moment

Viewers of the BBC documentary were left in tears after watching paramedics battle to save a 67-year-old man

Viewers were left emotional after a man tragically died during TV show Ambulance on Wednesday’s episode.

The most recent instalment of the BBC series, which follows ambulance crews in Yorkshire, saw an emergency team respond after receiving a call reporting that 67-year-old Steve had stopped breathing.

Critical care paramedic John was amongst those who raced to the location. As the team began CPR, John informed Steve’s partner Penny: “At the moment, the heart rhythm, Steve’s heart, there’s no electrical activity at all. It’s really not good I’m afraid.”

“I think you need to prepare yourself,” he continued. Penny mentioned that Steve was “quite stubborn”, with John responding: “So maybe, maybe he’ll prove me wrong. We’re not there yet.”

However, following 32 minutes of CPR, the decision was taken to stop and John had to deliver the devastating news to Penny, reports Yorkshire Live.

“Penny we’ve stopped,” he informed her. “I am really sorry.”

As they discussed what had happened, John reassured her: “Don’t second guess it. It wouldn’t have changed anything. Nothing you could have done, would have stopped that from happening.”

Penny recalled that there had been an “incredible sunset” that week, saying: “At least he saw that.”

Audiences were left devastated by the scenes, with one sharing on social media: “Sobbing for Steve and Penny. So glad he saw the beautiful sunset. With love.”

“I can’t deal with cardiac arrests,” one viewer wrote on X, including a crying emoji.

“This is brutal,” another individual commented on the platform. “This programme never fails to have me in tears,” admitted one viewer. “So much respect for the call handlers and paramedics.

“Awww wee Penny xxx, bless that paramedic man for his words of comfort,” wrote another, as a fellow viewer remarked: “Oh my goodness this programme Ambulance is so hard to watch.”

“Poor Penny,” said another moved viewer, while one more observed: “Such a dignified response from this lady to her partner just dying. Bless her heart.”

Ambulance airs on BBC One and BBC iPlayer on Wednesdays at 9pm.

MOLLY-Mae Hague was left speechless after boyfriend Tommy Fury called her a “piece of a***” in front of their daughter Bambi.

The Love Island icon, 26, is currently pregnant with their second baby after the couple got back together last year.

The couple are getting ready to welcome baby number two, after their daughter Bambi, three, was born in 2023.

Molly-Mae and Tommy often keep fans up-to-date with their family life at home, since reuniting after their split.

Today they shared a hilarious moment in the boxer’s latest YouTube vlog called: “Spend a weekend with me.”

In the video the couple were seen in the car with Bambi in the backseat.

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The conversation then turned to Molly saying that she “never looked worse”.

Tommy then quickly said that he “disagreed”.

“I think you look very beautiful. All of your luscious long blonde locks.” the boxer told Molly.

“And it’s very nice to have a piece as good as you in the front seat of the car.”

Molly then quickly asked; “A piece? What do you mean a piece?

To which Tommy replied with a grin: “One piece of a**!”

Molly then chuckled: “Babe, I’m your pregnant missus!”

She then added: “Terrible!”

It comes as Molly-Mae and Tommy quietly broke their baby news to family and close pals months ago, but shared a surprise video with fans in February.

The mum posted a sweet black and white clip on Instagram filmed on January 23, captioning it: “Soon to be four.”

It included Bambi who was wearing a “big sister” jumper.

Molly had previously expressed her desire to expand her family with Tommy in scenes aired on her Amazon Prime documentary in January.

Opening up about the future, she revealed: “All I want in this life is to be with him, and to have another baby with him, and to grow old as a family.

“And to live in a nice house together and have a nice life together. That’s all I want.”

Molly also dropped various clues about her pregnancy before announcing her joyous news, which is said to have strengthened her relationship with boxer Tommy.

A source told The Sun: “Finding out Molly is pregnant has really helped bring them close together again.

“Tommy is determined to do things right this time he has cancelled all of his summer trips with his friends, as he wants to stand by Molly every step of the way.

“Their new home is in a better place for both of them and has more than enough space for two children.”

The couple co-parented Bambi following their messy split in August 2024 – following reports Tommy cheated on her during a lads’ holiday.

Molly-Mae and Tommy Fury’s relationship timeline

From Love Island to a diamond ring and baby – we look at how Molly and Tommy have got to where they are today.

Rescuers have pulled a man alive from the rubble after US-Israeli strikes hit a residential area on the outskirts of Tehran, the Iranian Red Crescent said. The US and Israel have continued to strike Iran, despite President Trump’s claims of diplomatic progress.

CCTV footage shows an Israeli soldier throwing a stun grenade into a shop during a night raid near Ramallah.

Israeli President Isaac Herzog was forced to take cover as a missile struck nearby shortly after he gave a press conference in the northern Israeli town of Kiryat Shmona. During the speech, Herzog aid Israel cannot return to last year’s ceasefire and must secure “strategic depth inside Lebanon.”

COLUMBIA, S.C. — When you look at the USC Trojans, one might think they’re setting the table for next year.

Buying time until JuJu Watkins returns. Keeping the ship afloat until the talented recruiting class that includes Saniyah Hall makes its way to campus.

But the Trojans showed Saturday that’s not the case. They’re making a plate and eating now.

The No. 9 seed Trojans gutted out a 71-67 overtime win over No. 8 seed Clemson in what USC coach Lindsay Gottlieb described as “a culture win.”

That game featured many tests for a young team in March and the Trojans responded well to the challenges. They are advancing on the back of freshman Jazzy Davidson’s 31 points and senior Kara Dunn’s 22.

Davidson, who appeared to be on the verge of tears as the referees reviewed the final play of regulation to determine whether she had committed a foul that would have set Clemson up for game-winning free throws, said on Sunday there’s a standard that this year’s Trojans feel they are responsible for meeting.

“I think our expectations, you know nobody wanted to lose JuJu, we all love her, but we have to keep going as you said and just holding that same expectation that they had last season. Just the program standard,” Davidson said. “And just resiliency and making sure that we’re doing our best every game.”

Dunn said the deck has been stacked against the Trojans all season and it’s forced them to grow stronger as a unit.

USC guard Kara Dunn drives to the basket in front of Clemson guard Taylor Johnson-Matthews during the first round of the NCAA tournament on Saturday in Columbia, S.C.

(Nell Redmond / Associated Press)

“I think this year has just been about focusing on going against all odds,” Dunn said. “A lot of people didn’t expect much from this team and they might have turned away at certain times when we had lower moments this season and I think that it built our own culture for this season specifically. I feel like we had to come together, we had to support each other when it didn’t feel like we had much support and I think that that’s been really important.”

She added that moving through the season with just the support of each other and their die-hard fans works in their favor as they prepare to take on powerhouse South Carolina on the Gamecocks’ formidable home floor.

“We have everything to gain, nothing to lose going into this game, so I feel like this has really helped us,” Dunn said.

The NCAA tournament game against the No. 1 seed on the Trojans’ side of the bracket will be a rematch of the unofficial “Battle of the Real USC” in November. The Gamecocks claimed a 69-52 win during that meeting.

USC guard Jazzy Davidson drives under pressure from Clemson guard Rachael Rose Saturday in Columbia, S.C.

(Nell Redmond / Associated Press)

Gottlieb said Sunday she scheduled that game to prepare her team for moments like Monday’s tough matchup.

“Maybe if we hadn’t played Notre Dame, UConn and South Carolina, maybe our record would be a little better coming in, but it doesn’t make you a better program,” she said. “Our goals remain the same; which is to win a national championship. So if you’re skipping those people in nonconference hoping to manipulate it, it doesn’t work that way. You have to see the best. You have to elevate your program to be the best, then ultimately, you have to beat the best to get to where you want to be.”

South Carolina is trying to avenge last season’s championship loss to UConn and secure its fourth national championship in program history and the third in five years. USC, meanwhile, is trying to match the Cheryl Miller era when she led the Trojans to back-to-back national titles in 1983 and 1984.

Trojan culture will be tested more than ever, but Dunn feels good about where the team is heading.

“Obviously that was the beginning of the season, now it’s towards the end and we’re two very different teams,” she said of the previous loss to South Carolina. “We’ve grown in a lot of ways, but we’re using that scout just to see what we did well and what we could’ve done better. We just want to make sure that we control those things first and then adjust.”

Davidson will have the chance to play in another legacy defining game during her second NCAA tournament appearance.

“I feel like I have nerves a little bit before every game, [Monday] especially because it’s a big game,” she said. “My teammates are always just making sure I’m calm and in the moment. The confidence that they instill in me every day really helps.”

Watch the moment an Iranian strike hits what appears to be a bridge in central Tel Aviv, startling pedestrians nearby with the loud blast.

This Morning presenter Alison Hammond has confessed to an ‘awful’ moment on Strictly Come Dancing.

Alison Hammond has revealed a mortifying Strictly Come Dancing confession, admitting to an embarrassing incident during her time on the programme.

The This Morning host shot to prominence on Big Brother in 2002, and has subsequently featured on shows including Strictly, I’m A Celebrity… Get Me Out of Here!, and as presenter of The Great British Bake Off.

Alison graced the Strictly dance floor in 2014, paired with Aljaz Skorjanec, with the duo placing 10th overall. She has now owned up to “breaking wind” during the competition.

The 51-year-old recounted a particular incident from the show whilst appearing alongside Gavin and Stacey star Ruth Jones, Buffy the Vampire Slayer’s Sarah Michelle Gellar, comedian Richard Ayoade and Ready or Not 2’s Kathryn Newton on The Jonathan Ross Show, broadcasting tonight (Saturday).

She recalled performing to Robin Williams’ Friend Like Me during week seven of the competition, hoisting Aljaz off the ground at one stage, before confessing: “Oh, it was awful. At the time he couldn’t lift me so we thought don’t worry I’ll lift you, I can do it,” reports Birmingham Live.

“There is a moment where he does a cartwheel and I had to kind of pick him up and then help him over. He goes into this cartwheel and I pick him up and I break wind. I look at him and I go, ‘Let’s never talk about this again.’

“I didn’t realise that he’s quite a heavy guy – it literally took the wind out of me.” Alison has previously spoken about her experience on Strictly, and her bond with her former dance partner, Aljaz.

Amid several scandals Strictly has faced in recent years, including Graziano Di Prima and Giovanni Pernice being dropped from the professional line-up, Alison said: “I had Aljaz Skorjanec and he was absolutely incredible and as you know going back into Strictly.

“He was so amazing to me and gentle as well and kind. I’ve never experienced anything bad really.”

Elsewhere on The Jonathan Ross Show, Alison speaks about her new programme, Your Song.

She explains: “Your Song is exactly that. It’s your song that you feel emotionally attached to – it got you through a rough time at school or you know, it reminds you of someone who has passed on. A song that really means something to you.

“People come from around the country and perform it on a stage. People go on stage who have never sung before and they sing a song to a random audience. It’s just one of the most beautiful shows ever.”

The Jonathan Ross Show airs tonight from 10pm on ITV1 and ITVX.

THIS is the moment Justin Timberlake is put in cuffs as the body cam footage of his arrest for drink driving is released.

The pop star, 45, was arrested in Sag Harbor, New York, in June 2024 after he failed to stop at a stop sign and could not stay in his lane.

Shortly after leaving The American Hotel following a night out with friends, the singer was pulled over while traveling southbound on Madison Street, a public highway in the Hamptons village.

Cops, often stationed nearby, noticed Justin swerving on the road and blowing through a stop sign.

They later smelled alcohol on his breath and noted that he was unsteady on his feet and also had slowed speech and glassy eyes.

The body cam footage of his arrest was released on Friday after the star’s legal team reportedly tried to previously prevent its release.

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In the video, an officer can be seen shining a flashlight in Timberlake’s face at the roadside before the star performs poorly on sobriety tests.

He is asked to walk in a straight line but has difficulty with the instructions, appearing confused.

Timberlake tells them: “Guys, I’m just following my friends back to my house. I’m not doing anything.”

While attempting the sobriety test, he stumbles before apologising and saying ” I’m a little nervous”.

When asked to do the next test, the officers are forced to explain multiple times before Timberlake says “sorry, my heart is racing” while clutching his chest.

Looking unsteady on his feet, the singer is then heard saying: “By the way, these are like, really hard tests.”

After failing the roadside tests, an officer is then seen asking Timberlake “turn around for me please”.

Saying nothing and looking resigned, he slowly turns before he’s put in handcuffs.

A friend appears and is shocked when police tell her Justin is going with them, saying: “You’re arresting Justin Timberlake? Stop it. What?”

She pleads with the officers to speak with him and give him his phone before she takes his car home.

She begs: “Can you guys please do me a favour because you loved Bye Bye Bye or Sexy Back, do me one favour. This is insane.”

At the end of the footage, the 10-time Grammy winner can be seen in the back of a cop car behind bars.

He was taken into custody that night and arraigned in Sag Harbor Village Justice Court the following morning.

He was released without bail on his recognizance and was also charged with one count of DWI due to his refusal of the breathalyzer, according to Justin’s lawyer.

Timberlake’s lawyers previously sued the Village of Sag Harbor to prevent the release as it showed him “in an accutely vulnerable state”, reports CBS.

It was later agreed it would be released with redactions.

That September, Timberblake reached a plea deal to bring the case to an end.

The judge sentenced Justin to a $500 fine with a $260 surcharge, and 25 hours of community service at the nonprofit of his choosing.

After the sentencing, Justin said: “Even if you’ve had one drink, don’t get behind the wheel of a car.

“There are so many alternatives. You can call a friend [or] take an Uber.”

He added: “This is a mistake that I made, but I’m hoping that whoever is watching and listening right now can learn from this mistake. I know that I certainly have.”

During the proceedings the star remained standing throughout and gave a statement in which he expressed remorse for his actions.

SOPHIE Habboo has been left sobbing after her husband Jamie Laing’s Mother’s Day present backfired.

The couple welcomed their baby boy Ziggy in December and this year marks Sophie’s very first Mother’s Day.

However, things didn’t end up going so well when Jamie presented his wife with a photo album of their son.

The former Made in Chelsea took to TikTok to share a video to capture the moment in question.

In the short clip, Sophie, 31, is seen bawling her eyes out as Jamie, 37, asks: “Wait, why are you upset?”

As she holds her head in her hands, she emotionally expresses: “He’s never going to be that small.”

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He captioned the post: “Reminder… Don’t make your wife a photo album of your newborn baby for Mother’s Day.”

Fans flocked to the comments section as one said: “So valid. You blink and they aren’t the little baby you brought home.”

Another person commented: “That’s the baby bond burrowing it’s way through all the tired days, the hard times and the cray cray. It’s painfully beautiful.”

Somebody else penned: “Bless her, we all know this feeling but the best is yet to come as his little personality develops.

“The days are long but the years are short so just treasure every second.”

Yet another follower gushed: “That’s so sweet. Bless your heart Sophie you’re such a lovely mum.”

While a fifth social media user added: “This was me yesterday, sending you a big hug Sophie.”

The pair announced the arrival of their first child back in December as they took to Instagram to share the news.

Alongside a photo of their baby boy, Jamie wrote: “Ziggy, you have our whole hearts.”

They were flooded with messages from fans and famous pals as Rylan Clark said: “Congrats you two xxx.”

“Congratulations guys,” weighed in Strictly judge Motsi Mabuse. “A new journey begins.”

“You did it mama,” wrote Jessie J.

“Oh my goodness so many congratulations. So excited for you and this amazing new chapter for you all! Biggest hugs,” added This Morning regular Alice Liveing.

Sophie recently opened up about her motherhood journey while attending the Brit Awards with Jamie earlier this month.

During an interview with Chloe Burrows for KISS FM, she was asked: “Is there anything you’re not loving about being a new mum?”

The new mother responded: “The constant mum guilt.”

“You just feel guilty for being here, but then feel guilty… yeah, that’s not good.”

While Jamie added: “The hardest thing about having a baby is the burping.”

Rolling her eyes, Sophie chimed in: “The mums do everything.”

But to that, Jamie claimed: “I mean, this is a joke.”

Moments later, Sophie then shared: “I have the better instincts.”

Stunned by his wife’s claims, Jamie clapped back and snapped: “No, I have better instincts.”

Joking around, the Made in Chelsea icon laughed: “I feel him. I can feel him right now.”

It’s been described as Game for a Laugh meets Saturday Night Takeaway – but Joel claims he was terrified during one particular challenge

Joel Dommett said he experienced “one of the most frightening moments of my life” after being disguised as a set of dog toys while trying to get a collar off a Great Dane in new show Celebrity Sabotage.

The Masked Singer star is joined by fellow disruptors GK Barry, Judi Love and Sam Thompson for the new Saturday night series which has been dubbed Saturday Night Takeaway meets Game for a Laugh. And at one point he was tasked with trying to grab the collar while GK tried to distract the owner from realising what was going on.

“I think it’s genuinely one of the most frightening moments of my life because we had this lady who had a Great Dane and so she was there with the dog. And so GK was there trying to distract the owner whilst I was dressed as dog toys, trying not to get caught by the owner, but trying to get the collar off the dog without being noticed.”

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The dog, at the time, was wearing a wig. “It turns out, not that safe,” he laughed. “Obviously the dog just wanted to eat me. Face to face with a dog, I can’t remember if I fell. You would bloody panic if you were on the floor. It’s called a Great Dane for a reason.”

GK admitted she was worried for him, telling him at the time. “Honestly, it’s not that deep, but I’d love you to still have a face after this episode. And he was like, ‘I’m going to go again’.”

Another time comedian Joel was made to hide inside a chair. “I dressed as that chair and I was just hidden in a room and we were all there. The entire time I was just thinking, ‘Please, nobody sit on me.’ That was all I was thinking.”

For the series, producers took over a manor house where they staged six fake reality shows, each with its own celebrity host, who were all in on the joke. Once the unsuspecting contestants arrived to take part, the four saboteurs set about carrying out missions being set for them by producers, with each set of players genuinely believing they were taking part in a brand new show for ITV. They were – but not the one they thought.

The good news for all of them, however, is that every time the saboteurs were successful, they were winning money for the unwitting contestants worth up to £30,000. Joel, 40, said that when they finally worked out what was going on, it made for great TV. “The reveal at the end when they realise that they’re winning money. It’s just like so heartwarming.” And he added “We just cause absolute chaos, carnage. I don’t know about you guys, but it’s the most fun I’ve had working on a show in a really long time.”

One of the challenges sees the team tasked with ruining the face masks being applied to people who were in on the joke in a fake spa – by lacing it with green dye, which stained their faces and left them filled with fake fury.

Judi said that one of the saboteurs spent a lot of time using one particular disguise. “We dress up as mad stuff. Basically every single episode GK is dressed as a bush,” she laughed. For herself, she said: “I think the skill I learned is that I can roll quite well. I’ll just leave it at that.”

Over the weeks the team are joined by guest saboteurs, one of whom was Jo Brand. ‘She was so funny. She just did not care about what we were saying,” they laughed. “There was one bit we were like, ‘Don’t get caught.’ She was just wandering around the corridors.

-Celebrity Sabotage starts on Saturday March 21 at 8pm on ITV1 and ITVX.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

COUNTRY music heartthrob Riley Green furiously kicked a “jealous boyfriend” out of his gig after being hit with a phone that left him with a bloody ear.

Riley needed five stitches to piece his ear back together following the Melbourne show on his Cowboy As It Gets tour.

During the gig, he was struck by a phone pelted from the pit which caused him to stop the performance and take off his guitar.

He then pointed out the offender and directed security to haul him out. Smiling with blood running down his neck, Riley then slung his guitar back on before being cheered by the raucous crowd.

The 37-year-old told them: “Damn, am I bleeding? See how tough I am?”

He then said: “You can get your phones out, and you can turn the flashlight on – but don’t throw them at me.”

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The violent incident certainly did no harm to Riley’s aura. His smitten fans sent messages of support on Instagram.

One said: “My babyyyyyy was bleeding.”

Another wrote: “Brother, don’t hurt my wife’s boyfriend!”

A third said: “He was bleeding but he’s a Bama boy…that’s just a little scratch. He can do anything he wants!”

While on one video, a fan wrote: “PSA to the jealous boyfriends., don’t throw your phones at Riley Green xx.”

Riley had a fun time despite the incident and regretted not being able to play for longer.

He wrote on Instagram: “Ole buddy ’bout ran outta anytime minutes last night… but a hell of a time was had.”

Riley’s become a global phenomenon in recent years.

Heartfelt songs like I Wish Grandpas Never Died, There Was This Girl, and Different ‘Round Here (feat. Luke Combs) have resonated thanks to their honest storytelling and southern drawl.

He supported Morgan Wallen at his BST Hyde Park gig in 2024 but put on a headline-worthy show.

Speaking about his summer in the capital, he told Entertainment Focus: “I wasn’t nervous but I certainly didn’t expect what happened! I thought that there would be, maybe, a handful of folks that knew a couple of my songs but they knew every word to every song.

“To see the size of the crowd……. especially when you go to another country and Canada had been the only other time I had played outside the States….. things are usually gradual in building up a fan base, right? It was shocking to see how passionate people were about country music over here.”

And he returned to these shores last year for some sold out gigs of his own.

OSCARS host Conan O’Brien has taken a dig at Timothee Chalamet in his opening speech after the actor’s controversial comments about the arts.

The Marty Supreme star found himself facing serious backlash after claiming “no one cares” about opera or ballet.

Conan, 62, kicked off the Oscars with a dig at Timothee, 30, as he smiled and laughed next to girlfriend Kylie Jenner, who arrived at the show dressed to the nines in a slinky red gown.

He joked about heightened security amid ongoing uncertainty in the world, pointing to an unexpected source of tension.

The former late night TV host quipped: “Security is extremely tight tonight…I’m told theres concerns about attacks from both the opera and ballet communities.”

He looked down at Timothee, who was giggling slightly.

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Kylie, 28, shifted slightly in her seat, smiling although she looked slightly uncomfortable.

Conan then added: “They are just mad you left out jazz!”

Later in the show, the Conan O’Brien Needs a Friend host circled back with Timothee, seemingly trying to smooth things over.

“I’m vibing with Timothee right now, we’re vibing, right?!” he asked, looking down at the Willy Wonka actor.

The camera did not pan to the star, but it doesn’t seem like he was feeling the same vibe.

Conan added: “He doesn’t think so, alright!”

At this point, Timothee must be somewhat used to the blowback.

He’s been taking heat for his comment for days now.

The Oscar-nominee was chatting with Matthew McConaughey at the University of Texas about efforts to preserve cinema back in February.

“I don’t want to be working in ballet, or opera, or things where it’s like, ‘Hey, keep this thing alive, even though like no one cares about this anymore’,” he said.

“All respect to all the ballet and opera people out there,” he added.

Since then, he’s taken heat from ballet and opera stars, as well as other big figures in Hollywood.

Steven Spielberg, for example, disagreed vehemently.

According to Page Six, he said of the arts during a 2026 SXSW panel: “At the end of a really good movie experience, we are all united with a whole bunch of feelings that we walks into the daylight with, or into the nighttime with.

Biggest Oscar Nominees of 2026 Academy Awards

Everyone in Hollywood hopes to snag a nod on the industry’s biggest night but only few get that honor. Here are the nominees from the major categories of the 2026 Academy Awards:

Best Picture

• Bugonia
• F1
• Frankenstein
• Hamnet
• Marty Supreme
• One Battle After Another
• The Secret Agent
• Sentimental Value
• Sinners
• Train Dreams

Best Director

• Chloé Zhao — Hamnet
• Josh Safdie — Marty Supreme
• Paul Thomas Anderson — One Battle After Another
• Joachim Trier — Sentimental Value
• Ryan Coogler — Sinners

Best Actor (Leading Role)

• Timothée Chalamet — Marty Supreme
• Leonardo DiCaprio — One Battle After Another
• Ethan Hawke — Blue Moon
• Michael B. Jordan — Sinners
• Wagner Moura — The Secret Agent

Best Actress (Leading Role)

• Jessie Buckley — Hamnet
• Rose Byrne — If I Had Legs I’d Kick You
• Renate Reinsve — Sentimental Value
• Emma Stone — Bugonia
• Kate Hudson — Song Sung Blue

Best Supporting Actor

• Benicio Del Toro — One Battle After Another
• Jacob Elordi — Frankenstein
• Delroy Lindo — Sinners
• Sean Penn — One Battle After Another
• Stellan Skarsgård — Sentimental Value

Best Supporting Actress

• Teyana Taylor — One Battle After Another
• Wunmi Mosaku — Sinners
• Amy Madigan — Weapons
• Elle Fanning — Sentimental Value
• Inga Ibsdotter Lilleaas — Sentimental Value

Best Original Screenplay

• Bugonia — Yorgos Lanthimos & Will Tracy
• Marty Supreme — Josh Safdie & Ronald Bronstein
• One Battle After Another — Paul Thomas Anderson
• Sentimental Value — Joachim Trier & Eskil Vogt
• Sinners — Ryan Coogler

Best Adapted Screenplay

• Blue Moon — Richard Linklater & Glen Powell
• Frankenstein — Guillermo del Toro
• Hamnet — Chloé Zhao
• The Secret Agent — Kleber Mendonça Filho
• Train Dreams — Clint Bentley & Greg Kwedar

Best Animated Feature

• Arco
• KPop Demon Hunters
• The Magnificent Life of Marcel Pagnol
• Zootopia 2
• The Night Gardener

Best International Feature Film

• The Secret Agent — Brazil
• Sentimental Value — Norway
• It Was Just an Accident — Iran
• Universal Language — Canada
• Sujo — Mexico

Best Documentary Feature

• The Alabama Solution
• Come See Me in the Good Light
• Four Daughters
• No Other Land
• The Perfect Neighbor

“And there’s nothing like that. It happens in movies, and in concerts. And it happens in ballet and opera, by the way.”

Timothee is nominated for two Oscars during the 2026 awards show.

He’s up for Best Actor for his role in Marty Supreme and Best Picture.

He will be up against Michael B. Jordan in Sinners; Leonardo DeCaprio in One Battle After Another; Wagner Moura in The Secret Agent; and Ethan Hawke in Blue Moon in the Best Actor category.

In Best Picture, Timothee is up against The Secret Agent, Bugonia, Train Dreams, F1, and Sinners.

CCTV footage released by Israeli police shows the moment an Iranian missile struck a street in Tel Aviv. Emergency crews say at least three people were injured, and several vehicles were destroyed.

CCTV shows the moment a car hits a Muslim woman in broad daylight in southeast London before the driver speeds away. The woman survived, and an investigation is ongoing, but no suspects have been arrested yet.

ZENDAYA grows back in time with a classic floral dress.

The actress, 29, posed in the gown, featuring a gilded ­hibiscus flower on the shoulder, at an awards bash this week.

Sarah Jessica Parker’s character Carrie Bradshaw strutted in it in 2008’s Sex and The City film.

And Whitney Houston wore a similar dress on a tribute issue of Life magazine in 2012.

Zendaya appeared to confirm she has wed Spider-Man co-star Tom Holland, 29, at the Essence Black Women in Hollywood Awards in LA.

The host asked for “a signal” on whether she should send a wedding gift, prompting Zendaya to show a gold band on her ring finger.

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Zendaya shows off ‘wedding ring’ for first time since marriage claims

NEWLYWEBS

Secrets of Zendaya & Tom Holland’s low-key relationship as stars ‘tie knot’

Zendaya’s stylist Law Roach has told how the A-List couple, both 29, have gotten hitched after getting engaged last year.

The singer has now been snapped at a Louis Vuitton fashion show, flaunting what appears to be her “wedding ring.”

She was spotted donning a thin gold band on her ring finger hidden among three huge silver rings.

Zendaya looked incredibly chic, flashing her legs in a white bubble skirt.

The US star wore a long sleeved white shirt with dramatic collars and cuffs and finished the outfit off with a chunky black belt and matching heels.

Her short brunette locks were tightly curled and tucked behind her ears.

Speaking on the red carpet at the Actor Awards earlier this month, Law told Access Hollywood: “The wedding has already happened. You missed it.”

When asked to spill more details by the reporter, the stylist laughed and said: “It’s very true.”

GEMMA Collins has won £20k at the Cheltenham races and made £5k off of just one bet.

The reality star, 45, was left overjoyed today when she raked in the cash and took home the huge amount of money.

A source told The Sun: “Gemma was over the moon and kept showing her wads of cash to James Nesbitt in the Paddy Power box. She made £20k the whole day – and £5k off one £500 bet.”

In an exclusive video obtained by The Sun, Gemma was seen shouting: “I’m f***ing loaded!,” as she revelled in her glory, before adding: “I’m coming home with 20 large ones.”

She took to Instagram to give fans a peek into her winnings as she showcased just one of her successful betting slips.

On the slip, it revealed that the former TOWIE star had won £5k from a £500 bet.

READ MORE ON GEMMA COLLINS

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Harry Redknapp reveals Gemma Collins had nasty fall on I’m A Celeb All Stars

GEM’S GARMS

Gemma Collins flogs her clothes on Vinted after losing 3 stone on Mounjaro

The television icon wrote over it: “I won @paddypowerofficial. Best day ever!,” alongside horse and four leaf clover emojis.

Gemma certainly looked the part at the Cheltenham Festival as she stunned while standing on a balcony with pals.

She kept warm in an eye-catching blue and purple checked coat with brown fur sleeves and a belt which perfectly synched in her waist.

She accessorised with a white and red headscarf and a pair of blacked out sunglasses.

Her winning moment was captured as she enjoyed a glass of bubbly and was hugged by friends surrounding her.

One of those people was Danny Dyer, who was seen throwing up a fist in celebration for the Celebrity Big Brother star.

In true Gemma fashion, she was spotted looking very animated as she celebrated her exciting victory.

Her big win comes after she was announced as part of the line-up for the second series of I’m A Celebrity… South Africa.

The show was filmed last year and will see familiar faces return for a second stint on the hit ITV series.

After it was announced earlier this week, Gemma revealed she nearly pulled out of it but was put in her place by her make-up artist.

Speaking at the press launch, Gemma said: “It didn’t work out for me the first time around in there and ever since it’s been like this black cloud hanging over my head.

“Obviously I’m older now and I just thought, I have to do this. It was one regret that I had that I left.

“I was absolutely bricking it. I was petrified. My makeup artist slapped me at Heathrow Airport because I actually said I don’t think I can actually go through with this.

“But do you know what? I took a deep breath. I went in strong. And to be honest, I think I shut it down.

“It’s not the GC in there. It’s Gemma Collins as you’ve never seen her before. You’ll see me vulnerable in there.

“I was so stripped bare going in there. And because I knew it was so disastrous the time before, I had no chance to back out of any of it.”

“The one thing that troubled me was the copious amounts of washing up,” said Gemma.

“I was on camp duty with Adam and obviously, it was a massive camp, and I’m not going to lie, I’ve got two dishwashers at home.”

ITV viewers will remember Gemma’s meltdown back in 2014 and refusal to get into a helicopter to get into camp on day one.

She was then forced to make her own way to camp, but things went from bad to worse.

After struggling with camp life and the food rations, she sensationally quit the series on day two.

HILARY Duff broke down in tears as she laid bare the heartbreaking feud with her sister.

The So Yesterday hitmaker – who is in the midst of a huge pop revival with new album Luck … Or Something – admitted the pair “don’t speak”.

Hilary, 38, first referenced bad blood with her actress and singer sibling Haylie, 41, in her album track We Don’t Talk.

The track also tellingly samples Gotye song Somebody That I Used To Know.

In a new podcast chat with Jay Shetty, she explained the delicate situation and how the ongoing drama is a “raw part of my existence”.

Hilary, who previously starred with her big sister on the pair’s infamous Lizzie McGuire TV show, fought back tears as she told the On Purpose podcast: “My sister and I don’t speak.

HEY NOW!

Stalking & ‘child trafficking rumours’ – scandals that have plagued Hilary Duff

STARS AT WAR

Hilary Duff admits she CRASHED A-lister ‘nemesis’ movie premiere during feud

“And I think in my adulthood I’ve come across more and more people that are having this experience”.

She branded the situation as “a very raw part of my existence’ before she added: “I hope it’s not forever, but it’s for right now”.

Hilary said: “As painful as it feels to share, when I decided to make this record, I could only talk about the things that I’ve gone through.

“Like there would be no purpose to make a record after 10 years than to face, you know, what it’s been like.

“That’s my truth.

“And I really worked hard to lyrically make sure that I’m just speaking about my experience, you know?”

The sisters haven’t been seen together in public since 2019.

During her recent tour Hilary, who is currently relaunching her music career with a slew of stage shows, appeared to lift the lid on the fall out with her sister, and even blamed “jealousy”.

During her recent concert in London, Hilary introduced fans to the new song, We Don’t Talk.

In a clip of her performing the song on stage, she sung: “Don’t know when it happened / Not even sure what it was about,” alluding to their broken down relationship.

She continued: “Cause we come from the same home, same blood.

“People ask me how you’re doing / I wanna say amazing, but the truth is that I don’t know / What I always end up saying is how … ”

For the chorus, Hilary sung: “We don’t talk, we don’t talk about it / We don’t talk about anything anymore.”

It is in the second verse that Hilary alluded to sibling rivalry.

“And if it’s ’cause you’re jealous / God knows I would sell it all, then break you off the bigger half,” she sung.

A fan then took to social media to put: “WOWW… Hilary Duff just sung We don’t talk and it’s 100% about Haylie. But not mean at all. Basically telling her to reach out.”

Another agreed and put: “I think Hilary misses her sister!”

In another interview, she confirmed the spat was the source material for her track.

“Yeah, it is. It’s definitely about my sister,” Hilary admitted.

After years of silence, back in November Hilary seemingly addressed the feud between her and her sister while chatting about “family drama”.

Speaking to Rolling Stone about her musical comeback, the star said she feels “ready to fill in the blanks and share with people and connect with them on the level of now”.

She then told the outlet how she and her fans have gone through twists and turns and “have gone through a lot of the same things”.

“Whether that’s complicated relationships, anxiety, raising kids, divorces, trying to find yourself in adulthood, family drama…

“Finally I felt safe enough and comfortable in my own family to step outside and open that part of myself up again,” she explained.

Chatter previously swirled that the pair, who were once very close, weren’t getting along because of differing political views.

However, social media gossip page DeuxMoi claimed that the sisters fought over Hilary’s husband, Matthew Koma, butting heads with Haylie’s husband, Matthew Rosenberg.

Dino Snores for grown-ups opens up the iconic Natural History Museum overnight

It’s one of the most iconic buildings and attractions in London and is known the world over.

The Natural History Museum is a marvel, containing tens of thousands of specimens from the natural world from across the globe and across time.

Not only that but the building is one of the most stunning in the capital, instantly recognisable and with some new wonder to be found on every visit.

And, in a real bucket list moment and a once in a lifetime experience, I was one of the people lucky enough to spend the night in this iconic building, sleeping under Hope the whale and wandering through the collections in the dead of night.

The Natural History Museum hosts Dino Snores for adults – and what an experience it is.

Not only do you get to spend the night sleeping beneath Hope the whale in the main Hintze Hall, there is so much going on there’s no way you’ll be getting your head down until the wee small hours.

Walking into the museum after the sun had gone down felt like living in my very own fairy tale. The exhibits in the incredible main hall were softly lit.

First up was a delicious three course meal in the T-Rex restaurant, followed by our first activity of the evening – stand-up comedy.

This is the Natural History Museum after all, so it did have a conservation theme in the form of comedian Simon Watt, founder of the Ugly Animal Preservation Society.

Who knew blob fish, frogs and the inexplicable inclusion of the kakapo flightless parrot could be so hilarious.

Next, there was a live animal workshop with ethical handling company, ZooLab, who encouraged us all to think how we would design our own dinosaur using traits from some of the amazing creatures who share the planet with us.

You were even allowed to touch some of these rare species – I very bravely overcame my terror to stroke a snake but have to admit to breathing a big sigh of relief when were were told the tarantula was a look only experience.

Then onto a lecture about sharks with a one of the museum’s palaeontologists – utterly fascinating.

A quick game of Dino Bingo, and then a stroll around the softly lit galleries with no crowds – the dinosaur section really is something else when the lights are out and it’s eerily quiet – and before we knew it it was 3am and we were ready to drop.

Tucking ourselves into our sleeping bags under the watchful gaze of Hope the whale, we were serenaded to sleep by a harpist – the theme from Jurassic Park as my personal favourite.

Throughout the night, there was a fully licenced bar as well as free tea, coffee and snacks to keep you going throughout the evening.

There was just so much to see and do, but for those who didn’t feel like roaming the halls of the Natural History Museum there was also a midnight film screening – what else but the original Jurassic Park.

Waking up in the iconic Hintze Hall was a real pinch me moment and off we went to our early morning yoga class – a stretch was just what we needed – before a full fry up and then some time to once again wander through the galleries, minus the crowds before the museum opened to the public at 10am.

This really was a magical experience and one I’ll cherish forever.

For more information about Dino Snores for adults check out the page on the Natural History Museum website.

There is also a Dino Snores event for kids, for more information visit the website.

Joe McDonald, lead singer and songwriter of Country Joe and the Fish — the band known for its resounding anti-war chant at Woodstock — has died. He was 84.

His wife, Kathy McDonald, announced his death Sunday morning. He died Saturday in his Berkeley home due to complications from Parkinson’s disease.

As a formative member of the American counterculture in the 1960s and ‘70s, McDonald leaves a legacy of bridging contemporary political satire and brazen anti-war sentiments with the early sounds of acid rock.

“We’re just so proud of him. He’s our hero. He instilled in us that we have to speak up when we can, on whatever platform we can, about issues that we feel are important,” said his daughter Seven McDonald, a film producer, music manager and writer.

“While he was a very serious, earnest activist, he also had such an acute sense of cynical humor that is so fantastic and was capable of scathing satire,” her brother Devin added. “He’s most famous for that, but he also did so many heartfelt benefits for different causes.”

The siblings, who spent their childhoods on the road and in recording studios with him, joke that he was always doing a benefit show.

The musician was born on Jan. 1, 1942, in Washington to Worden McDonald and activist Florence (Plotnik) McDonald, who were both members of the Communist Party. The family soon moved to the Southern California city of El Monte, where Joe McDonald was raised.

His musical roots reach back to when his father taught him to play the guitar at 7 years old. But before embarking on his career in music, McDonald enlisted in the Navy at age 17. He served as an air traffic controller at the Atsugi, Japan, air facility for three years. Upon coming back to the states, he tried out college for a short time before dropping out and moving to Berkeley.

Before experimenting with an early variation of Country Joe and the Fish alongside guitarist Barry Melton in the mid-1960s, McDonald started a small magazine called Rag Baby. Once the group was solidified, they decided to turn their folksy roots electric and made the move to San Francisco — just before the city’s legendary Summer of Love.

The group, born out of the Bay Area psychedelic rock scene, was soon signed by Vanguard Records and in 1967 released its debut album “Electric Music for the Mind and Body.” At the time the band’s label and producer were hesitant to let the musicians fully express their politics, and excluded the soon-to-be-hit anti-war anthem “I-Feel-Like-I’m-Fixin’-to-Die Rag” with the catchy chorus that began, “And it’s 1, 2, 3 what are we fighting for?”

Instead, they went with tracks like “Superbird,” a spoof of President Lyndon B. Johnson, which received little to no backlash. When the second album came around, the band was allowed to run with “I-Feel-Like-I’m-Fixin’-to-Die Rag” as the title track. Trouble started to arise with the anti-Vietnam war anthem when the group changed the beginning chant of F-I-S-H to a more profane four letter word that starts with an “F.”

They performed this altered cheer at a gig in Massachusetts, where McDonald received a charge for inciting an audience to lewd behavior and a $500 fine. With this police run-in, Country Joe and the Fish received a slew of press, riling up the public ahead of their Woodstock performance.

The moment the band members began this chant at Woodstock became arguably the biggest moment of their careers, with over 400,000 people joining in. It’s a moment of protest that has gone down in history.

Not long after the festival, the band went their separate ways. McDonald continued to release solo music that stuck with the similar themes of politics and the Vietnam War.

“He took the toll for taking the stand,” said Seven. “He was not the biggest pop star, because he just opted to speak his mind and do his thing.”

In 1986, McDonald released “Vietnam Experience,” an album full of songs analyzing its long-term impacts on his generation. And in 1995 he was “the driving force” according to an Associated Press story, behind a war memorial to honor Berkeley veterans killed in the Vietnam War.

He told The Times in 1986 that he had “an addiction to Vietnam … I’ve been doing work with veterans now for 15 years, and I probably know more about Vietnam veterans than any other person in the entertainment industry.”

“I’ve always believed that the veterans are a basic element to the understanding of war,” he added, “and the understanding of war is the only path to peace.”

McDonald is survived by his wife of 43 years, Kathy; his five children, Seven, Devin, Ryan, Tara Taylor and Emily; a brother, Billy; and four grandchildren.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

If you are anything like me, you felt pretty out of sorts this week, not sure how to process the news that we are suddenly, apparently, a nation again at war. It can make the movies seem frivolous — a glorious, privileged sandbox to stick your head in — but it is also times like these that make them seem most vital and necessary: a place to focus energy and anxiety and maybe figure things out.

I was particularly struck by something New York Times critic Wesley Morris said in an appearance on the podcast “The Big Picture.” He was ostensibly talking about the downside of the Paramount-Warner Bros. merger news (“These people are f— with our dreams here” is how he began) but he landed on why movies matter in their moment, crucial to “how we develop as a culture, how we come to understand ourselves as a people, what this country ought to or should look like 40 years from now.”

The week’s big new release is Maggie Gyllenhaal’s “The Bride!” a sort-of adaptation of 1935’s “Bride of Frankenstein” starring Jessie Buckley and Christian Bale that is also very much its own thing, purpose-built to drive some people up a tree and already sharply dividing critics.

Christian Bale and Jessie Buckley in the movie “The Bride!”

(Niko Tavernise / Warner Bros. Pictures)

In her largely positive review, Amy Nicholson calls the movie “an unhinged scream,” adding, “‘Every wacky second, you’re well aware how perilously close it is to falling apart at the seams. This spiritual sequel to ‘Frankenstein’ is a romantic tale of obsession, possession and fantasy — adjectives that also apply to its filmmaker, Maggie Gyllenhaal, who expends massive quantities of energy jolting it to life. She succeeds by the skin of her teeth.”

I interviewed Gyllenhaal about “The Bride!” — including the significance of that exclamation point in the title. There have been numerous reports about a back-and-forth between the filmmaker and execs at Warner Bros. and Gyllenhaal didn’t shy away from talking about it. She had specific praise for Pam Abdy, co-chair and co-chief executive of Warner Bros. Motion Picture Group.

“Something really alive was born, and I think the movie is better for the work that she and I did together,” Gyllenhaal told me. “I know that’s an unusual thing to say. I know that you have lots of people saying like, ‘Ah, the studio f— my movie up.’ That is not my experience. It’s really not.”

Louis Malle’s ‘…and the Pursuit of Happiness’

A scene from Louis Malle’s documentary “…and the Pursuit of Happiness.”

(Janus Films)

On Saturday, in a co-presentation of 7th House at the Philosophical Research Society and El Cine, the will be a 16mm screening of director Louis Malle’s 1986 “…and the Pursuit of Happiness,” a documentary made for television that explores the immigrant experience in America. The French-born filmmaker traveled across the U.S. interviewing recent arrivals from all walks of life.

Writing about the film in 1988, The Times’ Kevin Thomas called it “an often amusing and always insightful survey of the contemporary emigre experience. … an irresistible array of vignettes depicting cultural accommodation and assimilation in all its variety.”

I got on a video call this week with 7th House programmer Alex McDonald and El Cine founder Mariana Da Silva to talk about why this movie matters now.

The movie is streaming on the Criterion Channel right now. Why was it important to also put this movie in front of audiences right now?

Alex McDonald: I think Mariana and I are on the same page with this. I never let streaming or home video availability deter programming. Growing up, the theater was a holy place, a cathedral of congregation. I feel like these films are meant to be seen with an audience. And thankfully, I feel like our audience recognizes that as well, even if the film is out there. Particularly in our current moment, it’s a very prescient film and it’s one that will be all the more powerful within community.

Mariana Da Silva: I agree fully. One of the biggest things within our program is the communal aspects — just seeing the same people come back, that trust that develops with the audience. The best part I love about going to movie theaters is standing outside with people I maybe would never speak to and having a conversation about a film.

A scene from Louis Malle’s documentary “…and the Pursuit of Happiness.”

(Janus Films)

Do you respond to a movie like this as a sort of time capsule of how things were, or is it important to you that it is saying something about what’s happening right now?

McDonald: That’s something I’m very conscious of when I program repertory titles. When I program social, politically minded films, a lot of what I’m trying to do is to show that the issues within these things have not really changed — the ways in which things have progressed, the way in which we have regressed. Malle has such a humane view on all of these people in the film. He narrates but he doesn’t really editorialize. He just sort of observes, and in doing so, he’s making the most compelling argument for the richness of diversity and everything that these people contribute to this country, what they lose in assimilation, what they have to give up and what they bring. There’s a complexity to it. There are certainly dissenting voices in it and those resonate differently now.

It wasn’t perfect then. Obviously, there’s always been conflict, but I think there was an open-heartedness that has really shifted. And this is kind of a poignant reminder of what we need to try to get back to and recognize.

Da Silva: If we were able to have these conversations more openly, it would put us all on an even playing field. Humans are flawed. There’s been a lot of miseducation. In this moment, especially for me as somebody who is an immigrant, I feel like there’s so many people who I know who are so liberal and so aware, but then they don’t really understand the experience of the immigrant. And it’s not their fault in any capacity. They just haven’t been exposed to somebody like me before.

I think we can all come together on the things we celebrate, but we also need to be very open and come together on the things that we differ on too.

Points of interest

‘Good Night, and Good Luck’ in 35mm

George Clooney, left, and David Strathairn in the 2005 movie “Good Night, and Good Luck.”

(Melinda Sue Gordon / Warner Independent Pictures)

On Sunday afternoon at the Los Feliz Theater, as part of the American Cinematheque’s ongoing “Sunday Print Edition” series, there will be a 35mm screening of George Clooney’s “Good Night, and Good Luck,” introduced by The Times’ own Rosanna Xia.

Starring David Strathairn as pioneering television journalist Edward R. Murrow at the height of the McCarthy era, the film was nominated for six Oscars, including picture, director, actor and original screenplay.

As Kenneth Turan wrote in his original review, “‘Good Night, and Good Luck’ couldn’t be more unlikely, more unfashionable — or more compelling. Everything about it — its look, its style, even its sound — stands in stark opposition to the trends of the moment. Yet by sticking to events that are half a century old, it tells a story whose implications for today are inescapable. … The son of a TV anchorman, Clooney had the nerve to believe that a drama of ideas could be as entertaining as ‘Desperate Housewives.’ He insisted that a fight for America’s soul, a clash of values over critical intellectual issues like freedom of the press and the excesses of government, had an inherent intensity that would carry everything before it. And it does.”

‘Days and Nights in the Forest’ 4K restoration

An image from Satyajit Ray’s 1970 drama “Days and Nights in the Forest.”

(Janus Films)

Now playing at the Laemmle Royal in a new 4K restoration undertaken by the Film Foundation is Satyajit Ray’s 1970 “Days and Nights in the Forest.” In this examination of masculinity and class, four male friends drive from the bustling city of Kolkata to a rural village, mixing with the locals with volatile results.

In a special video introduction, Wes Anderson, a longtime admirer of Ray, admits he lifted a scene from “Days and Nights” for one of his own films — 2023’s “Asteroid City” — and says, “Anything by Satyajit Ray must be cherished and preserved, but ‘Days and Nights in the Forest,’ I think you will agree, is one of the special gems among his many treasures.”

‘Grease 2’ returns

Michelle Pfeiffer on the set of “Grease 2” in 1981.

(Vinnie Zuffante / Getty Images)

The Cinematic Void series at the American Cinematheque will show 1982’s pastiche musical “Grease 2” on Monday. Directed by choreographer-turned-filmmaker Patricia Birch, the film is, of course, a sequel to 1978’s megahit “Grease” but it is also very much its own thing. Largely dismissed on initial release, it has found a growing following over the years thanks in large part to its extremely engaging young cast, including an on-the-rise Michelle Pfeiffer.

In his initial review (more complementary than one might expect), Kevin Thomas wrote, “There’s so much youthful talent and vitality in ‘Grease 2’ that it’s depressing to discover it is so unblushing and relentless and paean to ignorance. … This is a pity, because Birch displays an organic sense of how to make dance evolve out of the kids’ everyday activities — converging en mass at Rydell High on the first day of school or having fun at the bowling alley. But Birch has scant opportunity beyond letting us know she cares for these ignoramuses, most of who seem likable enough beneath aggressively crude exteriors.”

Anti-fascist films at UCLA

Ingrid Bergman and Charles Boyer in the 1948 drama “Arch of Triumph.”

(Enterprise-UA / Photofest)

The ongoing series at the UCLA Film and Television Archive titled “From John Doe to Lonesome Rhodes: Anti-fascism from the Archive” hits a real stride this weekend for two nights of restored rarities. On Friday comes a restored 35mm print of 1948’s “Arch of Triumph,” directed by Lewis Milestone and starring Ingrid Bergman, Charles Boyer and Charles Laughton in a romantic drama of refugees in 1938 Paris. Also playing is Arthur Ripley’s rare 1944 emigree drama “Voice in the Wind.”

Much of the press around the film at the time of its release had to do with the challenge of bringing the racier aspects of the novel by Erich Maria Remarque (“All Quiet on the Western Front”) to the screen. As producer David Lewis told The Times’ Philip K. Scheuer, “I promise you that as Joan, Ingrid Bergman will set the town on its ear. They’ll never think of her as anything but sexy again.”

Saturday brings the world premiere of the 35mm restoration of Walter Comes’ 1947 “The Burning Cross,” in which a returning veteran is recruited into the KKK. John Reinhardt’s 1948 “Open Secret,” about antisemitism, will also play in a 35mm restoration.

The series concludes next week with a 35mm screening of Elia Kazan’s 1957 “A Face in the Crowd,” starring Andy Griffith in an examination of the dark side of populist politics and media manipulation.

Her gleeful cruelty was matched only by the audacity of her incompetence.

Packaged in cosplay costumes — cowgirl, solider, even firefighter and pilot — we were supposed to see her as strong. But far from the mother of dragons she seems to envision herself as, she came across as the killer of Cricket (poor pup), a childish narcissist in a deadly serious job.

It was so over the top, you don’t even need a name. You know who I’m talking about. So there’s little wonder that when President Trump dumped Kristi Noem as the head of Homeland Security this week, much of America — even a bipartisan slice, I dare say — reacted much like the residents of Oz when the house landed on the wicked witch.

From late-night talk shows to the halls of power, there was more than a bit of celebration, and some actually reasonable schadenfreude. Normally, the misfortune of others isn’t something I pile on, but oh, did that woman earn some scorn.

But while I’m not one to discourage a moment of joy in these troubling days, Noem’s unceremonious firing and what comes next likely won’t provide the relief and reset many are hoping for — or are claiming this is. For all the chaos and pain that federal agents from various departments have caused under Noem’s leadership, there’s every reason to believe Trump has plans to continue and even expand his deportation efforts, and maybe even use these poorly trained, poorly vetted troops to impose his will on the next election.

What we are witnessing, rather than any acknowledgment of policy gone awry, is spotlight envy from a petty president who doesn’t like to share attention, and a backroom concession that maybe optics do matter when you’re attempting to cram white nationalism onto a pluralist country.

It was, according to Fox News and other media, a claim under oath that Trump authorized Noem to spend more than $200 million on commercials promoting herself instead of him that got her canned. Pointing to just how deeply unpopular Noem made herself even within the Trump-verse, this death knell came courtesy of a set-up by a GOP senator, John Kennedy (R-La.), who walked Noem to her own demise with awe-inspiring political skill.

After forcing Noem to claim on the record multiple times that Trump knew about and approved the mega-spend on Noem’s ludicrously over-produced ads (while also raising questions about the contract and who benefited), Kennedy — almost certainly knowing Trump would see it — laid this dig on her with dripping Southern knife-in-the-back charm.

“To me, it puts the president in a terribly awkward spot,” Kennedy drawled, likely implanting grievance directly into the president’s brain. “I’m not saying you’re not telling the truth. It’s just hard for me to believe, knowing the president as I do, that you said, ‘Mr. President, here’s some ads I’ve cut, and I’m going to spend $220 million … running them,’ that he would have agreed to that.”

Soon after, Trump posted on social media that Noem was out. I bring this up because it wasn’t, after all, the substance of Noem’s actions that ultimately got her fired. In that same hearing on Capitol Hill, Democrats blasted Noem for the deaths of Alex Pretti and Renee Good in Minneapolis and her subsequent false portrayal of them as domestic terrorists; the conditions inside our ever-expanding network of detention centers that have led to deaths; and even her mile-high airplane bedroom where she may or may not be conducting an extramarital affair.

None of that seems to have bothered Trump. It was her self-promotion. And it was that same self-promotion, the constant demanding of attention, that likely also ultimately convinced those around Trump to dump her — because it was adding to the deep unpopularity of immigration roundups that have been dragging down Trump’s approval ratings and which therefore could hurt the midterm chances of down-ballot Trumpers.

Last month, a Quinnipiac poll found that 58% of voters wanted Noem removed, and almost 60% of voters disapproved of Trump’s immigration policies.

Noem was the public face of that disapproval, strutting forward with arrogance in the face of public censure, a veritable clown show of ineptitude. With her ouster, and the possible replacement by another Trump stalwart, Oklahoma first-term Sen. Markwayne Mullin, Trump removes the most visible and annoying sign of the unpopularity of his policies.

While pugnacious (he’s a former MMA fighter) and happy to create his own questionable headlines, Mullin is also far more low-key than Noem, and knows who the spotlight belongs to. He is almost certain to put a more palatable face on deportations and detentions (for some anyway) simply by not being so thirsty for press. A low bar, but there you have it.

But Mullin has made it clear that he backs the most extreme immigration policies Trump world can offer, and has little difference of opinion from Stephen Miller, the architect of this bleak moment, who seems to be running things slightly off screen.

The risk now is that Mullin can continue these policies, even expand them, with less scrutiny simply because he’s less offensive than Noem. Detention centers are being built at breakneck speed. In Arizona, ICE has begun charging legal immigrants with a Cold War-era law if they don’t carry their papers with them at all times. The Department of Justice is gutting the ability to appeal deportations, in an effort to hasten them without recourse. Nothing is changing — except the speed and force with which ICE is moving forward.

And Trump has doubled down on claims that illegal immigrants are responsible for massive voter fraud, laying the groundwork for some sort of intervention in the upcoming election. Election deniers have been installed in key positions — Mullin himself is one of them.

So far from a reset, Noem’s removal is a retrenching — an effort to remove our focus from the deeply troubling link between immigration policy and the threat to democracy while actually grinding forward on that dark path.

Because Noem was a train wreck we couldn’t help but watch, at a moment when the government would prefer we stop looking.