Meow

Cats want to talk to us. Scientists are trying to decipher the meow

For decades scientists and researchers have been vexed by a sound emanating from cats. Not a call of the wild, a roar or a hiss. No, multiple academics have attempted to decipher the meaning behind the mightily adorable meow of the domestic house cat.

Cats, it turns out, are conversationalists. And good news for cat parents: Studies suggest they’re often attempting to talk to us.

“One of the biggest takeaways from scientific research is that meowing seems in many ways to be specialized for communication with humans,” says Jay Schwartz, an associate professor of psychological science at Western Oregon University. “In that sense, the meow holds the legacy of thousands of years of evolutionary change in cats to adapt to life with humans.”

A clowder of stories celebrating cats and the L.A. people who love them.

Adult cats, specifically, rarely meow to one another, instead preferring other vocal intonations or facial signifiers. The meow, in short, is meant for us.

“The exception is communication between kittens and mothers,” Schwartz says, “which is also the main context where we see meows in wild feline species. One hypothesis is that cats have this instinct to meow towards their mother, and humans in many cases sort of take on that mother role.”

But now that we know that cats are attempting to communicate with us, is there a way for pet caregivers to better understand what a cat is attempting to say? Research is ongoing, but many papers have sought to analyze not only the different pitches and tones of the meow, but also how good we — humans, that is — are at understanding them. There’s evidence at least that we’re listening. One European study indicated that cat owners often meow back at their pets. This is different than, say, dog providers, who were reported to rarely return a canine’s bark.

An informal polling of the researchers interviewed for this article found that, yes, cat parents are likely to return the meows of their feline. And I know from personal experience with my own cat that I am an avid meower.

Asked, for instance, if he meows to his cats, Jonathan B. Losos, an evolutionary biologist and author of the book, “The Cat’s Meow: How Cats Evolved From the Savanna to Your Sofa,” wouldn’t deny it. “I’m sure they are deeply offended by my attempts, but yes, yes I do,” Losos says.

But there’s no need to mimic a cat’s meow, especially if one is hoping to train a cat or have them associate certain words with particular rewards — treats, playtime and affection work well for that. And besides, there’s a theory that, with the meow, the cats were evolving to imitate us.

“Our cats’ ancestors were already meowing when they began living alongside humans,” Schwartz says. “We know this because cats’ closest evolutionary relatives, African wild cats, meow.”

Yet there are key differences in the meows. Schwartz says the meow of a domestic cat is “cuter and less harsh” than those of a wild cat. The cats likely knew what they were doing.

“One hypothesis is the meow happened to share some acoustic similarities with the sounds of human infants,” Schwartz says, “and so nearby humans were responsive to it. This set the stage for a co-evolutionary relationship where, over generations, cats began to produce meows that are more fine-tuned for human communication. It’s a case of evolution taking a tool that already exists and modifying it for a new purpose as a species adapts to a different environment.”

And while meows, of course, vary from cat to cat, Kristyn Vitale, a certified applied animal behaviorist and founder of the Michigan-based Maueyes Cat Science and Education center, says there are ways to decode them. Vitale points to research out of a Swedish university that looked at the melody and tone of the meow.

“So when it dips down at the end,” Vitale says of the meow, “that’s often correlated with negative affective states. So, feeling stressed or fearful. You hear that if you’re trying to get your cat into the carrier or messing around with them, like at the vet. Then they’ll often have a downward pitch. And then for happy, more content states, there is an an uptick at the end. They found that to be pretty consistent in their vocalizing. Whether it goes up or down is indicating the cat’s mood.”

And yet the key to understanding a cat’s meow will often rest specifically with that cat’s caretaker. Losos in his book cites a number of papers on cat vocalizations, and one of his favorites is the work of Nicholas Nicastro and the series of studies that followed up on Nicastro’s research. Nicastro made recordings of a number of cat meows when the pets were in different states — being fed, for instance, or brushed. Nicastro also placed cats in unfamiliar environments, hoping to get meows of dissatisfaction.

Nicastro wanted to see whether humans could identify the emotional state of the cat based solely on the sound. “The people did no better than guessing,” Losos says. “They had no clue.” It was an indication, Losos argues, that cats have no uniform language.

But don’t despair, those who want to understand their cats better. Other research has advanced Nicastro’s work, including studies that paired a cat’s meows directly with their caretaker instead of random participants. When those who lived with the cat were involved, the results differed drastically. I joke that I like to think I can understand when my cat’s meow is asking me to open the bedroom window blinds, which is where her desired bird-watching perch is. Losos says I may be right — or at least not entirely wrong.

“The people who lived with the cat were quite good at saying, ‘Chester is unhappy with you,’ or ‘Oliver is very content right now,’ ” Losos says. “What that suggests is that there is a private language that develops between cats and the people they live with in order for cats to communicate what they want or what their mood is. That’s fascinating. You and your cat have worked out how to understand when she’s hungry, for instance.”

Research is continuing to better understand the communication between a cat and the cat’s owner. Schwartz and Vitale, for instance, are hoping to finalize a study soon that looks at how cats may greet their caretakers — or express a form of sadness or confusion when they leave.

“We looked specifically at meows in two contexts: separation from their human in an unfamiliar environment, and then the human’s return,” Schwartz says. “We found some subtle but consistent differences in the pitch and length of meows between those two contexts, suggesting maybe cats have different meows for ‘Where did you go?’ and ‘You’re back!’ ”

Yet there’s one thing that Schwartz wants to make clear. The meow, as cute and attuned as it may be to get a human’s attention, is not in his mind a tool for manipulation, as some have proffered.

“This idea that cats are trying to manipulate us is a big pet peeve of mine,” he says. “I don’t think cats are intentionally manipulating us in the sense of understanding the effects that their meows have on our psychology. However, they probably understand the link between their behavior and ours. If they have learned that meowing is a way to achieve a desired outcome, they’ll do it.”

In other words, cats just want to be heard.

Source link

Meow Wolf L.A. announces the local artists who’ll bring the immersive world to life

Meow Wolf is getting closer to unveiling its Los Angeles locale. When doors open — the company is targeting late 2026 — anticipate a walk-around, floor-to-ceiling experience that pays homage to the art of cinema with a sci-fi, psychedelic-like bent.

And to bring that vision to life, the Santa Fe, N.M.-based experiential art collective will be working with nearly 40 L.A. artists across multiple mediums. Expect more than a dozen sculptural and diorama artists to contribute, along with those who specialize in mixed media for interactive and video content. Local artists will also create a number of murals for the space, and a handful of artists have been chosen to curate their own life-size rooms in the venue at West L.A.’s Howard Hughes entertainment complex.

Artist Gabriela Ruiz will be contributing a major piece to Meow Wolf L.A.

Artist Gabriela Ruiz will be contributing a major piece to Meow Wolf L.A.

(Jason Armond / Los Angeles Times)

While the bulk of a Meow Wolf exhibition is envisioned and designed by a core in-house team in Santa Fe, the company partners with dozens of local artists in each city to ensure a local flavor. Here in Los Angeles, the task of curating L.A. artists fell heavily to Han Santana-Sayles. As a SoCal native from a Mexican American family, Santana-Sayles has told me, “I would be dishonored” if the exhibit failed in its mission to capture the breadth of the L.A. population.

“It’s really important to make that intentional,” Santana-Sayles said. “I’m not just going out and saying, ‘They have art I like. I’m going to bring them in.’ It’s a combination. Yes, they’re an amazing artist, and they have a really important story for this region.”

Santana-Sayles worked closely with art curator AJ Girard as Meow Wolf’s local art liaison. Girard has spoken of being inspired by everything from L.A.’s emphasis on social media to commercialism to graffiti art.

“Social media and social capital is so relevant in our city,” Girard said. “How do we make fun of it in an avant-garde, punk, radical way? How do we poke holes at it?”

Artists tapped to create full-scale rooms at Meow Wolf L.A. include Gabriela Ruiz, who crafted an adorably vibrant, multicolored insect that will serve as a periscope, and collective Everything Is Terrible, who described their space as featuring a “cartoony, root vegetable floating alien god.”

Also look for contributions from Compton’s Charles E. Dickson, a renowned self-taught sculpture artist, whose public works can be found throughout the region, including at Metro’s Mariposa Station and outside the California African American Museum, and Jen Stark, whose geometric kaleidoscope art flirts with the natural and the synthetic. Stark’s “Chromatic Cascade” is a staple of downtown’s Art’s District.

Lauren YS (a.k.a Squidlicker) is also tapped to have a room at Meow Wolf L.A., known for hyper-vivid colors and surrealist mythology. The artist currently has a piece in “Mythical Creatures: The Stories We Carry” at the USC Pacific Asia Museum.

Downtown L.A. street artist S.C. Mero will be contributing a sculpture piece to Meow Wolf L.A.

Downtown L.A. street artist S.C. Mero will be contributing a sculpture piece to Meow Wolf L.A.

(Kayla Bartkowski / Los Angeles Times)

Others with exhibiting rooms include Wayne White, album artist, surrealist and puppeteer, perhaps best known for his work as the main puppet-maker for the children’s show “Pee-wee’s Playhouse; Seth Bogart, known best as a local musician (Hunx and his Punx); upcycled fashion specialist Corinne Loperfido; cartooney psychedelic artist Killer Acid; and longtime Meow Wolf contributor Nick Toll.

Meow Wolf L.A. lists seven artists as contributing either video installations and games to the space, including artist/musician Vinyl Williams and musician/animator Hugo Shiboski with director/media artist Will Wharton. Animators Réka Bucsi, Agnus Oakes and Cadmiumcoffee, as well as digitial artist Blake Kathryn will also contribute. It was previously announced that local animation house Titmouse would be supplying media for Meow Wolf L.A.

Six artists are slated to paint murals for Meow Wolf L.A. Look for work from Bunnie Reiss, Ozzie Juarez, Greg Ito, Harlen Hue, Evelyn Tan and Devin Reynolds.

Finally, more than a dozen L.A. artists are listed as contributing either sculptures or dioramas to the exhibition. Those artists range from downtown L.A. street artist S.C. Mero to multidisciplinary artist Ruben Ulises to former Coachella Valley Music & Arts Festival contributor Sofia Enriquez.

Rounding out the list will be David Altmejd, Sharif Farrag, Joe Holliday, Nemo Gould, Alake Shilling, Elrod, Brooke Weston, Shrine, Hana Ward, Roberto Benavidez, Estevan Oriol, Wizard of Barge, Mike Chattem and Karla Ekaterine Canseco.

Meow Wolf helped define the modern immersive space. Since 2016, when the once-scrappy Meow Wolf opened Santa Fe’s “House of Eternal Return” exhibition, the company has welcomed about 10 million visitors across its four venues in locales such as Las Vegas, Denver, Houston and the Dallas suburbs.



Source link