obrien

Lawrence F. O’Brien, who while serving as Democratic National Committee chairman was the target of the Watergate break-in that spelled the downfall of then-President Richard M. Nixon, has died in New York City. He was 73.

O’Brien, who also was a key strategist for four presidential election campaigns, a former U.S. postmaster general and a commissioner of the National Basketball Assn., died Thursday night of cancer in New York Hospital-Cornell Medical Center.

His office was the scene of the June 17, 1972, bungled break-in that eventually led to Nixon’s resignation and the imprisonment of several of his aides. O’Brien believed that the Republican Party, seeking Nixon’s reelection against Democratic contender George McGovern, authorized the burglary in search of information to discredit him and the Democrats.

Nixon’s White House papers released by the National Archives in 1987 revealed that in 1974, Nixon had asked the Internal Revenue Service to search for embarrassing information in the income tax files of McGovern and O’Brien. The IRS refused.

O’Brien called the break-in “an incredible act of political espionage” and urged citizens to reject the claim that the incident and other “tricks” ordered by Nixon were “politics as usual.”

O’Brien also expressed concerns that the Watergate scandal would turn the public against the political process. In 1974, he discussed the implications of Watergate in his critically acclaimed memoir, “No Final Victories: A Life in Politics from John F. Kennedy to Watergate.”

“I’ve been a politician for most of my life and I’ve never dreamed of bugging an opponent’s telephone or breaking into his office,” O’Brien wrote. “If a generation of Americans becomes convinced that burglary and wiretapping are ‘politics as usual,’ then there’s not much hope for our political system.”

Born July 7, 1917, in Springfield, Mass., O’Brien was brought up on politics by his Irish immigrant father. After Army service in World War II and completing night law school at Boston’s Northeastern University, O’Brien worked for Massachusetts Rep. Foster Furcolo, and then, in 1952, took over John F. Kennedy’s campaign for the U.S. Senate.

Lauded for his pragmatic ability to organize and compromise, O’Brien was put in charge of Kennedy’s successful 1960 presidential campaign and later headed the ill-fated campaign by the President’s younger brother, Robert F. Kennedy. O’Brien was with both Kennedys when they were slain.

“I remember standing in the hospital with Ken O’Donnell (another member of President Kennedy’s so-called ‘Kennedy Mafia’) for a half-hour, refusing to tell the world he was dead–because we couldn’t accept it,” O’Brien told the Los Angeles Times 20 years after the Dallas assassination of John F. Kennedy.

“But then, years later, I was with Bobby in Los Angeles when he, too, was shot,” O’Brien added. “My reaction was: ‘That’s it.’ At that moment, I became a fatalist.”

After President Kennedy was assassinated, O’Brien worked for Kennedy’s successor, Lyndon B. Johnson, and ran Johnson’s successful 1964 presidential campaign against Barry Goldwater.

Johnson named him postmaster general and, in that position, O’Brien prepared a report that moved the postal department from Cabinet status to a semi-public corporation.

After Robert Kennedy was assassinated in 1968, O’Brien headed the presidential campaign of Sen. Hubert H. Humphrey, who lost to Nixon.

O’Brien served as chairman of the Democratic National Committee from 1970 to 1972, when the party was in shambles because of anti-Vietnam debates. He left politics after McGovern was defeated by Nixon.

O’Brien became commissioner of the NBA in 1975 and served until 1984. He was credited with settling the so-called “Oscar Robertson suit” in 1976, providing free agency in the league, and with supervising a smooth merger between the NBA and the rival American Basketball Assn.

He also avoided a 1983 players’ strike by negotiating a landmark collective bargaining agreement for professional sports. The agreement, which stabilized the troubled league, provided an innovative cap on how much money teams could spend on salaries and benefits in return for giving players 53% of the league’s gross revenues.

Larry Fleisher, head of the Players Assn. and one of O’Brien’s chief adversaries, said O’Brien left the sport of basketball “better off by far” than he had found it.

O’Brien is survived by his wife, Elva Brassard O’Brien; a son, Lawrence F. O’Brien III; a sister, and two grandsons.

Funeral services are planned for Tuesday in Springfield, Mass.

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Choose your own adventure: would you rather travel vicariously with Sean Duffy or Conan O’Brien as your guide?

“Great American Road Trip,” the reality series from the Department of Transportation starring Secretary Duffy and his family, finally launched this week on YouTube after months of delays. Originally set to premiere in June, ahead of the nation’s 250th celebration, it follows Duffy and his wife, Rachel Campos-Duffy, a co-host of “Fox & Friends Weekend,” and their nine children as they travel through seven states. While the couple has roots on MTV’s “The Real World,” their new TV venture doesn’t seem destined to have the same cultural impact. The six episodes of the series — as of publication time — have just over 14,000 views combined.

Meanwhile, over on HBO Max, O’Brien is back for more unpredictable cross-cultural exchanges with the return of his travel series. Now in its third season, “Conan O’Brien Must Go” follows the comedian and podcast host around the world as he interacts with fans and provides glimpses of everyday life abroad with his blend of improvisational comedy and an affinity for situations that embrace the absurd. The season kicks off with a trip to India, a major feat considering the show has faced years of permit delays related to a remote segment for “Late Night With Conan O’Brien” that aired in 2004. I spoke with executive producer and director Mike Sweeney about the latest stops in the show’s world tour.

Plus, our writers recommend two TV dramas that feature formidable women — one is a former city slicker solving mysteries in the Montana wilderness, the other is a detective trying to untangle a missing woman’s case while her personal life is falling apart.

But before I set you on your streaming way, I want to also share our guide to some of Hayden Panettiere’s most notable work. When news broke this week about her sudden death at age 36, it came as an extraordinary shock. Panettiere had been working in front of the camera since she was in diapers, appearing in commercials and, by age 4, making the rounds in the soap opera circuit. Like many millennials, my first exposure to her talent was in Disney’s 2000 sports drama “Remember the Titans,” where she (at age 10) played the spunky, football-loving daughter of a high school assistant coach — and delivered the line that helped signal the prep sport was bigger than Christmas in Virginia. Though her career was cut far too short, she was part of some memorable projects, including “Heroes” and “Nashville,” that are worth revisiting.

Her influence, though, extends beyond her screen work. In her appreciation of Panettiere, culture critic Mary McNamara wrote of the Panettiere’s candidness about her mental health struggles, which included bringing awareness to the realities of postpartum depression: “Panettiere spoke up when she could have remained silent. She called out a truth that has been too long ignored and gave millions of women a chance to ask for help. She might not have saved the world, but she threw a big part of it a lifeline.” — Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Tracy Spiridakos as Anna Pigeon and Paulina Alexis as Zoey Bear Child in “Anna Pigeon.”

(Michelle Faye / USA Network)

“Anna Pigeon” (USA Network)

This highly watchable, lightly addictive, woodsy episodic procedural dishes up meat and potatoes entertainment, or perhaps one should say “poutine,” given that almost all the talent involved is Canadian, as is the impressive scenery. Tracy Spiridakos (“Chicago P.D.”), just the right number of hairs out of place, plays Anna, a New York City stage manager turned federal park ranger after a personal tragedy. In Nevada Barr’s series of novels, the heroine works at a new park from book to book; here, we’re in Montana’s Glacier Park (it does run right up to Canada), the setting of the 2001 “Blood Lure,” with Anna apparently ready to stay put as long as the TV series lasts. (The first Pigeon novel, “Track of the Cat,” from 1993, informs the pilot, directed by Leah Thompson, not Canadian.) Missing persons, bank robbers, litterbug campers and an aggressive grouse bring the trouble. And murderers, of course. Community is a theme; there’s a handsome bartender for romance, a rich villain to hiss. There’s a talent show. The cherry on this sundae is Paulina Alexis, Willie Jack from “Reservation Dogs,” as Anna’s sidekick, enlivening the ensemble with her centered, serious, quietly humorous energy. — Robert Lloyd

Eve Myles as Annie Cassidy and David Morrissey as Michael Polly in “Gone.”

(James Pardon / Britbox)

“Gone” (Britbox)

Like many British murder mysteries, “Gone” opens in a picturesque portion of that green and pleasant land, in this case the rugby pitch of a stately boys school outside Bristol. Overseeing the home team is headmaster/rugby coach Michael Polly (David Morrissey) who has the mien and manner of a perpetually disappointed tyrant. When Polly’s wife, Sarah, cannot be found at the home they share with their adult daughter, Alana (Emma Appleton), it’s difficult to tell how he’s feeling, if anything. He certainly will not allow a missing wife to interfere with his task of molding boys into men, not with exams and a Very Important rugby final coming up. When he finally reports her absence to the police, it is pretty clear to everyone, especially Det. Sgt. Annie Cassidy (Eve Myles), that he knows more than he’s telling. But is it British reticence, or something more sinister?

Those accustomed to the speedy lab results and instant deductions of a standard police procedural may find themselves, at least initially, shouting out instructions and demands — how can the forensics report be so scanty? why is [fill in the blank] not brought in for questioning? But the show is, essentially, a psychological drama wrapped in a murder mystery. Anchored by splendidly counterintuitive performances by Morrissey and Myles, “Gone” will wrap up its case over six tense and twisty episodes. But the questions it raises — about the insidious power of abusive relationships, the complexity of human emotions and the peril of considering secrecy as protection — linger long after immediate justice is served. — Mary McNamara

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A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Conan O’Brien in a segment filmed in Morocco for Season 3 of “Conan O’Brien Must Go.”

(Team Coco / HBO)

As a member of the growing subgenre of celebrity travelogue, Conan O’Brien has cuddled with Javier Bardem in Spain, dressed up as Sigmund Freud in Vienna and faced off against a Muay Thai fighter in Thailand. The new season of “Conan O’Brien Must Go” has the frequent flier funnyman visiting India, the Netherlands, Morocco and the Philippines — meeting his international fans and testing how well his improvisational humor translates. I spoke with his longtime collaborator Mike Sweeney, co-writer and director on every episode, about this season’s locations and O’Brien’s SPF needs. — Y.V.

The series is a chance for Conan to interact with international fans, particularly those that have been on the podcast. Why do you think Conan’s style of humor travels so well?

He’s fearless. I think that helps. He genuinely loves people, and he has to make people laugh. He has to make people laugh all the time in the United States. And then if you put him in another country, he’s going to figure out how to get his laughs over there, even if no one speaks English. It’s literally like being thrown in a room where he’s got to find his oxygen, and he’s gonna find it by getting laughs everywhere he goes. I’m sure the fact we have a camera with us, people are curious. They tend to attract people who want to open up and play around. People can spot him from a mile away. That also helps. That’s another key to a good travel show — have a really tall orange-haired host.

The first episode is set in India. Things start with him trying to get on a crowded commuter train. What were some moments from that episode that stand out to you?

Yes, we wanted to go in the famous Mumbai commuter trains. Boy, the amount of red tape to get permission to even go down on the platform was crazy. We had to do it several months out. But we loved that [segment]. We loved playing street cricket. He had a young man teaching him, named Veer [Pandey], who was very funny and kind of dismissive of Conan, and that’s kind of Conan’s sweet spot.

Some countries have incredible restrictions — you might need permits to talk to people in the street, you’re dealing with curveballs. And a lot of what Conan does is improvised and you don’t want rules to get in the way. How how do you deal with that?

It varies from country to country. You get a feel for it early on and go, “Oh, we need figure things out far in advance here. You’re getting to a very important point, which is: How much red tape is there in each country? India — a ton. We knew that because we almost shot there in 2018 [for “Conan Without Borders”] and it fell through ultimately because of all this red tape. We knew we really had to have a running start with India. But the Philippines, they were pretty cool. Same with the Netherlands. You know what the big issue is nowadays? Drones, where they let you shoot with drones.

Conan O’Brien during a Bollywood segment in his travel series.

(Team Coco / HBO)

What’s it like doing a travel show as the current administration puts stress on international relations? Did you notice any shifts this season on how you were either received or what’s possible to get cleared because you’re an American show?

Not overtly. Nothing was represented as like, “Oh, you want to come shoot here? Well, we’ll teach you a lesson.” I’d say really surprisingly, it was business as usual in terms of getting permissions to shoot. What’s going on in the crazy United States really wouldn’t come up that much because the things we’re doing are apolitical, which is usually how we like to do it. It’s Conan connecting with people and, in a way, be a political statement because it comes down to respecting other cultures and wanting to learn about other cultures and bridging gaps that way.

There was that moment on the commuter train where a passenger rebuffs Conan by saying, “Fake a— liberal media.” And Conan just rolls with it.

Yes, it’s just like, “Oh, they they even have people calling stuff out like that over here.” It was almost like, “OK, I feel at home. Thank you.”

We all saw that Conan, famous for his red pompadour hairstyle, recently made headlines for a slick, oily hairdo, which was the result of a severe scalp sunburn. In the Morocco episode, there’s a sun-heavy segment. Were you worried about his scalp then? How much budget goes to Conan’s SPF needs?

He’s self-regulating because he has to be that way in California. He has to be that way on a cloudy day in Cape Cod. It’s just ingrained in him, his sun protection. I don’t even think about it. It was business as usual for him in Morocco.

What’s a show you’re currently obsessed with or recommending to people?

We loved “Widow’s Bay” [Apple TV], of course. I sound like everyone else, but also Katie Dippold is great. She was an intern at “Conan,” and I’ve seen her a few times over because we kind of lived near each other in Los Feliz. But she’s just delightful. We’re so happy for her, and plus that show was just amazing. And my wife and I dipped back into “Slow Horses.”

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As Coronation Street revealed it was Sarah who killed Theo on Monday, actress Tina O’Brien addressed whether she could be leaving the ITV soap and her reaction to the twist

Coronation Street’s Sarah Platt has been exposed as Theo Silverton’s killer.

Now, actress Tina O’Brien, who has played the character since 1999, has addressed whether she’s about to bow out for good. Flashbacks during Monday’s episode confirmed what really happened to Theo, and who was to blame.

We saw Sarah accidentally killing Theo after he turned sinister. As he threatened her, she shoved him before hitting him over the head with a metal pole, leading to him plummeting off the scaffolding.

In the fallout, Sarah will be desperate to cover her tracks. But will she be caught out, and could it lead to a prison stint, or possibly a permanent exit from the ITV soap after after nearly 30 years in the role?

Tina shared: “It’s not just about her now, it’s about her family and her son, and there are times when she can’t cope with the pressure and you think she’s just going to hand herself in. And then she thinks about her son growing up without a mum, if she’s convicted and can’t prove she acted in self defence.

“And because of those things, she’s so desperate to do whatever it takes to be part of her family’s life.” It was her ex Gary that she frantically called for help, with him now keeping her secret.

With Gary’s rivalry with Sarah’s partner Kit Green now at boiling point, Tina explained why Sarah told Gary and not detective Kit. She said: “I think she absolutely went into panic mode, shocked, stunned and numb. She obviously didn’t know what to do, she didn’t know how to react and in that moment she thought, I can’t call Kit because of his job in the police.

“And so in that moment, she thought who can I call and it was Gary. There’s a lot of guilt there and I think also, selfishly, she feels like she’s ruined her chance with Kit, because if he knows what she’s done, he might not want her anymore and she so wanted him to be her future.”

This isn’t the first time Sarah has been caught up in a murder plot. Fans will recall that back in 2015, Sarah’s sister-in-law Kylie Platt murdered Sarah’s love interest Callum Logan. Callum had tried to attack Sarah, leading to Kylie killing him with a wrench.

Sarah and Kylie, with the help of Sarah’s brother David Platt, covered up the crime, and buried the body under their house. Sarah’s mental health spiralled in the fallout, and she was admitted to a psychiatric unit for treatment.

With Sarah caught up in another murder, Tina said this time her character could face prison. She teased: “If she’d have called the police straight away and explained what happened, she would have been in a much better situation, because it was clearly not pre-meditated, it was a situation where she felt she had no other choice.

“But to cover it up, to actively cover something up, she knows that she crossed a line that she can’t come back from.” She added on exit fears: “I genuinely didn’t worry, at the end of the day this job is incredible, but to be an actor is not necessarily a job for life. So, I just was really excited to be given the honour of being the murderer, and then hopefully, however it plays out, I’ll enjoy Sarah’s arc.”

So does this hint that Sarah will stick around? After keeping quiet for months, Tina shared: “I’ve literally been a big bag of nerves. It’s been so difficult, I told my mum and I just recently told my daughter Scarlett and my son Beau. You’re seeing all the chat on social media, everyone’s saying I think this, and I think that.

“Actually filming these scenes the weeks after have been the hardest thing I’ve ever filmed because I felt like my face looked guilty constantly and I thought everyone’s going to know it’s me instantly.”

It came as no surprise to Tina though that Sarah killed Theo. She explained: “I completely understand how it happened, why it happened. For me to get into her character and her head, I feel like in that moment, she didn’t feel like she had any other choice.”

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok, Snapchat , Instagram , Twitter , Facebook , YouTube and Threads.

JUST two weeks ago, Tina O’Brien was waxing lyrical about going on her first solo holiday as she embraced single life for the first time in years.

It turned out to be rather short-lived, though, as yesterday the Corrie star was spotted kissing a hunky new man in the street.  Now, insiders tell us why her latest fling – with Irish TikToker Rory Martin – has sparked concern amongst her inner circle, who fear her new beau might have an ulterior motive.

Our insider said: “Tina was genuinely trying to enjoy some time on her own after her recent split, but she has really fallen for Rory’s Irish charm. 

“Rory is no stranger to hanging out with famous women – he was linked to Una Healey last year and has gained a bit of a reputation for being a ladies’ man.

“He loves TikTok fame and will really be enjoying the attention he’ll be getting off the back of dating Tina.

“It’s worrying for her friends, because they don’t want to feel like she is being used.

“Tina is someone who loves love and enjoys being caught up in the whirlwind of it all, and they just don’t want her to rush into anything.”

While her last ex, Adam Fadle, disliked the limelight, Rory, in contrast, is said to be very taken with her high profile.

We’re told Tina now lives in a very well-known area where paps often frequent, so it’s unlikely to have come as a surprise to her that they were photographed.

It’s thought Tina, 42, actually met Rory, 30,  through her daughter, 17-year-old Scarlett, who she shares with ex Ryan Thomas. 

They are said to have connected through the music world. Rory also dabbles in singing and guitar playing, as well as doing social media.

He also works for the ambulance service – but is believed to be in the call centre rather than working as a paramedic, as his social media would suggest.

Our source continued: “People think Rory is some kind of sexy paramedic, but the reality is much less glamorous.

“He really plays up to it in his social media because he knows his thirst traps in his uniform attract both women and men to him.”

Last June, Rory surprised fans by posting a video of him singing with Saturday’s star Una in a kitchen.

We’re told the pair were casually dating for some time and really enjoyed making music together. 

Tina’s new romance comes seven months on from her splitting from her millionaire boyfriend Adam Fadle, whom she met in Cheshire following her move there.

The actress, who is known for playing Sarah Platt on the Cobbles, is thought to have been single since her split from millionaire businessman Adam.

At the time, we revealed that it was interior designer Adam who ended things with the star. Rather than being taken with her glam life in the public eye, we’re told it ended up being a huge turn-off for him.

Our insider said: “He was the one who wanted out and ended it. In a brutal swipe, he said it ended up being like something out of a Coronation Street storyline.”

That relationship was hot on the heels of the end of her marriage to personal trainer Adam Crofts. They got together just four months after it ended. 

Tina and Adam Crofts were married for six years and share a son, Beau, together.

Tina also, of course, has her daughter from her relationship with her former Corrie co-star Ryan Thomas.

Her romance with Ryan lasted from 2003 to 2009, with the pair’s very public split fraught and involving a number of public spats. 

Most recently, the pair have been navigating their daughter’s burgeoning singing and social media career together. 

While Ryan has fully embraced that world, Tina’s had a love-hate relationship with social media over the years, vowing to take a break from Instagram in 2020 after calling the site “toxic” and admitting she felt like a “fraud” trying to present a “filtered version” of her life to gain validation. 

But six years on, things are completely different, and she has big plans for the future after signing up to an agency – Alpha Talent Group – which will be helping her land a series of brand partnerships.

Alpha already has a string of celebrity clients. They look after boxer Tommy Fury, The Wanted star Max George, Made in Chelsea’s Miles Nazaire, and Love Island stars Paige Turley, Helena Ford, and twins Eve and Jess Gale.

While Tina is set to branch out on socials, fans shouldn’t expect to see her all over TikTok, like Scarlett and her dad Ryan and his brothers Adam and Scott Thomas are.

Our source previously explained: “She won’t be doing cringe TikTok trends, but there are some exciting brand deals on the horizon.

“And don’t be surprised if she steps out of her comfort zone and does some reality TV – she did Strictly over a decade ago and feels like she wants the public to see her personality.”

And dating another social media star, who has half a million followers on TikTok, is probably not a bad place to start. 

An award-winning crime drama that boasts a stellar cast including Sherdian Smith and Stephen Graham has been dubbed as ‘one of the best dramas around’

A gripping and compelling BBC crime series that has been dubbed “one of the best dramas around” is now available to watch online.

Originally airing in 2010, Accused includes 10 individual episodes spread across two series, each following a different character on trial and how they came to be accused.

The first series stars the likes of Christopher Eccleston, Mackenzie Crook, Coronation Street’s Tina O’Brien, Peter Capaldi, and Naomi Harris across six hard-hitting episodes.

It was followed by a second series in 2012, with Sean Bean, Stephen Graham, Olivia Colman, Sheridan Smith, and Anna Maxwell Martin among the stars joining the cast.

Created by Time writer Jimmy McGovern, Accused was a smash hit and bagged a BAFTA TV nomination for Best Drama Series in 2011, with Juliet Stevenson also receiving a nod for her performance in episode three.

Two years later, Olivia Coleman won Best Supporting Actress for her role in series two at the BAFTA TV Awards and also the Royal Television Society Programme Awards, while Sean Bean won Best Actor at the International Emmys.

The gripping anthology series, available to watch on ITVX, also received rave reviews from critics, earning a score of 7.9 out of 10 on IMDb. One viewer praised the show and said, “Blown away. I can’t believe it took me so long to find this series!!!

“This is what happens when top writers and some of Britain’s most impressive actors emotionally involve themselves in making great drama. What a theme! That on paper, through the courts, there is simply a charge and a decision, without the truth behind the whos, whats, whens, and whys. One of the best dramas to date!

Another agreed: “Absolutely outstanding. Can’t recommend this series highly enough. Each episode, bar one, is a separate story, and every one is outstanding, brilliantly acted, and scripted. Stellar cast under brilliant direction- you can’t go wrong. Trust me.”

A third penned: “Very well done. This is a very well-done show and at times difficult to watch because of how real it seems. The performances are incredible, as is the writing.

“You understand these characters in a way that is rare and sometimes disturbing. As I said, this is not easy viewing, but it’s certainly worthwhile.”

Watch all episodes of Accused on ITVX