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ONE London spot well-known for its historic dinosaur sculptures is set to get a new playpark entirely themed on the prehistoric beasts.

Crystal Palace is well known for many things including its football team and giant transmitting tower, but its much-loved park is set to get a new children’s play area.

The new playground will be inspired by the Crystal Palace Park’s famous dinosaur sculptures.

When the park first opened in 1856, they were the world’s first attempt to depict the prehistoric creatures based on fossils found by Victorian palaeontologists.

In the park, children will be able to find elements of dinosaurs everywhere to spark their imagination – think claw marks carved into the slides and a skeleton-like structure to venture through and climb on.

There will also be a play trail formed from a curving dinosaur’s tail and a sandpit in the giant footprint of a dinosaur.

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Other elements of the playpark include jumping discs, a log scramble and swings for younger children.

For spectating parents, there is a picnic area too.

A lot of the park will be accessible as well, with a wheelchair accessible roundabout, accessible swing and slide, tactile games and there will be accessible access to the sand pit as well.

Many of the features of the park have been shaped by ideas from children that live close to the park.

This included the Megalosaurus, Hylaeosaurus, and Iguanodon being found the most popular dinosaurs and as a result, there will be reference to them across the park.

And it will replace the old playground, which will remain open until the new one is finished.

It will be located near the main park toilets, the new visitor centre, the cafe and en route to the dinosaur sculptures.

A number of people have already expressed their excitement for the attraction, with one person commenting on Facebook: “Cannot wait to take my grandsons when it is ready.”

Another added: “The best news. Thanks to everyone who is involved in making this happen. Happy days!”

The new playpark forms part of the regeneration project of the park.

There are around 30 statues of dinosaurs at the park – but they are a little different to how we know dinosaurs to look today as the Victorians created them from the scientific information they had at the time.

It is completely free to see the sculptures, which are littered on islands in the park’s lakes.

The statues are all Grade I listed and currently undergoing restoration.

Another part of the project is the creation of a new visitor centre.

Inside, visitors will be able to discover the 170-year-old history of the park.

The new single-storey building will replace the existing information centre and provide space for an activity room, with displays, historic objects and information panels.

The Grand Centre Walk is being restored as well, with more space for events.

The path will become wider and there will be a new entrance at Penge Gate too.

And the park’s Italian terraces are being repaired, after being placed on Historic England‘s At Risk Register.

The parks entire makeover is costing around £52million.

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If you are looking for something to do with kids now, then you could head to a huge indoor playground that only opened in the UK last year – it has oak tree slides and castle play fort.

Plus, one of England’s most popular children’s playgrounds is about to get much better.

Since her breakout into the mainstream last year for her scorched-Earth set on “The Roast of Tom Brady” and a top-notch comedy special “Someday You’ll Die,” Nikki Glaser has become an A-lister in the stand-up comedy world. But did that success translate for her first time as “Saturday Night Live” host?

Not too surprisingly, Glaser did well given that her best qualifications for the gig are that she’s very good at delivering jokes for a living and that she’s not shy about pushing the boundaries of taste in her comedy. That’s a good fit for the current incarnation of “SNL,” which tends to have at least one gross-out scatological sketch per episode and lots of “Weekend Update” segments and jokes that either land in the “just dirty enough” or “way over the line” camp.

Apart from her go-for-broke monologue, Glaser’s sensibility locked in on sketches including one about family members performing karaoke who seem way too intimate with each other, a commercial about grown men obsessed with life-sized American Girl dolls, and a bizarre musical number about a mechanical bull that rides away with Glaser and Sarah Sherman. These, along with a funny ad for a Jennifer Hudson spirit tunnel drug and one about characters in a children’s book, were pieces that aligned well with what Glaser does and that she performed exceptionally well.

A sketch about a stalled plane and a chatty pilot (James Austin Johnson) was good, but only because of Johnson’s perfect impression of flight intercom chatter.

Less successful were a half-baked mashup, “Beauty and Mr. Beast,” about the popular YouTuber, and a sorority sketch with Mikey Day as an interloping man wearing a bad facial disguise.

Glaser’s lengthy monologue may not have been as perfect a fit as it should have been, but her sketch performances were spot-on.

Musical guest Sombr performed “12 to 12” and “Back to Friends.” There was also a sweet and funny animated short, “Brad and His Dad,” about a divorced father trying to connect with his video game-obsessed 11-year-old.

In this week’s cold open, President Trump (James Austin Johnson) commented on the bizarre White House incident where a pharmaceutical representative (Jeremy Culhane) collapsed in the Oval Office while Trump was captured on camera looking away. As Trump put it in the sketch, “Someone dying in my office, I stand there and stare like a sociopath.” “Each week I try to create a visual,” he said, that represents what’s going on in the country like last week’s White House demolition. Trump walked over the fallen man to deliver a monologue on the week’s events, starting with the New York City mayoral election and concluding with SNAP benefit cuts and rising food prices. He offered that the cancellation of flights caused by the government shutdown will help by keeping families apart for Thanksgiving. “Killing two birds with one bird. Can’t afford food? Have some cheap Ozempic,” he said. Next up: stealing Christmas. “We’re doing Grinch!” Trump said.

Like a lot of “SNL” monologues from stand-up comics, Glaser’s was a microdose of her comedy act. As such, it was full of jokes about race, politics, sex acts and, for one uncomfortable stretch, the idea that someone (not Glaser, but maybe!) might suddenly realize they’re a pedophile. Glaser began by calling New York City “Epstein’s original island” before discussing white women being cultural appropriators by spray tanning, Robert F. Kennedy Jr. (“I’m no health expert, but neither is he”), dating a short man with anger issues and PSAs in public bathrooms about human trafficking. In her 20s, Glaser joked, the only fear she had was “good old-fashioned rape.” The barrage of jokes was exactly what you expect from Glaser, but some of the jokes didn’t seem to land as well on the “SNL” stage as they typically would on roasts or in her own comedy specials.

Best sketch of the night: When declining a Jennifer Hudson spirit tunnel invite is the only option

“The Jennifer Hudson Show’s” signature bit, in which guests dance through a hallway while staffers clap and cheer them on, has become such a big deal that celebrities like Glaser, playing herself in this commercial, have major anxiety about their dancing. Glaser, a self-described “uncoordinated white woman” claims her dance moves are so bad they’re potentially career-ending. “I even tried to put my ass into it. But I don’t have one,” she laments. But luckily there’s a drug, Hudsacillin, that makes you so violently ill that the celebrity in question has to cancel their appearance. “What’s the alternative?” the ad asks, “lightening up and being fun?”

Also good: Maybe this pilot shouldn’t be texting, even on the tarmac

With all the flight delays and cancellations happening, this topical sketch was about a couple (Sherman and Andrew Dismukes) sitting on an airport runway waiting for their flight to take off while their pilot (Johnson) announces delays and also shares updates about a woman he’s texting that he met on a dating app. What really sells the piece is Johnson’s delivery as the pilot, but also the funny interactions he has with the co-pilot (Kam Patterson), Glaser as the disaffected flight attendant and a set of passengers who argue nonverbally about whether or not to get involved (Kenan Thompson and Bowen Yang).

‘Weekend Update’ winner: A way to visit Staten Island without going to Staten Island

As the only guest segment on “Weekend Update” this week, Pete Davidson’s check-in on the Staten Island Ferry he purchased a few years ago with Colin Jost wins by default. Davidson referenced a New York Times article about trouble with their business venture, but said, “I cant spend $5 on a paywall when I have a kid on the way.” He promised to give parenting, “all the enthusiasm I never had for this show.” Davidson revealed that the new plan for the ferry is to convert it to a city on the water, New Staten Island, with all the things that make Staten Island great: pizza (it turns out it’s just one thing). Davidson couldn’t resist getting in a dig at his old boss after saying he’s not giving up on the ferry. “If Lorne Michaels has taught us anything, it’s never give up even if everyone says the time has come and Tina Fey is ready to take over.”

Elliot Zwiebach was 62 years old when he sang in front of a live audience for the first time.

The retired reporter had always loved show tunes, but he’d never considered singing in public before.

“I sang for my own amusement, and I wasn’t very amused,” he said recently.

But one night, after attending a few open mic nights at the Gardenia Supper Club in West Hollywood as a spectator, he got up the nerve to step onto the stage and perform a tune backed by a live band.

For his first song, he picked the humorous “Honey Bun” from the Rodgers and Hammerstein musical “South Pacific.” It was frightening and he didn’t sing well. And yet, the following week he came back and did it again.

Newbie Ian Douglas, left, and longtime singer Elliot Zwiebach look over a sign-up sheet at the Gardenia’s long-running open mic night.

Sixteen years later, Zwiebach, now 78, is a core member of what the event’s longtime host Keri Kelsey calls “the family,” a group of roughly 25 regulars who sing jazz standards, show tunes and other numbers from the Great American Songbook at the longest-running open mic night in L.A.

“It’s very much like a community,” Zwiebach said on a recent evening as he prepared to sing “This Nearly Was Mine,” another song from “South Pacific.” “Everyone knows everyone.”

For 25 years, the small, L-shaped Gardenia room on Santa Monica Boulevard has served as a musical home for a diverse group of would-be jazz and cabaret singers. Each Tuesday night, elementary school teachers, acting coaches, retired psychoanalysts, arts publicists and the occasional celebrity pay an $8 cover to perform in front of an audience that knows firsthand just how terrifying it can be to stand before even a small crowd with nothing more than a microphone in your hand.

“You are so vulnerable up there with everyone staring at you,” said Kelsey, who has hosted the open mic night for 24 years and once watched Molly Ringwald nervously take the stage. “But it’s also the most joyous experience in the world.”

Director and acting coach Kenshaka Ali sings “Goodbye Pork Pie Hat” by Rahsaan Roland Kirk.

The singers are backed by a live, three-piece band led by guitarist Dori Amarilio. The rotating group of musicians — a few of them Grammy winners — arrive not knowing what they will be playing that night. Some singers bring sheet music, others chord charts. And there are those who just hum a few bars and allow the musicians to intuit the key and melody enough to follow along. Poet Judy Barrat, a regular attendee, usually hands the evening’s piano player a copy of the poem she’ll be reading and asks him to improv along with her.

“It’s totally freeform,” said Andy Langham, a jazz pianist who toured with Natalie Cole and Christopher Cross and often plays the Gardenia. “I read the stanzas and try to paint pictures with the notes.”

Keri Kelsey, singing “Mack the Knife,” has hosted the Gardenia’s open mic night for 24 years.

The Gardenia, which opened in 1981, is one of the few venues in L.A. specifically designed for the intimacy of cabaret. The small, spare room has table service seating for just over 60 patrons and a stage area beautifully lit by an abundance of canned lights. Doors open at 7 p.m. on Tuesday nights, but those in the know line up outside the building’s nondescript exterior as early as 6 p.m. to ensure a reasonable spot on the night’s roster of singers. (Even though there is a one-song-per-person limit, the night has been known to stretch past 12 a.m.) Nichole Rice, who manages the Gardenia, takes dinner and drink orders until the show starts at 8:30 p.m. Then the room falls into respectful silence.

Pianist Andy Langham and guitarist Dori Amarilio perform live music accompaniment for each open mic participant at the Gardenia.

“This is a listening room,” said singer-songwriter Steve Brock, who has been attending the open mic night for more than a decade. “I’ve been to other rooms where I’m competing with tequila or the Rams. Here, when anyone goes up in front of that microphone, everyone stops.”

On a recent Tuesday night, the show began as it always does with an instrumental song by the band (a piano, guitar and upright bass) before an opening number by Kelsey. Dressed in a black leather dress and knee-high boots, she had this time prepared “Mack the Knife.” “This may be one of the loungiest lounge songs ever,” she said. “Maybe that’s why I really like it.”

People begin to line up outside the Gardenia at 6 p.m. to get a spot for the Tuesday open mic night.

The first singer to take the stage was Trip Kennedy, a bearded masseur who performed “The Rainbow Connection” in a sweet tenor. When he finished, Kelsey shared that she was cast as an extra in “The Muppets Take Manhattan.”

“It was the most ridiculous thing,” she said, filling time as the next singer consulted quietly with the band. “I was a college student who dressed up as a college student for the audition.”

Dolores Scozzesi, who sang at the Hollywood Improv in the ’80s between comedy sets, performed a moody arrangement of “What Now My Love.” “This is a [chord] chart from 2011,” she told the audience before she began. “I want to try it because these guys are the best.”

Monica Doby Davis, an elementary school teacher, sings the jazz standard “You Go to My Head” at the Gardenia.

Zwiebach performed a medley of two Broadway hits, “I’ve Grown Accustomed to Her Face” (which he altered to “his face”) and “This Nearly Was Mine,” easily hitting all the notes. After, his young friend Ian Douglas, a relative newbie who started attending the open mic night in the spring, sang the jazz standard “You Go to My Head.” Zwiebach praised the performance.

“I know that song very well and you did a great job,” he said.

Monica Doby Davis, who once sang with the ’90s R&B girl group Brownstone and now works as an elementary school teacher, also performed “You Go to My Head.” Although she had left the entertainment business decades ago, she said finding the Gardenia open mic night 13 years ago “brought music back to my life.”

Tom Nobles, left, sings alongside bassist Adam Cohen, center, and pianist Andy Langham at the Gardenia.

There were many beautiful, intimate moments that night, but perhaps the best was when Tom Nobles, an actor and retired psychoanalyst in a purple knit cap and thick plastic glasses, forgot the words to “Lost in the Masquerade” by George Benson.

He stumbled for a moment, a bit perplexed, before turning to his friends for help.

“Whoever knows the words, sing it with me,” Nobles said to the crowd.

Quietly at first and then louder and stronger, the whole room broke out into song.

We’re lost in a masquerade. Woohoo, the masquerade.

A day out at a theme park isn’t just a summer activity. Many parks will be open for Christmas-themed fun, and you’ll find fun, festive activities to suit all ages

Looking for a festive day out for all the family? Many theme parks will be opening their doors for the Christmas season with a range of activities for all the family. In addition to themed days out, some parks will also be offering special short breaks, with extras such as Santa visits and evening entertainment and even the chance to enjoy a festive-themed sleepover at the on-park hotels. Here’s a round-up of some of the most popular theme parks in the UK and what they’ll be offering this November and December.

Alton Towers – Magical Days Out

From £18 per person

In the run up to Christmas and the New Year, Alton Towers offers Magical Days Out starting at just £18 per person. While it’s a cheaper way to visit the park, it’s worth noting that only CBeebies Land and Mutiny Bay are open, plus a couple of the bigger rides, so you don’t expect all the usual thrill rides to be available.

However, the park is set to be decked out in festive decorations, and visitors can enjoy Christmas-themed shows such as Hey Duggee Live: The Christmas Badge!, which is bound to be a hit with the younger members of the family.

Families can also book a Santa Sleepover at one of the park’s on-site hotels, starting at £91 per person. This includes a one-day theme park ticket, a visit to Santa’s grotto, a traditional pantomime, and a festive dinner and entertainment for the whole family. Booking the Santa Sleepover also gives you access to the on-site waterpark and crazy golf.

Find out more on Alton Towers’ official website.

Gulliver’s – Christmas and Land of Lights

From £27 per person

Three of Gulliver’s theme parks will be offering Christmas events: Rotherham, Milton Keynes, and Warrington, with a selection of Christmas rides and attractions open during this time. What’s available over the festive period varies by park, and some of the activities on offer include festive breakfasts, Santa’s grottos, Christmas shows, Elf workshops, and more, with a variety of packages available.

Each park will also have a Land of Lights attraction – a spectacular light trail that opens during the winter. Tickets for this attraction are sold separately and start at £13.75 per person.

For more information and dates visit Gulliver’s website.

Drayton Manor – Christmas Wonderland

From £20 per person

Drayton Manor say they’ve unwrapped their “biggest and most magical Christmas plans ever”. The Midland-based park, which is best-known for being the home of Thomas Land, will open on selected dates from November 22 to December 31 with most of the park’s rides open.

There will also be a range of themed attractions for family days out. Fans of Elf on the Shelf can enjoy Elftoria, with the cheeky creatures taking over the park and adding a mischievous touch to your day. Children can even take part in pranking workshops and enjoy a live elf show.

Kids can visit the Castle Grotto, which will include a story-time experience with Mrs Claus and a visit to the man in red, while Thomas Land will be decked out in seasonal decorations and have festive family shows. In the evening, families can board the Twinkling Express, a gentle journey surrounded by Christmas light trails.

Find out more about Christmas at Drayton Manor here.

Paultons Park – Celebration of Christmas

From £20 per person

Paultons, perhaps most famous for being the home of Peppa Pig World, will be turning their park into a Christmas wonderland. On selected dates through December, visitors can visit Peppa and friends in their festive clothing, enjoy Santa’s Christmas Wish show, or enjoy festive-themed menus in the park’s cafes.

If you prefer thrill rides, the Tornado Springs are will be also be open as well as selected rides in Lost Kingdom and Critter Creek.

Book or find out more about Christmas at Paultons here.

Chessington – Christmas Village

From £32 per person

Chessington’s Christmas village ticket will include a selection of the park’s rides, as well as access to the zoo and SEA LIFE centre. Visitors will be able to enjoy a Christmassy silent disco, wander through a snowy trail, and see the elves making toys in their workshop. Of course, there’s also a visit to Santa to give him your Christmas list.

Visitors can stay for longer by booking the on-site Safari or Azteca Resort Hotel, and there’s even a range of VIP experiences that can be added onto your package to create unique Christmas memories. Book an elf wake up call, with a small pre-Christmas gift for the kids, or take part in a reindeer encounter and see Santa’s helpers up close.

But the fun doesn’t stop once January comes round. Chessington now offer a themed Christmas Room, which will be a permanent fixture in their hotel year-round. No matter when you visit, you’ll be able to enjoy a decorated tree, Christmas crackers, hot chocolate, and even a decorated Christmas parking space. It’s perfect for the Christmas obsessive in your life.

Find out more about Christmas at Chessington and book tickets here.

Carson High, an 11-time City Section champion, has been seeded No. 1 for the City Section Open Division playoffs under first-year coach William Lowe.

Birmingham, which has a 54-game winning streak against City Section opponents, was seeded No. 2. San Pedro is No. 3 and unbeaten Palisades is No. 4.

Carson will host No. 8-seeded King/Drew on Nov. 14. Palisades is the home team against No. 5 Garfield, while San Pedro hosts No. 6 Crenshaw and Birmingham hosts No. 7 Kennedy.

There was no City Open Division champion last season after Narbonne had to vacate the title for rule violations.

Venice is seeded No. 1 in Division I. Cleveland is No. 1 in Division II and Santee is top seeded in Division III.

In girls’ flag football, San Pedro was given the No. 1 seed for the Open Division. Games begin on Friday, with San Pedro hosting No. 8 Verdugo Hills; No. 4 Marshall is at No. 5 Banning; No. 6 Wilson visits No. 3 Panorama; and No. 7 Narbonne travels to No. 2 Eagle Rock.

Hong Kong Open – third round

-20 T McKibbin (NI); -19 MJ Maguire (US); -18 P Uihlein (US); -17 K Aphibarnrat (Tha), S Hend (Aus); -16 C Howell (US), L Oosthuizen (SA).

Selected others: -9 S Horsfield (Eng), P Reed (US); -8 T Gooch (US); -5 P Casey (Eng).

Full leaderboard, external

Tom McKibbin strengthened his bid to qualify for next year’s Masters and Open Championship with a third-round 65 as he continued to lead the Hong Kong Open.

After opening the tournament with a course record of 60 and carding a second-round 65, McKibbin registered one bogey and two birdies in the opening four holes of day three in Fanling.

The 22-year-old would add another birdie on the 12th before consecutive birdies on hole 16 and 17 took his total to 65 on the penultimate day.

The winner of the event will qualify for the 2026 Masters, while the highest-placed non-exempt player who makes the cut will earn a place at the 154th Open.

The Northern Ireland native is attempting to qualify for next year’s Masters for the first time, and the Open Championship at Royal Birkdale in July.

McKibbin’s lead over M.J. Maguire was reduced to one after 54 holes, with Peter Uihlein two shots behind and Kiradech Aphibarnrat and Scott Hend three off the pace.