HomeInsuranceHurricane Melissa Devastation Saddles Jamaica With Multi-Billion-Dollar Bill
Jamaica faces an $8 billion-plus price tag to repair the damage caused by Hurricane Melissa. Wind gusts hit a record-breaking 252 miles per hour between October and November.
The catastrophe claimed 45 lives, 15 remain missing, and a further nine cases are under investigation.
Prime Minister Andrew Holness stated that repairs will be equivalent to 30% of Jamaica’s GDP. However, the World Bank’s and Inter-American Development Bank’s estimates of $8.8 billion would amount to 41% of GDP. That makes Melissa the most expensive hurricane in Jamaica’s history. Housing insurance alone could total between $2.4 billion and $4.2 billion. The Office of Disaster Preparedness and Emergency Management recorded 156,000 homes damaged and 24,000 considered total losses.
According to Verisk Analytics, “Many neighborhoods in St Elizabeth parish … are reporting significant damage, with 80% to 90% and, in certain cases, 100% of roofs destroyed.”
The Cost of Recovery
Jamaica is looking to its insurers and multilaterals for immediate financial relief. The Caribbean Catastrophe Risk Insurance Facility (CCRIF) made two payments totaling $91.9 million. The World Bank added another $150 million.
A further package of aid from the World Bank is forthcoming. This will include emergency finance redeploying existing project funds to speed up repairs and private-sector assistance via the International Finance Corporation. The CCRIF’s payout will come from Jamaica’s cyclone and excessive rainfall parametric insurance policies.
Holness promises that the government will spend each dollar carefully.
“We will spend to relieve human suffering, but every dollar that is spent will be accounted for,” he told reporters while touring disaster sites, “and not just from an accounting point of view, meaning adding up the dollar spent. It will be accounted for from an efficiency point of view, which is really the greater accountability. Every dollar spent, every aid given, every commitment made, will be used in a way that quickly advances the recovery, but at the end of it makes Jamaica stronger.”
The Mexican actor and human rights advocate taps into her inner Sydney Bristow alongside Simu Liu in “The Copenhagen Test,” the new spy series on Peacock.
Melissa Barrera is no stranger to a certain type of espionage. Dangerous missions. Sometimes starting in the dark of night. One particular covert operation she regularly took part in is one many daughters have had to take with their resolute mothers — Black Friday shopping.
She recalls crossing the border from her hometown in Monterrey, Nuevo León, in the wee hours of the morning to McAllen or Brownsville in Texas to score primo deals at the big-box stores.
“It felt like a treasure hunt for me,” she recalled. “In my mind, it was like a mission, getting the things that we had to get. I like challenges and being given instructions. That was very satisfying for my personality type.”
That experience prepared the Mexican actor for her role as a spy juggling secret identities in Peacock’s “The Copenhagen Test,” premiering Dec. 27. The espionage thriller stars Simu Liu as an intelligence analyst whose brain has been hacked, putting his thoughts and memories in the hands of unknown perpetrators. Barrera co-stars as Michelle, a spy tangled in the web of deceit.
“It was a challenge. I’d never done anything like this before, in the sense that you really don’t know who Michelle is,” said the actor, who chatted over Zoom from Barcelona where she’s filming another thriller, “Black Tides.”
“It was also confusing for me as an actor, because we didn’t have all the scripts at the beginning, so I had made up who I thought Michelle was — and then I would get more scripts and I was like, ‘Well, that goes out the window.’ It was a constant construction.”
Those Black Friday missions weren’t the only ways in which Barrera was innately prepared for the role. Growing up, she devoured the Jennifer Garner spy series “Alias.” She spent hours as a teen watching and rewatching episodes on DVD. It was Garner’s ass-kicking turn as Sydney Bristow, and her many stealthy alter egos, that planted a seed in Barrera.
“I was obsessed with that show,” she says. “As a young teenager, I was like, ‘I want to be a spy.’ I would research online: ‘How do you get recruited as a spy?’ That’s how obsessed I was.”
She longed for intrigue, for covert operations, for wigs. Not just the kind of spy business that equates to elbowing señoras at Best Buy for a deeply discounted TV. And then came “The Copenhagen Test.”
“I just thought that it was so fun, the role playing within the role playing that happens,” she said. “I read the scripts, and they were really good. And I got to be a spy. I was like, this is a no-brainer for me. I’ve been asking for this since I was 12, so it was a dream come true for young me.”
From “Episode 101” of “The Copenhagen Test”: Melissa Barrera as Michelle and Simu Liu as Alexander.
A spy series is just the latest in a long wishlist of roles for Barrera, who got to flex her dramatic side in “Vida,” her vocal and dance prowess in the musical “In the Heights,” and dive into scream queen territory in “Scream V” and “Scream VI.”
“I think it’s valuable for Latinos onscreen to bring in some of their background when it fits, and when it doesn’t, there’s no need to push it — I’m representing Latinos just by being there,” said Barrera, with a nod to ongoing discussions surrounding Latino inclusion in Hollywood. “[Yet] I’ve always wanted to explore all parts of myself. I’ve always wanted to try different things. I think it’s been happening, because I do believe that whatever you put out into the universe comes to you.”
It’s not just dream acting roles that Barrera puts out into the universe, hoping it produces something good. The 35-year-old is an outspoken advocate for Palestinian rights, wearing her beliefs quite literally on her chest — during our call she sports a hoodie with the phrase “words not actions” in the shape of a watermelon, a symbol of perseverance and resistance for Palestinian people. She’s never shied away from using her voice, in particular for this specific human rights issue, and it’s come with its consequences.
Two years ago, Barrera was fired from the forthcoming installment of the Scream franchise, “Scream VII,” as well as dropped from her agency for posts she shared and wrote on social media calling Israel’s attacks on Gaza acts of genocide and ethnic cleansing.
“Gaza is currently being treated like a concentration camp,” read one of her Instagram stories in following the events of Oct. 7. “Cornering everyone together, with no where to go, no electricity no water … People have learnt [sic] nothing from our histories. And just like our histories, people are still silently watching it all happen. THIS IS GENOCIDE & ETHNIC CLEANSING.”
Her firing drew widespread attention and critical discussion over what was viewed by many as the latestform ofHollywood blacklisting. Last year, Barrera spoke to De Los about the backlash, saying, “It wasn’t easy to be labeled as something so horrible when I knew that wasn’t the case. But I was always at peace because I knew I had done nothing wrong. I was aligned with human rights organizations globally, and so many experts and scholars and historians and, most importantly, Indigenous peoples around the world.”
Over a year later, her stance hasn’t changed. In fact, that period changed everything for Barrera.
“I’ve always had that inner inquietude, that kind of yearning for equality and for justice and for eliminating any kind of prejudices and racism and colorism, which is very prevalent in Mexico,” she explained. “But I honestly think it was Palestine that did it for me, that crumbled everything for me. After that, it’s been a before and after in my way of thinking and my way of viewing the world; in my way of viewing the industry and the way that I want to move forward.”
As Barrera moves forward, using her platform to speak up for injustice is inextricable from her sense of self and her place in Hollywood. What she brings to the screen is her full self, regardless of the role; to play a spy, or a scream queen, or any other character takes knowing who you are and what you stand for. Now, more than ever, Barrera is firmly grounded and ready for action.
England Netball will donate £1 to Netball Jamaica’s chosen charity, World Central Kitchen, from every Horizon Series ticket sold – and has also announced fans will be able to contribute to the British Red Cross’ Disaster Fund.
The fixtures may be taking place under challenging circumstances, but England captain Francesca Williams said her team’s approach remains unchanged.
“We’re definitely not holding back,” Williams told BBC Sport.
“You are always going to put out your best performance possible and do what you can to help the team win. That’s showing the other team the most respect, playing to your best ability.”
While these matches represent “more than the scoreline”, the Jamaican side will be “coming just as hard” as they would if it were in different circumstances, Williams said.
But for them, it is also a chance to bring joy to people back home.
Sutherland said people in Jamaica “are setting their alarm, and putting on their black, green and gold” to watch the games on television.
She hopes the TV audience include her grandfather if the power is restored to his area in time.
“He’s really excited that I’m on tour, asking how he will watch the game,” she said.
“It means a lot to him. He walks around telling everybody: ‘My granddaughter is a Sunshine Girl!'”