motion picture arts

Don Iwerks, an Academy Award-winning special effects pioneer whose innovations transformed film and Disney theme parks, died peacefully Thursday at the age of 96, the Walt Disney Co. announced.

For Disney and his own studio, Iwerks Entertainment, Iwerks helped develop technologies and techniques like Circle-Vision, the 360-degree camera behind “America the Beautiful” and other early Disney attractions, and the 3-D effects used in attractions like Captain EO and the Star Tours ride.

“There was a ‘can-do’ attitude I learned from Walt and my father,” Iwerks said, according to a statement shared by the Disney Co. “Walt gave everyone a feeling that they were creating things that others had never thought of before, of being a part of history.”

Born July 24, 1929, Iwerks received his first camera at age 14 as a gift from his father, animator Ub Iwerks.

The elder Iwerks met fellow artist Walt Disney when both men were teenagers working at a Kansas City, Mo., art studio. They would go on to work together at the Disney Brothers Cartoon Studio, where Iwerks designed and animated “Plane Crazy,” the first Mickey Mouse cartoon.

After a stint at his own animation studio, Ub returned to Disney as a special effects engineer, pioneering techniques like the 360-degree motion-picture camera.

“He was absolutely my inspiration because he was technically minded. He made my childhood and formative years one of the greatest times of my life,” Don Iwerks told The Times in 1998.

The Iwerks family moved to the San Fernando Valley in 1936, where Don graduated from Van Nuys High School in 1947.

He served as a photographer in Germany during the Korean War and joined his father at Disney following his 1952 discharge from the U.S. Army. An allergic reaction to chemicals used to develop film led to his transfer to the company’s Studio Machine Shop, where he spent the next 34 years.

Don spent three months in the Bahamas manning underwater cameras for the 1954 Disney film “20,000 Leagues Under the Sea.” He then worked as the camera technician on “A Tour of the West,” an original Tomorrowland attraction at the soon-to-be opened Disneyland. The immersive 360-degree film was shot on the Circarama camera system his father invented.

Together, Don and Ub developed technologies like the “endless loop” system that enabled a single film print to run for up to 10,000 performances with minimal intervention and refinements to the photography processes used in “Mary Poppins” (his favorite of the Disney films) and other movies.

His own hands were used as the model for those of the Abraham Lincoln Audio-Animatronics figure in “Great Moments with Mr. Lincoln,” which opened at Disneyland in 1965. The “Iwerks Hands” now appear on similar figures at Disney parks around the world, according to his family.

In 1986, he co-founded Iwerks Entertainment, which soon became a major player in the film and theme park industries. The company specialized in large-format films and created the 3-D projection system used in the Terminator rides at Universal Studios parks in Hollywood and Florida.

His innovations were honored with the Academy of Motion Picture Arts and Sciences’ honorary Gordon E. Sawyer Award and an Academy Scientific and Technical Award, among other prizes.

“It’s very obvious that computers are playing a big role in motion pictures today. The digital technology in film is able to put elements of scenes together on a film and have them look lifelike. It’s hard to know where that will go,” Iwerks said in a 1998 interview.

“My view is that technology should support a good story and add to it. Technology for technology’s sake?” he said with a shrug. “You still need good films.”

Iwerks is survived by his wife of 54 years, Betty; his sons, Larry and John; John’s wife, Chris; his daughter Leslie, and great-nephew,Mike, both of whom have also worked for Disney, according to an obituary shared by his family. His daughter Tamara preceded him in death.

“Like his father, he was a humble genius, a consummate problem solver, and delighted in sharing knowledge, encouraging others, and approaching every challenge with confidence and grace,” his family said in the statement from Conejo Mountain Funeral Home in Ventura.

Both Don and Ub Iwerks are commemorated in a storefront window on Main Street U.S.A. in Disney World’s Magic Kingdom. Located above the Main Street Bakery, the window is a lasting tribute to a family who made some of the park’s magic possible.

“Iwerks-Iwerks Stereoscopic Cameras,” the lettering reads. “No Two Exactly Alike.”

After decades spent shaping modern movies without ever taking home a competitive Oscar, actor Glenn Close and director Ridley Scott will finally receive statuettes from the Academy of Motion Picture Arts and Sciences this fall.

The academy announced Wednesday that Close and Scott will receive honorary Oscars at this year’s Governors Awards alongside pioneering animator Floyd Norman, while producers Christine Vachon and Pamela Koffler, co-founders of Killer Films, will receive the Irving G. Thalberg Memorial Award.

The annual Governors Awards, launched in 2009, recognize lifetime achievement and significant contributions to filmmaking and the motion picture industry. The Thalberg Award honors producers whose bodies of work reflect consistently high-quality motion picture production.

Unlike the competitive Oscars handed out during the telecast, the honorary prizes are presented at a separate ceremony attended by film industry figures, academy members and awards season contenders.

Close, 79, one of the most acclaimed actors of her generation, has received eight Oscar nominations over her career, including for “Fatal Attraction,” “Dangerous Liaisons,” “Albert Nobbs” and “The Wife.”

Scott, 88, the architect of “Alien” and “Blade Runner,” whose striking visual style helped define modern blockbuster filmmaking, has scored nominations for directing “Thelma & Louise,” “Gladiator” and “Black Hawk Down,” while also earning a best picture nomination for “The Martian.”

Despite their long influence on Hollywood, both have frequently appeared on lists of prominent Oscar nominees never to win a competitive Academy Award.

The 90-year-old Norman, who began working at Disney in the 1950s, became the studio’s first Black animator, contributing to films including “Sleeping Beauty,” “The Jungle Book” and “Robin Hood.” His career has spanned more than six decades.

Vachon and Koffler have been central figures in American independent cinema for decades, backing such films as “Boys Don’t Cry,” “Far From Heaven,” “Carol,” “First Reformed” and “Past Lives,” the last of which earned them their first best picture nomination in 2024.

The honors will be presented Nov. 15 at the Ray Dolby Ballroom at Ovation Hollywood during the academy’s 17th Governors Awards ceremony.