Nathan

Nathan Fielder and Lance Oppenheim’s experimental Elizabeth Holmes documentary “You Can See Everything” is not only one of the most buzzed-about films of the year; it has proved the hype at the box office, already making $15 million during its opening weekend.

If you haven’t seen it yet, stop reading now and come back after you do. And if you have seen it, don’t miss our spoiler-heavy revelations about “You Can See Everything.”

One last warning before we proceed: Spoilers ahead.

Before “You Can See Everything” put Holmes back in the spotlight, Amanda Seyfried portrayed the Theranos CEO in the Hulu limited series “The Dropout,” winning a lead actress Emmy for the role.

In the documentary, Holmes tells Fielder she has never watched the series. After his prodding, they watch it together — along with Holmes’ partner Billy Evans — in a Del Mar beach cottage days before she is set to leave her family, including two young children, to report to a Texas prison to serve an 11-year sentence after being convicted of fraud.

We revisited our previous coverage of “The Dropout,” including what Seyfried told us about preparing for the role and what Liz Meriwether, who created the series, had to say about the project.

In an interview with The Times in 2022, Seyfried recounted telling filmmaker David Fincher about the role, who made a suggestion about how to play Holmes: “He turned to me, and he said, ‘This Theranos girl, she’s not listening.’ And I was like, ‘You’re right!’ Watch her listen. She’s playing listening. … Everything is like, ‘Do you see me listen? Make sure you see that I’m listening to you.’ It’s one of the things that helped her succeed. So much of it was an act, and her bubble was bound to burst. It must have been so tiring.”

During “You Can See Everything,” we observe Holmes watching Seyfried dance in a scene from “The Dropout,” a much-memed moment in the series.

“My favorite thing was getting to express Elizabeth Holmes’ frustration through dance. A character working her s— out. A lot of it was based on the fact that she was a dance student,” Seyfried said.

Holmes cringes at seeing it portrayed onscreen (if you’ve ever had your own dancing or karaoke sessions broadcast, you know the feeling).

In the documentary, Holmes and Evans also claim research wasn’t done before creating the series. Seyfried told us she spent months listening to the 10 hours of deposition tapes in preparation, something she also mentions in “You Can See Everything.” The actor, in a separate interview with The Times published in March 2022, also spoke about how she learned to mimic Holmes’ baritone voice.

Meanwhile, for the dialogue in “The Dropout,” Meriwether discussed getting access to texts sent between Holmes and her former romantic partner, Theranos COO Sunny Balwani, in an essay she wrote for The Envelope in August 2022.

“I had been on conference calls with lawyers for hours discussing every detail, every word, every action line in every script,” she wrote. “The writers had to justify our choices based on the facts we had, so we had scoured the source material, trying to piece together the mystery of what had happened between Elizabeth Holmes and Sunny Balwani behind closed doors at Theranos. And here I was about to open an attachment with the actual text messages that Elizabeth and Sunny had written to each other. It was thrilling and infuriating.”

Dive deeper into “The Dropout,” including the final episode in which a fictional version of Evans appears, with our previous coverage below.

Nathan Fielder would rather you not read this article. At least not until you’ve seen his new movie.

He has a point.

Now in theaters, “You Can See Everything,” the nearly three-hour documentary Fielder co-directed with filmmaker Lance Oppenheim about convicted Theranos founder Elizabeth Holmes, is full of head-spinning twists and turns best left unspoiled, and the filmmakers have gone to extreme lengths to keep them that way. At its secret premiere at the Telluride Film Festival last month, audience members were required to lock their phones in pouches and warned that security guards with night-vision goggles would be watching for anyone trying to record the screening. Afterward, Fielder pleaded with the crowd to keep the film’s biggest surprises to themselves.

Holmes was convicted in 2022 of defrauding investors in her failed blood-testing company and sentenced to more than 11 years in federal prison. Fielder and Oppenheim began filming her and longtime partner Billy Evans, an MIT graduate and heir to a family-owned San Diego hotel business, shortly before she reported to prison in 2023, gaining extraordinary access to the couple and their two young children.

Holmes and Evans welcomed the cameras, hoping they would help vindicate her. But the closer Fielder and Oppenheim got to the couple, the harder it became to distinguish candor from calculated performance. Fielder, whose series “Nathan for You” and “The Rehearsal” put real people through elaborate, often uncomfortable experiments, began to wonder whether the tables had been turned.

“I really am struggling to this day to understand exactly what I experienced in this,” Fielder admitted during a post-screening Q&A at Telluride. “I don’t quite know what I went through.” He said he hoped audiences might help him make sense of the “glitchy feeling” it left in his head.

Having seen the film twice, we’re not entirely sure we can help him.

In deference to Fielder’s wishes, this is your last chance to turn back: Major spoilers follow. For those still with us, here are 10 of the film’s strangest moments — by no means the only ones — along with a few clues from Fielder himself about how they came to be.

Evans takes ’radical transparency’ too far

Evans has a theory about why the world sees his partner as a monster: Nobody really knows her. “In the absence of knowing somebody, it’s really easy to make them feel other and scary,” he tells the filmmakers. His proposed solution is “radical transparency” — a familiar Silicon Valley mantra with an ironic resonance given Theranos’ notorious culture of secrecy. The filmmakers are allowed virtually unlimited access to the family’s life, with Fielder even invited to move into their rented house in Del Mar, near San Diego. In one scene, Evans stands completely naked in the shower, brushing his teeth with the bathroom door wide open and the cameras rolling, as Fielder stands awkwardly nearby. At Telluride, Fielder, who had initially planned to stay behind the scenes, admitted he was still perplexed by the couple’s openness. “I’m a weird guy — why do they want me there?” he said. “That messed with my head a little bit.”

Fielder observes Holmes and her family in a scene from the documentary “You Can See Everything”

(A24)

Theranos, the sequel

A federal fraud conviction apparently hasn’t ended Holmes’ ambitions to revolutionize medical testing. Before heading to prison, she and Evans begin laying plans for a new venture involving lasers and artificial intelligence that Evans describes as “2.0” — a chance, he says, “to put the band back together and do it all again.” Holmes declares, “From wherever I am, I’m going to continue to work inventing, even if it’s inventing from a cage.”

Holmes claims she’s never told a lie

For someone convicted of defrauding investors, Holmes has a remarkably uncomplicated view of her own honesty. Asked by Fielder whether she’s ever told a lie in her life, she replies, “I don’t think so.” Pressed — surely she’s pretended to be sick to get out of a party? — she concedes she has, explaining that she thought he meant the criminal case against her. In a scene that became the centerpiece of the film’s teaser trailer, Holmes fixes Fielder with an unwavering stare. “Why would I deceive you?” she asks. “There’s no reason for me to do that.” When Fielder asks whether she’s being real with him, she doesn’t miss a beat: “I’m always being real.”

The Theranos device gets a second look

Holmes hauls out of storage the infamous Theranos device, the machine that helped bring down her company. “So this is the famous scam device,” Fielder says. “It is not a scam device,” Holmes replies. When she insists the machine can perform any medical test, Fielder finds himself drawn into an absurd debate over the meaning of the word “can.” Did she mean it could actually perform those tests, or that it theoretically would once the necessary chemistry had been developed? The man who has made a career out of baffling other people seems genuinely baffled himself, reduced to explaining the word “can” to the founder of Theranos.

Holmes and Evans enter federal court in 2022.

(Nic Coury / Associated Press)

Elizabeth Holmes meets Abbott and Costello

Still trying to make his point, Fielder turns to Abbott and Costello. He plays Holmes the classic “Who’s on First?” comedy routine — two people hopelessly talking past each other. Holmes watches politely and says she finds it funny. But she seems to have missed the central joke: The first baseman’s name is actually Who. “I didn’t pick it up,” she admits. Fielder’s attempts to explain the joke and why he showed it to her get him nowhere. Evans, watching the exchange, regards his wife’s difficulty following the joke as further evidence that her mind simply works differently from everyone else’s.

Fielder gives Holmes an escape kit

On the morning Holmes is due to report to prison, Fielder arrives with a parting gag gift: hair dye and glasses, in case she’d prefer to disguise herself and flee the country. Fielder is famous for excruciatingly awkward deadpan comedy, but Holmes’ parents are there, the family is preparing for an emotional goodbye and he seems to realize almost immediately that he has misjudged the situation. “I didn’t know your parents would be here,” he says, assuring everyone that it’s “just kind of like a joke.” The more he tries to explain himself, the more uncomfortable things become. “Maybe not appropriate for the moment,” he concedes.

Amanda Seyfried becomes a surprise co-star

Seyfried won an Emmy for playing Holmes in Hulu’s “The Dropout,” which Holmes had avoided watching for fear it would be too emotionally disturbing. Fielder persuades Holmes to watch it for the first time, on a laptop in the couple’s bed. She soon breaks down in tears and asks him to turn it off. Later, Fielder visits Seyfried at her apartment and shows her footage of Holmes watching her performance. So we watch Seyfried watch Holmes watch Seyfried playing Holmes as Fielder watches her. And things only get weirder from there.

At Telluride, Fielder said the filmmakers initially doubted Seyfried would want to participate. But after a brief phone call, she invited them over and agreed to be filmed. Neither side knew where things would lead. “It just actually evolved in that organic way, which was really exciting,” Fielder said.

Seyfried as Holmes in a scene from Hulu’s “The Dropout.”

( Beth Dubber / Hulu)

Seyfried plays detective

Seyfried soon finds herself reenacting Holmes’ conversations with Fielder as he tries to make sense of their encounters. She becomes so invested that she joins Fielder on a visit to Evans’ home, hoping she might get him to open up in ways Fielder can’t. “I feel like an undercover cop right now,” she says, clearly getting a rush. There, after meeting the couple’s children, she unexpectedly winds up on a prison phone call with Holmes herself. With only two minutes for the family to talk, Seyfried suddenly seems mortified to be intruding. “I’m so sorry — I don’t want to ruin your two minutes with your beautiful family,” she says. Fielder, naturally, has a camera running.

Evans takes control of the narrative

With Holmes behind bars, Evans seems determined to manage her public image himself. Armed with power of attorney, he takes over her verified X account, posting messages in her name, some of which sound nothing like the carefully controlled Holmes, including one telling another user to “f— off.” “There’s just so much trust that most things I don’t really consult her on,” Evans says at one point. “I know what she’d want.”

Evans’ attempts to steer the documentary itself begin even before Holmes reports to prison. In a meeting later reenacted in the film, after Holmes leaves the room, he raises the subject of money with Fielder, Oppenheim and executives from A24, the studio behind the film, demanding a share of the profits. Fielder says A24 reluctantly agreed, leaving him worried that the integrity of the project may have been compromised. When Holmes later insists she has no financial interest in the film, Fielder is taken aback. Either she’s “fully sincere,” he tells Seyfried, or “she honestly might be the most manipulative person that’s ever lived.” (The film notes at the end that Evans later changed his mind and decided not to accept payment.)

On Oct. 5, Holmes’ X account promoted the documentary with a tantalizing warning: “I really don’t think you are ready for this doc.” Whether that was Holmes speaking or Evans speaking for her is anyone’s guess.

Seyfried confronts Evans

Things turn ugly during that same visit to Evans’ home. A conversation about conjugal visits and Evans’ sex life gives way to a heated argument over his use of Holmes’ X account. Evans brings up the social media backlash Seyfried faced for criticizing Charlie Kirk after his shooting death, then attacks her portrayal of his partner in “The Dropout.” Soon he’s threatening vengeance against people he believes have wronged Holmes. “I’m going to ruin their lives,” he declares. Asked whose lives he means, Evans replies, “F—ing everyone. I’ve got vengeance in my heart.”

Later, away from Evans, Seyfried offers her own assessment: “He is bat— crazy.”

Melissa Nathan, the crisis management public relations pro hired by actor-director Justin Baldoni amid his lengthy legal feud with actor Blake Lively, is in the hot seat after Baldoni’s former publicist claimed that Nathan played a key role in operating a network of anonymous “smear” websites.

The publicist, Stephanie Jones, filed an initial complaint in New York Supreme Court in December 2024, accusing Baldoni’s crisis PR team of waging a coordinated effort to undermine her and deflect blame for what she called a retaliatory smear campaign targeting Lively.

But new documents filed last week brought front and center a “key question from the outset of this case”: Who was behind the creation of anonymous websites that popped up in May 2024 and accused Jones of “holding clients hostage” and leaking their secrets?

Nathan did not immediately respond to The Times’ request for comment Friday. But in a deposition, she said she was absolutely not the mastermind behind the now-defunct stephaniejonesleaks.com.

In the recent filing, Jones claims she repeatedly sought communications that could support her suspicions about the website’s origin, and last week received documents from Katherine Case, a former employee of Jones’ PR firm, Jonesworks, who subsequently worked for Nathan’s crisis management firm, the Agency Group.

Those documents, the filing alleges, show Nathan repeatedly testified falsely about the websites, and confirm that “Melissa Nathan was directly involved in a scheme to utilize untraceable websites to destroy the reputation of her competitors and those adverse to her clients. Stephanie Jones and Jonesworks were among her victims.”

In alleged text messages between Nathan and Case included in court documents, Nathan appears to have offered Case “three or four grand” to make the website copy tarnishing Jones’ reputation “a lot more meaty” — “good enough for us to be able to point a journalist towards.”

Nathan also appears to direct Case to discuss “holding clients hostage” and detail how people are “scared of” Jones, the documents allege.

Nathan is alleged to have instructed Case to write copy that would “follow along the lines of a purported ‘whistleblower’ narrative.” In Case’s notes from a subsequent phone call, she allegedly wrote, “Copy for the website along the lines of — I can’t sit and watch this woman continue to do this, this is what she does … it’s now a time where I can speak my truth about what I saw there.”

The filing claims that a record from Zelle, a money-transferring service, shows a subsequent payment to Case in the amount of $4,000 from “Melissa E. Nathan.”

The websites weren’t a one-off, according to the filing. They were allegedly one of Nathan’s specialties, and a hot commodity among embattled celebrities.

Three months after the Jones website went live, Nathan allegedly texted “Pitch Perfect” star Rebel Wilson, who was involved in a dispute with producer Amanda Ghost over Wilson’s directorial debut, the 2024 musical “The Deb.”

“Nathan quoted Wilson $110,000 for an untraceable site with a satellite, ghost server, ghost hosting, full build, maintaining, and full algorithmic push across all platforms … for 3 months,” the filing alleges. “The next day Nathan texted Case, ‘Rebel wants a one of those sites.’ ”

THE Wanted singer Nathan Sykes is set to become a dad for the first time!

Taking to Instagram, the musician revealed his wife Charlotte is pregnant with their first child with a sweet photobooth video.

Nathan and Charlotte shared a video of themselves in a photobooth with an ultrasound strip to reveal the pregnancy news.

Charlotte captioned: “We’ve been keeping a little secret…Baby Sykes is officially on the way 🤍”.

The video – which saw Nathan cradle his wife’s bump and the pair pose for various snaps – confirmed baby Sykes is due in April next year.

Numerous fans and friends took to the comment section to congratulate the pair.

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Nathan and Charlotte tied the knot in 2025 after several years together.

They wed in an intimate North Yorkshire ceremony at St Mary’s Church, Birdsall, with just 61 guests in attendance.

The pair were first seen together in public photos in November 2018 and announced their engagement in December 2022. 

Nathan rose to fame in the The Wanted along with the rest of the boys in 2009 and stayed until the band went on “hiatus” in 2014.

The star once briefly dated Ariana Grande and they have a song together, Almost Is Never Enough, which he recorded after going solo.

While he has been with Charlotte, who is a HR Manager, for near a decade now – with the exact story of how they met not shared publicly.

Nathan Mensah is making his TV debut in The Blame, alongside Michelle Keegan and Douglas Booth.

Nathan Mensah has joined the cast of The Blame alongside Michelle Keegan and Douglas Booth.

The actor is making his debut in the second episode of the new ITV drama, airing Monday, 21 September. He plays young police detective Lewis, set on helping Michelle’s character DI Emma Crane uncover the truth about the death of a young girl.

The six-part series dramatizes corruption and systemic misogyny in the police force, after shockwaves are sent through a quiet town when a teenager’s body is found in the woods. With officers turning on each other, DI Crane and Douglas’ character DI Tom Radley dig deeper and are left reeling at the secrets they discover within a tangled web of lies and cover-ups.

“As the clock ticks and trust fractures, Crane must navigate both a murder investigation and the treacherous politics inside her own team,” the synopsis goes on to tease.

Nathan stars as DC Lewis Brimah, which marks his first TV role after working in commercial modelling and brand campaigns. Ahead of the new series airing, he teased his role on social media, writing: “GOD IS GOOD!!! First TV Series Job. Excited to get into this one with such an amazing cast.”

“Biggest congrats Nathan,” one fan replied. Another follower said: “Congratulations!! Bravo.” A third added: “wow! such a great cast, congrats,” while someone else wrote: “Yesss Nathannnnnn.”

Introducing his role in a Q&A during a press event, Nathan shared: “Lewis is a good guy, in fact, he’s a great guy… He’s coming to the system, going through the fast-track graduate scheme which means he hasn’t had the experience that a lot of the other officers and other detectives have.

“But he’s ambitious and he just wants to do a good job, like that is his focus. He’s by the book and he wholeheartedly believes in the job.

“He believes in the system, he believes in the people that he works with, and he has a very strong moral compass. He’s a very simple man, he believes things are black and white, there’s right and wrong, good and bad.

“For me, what I found really interesting is seeing someone like Lewis placed in an environment that is morally complicated, and how he navigates those areas without losing his integrity.”

Nathan went on: “He felt like me, like the new guy coming in, not necessarily seasoned but working with the vets. He just wants to do a good job and he really cares.”

The six-part series also marks the first time Michelle has played a police officer, as she revealed she couldn’t believe she’d not played one before. She previously shared a personal link to her role in The Blame, saying: “The thing is, my dad was in the police force, he was an inspector since he was 17.

“So I used to go to him and go, ‘Dad, what do you think about this?’ And when I was doing the meeting scenes, it was quite a high-up rank, so I was like, ‘How would you talk to people in the police force and how was your body language?’ I used to go to him quite a lot for resourcing.”

Michelle elsewhere revealed she was “hooked” on The Blame from the moment she read the script, and hailed her character as being “a strong female in a male-dominated environment”.

She went on: “She’s one of those girls that will take no nonsense, and it just felt exciting. We love to see it on screen and there’s not enough of it on screen.”

The Blame continues on Monday, 21 September at 9pm on ITV1 and ITVX