minneapolis

Unrivaled will tip off its third season with a coast-to-coast event on Jan. 8 at Intuit Dome, featuring a doubleheader.

Opening night in Los Angeles will begin at 7 p.m. with a matchup between the league’s first two MVPs, as Napheesa Collier and Lunar Owls BC go up against Chelsea Gray and Rose BC. The second game of the night will feature newly crowned WNBA champion Gabby Williams, the Sparks’ Cameron Brink and Hive BC going against Jackie Young and Laces BC.

“Opening our third season in Los Angeles at Intuit Dome is a significant milestone for Unrivaled and reflects how far the league has come in just two years,” said Unrivaled president and CEO Alex Bazzell. “With our expanded roster of talent and a coast-to-coast opening night, we’re excited to introduce even more fans across Los Angeles to the competition and player experience that make Unrivaled unique.”

Before the games at Intuit Dome, Unrivaled will start the season in Boston with a rematch of last season’s final, as the defending champion Mist take on Phantom. The opening game will be followed by Vinyl vs. Breeze.

The rest of the season will be played as part of an eight-city tour, including stops at the league’s home base, Sephora Arena in Miami, as well as Detroit and San Francisco on Jan. 11, Brooklyn on Jan. 22, Minneapolis on Jan. 24, Houston on Feb. 12 and Philadelphia on Feb. 15.

Unrivaled began touring the country during its second season, starting with a historic soldout game at Xfinity Mobile Arena in Philadelphia. The league also held its semifinal games before another sellout crowd at Barclays Center in Brooklyn.

Three-on-three basketball made its Olympic debut at the 2020 Tokyo Summer Olympics, where the United States took home the gold medal. Germany won the top prize at the Paris Summer Olympics. Unrivaled has maintained the three-on-three approach, but it is played on a condensed full court rather than the Olympic halfcourt format.

The league features WNBA stars such as Kelsey Plum of the Phoenix Mercury, Paige Bueckers of the Dallas Wings and Marina Mabrey of the Toronto Tempo.

Games will be televised on TNT, truTV and HBO Max.

The federal government has stopped sharing evidence with Minnesota authorities who are investigating the killings of Renee Good and Alex Pretti by federal officers, state officials said in recent court filings.

Minnesota officials sued President Trump’s administration in March for access to materials they said they needed to independently investigate the shootings during Trump’s immigration crackdown in Minneapolis earlier this year. The Trump administration has suggested that state prosecutors don’t have jurisdiction to investigate federal officers, while Minnesota officials have said they don’t trust the federal government to investigate itself.

The state is still seeking the cell phones of the officers involved in both shootings and recordings of key interviews.

State prosecutors announced in July that the federal government had begun turning over evidence in the cases, including police body camera video and hard drives containing statements. Hennepin County Attorney Mary Moriarty said at the time that the state expected to receive “all the evidence.”

But Minnesota investigators said in October court filings that the transfer of evidence stopped soon after the July announcement. Moriarty said the U.S. Attorney’s Office for Minnesota told her on Sept. 10 that evidence sharing would be on pause indefinitely “in light of challenges with D.C.,” according to the documents.

State prosecutors have again asked a judge to order federal agencies to hand over the evidence, arguing they “have identified no legal authority or rational basis justifying their obstruction of state criminal investigations.”

In a reply filed Tuesday, attorneys for the Justice Department argued it’s within their discretion to decline to share information with state authorities. They cited the department’s rules for responding to record requests, known as the Touhy regulations, which apply only when formal legal proceedings are underway. The attorneys said there was no active court case when Minnesota made its requests.

Drew Evans, superintendent of the Minnesota Bureau of Criminal Apprehension, said in a legal declaration that federal authorities still have Good’s clothing, the cell phone of the officer who killed her and interview recordings that state authorities have never been able to view.

An Immigration and Customs Enforcement officer fatally shot Good, a 37-year-old mother of three, while she was leaving a Minneapolis protest on Jan. 7. Bystander video shows Good in the driver’s seat of an SUV, repeatedly honking the horn, when masked immigration officers order her to step out of the vehicle. She starts to pull forward, and an officer standing in front of the car fires at her windshield. The officer, now standing about an arm’s length from the open window on the driver’s side, fires twice more, according to an analysis of the videos by The Associated Press and others.

Federal officials at the time said the officer acted in self-defense.

Good’s death and that of Pretti, a 37-year-old intensive care nurse who was killed weeks later by a federal officer in Minneapolis, ignited nationwide protests against the Republican president’s immigration enforcement efforts.

No criminal charges have been filed in connection with the fatal shootings.

Evans said the federal government also has not shared a recorded statement from an officer who shot Pretti, the firearms used by the officers, their phones, projectiles and casings, and a gun taken from Pretti before he was shot.

Schoenbaum writes for the Associated Press.

Los Tigres Del Norte will perform this Saturday at Anaheim’s Honda Center. Ahead of rocking the Pond with its classic hits, the famed norteño band brought its signature sound and activism to NPR’s Tiny Desk Concert. The performance closed out the series’ Hispanic Heritage Month celebration, dubbed as “El Tiny.”

Composed of the Hernández brothers (Jorge, Hernán, Eduardo and Luis) and cousin Óscar Lara, Los Tigres Del Norte was founded in the late 1960s in the Sinaloan town of Rosa Morada and settled in San José. It has sold millions of records worldwide with songs about the drug trade, unrequited love and immigrant life in this country.

That theme of immigrant struggle within the U.S. was top of mind when the group performed at NPR’s Washington, D.C., offices.

The group was recently honored by the city of Minneapolis in September for defending the rights of immigrant communities for decades, and for standing in solidarity with the city following the large-scale immigration enforcement campaign that took place there earlier this year. Minneapolis Mayor Jacob Frey proclaimed Sept. 9 Los Tigres del Norte Day.

“[Following the Immigration and Customs Enforcement raids], they told the people of Minneapolis, the Latino American community that we are one, that we are united and that we’re going to do everything possible for the people that we love,” Frey said in a September news conference.

Los Tigres’ director and lead vocalist Jorge Hernández told The Times the honor came as a surprise to the group, who was in town for the 39th annual Hispanic Heritage Awards to present the people of Minnesota with the Humanitarian Award for their collective acts of solidarity with the immigrant community throughout the ICE raids.

The frontman said he was humbled by the action and was touched to spend time with members of the Minneapolis community who worked on the front lines during the ICE surge.

“There were Latinos present who set an example for how to support people in [a time of chaos],” Hernández said. “Those who were documented brought food to families who were undocumented so that they didn’t have to go outside to face the problems that were made possible due to [the Trump administration]. It’s because of action like those that we showed up for the city.”

Immediately after its time in Minnesota, the band flew out to film the Tiny Desk set.

The performance was a long time coming, according to Hernández.

“It was something beautiful and historic for us which should’ve happened 10 to 15 years ago,” he said, blaming conflicting schedules for the delay.

Though postponed, the 73-year-old musician knew the band’s messages would land with as much timeliness as ever.

In his introduction for Los Tigres Del Norte, NPR’s “Alt.Latino” host and “El Tiny” coordinator Felix Contreras spoke about why he wanted the band to perform as part of Tiny Desk’s month-long celebration of Latinidad.

“Our community is under attack and it’s not the first time … and it takes away our humanity,” Contreras said before Los Tigres kicked off the set with their hit “Somos mas Americanos.” “And for as long as I can remember, these gentlemen have been giving us back our humanity.”

Opening with the 2001 track was notable as the song flips jingoist U.S. narratives about who can call themselves American. The lyrics assert that Mexicans are more American than “gringos” and highlight how a large swath of the U.S. once belonged to Mexico.

Los Tigres let their songs do all the talking as they played straight through a series of tunes from across several decades, including 1995’s “Golpes en el Corazón,” 1997’s “Quiero Volar Contigo,” 1989’s “Ni Parientes Somos” and the 1986’s bittersweet single “La Puerta Negra.”

Hernández said the group wanted to use the platform to bring further awareness to the struggles immigrants continue to face in this country with an audience that notably skews more American than Los Tigres is accustomed to.

“We performed songs that talk about the problematic systems [in the U.S.] that have been around for years, but that are right now worse than ever before,” Hernández said. “The songs we sang [for Tiny Desk] have a lot to do with our society. I hope the wider public can listen to it and translate the songs to English so that they can connect to the lyrics.”

He said he hopes that the band can set an example for younger people that political messaging through music can empower artists, not hinder them.

“We’ve been singing songs since the ’70s about immigration and problems our community faces,” Hernández said. “As an artist, if you see a problem that affects your community, no matter how much you ignore it, you must realize that you are an active participant. You can’t stay quiet, your songs should talk about your problems so that through your work you can connect with and inform people.”

One thing that has continued to surprise and inspire Hernández over the last few years is seeing younger generations of fans celebrate his group’s music.

“They are the future and we sing our songs to them so that they can hear about the problems in our community that have existed and that persist,” he said. “At some point in life you will face big problems and it will be important that you know your history, what you stand for and how to defend yourself. We want to help people know their rights and be prepared to know how to act in difficult times like right now.”