opening

Dodgers’ Tommy Edman won’t be ready for Opening Day. ‘Not going to rush it’

Position players reported to spring training at Camelback Ranch for the Dodgers on Monday, but manager Dave Roberts revealed that it will be without its versatile second baseman and utilityman Tommy Edman when the team opens the season against the Arizona Diamondbacks at home on March 26.

The 30-year-old Edman underwent ankle surgery during the offseason after being limited to 97 games in 2025 in his first full season with the Dodgers.

“I think just looking at where his ankle is at, trying to play the long view that you don’t want to have any regression or setbacks,” Roberts said. “So, how can we methodical with it? Just for me, knowing that he’s just taking swings is enough. We’re not going to rush it. We want to put him in the best position, so I think it just kind of became [clearer] very recently.”

Edman will open the season on the injured list, something he is at peace with. He felt that a return before Opening Day was a bit ambitious, and that it would be better to err on the side of caution.

“That was always kind of a stretch, just due to the nature of the injury and the timing of the surgery and everything,” Edman said. “I think, having been out of the boot for a little over a month now, I was just kind of waiting to see how it progressed, and everything has gone exactly on-schedule. We were kind of leaving Opening Day open, just in case it happened to feel way better than expected. Everything’s on the expected schedule so far. As I get into more baseball stuff, I still have to work into the adaptation of volume. As the volume goes up, the swelling kind of increases a little bit, so I’ve got to take it slow and let the progress play out the way it was planned all along, instead of trying to speed it up.”

For now, Edman is slow-playing it.

“He took some swings a couple days ago, [from] both sides,” Roberts said. “He did some skipping, some light jogging, I think it was. He’s getting his body into baseball shape, so obviously he’s not going to be ready for the start of camp. He’s in that same bucket of, ‘When he’s ready, he’s ready.’ But each day, there’s been progress.”

Evan Phillips excited to be back

Days after signing a one-year contract to return to the Dodgers — despite being non-tendered earlier in the offseason — Evan Phillips expressed relief at being back.

“[The offseason] was quiet for a little bit,” Phillips said. “I leaned on my agent to be patient and trust that things were going to work out and we’re certainly glad that we’re back. It was definitely a very, very wild ride this offseason. It feels like I never left, so it’s kind of weird to get all the handshakes and hugs, but it’s just another spring training to me. I’m certainly glad to be back in Dodger blue.”

Dodgers GM Brandon Gomes told reporters Sunday that Phillips should return to the Dodgers sometime in the middle of the season. He underwent Tommy John surgery last June.

“[I’ve been] doing long toss a few times a week, hoping to get on the bullpen or on the mound for a bullpen next month,” Phillips said. “I’ll start that mound progression here in the next couple of weeks. I think, actually, Tuesday I’ll throw off of the mound for the first time, but it won’t be to a catcher or anything. It’ll just be a catcher standing up and there’s a slow progression, week by week. So [there will be] plenty of steps ahead that’s going to keep me busy here in Arizona, but I’m definitely looking forward to that progression.”

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A way too early look at the Dodgers’ opening day roster

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. At last, our long, national nightmare is over. The Dodgers re-signed Kiké Hernández.

Well, the first spring training game is Saturday against the Angels. Opening day is March 26 at home against Arizona. So what better time to look at a potential opening day roster? After all, it’s not like there will be injuries and roster moves before then, right? This will definitely be the roster.

But first, a couple of notes to catch up on:

—They are splitting up the raising of the World Series flag and the ring ceremony again. The ring ceremony is March 27.

—The Dodgers re-signed Evan Phillips to a one-year, $6.5-million deal. The Dodgers originally acquired Phillips off waivers from the Tampa Bay Rays near the end of the 2021 season. Since then, he has gone 15-9 with a 2.22 ERA and 45 saves in 201 games (195 innings). His injury last season threw the bullpen into disarray. He had Tommy John surgery in June and won’t be back until the All-Star break.

—To make room for Phillips on the 40-man roster, the Dodgers designated Ben Rortvedt for assignment, probably hoping again that Rortvedt will go unclaimed and they can send him to the minors. However, the New York Mets claimed Rortvedt, and he will compete for a backup spot with, among other, former Dodger Austin Barnes, who signed a minor-league deal with the Mets on Jan. 29

—The Dodgers re-signed Kiké Hernández to a one-year, $4.5-million deal. He had elbow surgery in the offseason and won’t be able to play until probably the All-Star break, so expect him to be put on the 60-day IL soon. To make room for Hernández, the Dodgers put Phillips on the 60-day IL.

—The Dodgers traded Anthony Banda, whom they designated for assignment last week, to the Minnesota Twins for $500,000 of international bonus pool space.

—The Dodgers signed Max Muncy to a contract extension, giving him $7 million for the 2027 season with a $10-million team option for 2028. Muncy has said he wants to remain with the Dodgers the rest of his career, and he will be 38 when the 2028 season ends.

—In this era of high contracts, you have to look at Muncy and Will Smith, who has a 10-year, $140-million contract, and marvel. They both have left a lot of money on the table to remain with the Dodgers. Especially Smith, who is arguably the best catcher in baseball, and definitely in the top three.

Why are the Dodgers so good at getting players for under market value? Muncy said this last week to reporters:

“Part of me and who I am as a person and how I was raised, I like to be loyal to people. This organization took a chance on me when I was out of baseball, basically. That meant a lot to me. They stuck with me when things were going bad. They’ve never wavered on me at all. That means a lot to me in itself, and it’s just a place I’m very comfortable. My family’s comfortable here. We have a chance to win every single year. That’s why I play this game. I want to win. Obviously you make money in this game, but that’s not why I play. I play because I want to win. It’s the competitive fire that I want to go out and win as much as I can. That to me is worth more than money.

“I know I’m leaving money on the table, but I’m more than OK with that because I wouldn’t be OK with myself trying to chase money somewhere else watching this team win and I’m on the sidelines. That’s just not who I am. I would rather win. Another component to it is just the relationships I’ve built here. Like I was just saying, I like to be loyal and my relationships mean a lot. I’ve created such a relationship with the staff, the front office, the coaches, the medical and training staff, the clubhouse guys. I just don’t want to create that somewhere else. Being here for my entire career at this point would mean the world to me, and this gives me the chance to do that.”

So, with that out of the way, let’s take a look at the 40-man roster.

Pitchers
Ben Casparius
Edwin Díaz
Jack Dreyer
Paul Gervase
Tyler Glasnow
Brusdar Graterol
Edgardo Henriquez
Kyle Hurt
Will Klein
Landon Knack
Ronan Kopp
Bobby Miller
Evan Phillips-*
River Ryan
Roki Sasaki
Tanner Scott
Emmet Sheehan
Blake Snell
Brock Stewart
Gavin Stone
Blake Treinen
Alex Vesia
Justin Wrobleski
Yoshinobu Yamamoto

Two-way players
Shohei Ohtani

Catcher
Dalton Rushing
Will Smith

Infielders
Mookie Betts
Tommy Edman
Alex Freeland
Freddie Freeman
Kiké Hernández
Hyeseong Kim
Max Muncy
Miguel Rojas

Outfielders
Alex Call
Teoscar Hernández
Andy Pages
Michael Siani
Kyle Tucker
Ryan Ward

*-on 60-day IL so doesn’t count as part of the 40-man limit.

So, let’s assume the Dodgers go with 13 pitchers and 13 position players as usual. And, Dave Roberts reiterated Thursday that they will go with a six-man rotation, at least for the first part of the season. Where does that leave us?

Starting pitchers (6)
Tyler Glasnow
Shohei Ohtani
Roki Sasaki
Emmet Sheehan
*Blake Snell
Yoshinobu Yamamoto

Bullpen (8)
Edwin Díaz
*Jack Dreyer
Brusdar Graterol
Will Klein
*Tanner Scott
Blake Treinen
*Alex Vesia
*Justin Wrobleski

*-left-handed

—Henriquez also could slip in here, it just depends on how everyone looks in spring training. Plus, knowing Dodgers history, one of these guys probably will start the season on the IL.

—Stewart is expected to miss part of the season, and there are questions about Snell, who says he slowed his process of getting ready for the season, and Graterol, who didn’t pitch last season.

—Remember, Ohtani counts as a two-way player, so he is a pitcher and designated hitter but takes only one roster spot, allowing the Dodgers to carry 14 pitchers when the official roster says 13.

Two-way player (1)
Shohei Ohtani

Catchers (2)
Dalton Rushing
Will Smith

Infielders (6)
Mookie Betts
Tommy Edman
Freddie Freeman
Hyeseong Kim
Max Muncy
Miguel Rojas

Outfielders (4)
Alex Call
Teoscar Hernández
Andy Pages
Kyle Tucker

—There’s a chance Edman starts the season on the IL.

—The odds that this is the actual opening day roster are very long. Remember, this is just a guess, not a prediction, so please, no wagering.

—This is just to give you a sense of where the Dodgers stand. Dave Roberts already said it is the best team he has had. But, as I’ve said before, here is what will happen: People will say they are going to set the record for wins. Expectations will be sky high. Injuries will hit the pitching staff. Slumps will happen. Some fans will wonder what happened and say the Dodgers stink and Roberts couldn’t manage his way out of his own house. The Dodgers will end the season with around 95 wins. And then anything can happen in the postseason.

In case you missed it

Plaschke: Yoshinobu Yamamoto must remain the calm in the Dodgers’ storm

Edwin Díaz responds to Steve Cohen comments, settles into Dodgers’ ‘really good clubhouse’

Why Dave Roberts expects Shohei Ohtani to be ‘in the Cy Young conversation’

Plaschke: Alex Vesia opens up about unimaginable loss: ‘Life can change in an instant’

Plaschke: Start talking three-peat! Dave Roberts believes these Dodgers can be better than ever

Kiké Hernández is back with the Dodgers, agreeing to terms on eve of spring training

And finally

Yoshinobu Yamamoto talks about pitching and other topics with José Mota. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

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Jeers target US, Israeli delegations during Winter Olympics opening ceremony in Milan – Middle East Monitor

The opening ceremony of the Milano Cortina 2026 Winter Olympics on Friday was marked by audible boos from the crowd as delegations from the US and Israel entered the San Siro stadium, Anadolu reports.

US Vice President JD Vance and Secretary of State Marco Rubio led the American delegation.

As Vance appeared on the stadium’s big screen, waving the US flag, the crowd responded with jeers, according to live coverage of the event.

“There is the Vice President JD Vance and his wife Usha. Oops — those are a lot of boos for him,” an announcer was heard saying during the broadcast.

The reaction followed days of tension surrounding the participation of US Immigration and Customs Enforcement (ICE) agents in Olympic security.

The Department of Homeland Security confirmed the presence of Homeland Security Investigations personnel in Milan, prompting widespread protests and opposition from Italian lawmakers and citizens.

READ: Israel’s Netanyahu again dodges responsibility for Oct. 7 failures, blames army, past governments

“They’re not welcome in Milan,” said Milan Mayor Giuseppe Sala in a radio interview, calling ICE a “militia that kills.”

Thousands gathered in Piazza 25 Aprile last weekend to demonstrate against the agents’ presence and raise concerns about civil rights violations.

International Olympic Committee President Kirsty Coventry responded to concerns ahead of the ceremony, saying: “I hope that the opening ceremony is seen by everyone as an opportunity to be respectful of each other.”

The Israeli delegation, which included nine Olympians and one Paralympian, also faced a “smattering of boos” as they entered the stadium, though the crowd noise was largely drowned out by music.

Additional protests were reported in Cortina d’Ampezzo and Predazzo, where simultaneous parades were held.

Security remains a top concern for several delegations, with increased attention to political sensitivities throughout the Games.

More than 800 athletes have been killed in Gaza since the start of Israel’s offensive on Oct. 7, 2023, as the sports community continues to suffer under bombardment, famine, and the collapse of infrastructure, according to Palestinian officials.

READ: US lawmaker calls for halt to weapons transfers to Israel amid Gaza violence

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LACMA unveils opening date for new David Geffen Galleries

LACMA’s David Geffen Galleries, the pinnacle of a two-decade campus transformation, will officially open April 19.

That Sunday, a ribbon-cutting ceremony will kick off two weeks of priority member access to the galleries, with general admission beginning May 4, the museum said Thursday. Online ticket reservations open Thursday to members.

The announcement comes nearly a decade after news broke of business magnate David Geffen’s record-high $150-million donation toward the construction of a new museum building to be designed by Pritzker Prize-winning architect Peter Zumthor. Since the beginning, the Brutalist design has been polarizing — Angelenos have cheered or jeered the concrete vision.

The $720-million Geffen Galleries, which museum members got a first look at over the summer, will serve as the new home for LACMA’s permanent collection. It will display 2,500 to 3,000 objects at a time from its collection of approximately 170,000 objects. Stretching across Wilshire Boulevard, the structure houses 110,000 square feet in 90 exhibition galleries that will be organized thematically rather than by medium or chronology.

“The idea is for you to make your own path — not to speak at you, but to let you wander like you would through a park or a place,” LACMA Director and Chief Executive Michael Govan said in an interview with The Times. “That change in attitude, and how the building is built, is really exciting.”

Of the $720 million, Govan said, the majority came from private donors, with $125 million funded by L.A. County. Aside from paying off interest and principal, additional funds from a $875-million fundraising campaign will go toward public art, collection moving costs, office renovations and general landscaping.

The inaugural installation will use global bodies of water as an “organizing framework, emphasizing the cultural exchange, migration and commerce prevalent throughout the history of art,” LACMA said in a statement. Standout entries include Georges de La Tour’s “The Magdalen with the Smoking Flame” (c.1640), Vincent van Gogh’s “Tarascon Stagecoach” (1888) and Henri Matisse’s “La Gerbe” (1953). Art installation is currently in progress.

Guests look out the window of the Geffen Galleries upon a crowd below.

Guests tour the Geffen Galleries for an early preview on June 26, 2025.

(Allen J. Schaben / Los Angeles Times)

The four buildings that the Geffen Galleries replaced were “all broken up into little, tiny pieces, and they were not well traveled,” Govan said. The new structure is meant to make LACMA’s eclectic permanent collection more accessible on one extra-long floor.

“It’s kind of a worldview,” the executive said. “It’s big enough that it can hold the world.”

While the new building does not boast more gallery space than its predecessors — a point of public contention — Govan said that was never the plan due to county size regulations. Instead, the complementary additions of the Broad Contemporary Art Museum in 2008 and the Lynda and Stewart Resnick Exhibition Pavilion in 2010 added 100,000 square feet of gallery space. In all, the campus transformation brought LACMA’s total exhibition space from 130,000 square feet in 2007 to 220,000 square feet at present. (The Pavilion for Japanese Art, which has been undergoing a retrofit and renovation, is 10,000 square feet. It remains closed and will reopen at some point after the David Geffen Galleries.)

A person stands inside a concrete gallery inside the David Geffen Galleries.

A guest tours one of the 90 galleries within the new space during a preview opening on June 26, 2025.

(Allen J. Schaben / Los Angeles Times)

Along with complaints about the building’s size, the Geffen Galleries’ heavy use of concrete had been criticized as an impractical choice for hanging art. According to LACMA’s preparators, that’s not a problem given the right tools.

Among the building project’s donors were Tony Ressler, co-chair of the museum board of trustees, after whom the Geffen Galleries’ south wing will be named, the museum also announced Thursday. Willow Bay, a longtime board member, will join Ressler as board co-chair.

“LACMA is a global cultural force that brings millions of people together through the power of art, connecting communities across Los Angeles and around the world,” Bay said in a statement. “I am deeply grateful for Tony’s leadership and generosity, and honored to join him as co-chair at this transformative moment in LACMA’s history as we advance our mission of enhancing access to art and education.”

Bay and her husband, outgoing Disney CEO Bob Iger, in 2018 made a “historic capital contribution” to support the preservation of Chris Burden’s “Urban Light,” which has become an iconic L.A. landmark. (Disney earlier this week named parks chief Josh D’Amaro as Iger’s successor.)

LACMA previously announced that the north wing of the Geffen Galleries would be named in honor of the late former board co-chair Elaine Wynn, who contributed $50 million toward the construction project.

As LACMA looks to the future, Govan said the museum isn’t ruling out future expansion. But any additions would be off the Wilshire campus, in areas such as South L.A and the Valley.

The idea is, Govan continued, “Let’s change the model. Let’s just put the wings, you know, the rest of the museum, in other places and strategically located.”

A side view of the David Geffen Galleries.

The new David Geffen Galleries building is part of LACMA’s ambitious expansion plans.

(Allen J. Schaben / Los Angeles Times)

Expansion, he said, is important for an encyclopedic museum, responsible for chronicling art history across many genres, geographies and media.

“If you’re the Frick and you only collect things of a certain period, you don’t have to expand,” Govan said. “But if your job is to keep up with the practice of artists and the world being bigger and bigger in terms of what people recognize as art, then you have to keep expanding.”

For now, though, he’s content to create a “big, beautiful gathering place” for Los Angeles.

“I always refer to our plaza as the living room for Los Angeles,” Govan said. “So this idea of the public space was so important from the beginning, and you see how the campus integrates with this.”

Zumthor’s building design, which includes overhanging canopies, intentionally creates shade with outdoor events in mind, the executive explained. It’s all about diversity of experience.

“You can take your selfie at ‘Urban Light.’ You can go to the jazz concerts, go see dozens of masterpieces outdoors… you can go inside somewhere and really focus quietly on a single work of art,” Govan said. “I wanted the range of all those experiences in a package where you wanted to hang out for the day.”

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Winter Olympics opening ceremony review: A sleek Italian spectacle

The Olympics are back, wearing their warm Winter Games gear. Although there were will be a couple of weeks of sports competitions to come, none are possible without an opening ceremony, a combination of solemn official protocol with a fantastic representation of the host country’s culture and character, evoking the Olympic spirit itself. There are few opportunities to mount an entertainment of this scale — not even a Super Bowl halftime show can compare.

This year we are in Italy, for the bi-metropolitan Milan-Cortina games, held in the city’s San Siro Stadium and in the north where the mountains are. The ceremonies, too, were split geographically, with Olympic cauldrons in both cities, with the athletes’ parade further shared with Livigno and Predazzo, national delegations divided according to where their events would be held.

1

Three dancers in black wearing giant heads of older men.

2

Dancers in white and black leotards surround a conductor in the middle of a stage.

1. Human bobbleheads of Italian composers Rossini, left, Puccini and Verdi. (Robert Gauthier/Los Angeles Times) 2. Dancers on stage in San Siro Stadium. (Robert Gauthier/Los Angeles Times)

The main business took place in the arena. Directed by Marco Balich, who specializes in big shows, it was elegant, in a sleek, clean-lined Italian way, and over the top, also in an Italian way. Color played a great part, the program beginning in white (a balletic interpretation of Antonio Canova’s sculpture “Psyche Revived by Cupid’s Kiss”), moving to to black and white (a nod to Fellini’s “La Dolce Vita” and its paparazzi), and then to a riot of color, as giant floating tubes of paint sent streams of colored fabric stageward.) There were dancing human bobbleheads of opera composers Verdi, Puccini and Rossini, as if they were mascots for Team Rigoletto, Team Tosca and Team William Tell. There were dancing gladiators and moka pots, a phalanx of runway models dressed (in Armani) in green, white and red, to represent the Italian flag.

In white and shiny silver, with an ostrich feather boa and a reported $15 million worth of diamond jewelry, there was a statuesque, statue-still Mariah Carey, who is not Italian, but sang in Italian, the standard “Nel blu, dipinto di blu,” known here as “Volare,” which merged into her own “Nothing Is Impossible.” (She must by now be accounted a citizen of the world.) Why did I find this so moving? I am not someone who ordinarily cares anything about Carey, but she was marvelous in this context.

A woman in a white gown singing on a stage.

Mariah Carey performed the Italian tune “Volare,” before leading into “Nothing Is Impossible.”

(Robert Gauthier/Los Angeles Times)

The parade of nations is also a fashion show; for whatever reason, the cold weather gear is generally better looking than the togs of summer. (As usual, Ralph Lauren designed the American outfits — white puffy jacket with knit caps of a Scandinavian pattern.) As ever, the countries arrived alphabetically (apart from Greece, who always gets to march first; Italy, coming in last as the host country; France, in penultimate position as the host of the next Winter Games; and the U.S., third to last as the host of the games, in 2034, after that). It makes neighbors of Lebanon, Lichtenstein and Lithuania, and so on, equal in standing if not in size. (I have a special fondness for the small delegations from the less imposing nations.) There was an especially big hand for the Ukrainian team, dressed in their national colors.

The second half opened with a cartoon in which an animated Sabrina Impacciatore (of “The White Lotus” and, “The Paper,” which NBC happily did not cross-promote), traveled backward through previous Winter Games before coming to life to lead an energetic production number that traveled back to now. (She should get some sort of athletic medal for this performance.) The Chinese pianist Lang Lang accompanied Cecilia Bartoli singing the Olympic anthem, and the great Andrea Bocelli, flanked by strings, offered a thrilling reading of Puccini’s “Nessun Dorma.” Surrounded by dancers, the Italian rapper Ghali read an antiwar poem by Gianni Rodari.

A woman in a silver and gold leotard surrounded by dancers on a stage.

Sabrina Impacciatore leading a group of dancers during the ceremony.

(Robert Gauthier/Los Angeles Times)

The theme of the evening, and of evenings going forward, it is hoped, was “Armonia,” or harmony, not just between the city and the country (expressed symbolically through dance), but, as a series of speeches made clear, among everybody, everywhere.

“At a time when so much of the world is divided by conflict, your very presence demonstrates that another world is possible. One of unity, respect and harmony,” said Giovanni Malagò, president of the organizing committee, addressing the athletes. Kirsty Coventry, the first female president of the IOC, noted that while Olympic athletes are fierce competitors, they “also respect, support and inspire one another. They remind us that we are all connected, that our strength comes from how we treat each other, and that the best of humanity is found in courage, compassion and kindness.”

And then there was Charlize Theron, of all people, quoting her countryman Nelson Mandela: “Peace is not just the absence of conflict; peace is the creation of an environment where all can flourish, regardless of race, color, creed, religion, gender, class, caste or any other social markers of difference,” This is, of course, exactly what some portion of this nation would call “woke,” and though such divisions are not the exclusive province of the United States, it was easy enough to read this as a message delivered to the White House.

A woman in a black gown stands on a stage with a microphone.

Charlize Theron quoted her fellow countryman Nelson Mandela in her speech.

(Robert Gauthier/Los Angeles Times)

Finally, two Olympic torches were lit two Olympic cauldrons, in Milan and Cortina, their flames at the center of shape-shifting spheres. Almost inevitably, the ceremonies flirted with, or embraced, corniness at times, but even (or especially) when it was corny, it was terrifically affecting. I ran through half a dozen handkerchiefs over the course of the proceedings. Admittedly, I might be unusually susceptible to these things, but I doubt I’m the only one.

Let the games begin.

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Italians embrace unity, boo JD Vance at Olympics opening ceremony

Spread across more than 265 miles in four different cities from the snowy Dolomites to the sunny — for now — streets of Milan, the Milan-Cortina Olympics delivered one message.

Unity.

The most widespread Olympic Games in history showcased Italy’s idyllic snow-capped mountains, cutting-edge city life and celebrated winter legacy in the opening ceremony of the Milan-Cortina Games on Friday. The unique setup that required four ceremonies in Milan, Livigno, Predazzo and Cortina d’Ampezzo used movie magic on video screens, a golden ring and Italian icon Andrea Bocelli to bridge the distance between host cities Milan and Cortina and unite the Olympics behind the athletes who will compete across seven sports zones in the next 16 days.

“Let these Games be a celebration of what unites us, of everything that makes us human,” International Olympic Committee president Kirsty Coventry said in her speech, her first at an Olympic Games under her leadership. “This is the magic of the Olympic Games: inspiring us all to be the best that we can be — together.”

Lucas Pinheiro waves Brazil's flag while leading his teammates during the opening ceremony ofthe 2026 Winter Olympics.

Lucas Pinheiro waves Brazil’s flag while leading his teammates during the opening ceremony of the 2026 Winter Olympics at San Siro Stadium in Milan on Friday.

(Robert Gauthier / Los Angeles Times)

The theme for Milan-Cortina’s opening ceremony was armonia, or harmony. The Games needed it.

These Olympics appear to be the most disconnected ever. The sprawling footprint covers seven different competition zones. The 2026 Games are the first to be officially hosted by two cities.

But the geographical distance is small compared to the geopolitical canyon the Games hope to bridge.

The ongoing war in Ukraine is keeping most Russian athletes out of the competition. Only 32 athletes with Russian or Belarusian passports were allowed and will have to compete as individual neutral athletes. They will not hear their national anthems or wear their national flags. Ukrainian athletes marched into San Siro Stadium — where athletes competing in ice sports participated in the opening ceremony — to loud cheers.

When talk of protest or political conflict arose this week, Coventry tried to downplay it to keep the focus on the Games. She called controversy about LA28 chairman Casey Wasserman and ICE agents in Milan “sad” distractions. The United States was at the center of much of the contention after reports concerning the presence of U.S. immigration agents in Milan prompted anti-ICE protests. The U.S. Olympic and Paralympic Committee tried to cool tensions by clarifying that the organization does work with the federal government to help secure the Games, but the USOPC works with the Diplomatic Security Service, which falls under the jurisdiction of the State Department and not Homeland Security, which oversees ICE.

President Trump’s recent comments about the United States taking control of Greenland from Denmark also angered European allies.

On Friday, an American fan walked around the concourse at San Siro Stadium in a sweatshirt that read in multiple languages: “Sorry for our president.”

When Vice President JD Vance, sitting in the presidential suite, was shown on the video screen at San Siro, the cheers that showered U.S. athletes when they entered the stadium turned into jeers. Vance attended multiple events this week, including the U.S. women’s hockey’s group stage opener Thursday and the team figure skating competition Friday.

Flagbearer Erin Jackson of Team USA walks with her teammates during the opening ceremony at the 2026 Winter Olympics.

Flag bearer Erin Jackson of Team USA walks with her teammates during Friday’s opening ceremony of the 2026 Winter Olympics at San Siro Stadium in Milan, Italy.

(Robert Gauthier / Los Angeles Times)

The 323-athlete U.S. delegation led by flag bearers speedskater Erin Jackson in Milan and bobsled athlete Frank Del Duca in Cortina was the largest in the nation’s Winter Olympics history and the largest of any country at the Milan-Cortina Games.

Athletes marched into Milan’s San Siro Stadium, the home of AC Milan and Inter Milan, across a spiral-shaped stage. The four ramps converging into a circle represented the connection between Milan, Livigno, Predazzo and Cortina.

Even if athletes of a country were not competing in Milan and were unable to attend the opening ceremony, a sign-holding volunteer dressed in a silver floor-length puffer dress strutted across the stage while screens showed athletes marching in during ceremonies at other Olympic locations around Italy.

In Cortina, a Brazilian athlete did a backflip after talking through a golden ring portal, a shared symbol at each ceremony. While Olympians in Milan walked into a packed stadium with flashing lights and thumping techno music played by a DJ at a turntable that looked like ice, the mountain ceremonies took place through the streets. Fans assembled on either side of the walkway for the parade of athletes.

Dancers perform during the Milan-Cortina Olympics opening ceremony Friday.

Dancers perform during the Milan-Cortina Olympics opening ceremony Friday.

(Robert Gauthier/Los Angeles Times)

The ceremony hit on the quintessential northern Italian experience. A plate of risotto was among the first images shown on the video board in the countdown video as the ceremony approached, followed by the picturesque snowy peaks of the Dolomites. As a fashion capital of the world, Milan used runway models dressed in green, white and red outfits designed by Giorgia Armani to represent the Italian flag. There was even a two-minute video on Italian hand gestures.

Italy, as the host nation, marched in last to deafening applause and cheers from the crowd in Milan. In about two years, the United States will have the honor of closing the parade of athletes when L.A. hosts the 2028 Summer Games. The opening ceremony is also planned to take place in multiple locations, with the Coliseum and SoFi Stadium co-hosting the event.

To unite the Italian host cities, the Olympic flame was passed out of the stadium as Bocelli belted and the torch simultaneously reached two cauldrons in each city. In Milan, the pulsating cauldron inspired by the sun will burn at Arco della Pace. In Cortina, it will light up Piazza Angelo Dibona.

Call them twin flames.

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Milan-Cortina Winter Olympics officially start with opening ceremony

Feb. 6 (UPI) — A handful of events began earlier in the week — curling, figure skating and ice hockey — but the 2026 Milan Cortina Winter Olympics officially got underway Friday afternoon in Italy.

The opening ceremony started at 2 p.m. EST at Milan’s historic, 100-year-old San Siro Stadium in Milan, a nearly 4-hour celebration of the Games that is expected to include a range of performances, the parade of nations and, finally, the lighting of the Olympic cauldron.

The Milano Cortina Olympics will be the first to include two venues in the opening ceremony and the first to light two caldrons for the Games: one in Milan at the Arco della Pace and another at Piazza Dibona in central Cortina d’Ampezzo.

Organizers have said that lighting two cauldrons is meant to represent harmony between the two cities of Milan and Cortina — which are jointly hosting the Games — as well as other areas that the Games are being held.

In addition to dance, light and special effects shows at San Siro, performances by Maria Carey, Andrea Bocelli, The White Lotus and The Paper star Sabrina Impacciatore, Italian actor Pierfrancisco Favino and Italian singer Laura Pausini have been announced.

Events at this year’s Winter Games have been spread among several towns in northern Italy, in addition to the two towns, which the Olympic ceremony director, Maria Laura Iascone, told NBC News is among the efforts of Italy chart “a new course” and innovate “a new spirit” of the opening ceremonies.

The Big Show

The majority of the intricate, ornate opening ceremony is being held at San Siro Stadium, which opened in 1926, has hosted several World Cup-linked events and is home to two Italian soccer clubs.

The Olympics is set to be its final event before the owners of those two teams demolish the stadium to build a newer, more modern facility for the two clubs.

In addition to San Siro, the cauldron will be lit elsewhere in Milan, and athlete parades are set to be held at other venues in the city as organizers have sought to show off Milan, Cortina and other parts of the country. Overall, there are 13 venues hosting Olympic competition this year.

The two cauldrons — at Milan’s Arco della Pace and Corina’s Piazza Dibona — are in addition to opening ceremony events in Cortina, Livigno and Predazzo.

On top of splitting up the ceremonies, there are multiple Olympic villages that athletes are staying in, a decisions made so that they will not need to travel far between lodging, sporting venues and the opening and closing ceremonies.

Events get underway

The ceremony opened with the Italian Olympic Committee spotlighting the southern European country’s position as a “Winter wonderland,” which included video presentations of mountains and towns that gave way to dance routines focused on community, love and harmony, according to organizers.

The glittery winter look moved toward an ode to Italian operat with actors dressed as Gioachina Rossini, Giuseppe Verdi and Giacomo Puccini performing to Rossini’s William Tell Overture.

Maria Carey, who performed for free, sang the Italian classic “Volare” in Italian blended with some of her song “Nothing Is Impossible,” and wowed the crowd ahead of introductions of the President of Italy and of the International Olympic Committee were introduced.

In a significant tribute to legendary fashion designer Giorgio Armani, dozens of models decked out in loose red, white and green suits — the colors of the Italian flag — filed out into the center stadium.

Model Vittoria Ceretti, who is also known for dating Leonardo Dicaprio, carried an Italian flag out to an honor guard before Pausini sang the Italian national anthem, “Fratelli d’Italia” and Favino recited the Giacomo Leopardi poem “L’inifnito.”

As dancers once again filled the center of the arena, two rings — with actors reclining on them — floated out to the stage. Once the actors got off the rings, they joined three others high above the crowd to form the Olympic rings.

This is a developing story. Please check back for updates throughout the afternoon and evening.

Myles Garrett arrives on the red carpet at the 2026 NFL Honors in San Francisco on February 5, 2026. Garrett won Defensive Player of the Year. Photo by John Angelillo/UPI | License Photo

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Premier League Darts 2026 results: Michael van Gerwen beats Gian van Veen to win opening night in Newcastle

Premier League Darts is played across 16 initial weeks in the league stage with quarter-finals, semi-finals and a final each night.

Each of the eight players is guaranteed to face the other seven in the quarter-finals in weeks one to seven and 9-15, with week eight and week 16 fixtures done off the table. It means we will get fourth v fifth in Sheffield on the final league-stage night, with the play-off spots potentially on the line.

Players earn two points per quarter-final win, an additional point if they win their semi-final and five for winning the night.

The top four players after the group stage progress to the play-off night at London’s O2 Arena on 23 May, with first facing fourth and second against third in a best-of-19-leg match. The final, which is the best of 21 legs, follows.

If players are level on points after the 16 weeks then places are decided by nights won and then matches won.

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Milan-Cortina Olympics Friday TV schedule: Wwatch opening ceremony

Friday’s live TV and streaming broadcasts unless noted (subject to change). All events stream live on Peacock or NBCOlympics.com with a streaming or cable login. All times Pacific.

OPENING CEREMONY: 11 a.m.| NBC, Peacock
(replay at 8 p.m. on NBC)

MULTIPLE SPORTS
7 p.m. — “Primetime in Milan” (delay): Figure skating, curling, hockey, skiing and more.| NBC

ALPINE SKIING
2:30 a.m. — Men’s downhill, training | Peacock
2:30 a.m. — Women’s downhill, training | Peacock

CURLING
Mixed doubles (round robin)
1:05 a.m. — U.S. vs. Canada | Peacock
1:05 a.m. — Italy vs. Switzerland | Peacock
1:05 a.m. — Sweden vs. Britain | Peacock
5:35 a.m. — Czechia vs. U.S. | Peacock
5:35 a.m. — Estonia vs. Italy | Peacock
5:35 a.m. — South Korea vs. Britain | Peacock
5:35 a.m. — Sweden vs. Norway | Peacock
5:55 a.m. — Czechia vs. U.S. (in progress) | USA

FIGURE SKATING
Team competition
1 a.m. — Rhythm dance | USA
2:35 a.m. — Pairs, short program | USA
4:35 a.m. — Women, short program | USA

HOCKEY
Women (group play)
3:10 a.m. — France vs. Japan | Peacock
5:40 a.m. — Czechia vs. Switzerland | Peacock

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Tournament of Champions: Lottie Woad one shot off lead after opening round in Florida

England’s Lottie Woad is one shot behind leader Nasa Hataoka after the first round of the Tournament of Champions in Florida.

Woad, 22, who only turned professional last summer and was invited to play at the opening LPGA tournament of the season in Orlando, is one of four players on five under par.

Japan’s Hataoka claimed seven birdies for a round of 66 to lead on six under from Woad, Thai pair Chanettee Wannasaen and Atthaya Thitikul and Sweden’s Linn Grant.

Woad had the lead thanks to six birdies through 14 holes but made her only bogey of the day at the 18th.

She said the Lake Nona course “definitely challenges you”, adding: “The practice days were pretty cold… so it played a little bit easier today.”

Woad was an amateur when she won her first Ladies European Tour title in dominant fashion at the Women’s Irish Open in July.

She then then delivered a statement victory on her professional debut three weeks later when she secured her second tour win at the Women’s Scottish Open.

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