholson urged his fellow actor nominees to boycott (animated feature winner Hayao Miyazaki did), documentary winner Michael Moore attempted to directly shame Bush from the stage (to loud boos) and many of the acceptance speeches acknowledged the war and included pleas for peace.

President Trump’s recent decision to attack Iran is not precisely the same — American troops have thus far not invaded and the Bush administration’s media blitz of rockets lighting up the sky is absent. No one expected the Oscars to be canceled or delayed and there has been no talk of boycotts; whether the war and (if polls are to be believed) its general unpopularity are noted, either by host Conan O’Brien (who has already said he will not be mentioning Trump) or the winners, remains to be seen.

But if recent history is any indication, it could go unmentioned. Which would be something of a political statement in itself: It would be terrible if the false notion that awards shows have become too political had a chilling effect on anyone who wanted to use their platform to speak about something important they care about.

Thus far, film and television awards winners have stayed away from the issues that have prompted widespread public outrage and protests this year — including the often brutal methods of Immigration and Customs Enforcement, the ongoing concern over the war in Gaza and the endless revelations of the Epstein files.

Despite complaints from certain quarters, awards shows, particularly the Oscars, rarely have more than one or two truly political moments. But this year, the absence has been notable.

Compared with the Grammy Awards, where Trevor Noah, in his final stint as host, roasted Trump and anti-ICE sentiment reigned in speeches and on pins, this year’s Golden Globes (which aired three weeks before the Grammys) appeared to exist in another world. A few stars wore similar pins and spoke on the red carpet, but aside from a few digs about Epstein and CBS News from host Nikki Glaser, there was no mention of the many issues roiling the nation. (As he was beginning to make late-in-speech remarks about this being an important time to make films, Kleber Mendonça Filho, Brazilian director of the non-English language film winner “The Secret Agent,” ran over time and was played off.)

Has Hollywood lost its spine? Or, having been beset for years by grievances that the Oscars have become “too political” and “too woke,” are filmmakers and actors saving their outrage and passion for social media and bowing to pressure to keep their acceptance speeches grateful and celebratory?

“I know that there are people who find it annoying when actors take opportunities like this to talk about social and political things,” said Jean Smart on the Golden Globes red carpet, adding, when she won for actress in a TV comedy: “There’s just a lot that could be said tonight. I said my rant on the red carpet, so I won’t do it here.”

It was an echo of Jane Fonda’s famous 1972 Oscar speech: “There’s a great deal to say, and I’m not going to say it tonight.” And, perhaps, a response to more recent “shut up and dribble” criticism, as distilled by 2020 Golden Globes host Ricky Gervais, who cautioned the audience: “If you do win an award tonight, don’t use it as a platform to make a political speech. You’re in no position to lecture the public about anything. You know nothing about the real world.”

Indeed, as Oscars ratings have plummeted over the last 20 years, some have suggested that political speechifying is to blame. This is patently absurd. Viewership for just about everything except the Super Bowl has dropped dramatically, and the Oscars ratings do not take into account the millions who watch portions of the show on social media. (We’ll see what happens when the Oscars move to YouTube in 2029.)

And the Oscars have never been particularly political.

Speeches that deviate from the ubiquitous laundry list of thank yous always get more attention, whether they’re political or not, for the simple reason that they’re so dang unusual. But taken as a whole, either by decade or particular telecast, the Oscars is mostly, and consistently, apolitical. As in, almost every minute of a three-hour-plus show, year after year after year.

Unless, of course, you consider thanking God to be political. Which I do not. Nor do I categorize as such any speech that underlines the fact of a historic win (as Halle Berry did in 2002), encourages Hollywood to tell more diverse stories (as Cate Blanchett did in 2014) or reminds audiences in a general way that systemic oppression and war are bad (as Adrian Brody did amid his ramblings in 2025).

Many of the speeches that have been branded as “political” are simply underscoring the themes of the films being honored — in 2009, both Dustin Lance Black and Sean Penn advocated for gay rights when accepting Oscars for “Milk,” which chronicled the life of assassinated gay rights activist Harvey Milk. Likewise, John Irving supporting abortion rights and Planned Parenthood after winning for “The Cider House Rules” in 2000 and John Legend and Common speaking passionately about civil rights, past and present, after winning for “Glory,” a song from the civil rights drama “Selma,” in 2015 was only natural.

Sacheen Littlefeather refuses the lead actor Academy Award on behalf of Marlon Brando in 1973.

(Bettmann Archive)

A purely political speech, to my mind, directly calls out specific leaders, policies or crises, which may or may not have anything to do with the film being awarded. The most famous are, of course, Marlon Brando’s decision to send Sacheen Littlefeather to accept his Oscar for “The Godfather” and protest the treatment of Native Americans, and Vanessa Redgrave’s 1978 denunciation of “Zionist hoodlums” who were demonstrating against her involvement in a pro-Palestinian documentary even as she accepted for supporting actress in “Julia.”

In 1993, while many Oscars attendees wore red ribbons to honor those living with HIV/AIDS and call for government assistance, then-couple Susan Sarandon and Tim Robbins took it further, using their time as presenters to ask the U.S. government to allow HIV-positive Haitians being held at Guantanamo Bay to be let into the country. That same year, presenter Richard Gere used the fact that “1 billion people” were watching to send “sanity” to Chinese leader Deng Xiaoping in the hopes that he would allow the people of Tibet to “live free.” (Then-Oscars producer Gil Cates quickly denounced the three presenters; Gere did not return to the Oscars until 2013.)

A year after Moore blasted Bush over Iraq, Errol Morris, winning for “The Fog of War,” briefly compared the war in Iraq to the “rabbit hole” of Vietnam (which was the subject of his film). In 2015, “Boyhood” star Patricia Arquette used most of her supporting actress speech to demand equal wages for women. That same year, “Birdman” director Alejandro G. Iñárritu dedicated his award to his fellow Mexicans, with the hope that they would be treated by Americans “with dignity and respect” so that together, they could build a “great immigrant nation.” (Which frankly plays more purely political now than it did at the time.) A year later, Leonardo DiCaprio spoke about climate change after winning for “The Revenant.”

In 2019, Spike Lee, accepting for adapted screenplay (“BlacKkKlansman”), called on voters in the upcoming election to mobilize and “be on the right side of history” and in 2024, “Zone of Interest” director Jonathan Glazer, accepting for international film, riled many by comparing the dehumanization required for the Holocaust to occur with events in Gaza.

Even now, the most notable examples of political speeches, the ones that are always mentioned, are from the freaking ‘70s. Which certainly obliterates the idea that the Oscars have grown more political and undermines the argument that it is a Big Problem.

Put these relatively few moments next to the endless hours of acceptance speeches that, with varying degrees of emotion, honor the art of movie-making and the legions that support those who are doing it (including God, parents, spouses, children, some random but heaven-sent teacher) and it’s difficult to see much “wokeness.”

The people who gather at the Oscars are storytellers, and many of the stories they tell deal with uncomfortable truths about our collective past, present and future (including best picture front-runners “One Battle After Another” and “Sinners”). Of course nominees and winners have opinions about politics, science, social issues, international conflict and those suffering without recourse or voice — that’s why they make movies. So if a few of them decide to skip thanking their manager or the studio head and say a few words about climate change or whatever current law/policy/presidential action they believe is making lives worse for a lot of people, that’s their choice. They just won an Oscar!

For those uncomfortable watching it, just use the 45 seconds to grab a snack and by the time you’re back, the host will be moaning about how long the show is and the next five winners will inevitably cry and smile; praise their fellow nominees; thank the producers; say something sweet about their cast, crew and mamas; before telling their kids they love them and it’s time to go to bed.

And that’s OK too.

The big question surrounding last year’s Academy Awards was whether the show would address the L.A. wildfires, which had rattled the city mere months prior.

This year, the elephant in the room is the ongoing Iran war, which like last year’s wildfires, puts a celebration like the Oscars in sharp relief. But for Conan O’Brien, balancing gravity and levity is part of his job description as host.

“My job is to always try and hit this very, very thin line between entertaining people and also acknowledging some of the realities,” O’Brien said during a Wednesday news conference with the Oscars creative team.

“It’s a dance that goes on up until the show begins,” the former talk show host said, adding that he and his team of writers are still revising material ahead of the show to ensure their content is as relevant as possible.

“Between us,” he said, referencing Oscars telecast executive producers Katy Mullan and Raj Kapoor, “we will find the right tone.”

O’Brien also during the news conference recalled Johnny Carson’s turn hosting the Oscars during the Iran hostage crisis, when 52 Americans, including diplomats and other personnel, were held hostage at the U.S. embassy in Tehran from 1979 to 1981. The comedian remembered the television host parodying ABC’s “Nightline” with his joke, “It’s day 444 of the Oscars.”

“It was such a funny, topical joke that touched on something everyone was thinking about, and at the same time, got a big laugh and was unifying,” O’Brien said. “That was meaningful to me.”

Kapoor said during the news conference that the production team is putting systems in place to alleviate attendees’ safety concerns amid the tense global situation and reported threats to California.

“Every year, we monitor what’s going on in the world,” the showrunner said, adding that the ceremony has the support of the FBI and LAPD. “This show has to run like clockwork.”

He added, “Everybody that is coming to this show, that is witnessing this show, that is even a fan of the show when they’re standing outside the barricades — we want everybody to feel safe and protected and welcome.”

As for the telecast’s creative direction, the team cited “human touch” as a unifying theme — a not-so-subtle slight to AI.

“We’re celebrating human touch, human connection and what I like to call actual intelligence, as opposed to artificial,” said music director Michael Bearden. “We want to get back to the communal … and so the music will reflect that.”

That spirit of celebration will be especially tangible in the “KPop Demon Hunters” performance, Kapoor said. That performance will be complemented by a “Sinners” moment featuring Miles Caton and Raphael Saadiq as well as guests Misty Copeland, Eric Gales, Buddy Guy, Brittany Howard, Christone “Kingfish” Ingram, Jayme Lawson, Li Jun Li, Bobby Rush, Shaboozey and Alice Smith.

“We have this lovely story celebrating Korean culture with authentic Korean drummers and singers and even choreography,” the producer said. “So again, we’ve expanded our reach, and we’re telling these global stories, celebrating international films that have had a global impact and doing things in a really different way.”

Mullan and Kapoor closed the news conference by teasing a pair of reunions featuring cast members from “Bridesmaids” and the Marvel Cinematic Universe. “Bridesmaids” alum Rose Byrne is nominated for a lead actress Oscar for her role in “If I Had Legs I’d Kick You,” which marked O’Brien’s dramatic acting debut. (If Byrne wins, he said, “half that Oscar’s mine.”)

“We’re gonna have superstars, superheroes, and there is also going to be an extraterrestrial on the stage, so you can figure that one out,” Mullan said.

The 2026 Oscars will air live Sunday on ABC, with streaming available on Hulu, YouTube TV, AT&T TV and FuboTV.

Over the next two weekends, Los Angeles will be flooded by long-distance runners and the film industry’s biggest stars — much to the delight of fans and the dismay of drivers trying to make their way through the city.

The L.A. Marathon and half-marathon will take place Sunday, with both courses starting at Dodger Stadium and ending at Avenue of the Stars and Santa Monica Boulevard.

The 98th Academy Awards are the following Sunday at the Dolby Theatre in Hollywood.

Here’s what road closures to expect and when:

Marathon closures on Sunday

Runners start the 2025 Los Angeles Marathon.

(William Liang / For The Times)

The L.A. Marathon begins at 7 a.m. at Dodger Stadium. The McCourt Foundation, which organizes the race, said road closures will begin along the route as early at 3 a.m. and will reopen on a rolling basis after runners pass. Some stretches are expected to remain closed until around 6 p.m.

Oscars closures beginning March 15

Julianne Hough on the red carpet near the Dolby Theater at the 97th Academy Awards.

(Robert Gauthier/Los Angeles Times)

A few blocks around the Dolby Theatre — including on Hollywood Boulevard, Orange Drive and Johnny Grant Way — closed for the Oscars earlier this month. But larger sections of Hollywood will be affected starting early on March 15.

Maps of the closures, according to event organizers, can be viewed here.

These roads and sidewalks will be closed from 12:01 a.m. March 15 through 6 a.m. March 16:

• Hawthorn Alley from Orange Drive to Highland Avenue
• Orange Drive from Hollywood Boulevard to Lanewood Avenue
• North sidewalk of Hollywood Boulevard from Highland Avenue to 300 feet east of Highland Avenue (no pedestrian access)
• South sidewalk of Hollywood Boulevard from Highland Avenue to 300 feet east of Highland Avenue (8-foot pedestrian access)
• South sidewalk of Hollywood Boulevard directly in front of the north-south Hawthorn Alley (no pedestrian access to cross alley)
• East sidewalk and curb lane of Highland Avenue from Yucca Street to Sunset Boulevard (8-foot pedestrian access, 300 feet south of Hollywood Boulevard only)
• West sidewalk of Highland Avenue from Hollywood Boulevard to Sunset Boulevard
• West curb of Highland Avenue from Johnny Grant Way to Hollywood Boulevard

These roads and sidewalks will be closed from 4 a.m. March 15 through 4 a.m. March 16:

• North and south crosswalks on Hollywood Boulevard at the Highland Avenue intersection
• Highland Avenue from Sunset Boulevard to Franklin Avenue
• Hollywood Boulevard from La Brea Avenue to Orange Drive
• Hollywood Boulevard from Highland Avenue to Cahuenga Boulevard

These roads and sidewalks will be limited to local residents, businesses needs and emergency vehicles from 12:01 a.m. March 15 through 6 a.m. March 16:

• Hawthorn Avenue between Orange Drive and La Brea Avenue
• Hawthorn Avenue between Highland Avenue and McCadden Place
• McCadden Place between Yucca Street and Hollywood Boulevard
• Yucca Street between Highland Avenue and Wilcox Avenue
• Wilcox Avenue between Sunset Boulevard and Cahuenga Boulevard
• South sidewalk of Franklin Avenue from Orchid Avenue to Highland Avenue
• Hillcrest Road south of Franklin Avenue to the dead end

Paul Thomas Anderson’s darkly comedic action-thriller “One Battle After Another” won the top prize at the Producers Guild Awards on Saturday, continuing its dominating run through awards season.

The PGA honor, presented at a ceremony in Beverly Hills, cements Anderson’s celebrated film as the front-runner for the best picture Oscar. Since 2009, when both the Producers Guild and the motion picture academy expanded their best picture nominee slates from five to 10 and adopted a preferential ballot, the PGA winner has gone on to win best picture all but three times.

The last time the groups diverged came six years ago when PGA winner “1917” lost the Oscar to Bong Joon Ho’s “Parasite,” a film that surged in momentum in the weeks leading up to the 2020 Oscars.

No other movie this season has shown that kind of strength other than Ryan Coogler’s “Sinners,” which scored a record-breaking 16 Oscar nominations in January. However, “One Battle” has prevailed at the major ceremonies since then, winning best picture at the British Academy Film Awards last week and Anderson taking the top honor with the Directors Guild earlier this month.

“Sinners” has one more chance to reverse the tide. It will compete against “One Battle After Another” for the cast award at the Actor Awards on Sunday. That ensemble honor, the most prestigious prize handed out by SAG-AFTRA voters, isn’t as strong a precursor as the PGA’s best film. But “Parasite” did win it right before the 2020 Oscars.

Hope springs eternal. Oscar voting ends on Thursday.

Read the full list of 2026 Producers Guild Award winners below.

Darryl F. Zanuck Award (outstanding theatrical motion picture): “One Battle After Another”

Outstanding animated theatrical motion picture: “KPop Demon Hunters”

Norman Felton Award (outstanding episodic television — drama): “The Pitt”

Danny Thomas Award (outstanding episodic television — comedy): “The Studio”

David L. Wolper Award (outstanding limited or anthology series): “Adolescence”

Outstanding televised or streamed motion picture: “John Candy: I Like Me”

Outstanding nonfiction television: “Pee-wee as Himself”

Outstanding live entertainment, variety, sketch, standup and talk series: “The Late Show with Stephen Colbert”

Outstanding game and competition television: “The Traitors”

Outstanding documentary film: “My Mom Jayne”

Outstanding children’s program: “Sesame Street”

Outstanding sports program: “Formula 1: Drive to Survive”

Outstanding short form program: ” Adolescence: The Making of Adolescence”

PGA Innovation Award: “The Wizard of Oz at Sphere”

David O. Selznick Award: Amy Pascal

Milestone Award: Jason Blum

Norman Lear Award: Mara Brock Akil