mysterious

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell, and I guess Shohei Ohtani is human after all.

I’m writing this on Tuesday evening because my youngest daughter, Hannah, whom I’ve mentioned numerous times in this newsletter, is getting married this weekend. I won’t be able to do a newsletter for next Monday, and I didn’t want everyone to wait a week and a half for the next newsletter.

So, hopefully nothing huge happened on Wednesday. But if it did, and it’s not mentioned here, now you know why.

Heading into Wednesday’s game, Shohei Ohtani was hitless since April 27. That’s a long time without a hit. So what happened?

Our Dodgers beat reporter, Maddie Lee, wrote about this after Monday’s game. Some takeaways from that story, which you can read here:

—At one point, Ohtani was going to hit and pitch Tuesday, but the Dodgers changed their mind Monday and had him only pitch.

—“Definitely not results,” Dave Roberts said of how he made that decision. “It’s a little bit more body language and just watching the player. … We’ve certainly enjoyed the fruits of him doing [both], which he will continue to, at times. But I think for me, it’s a start by start kind of read-and-react situation.”

—Ohtani: “I do feel like over the course of my career it’s just a reality that I’m not exactly hitting at the best of my ability at this time of year,” Ohtani said last week through interpreter Will Ireton. “At the same time, as a player, I do want to be better and get to that position where I’m feeling really good. It’s a balancing act of the two.”

—Ohtani has become pull-happy. He was hitting the ball to the right side 53.4% of the time entering Monday, compared to 43.2% last season, according to Statcast.

—“It’s more about timing and feel for him, backing up the baseball,” hitting coach Aaron Bates said. “When he gathers correctly and hits through the baseball, obviously we’ve seen what he’s capable of doing. But just kind of managing his at-bats right now, trying to get to the big part of the park.”

As of right now, this is Ohtani’s worst offensive season since 2020, when he hit .197. Let’s take a look at his OPS+ numbers since he began playing:

2018: 151
2019: 121
2020: 79
2021: 157
2022: 144
2023: 185
2024: 181
2025: 187
2026: 131

Even in the midst of this slump, Ohtani is 31% better than league average this season. Pretty amazing.

Does Ohtani slump early in the season? Let’s look at his numbers per month in his career:

March/April: .293/.369/.559
May: .261/.355/.541
June: .316/.413/.721
July: .248/.361/.543
August: .272/.365/.537
Sept/Oct.: .294/.391/.582

He usually hits fine this time of year. Of course, this season he is also trying to pitch full time. But he hit fine when he was a full-time pitcher with the Angels. Sometimes, players just go through slumps. There’s no reason to believe Ohtani won’t break out of this slump. And if Ohtani went four for four with three homers Wednesday, then I reverse jinxed him.

Stats explained

Every year I get emails from readers who only follow the Dodgers and not baseball in general. They want to know how to calculate various stats and wondered if I could put together a glossary of terms. This seems as good a time as any to do so. Some of you, maybe most of you, probably already know these things, but there are different levels of baseball knowledge among the subscribers, so let’s put us all on the same page. And if you want, you can save this newsletter to refer back to. These definitions come from mlb.com.

Pitching

GF: Games Finished. The number of times the pitcher was on the mound during the final out.

ERA: Earned Run Average. The number of earned runs times nine then divided by the number of Innings Pitched.

CG: Complete Games. When the pitcher throws the entire game without any relief.

SHO: Shutouts. A complete game thrown by the pitcher where the losing team did not score.

Saves. Earned by a pitcher when a. He is the finishing pitcher in a game won by his team. b. he is not the pitcher who earned the win (W). c. he meets one of the following criteria: 1. He came to the mound with a lead of three runs or fewer and pitches at least one inning. 2. He came to the mound with the tying run on base, at bat, or on deck. 3. He pitches effectively for at least three innings.

IP: Innings Pitched. A pitcher with 4.2 innings pitched had four full innings then retired two batters in his fifth inning of work.

ER: Earned Runs. Earned runs are those which scored without the aid of an error, a catcher’s interference call, or a passed ball.

R: Runs Allowed. A total number of runs, earned or not earned, that scored.

K: A strikeout by the pitcher.

Balks. A call against the pitcher for making an illegal motion that the umpire views as an attempt to deceive a baserunner.

Hold. Awarded to a relief pitcher who enters with the lead, retires at least one batter, and does not relinquish the lead.

K/BB: Strikeouts to Base on Balls Ratio. Strikeouts divided by base on balls.

K/9: Strikeouts per nine innings. The number of strikeouts averaged during every nine innings of work. Strikeouts times nine divided by innings pitched.

BB/9: Walks per nine innings. The number of walks averaged during every nine innings of work. Calculated as walks times nine divided by innings pitched.

ERA+: A pitcher’s ERA adjusted to reflect home ballpark and league average. A pitcher with an ERA+ of 100 is a league average pitcher. An ERA+ of 110 means the pitcher’s ERA is 10% better than the league average. An ERA+ of 90 means that the pitcher’s ERA is 10% worse than the league mean.

FIP: Fielding Independent Pitching. FIP is similar to ERA, but it focuses solely on the events a pitcher has the most control over: Strikeouts, walks, hit-by-pitches and home runs.

For example: If a pitcher has surrendered a high average on balls in play, his FIP will likely be lower than his ERA. Balls in play are not part of the FIP equation because a pitcher is believed to have limited control over their outcome.

The formula: The “FIP constant” puts FIP onto the same scale as the entire league’s ERA: ((HR x 13) + (3 x (BB + HBP)) – (2 x K)) / IP + FIP constant.

Hitting

AB: At-bats. Number of times a player batted, excluding walks, sacrifices, catcher interference, or being hit by a pitch.

Plate appearances: The number of times a player batted.

Runs Batted In. Given to a a batter when a runner scores due to a base hit, a sacrifice, being hit by a pitch, during an infield out (but not during a double play), or a fielder’s choice.

Sacrifice Fly. A fly ball hit with less than two outs, fair or foul, that is caught but allows one or more baserunners to tag up and score.

Batting Average. The player’s total number of hits divided by their total number of at-bats.

OB%: On Base Percentage. Determines what percentage of a player’s plate appearances resulted in him reaching base safely. Calculated by adding hits, walks and hit by pitch then dividing that by the player’s at-bats, walks, sacrifice flies and hit by pitch.

SLG%: Slugging Percentage. Calculated by taking the total bases (singles + 2 x doubles + 3 x triples + 4 x home runs) then dividing it by the number of at-bats.

AB/HR: At-Bats per Home Runs. Calculated by dividing the number of at-bats by home runs.

AB/K: At-Bats per Strikeouts. Calculated by dividing the number of at-bats by strikeouts.

OPS: On-Base Plus Slugging. On-base percentage added to slugging percentage.

OPS+: OPS adjusted to reflect league and ballpark conditions, like ERA+ for pitchers. OPS+ is scaled so that 100 is a league average player. Formula: 100 x (OBP/lgOBP + SLG/lgSLG – 1)

BABIP: Batting Average on Balls in Play. BABIP measures a player’s batting average exclusively on balls hit into the field of play, removing outcomes not affected by the opposing defense (namely home runs and strikeouts).

For example, a hitter who goes two for five with a home run and a strikeout would have a .333 BABIP. He’s one for three on the balls he put in play.

The formula: (H – HR)/(AB – K – HR + SF)

BABIP can be used to provide some context when evaluating both pitchers and hitters. The league average BABIP is typically around .300. Pitchers who have allowed a high BABIP is considered to be pitching with “bad luck.” Over time, they’ll see fewer balls in play fall for hits, and therefore experience better results in terms of run prevention. The same applies for batters who have seen a high or low percentage of their balls in play drop in for hits.

Up next

Friday: Atlanta (*-Chris Sale, 6-1, 2.14 ERA) at Dodgers (Emmet Sheehan, 2-1, 5.23 ERA), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Saturday: Atlanta (Spencer Strider, 0-0, 8.10 ERA) at Dodgers (Roki Sasaki, 1-3, 5.97), 6:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Sunday: Atlanta (JR Ritchie, 1-0, 3.63 ERA) at Dodgers (*-Justin Wrobleski, 5-0, 1.25 ERA), 1:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shohei Ohtani is mired in a hitless streak. Here’s what the Dodgers are doing to fix it

How a onetime top Dodgers prospect became an advisor to four U.S. presidents

And finally

Vin Scully tells a story about a childhood prank. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

The rising sun sets fire to the snow-covered caps of the Atlas mountains. Within moments, the shadowy gorges are gleaming with warm terracotta hues. I turn my back on north Africa’s highest peaks and look north where Marrakech – nicknamed the Red City – rests like a jagged ruby amid the jade swathes of palms and the silvery sheen of olive groves.

Swinging 800 metres (2,625ft) above the stony desert in a giant wicker basket, I try to imagine what this scene would have looked like when camel trains trooped this way, loaded with salt, spices and enslaved humans bound for Marrakech’s souks.

The sky around us is filled with dozens of hot-air balloons, drifting like pollen on a Saharan breeze. The biggest of the suspended baskets hold 16 passengers, most of whom will have left guesthouses and riads in the labyrinthine old town before the dawn prayer call.

“That’s the Koutoubia minaret there, to the west,” says our pilot Daniel Penet, founder of Ciel d’Afrique. “That shadowy area to the north of the minaret is the medina [the old town].”

I realise that “shadowy” may be the perfect word to describe the medina. While the high-rise tower-blocks of Gueliz (the new town) are tall enough to catch the first rays, it takes longer for the sunlight to seep into the medina’s alleys and marketplaces. I can now make out the vast triangular Djemaa el-Fna (Place of the Dead), said to be named for the heads of rebels and criminals that once decorated the walls of the vast plaza. I’d been to Marrakech perhaps a dozen times but this unique aerial vantage point provides a proper chance to get my bearings.

Ever since I first visited 30 years ago, I’ve delighted in the atmosphere of “shadowiness” whenever I step through the gates in the city walls. I revelled in the jolt of adrenaline that came with running the gauntlet of the phalanx of hustlers and faux guides on each foray into old Marrakech, though the city is an infinitely more relaxing place these days, thanks to the efforts of the tourist police.

But the medina still defies orientation. It swallows you whole. No matter how carefully I study the warren of tunnels, arches and boltholes around my accommodation there’s only thing I can be certain of; I will, at some point, become utterly and hopelessly lost.

Safely back on land at the city gates after my early morning balloon ride, I fall into step behind a djellaba-clad figure driving a heavily loaded mule ahead of him. The rabbit warren leads me in the general direction of Derb Farnatchi (Farnatchi Alley). Farnatchis are the wood-burning ovens that serve two crucial purposes: the fire that heats the hammam steam baths is also used by the quarter’s residents to bake their day’s supply of bread.

Finally I arrive at the old mansion that has been converted into Riad Le Farnatchi, a collection of suites, restaurant, spa and even swimming pool – a respite from the world outside. There are now more than 7,000 riads (historic houses, converted into boutique hotels) in Marrakech and this is among my favourites. Many are hidden deep in nondescript alleys and I’ve come to realise that the best of them – such as Le Farnatchi – shun signs so that you’re forced to memorise the doors’ ancient features, like the familiar lines in an elderly face. Guests should look on the challenge of navigation as part of the thrill.

Marrakech has its share of world-famous sights, of course, but if you want to dig more deeply into the secrets of this mysterious city an experienced local guide is priceless.

I sign up for a tour with Intrepid, who have been working to help Moroccan women make an inroad into the traditionally male-dominated tourism industry. Their tours provide fascinating insights on this conservatively Muslim city from a female viewpoint.

Atika Aït Nejjar leads us into timeless sections of the souks where donkeys outnumber tourists and introduces us to the owners of tiny stalls where the best pastries, olives and mint tea have been sold for several generations. She knows many of the local women who gather at the few surviving farnatchi ovens each morning with loaded trays of dough balanced on their heads ready for baking khobz flatbread. She leads us through a humble quarter, where crumbling adobe walls still stand (barely) as testament to the devastating earthquake that struck in 2023, to the house of her friend Fatima, an Amazigh (Berber) friend who prepares a huge plate of delicious vegetable couscous for us.

Later, when the subterranean fires have heated the steam rooms she guides my wife through the complexities of a session in the most authentic of the women’s hammam. The largest hammam have male and female sections but in humbler quarters the afternoons are typically for men while mornings are reserved for the women: “Sometimes they spend hours gently steaming,” Atika smiles. “It’s one of the few places where women can gather to gossip and joke … far removed from the ears of men.”

After leaving Atika, I wander more, enjoying getting lost. The never-ending street theatre of old Marrakech continues its parade across the stage of the street. Countless historic fondouk (caravanserais) remain, recognisable from the big gateways that would have been wide enough to drive loaded camels through. Some have been gentrified and turned into designer stores selling cedarwood furniture and ornate lamps. The most fascinating are in varying states of decay but with such an air of timelessness that you can still imagine Saharan salt trains being offloaded at the end of a long journey from Timbuktu.

While there are souks that appear a thousand times a day on Instagram, others you’ll find by searching them out, or more likely through being lost and drawing on all your senses. Place des Epices (the spice souks) has a scent all of its own, while the less well-known Souk Haddadine (the tinsmith souk) is best found by straining your ears for the rhythmic clatter of hammering. Souk Laghzal is just round the corner from the tour groups in the Spice Souk yet few outsiders ever find it. Those who do should spare a moment’s contemplation since this tiny square was once the slavery souk. These days it’s heaped with mountains of fascinating bric-a-brac and traditional remedies in the form of herbs, potions, dried reptiles and animal skins. There’s also a nameless restaurant here where Fatima – known to traders as “the mother of the souks” – serves the heartiest tajines to stallholders (for a fraction of the price charged in the bazaar thoroughfares).

You can use all the tricks in the book to learn your way around the medina: turn backwards frequently to register how the path will look on the return journey, but be sure to memorise landmarks and architectural quirks that will remain visible even when the stalls have closed. Souks that are vibrant during the day can become almost unrecognisable when the shutters are pulled down.

When the sun sets the medina is wrapped in a dark shawl. Lamps flicker to life and a smokescreen of barbecues billows across the Djemaa el-Fna. Musicians make a few tentative initial rolls on their drums and storytellers call out to gather crowds around them. The stage is set for a new chapter in Marrakech’s medina.

Intrepid’s Private Marrakech Medina, Palace & Tombs Discovery Tour costs from €69. Balloon rides with Ciel d’Afrique from 2,400 Moroccan dirham (€225)