Morris

We’d have to say the most challenging thing about us writing “The Comeback” was coming back from the dead after the show was canceled following its first season way back in 2005. Talk about a hiatus.

There are always nerves when you return to do the next season of a series, but when the hiatus lasts 10 years between Season 1 and Season 2, and then another 10 years between the second and this third, final season — that’s a whole other level of “When we last left Valerie …”

But, gratefully, when we get together to write Valerie Cherish and her world again, it’s somehow more exciting than daunting. The nerves fade and the fun starts. The fun along with — of course — the doubts, the surprises, the deadlines, the page count. The comedy and the tragedy (see page count again). We improvise dialogue so much in the writing room that our notes tend to reach into hundreds and hundreds of pages — per episode. That’s a joke … kind of. And on top of all that, this season and this script that we’ve been nominated for writing had a particular challenge.

(Christina House / Los Angeles Times)

Between the second and third seasons, one of our most beloved cast members, Robert Michael Morris, died. Robert played the beloved, significant, audience-favorite character Mickey, Valerie’s hairdresser. At first, we couldn’t imagine doing a season without this important person and character … but when we decided to go forward with this season’s story, which deals with the TV industry’s fear of an AI takeover, we knew we had to find a way to deal with Mickey’s absence. We decided that since Robert Michael’s death happened during that second 10-year hiatus, we had to find a way to incorporate that history into the Valerie and Mickey storyline. And because it had never been dealt with by the show on camera, we decided that maybe Valerie hadn’t fully dealt with it as well. That way, the viewers wouldn’t feel like they missed a significant turn in Valerie’s journey. We decided if we could create a story where Valerie hadn’t really grieved Mickey’s passing and had to face it in the episode, then she and (hopefully) the viewers could share the sadness and the love together. And together, they could find a way to accept and release him with respect for the actor and the character and with a bit of triumph for all he meant to Valerie and to all of us on our series.

So, we created a character named Tommy Tomlin — another hairdresser and longtime friend of Mickey’s who Valerie hires to step in and take Mickey’s place and be the hairdresser on her new AI-written sitcom. Well, Tommy can do her hair but, by design, can never replace Mickey, and that conflict between Valerie and Tommy underlines her loss and her denial of Mickey’s passing. Tommy’s presence helps push Valerie to acknowledge Mickey’s absence and moves her to gently face it, finally scatter his ashes and let him go.

It was an emotional story to write and even more emotional to film. Lisa was standing on top of a Warner Bros. soundstage ready to open the box of prop ashes, to allow them to float over “Old Hollywood,” a lure that Mickey loved. But we were filming this scene at sunset, and what comes with the light at that picturesque time of day in Burbank is a strong wind from the surrounding mountains that gets trapped in an impromptu kind of wind tunnel between the soundstages. If Lisa opened the box at the wrong moment, the ashes would fly right back into her face — and in this moment, we were not going for comedy.

I was directing from down on the ground, and I looked up to the heavens and said to Robert Michael Morris, “This is your big moment — please quiet the wind so it can be beautiful and touching and an appropriate goodbye to you and your character.” And — I swear — the wind died down. I called “Action!” and on top of the soundstage, Lisa said her goodbye as Valerie, opened the box and the ashes lifted out, almost magically, and floated out and away into the sunset over the Warner Bros. Studio back lot — just as we imagined in the writing room all those months earlier.

MAREN Morris managed to dodge questions about her friend Taylor Swift’s wedding on live TV just hours before the pop superstar is scheduled to tie the knot.

The country singer performed on Today Friday morning in front of a packed crowd in the sweltering NYC heat as part of the morning show’s summer concert series.

After performing her hits Hard Liquor and Soft Rock and 80s Mercedes early Friday, Today’s Craig Melvin dropped a Taylor wedding question on Maren, taking her by surprise.

“It was reported yesterday by Variety that you are going to the wedding. What do you get as a gift for someone like that? Do you get a juicer?” Craig asked, as Maren nervously played with her hair and stuttered.

“I don’t know, what do you get? That would be a hard person to buy for,” she said uncomfortably.

“I’m so happy for them. This is such an incredible thing. I think she has such a close tie to New York.

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“And yeah…I’m so excited for them to celebrate their love. It’s so cool.

“There’s a lot going on this weekend. I’m happy to be here during this frenzy.”

According to Variety, Maren is attending the festivities on Friday evening, alongside fellow country stars Miranda Lambert and Kelsea Ballerini.

Taylor and Maren have been friends for years, and the latter even made a guest appearance on the pop superstar’s Eras tour in 2023.

The massive reception is expected to kick off later in the afternoon on Friday at New York’s Madison Square Garden, with other big-name guests including Zoe Kravitz, Adam Sandler, Sabrina Carpenter and Graham Norton.

As The U.S. Sun first reported, Gigi Hadid and Selena Gomez are expected to be bridesmaids, and both have been spotted out and about in NYC this week.

Last night, Taylor and Travis’ close friends and family members attended the rehearsal dinner, and emerged from the venue with little black boxes.

The boxes had a TT – the couple’s initials – on the outside.