monologue

Pop star Sabrina Carpenter hosted “Saturday Night Live” for the first time ever, but it sure didn’t feel like it.

Carpenter was the musical guest last year when Jake Gyllenhaal hosted, and at the 50th anniversary special, she performed with Paul Simon and appeared in a sketch. Whether it’s because she’s done the show both as a musician and a comedic performer (her song performances are often a mix of both) or not, Carpenter seems perfectly at ease in Studio 8H, like she’s always been there.

That served her well on an episode that started badly with a retread of a sketch that’s been done a few too many times (keyword: Domingo), and a monologue that, despite Carpenter’s charm, didn’t seem to connect with the audience.

But after that, Carpenter’s quicksilver timing and ease, plus a diverse set of sketches, put the episode over the top. She sounded just like a 12-year-old boy in a sketch about preteens hosting a podcast called “Snack Homies” with President Trump (James Austin Johnson) as a guest, sold a provocative neck pillow in a funny Shop TV sketch, performed a pretaped “Grind Song” with Bowen Yang, and was thrown out of a window as the host of a girlboss seminar. She scared a co-worker (Ashley Padilla, quickly becoming a critical “SNL” utility player) on her birthday and played a singing and dancing washing machine alongside new cast member Veronika Slowikowska.

It also didn’t hurt that Carpenter’s two playful and well-sung musical performances, for “Manchild” and “Nobody’s Son,” were showstoppers. Her love of the show was evident: she performed the former wearing a “Live from New York” T-shirt and panties with “It’s Saturday Night!” written on the back.

The best argument for inviting Sabrina Carpenter back sometime might be that she held the show together with no outside guests or surprise cameos, which hasn’t happened on “SNL” in a long time. The only exception was a short film from “Please Don’t Destroy” writer Martin Herlihy at the end of the show that may have been about racism and Frankenstein’s Monsters (yes, plural).

We’ll keep this short because the less said about this week’s cold open the better. Chloe Fineman and Andrew Dismukes returned as Matthew and Kelsey, a couple that has struggled in the past with trust issues from Kelsey’s frequent trips with her friends that usually end with a passionate affair with a guy named Domingo (Marcello Hernández). This time, they’re celebrating Matthew’s 30th birthday, but for some reason, Kelsey has flown in her girlfriends (including Carpenter) to sing some pop songs in bad karaoke style about a recent weekend they spent in Nashville. This time the songs are modeled after Taylor Swift’s “Fate of Ophelia,” Lady Gaga’s “Abracadabra” and Alex Warren’s “Ordinary Song.” The ladies went to Nashville and of course Domingo is still around. “This is strike six,” Matthew cries haplessly. “Babe, it won’t happen again,” Kelsey promises. Let’s hope so. The Domingo sketches need to be put to rest.

Carpenter’s monologue was largely about dispelling (but not really) the notion that the singer is overly sexualized, or as she described it, a “Horndog popster.” “There’s so much more to me,” she said, “I’m not just horny. I’m also turned on.” She made hay of the controversy over her “Man’s Best Friend” album cover by joking that it was cropped and revealing that Bowen Yang and Martin Short both originally appeared on it, with Yang pulling her up by her hair and Short pushing her away from a buffet line. The monologue started to fizzle when Carpenter went to the audience for some interaction to prove she can have chemistry with anyone or anything, only to come back to the stage for an awkward bit with Kenan Thompson, who said he wanted a Cameo video for his niece. Carpenter has charisma to spare, but the monologue was too disjointed to go anywhere.

Best sketch of the night: Does making plans to see “Plans” also scare you?

Mock horror movie trailers have done well on “SNL” lately and the streak continues with “Plans,” a Blumhouse horror film featuring Ben Marshall and Carpenter as a couple horrified to realize that plans they made back on Fourth of July have suddenly come to fruition with a cousin and her husband. As their terror grows, they remember that the cousin (Sarah Sherman) talks about marathons (“The way I see it, losing toenails is a badge of honor”) and the husband (Dismukes) likes to show off 11-minute YouTube videos. They’re going to end up at a crowded ramen restaurant and then a bad interactive play. For anyone who’s ever regretted saying yes to socializing, this might be your worst nightmare.

Also good: The neck pillow monologues

The Shop TV sketches wouldn’t work so well if Padilla and Mikey Day didn’t do such a good job infusing their characters Bev and Rhett with such practiced professional panic when things go awry, as they’ve done before. Carpenter appears as Virginia Duffy, a crafter who’s designed an ergonomic pillow that looks just like a giant vagina, which comes in different colors. “Why would you bring the pink one?” asks an exasperated Rhett. By the time the faux fur lining is added and Rhett tries on the neck pillow, culminating in an unwanted baby sound effect, Shop TV has done it again. Bonus points for Johnson as Tim Tucker, who appears at the beginning of the sketch with a trick-or-treat pail in the shape of Jesus Christ’s head. “Trick or treat, smell my feet, walk with Christ down the Halloween street,” he chants.

‘Weekend Update’ winner: Did you see ‘Saw’? He did not

New cast member Tommy Brennan discussed moving to New York and growing up in Minnesota, but it was the return of Hernandez’s Movie Guy character, who wants to talk about scary movies but has seen absolutely none of them. “Everybody saw ‘Weapons!’ I have to tell you, I was not one of those people,” he says. Movie Guy expresses that horror movies often tell you what they’re about: with “Scream,” “everbody scream!” With “Smile,” “everybody smile!” How about “Saw?” “Everybody saw! But not me, I did not see.” He goes on to touch on why Stewie from “Family Guy,” “Shrek” and others are also scary (even if he hasn’t seen them). “‘One Missed Call’ … is this a movie about my mother?”

Jimmy Kimmel figured his ABC late-night show was toast during last month’s firestorm over his comments following conservative activist Charlie Kirk’s shooting.

“I said to my wife: ‘That’s it. It’s over,’” Kimmel recalled Wednesday night at the Bloomberg Screentime media conference in Hollywood in a lengthy sit-down interview three weeks after the controversy.

The 57-year-old comedian has all along felt his statements about the Kirk shooting were misconstrued. But he recognized his show was in deep trouble on Sept. 17 when his bosses benched him and two ABC affiliate station owners, Nexstar Media Group and Sinclair Broadcast Group, initially refused to air the program.

Kimmel provided fresh details about his dealings with Walt Disney Co. brass, his emotional hiatus and the late night television business in the wake of rival CBS announcing it was canceling “The Late Show with Stephen Colbert” next spring.

Kimmel declined to say whether he would extend his long ABC run when his contract is up in May, but he acknowledged an interest in producing other projects.

Kimmel’s future was in doubt last month after his comments and the political backlash spawned boisterous protests that shined a light on 1st Amendment freedoms, the role of the Federal Communications Commission and the challenges facing Disney as it looks for a new leader to replace Chief Executive Bob Iger next year.

The controversy began with his Sept. 15 monologue when Kimmel said Trump supporters “are desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it.” Right-wing influencers howled; FCC Chairman Brendan Carr called Kimmel’s actions “the sickest conduct possible.”

The sentiment he was trying to convey “was intentionally, and I think maliciously, mischaracterized,” Kimmel said.

He didn’t sense the initial fallout was “a big problem,” but rather a “distortion on the part of some of the right-wing media networks,” he said.

Kimmel had planned to clarify his remarks Sept. 17, but Disney executives feared the comedian was dug in and would only inflame the tense situation. That night, about an hour before showtime, Disney hit pause and released a statement saying the show had been pre-empted “indefinitely.”

He was off the air for four days.

“I can sometimes be aggressive. I can sometimes be unpleasant,” he said.

A protester calls for the return of “Jimmy Kimmel Live!” after Walt Disney Co. yanked the ABC comedian in September over comments he made about the shooting of right-wing influencer Charlie Kirk.

(Genaro Molina / Los Angeles Times)

He recognized the show’s precarious position when Sinclair and Nexstar bailed. He recalled an episode from early in his career when he made a joke about boisterous Detroit basketball fans, saying “They’re gonna burn the city of Detroit down if the Pistons win,” so he hoped the Lakers would prevail.

The comment riled up the Motor City, prompting the local ABC affiliate to briefly shelve Kimmel’s show.

An ABC executive at the time told Kimmel the loss of the Detroit market could be catastrophic. That pales in comparison to the threatened loss of Nexstar and Sinclair, which own dozens of stations, including in such large markets as Seattle, St. Louis and Washington, D.C.

“The idea that I would not have …. 40 affiliates [stations] … I was like, ‘Well, that’s it,’” Kimmel said.

But he said he “was not going to go along” with demands made by station broadcasters.

Sinclair, a right-leaning broadcaster, said in a statement it would not air Kimmel until he issued “a direct apology to the Kirk family” and “make a meaningful personal donation to the Kirk Family and Turning Point USA,” the right-wing group Kirk founded.

Both Sinclair and Nexstar resumed airing the show Sept. 26. ABC offered no concessions.

Kimmel complimented Disney’s co-chair of entertainment Dana Walden’s handling of the crisis, saying she was instrumental in helping him sort through his emotions.

“I ruined Dana’s weekend. It was just nonstop phone calls all weekend,” Kimmel said, saying he doubted the situation would have turned out so well “if I hadn’t talked to Dana as much as I did, because it helped me think everything through, and it helped me just kind of understand where everyone was coming from.”

When asked who might become the next CEO of Disney, Kimmel said it would be “foolish” to answer that question.

“But I happen to love Dana Walden very much, and I think she’s done a great job,” Kimmel said.

Throughout the controversy, Walden and Iger were skewered by critics who asserted the company was caving to President Trump, who has made it clear that he’s no Kimmel fan. The Disney leaders were accused of “corporate capitulation.”

“What has happened over the last three weeks … was very unfair to my bosses at Disney,” Kimmel said. “It [was] insane, and I hope that we drew a really bold red line as Americans about what we will and will not accept.”

Kimmel returned Sept. 23 with an emotional monologue that championed the 1st Amendment.

Ratings soared.

The controversy — and CBS’ upcoming cancellation of Colbert — has focused new attention on the cultural clout of late night hosts, despite the industry’s falling ratings.

Millions of viewers now watch monologues and other late night gags the following day on YouTube, which means networks that produce the shows have lost valuable revenue because Google controls much of that advertising.

Networks acknowledge the late night block is challenged, but Kimmel said such shows still matter.

He scoffed at reports that cite unnamed sources suggesting Colbert’s show was on track to lose $40 million this year.

“If [CBS] lost $40 million, they would have canceled it already,” Kimmel said. “I know what the budgets for these shows are,” alluding to the ABC, CBS and NBC shows.

“If we’re losing so much money, none of us would be on,” he said. “That’s kind of all you need to know.”

Sinclair Broadcast Group is ending its preemption of ABC’s “Jimmy Kimmel Live!”

The Maryland-based owner of several major ABC network affiliates said Friday the late night program will return to its airwaves immediately. The station group pulled Kimmel off the air Sept. 17 following a backlash over the host’s comments related to the killing of right-wing activist Charile Kirk.

Sinclair’s ABC stations include WJLA in Washington, D.C., and KOMO in Seattle.

Kimmel was pulled off the air by Sinclair and another station group, Nexstar, the same day Federal Communications Commission Chair Brendan Carr took aim at the host’s Sept. 15 monologue, in which Kimmel said MAGA Republicans were using Kirk’s death to “score political points” and were trying to categorize shooting suspect Tyler Robinson as “anything other than one of them.”

In a statement, Sinclair did not cite a specific reason for returning the program, which has not aired on its stations since Sept. 17. The company had initially demanded that the host make a personal apology to the family of Kirk and a significant contribution to the his organization Turning Point USA.

A person briefed on the matter who was not authorized to comment publicly said no such concessions were made to get the program back on the air.

Carr, who oversees regulations for broadcast stations, called Kimmel’s remarks “the sickest conduct possible” and called for ABC to act. He threatened to go after TV stations’ licenses if it failed to do so.

ABC pulled the program from the network, but returned it to the air on Tuesday. Kimmel’s first episode back scored 6.26 million viewers — a record for its regular 11:35 p.m. time slot — while his opening monologue was watched by more than 26 million people on YouTube and social media.

This is a developing story.

Jimmy Kimmel’s emotional Tuesday return to his late-night hosting perch at ABC gave his program its largest audience ever in its regular 11:35 p.m. time period, despite not airing for nearly a quarter of U.S. households.

An average of 6.26 million viewers tuned in to watch “Jimmy Kimmel Live!” as the comedian addressed his suspension that became a free speech cause celebre, according to Nielsen. ABC had pulled the show “indefinitely” starting Sept. 17 following blowback over Kimmel’s remarks about the shooting death of right-wing activist Charlie Kirk.

The only times “Jimmy Kimmel Live!” has scored higher ratings were when it aired special episodes after the Oscars and the Super Bowl. Preliminary numbers for Tuesday’s show didn’t include streaming.

The program delivered strong numbers despite not airing on 60 network affiliates covering 23% of U.S. television households. Television station ownership groups Nexstar and Sinclair kept the program off their ABC-affiliated outlets even as Walt Disney Co.-owned ABC resumed production.

By late Wednesday, 15 million people had watched Kimmel’s monologue and a comedy bit with actor Robert De Niro on YouTube, where ABC made it available shortly after it aired on TV. ABC said a total of 26 million people watched the monologue across YouTube and social media platforms.

Kimmel clearly grasped that his return would be a historic moment in the annals of late-night TV, as his network-imposed hiatus became a global news story and sparked a widespread debate about free speech and the role of government regulators.

He opened with the line, “Before I was interrupted” — the same words “Tonight” show host Jack Paar used in 1960 when he returned from a monthlong walkout. Paar left his program after NBC censors cut a water closet joke from his monologue, which became one of the biggest TV industry controversies of that era.

Kimmel was pulled off the air the same day Federal Communications Commission Chair Brendan Carr took aim at the host’s Sept. 15 monologue, in which Kimmel said MAGA Republicans were using Kirk’s death to “score political points” and were trying to categorize suspected shooter Tyler Robinson as “anything other than one of them.”

Carr, who oversees regulations for broadcast stations, called Kimmel’s remarks “the sickest conduct possible” and called for ABC to act. He threatened to go after TV stations’ licenses if it failed to do so.

During his opening monologue, Kimmel got choked up when he told viewers it was “never my intention to make light of the murder of a young man” when he discussed the right wing’s response to the shooting.

But Kimmel went on to chastise Carr, showing his social media postings in recent years that gave unequivocal support to the 1st Amendment and condemning the censorship of TV hosts and commentators.

Since becoming FCC chair under the Trump administration, Carr has joined the president in denouncing his late-night critics.

While Kimmel was contrite regarding Kirk, he showed no mercy for Trump in the monologue addressing the matter that took much of the show, a clear indication that he won’t be changing his tone. He also continued to promote free speech, saying the government attempts to stifle voices such as his are “un-American” and “so dangerous.”

Kimmel also expressed gratitude to politically-right-leaning politicians and commentators who expressed dismay over his removal from the air, including Ted Cruz and Joe Rogan.

Trump reacted harshly to Kimmel’s return. In a Truth Social post, he said he may file another lawsuit against ABC. The network paid a $16-million settlement last year after “Good Morning America” co-host George Stephanopoulos mistakenly said Trump was found liable of of sexual assault instead of sexual abuse.

A letter signed by several dozen former employees of ABC, which was obtained by The Times, praised Disney Chief Executive Bob Iger’s decision to return Kimmel to the air, but warned “it must be the first step in a concerted effort to defend free speech and press freedom against political intimidation.”

“The $16 million settlement with Donald Trump, combined with the absence of a strong public defense of ABC News journalists under attack, has emboldened Administration efforts to intimidate the press,” said the letter, which included the signatures of former ABC News correspondents Sam Donaldson, Chris Bury, Ned Potter, Judy Muller and Brian Rooney.

Nexstar is still keeping “Jimmy Kimmel Live!” off its ABC affiliates. A Nexstar representative said Wednesday the company is having “productive discussions with executives at the Walt Disney Company, with a focus on ensuring the program reflects and respects the diverse interests of the communities we serve.”

A representative for Sinclair, which preempted “Jimmy Kimmel Live!” in markets such as Seattle and Washington, D.C., said in a statement that the company is also monitoring the situation before deciding to return the program to its ABC station program lineups.

Jimmy Kimmel is back — and like his late-night peers, he’s not shying away from talking about ABC’s decision to bench him.

Tuesday’s show marked Kimmel’s return to his talk series since Walt Disney Co.-owned ABC announced last week that it was suspending the show indefinitely. The decision came after Nexstar Media Group and Sinclair Broadcasting, owners of ABC affiliates, said they would not air the show because of comments Kimmel made about the suspect in the shooting death of conservative activist Charlie Kirk. Both companies said they would continue to keep “Jimmy Kimmel Live!” off air.

Kimmel was greeted by the studio audience with a long standing ovation and chants of “Jimmy.” He cracked a joke to open: “Who had a weirder 48 hours — me or the CEO of Tylenol?”

The host said he was moved by the support he had received from friends and fans, but especially from those who disagree with him. He cited comments from Ted Cruz and mentioned the support he received from Ben Shapiro, Candace Owens and Mitch McConnell.

“Our government cannot be allowed to control what we do and do not say on television, and that we have to stand up to it,” he said. “I’ve been hearing a lot about what I need to say and do tonight, and the truth is, I don’t think what I have to say is going to make much of a difference. If you like me, you like me; if you don’t, you don’t; I have no illusions about changing anyone’s mind.”

What was most important to him, though, was imparting that it was “never my intention to make light of the murder of a young man,” Kimmel said through tears.

“I understand that to some that felt either ill timed or unclear or maybe both, and for those who think I did point a finger, I get why you’re upset,” Kimmel said of his comments about Kirk’s suspected killer. “If the situation was reversed, there’s a good chance I’d have felt the same way. I have many friends and family members on the other side who I love and remain close to, even though we don’t agree on politics at all. I don’t think the murderer who shot Charlie Kirk represents anyone. This was a sick person who believed violence was a solution and it isn’t.”

Kimmel also said his ability to speak freely is “something I’m embarrassed to say I took for granted until they pulled my friend Stephen [Colbert] off the air and tried to coerce the affiliates who run our show in the cities that you live in to take my show off the air.”

“That’s not legal,” he continued. “That’s not American. That is un-American.”

The host did not comment on his suspension until Tuesday’s episode, which will air on the West Coast at 11:35 p.m. PT, but talk show hosts, actors, comedians, writers and even the former head of Disney had condemned ABC’s decision to pause production.

Hours before he taped Tuesday’s episode, Kimmel posted on Instagram for the first time since his suspension, sharing a photo of himself with iconic television creator Norman Lear. Kimmel captioned the photo “Missing this guy today.” The late Lear, whom Kimmel collaborated with on the television specials “Live in Front of a Studio Audience,” was an outspoken advocate for freedom of speech and the 1st Amendment and he founded the organization People for the American Way, which aims to stop censorship as one of its many goals.

Trump also took to social media before Tuesday’s episode to express his thoughts about Kimmel’s return, writing on Truth Social that he couldn’t believe the show was coming back: “The White House was told by ABC that his Show was cancelled [sic]!”

“Why would they want someone back who does so poorly, who’s not funny, and who puts the Network in jeopardy by playing 99% positive Democrat GARBAGE,” Trump continued. “He is yet another arm of the DNC and, to the best of my knowledge, that would be a major Illegal Campaign Contribution.

He went on to write he wanted to “test ABC out on this.”

“Let’s see how we do. Last time I went after them, they gave me $16 Million Dollars,” he wrote, referencing the settlement with ABC after Trump filed a defamation lawsuit over inaccurate statements made about him by ABC News anchor George Stephanopoulos. “This one sounds even more lucrative. A true bunch of losers! Let Jimmy Kimmel rot in his bad Ratings.”

Pressure to suspend Kimmel came from Federal Communications Commission Chairman Brendan Carr, who said in a podcast interview last week that ABC had to act on Kimmel’s comments. The Trump appointee said, “We can do it the easy way or the hard way.”

Hours later, Nexstar, which controls 32 ABC affiliates, agreed to drop “Jimmy Kimmel Live!” indefinitely, and ABC followed with its own announcement that it was pulling Kimmel from the network. Sinclair Broadcasting, a TV station company long sympathetic to conservative causes, also shelved the show and went a step further by demanding that Kimmel make a financial contribution to Kirk’s family and his conservative advocacy organization Turning Point USA.

FCC Commissioner Anna M. Gomez, one of three commissioners, and the only Democratic member, released a searing statement the next day.

Gomez said the FCC “does not have the authority, the ability, or the constitutional right to police content or punish broadcasters for speech the government dislikes” and called the network’s move a “shameful show of cowardly corporate capitulation by ABC that has put the foundation of the First Amendment in danger.”

“When corporations surrender in the face of that pressure, they endanger not just themselves, but the right to free expression for everyone in this country,” Gomez continued. “The duty to defend the First Amendment does not rest with government, but with all of us. Free speech is the foundation of our democracy, and we must push back against any attempt to erode it.”

Times staff writers Stephen Battaglio and Meg James contributed to this report.