Plucked from a previous life as a working actor, Richard Gadd experienced a disorienting whirlwind less than two years ago. “Baby Reindeer,” his painfully personal 2024 Netflix show, based on the sexual assault he survived, instantly opened the floodgates of fame for him.
“The show came out on Thursday, and by Sunday, I could barely walk anywhere without being recognized, without being stopped,” Gadd says while visiting The Times’ offices earlier this month. “That’s an adjustment because I always thought if anything like that ever happened, it would be a bit more of a gradual process. But it was overnight, so I didn’t have time to adjust.”
Now the winner of three Emmy Awards and a slew of other accolades for that series, which he starred in, wrote and served as showrunner, Gadd, 36, has already helmed a new emotionally ferocious show.
Probing the tropes of rigid masculinity, “Half Man,” premiering Thursday on HBO, chronicles the destructive bond between two men over several decades. Niall and Ruben — whose respective mothers are romantic partners — call themselves brothers but they couldn’t be more dissimilar.
Bullied at school, meek Niall (played by Mitchell Robertson in his youth and Jamie Bell in adulthood) lost his father as a young boy. He dreams of being a writer. Meanwhile, the insolent and hyper-confident Ruben (Stuart Campbell as a teen and Gadd as a grown-up) has been in trouble with the law from a tender age. Facing any conflict, he resorts to brutal violence. When Ruben takes Niall under his wing, the two become inseparable. But as the years and resentments pile on, their cancerous brotherhood threatens to obliterate them both.
“Half Man” follows the destructive bond between Ruben (Richard Gadd), left, and Niall (Jamie Bell) over several decades.
(Anne Binckebanck / HBO)
“Richard’s writing is really unique and really singular,” Bell says on a video call from England, where he’s currently shooting the “Peaky Blinders” sequel series and is sporting a shorter haircut. “He identifies that real gray area of humanity really well and he puts a voice to the most uncomfortable places that we go into or things that we think when we’re alone in the dark, when we think no one’s watching.”
Gadd wrote the first episode of what would become “Half Man” back in 2019, while he still was performing the live version of “Baby Reindeer,” which he turned into the series. At the time, he recalls, society at large was seriously engaging in conversations around toxic masculinity and sexual violence as the #MeToo movement gained strength.
“It wasn’t necessarily that I set out going, ‘Oh, I want to make a show about that,’” Gadd says. “It was more that something must have just drifted into my head thinking, ‘You take two men repressed in their current life, repressed in the modern world. And then you go all the way back to their childhood. You contextualize learned behavior; you contextualize trauma and things they learned that make them these repressed adults. And you bring a bit of context to, I suppose, difficult male behavior in the present.’”
As “Baby Reindeer” launched his career as a creator, Gadd put “Half Man” on ice for four years but couldn’t stop thinking about returning to it. “Even as I was coming to the end of ‘Baby Reindeer,’ I thought, ‘I’m really looking forward to getting back to that project,” he recalls. “The second ‘Baby Reindeer’ finished, I thought, ‘This is what I’m going to do now.’”
Sitting across from the mild-mannered Gadd, the magnitude of his transformation on screen for “Half Man” becomes even more impressive. Gadd comes off as thoughtful and emphatic, while Ruben, his physically imposing character, commands trepidation.
“The second ‘Baby Reindeer’ finished, I thought, ‘This is what I’m going to do now,’” Gadd says about working on “Half Man.”
(Ian Spanier / For The Times)
Watching Gadd as the rage-fueled Ruben, one might be surprised to learn he originally had no intention of acting in “Half Man.” After wearing multiple hats on “Baby Reindeer,” Gadd thought this time around he could get a purely external bird’s-eye view of a project as showrunner and writer of “Half Man.” But eventually people around him suggested he should be in front of the camera once again.
“My initial response was always, ‘That’s just so far away from anything I’ve done before. It’s so far away from me. Are people going to buy it?’” he recalls. “And behind every single fear-based thought was a worry of what people might think, which in my opinion, isn’t a good enough reason to not do something.”
Convinced audiences would struggle to see the guy from “Baby Reindeer” as this “hard man,” a U.K. term for tough and intimidating men, he had to physically morph. To inhabit a new body, Gadd underwent a strict exercise regimen, and most importantly, a new diet.
“I had a chef make these meals in England, fun enough, and send them up to Scotland where I was filming,” he recalls. “I’d eat them at specific times. You go through periods of fasting and through dehydration whenever you had your top off. There was a real science to it.”
And yet, though he at first worried he wouldn’t look big enough, Gadd refused to portray Ruben with a chiseled physique conceived for mere aesthetics.
“I didn’t want him to have a six pack, I wanted him to feel like a real person,” Gadd says. “Sometimes when you see someone on TV and they’re ripped, I almost don’t think that’s real strength. Someone like Ruben, they wear their life in their body, they’re heavy set. It’s not ripped. It’s bulky. It’s natural to him.”
Before he agreed to play the character, Gadd auditioned numerous actors for the part, but with all of them he felt they were too focused on his appearance as an imposing figure and not his inner turmoil. “Ruben is extremely sad as a person. He’s terribly broken and traumatized,” he says.
For the series, Gadd bulked up to become more physically imposing: “Someone like Ruben, they wear their life in their body, they’re heavy set. It’s not ripped. It’s bulky. It’s natural to him.” Richard Gadd in “Half Man.” (Anne Binckebanck / HBO)
When asked if he sees himself as Ruben, Gadd contemplates the question, debating whether it’s his “jetlagged brain” or ambivalence about finding some of Ruben within him.
“Do I see myself in Ruben?” After a pause, he concedes: “All of his behavior is a reaction to a deep traumatic happening in his life. I can relate to finding it extremely difficult to get past big traumatic events and coming to terms with them and coming to terms with yourself even as a result of them.”
With less hesitation, Bell, 40, acknowledges that he finds a certain kinship with his character. As a teenager, Bell flocked to people with a defiant edge. “I grew up without a father in an all-female household and I felt very naked as a child in terms of needing to be protected by someone who was dominant and aggressive,” he says. “I totally understand why Niall seeks solace in someone like him. No one will touch Ruben. There is a safety in that.”
Gadd says he doesn’t think about celebrities when searching for the actors. “I’m quite fame-averse when it comes to casting because I think sometimes it can get in the way,” he explains. “You can have a show, which starts up with all the best intentions, turn into a sort of acting vehicle for someone, or the discussion becomes about the actor doing this role.”
That said, when the casting director on “Half Man” asked him about his “dream cast,” Gadd expressed Bell was the only one who would genuinely excite him. But could that happen? “In my head, I was still in pre-‘Baby Reindeer’ time where I thought, ‘Well, somebody like him is not going to be interested.’ And then I thought, ‘Well, he might be,’” Gadd says.
For his part, Bell found the “nihilism” in Niall, a man desperately running from his true self and living in Ruben’s shadow, an enticing and complex character to play. “[Niall] conceals himself in many different ways, and has a lot of self-loathing, but at the same time has all these ambitions and actually is incredibly egotistical and thinks that his way is the correct way, and that other people don’t understand that he is terminally unique,” Bell explains with a chuckle.
Bell, who plays Niall, says his character “conceals himself in many different ways, and has a lot of self-loathing, but at the same time has all these ambitions and actually is incredibly egotistical …”
(Anne Binckebanck / HBO)
Aside from a tight schedule to produce “Half Man,” the challenge for Bell was adjusting to the dramatic intensity that Gadd was after. “I wasn’t particularly prepared for that, therefore sometimes my reading of certain scenes I’d get wrong. We’d start scenes and Richard was like, ‘You are pitching it at like a six, and this is very much an 11,’” Bell recalls laughing. I was like, ‘Oh, OK.’ That took some modulating.”
In Gadd’s mind, Bell remains an “underrated” artist. A proud Scotsman, Gadd recalls loving Bell in the 2007 romantic dramedy “Hallam Foe,” where the British actor played Scottish. For “Half Man,” Gadd thought Bell could convey the pain that haunts Niall, even as his actions paint him less like Ruben’s victim and more like a vengeful participant in the chaos.
“There’s always something I find so vulnerable about Jamie and I knew that I was going to take Niall in some really big journeys where he was going to almost test the audience’s love for him,” Gadd says. That Niall finds Ruben so alluring is natural to Gadd, who believes the notion of a valiant male figure has been bred into everyone via fables and fairy tales.
Gadd adds that whether or not we like to admit it, we’re drawn to alpha male characters. “Because from an early age, we’ve been told they are always at the top of the social hierarchy. And as a result, we’ve always, as a society, answered to those kinds of people as some sort of leaders.”
And though he says he’s unfamiliar with the “manosphere,” the misogynistic and chauvinistic online community, Gadd doesn’t believe Ruben would fall for the gurus in those circles who claim to have the answers for young guys to become “real men.”
“Ruben carved his own masculinity. To give him credit, if that’s even something you can give him, those spaces wouldn’t hold any weight for him. He’s his own man,” Gad says. “He would never follow anyone on social media. He’s the person to be followed.”
Based on the tone of Gadd’s output thus far, it may come as a surprise that as a young person he dreamed of creating a show along the lines of the U.K.’s “The Office,” which he considers a “perfect piece of art.” The stories he is telling now better reflect his “neuroses” and the experiences he’s endured.
“My life just took a very dramatic turn, and my sensibilities weren’t workplace sitcoms anymore. When I grew up and I was doing comedy I thought, ‘I’ll write a sitcom one day and every character will be sort of funny in it,’” he says. “But my life just took a turn to the point where I needed my writing and my art darkened because what I went through was very dark.”
Humor is not entirely absent from “Half Man,” some of the characters’ reactions to their distressing realities earn a chuckle. Still, Gadd’s funny bone might also find an outlet in other people’s narratives. He was recently announced as part of the cast in Apple TV’s upcoming high-concept series “Husbands,” for which he already shot his scenes. Adapted from a bestselling novel of the same name, it stars Juno Temple as a woman who gets to experience life with a different partner every time she changes the light bulb in her attic.
“I’m very picky with stuff I take on. Because I love writing my own work so much, anything that takes me out on someone else’s show has to be very special. And this was very special,” Gadd says.
“Everything I do doesn’t have to be dark,” he adds with a soft smile.
Suphanat Khumsap
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The narrow waterway—one of the world’s most critical energy and
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Donald Trump is accustomed to criticism from coast to coast — Democrats, disaffected Republicans, late-night comedians, massive protests. Yet in his second presidency, Trump’s most influential American critic doesn’t live in the country but at the Vatican.
It’s an unprecedented situation, with the first American pope directly assailing the American president over the war in Iran, where a fragile ceasefire took hold this week. The announcement came after Pope Leo XIV declared that Trump’s belligerence was “truly unacceptable.”
Never before has the relationship between Washington and the Vatican revolved around two Americans — specifically, a 79-year-old politician from Queens and a 70-year-old pontiff from Chicago. They come from the same generation and share some common cultural roots yet bring jarringly distinct approaches to their positions of vast power. And the relationship comes with risks for both sides.
“They’re two white guy boomers but they could not be any more different in their life experiences, in their values, in the way they have chosen to live those values,” said theology professor Natalia Imperatori-Lee of Fordham University. “This is a very stark contrast, and I think an inflection point for American Christianity.”
Experts on the Catholic Church emphasized that Leo’s opposition to the war reflects established church teachings, not the reflexive politics of the moment.
“For the last five centuries, the church has been involved in a project of helping develop strong international norms,” including the Geneva Conventions in recent centuries, said Catholic University professor William Barbieri. “It is a very long-standing tradition rooted in Scripture and theology and philosophy.”
Yet the U.S. administration, which has close ties to conservative evangelical Protestant leaders, has claimed heavenly endorsement for Trump’s war on Iran.
Defense Secretary Pete Hegseth urged Americans to pray for victory “in the name of Jesus Christ.” When Trump was asked whether he thought God approved of the war, he said, “I do, because God is good — because God is good and God wants to see people taken care of.”
The Rev. Franklin Graham, son of iconic Baptist evangelist Billy Graham, said of Trump that God “raised him up for such a time as this.” And Graham prayed for victory so Iranians can “be set free from these Islamic lunatics.”
Leo countered in his Palm Sunday message that God “does not listen to the prayers of those who wage war, but rejects them.” He referenced an Old Testament passage from Isaiah, saying that “even though you make many prayers, I will not listen — your hands are full of blood.”
While it’s not unusual for popes and presidents to be at cross purposes, it’s exceedingly rare for the leader of the Catholic Church to directly criticize a U.S. leader, and Leo later named Trump directly and expressed optimism that the president would seek “an off-ramp” in Iran.
An even stronger condemnation came after Trump warned of mass strikes against Iranian power plants and infrastructure, writing on social media that “an entire civilization will die tonight.” Leo described that as a “threat against the entire people of Iran” and said it was “truly unacceptable.”
Imperatori-Lee said Leo’s direct criticism stands out from the church’s more general critiques of political and social systems. For example, Pope Francis urged U.S. bishops to defend migrants without specifically mentioning Trump or his deportation agenda. Leo also previously called for humane treatment of migrants.
“Popes have critiqued unfettered capitalism before, very robustly. The popes have critiqued the Industrial Revolution, right? Things that the U.S. has been at the forefront of,” Imperatori-Lee said, “but it’s never been this specific and localized.”
She said Leo’s commentary resonates in the U.S. — with Catholics and non-Catholics — because he is a native English speaker.
“There’s no question about his inflection and meaning,” she said. “It removes any ambiguities.”
Trump welcomed Leo’s election last May as a “great honor” for the country, and he hasn’t responded to the latest criticisms. The White House did not respond to a request for comment.
“What Pope Leo and Donald Trump have in common is they both lived through the post-war polarization,” including the political upheaval of the Civil Rights Movement and Vietnam War, said Steven Millies, a professor at Chicago’s Catholic Theological Union, one of the pope’s alma maters.
He noted that Leo is a subscriber to The New York Times, plays the “Wordle” game, keeps up with U.S. sports and talks regularly with his brothers, including an avowed Trump supporter.
“In some ways he’s just like us,” Millies said, someone “who understands where our domestic political crisis came from,” unlike the Argentinian Francis, “who did not fully understand the peculiarities of the United States” even as he offered implicit criticism.
Barbieri said Leo’s American savvy still does not change an underappreciated reality of Catholicism and the papacy. “The Catholic Church doesn’t neatly fit into either right or left boxes as they’re understood in U.S. politics,” he said.
Leo spent much of his pre-papal ministry, including all his time as a bishop and cardinal, outside the U.S.
He was educated in Rome as a canon lawyer within the church. He was a bishop in poor, rural swaths of Peru. He led the Augustinian order and served as Francis’ prefect for recommending bishop appointees around the world.
Imperatori-Lee said that global reach gave him a first-hand perspective on how Washington’s economic and military policies — including backing dictators in Latin America — have negatively affected less powerful nations and their citizens.
His varied experiences made then-Cardinal Robert Prevost uniquely suited to be elected pope despite the College of Cardinals’ traditional skepticism toward the U.S. and its superpower status. Millies argued that Trump and his advisers, even Vice President JD Vance, a Catholic convert, may not appreciate those distinctions.
“This is an administration that seems to think only in terms of transactional politics — who’s for us and who’s against us,” he said.
Relations between Washington and the Vatican have become so strained that a report of an allegedly contentious meeting involving Pentagon and Catholic Church officials sent shockwaves through both cities.
According to the report in The Free Press, a member of Trump’s administration warned the church in January not to stand in the way of U.S. military might.
The Vatican on Friday issued a statement rejecting the report’s characterization of the meeting, saying it “does not correspond to the truth in any way.”
The U.S. Embassy to the Holy See also pushed back, writing on social media that “deliberate misrepresentation of these routine meetings sows unfounded division and misunderstanding.”
Millies, meanwhile, questioned whether anything the pope or U.S. bishops say can sway individual Catholics. Trump is likely to lose support among Catholics as he loses support across the broader electorate, Millies said, but that’s not necessarily because members of Leo’s flock are applying church doctrine.
“Partisan preferences always trump the religious commitments,” Millies said, describing a “disconnect” between church leaders and many parishioners who look to other sources, politicians included, when shaping their views of faith and politics.
“The icon of Catholicism in American politics now is JD Vance, and it’s more about winning an argument,” he said. “It’s a very different emphasis, but it’s one that may suit the Trump administration very well.”
Barrow writes for the Associated Press. AP reporters Nicole Winfield in Rome and Konstantin Toropin in Washington contributed to this report.
People eating abroad are being told to take precautions after a study showed the places most likely to get food poisoning(Image: Getty)
All UK travellers and tourists planning a trip abroad have been issued a warning by health officials after a new study showed high levels of food poisoning hitting some popular resourts. A study from Cambridge University found 13 destinations in particular having higher odds of people contracting serious food poisoning such as Shigellosis, Salmonellosis, and Giardiasis.
The Foreign Office-backed Travel Health Pro website this week issued an alert warning people to take precautions, especially when travelling to popular destinations outside the EU – although some hotspots there were flagged up in the report too.
Travel Health Pro said: “All UK travellers and tourists planning a trip abroad are reminded to follow good food and water hygiene advice. This study shows that visiting countries outside of the EU, and to high-risk areas which had low water, sanitation and hygiene scores, increases the risk of infections that can cause stomach upset, like diarrhoea or vomiting.
Between 1 July and 15 October 2023, a rise in stomach bugs was reported in travellers returning to England from popular holiday destinations, including Egypt, Mexico, Tunisia and Turkey. Many of these travellers stayed in all-inclusive tourist resorts. The study also suggests the true number of infections is likely to be higher, as it only counted cases diagnosed in travellers after they returned home.”
Destinations where high levels of food poisoning were detected in UK tourists are:
The study said: ”Thirteen destinations were associated with higher odds of becoming a case, of which the highest odds were reported for Egypt, Mexico, Tunisia, and Turkey, with the odds of illness in travellers to Egypt 23 times higher than those visiting France.
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“For those travelling to low-risk destinations, eating undercooked meat or fish, eating meat or fish purchased from local restaurants and airports, drinking purified water, and swallowing water from environmental water sources (rivers, lakes, sea, and swimming pools) were all found to be associated with higher odds of illness. In high-risk destinations, eating foods consumed on trips or excursions, swallowing water from environmental sources, drinking fruit juice or smoothies, and eating foods from hotel buffets were all associated with higher odds of being a case.”
Travel health pro this week urged people to take these steps:
If you become ill abroad: